China Studies Wiki - User contributions [en]

Introduction to Foreign Literature

2017-04-12T14:36:48Z

Arisales:

=Session overview=
*Week 1 Introduction and Course Organization 基本介绍与课程构成
*Week 2 Emergence of Literature 文学的起源
*Week 3 Literature: The role and function of Literature, especially foreign literature 文学：文学的角色和功能，尤其是在外国文学之中
[[Literature: The role and function of Literature by Zhang Ming]]
*Week 4 Literature: History, concept of world literature 文学：历史，世界文学概念
[[Concept of world literature_handout by Liu Yuehao]]
*Week 5 Earliest translations from the West to Chinese 从西方到中国的早期翻译
*Week 6 Examples of world literature: Tales from Mesopotamia and India 早期翻译：从美索不达米亚的传说到印度的传说
*Week 7 1001 Nights and Western Fables 《一千零一夜》与西方寓言
*Week 8 Common motifs in literature: The dragon 文学中的普遍意象：龙
*Week 9 Common motifs in literature: The harlekin 文学中的普遍意象：丑角（打诨者,逗笑者）
*Week 10 Religious texts: Buddhist hagiography and stories of the bible 宗教文本：佛教圣徒传与圣经故事
*Week 11 Top literary works, Love stories / romances and coming of age 顶级文学作品，爱情故事／浪漫主义时代的到来
*Week 12 Top literary works, Criminal stories and ghost stories 顶级文学作品，犯罪故事与鬼怪故事
*Week 13 Foreign Poetry and its Chinese translations 外国诗歌和它的中文翻译
*Week 14 Top literary works, Fantasy, Science Fiction and Utopia 顶级文学作品，幻想故事、科学小说与乌托邦故事
*Week 15 Histories of literature 文学史

=Texts for download (pdf)=
[[Media:Concept of world literature_handout by Liu Yuehao.pdf]]

=Powerpoints for download (ppt)=

Introduction to Foreign Literature

2017-04-12T14:12:22Z

Arisales:

File:Xxx by Liu Yuehao.pdf

2017-04-12T14:08:56Z

Arisales: none

none

Introduction to Foreign Literature

2017-04-12T13:58:48Z

Arisales:

File:Concept of world literature handout by Liu Yuehao.pdf

2017-03-21T12:50:34Z

Arisales: Arisales uploaded a new version of "File:Concept of world literature handout by Liu Yuehao.pdf"

File:Concept of world literature handout by Liu Yuehao.pdf

2017-03-21T12:45:59Z

Arisales:

Concept of world literature handout by Liu Yuehao.pdf

2017-03-21T12:44:20Z

Arisales: Created page with "[media:04_handout.pdf]"

[media:04_handout.pdf]

Introduction to Foreign Literature

2017-03-21T10:57:25Z

Arisales: /* Texts for download (pdf) */

=Session overview=
*Week 1 Introduction and Course Organization 基本介绍与课程构成
*Week 2 Emergence of Literature 文学的起源
*Week 3 Literature: The role and function of Literature, especially foreign literature 文学：文学的角色和功能，尤其是在外国文学之中
[[Romeo and Juliet]]
*Week 4 Literature: History, concept of world literature 文学：历史，世界文学概念
[[Concept of world literature_handout by Liu Yuehao]]
*Week 5 Earliest translations from the West to Chinese 从西方到中国的早期翻译
*Week 6 Examples of world literature: Tales from Mesopotamia and India 早期翻译：从美索不达米亚的传说到印度的传说
*Week 7 1001 Nights and Western Fables 《一千零一夜》与西方寓言
*Week 8 Common motifs in literature: The dragon 文学中的普遍意象：龙
*Week 9 Common motifs in literature: The harlekin 文学中的普遍意象：丑角（打诨者,逗笑者）
*Week 10 Religious texts: Buddhist hagiography and stories of the bible 宗教文本：佛教圣徒传与圣经故事
*Week 11 Top literary works, Love stories / romances and coming of age 顶级文学作品，爱情故事／浪漫主义时代的到来
*Week 12 Top literary works, Criminal stories and ghost stories 顶级文学作品，犯罪故事与鬼怪故事
*Week 13 Foreign Poetry and its Chinese translations 外国诗歌和它的中文翻译
*Week 14 Top literary works, Fantasy, Science Fiction and Utopia 顶级文学作品，幻想故事、科学小说与乌托邦故事
*Week 15 Histories of literature 文学史

=Texts for download (pdf)=
[[Concept of world literature_handout by Liu Yuehao.pdf]]

=Powerpoints for download (ppt)=

Introduction to Foreign Literature

2017-03-21T10:56:27Z

Arisales: /* Texts for download (pdf) */

=Session overview=
*Week 1 Introduction and Course Organization 基本介绍与课程构成
*Week 2 Emergence of Literature 文学的起源
*Week 3 Literature: The role and function of Literature, especially foreign literature 文学：文学的角色和功能，尤其是在外国文学之中
[[Romeo and Juliet]]
*Week 4 Literature: History, concept of world literature 文学：历史，世界文学概念
[[Concept of world literature_handout by Liu Yuehao]]
*Week 5 Earliest translations from the West to Chinese 从西方到中国的早期翻译
*Week 6 Examples of world literature: Tales from Mesopotamia and India 早期翻译：从美索不达米亚的传说到印度的传说
*Week 7 1001 Nights and Western Fables 《一千零一夜》与西方寓言
*Week 8 Common motifs in literature: The dragon 文学中的普遍意象：龙
*Week 9 Common motifs in literature: The harlekin 文学中的普遍意象：丑角（打诨者,逗笑者）
*Week 10 Religious texts: Buddhist hagiography and stories of the bible 宗教文本：佛教圣徒传与圣经故事
*Week 11 Top literary works, Love stories / romances and coming of age 顶级文学作品，爱情故事／浪漫主义时代的到来
*Week 12 Top literary works, Criminal stories and ghost stories 顶级文学作品，犯罪故事与鬼怪故事
*Week 13 Foreign Poetry and its Chinese translations 外国诗歌和它的中文翻译
*Week 14 Top literary works, Fantasy, Science Fiction and Utopia 顶级文学作品，幻想故事、科学小说与乌托邦故事
*Week 15 Histories of literature 文学史

=Texts for download (pdf)=
[[Concept of world literature_handout by Liu Yuehao]]

=Powerpoints for download (ppt)=

Introduction to Foreign Literature

2017-03-21T10:55:34Z

Arisales: /* Texts for download (pdf) */

=Session overview=
*Week 1 Introduction and Course Organization 基本介绍与课程构成
*Week 2 Emergence of Literature 文学的起源
*Week 3 Literature: The role and function of Literature, especially foreign literature 文学：文学的角色和功能，尤其是在外国文学之中
[[Romeo and Juliet]]
*Week 4 Literature: History, concept of world literature 文学：历史，世界文学概念
[[Concept of world literature_handout by Liu Yuehao]]
*Week 5 Earliest translations from the West to Chinese 从西方到中国的早期翻译
*Week 6 Examples of world literature: Tales from Mesopotamia and India 早期翻译：从美索不达米亚的传说到印度的传说
*Week 7 1001 Nights and Western Fables 《一千零一夜》与西方寓言
*Week 8 Common motifs in literature: The dragon 文学中的普遍意象：龙
*Week 9 Common motifs in literature: The harlekin 文学中的普遍意象：丑角（打诨者,逗笑者）
*Week 10 Religious texts: Buddhist hagiography and stories of the bible 宗教文本：佛教圣徒传与圣经故事
*Week 11 Top literary works, Love stories / romances and coming of age 顶级文学作品，爱情故事／浪漫主义时代的到来
*Week 12 Top literary works, Criminal stories and ghost stories 顶级文学作品，犯罪故事与鬼怪故事
*Week 13 Foreign Poetry and its Chinese translations 外国诗歌和它的中文翻译
*Week 14 Top literary works, Fantasy, Science Fiction and Utopia 顶级文学作品，幻想故事、科学小说与乌托邦故事
*Week 15 Histories of literature 文学史

=Texts for download (pdf)=
Concept of world literature_handout by Liu Yuehao

=Powerpoints for download (ppt)=

Concept of world literature handout by Liu Yuehao

2017-03-21T10:53:31Z

Arisales: /* Concept of world literature */

Handout
'''Introduction to Foreign Literature'''
Lecture4, 03.20.2017

== Concept of world literature ==

'''简•布朗，刘宁译：歌德与“世界文学”，''学术月刊''6（2007）：32-38'''

'''Summary'''： the article briefly outlines Goethe's position in world literature and his interest in literature all over the world, and then explores how Goethe himself discusses the concept of "world literature" (Weltliteratur): the meaning that he gave of this concept and the extension of its meaning in contemporary context. It is possible to think about why "world literature" is so important to him and how this concept is formed in his aesthetic practice and scientific practice (the latter is even more important). Only on this basis can we fully understand the importance of this concept to Goethe and the potential importance to us.
(In this article, the author describe the three words which be mentioned in the last article: classics(Classical literature) , masterpieces(modern masterpieces) and Windows on the world(modern general literature or popular literature).)

'''约翰•沃尔夫冈•冯•歌德，查明建译：歌德论世界文学，''中国比较文学''2（2010）2-8'''

'''Summary'''：For Goethe, the term of world literature can be applied in:
1. All medieval forms(中介形式) of the relationship of different nationalities
2. The knowing, understanding, tolerating, accepting, and loving of all other ethnic literature
3. Concerned about the external influence of the national literature
Therefore, for Goethe, the world literature is the place of literary exchange around the world.
The ways of communication including translation, criticism, special journals of foreign literature, acceptance of foreign influences to national works, letters, travel, meetings and literary circles.
Goethe's own life and literary practice showed that for him the world literature is not only an idea but also a lifestyle.

'''大卫•达姆罗什，李庆本译: 世界文学是跨文化理解之桥， ''山东社会科学'' 3（2012）：34-42'''

'''Summary'''： Since the Age of Goethe, the definition of world literature has always been three paradigms: classics, masterpieces and Windows on the world.
World literature not only exists in the global, regional, ethnic, individual four spatial dimensions, but also exist in the time. The definable characteristic of world literature is that it is made up of works of vitality in translation.
Facing with the cultural conflicts in the world, world literature should play the role as a bridge of cross - cultural understanding.

'''Bibliography'''

 简•布朗，刘宁译：歌德与“世界文学”，''学术月刊''6（2007）：32-38

 约翰•沃尔夫冈•冯•歌德，查明建译：歌德论世界文学，''中国比较文学''2（2010）2-8

 大卫•达姆罗什，李庆本译: 世界文学是跨文化理解之桥， ''山东社会科学''3（2012）：34-42

Concept of world literature handout by Liu Yuehao

2017-03-21T10:52:20Z

Arisales: /* Concept of world literature */

Handout
'''Introduction to Foreign Literature'''
Lecture4, 03.20.2017

== Concept of world literature ==

'''简•布朗，刘宁译：歌德与“世界文学”，''学术月刊''6（2007）：32-38'''
'''Summary'''： the article briefly outlines Goethe's position in world literature and his interest in literature all over the world, and then explores how Goethe himself discusses the concept of "world literature" (Weltliteratur): the meaning that he gave of this concept and the extension of its meaning in contemporary context. It is possible to think about why "world literature" is so important to him and how this concept is formed in his aesthetic practice and scientific practice (the latter is even more important). Only on this basis can we fully understand the importance of this concept to Goethe and the potential importance to us.
(In this article, the author describe the three words which be mentioned in the last article: classics(Classical literature) , masterpieces(modern masterpieces) and Windows on the world(modern general literature or popular literature).)

'''约翰•沃尔夫冈•冯•歌德，查明建译：歌德论世界文学，''中国比较文学''2（2010）2-8'''
'''Summary'''：For Goethe, the term of world literature can be applied in:
1. All medieval forms(中介形式) of the relationship of different nationalities
2. The knowing, understanding, tolerating, accepting, and loving of all other ethnic literature
3. Concerned about the external influence of the national literature
Therefore, for Goethe, the world literature is the place of literary exchange around the world.
The ways of communication including translation, criticism, special journals of foreign literature, acceptance of foreign influences to national works, letters, travel, meetings and literary circles.
Goethe's own life and literary practice showed that for him the world literature is not only an idea but also a lifestyle.

'''大卫•达姆罗什，李庆本译: 世界文学是跨文化理解之桥， ''山东社会科学'' 3（2012）：34-42'''
'''Summary'''： Since the Age of Goethe, the definition of world literature has always been three paradigms: classics, masterpieces and Windows on the world.
World literature not only exists in the global, regional, ethnic, individual four spatial dimensions, but also exist in the time. The definable characteristic of world literature is that it is made up of works of vitality in translation.
Facing with the cultural conflicts in the world, world literature should play the role as a bridge of cross - cultural understanding.

'''Bibliography'''
 简•布朗，刘宁译：歌德与“世界文学”，''学术月刊''6（2007）：32-38
 约翰•沃尔夫冈•冯•歌德，查明建译：歌德论世界文学，''中国比较文学''2（2010）2-8
 大卫•达姆罗什，李庆本译: 世界文学是跨文化理解之桥， ''山东社会科学''3（2012）：34-42

Concept of world literature handout by Liu Yuehao

2017-03-21T10:51:05Z

Arisales: Created page with "Handout '''Introduction to Foreign Literature''' Lecture4, 03.20.2017 == Concept of world literature == '''简•布朗，刘宁译：歌德与“世界文学”，''学术..."

Handout
'''Introduction to Foreign Literature'''
Lecture4, 03.20.2017

== Concept of world literature ==

'''简•布朗，刘宁译：歌德与“世界文学”，''学术月刊''6（2007）：32-38'''
'''Summary'''： the article briefly outlines Goethe's position in world literature and his interest in literature all over the world, and then explores how Goethe himself discusses the concept of "world literature" (Weltliteratur): the meaning that he gave of this concept and the extension of its meaning in contemporary context. It is possible to think about why "world literature" is so important to him and how this concept is formed in his aesthetic practice and scientific practice (the latter is even more important). Only on this basis can we fully understand the importance of this concept to Goethe and the potential importance to us.
(In this article, the author describe the three words which be mentioned in the last article: classics(Classical literature) , masterpieces(modern masterpieces) and Windows on the world(modern general literature or popular literature).)
'''约翰•沃尔夫冈•冯•歌德，查明建译：歌德论世界文学，''中国比较文学''2（2010）2-8'''
'''Summary'''：For Goethe, the term of world literature can be applied in:
1. All medieval forms(中介形式) of the relationship of different nationalities
2. The knowing, understanding, tolerating, accepting, and loving of all other ethnic literature
3. Concerned about the external influence of the national literature
Therefore, for Goethe, the world literature is the place of literary exchange around the world.
The ways of communication including translation, criticism, special journals of foreign literature, acceptance of foreign influences to national works, letters, travel, meetings and literary circles.
Goethe's own life and literary practice showed that for him the world literature is not only an idea but also a lifestyle.
'''大卫•达姆罗什，李庆本译: 世界文学是跨文化理解之桥， ''山东社会科学'' 3（2012）：34-42'''
'''Summary'''： Since the Age of Goethe, the definition of world literature has always been three paradigms: classics, masterpieces and Windows on the world.
World literature not only exists in the global, regional, ethnic, individual four spatial dimensions, but also exist in the time. The definable characteristic of world literature is that it is made up of works of vitality in translation.
Facing with the cultural conflicts in the world, world literature should play the role as a bridge of cross - cultural understanding.

'''Bibliography'''
 简•布朗，刘宁译：歌德与“世界文学”，''学术月刊''6（2007）：32-38
 约翰•沃尔夫冈•冯•歌德，查明建译：歌德论世界文学，''中国比较文学''2（2010）2-8
 大卫•达姆罗什，李庆本译: 世界文学是跨文化理解之桥， ''山东社会科学''3（2012）：34-42

Introduction to Foreign Literature

2017-03-21T10:44:47Z

Arisales:

=Session overview=
*Week 1 Introduction and Course Organization 基本介绍与课程构成
*Week 2 Emergence of Literature 文学的起源
*Week 3 Literature: The role and function of Literature, especially foreign literature 文学：文学的角色和功能，尤其是在外国文学之中
[[Romeo and Juliet]]
*Week 4 Literature: History, concept of world literature 文学：历史，世界文学概念
[[Concept of world literature_handout by Liu Yuehao]]
*Week 5 Earliest translations from the West to Chinese 从西方到中国的早期翻译
*Week 6 Examples of world literature: Tales from Mesopotamia and India 早期翻译：从美索不达米亚的传说到印度的传说
*Week 7 1001 Nights and Western Fables 《一千零一夜》与西方寓言
*Week 8 Common motifs in literature: The dragon 文学中的普遍意象：龙
*Week 9 Common motifs in literature: The harlekin 文学中的普遍意象：丑角（打诨者,逗笑者）
*Week 10 Religious texts: Buddhist hagiography and stories of the bible 宗教文本：佛教圣徒传与圣经故事
*Week 11 Top literary works, Love stories / romances and coming of age 顶级文学作品，爱情故事／浪漫主义时代的到来
*Week 12 Top literary works, Criminal stories and ghost stories 顶级文学作品，犯罪故事与鬼怪故事
*Week 13 Foreign Poetry and its Chinese translations 外国诗歌和它的中文翻译
*Week 14 Top literary works, Fantasy, Science Fiction and Utopia 顶级文学作品，幻想故事、科学小说与乌托邦故事
*Week 15 Histories of literature 文学史

=Texts for download (pdf)=
=Powerpoints for download (ppt)=