https://bou.de/u/api.php?action=feedcontributions&feedformat=atom&user=Chen+ZilanChina Studies Wiki - User contributions [en]2026-04-04T09:19:44ZUser contributionsMediaWiki 1.35.14https://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164925User:Zeng Wenjing2024-12-31T14:57:42Z<p>Chen Zilan: </p>
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<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
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==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
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==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
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==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
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==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
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==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
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==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
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== '''Final Paper(English version)''' ==<br />
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'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
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'''Program Introduction'''<br />
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Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
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'''Program Contents'''<br />
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Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
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The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
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With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
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<br />
'''Language Features'''<br />
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A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
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1. '''Word parody'''<br />
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(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
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(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
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(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
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2. '''Sentence parody'''<br />
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(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
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(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
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(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
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3. '''Parody of Paragraphs'''<br />
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(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
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(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
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Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
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These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
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'''Costumes'''<br />
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The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
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Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
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The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
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"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
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'''Innovation (Feminism)'''<br />
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In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
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When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
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Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
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Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
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From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
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'''Social influence'''<br />
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As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
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This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
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This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
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'''Terms and Expressions'''<br />
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1.《还珠格格》The Return of the Pearl Princess<br />
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2.仿拟parody<br />
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3.古装剧costume drama<br />
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4.女性主义feminism<br />
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'''Questions'''<br />
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1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
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2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
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3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
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'''Answers'''<br />
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(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
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2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
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3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
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'''Reference'''<br />
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[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
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[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
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[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
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[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
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[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
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[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
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[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
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[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
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[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
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[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
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[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
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'''AI Statement'''<br />
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I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
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== '''Final Paper(Chinese version)''' ==<br />
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'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
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'''摘要'''<br />
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高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
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'''剧情简介'''<br />
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《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
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在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
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'''语言特色'''<br />
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细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
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1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
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(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
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(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
<br />
(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
<br />
2.'''仿句'''。仿句是以句子为单位的仿拟。<br />
<br />
(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
<br />
(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
<br />
(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
<br />
3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。<br />
<br />
(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
<br />
(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
<br />
两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
<br />
以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
<br />
<br />
'''服饰'''<br />
<br />
剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
<br />
小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
<br />
该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
<br />
《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
<br />
<br />
'''女性主义'''<br />
<br />
《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
<br />
当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
<br />
小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
<br />
除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
<br />
从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
<br />
<br />
'''社会影响'''<br />
<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
<br />
<br />
'''问题'''<br />
<br />
1.你最喜欢《还珠格格》中的哪个角色？为什么？<br />
<br />
2.你最喜欢《还珠格格》中的哪对情侣？<br />
<br />
3.您认为《还珠格格》中主要人物的 MBTI 性格是什么？<br />
<br />
<br />
'''答案'''<br />
<br />
''(以上问题为开放性主观题，只要答案合理，均可接受）。''<br />
<br />
1.肯定是晴儿，她以优雅、聪慧和坚定不移的忠诚而深受喜爱。尽管身为皇室成员，她依然脚踏实地、富有同情心，经常在戏剧冲突中充当理性的代言人。<br />
<br />
2.我最喜欢的是小燕子和永琪。他们的情感纯真而深刻，纯粹而坚定，虽然随时都会在紫禁城里引起骚乱，但他们的爱情故事却以火热的激情和坚定的忠诚融化了皇室的坚冰。他们永远充满活力，即使在一个被规则束缚的世界里，他们的爱情依然可以翩翩起舞！<br />
<br />
3.以下是对主要人物 MBTI 类型的推测：<br />
小燕子--ENFP；<br />
永琪--ISFJ；<br />
紫薇----INFP；<br />
尔康---ESTJ。<br />
<br />
<br />
'''AI声明'''<br />
<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164924User:Zeng Wenjing2024-12-31T14:56:31Z<p>Chen Zilan: /* AI Statement */</p>
<hr />
<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
<br />
==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
<br />
==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
<br />
==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
<br />
==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
<br />
==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
<br />
==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
<br />
<br />
<br />
== '''Final Paper(English version)''' ==<br />
<br />
'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
<br />
<br />
'''Program Introduction'''<br />
<br />
Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
<br />
<br />
'''Program Contents'''<br />
<br />
Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
<br />
The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
<br />
With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
<br />
<br />
'''Language Features'''<br />
<br />
A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
<br />
1. '''Word parody'''<br />
<br />
(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
<br />
(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
<br />
(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
<br />
2. '''Sentence parody'''<br />
<br />
(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
<br />
(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
<br />
(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
<br />
3. '''Parody of Paragraphs'''<br />
<br />
(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
<br />
(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
<br />
Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
<br />
These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
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<br />
'''Costumes'''<br />
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The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
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Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
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The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
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"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
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'''Innovation (Feminism)'''<br />
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In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
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When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
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Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
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Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
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From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
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'''Social influence'''<br />
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As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
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This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
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This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
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'''Terms and Expressions'''<br />
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1.《还珠格格》The Return of the Pearl Princess<br />
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2.仿拟parody<br />
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3.古装剧costume drama<br />
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4.女性主义feminism<br />
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'''Questions'''<br />
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1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
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2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
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3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
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'''Answers'''<br />
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(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
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2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
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3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
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<br />
'''Reference'''<br />
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[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
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[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
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[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
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[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
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[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
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[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
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[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
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[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
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[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
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[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
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[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
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'''AI Statement'''<br />
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I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
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== '''Final Paper(Chinese version)''' ==<br />
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'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
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'''摘要'''<br />
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高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
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'''剧情简介'''<br />
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《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
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在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
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'''语言特色'''<br />
细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
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1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
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(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
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(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
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(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
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2.'''仿句'''。仿句是以句子为单位的仿拟。<br />
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(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
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(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
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(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
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3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。<br />
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(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
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(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
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两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
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以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
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'''服饰'''<br />
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剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
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小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
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该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
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《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
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'''女性主义'''<br />
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《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
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当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
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小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
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除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
<br />
从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
<br />
<br />
'''社会影响'''<br />
<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
<br />
<br />
'''问题'''<br />
<br />
1.你最喜欢《还珠格格》中的哪个角色？为什么？<br />
<br />
2.你最喜欢《还珠格格》中的哪对情侣？<br />
<br />
3.您认为《还珠格格》中主要人物的 MBTI 性格是什么？<br />
<br />
<br />
'''答案'''<br />
<br />
''(以上问题为开放性主观题，只要答案合理，均可接受）。''<br />
<br />
1.肯定是晴儿，她以优雅、聪慧和坚定不移的忠诚而深受喜爱。尽管身为皇室成员，她依然脚踏实地、富有同情心，经常在戏剧冲突中充当理性的代言人。<br />
<br />
2.我最喜欢的是小燕子和永琪。他们的情感纯真而深刻，纯粹而坚定，虽然随时都会在紫禁城里引起骚乱，但他们的爱情故事却以火热的激情和坚定的忠诚融化了皇室的坚冰。他们永远充满活力，即使在一个被规则束缚的世界里，他们的爱情依然可以翩翩起舞！<br />
<br />
3.以下是对主要人物 MBTI 类型的推测：<br />
小燕子--ENFP；<br />
永琪--ISFJ；<br />
紫薇----INFP；<br />
尔康---ESTJ。<br />
<br />
<br />
'''AI声明'''<br />
<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164921User:Zeng Wenjing2024-12-31T14:55:27Z<p>Chen Zilan: </p>
<hr />
<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
<br />
==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
<br />
==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
<br />
==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
<br />
==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
<br />
==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
<br />
==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
<br />
<br />
<br />
== '''Final Paper(English version)''' ==<br />
<br />
'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
<br />
<br />
'''Program Introduction'''<br />
<br />
Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
<br />
<br />
'''Program Contents'''<br />
<br />
Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
<br />
The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
<br />
With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
<br />
<br />
'''Language Features'''<br />
<br />
A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
<br />
1. '''Word parody'''<br />
<br />
(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
<br />
(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
<br />
(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
<br />
2. '''Sentence parody'''<br />
<br />
(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
<br />
(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
<br />
(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
<br />
3. '''Parody of Paragraphs'''<br />
<br />
(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
<br />
(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
<br />
Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
<br />
These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
<br />
<br />
'''Costumes'''<br />
<br />
The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
<br />
Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
<br />
The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
<br />
"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
<br />
<br />
'''Innovation (Feminism)'''<br />
<br />
In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
<br />
When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
<br />
Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
<br />
Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
<br />
From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
<br />
<br />
'''Social influence'''<br />
<br />
As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
<br />
This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
<br />
This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
<br />
<br />
'''Terms and Expressions'''<br />
<br />
1.《还珠格格》The Return of the Pearl Princess<br />
<br />
2.仿拟parody<br />
<br />
3.古装剧costume drama<br />
<br />
4.女性主义feminism<br />
<br />
<br />
'''Questions'''<br />
<br />
1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
<br />
2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
<br />
3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
<br />
<br />
'''Answers'''<br />
<br />
(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
<br />
2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
<br />
3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
<br />
<br />
'''Reference'''<br />
<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
<br />
<br />
== '''AI Statement''' ==<br />
<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
<br />
<br />
== '''Final Paper(Chinese version)''' ==<br />
<br />
'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
<br />
<br />
'''摘要'''<br />
<br />
高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
<br />
<br />
'''剧情简介'''<br />
<br />
《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
<br />
在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
<br />
<br />
'''语言特色'''<br />
细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
<br />
1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
<br />
(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
<br />
(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
<br />
(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
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2.'''仿句'''。仿句是以句子为单位的仿拟。<br />
<br />
(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
<br />
(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
<br />
(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
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3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。<br />
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(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
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(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
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两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
<br />
以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
<br />
<br />
'''服饰'''<br />
<br />
剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
<br />
小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
<br />
该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
<br />
《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
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<br />
'''女性主义'''<br />
<br />
《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
<br />
当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
<br />
小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
<br />
除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
<br />
从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
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<br />
'''社会影响'''<br />
<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
<br />
<br />
'''问题'''<br />
<br />
1.你最喜欢《还珠格格》中的哪个角色？为什么？<br />
<br />
2.你最喜欢《还珠格格》中的哪对情侣？<br />
<br />
3.您认为《还珠格格》中主要人物的 MBTI 性格是什么？<br />
<br />
<br />
'''答案'''<br />
<br />
''(以上问题为开放性主观题，只要答案合理，均可接受）。''<br />
<br />
1.肯定是晴儿，她以优雅、聪慧和坚定不移的忠诚而深受喜爱。尽管身为皇室成员，她依然脚踏实地、富有同情心，经常在戏剧冲突中充当理性的代言人。<br />
<br />
2.我最喜欢的是小燕子和永琪。他们的情感纯真而深刻，纯粹而坚定，虽然随时都会在紫禁城里引起骚乱，但他们的爱情故事却以火热的激情和坚定的忠诚融化了皇室的坚冰。他们永远充满活力，即使在一个被规则束缚的世界里，他们的爱情依然可以翩翩起舞！<br />
<br />
3.以下是对主要人物 MBTI 类型的推测：<br />
小燕子--ENFP；<br />
永琪--ISFJ；<br />
紫薇----INFP；<br />
尔康---ESTJ。<br />
<br />
<br />
'''AI声明'''<br />
<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164916User:Zeng Wenjing2024-12-31T14:44:48Z<p>Chen Zilan: </p>
<hr />
<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
<br />
==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
<br />
==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
<br />
==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
<br />
==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
<br />
==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
<br />
==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
<br />
<br />
<br />
== '''Final Paper(English version)''' ==<br />
<br />
'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
<br />
<br />
'''Program Introduction'''<br />
<br />
Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
<br />
<br />
'''Program Contents'''<br />
<br />
Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
<br />
The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
<br />
With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
<br />
<br />
'''Language Features'''<br />
<br />
A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
<br />
1. '''Word parody'''<br />
(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
<br />
2. '''Sentence parody'''<br />
(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
<br />
3. '''Parody of Paragraphs'''<br />
(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
<br />
Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
<br />
These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
<br />
<br />
'''Costumes'''<br />
<br />
The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
<br />
Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
<br />
The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
<br />
"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
<br />
<br />
'''Innovation (Feminism)'''<br />
<br />
In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
<br />
When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
<br />
Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
<br />
Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
<br />
From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
<br />
<br />
'''Social influence'''<br />
<br />
As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
<br />
This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
<br />
This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
<br />
<br />
'''Terms and Expressions'''<br />
1.《还珠格格》The Return of the Pearl Princess<br />
2.仿拟parody<br />
3.古装剧costume drama<br />
4.女性主义feminism<br />
<br />
<br />
'''Questions'''<br />
1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
<br />
<br />
'''Answers'''<br />
(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
<br />
<br />
'''Reference'''<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
<br />
== '''AI Statement''' ==<br />
<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
<br />
<br />
== '''Final Paper(Chinese version)''' ==<br />
<br />
'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
<br />
'''摘要'''<br />
<br />
高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
<br />
'''剧情简介'''<br />
<br />
《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
<br />
在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
<br />
'''语言特色'''<br />
细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
<br />
1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
<br />
(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
<br />
(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
<br />
(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
<br />
2.'''仿句'''。仿句是以句子为单位的仿拟。<br />
<br />
(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
<br />
(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
<br />
(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
<br />
3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。<br />
<br />
(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
<br />
(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
<br />
两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
<br />
以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
<br />
'''服饰'''<br />
<br />
剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
<br />
小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
<br />
该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
<br />
《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
<br />
'''女性主义'''<br />
<br />
《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
<br />
当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
<br />
小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
<br />
除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
<br />
从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
<br />
'''社会影响'''<br />
<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
<br />
<br />
'''问题'''<br />
<br />
1.你最喜欢《还珠格格》中的哪个角色？为什么？<br />
2.你最喜欢《还珠格格》中的哪对情侣？<br />
3.您认为《还珠格格》中主要人物的 MBTI 性格是什么？<br />
<br />
<br />
'''答案'''<br />
<br />
''(以上问题为开放性主观题，只要答案合理，均可接受）。''<br />
1.肯定是晴儿，她以优雅、聪慧和坚定不移的忠诚而深受喜爱。尽管身为皇室成员，她依然脚踏实地、富有同情心，经常在戏剧冲突中充当理性的代言人。<br />
2.最让我心动的是调皮的小燕子和永琪。他们就像皇宫里的两颗豆子，随时都会惹出皇室的骚乱，但他们的爱情故事却以火热的激情和坚定的忠诚融化了皇室的坚冰。他们是一对充满活力的组合，证明了即使在一个被古老规则束缚的世界里，爱情依然可以翩翩起舞！<br />
3.以下是对主要人物 MBTI 类型的推测：<br />
小燕子--ENFP；<br />
永琪--ISFJ；<br />
紫薇----INFP；<br />
尔康---ESTJ。<br />
<br />
<br />
'''AI声明'''<br />
<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164901User:Zeng Wenjing2024-12-31T14:33:35Z<p>Chen Zilan: /* Final Paper(English version) */</p>
<hr />
<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
<br />
==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
<br />
==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
<br />
==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
<br />
==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
<br />
==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
<br />
==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
<br />
<br />
<br />
== '''Final Paper(English version)''' ==<br />
<br />
'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
<br />
<br />
'''Program Introduction'''<br />
<br />
Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
<br />
<br />
'''Program Contents'''<br />
<br />
Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
<br />
The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
<br />
With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
<br />
<br />
'''Language Features'''<br />
<br />
A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
<br />
1. '''Word parody'''<br />
(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
<br />
2. '''Sentence parody'''<br />
(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
<br />
3. '''Parody of Paragraphs'''<br />
(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
<br />
Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
<br />
These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
<br />
<br />
'''Costumes'''<br />
<br />
The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
<br />
Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
<br />
The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
<br />
"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
<br />
<br />
'''Innovation (Feminism)'''<br />
<br />
In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
<br />
When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
<br />
Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
<br />
Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
<br />
From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
<br />
<br />
'''Social influence'''<br />
<br />
As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
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This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
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This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
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<br />
'''Terms and Expressions'''<br />
1.《还珠格格》The Return of the Pearl Princess<br />
2.仿拟parody<br />
3.古装剧costume drama<br />
4.女性主义feminism<br />
<br />
<br />
'''Questions'''<br />
1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
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'''Answers'''<br />
(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
<br />
<br />
'''Reference'''<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
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== '''AI Statement''' ==<br />
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I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
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<br />
== '''Final Paper(Chinese version)''' ==<br />
<br />
'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
<br />
'''摘要'''<br />
高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
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'''剧情简介'''<br />
《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
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在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
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'''语言特色'''<br />
细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
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1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
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2.'''仿句'''。仿句是以句子为单位的仿拟。如:<br />
(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
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3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。如:<br />
(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
<br />
以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
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'''服饰'''<br />
剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
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小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
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该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
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《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
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'''女性主义'''<br />
《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
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当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
<br />
小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
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除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
<br />
从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
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'''社会影响'''<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
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<br />
'''参考文献'''<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
<br />
<br />
AI声明<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164898User:Zeng Wenjing2024-12-31T14:31:53Z<p>Chen Zilan: </p>
<hr />
<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
<br />
==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
<br />
==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
<br />
==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
<br />
==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
<br />
==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
<br />
==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
<br />
<br />
<br />
== '''Final Paper(English version)''' ==<br />
<br />
'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
<br />
<br />
'''Program Introduction'''<br />
<br />
Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
<br />
<br />
'''Program Contents'''<br />
<br />
Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
<br />
The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
<br />
With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
<br />
<br />
'''Language Features'''<br />
<br />
A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
<br />
1. '''Word parody'''<br />
(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
<br />
2. '''Sentence parody'''<br />
(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
<br />
3. '''Parody of Paragraphs'''<br />
(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
<br />
Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
<br />
These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
<br />
<br />
'''Costumes'''<br />
The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
<br />
Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
<br />
The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
<br />
"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
<br />
<br />
'''Innovation (Feminism)'''<br />
In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
<br />
When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
<br />
Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
<br />
Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
<br />
From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
<br />
<br />
'''Social influence'''<br />
As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
<br />
This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
<br />
This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
<br />
<br />
'''Terms and Expressions'''<br />
1.《还珠格格》The Return of the Pearl Princess<br />
2.仿拟parody<br />
3.古装剧costume drama<br />
4.女性主义feminism<br />
<br />
<br />
'''Questions'''<br />
1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
<br />
<br />
'''Answers'''<br />
(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
<br />
<br />
'''Reference'''<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
<br />
== '''AI Statement''' ==<br />
<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
<br />
<br />
== '''Final Paper(Chinese version)''' ==<br />
<br />
'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
<br />
'''摘要'''<br />
高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
<br />
'''剧情简介'''<br />
《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
<br />
在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
<br />
'''语言特色'''<br />
细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
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1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
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2.'''仿句'''。仿句是以句子为单位的仿拟。如:<br />
(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
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3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。如:<br />
(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
<br />
以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
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'''服饰'''<br />
剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
<br />
小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
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该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
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《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
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'''女性主义'''<br />
《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
<br />
当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
<br />
小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
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除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
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从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
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'''社会影响'''<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
<br />
<br />
'''参考文献'''<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
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<br />
AI声明<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Zeng_Wenjing&diff=164889User:Zeng Wenjing2024-12-31T14:26:51Z<p>Chen Zilan: </p>
<hr />
<div>As an MTIer with a fluctuating MBTI chart—either an INFP or an ENFP, depending on the day—I'm a connoisseur of the quirky and the whimsical. My idea of a perfect evening? Feasting on takeout while binge-watching my favorite American dramas. I'm a perennial "diet-starter," always on the brink of weight loss, yet never quite reaching the finish line. With a recent dental setback, my culinary adventures are on a temporary hiatus. "Alle Hindernisse können mich zerstören." In the long battle within, I resolve to be myself. Life's a buffet, and I'm just here to sample the dishes!<br />
<br />
==Oct 31, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 4, 2024==<br />
I read a long English speech.<br />
<br />
==Nov 6, 2024==<br />
I read a few English passages.<br />
<br />
==Nov 7, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 8, 2024==<br />
I learned nothing.<br />
<br />
==Nov 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Nov 10, 2024==<br />
I learned nothing.<br />
<br />
==Nov 11, 2024==<br />
I learned nothing.<br />
<br />
==Nov 12, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 16, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 18, 2024==<br />
I read an English essay.<br />
<br />
==Nov 19, 2024==<br />
I proofread my translation tasks.<br />
<br />
==Nov 20, 2024==<br />
I gave a class in English to high schoold students.<br />
<br />
==Nov 21, 2024==<br />
I listened to a few presentations presented in English.<br />
<br />
==Nov 22, 2024==<br />
I learned nothing.<br />
<br />
==Nov 23, 2024==<br />
I listened an English speech about teaching methods.<br />
<br />
==Nov 24, 2024==<br />
I did a C-E translation and an E-C translation.<br />
<br />
==Nov 25, 2024==<br />
I read an English article.<br />
<br />
==Nov 26, 2024==<br />
I memorized dozens of vocabs.<br />
<br />
==Nov 27, 2024==<br />
I learned nothing.<br />
<br />
==Nov 28, 2024==<br />
I learned something interesting about Tujia Nationality.<br />
<br />
==Nov 29, 2024==<br />
I played majhong all night, definitely a good time.(except the losing part)<br />
<br />
==Nov 30, 2024==<br />
Still majhong party!!!<br />
<br />
==Dec 1, 2024==<br />
A lovely day!! I went out for hiking!!!<br />
<br />
==Dec 2, 2024==<br />
I post-edited a E-C translation. The original text is about language and magic, maybe I'll take some time to dig in!<br />
<br />
==Dec 3, 2024==<br />
I learned from my fellow students who shared some thoughts about the translation of the aforementioned novel.<br />
<br />
==Dec 4, 2024==<br />
I learned how to polish a paper. It's all about critical thinking.<br />
<br />
==Dec 5, 2024==<br />
Presentation day!!! The presenter were all so thoughtful.<br />
<br />
==Dec 6, 2024==<br />
I played majhong with my friends all night and we all brought so many snacks. What a night!!!<br />
<br />
==Dec 7, 2024==<br />
I haven't slept a wink the last night, so today I just curled up in bed and recharged myself.<br />
<br />
==Dec 8, 2024==<br />
I read some bilingual materials about "The Return of the Pearl Princess".<br />
<br />
==Dec 9, 2024==<br />
I did a C-E translation.<br />
<br />
==Dec 10, 2024==<br />
I had been requested to prepare some examination questions and I finally finished it right before the deadline.<br />
<br />
==Dec 11, 2024==<br />
I binge watched Youtube videos today, mostly about mokbang and make-up.<br />
<br />
==Dec 12, 2024==<br />
I was looking forward to today's presentations earlier and they are truly interesting. And I got a few prizes, hooray!<br />
<br />
==Dec 13, 2024==<br />
I read a few pages of an English novel. It's quite intriguing, but I just have no patience.<br />
<br />
==Dec 14, 2024==<br />
Saturday is fun!! I pulled an all-nighter playing mahjong.<br />
<br />
==Dec 15, 2024==<br />
I continued a few pages of the novel. Got some new words.<br />
<br />
==Dec 16, 2024==<br />
I did a C-E translation. The teacher asked us to have a further look and give pros and cons about the translations, and it definitely helped!<br />
<br />
==Dec 17, 2024==<br />
Today, Mr. Hu shared a lot of tips in his language-learning journey, among which I resonated most is: interest matters!!<br />
<br />
==Dec 18, 2024==<br />
I read an article about how to achieve a more balanced lifestyle.<br />
<br />
<br />
<br />
== '''Final Paper(English version)''' ==<br />
<br />
'''Telecast: ''The Return of the Pearl Princess'''''<br />
<br />
(Zeng Wenjing/Zoey)<br />
<br />
<br />
'''Program Introduction'''<br />
<br />
Singing 'Let's be companions in this mortal world and live a carefree life,' 'The Return of the Pearl Princess,' adapted from the novel by Taiwanese romance writer Chiung Yao, ignited a sensation in the late 1990s(Zhang Chao,2018). Alongside 'Journey to the West' and 'The Legend of White Snake,' it has become a staple drama during summer and winter breaks, truly becoming a collective memory of a generation.<br />
<br />
<br />
'''Program Contents'''<br />
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Set in the 18th century during the Qing Dynasty, this Chinese television series combines historical settings with a fictional narrative, creating a rich tapestry of royal intrigue and romantic escapades.<br />
The series continues the story of Xiaoyanzi, a spirited and kind-hearted girl mistakenly brought into the palace as a princess. Xiaoyanzi's life in the Forbidden City becomes complicated as she navigates the intricate web of palace politics, rivalry, and her complex relationships with the Emperor, her fellow princesses, and her love interest, Ziwei. It also explores Xiaoyanzi's struggle to adapt to the strict etiquette and responsibilities of palace life, often leading to humorous and heartwarming scenarios. The show is renowned for its vibrant characters, each with their own distinct personalities and backstories, from the wise and benevolent Emperor to the scheming nobles. The series doesn't shy away from showcasing the grandeur of the Qing Dynasty. From the opulent costumes to the majestic palace settings, every detail is meticulously crafted, transporting viewers back in time.<br />
With a blend of romance, comedy, and drama, "The Return of the Pearl Princess" offers an engaging continuation of a beloved story. It appeals to viewers who enjoy historical dramas with a mix of light-hearted moments and serious lines, making it a classic in the genre of Chinese historical television.<br />
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'''Language Features'''<br />
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A careful analysis of Xiao Yanzi's characteristic language reveals that the connotation of her language, in a nutshell, is the word "truthfulness", which is completely in line with the character's identity. In terms of form, it contains a variety of rhetorical devices. The main rhetorical device is parody, a technique that involves creating a new saying by mimicking an existing format to meet the needs of communication, which is widely applicable across different language settings(Zhao Ping,2000). It consists of two parts: the original form of speech (ontology) and the new form imitated from the original (imitation). In practice, the original form may or may not be explicitly present.Based on the fundamental concept of imitation, the author has identified several categories of imitation in the show:<br />
1. '''Word parody'''<br />
(1) "Are you going to turn 'Fragrant Concubine' into 'Stinky Concubine'?" Xiaoyanzi exclaimed.<br />
(2) In a rush, Xiaoyanzi blurted out, "Huang Amma! Where do I have time to discuss 'countermeasures'(in Chinese,”right measures”)? ... The story can't be made up, the lies can't be told, and even if there is a 'countermeasure,' it's now become a 'wrong measures'!"<br />
(3) In response to Yongqi's challenge, "If you recite a Tang poem (in Chinese, sounds like ”sugar poem”), I will accompany you to practice sword!" Little Yanzi retorts, "Whether it's a 'sugar poem' or a 'salt poem,' I'm not interested! That kind of hard work, I don't want to do it!"<br />
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2. '''Sentence parody'''<br />
(1) Xiaoyanzi, while eating, suggests, "Let's all sit down and eat together! I believe we are all hungry and tired, and how can I eat alone with this table of food? Come, come, come! Eat! Let's eat! Exhaustion is a small matter, starvation is a big matter..." Here, "Exhaustion is a small matter, starvation is a big matter" is a parody of "Starvation is a small matter, losing one's virginity is a big matter."<br />
(2) Upon seeing Erkang and Ziwei, Xiaoyanzi exclaims, "What the hell are you doing? Are you trying to scare every one of us to death? Last time, I was taught a serious lesson, saying that we share the same blessings and difficulties! Now you come to sleep in the hut, do you want me to sleep in the hut with you? Well, let's 'sleep together with straw and live together with thatched huts,' I'm not going back to the palace today!" The phrase "sleep with straw, live with thatched roof" parodies "enjoy the blessings and endure the difficulties together."<br />
(3) When Qianlong says, "Your are a grumpy loser! Do you know that 'a man who raises his hand without regret is a great man'?" Xiaoyanzi retorts while holding the chess piece, "I'm not a 'great man,' I'm a 'small woman who raises her hand in remorse'!" Clearly, "raise your hand on the repentance of the little woman" is a typical imitation sentence, parodied from "raise your hand without regret big man."<br />
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3. '''Parody of Paragraphs'''<br />
(1) She couldn't help but feel a sense of sorrow and murmured to herself, "Descrying nor pig’s feet. I muse on my empty stomach. Nor those roast ducks. And, all alone, grieve mutely with tears for my lorn star."<br />
(2) (Xiaoyanzi) then recited, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star, renouncing the palace and the world."<br />
Both of these examples are parodies of Chen Zi'ang's "Song on Ascending the Youzhou Terrace," which goes, "Descrying nor the ancients of long yore. I muse on the eternity of heaven and earth. Nor those that are to come in the future far. And, all alone, grieve mutely with tears for my lorn star." Here, the parody is of a complete chapter. It's clear that the parody in this case is not entirely different from the original. <br />
These rhetorical methods give Xiaoyanzi's language its unique charm, humor, and depth(Li Dan,2013). More significantly, this distinctive language, combined with other means fully embodies Xiaoyanzi's straightforward yet mischievous, simple yet cunning, stubborn yet capricious character, always hoping to be right but often ending up making a fool of herself. Such characters are common in real life, and it's likely that every audience member knows someone like this(Li Zeqin,2011). This is perhaps the primary reason why the audience so adores Xiaoyanzi.<br />
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'''Costumes'''<br />
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The costumes featured in the drama are exquisitely designed, showcasing strong individuality and a distinct style for each character while still honoring the ancient Oriental cultural heritage(Wen Xiaodeng,2009). Particularly, the women's attire is meticulously chosen to reflect their character, status, and setting, with particularly clever use of color.<br />
Xiaoyanzi's first appearance, dressed in red bridal wear, immediately conveys her joyful, daring, and chivalrous nature. Her subsequent outfit, a red and white polka-dotted Hanfu with twin pigtails, portrays her as lively, playful, witty, and adorable. When shot in the enclosure, she was wearing a white garment, just like a pure and innocent lamb. After entering the palace, her attire, including the prisoner cart adorned with a large red flag, not only befits her noble status but also highlights her dramatic and bold personality.<br />
The natural scenery in the drama is breathtaking, ranging from the desolate desert to the northern landscape, from the golden autumn to the vibrant spring. The series also portrays a rich tapestry of human landscapes: the majestic imperial palace, the bustling market, the elegant imperial garden, the simple farmhouse, the noisy tavern, and the long, quiet ancient road. The application of modern technology, such as the computer-generated butterflies accompanying Hanxiang's dance, adds a touch of magic, making the audience feel as if they are in a fairyland(Liu Xianghong&Zhang,2000). This allows viewers to fully appreciate the natural beauty and the masterpieces of architectural, garden, carving, and painting arts.<br />
"The Return of the Pearl Princess" bridges the gap between pure literature and the mass market, providing entertainment that elicits laughter and joy while also offering the pleasure of aesthetic appreciation and the enjoyment of beauty.<br />
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'''Innovation (Feminism)'''<br />
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In embracing Chiung Yao's ethos of "long live love," 'The Return of the Pearl Princess' introduces a novel approach to gender representation previously unseen in the costume drama. This innovative shift not only fueled the show's unprecedented popularity, solidifying and expanding upon Chiung Yao's legacy of romantic storytelling, but also exemplifies how popular culture can contribute to shifts in social hegemony(Liu Rongmei,2000).<br />
When Chiung Yao inadvertently places a spirited, populist folk woman with a bold character within the confines of the Forbidden City, a bastion of orthodox authority and feudal customs, she sets the stage for inherent tension and dramatic impact(Zhang Yue,2018). The absurdities and conflicts that emerge from this unlikely encounter naturally spawn a wealth of laughter. "Xiaoyanzi, a lively, mischievous, impulsive, and capricious girl who is always ready for a fight and a joke, anytime, anywhere, is a character rarely seen in my previous works."<br />
Xiaoyanzi is a comprehensive renegade against authority, tradition, and feudalism; she upends the master-servant dynamic at court in favor of equality for all; she repeatedly defies the moral dogma; she fearlessly advocates for justice, challenging the patriarchal feudal system of polygamy; and her irreverent attitude towards aiding the weak and impoverished further subverts the traditional image of a woman adhering to the “three obediences and four virtues”. Indeed, the popularity of such a groundbreaking character as Xiaoyanzi at the turn of the twentieth century reflects the evolving recognition and affirmation of women's images in modern society, symbolizing the pursuit of pluralistic values in an ever-changing social landscape.<br />
Additionally, 'The Return of the Pearl Princess' offers a more nuanced portrayal of women and their interactions. The series showcases the sincere and devoted sisterhood between Ziwei and Xiaoyanzi, the unshakable loyalty and trust between Ziwei and Jinsuo, the passionate love triangle involving Ziwei and Xiaoyanzi for Hanxiang, and Qing'er's magnanimous sense of justice and righteousness, all of which repeatedly demonstrate a bond that transcends both kinship and romance. This allows for a profound friendship among women of the same generation without them necessarily being rivals in love.<br />
From a feminist perspective, an ideal representation of gender should depict the multifaceted roles that genders play across different spheres, with the meaning of gender being continuously reconstructed and negotiated. Only when female characters are able to assert their abilities in the public sphere while remaining attuned to their private sphere can a diverse and rich tapestry of female roles be presented. And when the relationship between women and men is defined by more than just love, can the political ideal of gender equality be truly realized. <br />
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'''Social influence'''<br />
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As a beloved drama, the dominant tone of the main narrative aligns perfectly with the social psychology of the era. The reform and opening up has not only propelled our economy to unprecedented heights but has also unleashed a great awakening in the minds of our people. Historically, there was a singular focus on collective interests and will, often at the expense of individual aspirations and personal growth, which undermined the human spirit and consciousness(Liu Jiasi,2000). Now, the subjective spirit and status of the individual are increasingly recognized and honored. In the past, people's thought processes were steeped in superstition, reverence for power, and a tendency towards hero worship, all of which imposed substantial spiritual constraints. Today, there is a growing tendency to defy authority, dismiss the allure of power, and break free from the chains of servitude. The past was marked by superstition, fear of authority, blind trust in power, and the weight of spiritual shackles. In contrast, modern society champions the self, individuality, and the pursuit of independence and autonomy. People have come to believe in their own capabilities, and individual wisdom is flourishing. The collective will has been activated and unleashed, with more individuals than ever before taking control of their destinies. As a result, authority and power have gradually lost their central position in the discourse.<br />
This shift in social psychology is particularly pronounced among the youth. 'Returning the Pearl' resonates with this mentality. The young characters depicted in the series are imbued with a strong sense of self and are centered on their own experiences. They are unafraid to speak their minds and act on their beliefs, challenging authority and showing no fear of the court's grandeur or its regulations and prohibitions. They allow their personalities to flourish fully, living unrestrained lives that align with their thoughts and desires. They strive to realize the value of their existence and to enhance the significance of the individual in life.<br />
This trait is not only evident in the character of Xiaoyanzi but is also shared by Erkang, Ertai, Ziwei, Jinliao, Liuqing, Liuhong, Xiangfei, and Lingfei. Furthermore, the drama skillfully weaves the individual's pursuit of subjective consciousness and life's value with a deep care and love for others. This integration imparts a profound human and social beauty to the narrative, readily stirring the longing and desire of modern audiences for an idealized realm of life.<br />
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'''Terms and Expressions'''<br />
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1.《还珠格格》The Return of the Pearl Princess<br />
2.仿拟parody<br />
3.古装剧costume drama<br />
4.女性主义feminism<br />
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'''Questions'''<br />
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1.Which character in "The Return of the Pearl Princess" do you like best? Why?<br />
2.Which couple in "The Return of the Pearl Princess" do you like best?<br />
3.What do you think the MBTI personalities of the main characters in "The Return of the Pearl Princess" would be?<br />
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'''Answers'''<br />
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(The questions above are open-ended and subjective; as long as your answers are reasonable, they are acceptable.)<br />
1.Definitely Qinger, a beloved character known for her grace, intelligence, and unwavering loyalty. Despite her royal status, she remains down-to-earth and compassionate, often acting as the voice of reason amidst the drama.<br />
2.My heart flutters most for the mischievous duo, Xiaoyanzi and Yong Qi. They're like two peas in a pod of palace-sized trouble, always ready to stir up a royal ruckus, yet their love story melts the imperial ice with its fiery passion and unwavering loyalty. They're the dynamic duo that proves even in a world bound by ancient rules, love can still kick up its heels and dance to its own tune!<br />
3.Here’s a speculative take on what the MBTI types of the main characters might be:<br />
Xiaoyanzi---ENFP;<br />
Yong Qi---ISFJ;<br />
Zi Wei---INFP;<br />
Erkang---ESTJ.<br />
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'''Reference'''<br />
[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
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== '''AI Statement''' ==<br />
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I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
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== '''Final Paper(Chinese version)''' ==<br />
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'''电视节目：《还珠格格》'''<br />
（曾文静）<br />
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'''摘要'''<br />
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高唱着“让我们红尘作伴活得潇潇洒洒”，改编自台湾女作家琼瑶的同名小说的《还珠格格》在20世纪90年代末掀起了一股收视狂潮，和《西游记》《新白娘子传奇》等剧成为寒暑假必播的热剧，多年以来，真正成为一代人的记忆，是一段跨越了一个世纪的影视传奇。<br />
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'''剧情简介'''<br />
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《还珠格格》主要讲述了乾隆皇帝东巡时与民间女子夏雨荷有过一段露水姻缘，生下一个女儿紫薇。多年后，紫薇带着母亲的信物进京认父，途中结识了小燕子。小燕子活泼好动、天真烂漫，在机缘巧合下她被乾隆误认为是自己的女儿，被封为“还珠格格”。<br />
在宫中，小燕子闯下诸多祸事，她不懂宫中规矩，和皇后、容嬷嬷等传统的宫廷势力产生诸多冲突。而紫薇和她的朋友们也进入宫中，她们一边要帮助小燕子应对宫中的复杂局面，一边还要寻找机会向乾隆说明真相。在这个过程中，小燕子与五阿哥永琪情投意合，紫薇也和尔康产生了深厚的感情。他们经历了许多误会、陷害、危机，包括被皇后等人设计陷害，以及各种宫廷斗争，但凭借着彼此之间的情谊和智慧，一次次化险为夷。同时，也展现了宫廷中人物的情感纠葛、复杂的人际关系以及格格阿哥们追求自由和真爱的故事。<br />
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'''语言特色'''<br />
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细细分析小燕子的特色语言不难发现，她的语言内涵，概而言之是一个“真”字，即完全符合人物身份。 就形式而言，则包含了多种多样的修辞方式。其修辞方式主要“仿拟”，即根据交际的需要，模仿现有的格式，临时新创一种说法。仿拟可以在不同的语言环境中广泛运用，它的言简意赅、生动活泼、新颖别致、风趣幽默的风格，深受群众喜爱。仿拟由本体和仿体组成，本体指仿造所依据的旧的言语形式，仿体指依据旧的言语形式仿造出的新形式。在仿拟的实际运用中，本体有时出现，有时不出现。<br />
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1.'''仿词'''。仿词是以词为单位进行的仿拟。<br />
(1)“你要让‘香妃’变成‘臭妃’吗?”小燕子嚷。<br />
(2)小燕子一急，连思考的余地都没有，话就冲口而 出:“皇阿玛!我哪儿有时间商量出‘对策’呢?……故事编不出来，谎话说不出来，就算有‘对策’，现在也变成‘错策’了!”<br />
(3)(永琪)“你背一首唐诗，我就陪你练剑!”小燕子不高兴起来:“不管是‘糖诗’还是‘盐诗’，我都没有兴趣!那个苦差事，我不要做!”<br />
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2.'''仿句'''。仿句是以句子为单位的仿拟。如:<br />
(1)(小燕子)她吃着这个，看着那个，狼吞虎咽……说:“大家坐下来一起吃吧!我相信大家都饿了，都累了，这一桌子的菜，我一个人怎么吃得下?来来来!吃饭!吃饭!累死事小，饿死事大……”上例中，“累死事小，饿死事大”仿自于“饿死事小，失节事大”，这是以句子为单位的仿造，因此属于仿句。<br />
(2)尔康和紫薇刚刚下马，小燕子就冲上去，拉着紫薇的手，跳脚大骂:“你搞什么鬼?好端端的闹失踪，要吓死我们每一个人吗?上次才一本正经地教训我，说是什么有福同享，有难同当的!你现在跑来睡小茅屋，是不是要我跟你一起来睡小茅屋?好嘛，咱们‘有稻草同睡，有茅屋同住’，我今天不回宫了!我得跟你‘有难同当’!” “有稻草同睡，有茅屋同住”仿自于“有福同享，有难同当”，也属于仿句。<br />
(3)乾隆说:“你的棋品太坏了!知不知道‘举手无悔大丈夫’?”小燕子握着棋子不放:“我不是‘大丈夫’， 我是‘举手就悔小女子’!”显然，“举手就悔小女子”仿自于“举手无悔大丈夫”，更是典型的仿句。 <br />
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3.'''仿篇'''。仿篇是以段落、篇章为单位的仿拟。如:<br />
(1)她不禁悲从中来。喃喃地念道:“前不见蹄膀，后不见烤鸭，念肚子之空空，独怆然而涕下!”<br />
(2)(小燕子)就念道:“前不见古人，后不见来者， 念天地之悠悠，舍皇宫而天下!”<br />
两例都是根据陈子昂的《登幽州台歌》“前不见古人，后不见来者，念天地之悠悠，独怆然而涕下”仿造而成的。这是以完整的篇章为仿造对象的，因此为仿篇。显然，这里的仿造，不是全部与本体不同。本体与仿体之间大同小异，均可看成仿篇。<br />
以上几种修辞方式，使小燕子的语言是那么别致，那么幽默，那么深入人心。更为重要的是，这种特色语言， 配合着其他手段(主要是行动)，就完全展现了小燕子是一个率直而调皮、单纯而狡黠、固守而善变、总望正确而总出洋相的村舍人物。这类人物在实际生活中并不少见，每一位观众的身边，可能都有此类人物的身影。这大概正是观众特别喜欢小燕子的重要原因。 <br />
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'''服饰'''<br />
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剧中人物服装设计精巧，具有浓郁的个性特色，人人自成风韵，又不乏古老东方文化底蕴。尤其是女性服装与其性格、身份、环境极吻合，服装的色彩运用更是独具匠心。<br />
小燕子初闯入观众视线，身着大红新娘装、大闹婚宴，其快快乐乐、敢做敢为、侠骨柔肠的性格可见一斑，尔后身着牙红底白圆点汉装、头梳两条小辫在街头卖艺、活泼、俏皮、机智、可爱；围场被射时着一袭白色衣衫，俨然一只纯洁受难的小羔羊，入宫后包括囚车上都着大红色旗装，既符合她高贵的格格身份，更烘托出她轰轰烈烈、潇潇洒洒的性格。<br />
该剧的自然风景优美，时而是“大漠孤烟直，长河落日圆”的塞外沙漠；时而是“一折青山一扇屏，一湾碧水一条琴”的北国风光；时而是“霜叶红于二月花”的金色秋天；时而是“微风燕子斜”的明媚春天。同时也展示了一幅幅人文景观：威严的皇宫、热闹的集市、高雅的御花园，古朴的农家院、喧哗的酒楼、幽长的古道。尤其是引入现代科技：含香翩翩起舞时，电脑制作的美丽蝴蝶轻盈相伴，令观众如入仙境，充分领略了自然美景及建筑艺术、园林艺术、雕刻艺术、绘画艺术的杰作。<br />
《还珠格格》填补了纯文学与大众市场的隔膜和疏离留下的大片空白，能让人哈哈大笑，能让人痛快酣畅，同时得到美的愉悦，美的享受。<br />
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'''女性主义'''<br />
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《还珠格格》在固守琼瑶“爱情万岁”的前提下，却也呈现了其古装电视类型剧中从未曾有过的性别再现。这个转变不仅造成了该剧受到前所未有的欢迎，巩固并扩展了琼瑶多年来的爱情伟业，同时也为流行文化促成社会霸权变迁的可能提供了极佳的例证。<br />
当琼瑶把一位具有强烈民粹背景与豪放性格的民间女子意外地错置在一个标榜正统权威与封建礼教的紫禁城时，已为戏剧性本身埋下了潜在的张力与冲击。而这场错误邂逅下所引发的种种荒唐和冲突，自然也产生了无数的笑料。“小燕子这个活泼淘气、鲁莽任性，一天到晚要打架，随时随地闹出笑话的女孩子，几乎在我以前的作品里很难找到。” （琼瑶）<br />
小燕子全面性地反权威、反传统、反封建，她颠覆宫廷中的主仆尊卑观念而强调人人平等，她不时反抗皇后、老佛爷、容嬷嬷的道德教条与礼教管束，她勇于仗义执言，挑战三妻四妾的封建父权，她更有济弱扶贫、嫉恶如仇的胸襟，这种表现再次颠覆了传统女性三从四德的形象。其实，像小燕子这样一个突破性的角色，在二十世纪末受到大家的喜爱其实正反映出了现代人心中所认同与肯定的女性形象具有种种的可能，象征了社会变迁下，人们追求多元价值的趋势。<br />
除此之外，《还珠格格》也提供了较多元的女性形象刻画和角色互动。在剧中，我们可以见到紫薇和小燕子之间姐妹情深的真诚和付出，紫薇与金锁之间牢不可破的忠诚与信任，紫薇与小燕子为了含香所表现的赴汤蹈火情义，以及晴儿深明大义的宽怀情操，都再三表现了超越亲情与爱情的胸怀。使得同辈女性之间可以存在深厚的情谊，而不必然是情场上的竞争者。<br />
从女性主义的角度而言，理想的性别再现应该是多方面地呈现性别在不同场域中所扮演的多元角色，而性别的意义也应在不断地变动中进行重构与磋商。唯有女性人物能够进入公共领域展现其能力并且也能关照其在私有领域中的脉动，才能呈现多元而丰富的女性角色，而当女性与男性的关系不再单只是建立在情爱上时，两性平等的政治理想才有真正实现的可能。<br />
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'''社会影响'''<br />
<br />
《还珠格格》作为一部大众戏，其鲜明的主体张扬色彩，顺应了时下的社会心理。改革开放不仅使我国的经济获得了巨大的发展，而且使国人在思想上、精神上获得了大解放。过去，我们总是片面强调大一统的集体利益、集体意志，不允许有任何合理的个人利益、个性发展，阉割了人的主体精神与主体意识，如今人的主体精神、主体地位得到了逐步的确立以往，人们思想迷信，敬畏权力，笃信权威，搞个人崇拜，精神枷锁十分沉重，如今人们开始蔑视权威，冷漠权力，逐渐摆脱了奴性束缚，减少了人生价值实现的依赖性。整个社会崇尚自我、张扬个性、追求独立自主的意识抢占了人生的主导位置人们相信自己，个体独特的智慧得到了较好的发挥，主体力量得到了大调动、大释放，越来越懂得将命运掌握在自己手中权威与权力逐渐失去了其中心话语的优势。<br />
这种社会心理，在青少年身上体现得更为鲜明而突出。《还珠格格》顺应了这种社会心理。剧中塑造的几个年轻人物，主体意识都非常浓，以自我为本位。他们敢说敢做，蔑视权威，不惧宫廷法规禁令的威严，任自己的个性得到充分发展，他们无拘无束，全然按照自己的思想与愿望去拼搏，努力追求生命 存在的价值，追求和张扬生命主体的 意义。这不仅体现在小燕子这个人物身上，而且尔康、尔泰、紫薇、金锁、柳青、柳红、香妃、令妃等都得到了充分的体现。而且剧作将个人对主体意识的张扬、生命价值的追求与对他人的爱、对他人的关心有机地结合在一起，使之具有了一种人情美、社会美， 容易勾起现代人对理想的人生境界的憧憬与向往。<br />
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<br />
'''参考文献'''<br />
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[1]Degeyter H .Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey . James Leggott and Julie Anne Taddeo , eds. Lanham, MD : Rowman & Littlefield , 2015.[J].The Journal of Popular Culture,2016,49(3):678-681.<br />
[2]Irion J M .Woman up: invoking feminism in quality television[J].New Review of Film and Television Studies,2024,22(1):434-437.<br />
[3]Li Dan. A Brief Analysis of the Language Characteristics of Xiao Yanzi in "My Fair Princess" [J]. Movie Literature, 2013, (18): 76-77.（李丹.浅析《还珠格格》中小燕子的语言特色[J].电影文学,2013,(18):76-77.）<br />
[4]Liu Jiasi. On "My Fair Princess" [J]. Jilin College of the Arts Journal, 2000, (01): 34-38. 2000.01.014.（刘家思.论《还珠格格》[J].吉林艺术学院学报,2000,(01):34-38.2000.01.014.）<br />
[5]Liu Rongmei. The "My Fair Princess" Phenomenon: Interpreting Gender Representation in the TV Series "My Fair Princess" [J]. New Works in Film, 2000, (04): 53-57.（刘容玫.还珠现象—解读——《还珠格格》电视剧中的性别再现[J].电影新作,2000,(04):53-57.）<br />
[6]Liu Xianghong, Zhang Liguo. The Aesthetic Pursuit of "My Fair Princess" [J]. Journal of Shanxi Radio and Television University, 2000, (03): 18-20.（刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,(03):18-20.）<br />
[7]Li Zeqin. Rhetoric, Scenery: An Exposition of Rhetoric in the Lyrics of the TV Series "My Fair Princess" [J]. Youthful Years, 2011, (14): 48-49.（李泽琴.修辞,风景——关于电视剧《还珠格格》歌词中的修辞学阐释[J].青春岁月,2011,(14):48-49.）<br />
[8]Wen Xiaodeng. On the Reasons for the Popularity of Qing Dynasty Dramas as Seen from "My Fair Princess" [J]. Movie Literature, 2009, (01): 117-118.（文小灯.从《还珠格格》看清朝剧热播的原因[J].电影文学,2009,(01):117-118.）<br />
[9]Zhang Chao. A Study on the Collective Screen Memory of the "Post-90s" Generation [D]. Zhejiang University of Media and Communications, 2018.（张超.“90后”荧屏集体记忆的研究[D].浙江传媒学院,2018.）<br />
[10]Zhao Ping. The Language Art of "My Fair Princess" [J]. Changwei Teachers College Journal, 2000, (01): 40-42.（赵萍.《还珠格格》的语言艺术[J].昌潍师专学报,2000,(01):40-42.）<br />
[11]Zhang Yue. The Overlooked Narrative Codes in "My Fair Princess" [J]. Cultural Industry, 2018, (09): 57-61.（张玥.《还珠格格》中被忽略的叙事密码[J].文化产业,2018,(09):57-61.）<br />
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AI声明<br />
我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Mengzhu&diff=164762User:Chen Mengzhu2024-12-31T07:48:31Z<p>Chen Zilan: </p>
<hr />
<div>My name is Chen Mengzhu and I’m from Heilongjiang Province, the northernmost province of China. I’m 24 years old. As to my education experience, I graduated from Heilongjiang University in 2022, and now I’m majoring in English translation in Hunan Normal University. As to my character, honestly, I’m a little bit quiet and introverted. I enjoy the moment I am alone and can contemplate freely. As to my hobbies, I’m keen on reading books and watching documentaries and some old films. Sometimes I try to read some books about philosophy, though I can’t always fully comprehend the contents. My favorite writer is Albert Camus, whose words always resonate with m<br />
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\= Nov 14,2024 \= I practice spoken English on Talkface, the topic are "Describe a traditional product in your country", "describe a person who you follow on social media".<br />
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\= Nov 15,2024 \= I practice spoken English on Talkface, the topic are "Describe an interesting neighbor", "Describe an old friend you had lost contact with and recently reconnected".<br />
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\= Nov 16,2024 \= I practice spoken English on Talkface, the topic are"Describe a culture place", "Describe a time when you helped a family member".<br />
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\= Nov 18,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 19,2024 \= I practice spoken English on Talkface, the topic are "Describe a special cake you received from others", "Describe a toy you liked in your childhood".<br />
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\= Nov 20,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 21,2024 \= I practice spoken English on Talkface, the topic is "Describe a rule you dislike and would like to change in the future".<br />
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\= Nov 22,2024 \= I practice spoken English on Talkface, the topic are "Street market" and "Websites".<br />
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\= Nov 23,2024 \= I practice spoken English on Talkface, the topic are "Talents" and "Collecting Things".<br />
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\= Nov 24,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 25,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 26,2024\= I practice spoken English on Talkface, the topic are “Describe a person who is good at handmaking" and "Describe a public park or garden".<br />
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\= Nov 27,2024\= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 28, 2024\= I listened to a Podcast called "All Ears English".<br />
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\= Nov 29, 2024\= I listened to a Podcast called "All Ears English".<br />
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\= Nov 30, 2024\= I practiced IELTS writing task 1.<br />
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\= Dec 1, 2024\= I practiced IELTS writing task 1.<br />
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\= Dec 2, 2024\= I practiced IELTS listening.<br />
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\= Dec 3, 2024\= I practiced IELTS listening.<br />
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\= Dec 4, 2024\= I listened to a Podcast called "IELTS Power".<br />
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\= Dec 5, 2024\= I practiced English teaching.<br />
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\= Dec 6, 2024\= I practiced English teaching.<br />
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\= Dec 7, 2024\= I practiced English teaching.<br />
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\= Dec 8, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 9, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 10, 2024\= I practiced IELTS listening for about 40 minutes.<br />
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\= Dec 11, 2024\= I read the novel ''Animal Farm'' of George Orwell.<br />
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\= Dec 12, 2024\= I read the novel ''Animal Farm'' of George Orwell.<br />
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\= Dec 13, 2024\= I did English- Chinese translation for about 1 hour.<br />
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\= Dec 14, 2024\= I did English - Chinese translation for about 40 minutes.<br />
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\= Dec 15, 2024\= I practiced IELTS listening.<br />
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\= Dec 16, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 17, 2024\= I listened to a Podcast called "All Ears English".<br />
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\=Dec 18, 2024\= I listened to a Podcast called "All Ears English".<br />
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'''Harbin Ice and Snow World'''<br />
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'''Chen Mengzhu (Chris)'''<br />
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'''Abstract'''<br />
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The Harbin Ice and Snow World is one of the most representative winter cultural events in Northeast China. Its origin is closely tied to Harbin's unique geography and cold climate, with traditions of ice lanterns and snow sculptures dating back to the Qing Dynasty. Since its inception in the late 20th century, the event has evolved into a large-scale festival featuring highlights such as the Dream Ice Pavilion, the Snowflake Ferris Wheel, and immersive artistic experiences. It is a symbol of Northeast China's ice and snow culture, integrating Manchu cultural elements, local cuisine, and traditional winter activities like ice dragon boat races. Moreover, the event serves as a platform for cultural exchange, blending Chinese architectural styles with Western influences, such as Russian and Gothic designs. With its combination of art, entertainment, and international appeal, the Harbin Ice and Snow World has become a global cultural landmark.<br />
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'''1. Origin and Development'''<br />
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Harbin Ice and Snow World is one of the most representative winter cultural activities in Northeast China, the formation of which is inextricably linked to Harbin's unique geographical and climatic conditions. As an important city in northern China, Harbin's harsh winters have bred a unique ice and snow culture. As early as in the Qing Dynasty, there has been a tradition of making ice lanterns and snow sculptures. The Harbin Ice and Snow World began at the end of 20th century, and was initially a self-organized winter activity by Harbin citizens, mainly focusing on displaying the art of ice and snow sculptures. Since 2013, Harbin Ice and Snow World has been organized by Harbin Ice and Snow World Co. As of December 2024, the event has been successfully held for 26 times. (Xu Wenjing 2011, 2)<br />
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'''2. Main Landscapes'''<br />
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The main landscapes include Fantasy Ice and Snow Park, Ice and Snow Theme Food Hall, Four Seasons Amusement Park, Ice and Snow Showground and Snow Ferris Wheel. Among them, the Fantasy Ice and Snow Park is the world's largest indoor ice and snow theme park, featuring nine themed parks and 13 programs. Through ice and snow, it skillfully combines several themed scenes with programs, incorporating advanced technology and artistic means to create an immersive experience that is highly interactive and interesting.<br />
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The Ice and Snow Theme Food Hall has a total floor area of nearly 15,000 square meters, providing more than 40 food and beverage outlets covering hot pots, barbecue and desserts, and other diverse food and beverage choices. There are also cultural and creative stores in the hall, creating a theme for both leisure and socializing. In addition, the central stage hosts special performances every day, including singing, dancing and instrumental music programs, providing visitors with a wealth of visual and auditory enjoyment.<br />
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The Four Seasons Amusement Park is the largest indoor interactive theme park for parents and children in Heilongjiang province, equipped with free equipment such as skates and helmets, and a variety of programs such as ice trails, climbing facilities and Ferris wheels to meet the needs of visitors of all ages.<br />
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The Ice and Snow Showground covers an area of 11,300 square meters, with 2,000 fixed seats, and is mainly used to stage the “Harbin Ice Show” and ice ballet in winter, and for celebrity concerts and other activities in summer. <br />
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With a height of 120 meters, the Snow Ferris Wheel is the highest Ferris Wheel in Northeast China and has become a new landmark in Harbin. Its 48 cabins are designed to cover multiple themed spaces, with built-in catering, audio-visual and air-conditioning systems, providing a unique and comfortable viewing experience. (Baidu Encyclopedia: Ice World)<br />
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'''3. Symbol of Northeast Ice and Snow Culture'''<br />
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Harbin is unique among many regions in Northeast China for its rich snow and ice resources. The long snowy period has profoundly influenced the lifestyle of the local people, making ice and snow tourism a core feature of Harbin's urban image. As an important representative of the Northeast's ice and snow culture, the Ice and Snow World not only showcases the artists' exquisite skills with its ice and snow sculptures, but also incorporates the unique folklore and lifestyle of the Northeast. Visitors to the Ice and Snow World can not only enjoy the exquisite ice sculpture art, participate in a variety of ice and snow entertainment programs, but also taste the authentic Northeast cuisine, these experiences together constitute the core charm of the ice and snow culture in Harbin. For example, ice sculptures often incorporate elements of Manchu culture, providing visitors with a unique cultural perspective. In addition, the activities and cuisine of the Ice and Snow World fully reflect the deep heritage of northeastern culture. Visitors can participate in traditional winter sports such as dragon boats on ice and tug-of-war in the snow, while tasting frozen pears, pork stew, and other cuisine with strong local characteristics. This unique cultural complex has become an iconic symbol of Harbin, attracting tourists from all over the world to linger. (Wang Jialin 2024, 46)<br />
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'''4. Fusion of Chinese and Western Cultures'''<br />
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Harbin is located in the heart of northeastern China, and as an important node of the Eurasian Continental Bridge, it is characterized by a strong blend of Chinese and Western cultures. This cultural convergence is fully embodied in the ice sculpture architecture. Ice sculpture works not only show the symmetrical beauty of traditional Chinese architecture, but also incorporate the unique style of Western architecture. For example, in the Ice and Snow World, tourists can enjoy ancient Chinese buildings carved in ice, such as pavilions, and they can also feel the delicacy and grandeur of Russian-style wooden houses and Gothic architecture. Through the integration of Chinese and Western architectural elements, these ice carvings reflect the multicultural background of Harbin as an international city, and also reflect the pursuit of cultural inclusiveness and diversity in the artistic creation of the Ice and Snow World. This unique cultural presentation not only enhances the attractiveness of the Ice and Snow World, but also makes it an important platform for spreading Chinese and Western cultures. (Sun Xin 2022, 2)<br />
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'''5. Cultural Exchange and Internationalization'''<br />
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The Ice and Snow World is famous for its grand scale and rich and varied ice and snow art landscapes. The Ice and Snow Festival held every year attracts a large number of visitors from all over the world. The Ice and Snow Festival displays all kinds of ice and snow sculptures and combines them with modern technology to present unique visual effects. Compared with the ice and snow festivals in Russia, Finland and Sweden, Ice and Snow World not only combines ice and snow art and festivals, but also provides a wealth of entertainment facilities and culinary experiences, allowing visitors to experience the multicultural blend in the world of ice and snow. It demonstrates unique advantages in terms of scale, artistry and deep integration with the culture of northern China. (Gao X, Galina V A 2024, 2)<br />
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'''Terms and Expressions'''<br />
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Ice and Snow World 冰雪大世界<br />
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Ice Sculpture Art 冰雕艺术<br />
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Northeastern Cuisine 东北美食<br />
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Ice Ballet 冰上芭蕾<br />
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Manchu Elements 满族元素<br />
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Dragon Boat on Ice 冰上龙舟<br />
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Tug-of-War in the Snow 雪地拔河<br />
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Frozen Pears 冻梨<br />
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Pork Stew 杀猪菜 <br />
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Northern Chinese Culture 中国北方文化 <br />
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'''Questions'''<br />
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1. When did the Harbin Ice and Snow World begin?<br />
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2. What are the main attractions of the Ice and Snow World?<br />
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3. How does the Ice and Snow World reflect the culture of the Northeast?<br />
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4. What are the western architectural elements in the Ice and Snow World?<br />
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5. What is the main purpose of the Ice and Snow Showground?<br />
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6. What are the characteristics of the Snow Ferris Wheel?<br />
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'''Answers'''<br />
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1. In 1999.<br />
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2. Fantasy Ice and Snow Park, Ice and Snow Theme Food Hall, Four Seasons Amusement Park, Ice and Snow Showground and Snow Ferris Wheel.<br />
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3. The Ice and Snow World not only showcases the artists' exquisite skills with its ice and snow sculptures, but also incorporates the unique folklore and lifestyle of the Northeast.<br />
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4. The delicacy and grandeur of Russian-style wooden houses and Gothic architecture.<br />
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5. It is mainly used to stage the “Harbin Ice Show” and ice ballet in winter, and for celebrity concerts and other activities in summer.<br />
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6. With a height of 120 meters, the Snow Ferris Wheel is the highest Ferris Wheel in Northeast China and has become a new landmark in Harbin.<br />
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'''References'''<br />
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[1] Gao X, Galina V A. Digital Transformation of City Brands: A Synergistic Mechanism of Cultural Output, Identity, and Brand Co-construction-Taking Harbin Ice and Snow World's Popularity as an Example[J]. International Journal of Digital Communication and Analog Signals, 2024, 10(1): 1-9p.<br />
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[2] https://baike.baidu.com/item/第二十六届哈尔滨冰雪大世界/63972537?fr=ge_ala<br />
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[3] Sun Xin孙鑫. 基于语料库的旅游话语分析[Corpus-based Discourse Analysis of Tourism][D]. 吉林大学[ilin University], 2022.<br />
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[4] Wang Jialin汪嘉琳. 哈尔滨冰雪旅游“出圈”现象研究[Harbin ice and snow tourism “out of the circle” phenomenon research][J]. 西部旅游[Western Tourism], 2024, (12):45-47.<br />
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[5] Xu Wenjing徐文婧. 论黑龙江冰雪旅游发展[On the Development of Ice and Snow Tourism in Heilongjiang][D]. 黑龙江大学[Heilongjiang University], 2011.<br />
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AI Statement<br />
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I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
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<br />
'''哈尔滨冰雪大世界'''<br />
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'''陈梦竹 (Chris)'''<br />
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'''摘要'''<br />
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哈尔滨冰雪大世界是中国东北地区最具代表性的冬季文化活动之一。其起源与哈尔滨独特的地理位置和严寒气候密不可分，当地的冰灯和雪雕传统可以追溯到清朝。自20世纪末创立以来，这一活动逐步发展为大型节庆活动，亮点包括梦幻冰雪馆、雪花摩天轮以及沉浸式艺术体验。作为东北冰雪文化的象征，冰雪大世界融入了满族文化元素、地方美食以及冰龙舟等传统冬季活动。此外，这一活动也是文化交流的平台，通过融入俄罗斯及哥特式建筑风格等西方元素，展现了中西文化的交汇。通过艺术、娱乐与国际化的结合，哈尔滨冰雪大世界已成为全球知名的文化地标。<br />
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'''1.起源与发展'''<br />
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哈尔滨冰雪大世界是中国东北地区最具代表性的冬季文化活动之一，其形成与哈尔滨独特的地理和气候条件密不可分。作为中国北方的重要城市，哈尔滨的严寒冬季孕育了独特的冰雪文化。早在清朝时期，当地便已有制作冰灯和雪雕的传统。哈尔滨冰雪大世界始创于20世纪末，最初是由哈尔滨市民自发组织的冬季活动，主要以展示冰雕和雪雕艺术为主。自2013年起，哈尔滨冰雪大世界由哈尔滨冰雪大世界股份有限公司承办。截止至2024年12月，该活动已成功举办了26届。(徐文婧 2011, 2）<br />
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'''2.主要景观'''<br />
<br />
主要景观包括梦幻冰雪馆、冰雪美食馆、四季游乐馆、冰雪秀场和雪花摩天轮等，构成了哈尔滨冰雪大世界的核心吸引力。其中，梦幻冰雪馆是全球最大的室内冰雪主题乐园，设有9个主题分区和13个体验项目。通过冰雪为媒介，将多个主题场景与体验项目巧妙结合，融入先进科技和艺术手段，打造出互动性强、趣味性高的沉浸式体验。<br />
冰雪美食馆总建筑面积近15000平方米，提供40余家餐饮店铺，覆盖火锅、烤肉及甜品等冷热多样的餐饮选择。馆内还设有文创商店，营造休闲与社交兼备的主题场景。此外，中央舞台每天轮番上演特色表演，包括歌舞和器乐节目，为游客提供丰富的视觉与听觉享受。<br />
四季游乐馆则是省内最大的室内亲子互动主题乐园，配备滑冰鞋、头盔等免费装备，拥有冰道、攀爬设施和摩天轮等多种项目，满足各年龄段游客的需求。<br />
冰雪秀场面积达11300平方米，设有2000个固定座位，冬季主要上演“哈冰秀”和冰上芭蕾，夏季则用于明星演唱会及其他多功能活动。<br />
雪花摩天轮高度达120米，是东三省最高摩天轮，亦成为哈尔滨的新地标。其48个轿厢设计涵盖亲子、爱情、商务和KTV四种主题空间，内置餐饮、视听及空调系统，提供了独特且舒适的观景体验。(百度百科：冰雪大世界）<br />
'''<br />
3.东北冰雪文化的象征'''<br />
<br />
哈尔滨以其丰富的冰雪资源在众多地区中独树一帜。漫长的雪期深刻影响了当地人民的生活方式，使冰雪旅游成为哈尔滨城市形象的核心特色。作为东北冰雪文化的重要代表，冰雪大世界不仅以其冰雕和雪雕作品展现了艺术家的精湛技艺，还融入了东北独特的民俗和生活方式。游客在冰雪大世界中，既可以欣赏到精美绝伦的冰雕艺术，参与各种冰雪娱乐项目，还能品尝地道的东北美食，这些体验共同构成了哈尔滨冰雪文化的核心魅力。例如，冰雕作品中常常融入满族文化元素，为游客提供了独特的文化视角。此外，冰雪大世界的活动和美食也充分体现了东北文化的深厚底蕴，游客可以参与冰上龙舟、雪地拔河等传统冬季运动，同时品尝冻梨、杀猪菜等极具地方特色的美食。这一独特的文化综合体已成为哈尔滨的标志性符号，吸引着世界各地的游客流连忘返。(汪佳琳 2024，46）<br />
'''<br />
4.中西文化的融合'''<br />
<br />
哈尔滨地处中国东北的核心地带，作为欧亚大陆桥的重要节点，具有浓厚的中西方文化交融的特色。这种文化交汇充分体现在哈尔滨冰雪大世界的冰雕建筑中。冰雕作品既展现了中国传统建筑的对称美，也融入了西方建筑的独特风格。例如，在冰雪大世界中，游客可以欣赏到以冰雕刻的中国古建筑，如亭台楼阁，同时还能感受到俄罗斯风情的木屋和哥特式建筑的精致与恢弘。这些冰雕作品通过对中西方建筑元素的融合，体现了哈尔滨作为一个国际化城市的多元文化背景，也反映了冰雪大世界在艺术创作上对文化包容性与多样性的追求。这种独特的文化呈现，不仅增强了冰雪大世界的吸引力，也使其成为传播中西方文化的重要平台。<br />
'''<br />
5.文化交流与国际化'''<br />
<br />
冰雪大世界以其规模宏大和丰富多样的冰雪艺术景观而闻名。每年举办的冰雪节吸引了大量来自世界各地的游客。冰雪节展示了各类冰雕和雪雕，并结合现代科技，呈现出独特的视觉效果。与俄罗斯、芬兰和瑞典等国家的冰雪节庆活动相比，冰雪大世界不仅融合了冰雪艺术与节庆活动，还提供了丰富的娱乐设施和美食体验，使游客在冰雪世界中体验多元文化的交融。其在规模、艺术性以及与中国北方文化的深度融合方面展现了独特的优势。<br />
<br />
<br />
'''Terms and Expressions'''<br />
<br />
冰雪大世界 Ice and Snow World<br />
<br />
冰雕艺术 Ice Sculpture Art<br />
<br />
东北美食 Northeastern Cuisine<br />
<br />
冰上芭蕾 Ice Ballet<br />
<br />
满族元素 Manchu Elements<br />
<br />
冰上龙舟 Dragon Boat on Ice<br />
<br />
雪地拔河 Tug-of-War in the Snow<br />
<br />
冻梨 Frozen Pears<br />
<br />
杀猪菜 Pork Stew<br />
<br />
中国北方文化 Northern Chinese Culture<br />
<br />
<br />
'''Questions'''<br />
<br />
1.哈尔滨冰雪大世界始于何时？<br />
<br />
2.冰雪大世界有哪些主要景点？<br />
<br />
3.冰雪大世界如何体现东北文化？<br />
<br />
4.冰雪大世界有哪些西方建筑元素？<br />
<br />
5.冰雪秀场的主要用途是什么？<br />
<br />
6.雪花摩天轮有何特点？<br />
<br />
<br />
'''Answers'''<br />
<br />
1.1999年。<br />
<br />
2.梦幻冰雪馆、冰雪美食馆、四季游乐馆、冰雪秀场和雪花摩天轮等。<br />
<br />
3.冰雪大世界不仅以其冰雕和雪雕作品展现了艺术家的精湛技艺，还融入了东北独特的民俗和生活方式。<br />
<br />
4.俄罗斯风情的木屋和哥特式建筑的精致与恢弘。<br />
<br />
5.冬季主要上演“哈冰秀”和冰上芭蕾，夏季则用于明星演唱会及其他多功能活动。<br />
<br />
6.雪花摩天轮高度达120米，是东三省最高摩天轮，亦成为哈尔滨的新地标。<br />
<br />
<br />
'''References'''<br />
<br />
[1]Gao X, Galina V A. Digital Transformation of City Brands: A Synergistic Mechanism of Cultural Output, Identity, and Brand Co-construction-Taking Harbin Ice and Snow World's Popularity as an Example[J]. International Journal of Digital Communication and Analog Signals, 2024, 10(1): 1-9p.<br />
<br />
[2]https://baike.baidu.com/item/第二十六届哈尔滨冰雪大世界/63972537?fr=ge_ala<br />
<br />
[3]孙鑫. 基于语料库的旅游话语分析[D]. 吉林大学, 2022.<br />
<br />
[4]汪嘉琳. 哈尔滨冰雪旅游“出圈”现象研究[J]. 西部旅游, 2024, (12):45-47.<br />
<br />
[5]徐文婧. 论黑龙江冰雪旅游发展[D]. 黑龙江大学, 2011.<br />
<br />
<br />
AI声明：<br />
本人在此承诺本文写作中未使用人工智能辅助。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Mengzhu&diff=164760User:Chen Mengzhu2024-12-31T07:46:30Z<p>Chen Zilan: </p>
<hr />
<div>My name is Chen Mengzhu and I’m from Heilongjiang Province, the northernmost province of China. I’m 24 years old. As to my education experience, I graduated from Heilongjiang University in 2022, and now I’m majoring in English translation in Hunan Normal University. As to my character, honestly, I’m a little bit quiet and introverted. I enjoy the moment I am alone and can contemplate freely. As to my hobbies, I’m keen on reading books and watching documentaries and some old films. Sometimes I try to read some books about philosophy, though I can’t always fully comprehend the contents. My favorite writer is Albert Camus, whose words always resonate with m<br />
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\= Nov 14,2024 \= I practice spoken English on Talkface, the topic are "Describe a traditional product in your country", "describe a person who you follow on social media".<br />
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\= Nov 15,2024 \= I practice spoken English on Talkface, the topic are "Describe an interesting neighbor", "Describe an old friend you had lost contact with and recently reconnected".<br />
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\= Nov 16,2024 \= I practice spoken English on Talkface, the topic are"Describe a culture place", "Describe a time when you helped a family member".<br />
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\= Nov 18,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 19,2024 \= I practice spoken English on Talkface, the topic are "Describe a special cake you received from others", "Describe a toy you liked in your childhood".<br />
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\= Nov 20,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 21,2024 \= I practice spoken English on Talkface, the topic is "Describe a rule you dislike and would like to change in the future".<br />
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\= Nov 22,2024 \= I practice spoken English on Talkface, the topic are "Street market" and "Websites".<br />
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\= Nov 23,2024 \= I practice spoken English on Talkface, the topic are "Talents" and "Collecting Things".<br />
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\= Nov 24,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 25,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 26,2024\= I practice spoken English on Talkface, the topic are “Describe a person who is good at handmaking" and "Describe a public park or garden".<br />
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\= Nov 27,2024\= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 28, 2024\= I listened to a Podcast called "All Ears English".<br />
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\= Nov 29, 2024\= I listened to a Podcast called "All Ears English".<br />
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\= Nov 30, 2024\= I practiced IELTS writing task 1.<br />
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\= Dec 1, 2024\= I practiced IELTS writing task 1.<br />
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\= Dec 2, 2024\= I practiced IELTS listening.<br />
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\= Dec 3, 2024\= I practiced IELTS listening.<br />
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\= Dec 4, 2024\= I listened to a Podcast called "IELTS Power".<br />
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\= Dec 5, 2024\= I practiced English teaching.<br />
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\= Dec 6, 2024\= I practiced English teaching.<br />
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\= Dec 7, 2024\= I practiced English teaching.<br />
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\= Dec 8, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 9, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 10, 2024\= I practiced IELTS listening for about 40 minutes.<br />
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\= Dec 11, 2024\= I read the novel ''Animal Farm'' of George Orwell.<br />
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\= Dec 12, 2024\= I read the novel ''Animal Farm'' of George Orwell.<br />
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\= Dec 13, 2024\= I did English- Chinese translation for about 1 hour.<br />
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\= Dec 14, 2024\= I did English - Chinese translation for about 40 minutes.<br />
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\= Dec 15, 2024\= I practiced IELTS listening.<br />
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\= Dec 16, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 17, 2024\= I listened to a Podcast called "All Ears English".<br />
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\=Dec 18, 2024\= I listened to a Podcast called "All Ears English".<br />
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<br />
'''Harbin Ice and Snow World'''<br />
'''<br />
Chen Mengzhu (Chris)'''<br />
<br />
'''Abstract'''<br />
<br />
The Harbin Ice and Snow World is one of the most representative winter cultural events in Northeast China. Its origin is closely tied to Harbin's unique geography and cold climate, with traditions of ice lanterns and snow sculptures dating back to the Qing Dynasty. Since its inception in the late 20th century, the event has evolved into a large-scale festival featuring highlights such as the Dream Ice Pavilion, the Snowflake Ferris Wheel, and immersive artistic experiences. It is a symbol of Northeast China's ice and snow culture, integrating Manchu cultural elements, local cuisine, and traditional winter activities like ice dragon boat races. Moreover, the event serves as a platform for cultural exchange, blending Chinese architectural styles with Western influences, such as Russian and Gothic designs. With its combination of art, entertainment, and international appeal, the Harbin Ice and Snow World has become a global cultural landmark.<br />
<br />
'''1. Origin and Development'''<br />
<br />
Harbin Ice and Snow World is one of the most representative winter cultural activities in Northeast China, the formation of which is inextricably linked to Harbin's unique geographical and climatic conditions. As an important city in northern China, Harbin's harsh winters have bred a unique ice and snow culture. As early as in the Qing Dynasty, there has been a tradition of making ice lanterns and snow sculptures. The Harbin Ice and Snow World began at the end of 20th century, and was initially a self-organized winter activity by Harbin citizens, mainly focusing on displaying the art of ice and snow sculptures. Since 2013, Harbin Ice and Snow World has been organized by Harbin Ice and Snow World Co. As of December 2024, the event has been successfully held for 26 times. (Xu Wenjing 2011, 2)<br />
<br />
'''2. Main Landscapes'''<br />
<br />
The main landscapes include Fantasy Ice and Snow Park, Ice and Snow Theme Food Hall, Four Seasons Amusement Park, Ice and Snow Showground and Snow Ferris Wheel. Among them, the Fantasy Ice and Snow Park is the world's largest indoor ice and snow theme park, featuring nine themed parks and 13 programs. Through ice and snow, it skillfully combines several themed scenes with programs, incorporating advanced technology and artistic means to create an immersive experience that is highly interactive and interesting.<br />
<br />
The Ice and Snow Theme Food Hall has a total floor area of nearly 15,000 square meters, providing more than 40 food and beverage outlets covering hot pots, barbecue and desserts, and other diverse food and beverage choices. There are also cultural and creative stores in the hall, creating a theme for both leisure and socializing. In addition, the central stage hosts special performances every day, including singing, dancing and instrumental music programs, providing visitors with a wealth of visual and auditory enjoyment.<br />
<br />
The Four Seasons Amusement Park is the largest indoor interactive theme park for parents and children in Heilongjiang province, equipped with free equipment such as skates and helmets, and a variety of programs such as ice trails, climbing facilities and Ferris wheels to meet the needs of visitors of all ages.<br />
<br />
The Ice and Snow Showground covers an area of 11,300 square meters, with 2,000 fixed seats, and is mainly used to stage the “Harbin Ice Show” and ice ballet in winter, and for celebrity concerts and other activities in summer. <br />
<br />
With a height of 120 meters, the Snow Ferris Wheel is the highest Ferris Wheel in Northeast China and has become a new landmark in Harbin. Its 48 cabins are designed to cover multiple themed spaces, with built-in catering, audio-visual and air-conditioning systems, providing a unique and comfortable viewing experience. (Baidu Encyclopedia: Ice World)<br />
<br />
'''3. Symbol of Northeast Ice and Snow Culture'''<br />
<br />
Harbin is unique among many regions in Northeast China for its rich snow and ice resources. The long snowy period has profoundly influenced the lifestyle of the local people, making ice and snow tourism a core feature of Harbin's urban image. As an important representative of the Northeast's ice and snow culture, the Ice and Snow World not only showcases the artists' exquisite skills with its ice and snow sculptures, but also incorporates the unique folklore and lifestyle of the Northeast. Visitors to the Ice and Snow World can not only enjoy the exquisite ice sculpture art, participate in a variety of ice and snow entertainment programs, but also taste the authentic Northeast cuisine, these experiences together constitute the core charm of the ice and snow culture in Harbin. For example, ice sculptures often incorporate elements of Manchu culture, providing visitors with a unique cultural perspective. In addition, the activities and cuisine of the Ice and Snow World fully reflect the deep heritage of northeastern culture. Visitors can participate in traditional winter sports such as dragon boats on ice and tug-of-war in the snow, while tasting frozen pears, pork stew, and other cuisine with strong local characteristics. This unique cultural complex has become an iconic symbol of Harbin, attracting tourists from all over the world to linger. (Wang Jialin 2024, 46)<br />
<br />
'''4. Fusion of Chinese and Western Cultures'''<br />
<br />
Harbin is located in the heart of northeastern China, and as an important node of the Eurasian Continental Bridge, it is characterized by a strong blend of Chinese and Western cultures. This cultural convergence is fully embodied in the ice sculpture architecture. Ice sculpture works not only show the symmetrical beauty of traditional Chinese architecture, but also incorporate the unique style of Western architecture. For example, in the Ice and Snow World, tourists can enjoy ancient Chinese buildings carved in ice, such as pavilions, and they can also feel the delicacy and grandeur of Russian-style wooden houses and Gothic architecture. Through the integration of Chinese and Western architectural elements, these ice carvings reflect the multicultural background of Harbin as an international city, and also reflect the pursuit of cultural inclusiveness and diversity in the artistic creation of the Ice and Snow World. This unique cultural presentation not only enhances the attractiveness of the Ice and Snow World, but also makes it an important platform for spreading Chinese and Western cultures. (Sun Xin 2022, 2)<br />
<br />
'''5. Cultural Exchange and Internationalization'''<br />
<br />
The Ice and Snow World is famous for its grand scale and rich and varied ice and snow art landscapes. The Ice and Snow Festival held every year attracts a large number of visitors from all over the world. The Ice and Snow Festival displays all kinds of ice and snow sculptures and combines them with modern technology to present unique visual effects. Compared with the ice and snow festivals in Russia, Finland and Sweden, Ice and Snow World not only combines ice and snow art and festivals, but also provides a wealth of entertainment facilities and culinary experiences, allowing visitors to experience the multicultural blend in the world of ice and snow. It demonstrates unique advantages in terms of scale, artistry and deep integration with the culture of northern China. (Gao X, Galina V A 2024, 2)<br />
<br />
<br />
'''Terms and Expressions'''<br />
<br />
<br />
Ice and Snow World 冰雪大世界<br />
<br />
Ice Sculpture Art 冰雕艺术<br />
<br />
Northeastern Cuisine 东北美食<br />
<br />
Ice Ballet 冰上芭蕾<br />
<br />
Manchu Elements 满族元素<br />
<br />
Dragon Boat on Ice 冰上龙舟<br />
<br />
Tug-of-War in the Snow 雪地拔河<br />
<br />
Frozen Pears 冻梨<br />
<br />
Pork Stew 杀猪菜 <br />
<br />
Northern Chinese Culture 中国北方文化 <br />
<br />
<br />
'''Questions'''<br />
<br />
1. When did the Harbin Ice and Snow World begin?<br />
<br />
2. What are the main attractions of the Ice and Snow World?<br />
<br />
3. How does the Ice and Snow World reflect the culture of the Northeast?<br />
<br />
4. What are the western architectural elements in the Ice and Snow World?<br />
<br />
5. What is the main purpose of the Ice and Snow Showground?<br />
<br />
6. What are the characteristics of the Snow Ferris Wheel?<br />
<br />
<br />
'''Answers'''<br />
<br />
1. In 1999.<br />
<br />
2. Fantasy Ice and Snow Park, Ice and Snow Theme Food Hall, Four Seasons Amusement Park, Ice and Snow Showground and Snow Ferris Wheel.<br />
<br />
3. The Ice and Snow World not only showcases the artists' exquisite skills with its ice and snow sculptures, but also incorporates the unique folklore and lifestyle of the Northeast.<br />
<br />
4. The delicacy and grandeur of Russian-style wooden houses and Gothic architecture.<br />
<br />
5. It is mainly used to stage the “Harbin Ice Show” and ice ballet in winter, and for celebrity concerts and other activities in summer.<br />
<br />
6. With a height of 120 meters, the Snow Ferris Wheel is the highest Ferris Wheel in Northeast China and has become a new landmark in Harbin.<br />
<br />
<br />
'''References'''<br />
<br />
[1] Gao X, Galina V A. Digital Transformation of City Brands: A Synergistic Mechanism of Cultural Output, Identity, and Brand Co-construction-Taking Harbin Ice and Snow World's Popularity as an Example[J]. International Journal of Digital Communication and Analog Signals, 2024, 10(1): 1-9p.<br />
<br />
[2] https://baike.baidu.com/item/第二十六届哈尔滨冰雪大世界/63972537?fr=ge_ala<br />
<br />
[3] Sun Xin孙鑫. 基于语料库的旅游话语分析[Corpus-based Discourse Analysis of Tourism][D]. 吉林大学[ilin University], 2022.<br />
<br />
[4] Wang Jialin汪嘉琳. 哈尔滨冰雪旅游“出圈”现象研究[Harbin ice and snow tourism “out of the circle” phenomenon research][J]. 西部旅游[Western Tourism], 2024, (12):45-47.<br />
<br />
[5] Xu Wenjing徐文婧. 论黑龙江冰雪旅游发展[On the Development of Ice and Snow Tourism in Heilongjiang][D]. 黑龙江大学[Heilongjiang University], 2011.<br />
<br />
AI Statement<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
'''<br />
哈尔滨冰雪大世界'''<br />
<br />
'''陈梦竹 (Chris)'''<br />
<br />
'''摘要'''<br />
<br />
哈尔滨冰雪大世界是中国东北地区最具代表性的冬季文化活动之一。其起源与哈尔滨独特的地理位置和严寒气候密不可分，当地的冰灯和雪雕传统可以追溯到清朝。自20世纪末创立以来，这一活动逐步发展为大型节庆活动，亮点包括梦幻冰雪馆、雪花摩天轮以及沉浸式艺术体验。作为东北冰雪文化的象征，冰雪大世界融入了满族文化元素、地方美食以及冰龙舟等传统冬季活动。此外，这一活动也是文化交流的平台，通过融入俄罗斯及哥特式建筑风格等西方元素，展现了中西文化的交汇。通过艺术、娱乐与国际化的结合，哈尔滨冰雪大世界已成为全球知名的文化地标。<br />
<br />
'''1.起源与发展'''<br />
<br />
哈尔滨冰雪大世界是中国东北地区最具代表性的冬季文化活动之一，其形成与哈尔滨独特的地理和气候条件密不可分。作为中国北方的重要城市，哈尔滨的严寒冬季孕育了独特的冰雪文化。早在清朝时期，当地便已有制作冰灯和雪雕的传统。哈尔滨冰雪大世界始创于20世纪末，最初是由哈尔滨市民自发组织的冬季活动，主要以展示冰雕和雪雕艺术为主。自2013年起，哈尔滨冰雪大世界由哈尔滨冰雪大世界股份有限公司承办。截止至2024年12月，该活动已成功举办了26届。(徐文婧 2011, 2）<br />
<br />
'''2.主要景观'''<br />
<br />
主要景观包括梦幻冰雪馆、冰雪美食馆、四季游乐馆、冰雪秀场和雪花摩天轮等，构成了哈尔滨冰雪大世界的核心吸引力。其中，梦幻冰雪馆是全球最大的室内冰雪主题乐园，设有9个主题分区和13个体验项目。通过冰雪为媒介，将多个主题场景与体验项目巧妙结合，融入先进科技和艺术手段，打造出互动性强、趣味性高的沉浸式体验。<br />
冰雪美食馆总建筑面积近15000平方米，提供40余家餐饮店铺，覆盖火锅、烤肉及甜品等冷热多样的餐饮选择。馆内还设有文创商店，营造休闲与社交兼备的主题场景。此外，中央舞台每天轮番上演特色表演，包括歌舞和器乐节目，为游客提供丰富的视觉与听觉享受。<br />
四季游乐馆则是省内最大的室内亲子互动主题乐园，配备滑冰鞋、头盔等免费装备，拥有冰道、攀爬设施和摩天轮等多种项目，满足各年龄段游客的需求。<br />
冰雪秀场面积达11300平方米，设有2000个固定座位，冬季主要上演“哈冰秀”和冰上芭蕾，夏季则用于明星演唱会及其他多功能活动。<br />
雪花摩天轮高度达120米，是东三省最高摩天轮，亦成为哈尔滨的新地标。其48个轿厢设计涵盖亲子、爱情、商务和KTV四种主题空间，内置餐饮、视听及空调系统，提供了独特且舒适的观景体验。(百度百科：冰雪大世界）<br />
'''<br />
3.东北冰雪文化的象征'''<br />
<br />
哈尔滨以其丰富的冰雪资源在众多地区中独树一帜。漫长的雪期深刻影响了当地人民的生活方式，使冰雪旅游成为哈尔滨城市形象的核心特色。作为东北冰雪文化的重要代表，冰雪大世界不仅以其冰雕和雪雕作品展现了艺术家的精湛技艺，还融入了东北独特的民俗和生活方式。游客在冰雪大世界中，既可以欣赏到精美绝伦的冰雕艺术，参与各种冰雪娱乐项目，还能品尝地道的东北美食，这些体验共同构成了哈尔滨冰雪文化的核心魅力。例如，冰雕作品中常常融入满族文化元素，为游客提供了独特的文化视角。此外，冰雪大世界的活动和美食也充分体现了东北文化的深厚底蕴，游客可以参与冰上龙舟、雪地拔河等传统冬季运动，同时品尝冻梨、杀猪菜等极具地方特色的美食。这一独特的文化综合体已成为哈尔滨的标志性符号，吸引着世界各地的游客流连忘返。(汪佳琳 2024，46）<br />
'''<br />
4.中西文化的融合'''<br />
<br />
哈尔滨地处中国东北的核心地带，作为欧亚大陆桥的重要节点，具有浓厚的中西方文化交融的特色。这种文化交汇充分体现在哈尔滨冰雪大世界的冰雕建筑中。冰雕作品既展现了中国传统建筑的对称美，也融入了西方建筑的独特风格。例如，在冰雪大世界中，游客可以欣赏到以冰雕刻的中国古建筑，如亭台楼阁，同时还能感受到俄罗斯风情的木屋和哥特式建筑的精致与恢弘。这些冰雕作品通过对中西方建筑元素的融合，体现了哈尔滨作为一个国际化城市的多元文化背景，也反映了冰雪大世界在艺术创作上对文化包容性与多样性的追求。这种独特的文化呈现，不仅增强了冰雪大世界的吸引力，也使其成为传播中西方文化的重要平台。<br />
'''<br />
5.文化交流与国际化'''<br />
<br />
冰雪大世界以其规模宏大和丰富多样的冰雪艺术景观而闻名。每年举办的冰雪节吸引了大量来自世界各地的游客。冰雪节展示了各类冰雕和雪雕，并结合现代科技，呈现出独特的视觉效果。与俄罗斯、芬兰和瑞典等国家的冰雪节庆活动相比，冰雪大世界不仅融合了冰雪艺术与节庆活动，还提供了丰富的娱乐设施和美食体验，使游客在冰雪世界中体验多元文化的交融。其在规模、艺术性以及与中国北方文化的深度融合方面展现了独特的优势。<br />
<br />
<br />
'''Terms and Expressions'''<br />
<br />
冰雪大世界 Ice and Snow World<br />
<br />
冰雕艺术 Ice Sculpture Art<br />
<br />
东北美食 Northeastern Cuisine<br />
<br />
冰上芭蕾 Ice Ballet<br />
<br />
满族元素 Manchu Elements<br />
<br />
冰上龙舟 Dragon Boat on Ice<br />
<br />
雪地拔河 Tug-of-War in the Snow<br />
<br />
冻梨 Frozen Pears<br />
<br />
杀猪菜 Pork Stew<br />
<br />
中国北方文化 Northern Chinese Culture<br />
<br />
<br />
'''Questions'''<br />
<br />
1.哈尔滨冰雪大世界始于何时？<br />
<br />
2.冰雪大世界有哪些主要景点？<br />
<br />
3.冰雪大世界如何体现东北文化？<br />
<br />
4.冰雪大世界有哪些西方建筑元素？<br />
<br />
5.冰雪秀场的主要用途是什么？<br />
<br />
6.雪花摩天轮有何特点？<br />
<br />
<br />
'''Answers'''<br />
<br />
1.1999年。<br />
<br />
2.梦幻冰雪馆、冰雪美食馆、四季游乐馆、冰雪秀场和雪花摩天轮等。<br />
<br />
3.冰雪大世界不仅以其冰雕和雪雕作品展现了艺术家的精湛技艺，还融入了东北独特的民俗和生活方式。<br />
<br />
4.俄罗斯风情的木屋和哥特式建筑的精致与恢弘。<br />
<br />
5.冬季主要上演“哈冰秀”和冰上芭蕾，夏季则用于明星演唱会及其他多功能活动。<br />
<br />
6.雪花摩天轮高度达120米，是东三省最高摩天轮，亦成为哈尔滨的新地标。<br />
<br />
<br />
'''References'''<br />
<br />
[1]Gao X, Galina V A. Digital Transformation of City Brands: A Synergistic Mechanism of Cultural Output, Identity, and Brand Co-construction-Taking Harbin Ice and Snow World's Popularity as an Example[J]. International Journal of Digital Communication and Analog Signals, 2024, 10(1): 1-9p.<br />
<br />
[2]https://baike.baidu.com/item/第二十六届哈尔滨冰雪大世界/63972537?fr=ge_ala<br />
<br />
[3]孙鑫. 基于语料库的旅游话语分析[D]. 吉林大学, 2022.<br />
<br />
[4]汪嘉琳. 哈尔滨冰雪旅游“出圈”现象研究[J]. 西部旅游, 2024, (12):45-47.<br />
<br />
[5]徐文婧. 论黑龙江冰雪旅游发展[D]. 黑龙江大学, 2011.<br />
<br />
<br />
AI声明：<br />
本人在此承诺本文写作中未使用人工智能辅助。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Mengzhu&diff=164756User:Chen Mengzhu2024-12-31T07:42:16Z<p>Chen Zilan: </p>
<hr />
<div>My name is Chen Mengzhu and I’m from Heilongjiang Province, the northernmost province of China. I’m 24 years old. As to my education experience, I graduated from Heilongjiang University in 2022, and now I’m majoring in English translation in Hunan Normal University. As to my character, honestly, I’m a little bit quiet and introverted. I enjoy the moment I am alone and can contemplate freely. As to my hobbies, I’m keen on reading books and watching documentaries and some old films. Sometimes I try to read some books about philosophy, though I can’t always fully comprehend the contents. My favorite writer is Albert Camus, whose words always resonate with m<br />
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\= Nov 14,2024 \= I practice spoken English on Talkface, the topic are "Describe a traditional product in your country", "describe a person who you follow on social media".<br />
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\= Nov 15,2024 \= I practice spoken English on Talkface, the topic are "Describe an interesting neighbor", "Describe an old friend you had lost contact with and recently reconnected".<br />
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\= Nov 16,2024 \= I practice spoken English on Talkface, the topic are"Describe a culture place", "Describe a time when you helped a family member".<br />
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\= Nov 18,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 19,2024 \= I practice spoken English on Talkface, the topic are "Describe a special cake you received from others", "Describe a toy you liked in your childhood".<br />
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\= Nov 20,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 21,2024 \= I practice spoken English on Talkface, the topic is "Describe a rule you dislike and would like to change in the future".<br />
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\= Nov 22,2024 \= I practice spoken English on Talkface, the topic are "Street market" and "Websites".<br />
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\= Nov 23,2024 \= I practice spoken English on Talkface, the topic are "Talents" and "Collecting Things".<br />
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\= Nov 24,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 25,2024 \= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 26,2024\= I practice spoken English on Talkface, the topic are “Describe a person who is good at handmaking" and "Describe a public park or garden".<br />
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\= Nov 27,2024\= I video talk with foreigners on Episoden about 1 hour.<br />
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\= Nov 28, 2024\= I listened to a Podcast called "All Ears English".<br />
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\= Nov 29, 2024\= I listened to a Podcast called "All Ears English".<br />
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\= Nov 30, 2024\= I practiced IELTS writing task 1.<br />
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\= Dec 1, 2024\= I practiced IELTS writing task 1.<br />
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\= Dec 2, 2024\= I practiced IELTS listening.<br />
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\= Dec 3, 2024\= I practiced IELTS listening.<br />
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\= Dec 4, 2024\= I listened to a Podcast called "IELTS Power".<br />
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\= Dec 5, 2024\= I practiced English teaching.<br />
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\= Dec 6, 2024\= I practiced English teaching.<br />
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\= Dec 7, 2024\= I practiced English teaching.<br />
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\= Dec 8, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 9, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 10, 2024\= I practiced IELTS listening for about 40 minutes.<br />
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\= Dec 11, 2024\= I read the novel ''Animal Farm'' of George Orwell.<br />
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\= Dec 12, 2024\= I read the novel ''Animal Farm'' of George Orwell.<br />
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\= Dec 13, 2024\= I did English- Chinese translation for about 1 hour.<br />
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\= Dec 14, 2024\= I did English - Chinese translation for about 40 minutes.<br />
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\= Dec 15, 2024\= I practiced IELTS listening.<br />
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\= Dec 16, 2024\= I practiced IELTS writing task 2.<br />
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\= Dec 17, 2024\= I listened to a Podcast called "All Ears English".<br />
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\=Dec 18, 2024\= I listened to a Podcast called "All Ears English".<br />
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'''Harbin Ice and Snow World<br />
<br />
Chen Mengzhu (Chris)<br />
<br />
Abstract'''<br />
<br />
The Harbin Ice and Snow World is one of the most representative winter cultural events in Northeast China. Its origin is closely tied to Harbin's unique geography and cold climate, with traditions of ice lanterns and snow sculptures dating back to the Qing Dynasty. Since its inception in the late 20th century, the event has evolved into a large-scale festival featuring highlights such as the Dream Ice Pavilion, the Snowflake Ferris Wheel, and immersive artistic experiences. It is a symbol of Northeast China's ice and snow culture, integrating Manchu cultural elements, local cuisine, and traditional winter activities like ice dragon boat races. Moreover, the event serves as a platform for cultural exchange, blending Chinese architectural styles with Western influences, such as Russian and Gothic designs. With its combination of art, entertainment, and international appeal, the Harbin Ice and Snow World has become a global cultural landmark.<br />
<br />
'''1. Origin and Development'''<br />
<br />
Harbin Ice and Snow World is one of the most representative winter cultural activities in Northeast China, the formation of which is inextricably linked to Harbin's unique geographical and climatic conditions. As an important city in northern China, Harbin's harsh winters have bred a unique ice and snow culture. As early as in the Qing Dynasty, there has been a tradition of making ice lanterns and snow sculptures. The Harbin Ice and Snow World began at the end of 20th century, and was initially a self-organized winter activity by Harbin citizens, mainly focusing on displaying the art of ice and snow sculptures. Since 2013, Harbin Ice and Snow World has been organized by Harbin Ice and Snow World Co. As of December 2024, the event has been successfully held for 26 times. (Xu Wenjing 2011, 2)<br />
<br />
'''2. Main Landscapes'''<br />
<br />
The main landscapes include Fantasy Ice and Snow Park, Ice and Snow Theme Food Hall, Four Seasons Amusement Park, Ice and Snow Showground and Snow Ferris Wheel. Among them, the Fantasy Ice and Snow Park is the world's largest indoor ice and snow theme park, featuring nine themed parks and 13 programs. Through ice and snow, it skillfully combines several themed scenes with programs, incorporating advanced technology and artistic means to create an immersive experience that is highly interactive and interesting.<br />
<br />
The Ice and Snow Theme Food Hall has a total floor area of nearly 15,000 square meters, providing more than 40 food and beverage outlets covering hot pots, barbecue and desserts, and other diverse food and beverage choices. There are also cultural and creative stores in the hall, creating a theme for both leisure and socializing. In addition, the central stage hosts special performances every day, including singing, dancing and instrumental music programs, providing visitors with a wealth of visual and auditory enjoyment.<br />
<br />
The Four Seasons Amusement Park is the largest indoor interactive theme park for parents and children in Heilongjiang province, equipped with free equipment such as skates and helmets, and a variety of programs such as ice trails, climbing facilities and Ferris wheels to meet the needs of visitors of all ages.<br />
<br />
The Ice and Snow Showground covers an area of 11,300 square meters, with 2,000 fixed seats, and is mainly used to stage the “Harbin Ice Show” and ice ballet in winter, and for celebrity concerts and other activities in summer. <br />
<br />
With a height of 120 meters, the Snow Ferris Wheel is the highest Ferris Wheel in Northeast China and has become a new landmark in Harbin. Its 48 cabins are designed to cover multiple themed spaces, with built-in catering, audio-visual and air-conditioning systems, providing a unique and comfortable viewing experience. (Baidu Encyclopedia: Ice World)<br />
<br />
'''3. Symbol of Northeast Ice and Snow Culture'''<br />
<br />
Harbin is unique among many regions in Northeast China for its rich snow and ice resources. The long snowy period has profoundly influenced the lifestyle of the local people, making ice and snow tourism a core feature of Harbin's urban image. As an important representative of the Northeast's ice and snow culture, the Ice and Snow World not only showcases the artists' exquisite skills with its ice and snow sculptures, but also incorporates the unique folklore and lifestyle of the Northeast. Visitors to the Ice and Snow World can not only enjoy the exquisite ice sculpture art, participate in a variety of ice and snow entertainment programs, but also taste the authentic Northeast cuisine, these experiences together constitute the core charm of the ice and snow culture in Harbin. For example, ice sculptures often incorporate elements of Manchu culture, providing visitors with a unique cultural perspective. In addition, the activities and cuisine of the Ice and Snow World fully reflect the deep heritage of northeastern culture. Visitors can participate in traditional winter sports such as dragon boats on ice and tug-of-war in the snow, while tasting frozen pears, pork stew, and other cuisine with strong local characteristics. This unique cultural complex has become an iconic symbol of Harbin, attracting tourists from all over the world to linger. (Wang Jialin 2024, 46)<br />
<br />
'''4. Fusion of Chinese and Western Cultures'''<br />
<br />
Harbin is located in the heart of northeastern China, and as an important node of the Eurasian Continental Bridge, it is characterized by a strong blend of Chinese and Western cultures. This cultural convergence is fully embodied in the ice sculpture architecture. Ice sculpture works not only show the symmetrical beauty of traditional Chinese architecture, but also incorporate the unique style of Western architecture. For example, in the Ice and Snow World, tourists can enjoy ancient Chinese buildings carved in ice, such as pavilions, and they can also feel the delicacy and grandeur of Russian-style wooden houses and Gothic architecture. Through the integration of Chinese and Western architectural elements, these ice carvings reflect the multicultural background of Harbin as an international city, and also reflect the pursuit of cultural inclusiveness and diversity in the artistic creation of the Ice and Snow World. This unique cultural presentation not only enhances the attractiveness of the Ice and Snow World, but also makes it an important platform for spreading Chinese and Western cultures. (Sun Xin 2022, 2)<br />
<br />
'''5. Cultural Exchange and Internationalization'''<br />
<br />
The Ice and Snow World is famous for its grand scale and rich and varied ice and snow art landscapes. The Ice and Snow Festival held every year attracts a large number of visitors from all over the world. The Ice and Snow Festival displays all kinds of ice and snow sculptures and combines them with modern technology to present unique visual effects. Compared with the ice and snow festivals in Russia, Finland and Sweden, Ice and Snow World not only combines ice and snow art and festivals, but also provides a wealth of entertainment facilities and culinary experiences, allowing visitors to experience the multicultural blend in the world of ice and snow. It demonstrates unique advantages in terms of scale, artistry and deep integration with the culture of northern China. (Gao X, Galina V A 2024, 2)<br />
<br />
'''Terms and Expressions<br />
'''<br />
Ice and Snow World 冰雪大世界<br />
<br />
Ice Sculpture Art 冰雕艺术<br />
<br />
Northeastern Cuisine 东北美食<br />
<br />
Ice Ballet 冰上芭蕾<br />
<br />
Manchu Elements 满族元素<br />
<br />
Dragon Boat on Ice 冰上龙舟<br />
<br />
Tug-of-War in the Snow 雪地拔河<br />
<br />
Frozen Pears 冻梨<br />
<br />
Pork Stew 杀猪菜 <br />
<br />
Northern Chinese Culture 中国北方文化 <br />
<br />
'''Questions'''<br />
<br />
1. When did the Harbin Ice and Snow World begin?<br />
<br />
2. What are the main attractions of the Ice and Snow World?<br />
<br />
3. How does the Ice and Snow World reflect the culture of the Northeast?<br />
<br />
4. What are the western architectural elements in the Ice and Snow World?<br />
<br />
5. What is the main purpose of the Ice and Snow Showground?<br />
<br />
6. What are the characteristics of the Snow Ferris Wheel?<br />
<br />
'''Answers'''<br />
<br />
1. In 1999.<br />
<br />
2. Fantasy Ice and Snow Park, Ice and Snow Theme Food Hall, Four Seasons Amusement Park, Ice and Snow Showground and Snow Ferris Wheel.<br />
<br />
3. The Ice and Snow World not only showcases the artists' exquisite skills with its ice and snow sculptures, but also incorporates the unique folklore and lifestyle of the Northeast.<br />
<br />
4. The delicacy and grandeur of Russian-style wooden houses and Gothic architecture.<br />
<br />
5. It is mainly used to stage the “Harbin Ice Show” and ice ballet in winter, and for celebrity concerts and other activities in summer.<br />
<br />
6. With a height of 120 meters, the Snow Ferris Wheel is the highest Ferris Wheel in Northeast China and has become a new landmark in Harbin.<br />
<br />
'''References<br />
<br />
'''[1] Gao X, Galina V A. Digital Transformation of City Brands: A Synergistic Mechanism of Cultural Output, Identity, and Brand Co-construction-Taking Harbin Ice and Snow World's Popularity as an Example[J]. International Journal of Digital Communication and Analog Signals, 2024, 10(1): 1-9p.<br />
<br />
[2] https://baike.baidu.com/item/第二十六届哈尔滨冰雪大世界/63972537?fr=ge_ala<br />
<br />
[3] Sun Xin孙鑫. 基于语料库的旅游话语分析[Corpus-based Discourse Analysis of Tourism][D]. 吉林大学[ilin University], 2022.<br />
<br />
[4] Wang Jialin汪嘉琳. 哈尔滨冰雪旅游“出圈”现象研究[Harbin ice and snow tourism “out of the circle” phenomenon research][J]. 西部旅游[Western Tourism], 2024, (12):45-47.<br />
<br />
[5] Xu Wenjing徐文婧. 论黑龙江冰雪旅游发展[On the Development of Ice and Snow Tourism in Heilongjiang][D]. 黑龙江大学[Heilongjiang University], 2011.<br />
<br />
AI Statement<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
'''哈尔滨冰雪大世界<br />
<br />
陈梦竹 (Chris)<br />
<br />
摘要'''<br />
<br />
哈尔滨冰雪大世界是中国东北地区最具代表性的冬季文化活动之一。其起源与哈尔滨独特的地理位置和严寒气候密不可分，当地的冰灯和雪雕传统可以追溯到清朝。自20世纪末创立以来，这一活动逐步发展为大型节庆活动，亮点包括梦幻冰雪馆、雪花摩天轮以及沉浸式艺术体验。作为东北冰雪文化的象征，冰雪大世界融入了满族文化元素、地方美食以及冰龙舟等传统冬季活动。此外，这一活动也是文化交流的平台，通过融入俄罗斯及哥特式建筑风格等西方元素，展现了中西文化的交汇。通过艺术、娱乐与国际化的结合，哈尔滨冰雪大世界已成为全球知名的文化地标。<br />
<br />
'''1.起源与发展'''<br />
<br />
哈尔滨冰雪大世界是中国东北地区最具代表性的冬季文化活动之一，其形成与哈尔滨独特的地理和气候条件密不可分。作为中国北方的重要城市，哈尔滨的严寒冬季孕育了独特的冰雪文化。早在清朝时期，当地便已有制作冰灯和雪雕的传统。哈尔滨冰雪大世界始创于20世纪末，最初是由哈尔滨市民自发组织的冬季活动，主要以展示冰雕和雪雕艺术为主。自2013年起，哈尔滨冰雪大世界由哈尔滨冰雪大世界股份有限公司承办。截止至2024年12月，该活动已成功举办了26届。(徐文婧 2011, 2）<br />
<br />
'''2.主要景观'''<br />
<br />
主要景观包括梦幻冰雪馆、冰雪美食馆、四季游乐馆、冰雪秀场和雪花摩天轮等，构成了哈尔滨冰雪大世界的核心吸引力。其中，梦幻冰雪馆是全球最大的室内冰雪主题乐园，设有9个主题分区和13个体验项目。通过冰雪为媒介，将多个主题场景与体验项目巧妙结合，融入先进科技和艺术手段，打造出互动性强、趣味性高的沉浸式体验。<br />
冰雪美食馆总建筑面积近15000平方米，提供40余家餐饮店铺，覆盖火锅、烤肉及甜品等冷热多样的餐饮选择。馆内还设有文创商店，营造休闲与社交兼备的主题场景。此外，中央舞台每天轮番上演特色表演，包括歌舞和器乐节目，为游客提供丰富的视觉与听觉享受。<br />
四季游乐馆则是省内最大的室内亲子互动主题乐园，配备滑冰鞋、头盔等免费装备，拥有冰道、攀爬设施和摩天轮等多种项目，满足各年龄段游客的需求。<br />
冰雪秀场面积达11300平方米，设有2000个固定座位，冬季主要上演“哈冰秀”和冰上芭蕾，夏季则用于明星演唱会及其他多功能活动。<br />
雪花摩天轮高度达120米，是东三省最高摩天轮，亦成为哈尔滨的新地标。其48个轿厢设计涵盖亲子、爱情、商务和KTV四种主题空间，内置餐饮、视听及空调系统，提供了独特且舒适的观景体验。(百度百科：冰雪大世界）<br />
'''<br />
3.东北冰雪文化的象征'''<br />
<br />
哈尔滨以其丰富的冰雪资源在众多地区中独树一帜。漫长的雪期深刻影响了当地人民的生活方式，使冰雪旅游成为哈尔滨城市形象的核心特色。作为东北冰雪文化的重要代表，冰雪大世界不仅以其冰雕和雪雕作品展现了艺术家的精湛技艺，还融入了东北独特的民俗和生活方式。游客在冰雪大世界中，既可以欣赏到精美绝伦的冰雕艺术，参与各种冰雪娱乐项目，还能品尝地道的东北美食，这些体验共同构成了哈尔滨冰雪文化的核心魅力。例如，冰雕作品中常常融入满族文化元素，为游客提供了独特的文化视角。此外，冰雪大世界的活动和美食也充分体现了东北文化的深厚底蕴，游客可以参与冰上龙舟、雪地拔河等传统冬季运动，同时品尝冻梨、杀猪菜等极具地方特色的美食。这一独特的文化综合体已成为哈尔滨的标志性符号，吸引着世界各地的游客流连忘返。(汪佳琳 2024，46）<br />
'''<br />
4.中西文化的融合'''<br />
<br />
哈尔滨地处中国东北的核心地带，作为欧亚大陆桥的重要节点，具有浓厚的中西方文化交融的特色。这种文化交汇充分体现在哈尔滨冰雪大世界的冰雕建筑中。冰雕作品既展现了中国传统建筑的对称美，也融入了西方建筑的独特风格。例如，在冰雪大世界中，游客可以欣赏到以冰雕刻的中国古建筑，如亭台楼阁，同时还能感受到俄罗斯风情的木屋和哥特式建筑的精致与恢弘。这些冰雕作品通过对中西方建筑元素的融合，体现了哈尔滨作为一个国际化城市的多元文化背景，也反映了冰雪大世界在艺术创作上对文化包容性与多样性的追求。这种独特的文化呈现，不仅增强了冰雪大世界的吸引力，也使其成为传播中西方文化的重要平台。<br />
'''<br />
5.文化交流与国际化'''<br />
<br />
冰雪大世界以其规模宏大和丰富多样的冰雪艺术景观而闻名。每年举办的冰雪节吸引了大量来自世界各地的游客。冰雪节展示了各类冰雕和雪雕，并结合现代科技，呈现出独特的视觉效果。与俄罗斯、芬兰和瑞典等国家的冰雪节庆活动相比，冰雪大世界不仅融合了冰雪艺术与节庆活动，还提供了丰富的娱乐设施和美食体验，使游客在冰雪世界中体验多元文化的交融。其在规模、艺术性以及与中国北方文化的深度融合方面展现了独特的优势。<br />
<br />
'''Terms and Expressions'''<br />
<br />
冰雪大世界 Ice and Snow World<br />
<br />
冰雕艺术 Ice Sculpture Art<br />
<br />
东北美食 Northeastern Cuisine<br />
<br />
冰上芭蕾 Ice Ballet<br />
<br />
满族元素 Manchu Elements<br />
<br />
冰上龙舟 Dragon Boat on Ice<br />
<br />
雪地拔河 Tug-of-War in the Snow<br />
<br />
冻梨 Frozen Pears<br />
<br />
杀猪菜 Pork Stew<br />
<br />
中国北方文化 Northern Chinese Culture<br />
<br />
'''Questions'''<br />
<br />
1.哈尔滨冰雪大世界始于何时？<br />
<br />
2.冰雪大世界有哪些主要景点？<br />
<br />
3.冰雪大世界如何体现东北文化？<br />
<br />
4.冰雪大世界有哪些西方建筑元素？<br />
<br />
5.冰雪秀场的主要用途是什么？<br />
<br />
6.雪花摩天轮有何特点？<br />
<br />
'''Answers'''<br />
<br />
1.1999年。<br />
<br />
2.梦幻冰雪馆、冰雪美食馆、四季游乐馆、冰雪秀场和雪花摩天轮等。<br />
<br />
3.冰雪大世界不仅以其冰雕和雪雕作品展现了艺术家的精湛技艺，还融入了东北独特的民俗和生活方式。<br />
<br />
4.俄罗斯风情的木屋和哥特式建筑的精致与恢弘。<br />
<br />
5.冬季主要上演“哈冰秀”和冰上芭蕾，夏季则用于明星演唱会及其他多功能活动。<br />
<br />
6.雪花摩天轮高度达120米，是东三省最高摩天轮，亦成为哈尔滨的新地标。<br />
<br />
'''References'''<br />
<br />
[1]Gao X, Galina V A. Digital Transformation of City Brands: A Synergistic Mechanism of Cultural Output, Identity, and Brand Co-construction-Taking Harbin Ice and Snow World's Popularity as an Example[J]. International Journal of Digital Communication and Analog Signals, 2024, 10(1): 1-9p.<br />
<br />
[2]https://baike.baidu.com/item/第二十六届哈尔滨冰雪大世界/63972537?fr=ge_ala<br />
<br />
[3]孙鑫. 基于语料库的旅游话语分析[D]. 吉林大学, 2022.<br />
<br />
[4]汪嘉琳. 哈尔滨冰雪旅游“出圈”现象研究[J]. 西部旅游, 2024, (12):45-47.<br />
<br />
[5]徐文婧. 论黑龙江冰雪旅游发展[D]. 黑龙江大学, 2011.<br />
<br />
AI声明：<br />
本人在此承诺本文写作中未使用人工智能辅助。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164739User:Chen Zilan2024-12-31T07:28:45Z<p>Chen Zilan: /* Chinese Translation of Final Exam Paper */</p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
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<br />
'''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei 马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W 徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
<br />
2.What is the most famous type of tea from Junshan Island?<br />
<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
<br />
2.Junshan silver needle tea.<br />
<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".<br />
<br />
'''AI Statement:'''<br />
<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
== Chinese version of Final Exam Paper ==<br />
<br />
'''君山岛'''<br />
<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
<br />
2.君山岛上最有名的一种茶叫什么？<br />
<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
<br />
2.君山银针。<br />
<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。<br />
<br />
'''AI声明：'''<br />
<br />
本人在此承诺本文写作中未使用人工智能辅助。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164735User:Chen Zilan2024-12-31T07:26:22Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
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'''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei 马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W 徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
<br />
2.What is the most famous type of tea from Junshan Island?<br />
<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
<br />
2.Junshan silver needle tea.<br />
<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".<br />
<br />
'''AI Statement:'''<br />
<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
== Chinese Translation of Final Exam Paper ==<br />
<br />
'''君山岛'''<br />
<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
<br />
2.君山岛上最有名的一种茶叫什么？<br />
<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
<br />
2.君山银针。<br />
<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。<br />
<br />
'''AI声明：'''<br />
<br />
本人在此承诺本文写作中未使用人工智能辅助。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164730User:Chen Zilan2024-12-31T07:21:29Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
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<br />
'''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei 马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W 徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
<br />
2.What is the most famous type of tea from Junshan Island?<br />
<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
<br />
2.Junshan silver needle tea.<br />
<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".<br />
<br />
<br />
'''君山岛'''<br />
<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
<br />
2.君山岛上最有名的一种茶叫什么？<br />
<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
<br />
2.君山银针。<br />
<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164727User:Chen Zilan2024-12-31T07:19:58Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.==<br />
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==Nov 8, 2024: I talked with AI about vacation today.== <br />
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==Nov 30, 2024: I talked with AI about food today.==<br />
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==Dec 4, 2024: I talked with AI about tea today.==<br />
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<br />
'''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei 马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W 徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
<br />
2.What is the most famous type of tea from Junshan Island?<br />
<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
<br />
2.Junshan silver needle tea.<br />
<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".<br />
<br />
<br />
'''君山岛'''<br />
<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
<br />
2.君山岛上最有名的一种茶叫什么？<br />
<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
<br />
2.君山银针。<br />
<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164723User:Chen Zilan2024-12-31T07:18:45Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.==<br />
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==Nov 8, 2024: I talked with AI about vacation today.== <br />
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==Nov 12, 2024: I talked with AI about sports today.== <br />
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==Nov 19, 2024: I talked with AI about calling a taxi today.==<br />
==Nov 20, 2024: I talked with AI about buying books today.==<br />
==Nov 21, 2024: I talked with AI about weekend outing today.==<br />
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==Nov 26, 2024: I talked with AI about cinema today.==<br />
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==Nov 30, 2024: I talked with AI about food today.==<br />
==Dec 1, 2024: I talked with AI about travel today.==<br />
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==Dec 4, 2024: I talked with AI about tea today.==<br />
==Dec 5, 2024: I talked with AI about what I did today.==<br />
==Dec 6, 2024: I talked with AI about late WeChat reply today.== <br />
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==Dec 11, 2024: I talked with AI about dogs today.==<br />
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==Dec 13, 2024: I talked with AI about TikTok today.==<br />
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==Dec 15, 2024: I talked with AI about milk tea today.==<br />
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==Dec 18, 2024: I did not learn anything today.==<br />
<br />
=='''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
<br />
[2]Ma Zhifei 马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
<br />
[4]Yaping X, Jiping W 徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
<br />
2.What is the most famous type of tea from Junshan Island?<br />
<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
<br />
2.Junshan silver needle tea.<br />
<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".==<br />
<br />
=='''君山岛'''<br />
<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
<br />
新石器遗址 Neolithic site <br />
<br />
封山印 Seal of shutting the mountain <br />
<br />
射蛟台 Dragon-Shooting Platform <br />
<br />
斑竹 Spotted Bamboo <br />
<br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
<br />
柳毅井 Liu Yi Well <br />
<br />
飞来钟 Flying Bell <br />
<br />
君山银针 Junshan Silver Needle Tea<br />
<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
<br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
<br />
国际观鸟节 International Bird Watching Festival <br />
<br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
<br />
2.君山岛上最有名的一种茶叫什么？<br />
<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
<br />
2.君山银针。<br />
<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。==</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164721User:Chen Zilan2024-12-31T07:15:37Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.==<br />
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==Nov 8, 2024: I talked with AI about vacation today.== <br />
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==Nov 20, 2024: I talked with AI about buying books today.==<br />
==Nov 21, 2024: I talked with AI about weekend outing today.==<br />
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==Nov 26, 2024: I talked with AI about cinema today.==<br />
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==Nov 30, 2024: I talked with AI about food today.==<br />
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==Dec 4, 2024: I talked with AI about tea today.==<br />
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==Dec 13, 2024: I talked with AI about TikTok today.==<br />
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<br />
'''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
新石器遗址 Neolithic site <br />
封山印 Seal of shutting the mountain <br />
射蛟台 Dragon-Shooting Platform <br />
斑竹 Spotted Bamboo <br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
柳毅井 Liu Yi Well <br />
飞来钟 Flying Bell <br />
君山银针 Junshan Silver Needle Tea<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
国际观鸟节 International Bird Watching Festival <br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
2.What is the most famous type of tea from Junshan Island?<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
2.Junshan silver needle tea.<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".<br />
<br />
'''君山岛'''<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
新石器遗址 Neolithic site <br />
封山印 Seal of shutting the mountain <br />
射蛟台 Dragon-Shooting Platform <br />
斑竹 Spotted Bamboo <br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
柳毅井 Liu Yi Well <br />
飞来钟 Flying Bell <br />
君山银针 Junshan Silver Needle Tea<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
国际观鸟节 International Bird Watching Festival <br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
2.君山岛上最有名的一种茶叫什么？<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
2.君山银针。<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164718User:Chen Zilan2024-12-31T07:14:09Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
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'''Landscapes and Tourism: Junshan Island'''<br />
<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
新石器遗址 Neolithic site <br />
封山印 Seal of shutting the mountain <br />
射蛟台 Dragon-Shooting Platform <br />
斑竹 Spotted Bamboo <br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
柳毅井 Liu Yi Well <br />
飞来钟 Flying Bell <br />
君山银针 Junshan Silver Needle Tea<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
国际观鸟节 International Bird Watching Festival <br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
2.What is the most famous type of tea from Junshan Island?<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
2.Junshan silver needle tea.<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".<br />
<br />
'''君山岛'''<br />
陈子兰（Landy）<br />
<br />
'''摘要：'''君山岛，古称洞庭山、湘山，位于湖南省洞庭湖中，与历史名楼岳阳楼相望。面积0.96平方公里，由七十二座山峰组成，被道家典籍列为天下第十一福地，现为国家级重点风景名胜区和国家5A级旅游区。岛上文化遗产丰富，包括古井、台、亭、庙等，以及屈原和二妃等历史人物。君山岛以其自然风光著称，是夏日避暑胜地和旅游度假天堂，尤以其名茶君山银针闻名。岛上可持续发展和保护工作致力于实现经济增长与生态保护的双赢。<br />
<br />
'''引言'''<br />
<br />
君山岛，位于湖南省岳阳市君山区，古称洞庭山、湘山、有缘山，是洞庭湖中的一个小岛，与千古名楼岳阳楼遥遥相对，总面积0.96平方公里，由大小七十二座山峰组成，被“道书”列为天下第十一福地，现为国家级重点风景名胜区，国家5A级旅游区。君山小巧玲珑，四面环水，风景秀丽，空气新鲜，是避暑胜地。<br />
<br />
'''名胜古迹'''<br />
<br />
君山名胜古迹众多，文化底蕴深厚。相传君山岛有5井4台、36亭、48庙。历代文人墨客围绕君山的“奇”、“小”、“巧”、“幽”、“古”，或著文赋诗，或题书刻石。这里有中国发现的历史上最早的摩崖石刻、“星云图”、新石器遗址，有惊天地、泣鬼神的爱情见证——斑竹、二妃墓、柳毅井，有秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。每一个古迹都是一段厚重的历史，每一个故事都是一段悠远的记忆。特别是自唐代以来，李白、杜甫、黄庭坚、辛弃疾、张之洞等墨客骚人都曾登临君山揽胜抒怀，留下了无数千古绝唱，刘禹锡的“遥望洞庭山水翠，白银盘里一青螺”更使君山名声大噪。岛上古木参天，茂林修竹，仅名竹就有20多种，神奇而多情的斑竹就生长在二妃墓的周围。君山自然风光秀丽，春赏奇花异草，夏观浩瀚洞庭，秋赏渔歌秋月，冬观湿地候鸟。君山是旅游度假的天堂，避暑休闲的胜地。(岳阳市文旅局, 2024)自对外开放以来，多位党和国家领导人都曾亲临君山视察，对君山给予了很高的评价。 <br />
<br />
'''君山银针'''<br />
<br />
君山岛地处洞庭湖中心，四面环水，气候宜人。岛上地形起伏，植被丰富，有各种树木、花草和珍贵药材。岛上的土壤为酸性红壤，适宜茶树生长。因此，君山岛盛产名茶，其中君山银针最为著名，被誉为“中国十大名茶”之一。人们常说“名山名水出名茶”，这话一点也不假。茶生君山，形细如针，故名叫君山银针。君山银针茶色翠绿，香气清雅，口感鲜爽，具有很高的保健价值，深受茶友们的喜爱。<br />
<br />
'''形成原因'''<br />
<br />
事实上，古人多数情况下只赞君山之美，却很少探究其成因，即使偶有谈及，也免不了夸张的浪漫主义色彩。唐朝诗人方干形容君山是被海风吹落的昆仑山上的石头，只不过是借用了传说故事渲染溢美之情而已，并非实指。实际上，君山的形成的确与风的作用有密切关系。洞庭湖的基底为火成岩，它们在地壳运动过程中发生沉降形成湖盆，汇水成湖。在风力的长期作用下，泥沙不断沉积，固结成岩，最终露出水面，形成了湖中岛。(马志飞, 2022)<br />
<br />
'''可持续发展与保护'''<br />
<br />
君山区通过融合农业、文化、旅游和体育等元素，致力于打造一个全面发展的旅游目的地。这种融合不仅提升了旅游体验，还增强了当地的文化吸引力，建设好精致君山，最终目的是富民、惠民。(徐亚平, 2021)例如，君山区建设了洞庭湖水上乐园主题公园，这是岳阳市第一个娱乐主题乐园，作为新的旅游产品，休闲主题公园为游客带来了全面的娱乐体验和新的旅游体验。(Tao W & Xin T, 2018)君山区举办了各种节庆活动，如最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等，以增强其旅游品牌的知名度和美誉度。在旅游开发的同时，君山区也非常重视生态保护和可持续发展。这包括对东洞庭湖湿地的保护和治理，以及对旅游活动对环境影响的控制。君山区的目标是实现经济发展与生态保护的双赢。<br />
<br />
'''参考文献'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''词汇与表达'''<br />
<br />
道书 Taoist book <br />
新石器遗址 Neolithic site <br />
封山印 Seal of shutting the mountain <br />
射蛟台 Dragon-Shooting Platform <br />
斑竹 Spotted Bamboo <br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
柳毅井 Liu Yi Well <br />
飞来钟 Flying Bell <br />
君山银针 Junshan Silver Needle Tea<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
国际观鸟节 International Bird Watching Festival <br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
<br />
'''问题：'''<br />
<br />
1.请说出最少三个君山岛上的传说故事。<br />
2.君山岛上最有名的一种茶叫什么？<br />
3.君山区举办了哪些活动来进行旅游开发？<br />
<br />
'''答案：'''<br />
<br />
1.历史上最早的摩崖石刻、“星云图”、新石器遗址，斑竹、二妃墓、柳毅井，秦始皇的封山印、汉武帝的射蛟台、宋代农民起义的飞来钟等。<br />
2.君山银针。<br />
3.最美长江岸线国际马拉松比赛、国际观鸟节、野生荷花节等。</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164713User:Chen Zilan2024-12-31T07:09:54Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.==<br />
==Nov 7, 2024: I did not learn anything today.==<br />
==Nov 8, 2024: I talked with AI about vacation today.== <br />
==Nov 9, 2024: I talked with AI about pets today.==<br />
==Nov 10, 2024: I talked with AI about lost luggage today.==<br />
==Nov 11, 2024: I did not learn anything today.==<br />
==Nov 12, 2024: I talked with AI about sports today.== <br />
==Nov 13, 2024: I talked with AI about my favorite food today.==<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.==<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.==<br />
==Nov 16, 2024: I talked with AI about job hunting today.==<br />
==Nov 17, 2024: I did not learn anything today.==<br />
==Nov 18, 2014: I did not learn anything today.==<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.==<br />
==Nov 20, 2024: I talked with AI about buying books today.==<br />
==Nov 21, 2024: I talked with AI about weekend outing today.==<br />
==Nov 22, 2024: I talked with AI about postgraduate interview today.==<br />
==Nov 23, 2024: I talked with AI about playfully apologizing today.==<br />
==Nov 24, 2024: I talked with AI about renting a house today.==<br />
==Nov 25, 2024: I did not learn anything today.==<br />
==Nov 26, 2024: I talked with AI about cinema today.==<br />
==Nov 27, 2024: I talked with AI about exploring activities today.==<br />
==Nov 28, 2024: I did not learn anything today.==<br />
==Nov 29, 2024: I did not learn anything today.==<br />
==Nov 30, 2024: I talked with AI about food today.==<br />
==Dec 1, 2024: I talked with AI about travel today.==<br />
==Dec 2, 2024: I did not learn anything today.==<br />
==Dec 3, 2024: I did not learn anything today.==<br />
==Dec 4, 2024: I talked with AI about tea today.==<br />
==Dec 5, 2024: I talked with AI about what I did today.==<br />
==Dec 6, 2024: I talked with AI about late WeChat reply today.== <br />
==Dec 7, 2024: I did not learn anything today.==<br />
==Dec 8，2024：I talked with AI about how to improve listening skills today.== <br />
==Dec 9, 2024: I talked with AI about social media today.==<br />
==Dec 10, 2024: I did not learn anything today.==<br />
==Dec 11, 2024: I talked with AI about dogs today.==<br />
==Dec 12, 2024: I talked with AI about zoo today.==<br />
==Dec 13, 2024: I talked with AI about TikTok today.==<br />
==Dec 14, 2024: I talked with AI about supermarket today.==<br />
==Dec 15, 2024: I talked with AI about milk tea today.==<br />
==Dec 16, 2024: I did not learn anything today.==<br />
==Dec 17, 2024: I did not learn anything today.==<br />
==Dec 18, 2024: I did not learn anything today.==<br />
<br />
'''Landscapes and Tourism: Junshan Island'''<br />
陈子兰 （Landy）<br />
<br />
'''Abstract'''<br />
<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
<br />
[1]Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2]Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3]Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4]Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
'''Terms and Expressions'''<br />
<br />
道书 Taoist book <br />
新石器遗址 Neolithic site <br />
封山印 Seal of shutting the mountain <br />
射蛟台 Dragon-Shooting Platform <br />
斑竹 Spotted Bamboo <br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
柳毅井 Liu Yi Well <br />
飞来钟 Flying Bell <br />
君山银针 Junshan Silver Needle Tea<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
国际观鸟节 International Bird Watching Festival <br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
'''Questions:'''<br />
<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
2.What is the most famous type of tea from Junshan Island?<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
'''Answers:'''<br />
<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
2.Junshan silver needle tea.<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164704User:Chen Zilan2024-12-31T07:05:34Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.==<br />
==Nov 7, 2024: I did not learn anything today.==<br />
==Nov 8, 2024: I talked with AI about vacation today.== <br />
==Nov 9, 2024: I talked with AI about pets today.==<br />
==Nov 10, 2024: I talked with AI about lost luggage today.==<br />
==Nov 11, 2024: I did not learn anything today.==<br />
==Nov 12, 2024: I talked with AI about sports today.== <br />
==Nov 13, 2024: I talked with AI about my favorite food today.==<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.==<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.==<br />
==Nov 16, 2024: I talked with AI about job hunting today.==<br />
==Nov 17, 2024: I did not learn anything today.==<br />
==Nov 18, 2014: I did not learn anything today.==<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.==<br />
==Nov 20, 2024: I talked with AI about buying books today.==<br />
==Nov 21, 2024: I talked with AI about weekend outing today.==<br />
==Nov 22, 2024: I talked with AI about postgraduate interview today.==<br />
==Nov 23, 2024: I talked with AI about playfully apologizing today.==<br />
==Nov 24, 2024: I talked with AI about renting a house today.==<br />
==Nov 25, 2024: I did not learn anything today.==<br />
==Nov 26, 2024: I talked with AI about cinema today.==<br />
==Nov 27, 2024: I talked with AI about exploring activities today.==<br />
==Nov 28, 2024: I did not learn anything today.==<br />
==Nov 29, 2024: I did not learn anything today.==<br />
==Nov 30, 2024: I talked with AI about food today.==<br />
==Dec 1, 2024: I talked with AI about travel today.==<br />
==Dec 2, 2024: I did not learn anything today.==<br />
==Dec 3, 2024: I did not learn anything today.==<br />
==Dec 4, 2024: I talked with AI about tea today.==<br />
==Dec 5, 2024: I talked with AI about what I did today.==<br />
==Dec 6, 2024: I talked with AI about late WeChat reply today.== <br />
==Dec 7, 2024: I did not learn anything today.==<br />
==Dec 8，2024：I talked with AI about how to improve listening skills today.== <br />
==Dec 9, 2024: I talked with AI about social media today.==<br />
==Dec 10, 2024: I did not learn anything today.==<br />
==Dec 11, 2024: I talked with AI about dogs today.==<br />
==Dec 12, 2024: I talked with AI about zoo today.==<br />
==Dec 13, 2024: I talked with AI about TikTok today.==<br />
==Dec 14, 2024: I talked with AI about supermarket today.==<br />
==Dec 15, 2024: I talked with AI about milk tea today.==<br />
==Dec 16, 2024: I did not learn anything today.==<br />
==Dec 17, 2024: I did not learn anything today.==<br />
==Dec 18, 2024: I did not learn anything today.==<br />
<br />
'''Landscapes and Tourism: Junshan Island'''<br />
Landy<br />
<br />
'''Abstract'''<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
=='''Introduction'''==<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
=='''Scenic Spots and Historical Sites''' ==<br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
=='''Junshan Silver Needle Tea'''==<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
=='''Causes of Formation'''==<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
=='''Sustainable Development and Conservation'''==<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
=='''References'''==<br />
[1] Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2] Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3] Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4] Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.<br />
<br />
=='''Terms and Expressions'''==<br />
道书 Taoist book <br />
新石器遗址 Neolithic site <br />
封山印 Seal of shutting the mountain <br />
射蛟台 Dragon-Shooting Platform <br />
斑竹 Spotted Bamboo <br />
二妃墓 Tomb of Emperor Shun's Two Concubines (E Huang and Nv Ying) <br />
柳毅井 Liu Yi Well <br />
飞来钟 Flying Bell <br />
君山银针 Junshan Silver Needle Tea<br />
洞庭湖欢乐世界 Happy World of Dongting Lake <br />
最美长江岸线国际马拉松比赛 YueYang·JunShan The Marathon With The Best Yangtze River View <br />
国际观鸟节 International Bird Watching Festival <br />
野生荷花节 YueYang Wild Lotus Tourism and Culture Festival <br />
<br />
=='''Questions:''' ==<br />
1.Please name at least three legendary tales associated with Junshan Island.<br />
2.What is the most famous type of tea from Junshan Island?<br />
3.What activities has the Junshan District organized for tourism development<br />
<br />
=='''Answers:''' ==<br />
1.The Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on.<br />
2.Junshan silver needle tea.<br />
3."YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival".</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=164700User:Chen Zilan2024-12-31T07:01:59Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.==<br />
==Nov 7, 2024: I did not learn anything today.==<br />
==Nov 8, 2024: I talked with AI about vacation today.== <br />
==Nov 9, 2024: I talked with AI about pets today.==<br />
==Nov 10, 2024: I talked with AI about lost luggage today.==<br />
==Nov 11, 2024: I did not learn anything today.==<br />
==Nov 12, 2024: I talked with AI about sports today.== <br />
==Nov 13, 2024: I talked with AI about my favorite food today.==<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.==<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.==<br />
==Nov 16, 2024: I talked with AI about job hunting today.==<br />
==Nov 17, 2024: I did not learn anything today.==<br />
==Nov 18, 2014: I did not learn anything today.==<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.==<br />
==Nov 20, 2024: I talked with AI about buying books today.==<br />
==Nov 21, 2024: I talked with AI about weekend outing today.==<br />
==Nov 22, 2024: I talked with AI about postgraduate interview today.==<br />
==Nov 23, 2024: I talked with AI about playfully apologizing today.==<br />
==Nov 24, 2024: I talked with AI about renting a house today.==<br />
==Nov 25, 2024: I did not learn anything today.==<br />
==Nov 26, 2024: I talked with AI about cinema today.==<br />
==Nov 27, 2024: I talked with AI about exploring activities today.==<br />
==Nov 28, 2024: I did not learn anything today.==<br />
==Nov 29, 2024: I did not learn anything today.==<br />
==Nov 30, 2024: I talked with AI about food today.==<br />
==Dec 1, 2024: I talked with AI about travel today.==<br />
==Dec 2, 2024: I did not learn anything today.==<br />
==Dec 3, 2024: I did not learn anything today.==<br />
==Dec 4, 2024: I talked with AI about tea today.==<br />
==Dec 5, 2024: I talked with AI about what I did today.==<br />
==Dec 6, 2024: I talked with AI about late WeChat reply today.== <br />
==Dec 7, 2024: I did not learn anything today.==<br />
==Dec 8，2024：I talked with AI about how to improve listening skills today.== <br />
==Dec 9, 2024: I talked with AI about social media today.==<br />
==Dec 10, 2024: I did not learn anything today.==<br />
==Dec 11, 2024: I talked with AI about dogs today.==<br />
==Dec 12, 2024: I talked with AI about zoo today.==<br />
==Dec 13, 2024: I talked with AI about TikTok today.==<br />
==Dec 14, 2024: I talked with AI about supermarket today.==<br />
==Dec 15, 2024: I talked with AI about milk tea today.==<br />
==Dec 16, 2024: I did not learn anything today.==<br />
==Dec 17, 2024: I did not learn anything today.==<br />
==Dec 18, 2024: I did not learn anything today.==<br />
<br />
'''Landscapes and Tourism: Junshan Island'''<br />
Landy<br />
<br />
'''Abstract:'''<br />
Junshan Island, also known as Dongting Mountain and Xiang Mountain, is a small island in Dongting Lake, Hunan Province, facing the historical Yueyang Tower. It covers an area of 0.96 square kilometers and is composed of seventy-two peaks, earning its reputation as the eleventh blessed land in Daoist texts and a national key scenic area with a 5A rating. The island is renowned for its rich cultural heritage, including ancient wells, platforms, pavilions, and temples, as well as historical figures like Qu Yuan and the two imperial concubines. It is also famous for its natural beauty, offering a respite from summer heat and a paradise for tourists and tea lovers, with its renowned Junshan Yinzhen tea. The island's sustainable development and protection efforts aim to balance economic growth with ecological preservation.<br />
<br />
'''Introduction'''<br />
Junshan Island, located in Junshan District, Yueyang City, Hunan Province, was once called Dongting Mountain, Xiang Mountain, and Youyuan Mountain. It is a small island in the Dongting Lake and faces the famous Yueyang Tower across the lake. With a total area of 0.96 square kilometers, Junshan Island, consisting of seventy-two peaks of various sizes, was listed as the world's eleventh holy land in the “Taoist book”. It is now a national key scenic spot and national 5A level tourist area, small but exquisite, surrounded by water on all sides, with beautiful scenery and fresh air, which is definitely a summer resort. <br />
<br />
'''Scenic Spots and Historical Sites''' <br />
Junshan Island is rich in scenic spots and historical sites, with a profound cultural heritage. It is said that there are 5 wells, 4 terraces, 36 pavilions, and 48 temples. Through the ages, scholars and literati have written essays and poems or inscribed these on stones, all centered around the "wonder," "miniature," "ingenuity," "seclusion," and "antiquity" of Junshan Island. Many sites are on the island, i.e. the earliest inscriptions on precipices ever discovered in China, nebulae drawing on rocks, neolithic site, the seal of shutting the mountain from the first emperor Qin, the Dragon-Shooting Platform of Emperor Wu of Han Dynasty, the flying bell from the peasant uprising of the Song Dynasty, witnesses to great love including mottled bamboo, the tomb of Emperor Shun's two concubines E Huang and Nv Ying, Liu Yi Well, and so on. Every historic site is a profound history story, and every story is a distant memory. Especially since the Tang Dynasty, many literati such as Li Bai, Du Fu, Huang Tingjian, Xin Qiji, and Zhang Zhidong have landed on Junshan Island to enjoy its scenery and express their emotions, leaving behind countless eternal masterpieces. The verse “From distance, hill and water of Lake Dongting are green; they are like lime conch in the middle of a silvery platter” in Viewing Lake Dongting written by Liu Yuxi, have made Junshan Island even more famous and widely known among the public. In addition, Junshan island is densely forested with ancient trees and exquisitely tall bamboo towering into the sky. There are more than 20 varieties of famous bamboo, including the magical and romantic spotted bamboo that grows around the tomb of Emperor Shun's two concubines E Huang and Nv Ying. Junshan Island boasts stunning natural scenery, with unique flowers and plants to admire in spring, the vast Dongting Lake to observe in summer, fishing songs and enchanting moon to enjoy in autumn, and wetland migratory birds to watch in winter. Junshan is a paradise for tourism and vacationing, as well as an ideal place for summer retreat and leisure. (Yueyang Municipal Administration of Culture and Tourism, 2024) Since it opened to the public, many national leaders have personally visited Junshan and have given it high praise. <br />
<br />
'''Junshan Silver Needle Tea'''<br />
Junshan Island is located at the center of Dongting Lake, surrounded by water on all sides with a pleasant climate. The island features a hilly terrain with undulating contours. The terrain is undulating, with plentiful vegetation, including a variety of trees, flowers, and precious medicinal herbs. The soil on the island is acid red soil, which is suitable for the growth of tea plants. As a result, Junshan Island is known for its high-quality teas, with Junshan silver needle tea being the most renowned, honored as one of "China's Top Ten Famous Teas." It is often said that "great teas originate from scenic landscapes and pristine environments," and this saying is absolutely true. The tea grows on Junshan Island, with a shape as fine as a needle, hence the name is Junshan silver needle tea. The tea soup presents a vibrant green tint, a fresh taste, a soft and refined aroma, with high health value, which is deeply loved by tea enthusiasts.<br />
<br />
'''Causes of Formation'''<br />
Ancient people mostly praised the beauty of Junshan Island, but rarely explored the reason for the formation of the island. Even when occasionally mentioned, it was inevitably exaggerated with romantic stories. The Tang Dynasty poet Fang Gan described Junshan as a huge stone blown down from the Kunlun Mountains by the sea wind, which was merely an exaggeration using of legendary stories to express excessive praise, and not a literal statement. As a matter of fact, the formation of Junshan Island is indeed closely related to the action of the wind. The base of Dongting Lake is igneous rock, which subsided during crustal movements to form a lake basin, then gathering water into a lake. As a result of the sustained effects of the wind, sediments continuously deposited and consolidated into rock, eventually emerging above the water surface, forming an island in the lake. (Ma Zhifei, 2022)<br />
<br />
'''Sustainable Development and Conservation'''<br />
Junshan District aims to create a comprehensive tourism destination by integrating four elements of agriculture, culture, tourism, and sports. This integration not only enhances the tourism experience but also strengthens the local cultural appeal, contributing to the development of a distinctive and high-quality Junshan, with the ultimate goal of enriching and benefiting the local population. (Xu Yaping, 2021) For instance, Junshan District has built a theme park called Happy World of Dongting Lake. It is the first recreational theme park in Yueyang City. As new tourism products, recreational theme parks bring tourists comprehensive recreation experience and new tourism experience. (Tao W & Xin T, 2018) Besides, Junshan District has organized a variety of festive activities, such as "YueYang·JunShan The Marathon With The Best Yangtze River View", "International Bird Watching Festival", and "YueYang Wild Lotus Tourism and Culture Festival", to increase the visibility and reputation of its tourism brand. While developing tourism, Junshan District also places great emphasis on ecological protection and sustainable development, which includes the conservation and management of the Dong Dongting Lake wetlands, as well as controlling the environmental impact of tourism activities. The goal of Junshan District is to achieve a win-win situation for economic development and ecological conservation. <br />
<br />
'''References'''<br />
[1] Tao W, Xin T. (2018) Design of recreational theme parks: A case study of happy world of dongting lake in junshan district, yueyang city. [休闲主题公园的设计： 岳阳市君山区洞庭湖欢乐世界案例研究]. Journal of Landscape Research[景观研究]. 10(1):3-6,20.<br />
[2] Ma Zhifei马志飞.（2022）诗意君山千古谜[The Eternal Enigma of Junshan Island].百科知识[Encyclopedic Knowledge].(19):20-23.<br />
[3] Yueyang Municipal Administration of Culture and Tourism岳阳市文旅局. （2022） 岳阳楼君山岛旅游区[Yueyang Tower and Junshan Island Tourist Area]. Yueyang 岳阳市人民政府[Municipal People’s Government Official Website]. https://yueyang.gov.cn/yyly/lyzt/5ajjq/content_202219.html. <br />
[4] Yaping X, Jiping W徐亚平,王吉平.(2021)推进“农文旅体”融合走绿色发展之路[Promoting the Integration of Agriculture, Culture, Tourism, and Sports: A path to Green Development].湖南日报[Hunan Daily].10-23(004).DOI:10.28360/n.cnki.nhnbr.2021.008044.</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=163944User:Chen Zilan2024-12-19T06:18:41Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.<br />
==Nov 7, 2024: I did not learn anything today.<br />
==Nov 8, 2024: I talked with AI about vacation today. <br />
==Nov 9, 2024: I talked with AI about pets today.<br />
==Nov 10, 2024: I talked with AI about lost luggage today.<br />
==Nov 11, 2024: I did not learn anything today.<br />
==Nov 12, 2024: I talked with AI about sports today. <br />
==Nov 13, 2024: I talked with AI about my favorite food today.<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.<br />
==Nov 16, 2024: I talked with AI about job hunting today.<br />
==Nov 17, 2024: I did not learn anything today.<br />
==Nov 18, 2014: I did not learn anything today.<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.<br />
==Nov 20, 2024: I talked with AI about buying books today.<br />
==Nov 21, 2024: I talked with AI about weekend outing today.<br />
==Nov 22, 2024: I talked with AI about postgraduate interview today.<br />
==Nov 23, 2024: I talked with AI about playfully apologizing today.<br />
==Nov 24, 2024: I talked with AI about renting a house today.<br />
==Nov 25, 2024: I did not learn anything today.<br />
==Nov 26, 2024: I talked with AI about cinema today.<br />
==Nov 27, 2024: I talked with AI about exploring activities today.<br />
==Nov 28, 2024: I did not learn anything today.<br />
==Nov 29, 2024: I did not learn anything today.<br />
==Nov 30, 2024: I talked with AI about food today.<br />
==Dec 1, 2024: I talked with AI about travel today.<br />
==Dec 2, 2024: I did not learn anything today.<br />
==Dec 3, 2024: I did not learn anything today.<br />
==Dec 4, 2024: I talked with AI about tea today.<br />
==Dec 5, 2024: I talked with AI about what I did today.<br />
==Dec 6, 2024: I talked with AI about late WeChat reply today. <br />
==Dec 7, 2024: I did not learn anything today.<br />
==Dec 8，2024：I talked with AI about how to improve listening skills today. <br />
==Dec 9, 2024: I talked with AI about social media today.<br />
==Dec 10, 2024: I did not learn anything today.<br />
==Dec 11, 2024: I talked with AI about dogs today.<br />
==Dec 12, 2024: I talked with AI about zoo today.<br />
==Dec 13, 2024: I talked with AI about TikTok today.<br />
==Dec 14, 2024: I talked with AI about supermarket today.<br />
==Dec 15, 2024: I talked with AI about milk tea today.<br />
==Dec 16, 2024: I did not learn anything today.<br />
==Dec 17, 2024: I did not learn anything today.<br />
==Dec 18, 2024: I did not learn anything today.</div>Chen Zilanhttps://bou.de/u/index.php?title=Chinese_Language_and_Culture_2024&diff=163837Chinese Language and Culture 20242024-12-14T07:45:35Z<p>Chen Zilan: /* Here you can suggest your topic for your final exam paper */</p>
<hr />
<div>Welcome to Chinese Language and Culture 2024<br />
<br />
THU (19:00-19:45,19:55-20:40,20:50-21:35) 至善楼105 MA2 (23级笔译口译 Translation & Interpretation) 中国语言文化 Chinese Language and Culture 2024, Textbook: Woesler 2024, 1 5.9., 2 12.9., 3 19.9., 4 26.9., 5 10.10., 6 17.10., 7 24.10., 8 31.10., 9 7.11., 10 14.11., 11 21.11., 12 28.11., 13 5.12., 14 12.12., 15 19.12., 16 26.12.<br />
<br />
=Grading Criteria for Powerpoint Presentations=<br />
#Was the presentation based on scientific facts, did the presenter also conduct some research on the topic and did he/she also add her own experience or her own opinion/perspective and marking the two different perspectives as factual/subjective? Did the presentation avoid absolute judgments like "good" or "best", but did it instead use vocabulary like "fascinating", "surprising" etc. and also indicated to whom it is fascinating/surprising etc. and why?<br />
#Was the presentation successful? Did it catch the attention of the audience over the whole time? Was the presenter persuading? Was the audience excited/fascinated? Did the audience learn something? (Or was the audience bored and talked the whole time without paying attention to the presenter?)<br />
#Formal things: Was the speaker good to hear (loud/clear)? Did he make a self-confident impression and did he know his topic? Did the speaker speak freely and not read out? Where there meaningful pictures and graphs on the slides and only a few keywords, well sorted by numbers or bullet points (or was the powerpoint merely a text desert of small size script with the script being copied onto the slides)?<br />
#Was the presentation appropriate to the topic?<br />
#Was the activity part meaningful and appropriate to the topic? Did it speak to everyone in the audience individually?<br />
#Was the presentation not too short and not too long in time, but as long as the other presentations, so that all presentations of the day could be presented?<br />
#Did the presentation consider the same cultural phenomenon both in China and in other countries, at least as a comparison?<br />
#Did the presentation avoid mistakes like reading out text in a boring way, pronounciation mistakes, typos in the English text?<br />
#Did you indicate the sources you have used at least on the last page of your presentation in the form of a list?<br />
#Did you upload your ppt file successfully (if not, did you contact the teaching assistant to upload)?<br />
#Did you present your ppt file in the full screen mode?<br />
#Did you arrive early in classroom to copy your file onto the desktop of the class computer and did you check it and also any embedded or accompanying video files etc. if everything works properly including sound?<br />
#Did the presentation avoid deadly mistakes like plagiarism, using ai without indicating it (if you use ai to create the presentation, you need to indicate the platform and the full prompt you gave to ai and the main adjustments you did to the prompt), using ideology, patriotism, politics, religious beliefs, advertisement for products, ignorance (e.g. that a cultural phenomenon is wide spread in Asia and the origin is unclear, but claiming it was Chinese and originated in China), racism, prejudices, telling lies, spreading false rumors etc.?<br />
<br />
=How to write your final exam paper?=<br />
Just write it like the other chapters in the textbook on your personal wiki homepage beneath the learning progress diary until <span style="color:red"><br />
'''December 31, 2024 (deadline)'''.<br />
<br />
About 1000 words in English, followed by a Chinese translation (no machine translation). You can also write in Chinese and translate into English. Both texts need to be like the other papers in the textbook.<br />
<br />
==Sections==<br />
Title, student name, Abstract, Main part, illustrations, Terms and Expressions, Questions, Answers, References, and AI Statement.<br />
<br />
The AI statement should look like this:<br />
<br />
I hereby guarantee that I have not used the help of AI to write my final paper in this course.<br />
<br />
or, if you actually use AI<br />
<br />
<span style="color:red">'''How about letting AI write for me?'''<br />
<br />
Your AI statement in the References section needs to look like this:<br />
<br />
To help me to write my final paper, I have used the following AI chatbot: ... I have prompted the chatbot with the following prompt: "..." I found the following problems with the outcome: ... I have adjusted the output by the following measures (revising prompt as: "...." or manually correcting the following references: ... Written the following passage new: ...).<br />
<br />
If you use AI, not your paper will be graded, but your prompt and adjustments<br />
<br />
==References==<br />
*Please add the sources in the form "(Wang 2020, 445)" behind each paragraph and with a long entry in the References section.<br />
*In the References section, please add at least 1-2 Western sources. It is always good to relate the Chinese tradition to similar traditions in other countries.<br />
*In the English version of your References, please add the Pinyin to the Chinese names and titles. Everything needs to be readable in English characters.<br />
<br />
==Formatting==<br />
*Please also add free lines at places where you want to have a line break, e.g. after a header.</span><br />
<br />
=簽到 Here you can sign in behind the topic you want to present in class=<br />
*Yu Yi<br />
*Memo<br />
*Glen<br />
*Liu Li<br />
*Liu Zhuofan<br />
*Drovan<br />
*Wu Ziyi<br />
*Andrew<br />
*Wang Xuan <br />
*Cynthia<br />
*Wang Yan<br />
*Doris<br />
*Wu Jing<br />
*Jennie<br />
*Huang Qi<br />
*Esther<br />
*Xiao Feiyan<br />
*He Chuwen<br />
*Lyra<br />
*Shu Lin<br />
*Shirleen<br />
*Tang Yuewei<br />
*Zhou Xukai<br />
*Eavan<br />
*Long Jiayu<br />
*Jiang Chenmei<br />
*Lilian<br />
*Jiao Mengting<br />
*Sherry<br />
*Le Yuxuan<br />
*Lydia<br />
*Wu Jiaying<br />
*Cathy <br />
*Jiang Yaping<br />
*Sunny<br />
*Li Jia<br />
*Zoe<br />
*Wang Yujiao<br />
*Wendy<br />
*Fu Xinke<br />
*Finger<br />
*Zeng Wenjing<br />
*Zoey<br />
*Chen Zilan<br />
*Landy<br />
*Yang Lingyue<br />
*Yang Fan<br />
*Liu Peinan<br />
*Peter<br />
*Pan Yilin<br />
*ceci<br />
*Chen Pingan<br />
*Grace<br />
*Huang Mengyan<br />
*Mandy<br />
*Rachel<br />
*Guo Zibin<br />
*Binbin<br />
*Xiao Yixuan<br />
*Zeng Xin<br />
*Su Yi<br />
*Zeng Man<br />
*Emily<br />
*Chen Mengzhu<br />
*Chris<br />
*Huang Zechen<br />
*Zachary<br />
*Liu Zhouli<br />
*Kuang Jing<br />
*Jin<br />
*Tang Xinyan<br />
*Estrella<br />
*Peng Yingying<br />
*Becca<br />
*Ma Ruiqing<br />
*Raymond<br />
*Chen Guangzi<br />
*Alan<br />
*Hannah<br />
*Tang Xinyu<br />
*Zhou Ranran<br />
*Shi Zhanning<br />
*Wang Yue<br />
*Hu Zetao<br />
*Zhang Shuai<br />
*Liu Zhehui<br />
*Wang Xudong<br />
*Zhou Jing<br />
*Amy<br />
*Zhang Yange<br />
*Zhao Jing<br />
*Winnie<br />
*Liu Zeyu<br />
*Liao Wenyao<br />
*Peng Lu<br />
*Liu Yi2<br />
*Peng Jiayi<br />
1. Geographic Nature as a Basis for Cultural Development .. 16<br />
<br />
2.<br />
Aesthetic ideals and social customs: Chinese Marriage Customs ............................................................................. 21<br />
<br />
3.<br />
Aesthetic ideals and social customs: Habits, Ways of Contacting .......................................................................... 28<br />
<br />
4.<br />
Aesthetic ideals and social customs: Marriage-Accompanying Songs in Hunan ......................................... 37<br />
<br />
5.<br />
Aesthetic ideals and social customs: Crying Marriage of Tujia ................................................................................... 46<br />
<br />
6.<br />
Aesthetic ideals and social customs: The Four Most Handsome Men in Ancient China ...................................... 60 (Cheng Linjia/Jason)<br />
<br />
7.<br />
Animals: Panda .................................................................. 68<br />
<br />
8.<br />
Architecture ....................................................................... 75<br />
<br />
9.<br />
Architecture: The Forbidden City .................................... 84<br />
<br />
10.<br />
Architecture: Four Famous Bridges ................................... 97<br />
<br />
11.<br />
Architecture: Four Great Pavilions .................................. 107<br />
<br />
12.<br />
Architecture: Shengjing Imperial Palace .......................... 118<br />
<br />
13.<br />
Architecture: Three Great Towers in China ..................... 125<br />
<br />
14.<br />
Architecture: Fengshui in Chinese Architecture .............. 138<br />
<br />
15.<br />
Army and weapons: Chinese Ancient Weapons ............... 147<br />
<br />
16.<br />
Army and weapons: Terracotta Army .............................. 155<br />
<br />
17.<br />
Astrology: Chinese Astrology .......................................... 162<br />
<br />
18.<br />
Astrology: Calendar, The 24 Solar Terms ........................ 169<br />
<br />
19.<br />
Astrology: Twelve Animals of the Chinese Zodiac .......... 178<br />
<br />
20.<br />
Beverages: Milk Tea ........................................................ 186 (Peng Lu/Julia)<br />
<br />
21.<br />
Beverages: Tea ................................................................. 193（Yang Fan/Shawn）<br />
<br />
22.<br />
Beverages: The Liquor Culture of Ancient China ............ 198（Liu Zhuofan/Drovan）<br />
<br />
23.<br />
Body movement performance: Chinese Lion Dancing .. 207<br />
<br />
24.<br />
Body movement performance: Stilts ................................ 211<br />
25.<br />
Body movement performance: Traditional Chinese Dance<br />
6<br />
......................................................................................... 217<br />
<br />
26.<br />
Chinese Writing: Ancient Writing and Painting Tool, Writing Brush ................................................................................ 223<br />
<br />
27.<br />
Chinese Writing: Calligraphy ........................................... 232<br />
<br />
28.<br />
Chinese Writing: The Evolution of Calligraphy ............... 238<br />
<br />
29.<br />
Chinese Writing: Chinese Characters ............................... 247<br />
<br />
30.<br />
Chinese Writing: Chinese Characters and Scripts ............ 260<br />
<br />
31.<br />
Clothing: Chinese Clothing .............................................. 267<br />
<br />
32.<br />
Clothing: Batik (Lanran) .................................................. 275<br />
<br />
33.<br />
Clothing: Cheongsam ....................................................... 285 (Tang Yuewei/ Eavan)<br />
<br />
34.<br />
Confucianism: Confucian Culture .................................... 293<br />
<br />
35.<br />
Confucianism: Chinese Traditional Culture-Five Constant Virtues .............................................................................. 307<br />
<br />
36.<br />
Confucianism: Classical Philosophy - Confucius and Confucianism ................................................................... 315<br />
<br />
37.<br />
Confucianism: Classical Philosophy - Reading The Analects ......................................................................................... 322<br />
<br />
38.<br />
Education: Ancient Chinese Education ............................ 332<br />
<br />
39.<br />
Education: Historical Figures, The Four Talented Women of Ancient China .................................................................. 343<br />
40.<br />
Education: Modern Chinese Education System ............... 353<br />
<br />
41.<br />
Education: The Nine-Grade Official Selection System in Wei, Jin, Southern and Northern Dynasties .............................. 367（Hannah/Zhou Yicen）<br />
<br />
42.<br />
Education: Yuelu Academy (One of the Four Most Prestigious Academies) .................................................... 376<br />
<br />
43.<br />
Facial Make-up ................................................................ 386<br />
<br />
44.<br />
Facial Make-up: Cosmetics, Traditional Chinese Make-Up ......................................................................................... 393 (Li Xiaosu/Jacinda)<br />
<br />
45.<br />
Facial Make-up: Face Changing in Sichuan Opera .......... 409<br />
<br />
46.<br />
Fine Arts: Painting ........................................................... 418<br />
<br />
47.<br />
Fine Arts: Bada Shanren and Qi Baishi ............................ 423<br />
<br />
48.<br />
Fine Arts: Painting Riverside Scene at Tomb Sweeping Day ......................................................................................... 429 <br />
<br />
49.<br />
Fine Arts: Seal-cutting ..................................................... 436<br />
7<br />
<br />
50.<br />
Games: Go 围棋 ........................................................... 439 (Peng Yixin/ Eason)<br />
<br />
51.<br />
Games: Kite Flying .......................................................... 445 （Liu Huixuan/ Polly）<br />
<br />
52.<br />
Games: Mahjong: An Ancient Chinese card play ............ 452(Zeng Wenjing/Zoey)<br />
<br />
53.<br />
Garden Culture: Gardens ................................................. 480(Jiang Chenmei/Lilian)<br />
<br />
54.<br />
Garden Culture: Bonsai (Penjing) .................................. 486<br />
<br />
55.<br />
Garden Culture: The Summer Palace ............................... 493(Liu Zhehui/Mary)<br />
<br />
56.<br />
Garden Culture: Qingming Riverside Landscspe Garden 500 (Cai Yingchu/ Rachel)<br />
<br />
<br />
57.<br />
Gender: Wu Zetian: The Only Female Emperor of Imperial China ................................................................................ 509<br />
(Zhou Ranran/Jerry)<br />
58.<br />
History: Carl and Cixi ...................................................... 521<br />
<br />
59.<br />
Interieur: The Folding Screen .......................................... 525<br />
<br />
60.<br />
Landscapes and Tourism: Four Buddhist Shrines ............ 534<br />
<br />
61.<br />
Landscapes and Tourism: Four State-Level Cultural Relics ......................................................................................... 545<br />
<br />
62.<br />
Landscapes and Tourism: Landscape, Five Famous Mountains ........................................................................ 555（Wu Jing/Jennie）<br />
<br />
63.<br />
Landscapes and Tourism: Mogao Grottoes ...................... 563<br />
<br />
64.<br />
Landscapes and Tourism: The Culture of Mount Tai ....... 576<br />
<br />
65.<br />
Landscapes and Tourism: Canal Culture：The Grand Canal（The Peking-Hangzhou Grand Canal） ........................ 591<br />
<br />
66.<br />
Landscapes and Tourism: The Ancient Tea Horse Road .. 604<br />
<br />
67.<br />
Landscapes and Tourism: Tourism, Nanking-An Ancient Capital of Six Dynasties ................................................... 610<br />
<br />
68.<br />
Language: Chinese Language .......................................... 616<br />
<br />
69.<br />
Language: Chinese Dialects ............................................. 626 (Long Jiayu/Tara) (present first on Oct 10, Session 5)<br />
<br />
70.<br />
Language: Chinese Folk Argot ......................................... 635<br />
<br />
71.<br />
Literature: Ancient literature - Chinese Classical Fairy Tales ......................................................................................... 646<br />
<br />
72.<br />
Literature: Ancient literature - Chinese Mythology ......... 653<br />
<br />
73.<br />
Literature: Ancient literature - Classical Literature .......... 664<br />
<br />
74.<br />
Literature: Ancient Literature - Four satirical novels in ancient China ................................................................... 671<br />
<br />
75.<br />
Literature: Ancient literature: Four Folk Stories of Ancient<br />
8<br />
China<br />
................................................................................ 680<br />
<br />
76.<br />
Literature: Ancient Literature - Take Su Shi as an example. Relegation Literature in Ancient China ............................ 689<br />
<br />
77.<br />
Literature: Ancient Literature: The Classic of Mountains and Seas .................................................................................. 711 <br />
<br />
78.<br />
Literature: Ancient literature: Yuefu................................. 727<br />
<br />
79.<br />
Literature: Premodern literature - China's Four Great Classical Novels .................................................................................. 734<br />
<br />
80.<br />
Literature: Premodern literature - Li Bai's “The River-Merchant's Wife: A Letter” and its translations ............... 741<br />
<br />
81.<br />
Literature: Premodern literature: Strange Stories from a Chinese Studio ................................................................. 747<br />
<br />
82.<br />
Literature: Premodern literature: Tang-Song.................... 755<br />
<br />
83.<br />
Literature: Tang and Song - Classical Prose Movement of late Tang Dynasty and Song Dynasty ..................................... 783<br />
<br />
84.<br />
Literature: Modern Literature .......................................... 792<br />
<br />
85.<br />
Literature: Modern Literature: Qian Zhongshu (Ch'ien Chung-shu) ....................................................................... 800<br />
<br />
86.<br />
Literature: Modern and Contemporary Literature: Literature, Science Fiction, and Fantasy ............................................ 807<br />
<br />
87.<br />
Literature: Contemporary Literature ................................ 818(Chen Guangzi/Alan)<br />
<br />
88.<br />
Martial Arts: Huo Yuanjia ................................................ 823<br />
<br />
89.<br />
Martial Arts: Qigong ........................................................ 826<br />
<br />
Martial Arts: Taiji (Tai Chi) Shadow Boxing ................... 831<br />
<br />
91.<br />
Martial Arts: Wushu ......................................................... 842<br />
<br />
92.<br />
Martial Arts: Frolics of the Five Animals (Wuqinxi) ....... 847<br />
<br />
93.<br />
Medicine: Traditional Chinese Medicine (TCM) ............. 857<br />
<br />
94.<br />
Medicine: TCM - Acupuncture and Moxibustion ............ 863<br />
<br />
95.<br />
Medicine: TCM - Diagnosis and Pharmacology .............. 868<br />
<br />
96.<br />
Medicine: TCM - The Development of Chinese Medicine ......................................................................................... 873<br />
<br />
97.<br />
Medicine: TCM – The Chinese Medical Sage Zhang Zhongjing ......................................................................... 880<br />
<br />
98.<br />
Minority cultures: Lisu People and Daogan Festival of Lisu Ethnic Minority<br />
................................................................ 889<br />
<br />
99.<br />
Minority cultures: The Ethnic Minorities’ Costumes ....... 896(Zeng Man/Emily)<br />
<br />
<br />
100.<br />
Money culture: Currency, Jiaozi (A Paper Currency in Northern Song Dynasty) .................................................. 907<br />
<br />
101.<br />
Money culture: The tradition of Red Envelope and Lucky Money ....................................................................... 917（Chen Pingan/Grace）<br />
<br />
102.<br />
Music and instruments: Guzheng ..................................... 928 (Liu Zeyu/Yew)<br />
<br />
103.<br />
Music and instruments: Pipa ............................................ 939<br />
<br />
104.<br />
Mythology: Gods and Immortals ..................................... 949(Wang Yue/Nora)<br />
(present in the end on Sep 26, Session 4)<br />
105.<br />
Mythology: Huli-jing ....................................................... 958(Ma Ruiqing/Raymond)<br />
<br />
<br />
106.<br />
National Symbols: National Anthem ............................... 969<br />
<br />
107.<br />
National Symbols: National Flag ..................................... 976<br />
<br />
108.<br />
Opera: Peking Opera ........................................................ 984<br />
<br />
109.<br />
Opera: Peking Opera Acrobatics ...................................... 992<br />
<br />
110.<br />
Opera: Peking Opera Actor Mei Lanfang ........................ 999<br />
<br />
111.<br />
Opera: Tea-picking Opera .............................................. 1004（Chen Kuanshun/Jason）<br />
<br />
112.<br />
Opera: Hunan Flower-drum Opera (Huagu Opera) ........ 1012<br />
<br />
113.<br />
Philosophical Schools: Four Main Philosophical Schools ....................................................................................... 1023<br />
<br />
114.<br />
Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy – Daoism ...................................... 1032<br />
<br />
115.<br />
Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading Tao Te Ching ............... 1037<br />
<br />
116.<br />
Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Sutra of Hui-neng . 1043<br />
<br />
117.<br />
Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Importance of Living ....................................................................................... 1049<br />
<br />
118.<br />
Philosophical Schools (Daoism, Buddhism, Legalism): Legalism ....................................................................... 1060<br />
<br />
119.<br />
Philosophy: Chinese Traditional Cultivation Culture .... 1070<br />
<br />
120.<br />
Religion: Traditional Chinese Funeral Culture .............. 1082<br />
<br />
121.<br />
Religion: Buddhism ....................................................... 1096<br />
<br />
122.<br />
Religion: Daoism ........................................................... 1110<br />
<br />
123.<br />
Religion: Christianity ..................................................... 1115<br />
<br />
124.<br />
Religion: Islam ............................................................... 1121<br />
<br />
125.<br />
Science and Technology: Ancient Science and Technology ....................................................................................... 1125<br />
<br />
126.<br />
Science and Technology: China's Four New Inventions 1130 (Wang Xudong/Hue)<br />
<br />
127.<br />
Science and Technology: Compass ................................ 1154<br />
<br />
128.<br />
Science and Technology: TikTok (Douyin) .................... 1162<br />
<br />
129.<br />
Science and Technology: Three Giant Home Appliance Enterprises In China ..................................................... 1171<br />
<br />
130.<br />
Science and Technology: Four Domestic Mobile Phone Companies ..................................................................... 1191<br />
<br />
131.<br />
Silk and porcelain: Silk .................................................. 1206<br />
<br />
132.<br />
Silk and porcelain: Porcelain ......................................... 1211<br />
<br />
133.<br />
Silk and porcelain: Celadon and Celadon Song 《青花瓷》歌词 ............................................................................... 1217<br />
<br />
134.<br />
Silk Road - by land and by sea: Zhang Qian and the Silk Road ....................................................................................... 1224<br />
<br />
135.<br />
Silk Road - by land and by sea: Zheng He and the Maritime Silk Road ....................................................................... 1229<br />
<br />
136.<br />
Silk Road - by land and by sea: Zheng He's Voyages .... 1233<br />
<br />
137.<br />
Social: The Long-life Lock ............................................ 1241 （Shu Lin/Shirleen）<br />
<br />
138.<br />
Social: Round Table Culture .......................................... 1249（Yu Yi/Memo)<br />
<br />
139.<br />
Stage entertainment: Crosstalk 相声 ............................. 1257(Lv Di/Ludy)<br />
<br />
140.<br />
Stage entertainment: Shadow Play ................................. 1264<br />
<br />
141.<br />
Traditional Crafts: Carving ............................................ 1272<br />
<br />
142.<br />
Traditional Crafts: Chinese Jade Culture ....................... 1280Zhang Yange(Mia)<br />
<br />
143.<br />
Traditional Crafts: Cloisonne ......................................... 1294<br />
<br />
144.<br />
Traditional Crafts: Embroidery ...................................... 1298<br />
<br />
145.<br />
Traditional Crafts: Shu Embroidery (Sichuan Embroidery) ....................................................................................... 1302<br />
<br />
146.<br />
Traditional Crafts: Xiang Embroidery ........................... 1315<br />
<br />
147.<br />
Traditional Crafts: Folk Art - Chinese Paper-cutting ..... 1329<br />
<br />
148.<br />
Traditional Crafts: Handcraft - Chinese Knots ............... 1336(Chen Zilan/Landy)<br />
<br />
149.<br />
Traditional Crafts: Lacquerware .................................... 1344<br />
<br />
150.<br />
Traditional Crafts: The Kingfisher Craft点翠 ............... 1349<br />
<br />
151.<br />
Traditional Cuisine: Chinese Dining Etiquette ............... 1362<br />
<br />
152.<br />
Traditional Cuisine: Chopsticks ..................................... 1376(Peng Yingying/Becca)<br />
<br />
153.<br />
Traditional Cuisine: Eight Major Cuisines of China ...... 1381 (Tang Xinyu/Eric)<br />
<br />
154.<br />
Traditional Cuisine: Four Distinct Regional Cuisines .... 1398(Peng Jiayi/Eva)<br />
<br />
155.<br />
Traditional Cuisine: Breakfast Culture of Wuhan .......... 1404 Chen Shanshan /Rebecca<br />
<br />
156.<br />
Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick .................................................................. 1414(Chen Mengzhu/Chris)<br />
<br />
157.<br />
Traditional Cuisine: Hotpot ............................................ 1423（Xiao Yixuan/Yuki)<br />
<br />
158.<br />
Traditional Cuisine: The Art of Chinese Cooking .......... 1430(Liu Zhouli/ lovia)<br />
<br />
159.<br />
Traditional Cuisine: Two Famous Dishes ...................... 1436<br />
<br />
160.<br />
Traditional Festivals ....................................................... 1440<br />
<br />
161.<br />
Traditional Festivals: Lattice on Ancient Chinese Windows ....................................................................................... 1447<br />
<br />
162.<br />
Traditional Festivals: Spring Festival Couplets ............. 1459<br />
<br />
163.<br />
Westernization: The Eastward Spread of Western Learning ....................................................................................... 1465<br />
<br />
164.<br />
Westernization: The Westernization Movement ............. 1471<br />
<br />
165.<br />
Worship: Chinese Incense Culture ................................. 1479(Tang Xinyan/Estrella)<br />
<br />
166.<br />
Economy: Chinese Currency Changes ........................... 1489<br />
<br />
167.<br />
History: Wang Shouren .................................................. 1493<br />
<br />
168.<br />
Martial Arts: Chinese Swordsman Spirit ........................ 1502(Zhang Rui)<br />
<br />
169.<br />
Cuisine: Luosifen ........................................................... 1513(Wang Xuan/Cynthia)<br />
<br />
170.<br />
Fine Arts: Chinese Paper Cutting ................................... 1521<br />
<br />
171.<br />
Science and Technology: Taobao(淘宝) ...................... 1531（Li Songlin/Solin)<br />
<br />
172.<br />
Traditional Craft: Bronze ............................................... 1541<br />
<br />
173.<br />
Entertainment: Deyunshe 德云社 ................................. 1548<br />
<br />
174.<br />
Traditional Cuisine: Jiaozi ............................................. 1561 (Liu Yi/Zer)<br />
<br />
175.<br />
Aesthetic ideals and social customs: the Photo Retouching Culture in China ............................................................. 1572<br />
<br />
176.<br />
Traditional Crafts: Handcraft - Oil-paper Umbrella ....... 1581（Wang Yan/Doris）<br />
<br />
177.<br />
stage entertainment:Yuan drama .................................... 1592<br />
<br />
178.<br />
Music and instruments: Erhu ......................................... 1601<br />
<br />
179.<br />
Traditional and Modern Views on Marriage and Love .. 1608(Zhao Siyao/Caroline)<br />
<br />
180.<br />
Traditional Cuisine: Tangyuan ....................................... 1615 (Su Yi/Suri)<br />
<br />
181.<br />
Animals：Golden Monkey ............................................ 1625<br />
<br />
182.<br />
Chinese Economy: rich businessmen ............................. 1631<br />
<br />
183.<br />
Opera: Chinese Local Operas ........................................ 1639<br />
<br />
184.<br />
The Chinese tradition of ancestor worship ..................... 1651(Shi Zhanning/Harper)<br />
<br />
185.<br />
Opera: Huangmei opera ................................................. 1663<br />
<br />
186.<br />
The “reference” of Chinese Music........................... 1670(Huang Zechen/Zachary)<br />
<br />
187.<br />
Chinese Folk Art:Lion Dance ........................................ 1676<br />
<br />
188.<br />
Science and Technology: Mobile Games（手游） ....... 1691 (Liu Peinan/Peter)<br />
<br />
189.<br />
Clothing: Vintage Clothing ............................................ 1697(Hu Shanshan/Maddy)<br />
<br />
190.<br />
Fine arts:Kunqu Opera ................................................... 1704<br />
<br />
191.<br />
Aesthetic ideals and social customs: The Culture of Flowers ....................................................................................... 1712（Chen Weiping/Jackie）<br />
<br />
192.<br />
National Belief: the Chinese Dream .............................. 1722<br />
<br />
193.<br />
Science and Technology: Buytogether（PDD) ............ 1729（Wang Yujiao/Wendy）<br />
<br />
194.<br />
Aesthetic ideals and social customs：Marriage and Burial Customs of Tujia People ................................................ 1748(Jiao Mengting/Sherry)<br />
<br />
195.<br />
Traditional Cuisine: Breakfast Culture of Guangdong传统美食：广东早餐文化 ....................................................... 1753（Wu Ziyi/Andrew）<br />
<br />
196.<br />
Telecast: Become a Farmer 种地吧 .............................. 1765（Sha Lijia/Reika）<br />
<br />
197.<br />
Animals: Chinese Rural Dogs 动物：中华田园犬 ...... 1773 (Zhao Jing/Winnie)<br />
<br />
198.<br />
Clothing: Hanfu 汉服：揭示中国传统服饰之美 ........ 1781（Guo Zibin/Anne）<br />
<br />
199.<br />
Music and instruments: Chime 音乐与乐器：编钟 ..... 1788<br />
<br />
200.<br />
Garden Culture: Suzhou Gardens 苏州园林 ................. 1795(Liang Dan/Anne)<br />
<br />
201.<br />
Traditional crafts: Moon-shaped Fans 传统技艺：团扇 1806(Le Yuxuan/Lydia)<br />
<br />
202.<br />
Minority cultures: Miao Silver Ornaments Culture 苗族银饰文化 ................................................................... 1827(Yang Hanxu/Hansu)<br />
<br />
203.<br />
Mysterious culture: Facial Physiognomy 相面术 ......... 1836(Zhou Xiaoqiao）<br />
<nowiki>Insert non-formatted text here</nowiki> <br />
204.<br />
Games: Chinese Chess 游戏：象棋 ............................. 1847(Zhou Xukai/Kyrie)<br />
<br />
205.<br />
Music and instruments: Guqin 古琴 ............................. 1863<br />
<br />
206.<br />
Music and instruments: The Spring Snow 音乐和乐器：《阳春白雪》 ........................................................................... 1878<br />
<br />
207.<br />
The "Four Gentlemen": Plum, Orchid Bamboo, Chrysanthemum “四君子”的象征意义 ....................... 1885 （Hu Zheng/ Leven）<br />
<br />
208.<br />
Traditional festivals: The Flower Fairy Festival 花朝节 1898 （Gong Tao/Gisele)<br />
<br />
209.<br />
Architecture: Shigu Academy 建筑：石鼓书院 .......... 1906<br />
<br />
210.<br />
Cuisine: Changde spicy salted duck 酱板鸭传说的由来 1918<br />
<br />
211.<br />
Beverages: Sexy Tea 饮品：茶颜悦色 ........................ 1926 (Huang Qi/ Esther)<br />
<br />
212.<br />
Opera: Flower-drum Opera 花鼓戏 .............................. 1935(Zhou Jing/ Amy)<br />
<br />
213.<br />
Traditional Festivals: Shangsi Festival 上巳节 ............. 1943 （Li Jia/ Zoe）<br />
<br />
214.<br />
Ancient Chinese Women's Culture: Ji Sor (Self-combing female) 自梳女 ................................................................. 1949 (Wu Jiaying Cathy)<br />
<br />
215.<br />
Cuisine: Dong'an chicken: The Premier Dish of Hunan Cuisine 东安鸡： 湘菜之首 ........................................... 1962<br />
<br />
216.<br />
Ancient Chinese Women's Culture：Nüshu (Women's Script) 女书 ................................................................................... 1970（He Chuwen/Lyra）<br />
<br />
217.<br />
Opera: Shaoxing Opera 越剧 ........................................ 1991<br />
<br />
218.<br />
Traditional Crafts: Jade Carving Art 玉雕 .................... 1997<br />
<br />
219.<br />
Chinese snack: spicy gluten 中国小吃：辣条 ............. 2003(Jiang Yaping/Sunny)<br />
<br />
220.<br />
Social Phenomenon: Marriage: Women Being Urged to Get Married 婚姻：被催婚的女性 ........................................ 2010 Liu XinYu<br />
<br />
221.<br />
Chinese mythology: Chinese Dragon Culture 中国龙是什么 <br />
....................................................................................... 2019(Zhang Shuai / Andy)<br />
<br />
222.<br />
Minority cultures: Laosicheng 老司城 ......................... 2028<br />
<br />
223.<br />
The Torch of Unity: Celebrating Torch Festival Among China's Ethnic Minorities 团结的火炬——中国少数民族庆祝火把节<br />
........................................................................... 2041 Xiao Feiyan<br />
224.<br />
Chinese Painting: A Thousand Miles of Rivers and Mountains 《千里江山图》 ............................................ 2048(Yao Yiyun/Olivia）<br />
<br />
225.<br />
Festival: Qixi Festival 七夕节 ...................................... 2055（Li Ru/Lee）<br />
<br />
226.<br />
Music and instruments: Yuge (Fishing song) 渔歌 ....... 2063<br />
<br />
227.<br />
Education: Chicken Child (Fired-up Child) 教育：鸡娃 2071(tao yu/mikansei)<br />
<br />
228.<br />
Chinese Science Fiction: The Three-Body Problem 中国科幻小说：《三体》 ............................................................. 2083(Zhang Mengzhe/Nine)<br />
<br />
229.<br />
Ganshi in Xiangxi: The Cycle of Life and Death under Ancient Witchcraft 湘西赶尸：古老巫术下的生死轮回 2092 (Liao Wenyao/Rose)<br />
<br />
230.<br />
Architecture: Chinese Memorial Archway (Paifang) 中国传统建筑：牌坊 ................................................................... 2098<br />
<br />
231.<br />
Chinese Animation 中国动画传统 ............................... 2110（pan yilin/ceci）<br />
<br />
232.<br />
Social Phenomenon: Military-style Travel 特种兵式旅游 2121<br />
<br />
233.<br />
Folk Art: Youshen Fairs 游神 ....................................... 2131<br />
<br />
234.<br />
Nuo Opera 傩戏 ............................................................ 2141<br />
<br />
235.<br />
Music and Instruments: Suona Horn 唢呐 .................... 2157（Liu Jieyu/Erica）<br />
<br />
236.<br />
Chinese Handicraft: Kesi 中国手工艺品：缂丝 .......... 2166<br />
<br />
237.<br />
Sangzhi Folk Songs 桑植民歌 ...................................... 2173<br />
<br />
238.<br />
Music and instrument: Ancient Chinese pentatonic scale – Gong, Shang, Jue, Zhi, Yu 五声音阶，汉族古代音律：宫—商—角—徵—羽 ............................................................... 2192 (Han Yaxuan)<br />
<br />
239.<br />
Social Phenomenon: Mobile Population 社会现象：流动人口 ....................................................................................... 2204(Hu Zetao/Francis)<br />
<br />
240.<br />
Chinese tradition culture: Zanhua 簪花 ........................ 2213 （Xie Ke）<br />
<br />
241.<br />
Incense Culture 香道文化 ............................................ 2221 （Zeng Xin）<br />
<br />
242.<br />
The Imperial Civil Examination System 科举制度 ...... 2230<br />
<br />
243.<br />
Literature: Qu Yuan 文学：屈原 .................................. 2238(Jiang Caiyun/Tony)<br />
<br />
244.<br />
Games: pitch-pot game (Touhu) 投壶游戏 ................... 2244(Kuang Jing/Jin)<br />
<br />
245.<br />
Folk Art: Piao Se 民间艺术：飘色 .............................. 2253(Huang Mengyan/Mandy)<br />
<br />
246.<br />
Jingdezhen Porcelain 景德镇陶瓷 ................................ 2261(Li Dinghao/Leo)<br />
<br />
247.<br />
Folk Traditional Customs: Fireworks and Firecrackers 民间传统习俗：烟花和爆竹 ........................................... 2270 (Cao Jialong/caron)<br />
<br />
248.<br />
The Literati Painting of the Ming Dynasty: The Wu School 明代文人画：吴门画派 ................................................... 2278<br />
<br />
249.<br />
Thangka 唐卡 ............................................................... 2285（Yang Lingyue/Judy）<br />
<br />
250.<br />
Striking iron flower 打铁花 .......................................... 2294 (Fu Xinke/Finger)<br />
<br />
251.<br />
Chinese Cuisine: Xiang Cuisine – One of the Eight Major Cuisines 湘菜 ................................................................... 23029（Liu Li/Glen）<br />
<br />
252.<br />
The Evolution of the Official Selection System 仕进制度 2312（Xia Rong/Sharon)<br />
<br />
=Here you can suggest your topic for your final exam paper=<br />
Deadline: Sep 15, 2024<br />
<br />
1. Sports: Cuju (蹴鞠)......（Liu Yi/Zer）<br />
<br />
2. Science and Technology: Chinese Electrical Vehicles 中国电动汽车 ......(Cheng Linjia/Jason) - Please make sure that this is only about the culture, like how the attitude of people changed about the vehicles, how the e cars are used etc. It is not about the technology.<br />
<br />
3. Chinese tradition culture: Ronghua—Velvet Flowers 绒花………(Xiao Feiyan) - Please make sure that this is not about the flower itself, but about the meaning of the flower for people, how they use it and what they associate with it.<br />
<br />
4. Stage entertainment: northeast Errenzhuan (二人转).........(Wu Jiaying/Cathy) - Please make sure that this is about the culture of it.<br />
<br />
5. Traditional Crafts: Dough Sculpture 面塑 ...... (Zhao Jing/winnie) <br />
<br />
6. Nanchang Relic Museum for Haihun Principality of Han Dynasty (Yao Yiyun)<br />
<br />
7. Grass cloth 夏布（Yu Yi/Memo）- Please make sure that this is about the cultural tradition of it.<br />
<br />
8. The Legend of Zhen Huan 《甄嬛传》(Yang Lingyue/ Judy)<br />
<br />
9.Chinese horror movies 中式恐怖片......(Zhou Xiaoqiao/ Summer)<br />
<br />
10. Stand-up comedy 单口喜剧......(Huang Zechen/ Zachary)<br />
<br />
11. Bride-price（彩礼）……（Wang Yujiao/Wendy）<br />
<br />
12. Chinese science fiction movies 中国科幻片......（Liu Peinan/Peter）<br />
<br />
13.Sichuan Embroidery 蜀绣······（Liu Zhehui/Mary)<br />
<br />
14.Chinese traditional jewellery: Buyao (dangling ornament worn by women) （步摇）……（Shu Lin/Shirleen）<br />
<br />
15. Tofu meatball with pig blood (猪血丸子) （Su Yi/Suri）<br />
<br />
16. Sunzi’s Art of War: Source for All Books on War (孙子兵法) …… (Li Jia/Zoe)<br />
<br />
17. The Temple of Heaven：Reverence with Awe and Gratitude（天坛）……（Li Ru/ Lee）<br />
<br />
18. Education：training Schools （教育：补习班）……（Jiang Caiyun/Tony）<br />
<br />
19. Chinese Dreamcore (中式梦核) ……（Tao Yu/Mikansei）<br />
<br />
20.Lu Ban, China’s inventor（中国发明家——鲁班）……（Xiao Yixuan/Yuki）<br />
<br />
21. Live-stream shopping（直播带货）……（Yang Fan/Shawn）<br />
<br />
22.The Story of Ming Lan（知否知否，应是绿肥红瘦）......(Sha Lijia/Reika)<br />
<br />
23. Cha Bai Xi/Tea Latte Art (茶百戏) …… （Fu Xinke/Finger）<br />
<br />
23.Guangdong Herbal tea（广东凉茶）……（Huang Mengyan/Mandy）<br />
<br />
24.Chinese traditional art form：Seal carving（篆刻）……（Wang Yan/Doris ）<br />
<br />
25.Rice cake(年糕）……（Chen Pingan/Grace）<br />
<br />
26.Zhongyuan festival……(Pan Yilin/Ceci)<br />
<br />
27.Dulong: Facial tattoo (独龙族：纹面)……（Zeng Xin）<br />
<br />
27.The Return of the Pearl Princess（还珠格格）……（Zeng Wenjing/Zoey）<br />
<br />
28.Chinese Food：Jiangxi Cuisine（赣菜）……（Jiao Mengting/Sherry）<br />
<br />
29. "Cun Chao": China's village football league（“村超”：中国乡村足球联赛）……（Wu Ziyi/Andrew）<br />
<br />
30. Landscapes and Tourism: Junshan Island (君山岛)…… (Chen Zilan/Landy)<br />
<br />
31. Chinese Bossy Fictions & Micro-drama（中国式霸总小说&短剧）……（Zhang Mengzhe/Nine）<br />
<br />
32. Chinese Traditional Medicine (中医药）……（Kuang Jing/Jin）<----- Please check if this topic is not already treated in the textbook. ——— Mortise and Tenon Joint（榫卯结构）Thank you.<br />
<br />
33. Jingdezhen Porcelain……(Le Yuxuan/Lydia) <----- Please check if this topic is not already treated under "porcellain" in the textbook. <br />
The Emotional Bearings and Cultural Connotations of the Moon Imagery in Song Poems (宋词中“月”意象的情感承载和文化内涵） Thank you.<br />
<br />
34. Music and instruments: Erhu ……（Hu Zheng/Leven）<----- Please check if this topic is not already treated under "Erhu" in the textbook.（National Belief: the Chinese Dream ）This is about a political concept, please select a culture topic instead.<br />
<br />
35.The plaque and couplet in Chinese garden（园林匾额对联）……（Jiang Chenmei/Lilian）<br />
<br />
36. Sun Wukong（孙悟空）……（Liu Huixaun/ Polly）<br />
<br />
37. Traditional Chinese Pigments（中国传统颜料）……(Liu Zhuofan/Drovan)<br />
<br />
38. Dragon Lantern Dance（舞龙灯）……（Zhou Jing/Amy）<br />
<br />
39. Bamboo Weaving (竹编） ......（Zeng Man/ Emily)<br />
<br />
40. Landscapes and Tourism: Harbin Ice and Snow World (冰雪大世界) ...... (Chen Mengzhu/ Chris)<br />
<br />
41. Braised Chicken Rice (黄焖鸡米饭-Huang Men Ji Mifan)……(Jiang Yaping/Sunny)<br />
<br />
42. Three Famous Chinese Mountains(中国三山)......(Liang Dan/Anne)<br />
<br />
43. Female Emperor---Wu Zetian......(Zhou Ranran/Jerry) <----- Please check if this topic is not already treated in the textbook.<br />
<br />
44. Clay sculpture (泥塑）……(Liu Jieyu/Erica) <br />
<br />
45. Abacus(中国珠算）……(Zhang Yange/Mia)<br />
<br />
46. Hunan Rice Noodles（湖南米粉） ……(Cao Jialong/Caron)<br />
<br />
47. Chinese name（中国姓名文化）……(Chen Weiping/Jackie)<br />
<br />
48. Chinese popular viral memes (中国网络社交媒体“热梗”）……(Liu Xinyu/Layla)<br />
<br />
49. Douzhi (豆汁儿) ……(Lv Di/Ludy)<br />
<br />
50.New Year Wood-block Paintings(木版年画）......(Chen Shanshan/Rebecca)<br />
<br />
51.Carved lacquer（雕漆）......（Liu Zhouli/lovia）<br />
<br />
52. Jing Gang Mountain(井冈山）......(Chen Kuanshun/Jason)<br />
<br />
53. Intangible Cultural Heritage: Tongguan Kiln （铜官窑）......（Peng Lu/Julia）<br />
<br />
54. Language: Hakka Dialect（客家话）……（Tang Yuewei/Eavan）<br />
<br />
55. Rice noodle roll（肠粉）……（Zhou Yicen/Hannah）<br />
<br />
56. Traditional Cuisine: Northeastern Chinese Cuisine(东北菜）…… （Wang Yue/Nora)<br />
<br />
57. Yuelu Mountain (岳麓山)……(Zhou Xukai/Kyrie)<br />
<br />
58.Traditional Crafts：Tie-Dye（扎染）……（Xie Ke）<br />
<br />
59. Chinese-style sun protection (中式防晒）…… (Zhao Siyao/Caroline)<br />
<br />
60. Fengshui (风水）…… (Zhang Shuai/Andy)<br />
<br />
61.Yangshao Culture（仰韶文化）…… (Cai Yingchu/ Rachel)<br />
<br />
62.Indigo Dyeing(蓝染)……(Long Jiayu/Tara)<br />
<br />
63.Female Writers: Zhang Ailing, Chen Ping, Lin Yihan and Li Bihua……(Liao Wenyao/Rose)<br />
<br />
64. Wedding dress in the Song Dynasty(宋代婚服）……(Peng Yingying/Becca)<br />
<br />
65.The great unification in ancient China(中国古代的大一统思想)……(Ma Ruiqing/Raymond) - Please make sure that this is not about history or politics, but about the culture about it.<br />
<br />
66. The Four Pillars of Destiny (八字).....（Li Dinghao / Leo）<br />
<br />
67. Shaolin Temple (少林寺)......(Shi Zhanning/ Harper)<br />
<br />
68. Single bamboo drifting（独竹漂）……(Guo Zibin/Binbin)<br />
<br />
69. Cuisine: Changde spicy salted duck 酱板鸭传说的由来……(Zhou Ranran/Jerry)<br />
<br />
70. Hui Culture(徽文化)......（Chen Guangzi /Alan）<br />
<br />
71. Ma Zu Culture (妈祖文化）……（Liu Li/ Glen）<br />
<br />
72. Table Manners …… (Tang Xinyu/Eric)<br />
<br />
73. Music of the Mongol nationality(蒙古族音乐）...... ( Liu Zeyu/ Yew)<br />
<br />
74. The Yingge Dance（英歌舞）......（Hu Zetao）<br />
<br />
75. Palace Lantern（宫灯）......（He Chuwen/Lyra）<br />
<br />
76. Chinese Term of Endearment（中国亲昵称谓）......（Huang Qi/Esther）<br />
<br />
77. Martial arts: Wing Chun（Yongchun) 咏春 ........（Wang Xuan/ Cynthia）<br />
<br />
78.The God of Wealth(财神爷)......(Wu Jing/ Jennie)<br />
<br />
79. Zhuazhou （抓周）......(Gong Tao/ Gisele)<br />
<br />
80. Kingfisher feather art（点翠）……(Peng Yixin/ Eason)<br />
<br />
81. Mirror(镜子)......（Zhang Rui）<br />
<br />
82.The Beef Board Noodle(牛肉板面)......（Wang Xudong）<br />
<br />
83.Huo Qubing(霍去病）......（Peng Jiayi）<br />
<br />
84.Chinese Courtyard Houses（中国四合院）……（Li Xiaosu/Tracy）<br />
<br />
85. Music and instruments: Yangqin（扬琴）……（Tang Xinyan/Estrella）<br />
<br />
=Session 1 Thursday Sep 5, 2024 19:00-21:35=<br />
Please download the powerpoint presentation of the teacher here: [[Media:01_Chin_Lang_Cult_2024.pptx]].<br />
<br />
=Session 2 Thursday Sep 12, 2024 19:00-21:35=<br />
Please download the powerpoint presentation of the teacher here: [[Media:02_Chin_Lang_Cult_2024.pptx]].<br />
During the three hours today, the students are presenting the following 6 topics:<br />
<br />
6.<br />
Aesthetic ideals and social customs: The Four Most Handsome Men in Ancient China ...................................... 60 (Cheng Linjia/Jason) [[Media:Handsome_Men_2024.pptx]]<br />
<br />
20.<br />
Beverages: Milk Tea ........................................................ 186 (Peng Lu/Julia) [[Media:Milk_Tea_2024.pptx]]<br />
<br />
21.<br />
Beverages: Tea ................................................................. 193（Yang Fan/Shawn）[[Media:Tea_2024_fall.pptx]] (Please compare with old presentation from Spring 2024: [[Media:Tea_2024.pptx]].)<br />
<br />
22.<br />
Beverages: The Liquor Culture of Ancient China ............ 198（Liu Zhuofan/Drovan）[[Media:Liquor_2024.pptx]]<br />
<br />
33.<br />
Clothing: Cheongsam ....................................................... 285 (Tang Yuewei/ Eavan) [[Media:Cheongsam_fall_2024.pptx]] (Please compare with old presentation from Spring 2024: [[Media:Cheongsam_2024.pptx]].)<br />
<br />
41.<br />
Education: The Nine-Grade Official Selection System in Wei, Jin, Southern and Northern Dynasties .............................. 367（Hannah/Zhou Yicen）[[Media:Official_Selection_System_2024.pptx]]<br />
<br />
<br />
=Session 3 Thursday Sep 19, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:03_Chin_Lang_Cult_2024.pptx]].<br />
<br />
All students: Please prepare these three texts in the textbook for today.<br />
<br />
During the three hours today, the students are presenting the following 6 topics:<br />
<br />
44. Facial Make-up: Cosmetics, Traditional Chinese Make-Up, p. 393 (Li Xiaosu/Jacinda) [[Media:Cosmetics_2024.pptx]]<br />
<br />
50. Games: Go 围棋, p. 439 (Peng Yixin/ Eason) [[Media:Go_2024.pptx]]<br />
<br />
51. Games: Kite Flying p. 445 （Liu Huixuan/ Polly）[[Media:Kite_2024.pptx]]<br />
<br />
52. Games: Mahjong: An Ancient Chinese card play, p. 452(Zeng Wenjing/Zoey)[[Media:Mahjong_2024.pptx]]<br />
<br />
53. Garden Culture: Gardens, p. 480(Jiang Chenmei/Lilian) [[Media:Gardens_2024.pptx]]<br />
<br />
55. Garden culture: the Summer Palace, p. 493(Liu Zhehui/Mary) [[Media:Summer_Palace_2024.pptx]]<br />
<br />
Homework: <br />
<br />
1. Please read the six texts for next time in the textbook.<br />
<br />
2. Please add your final exam paper topic and your name in the respective section above.<br />
<br />
3. Take the surveys (EU: https://wn8ae3qwafbc11zv.mikecrm.com/9gdWrQT, 2024: https://wn8ae3qwafbc11zv.mikecrm.com/CTrdOjm).<br />
<br />
=Session 4 Thursday Sep 26, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:04_Chin_Lang_Cult_2024.pptx]].<br />
<br />
During the three hours today, the students are presenting the following 6 topics:<br />
<br />
56. Garden Culture: Qingming Riverside Landscspe Garden 500 (Cai Yingchu/ Rachel)[[Media:Qingming_2024.pptx]]<br />
<br />
57.Gender: Wu Zetian: The Only Female Emperor of Imperial China (Zhou Ranran/Jerry)[[Media:wuzetian.pptx]]<br />
<br />
62. Landscapes and Tourism: Landscape, Five Famous Mountains p. 555（Wu Jing/Jennie）[[Media:Five_Mountains 1_2024.pptx]]，[[Media:Five_Mountains 2_2024.pptx]]<br />
<br />
87. Literature: Contemporary Literature p. 818 (Chen Guangzi/Alan) [[Media:Contemporary_Chinese_Literature_2024.pptx]]<br />
<br />
99. Minority cultures: The Ethnic Minorities’ Costumes p. 896(Zeng Man/Emily)[[Media:Costumes_2024.pptx]]<br />
<br />
=Session 5 Thursday Oct 10, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:05_Chin_Lang_Cult_2024.pptx]].<br />
<br />
104. Mythology: Gods and Immortals p. 949 (Wang Yue/Nora) p.949 [[Media:Gods and Immortals1_2024.pptx]], [[Media:Gods and Immortals2_2024.pptx]], [[Media:Gods and Immortals3_2024.pptx]]<br />
<br />
69. Language: Chinese Dialects 626 (Long Jiayu/Tara)[[Media:Dialects_2024.pptx]]<br />
<br />
101. Money culture: The tradition of Red Envelope and Lucky Money p. 917（Chen Pingan/Grace）[[Media:Red_Envelope_2024.pptx]]<br />
<br />
102. Music and instruments: Guzheng p. 928 (Liu Zeyu/Yew)[[Media:Guzheng_2024.pptx]]<br />
<br />
105. Mythology: Huli-jing p. 958(Ma Ruiqing/Raymond)[[Media:Huli-jing_2024.pptx]]<br />
<br />
111. Opera: Tea-picking Opera p. 1004（Chen Kuanshun/Jason）[[Media:Tea-picking_Opera_2024fall.pptx]]<br />
<br />
126. Science and Technology: China's Four New Inventions 1130 (Wang Xudong/Hue) [[Media:Four_New_Inventions(1)_2024.pptx]][[Media:Four_New_Inventions(2)_2024.pptx]]<br />
<br />
=Session 6 Thursday Oct 17, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:06_Chin_Lang_Cult_2024.pptx]].<br />
<br />
137. Social: The Long-life Lock p. 1241 （Shu Lin/Shirleen） [[Media:Long-life Lock_2024_fall.pptx]]<br />
<br />
138. Social: Round Table Culture p. 1249（Yu Yi/Memo) [[Media:Round Table_2024.pptx]] [[Media:Round Table_2024_fall.pptx]]<br />
<br />
139. Stage entertainment: Crosstalk 相声 p. 1257(Lv Di/Ludy) [[Media:Crosstalk_2024.pptx]] [[Media:Crosstalk_2024_fall.pptx]]<br />
<br />
142. Traditional Crafts: Chinese Jade Culture p. 1280Zhang Yange(Mia) [[Media:Jade_2024.pptx]]<br />
<br />
148. Traditional Crafts: Handcraft - Chinese Knots p. 1336(Chen Zilan/Landy) [[Media:Chinese Knots_2024.pptx]]<br />
<br />
152. Traditional Cuisine: Chopsticks p. 1376(Peng Yingying/Becca) [[Media:Chopsticks(1)_2024.pptx]][[Media:Chopsticks(2)_2024.pptx]]<br />
<br />
=Session 7 Thursday Oct 24, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:07_Chin_Lang_Cult_2024.pptx]].<br />
<br />
153. Traditional Cuisine: Eight Major Cuisines of China p. 1381 (Tang Xinyu/Eric) [[Media:Eight_Cuisines_2024.pptx]]<br />
<br />
154. Traditional Cuisine: Four Distinct Regional Cuisines p. 1398(Peng Jiayi/Eva) [[Media:Regional_Cuisines_2024.pptx]]<br />
<br />
155. Traditional Cuisine: Breakfast Culture of Wuhan p. 1404 Chen Shanshan /Rebecca [[Media:Breakfast1_2024.pptx]][[Media:Breakfast2_2024.pptx]]<br />
<br />
156. Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick p. 1414(Chen Mengzhu/Chris) [[Media:Tanghulu_2024.pptx]]<br />
<br />
157. Traditional Cuisine: Hotpot p. 1423（Xiao Yixuan/Yuki) [[Media:Hot Pot_Fall_2024.pptx]]<br />
<br />
158. Traditional Cuisine: The Art of Chinese Cooking p. 1430(Liu Zhouli/ lovia)[[Media:Traditional Cuisine: The Art of Chinese Cooking_2024.pptx]]<br />
<br />
=Student roll=<br />
*https://bou.de/u/wiki/User:Cai_Yingchu -<br />
*https://bou.de/u/wiki/User:Cao_Jialong a<br />
*https://bou.de/u/wiki/User:Chen_Guangzi a<br />
*Chen Kuanshun n<br />
*Chen Mengzhu a<br />
*Chen Pingan -<br />
*Chen Shanshan a<br />
*Chen Weiping a<br />
*Chen Zilan a<br />
*Cheng Linjia a<br />
*https://bou.de/u/wiki/User:Fu_Xinke a<br />
*Gong Tao n<br />
*Guo Zibin n<br />
*Han Yaxuan -<br />
*He Chuwen n<br />
*Hu ShanShan a<br />
*Hu Zetao a<br />
*Hu Zheng n<br />
*Huang Mengyan -<br />
*Huang Qi n<br />
*Huang Zechen a<br />
*Jiang Caiyun a<br />
*Jiang Chenmei n<br />
*Jiang Yaping a<br />
*Jiao Mengting a<br />
*Kuang Jing a<br />
*Le Yuxuan a<br />
*Li Dinghao a<br />
*Li Jia a<br />
*Li Ru a<br />
*Li Songlin a<br />
*Li Xiaosu a<br />
*Liang Dan a<br />
*Liao Wenyao a<br />
*Liu Huixuan a<br />
*Liu Jieyu a<br />
*Liu Li2 -<br />
*Liu Peinan a<br />
*Liu Xinyu2 -<br />
*Liu Yi2 a<br />
*Liu Zeyu a<br />
*Liu Zhehui -<br />
*Liu Zhouli -<br />
*Liu Zhuofan a<br />
*Long Jiayu a<br />
*Lv Di a<br />
*Ma Ruiqing a<br />
*Pan Yilin a<br />
*Peng Jiayi -<br />
*https://bou.de/u/wiki/User:Peng_Jiayi n<br />
*Peng Lu a<br />
*Peng Yingying -<br />
*Peng Yixin a<br />
*Sha Lijia a<br />
*Shi Zhanning a<br />
*Shu Lin2 a<br />
*Su Yi a<br />
*Tang Xinyan a<br />
*Tang Xinyu n<br />
*Tang Yuewei a<br />
*Tao Yu a<br />
*Wang Xuan2 a<br />
*Wang Xudong -<br />
*Wang Yan2 a<br />
*Wang Yue a<br />
*Wang Yujiao a<br />
*Wu Jiaying a<br />
*Wu Jing a<br />
*Wu Ziyi a<br />
*Xia Rong -<br />
*Xiao Feiyan a<br />
*Xiao Yixuan a<br />
*Xie Ke -<br />
*Yang Fan a<br />
*Yang Hanxu a<br />
*Yang Lingyue a<br />
*Yao Yiyun a<br />
*Yu Yi n<br />
*Zeng Man n<br />
*Zeng Wenjing n<br />
*Zeng Xin a<br />
*Zhang Mengzhe n<br />
*Zhang Rui3 n<br />
*Zhang Shuai a<br />
*Zhang Yange a<br />
*Zhao Jing a<br />
*Zhao Siyao a<br />
*Zhou Jing a<br />
*Zhou Ranran a<br />
*Zhou Xiaoqiao n<br />
*Zhou Xukai a<br />
*Zhou Yicen n<br />
*https://bou.de/u/wiki/User:Zhou_Yicen -<br />
<br />
=Session 8 Thursday Oct 31, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:08_Chin_Lang_Cult_2024.pptx]].<br />
<br />
Today, we start a field research study under the HUNNU JM Research Centre of Excellence (EU grant).<br />
<br />
The study is intended to compare learning a foreign language with AI and without AI.<br />
<br />
By participating in the study, you agree that your data will be collected. However, the data will first be anonymized and only as anonymized data analyzed and compared with other sets of data. Some general information like study discipline, year and sex will also be used. The results are inteded to be published in scientific publications.<br />
<br />
Task 1: Please decide whether you <br />
<br />
- want to use <br />
<br />
- or not want to use<br />
<br />
an AI app with a daily dialogue of 7 phrases to improve your foreign (English, Korean, Japanese) language learning until end of the year.<br />
<br />
The groups should almost be equally large.<br />
<br />
The group that decides not to use an AI app to improve their language learning are not allowed to use any AI app to improve their language learning. It should not learn less, but try to learn more with humans and from books.<br />
<br />
<br />
==AI group==<br />
*https://bou.de/u/wiki/User:Cao_Jialong a <br />
*https://bou.de/u/wiki/User:Chen_Guangzi a 95, 加分: 0, 0<br />
*https://bou.de/u/wiki/User:Chen_Mengzhu a 90, 加分: 0,<br />
*https://bou.de/u/wiki/User:Chen_Shanshan a 91, 加分: 0<br />
*https://bou.de/u/wiki/User:Chen_Weiping 90, a <br />
*https://bou.de/u/wiki/User:Chen_Zilan 95, a<br />
*https://bou.de/u/wiki/User:Cheng_Linjia a 92, 加分: 5 = '''97''', <br />
*https://bou.de/u/wiki/User:Fu_Xinke a<br />
*https://bou.de/u/wiki/User:Hu_Shanshan a 83, 加分: 0,0<br />
*https://bou.de/u/wiki/User:Hu_Zetao a,0,0, <br />
*https://bou.de/u/wiki/User:Huang_Zechen a 100, 加分: 5 = '''100'''<br />
*https://bou.de/u/wiki/User:Jiang_Caiyun a, 0,0<br />
*https://bou.de/u/wiki/User:Jiang_Yaping a<br />
*https://bou.de/u/wiki/User:Jiao_Mengting 91, a<br />
*https://bou.de/u/wiki/User:Kuang_Jing a<br />
*https://bou.de/u/wiki/User:Le_Yuxuan 92, a<br />
*https://bou.de/u/wiki/User:Li_Dinghao a, 0,0<br />
*https://bou.de/u/wiki/User:Li_Jia a<br />
*https://bou.de/u/wiki/User:Li_Ru a<br />
*https://bou.de/u/wiki/User:Li_Songlin a 70, 加分: 5 = '''75'''<br />
*https://bou.de/u/wiki/User:Li_Xiaosu a 86, 加分: 0, 0,-1<br />
*https://bou.de/u/wiki/User:Liang_Dan 82, a<br />
*https://bou.de/u/wiki/User:Liao_Wenyao a<br />
*https://bou.de/u/wiki/User:Liu_Huixuan a 93, 加分: 5 = '''98'''<br />
*https://bou.de/u/wiki/User:Liu_Jieyu a, 0<br />
*https://bou.de/u/wiki/User:Liu_Peinan a 90, 加分: 0<br />
*https://bou.de/u/wiki/User:Liu_Yi2 a 100, 加分: 5 = '''100'''<br />
*https://bou.de/u/wiki/User:Liu_Zeyu a 90, 加分: 5 = '''95'''<br />
*https://bou.de/u/wiki/User:Liu_Zhuofan a 90, 加分: 5 = '''95'''<br />
*https://bou.de/u/wiki/User:Long_Jiayu a 90, 加分: 0<br />
*https://bou.de/u/wiki/User:Lv_Di 88, a<br />
*https://bou.de/u/wiki/User:Ma_Ruiqing a 95, 加分: 0, 0,0-1<br />
*https://bou.de/u/wiki/User:Pan_Yilin a, 0,0-1<br />
*https://bou.de/u/wiki/User:Peng_Lu a 94, 加分: 0-1<br />
*https://bou.de/u/wiki/User:Peng_Yixin a 89, 加分: 0<br />
*https://bou.de/u/wiki/User:Sha_Lijia 85, a<br />
*https://bou.de/u/wiki/User:Shi_Zhanning a 92, 加分: 0<br />
*https://bou.de/u/wiki/User:Shu_Lin2 91, a<br />
*https://bou.de/u/wiki/User:Su_Yi a 86, 加分: 5 = '''91'''<br />
*https://bou.de/u/wiki/User:Tang_Xinyan a 90, 加分: 0<br />
*https://bou.de/u/wiki/User:Tang_Xinyu a 88, 加分: 0, -1-1<br />
*https://bou.de/u/wiki/User:Tang_Yuewei a 88, 加分: 5 = '''93'''<br />
*https://bou.de/u/wiki/User:Tao_Yu a, 0<br />
*https://bou.de/u/wiki/User:Wu_Jing a, 0,0<br />
*https://bou.de/u/wiki/User:Wang_Xuan2 a, 0,0<br />
*https://bou.de/u/wiki/User:Wang_Yan2 a 91, 加分: 0<br />
*https://bou.de/u/wiki/User:Wang_Yue a 89, 加分: 0<br />
*https://bou.de/u/wiki/User:Wang_Yujiao 87, a<br />
*https://bou.de/u/wiki/User:Wu_Jiaying a<br />
*https://bou.de/u/wiki/User:Wu_Jing a 96, 加分: 0, 0<br />
*https://bou.de/u/wiki/User:Wu_Ziyi 92, a<br />
*https://bou.de/u/wiki/User:Xiao_Feiyan a<br />
*https://bou.de/u/wiki/User:Xiao_Yixuan a 92, 加分: 5 = '''97''', 0, <br />
*https://bou.de/u/wiki/User:Yang_Fan a 90, 加分: 0, 0<br />
*https://bou.de/u/wiki/User:Yang_Hanxu a,0<br />
*https://bou.de/u/wiki/User:Yang_Lingyue a<br />
*https://bou.de/u/wiki/User:Yao_Yiyun a<br />
*https://bou.de/u/wiki/User:Zeng_Xin a, 0, <br />
*https://bou.de/u/wiki/User:Zhang_Shuai a-1<br />
*https://bou.de/u/wiki/User:Zhang_Yange 87, a<br />
*https://bou.de/u/wiki/User:Zhao_Jing a, 80<br />
*https://bou.de/u/wiki/User:Zhao_Siyao a 93, 加分: 0<br />
*https://bou.de/u/wiki/User:Zhou_Jing a-1<br />
*https://bou.de/u/wiki/User:Zhou_Xukai a, 0<br />
*https://bou.de/u/wiki/User:Zhou_Ranran a 100, 加分: 5 = '''100'''<br />
<br />
==Human group==<br />
*https://bou.de/u/wiki/User:Cai_Yingchu 0, 86, 加分: 0, 0,0, -1,-1-1<br />
*https://bou.de/u/wiki/User:Chen_Kuanshun n 85, 加分: 0, 0-1<br />
*https://bou.de/u/wiki/User:Chen_Pingan 0, 91, 加分: 5 = '''96''', 0,0<br />
*https://bou.de/u/wiki/User:Gong_Tao n-1<br />
*https://bou.de/u/wiki/User:Guo_Zibin 88-1 n<br />
*https://bou.de/u/wiki/User:Han_Yaxuan 0, 0,0, -1,-1-1<br />
*https://bou.de/u/wiki/User:He_Chuwen n-1<br />
*https://bou.de/u/wiki/User:Hu_Zheng n-1<br />
*https://bou.de/u/wiki/User:Huang_Mengyan 0, <br />
*https://bou.de/u/wiki/User:Huang_Qi n-1<br />
*https://bou.de/u/wiki/User:Jiang_Chenmei n 91, 加分: 1 = '''92'''<br />
*https://bou.de/u/wiki/User:Liu_Li2 0, 0,0<br />
*https://bou.de/u/wiki/User:Liu_Xinyu2 0, 0,0 , -1-1<br />
*https://bou.de/u/wiki/User:Liu_Zhehui 0, 91, 加分: 1 = '''92''', 0,0-1<br />
*https://bou.de/u/wiki/User:Liu_Zhouli 0, 93, 加分: 0, 0,0-1<br />
*https://bou.de/u/wiki/User:Peng_Jiayi n 88, 加分: 5 = '''93'''<br />
*https://bou.de/u/wiki/User:Peng_Yingying 87, 0, 0,0-1<br />
*https://bou.de/u/wiki/User:Wang_Xudong 0, 85, 加分: 0, 0,0, -1-1<br />
*https://bou.de/u/wiki/User:Xia_Rong n<br />
*https://bou.de/u/wiki/User:Xie_Ke 0, 0,0, -1,-1-1<br />
*https://bou.de/u/wiki/User:Yu_Yi 90, n<br />
*https://bou.de/u/wiki/User:Zeng_Man n 97, 加分: 0<br />
*https://bou.de/u/wiki/User:Zeng_Wenjing n 94, 加分: 0<br />
*https://bou.de/u/wiki/User:Zhang_Mengzhe n<br />
*https://bou.de/u/wiki/User:Zhang_Rui3 n 85, 加分: 0, -1<br />
*https://bou.de/u/wiki/User:Zhou_Xiaoqiao n-1<br />
*https://bou.de/u/wiki/User:Zhou_Yicen 0, 89, 加分: 5 = '''94'''-1<br />
<br />
==Task 2==<br />
Every group should take some notes every day on your wiki homepage about your language learning. You can also write "Today I did not do anything for my language learning."<br />
<br />
How to find your homepage? <br />
<br />
https://bou.de/u/wiki/User:Tang_Yuewei<br />
<br />
or<br />
<br />
https://bou.de/u/wiki/User:Liu_Yi2<br />
<br />
Then click on edit. Input two new lines (leave one line free) and then write <br />
<br />
Also, in the name list of the groups, please add "f" or "m" for female or male, your birth date, your study subject (incl. language), study year, if you come from "city" or "land", from "Changsha" or from a different city <br />
<br />
\= Oct 31, 2024 \=<br />
<br />
Today I talked with TalkAI about hobbys.<br />
<br />
==Student Presentations today==<br />
165. Worship: Chinese Incense Culture p. 1479(Tang Xinyan/Estrella)[[Media:Incense_2024.pptx]]<br />
<br />
168. Martial Arts: Chinese Swordsman Spirit p. 1502(Zhang Rui) [[Media:Swordsman_2024.pptx]]<br />
<br />
169. Cuisine: Luosifen p. 1513(Wang Xuan/Cynthia)[[Media:Luosifen_2024.pptx]]<br />
<br />
171. Science and Technology: Taobao(淘宝) p. 1531（Li Songlin/Solin)[[Media:Taobao(1)_2024.pptx]]<br />
[[Media:Taobao(2)_2024.pptx]][[Media:Taobao(3)_2024.pptx]]<br />
<br />
174. Traditional Cuisine: Jiaozi p. 1561 (Liu Yi/Zer)[[Media:Jiaozi_2024.pptx]]<br />
<br />
=Session 9 Thursday Nov 7, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:09_Chin_Lang_Cult_2024.pptx]].<br />
<br />
176. Traditional Crafts: Handcraft - Oil-paper Umbrella p. 1581（Wang Yan/Doris）[[Media:Oil-paper_Umbrella_2024.pptx]]<br />
<br />
<br />
179. Traditional and Modern Views on Marriage and Love p. 1608(Zhao Siyao/Caroline) [[Media:Marriage_and_Love_(1)2024.pptx]][[Media:Marriage and love (2)]]<br />
<br />
<br />
180. Traditional Cuisine: Tangyuan p. 1615 (Su Yi/Suri) [[Media:Tangyuan_2024.pptx]]<br />
<br />
<br />
184. The Chinese tradition of ancestor worship p. 1651(Shi Zhanning/Harper)[[Media:Ancestor_Worship_2024-.pptx]]<br />
<br />
<br />
186. The “reference” of Chinese Music p. 1670(Huang Zechen/Zachary)[[Media:Chinese_Music_2024.pptx]]<br />
<br />
<br />
188. Science and Technology: Mobile Games（手游） p. 1691 (Liu Peinan/Peter)[[Media:Mobile_Games_2024.pptx]]<br />
<br />
<br />
189. Clothing: Vintage Clothing p. 1697(Hu Shanshan/Maddy)[[Media:Vintage_Clothing_2024.pptx]]<br />
<br />
<br />
=Session 10 Thursday Nov 14, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:10_Chin_Lang_Cult_2024.pptx]].<br />
<br />
191. Aesthetic ideals and social customs: The Culture of Flowers p. 1712（Chen Weiping/Jackie）[[Media:Flowers_2024.pptx]][[Media:Flowers_2024.pptx]]<br />
<br />
193. Science and Technology: Buytogether（PDD) p. 1729（Wang Yujiao/Wendy）[[Media:PDD_2024.pptx]]<br />
<br />
194. Aesthetic ideals and social customs：Marriage and Burial Customs of Tujia People p. 1748(Jiao Mengting/Sherry)[[Media:Marriage_and_Burial_2024.pptx]][[Media:Marriage_and_Burial(2)_2024.pptx]][[Media:Marriage_and_Burial(3)_2024.pptx]]<br />
<br />
195. Traditional Cuisine: Breakfast Culture of Guangdong传统美食：广东早餐文化 p. 1753（Wu Ziyi/Andrew）[[Media:Breakfast_Culture_of_Guangdong_2024_(1).pptx]][[Media:Breakfast_Culture_of_Guangdong_2024_(2).pptx]] [[Media:Breakfast_Culture_of_Guangdong_2024_(3).pptx]]<br />
<br />
196. Telecast: Become a Farmer 种地吧 p. 1765（Sha Lijia/Reika）[[Media:Become_a_Farmer_2024_(1).pptx]]<br />
[[Media:Become_a_Farmer_2024_(2).pptx]]<br />
<br />
197. Animals: Chinese Rural Dogs 动物：中华田园犬 p. 1773 (Zhao Jing/winnie)[[Media:Chinese_Rural_Dogs2024.pptx]]<br />
<br />
=Session 11 Thursday Nov 21, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:11_Chin_Lang_Cult_2024.pptx]].<br />
<br />
198. Clothing: Hanfu 汉服：揭示中国传统服饰之美 p. 1781（Guo Zibin/Anne）[[Media:Hanfu_2024.pptx]]<br />
<br />
200. Garden Culture: Suzhou Gardens 苏州园林 p. 1795(Liang Dan/Anne)[[Media:Suzhou_Gardens_2024.pptx]]<br />
<br />
201. Traditional crafts: Moon-shaped Fans 传统技艺：团扇 p.1806(Le Yuxuan/Lydia)[[Media:Moon-shaped_ Fans_2024.pptx]]<br />
<br />
202. Minority cultures: Miao Silver Ornaments Culture 苗族银饰文化 p. 1827(Yang Hanxu/Hansu)[[Media:Miao_Silver_Ornaments_2024.pptx]]<br />
<br />
203. Mysterious culture: Facial Physiognomy 相面术 p. 1836(Zhou Xiaoqiao）[[Media:Facial_ Physiognomy_2024.pptx]]<br />
<br />
204. Games: Chinese Chess 游戏：象棋 p. 1847(Zhou Xukai/Kyrie)[[Media:Chinese_Chess_2024.pptx]]<br />
<br />
=Session 12 Thursday Nov 28, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:12_Chin_Lang_Cult_2024.pptx]].<br />
<br />
<br />
#Student roll<br />
#Final Exam Paper: No AI. If AI: Prompt, adjustments at the References Section<br />
#Language Learning Progress Diary<br />
#Remaining presentations<br />
<br />
207. The "Four Gentlemen": Plum, Orchid Bamboo, Chrysanthemum “四君子”的象征意义 p. 1885 （Hu Zheng/ Leven）[[Media:Four_Gentlemen_2024.pptx]]<br />
<br />
208. Traditional festivals: The Flower Fairy Festival 花朝节 p.1898 （Gong Tao/Gisele) [[Media:Flower_Fairy_Festival_2024.pptx]]<br />
<br />
211. Beverages: Sexy Tea 饮品：茶颜悦色 p. 1926 (Huang Qi/ Esther)[[Media:Sexy_Tea_2024.pptx]]<br />
<br />
212. Opera: Flower-drum Opera 花鼓戏 p. 1935(Zhou Jing/ Amy)[[Media:Flower-drum_Opera_2024.pptx]]<br />
<br />
213. Traditional Festivals: Shangsi Festival 上巳节 p. 1943 （Li Jia/ Zoe）[[Media:Shangsi_Festival_2024.pptx]]<br />
<br />
214. Ancient Chinese Women's Culture: Ji Sor (Self-combing female) 自梳女 p. 1949 (Wu Jiaying Cathy)[[Media:Self-combing_female_2024.pptx]]<br />
Homework: choose a final exam topic: deadline Dec 5 12:00 pm (noon)<br />
=Session 13 Thursday Dec 5, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:13_Chin_Lang_Cult_2024.pptx]].<br />
<br />
Today: 13 presentations, each 10 minutes, strict time control<br />
<br />
216. Ancient Chinese Women's Culture：Nüshu (Women's Script) 女书 p. 1970（He Chuwen/Lyra）[[Media:Women's_Script_2024.pptx]]<br />
<br />
219. Chinese snack: spicy gluten 中国小吃：辣条 p. 2003(Jiang Yaping/Sunny)[[Media:spicy_gluten_2024.pptx]]<br />
<br />
220. Social Phenomenon: Marriage: Women Being Urged to Get Married 婚姻：被催婚的女性 p. 2010 Liu Xinyu[[Media: Urged_to_Get_Married_2024.pptx]]<br />
<br />
221. Chinese mythology: Chinese Dragon Culture 中国龙是什么 p. 2019(Zhang Shuai / Andy)[[Media:Chinese_Dragon_2024.pptx]]<br />
<br />
223. The Torch of Unity: Celebrating Torch Festival Among China's Ethnic Minorities 团结的火炬——中国少数民族庆祝火把节 p. 2041 Xiao Feiyan [[Media:Torch_Festival_2024.pptx]]<br />
<br />
224. Chinese Painting: A Thousand Miles of Rivers and Mountains 《千里江山图》 p. 2048(Yao Yiyun/Olivia）[[Media:Chinese_Painting_2024.pptx]]<br />
<br />
225. Festival: Qixi Festival 七夕节 p. 2055（Li Ru/Lee）[[Media:Qixi_Festival_2024.pptx]]<br />
<br />
227. Education: Chicken Child (Fired-up Child) 教育：鸡娃 p.2071(tao yu/mikansei)[[Media:Chicken_ Child_2024.pptx]]<br />
<br />
228. Chinese Science Fiction: The Three-Body Problem 中国科幻小说：《三体》 p. 2083(Zhang Mengzhe/Nine)[[Media:The_Three-Body_Problem_2024.pptx]]<br />
<br />
229. Ganshi in Xiangxi: The Cycle of Life and Death under Ancient Witchcraft 湘西赶尸：古老巫术下的生死轮回 p.2092 (Liao Wenyao/Rose)[[Media:Ganshi_2024.pptx]]<br />
<br />
231. Chinese Animation 中国动画传统 p. 2110（pan yilin/ceci）[[Media:Animation_2024.pptx]]<br />
<br />
235. Music and Instruments: Suona Horn 唢呐 p. 2157（Liu Jieyu/Erica）[[Media:Suona_Horn_2024.pptx]]<br />
[[Media:Suona_Horn(2)_2024.pptx]]<br />
<br />
238. Music and instrument: Ancient Chinese pentatonic scale – Gong, Shang, Jue, Zhi, Yu 五声音阶，汉族古代音律：宫—商—角—徵—羽 p. 2192 (Han Yaxuan)[[Media:pentatonic_scale_2024.pptx]]<br />
<br />
=Session 14 Thursday Dec 12, 2024 19:00-21:35=<br />
<br />
Please download the powerpoint presentation of the teacher here: [[Media:14_Chin_Lang_Cult_2024.pptx]].<br />
<br />
Today: 12 presentations, each 10 minutes, strict time control<br />
<br />
239. Social Phenomenon: Mobile Population 社会现象：流动人口 p. 2204(Hu Zetao/Francis)[[Media:Mobile_Population_2024.pptx]]<br />
<br />
240. Chinese tradition culture: Zanhua 簪花 p. 2213 （Xie Ke）[[Media:Zanhua_2024.pptx]]<br />
<br />
241. Incense Culture 香道文化 p. 2221 （Zeng Xin）[[Media:Incense_Culture_2024.pptx]]<br />
<br />
243. Literature: Qu Yuan 文学：屈原 p. 2238(Jiang Caiyun/Tony)[[Media:Qu_Yuan_2024.pptx]]<br />
<br />
244. Games: pitch-pot game (Touhu) 投壶游戏 p. 2244(Kuang Jing/Jin)[[Media:Touhu_2024.pptx]]<br />
<br />
245. Folk Art: Piao Se 民间艺术：飘色 p. 2253(Huang Mengyan/Mandy)[[Media:Piao_Se_2024.pptx]]<br />
<br />
246. Jingdezhen Porcelain 景德镇陶瓷 p. 2261(Li Dinghao/Leo)[[Media:Jingdezhen_Porcelain_2024.pptx]]<br />
<br />
247. Folk Traditional Customs: Fireworks and Firecrackers 民间传统习俗：烟花和爆竹 p. 2270 (Cao Jialong/caron)[[Media:Fireworks_and_Firecrackers_2024.pptx]]<br />
<br />
249. Thangka 唐卡 p. 2285（Yang Lingyue/Judy）[[Media:Thangka_2024.pptx]]<br />
<br />
250. Striking iron flower 打铁花 p. 2294 (Fu Xinke/Finger)[[Media:Striking_iron_flower _2024.pptx]]<br />
<br />
251. Chinese Cuisine: Xiang Cuisine – One of the Eight Major Cuisines 湘菜 23029（Liu Li/Glen）[[Media:Xiang Cuisine_2024.pptx]]<br />
<br />
252. The Evolution of the Official Selection System 仕进制度 2312（Xia Rong/Sharon)[[Media:Evolution_of_the_Official_Selection_System_2024.pptx]]<br />
<br />
'''Here is today's time schedule:'''<br />
<br />
19:00 239. Social Phenomenon: Mobile Population 社会现象：流动人口 p. 2204(Hu Zetao/Francis)<br />
<br />
19:10 240. Chinese tradition culture: Zanhua 簪花 p. 2213 （Xie Ke）<br />
<br />
19:20 241. Incense Culture 香道文化 p. 2221 （Zeng Xin）<br />
<br />
19:30 243. Literature: Qu Yuan 文学：屈原 p. 2238(Jiang Caiyun/Tony)<br />
<br />
19:40 BREAK<br />
<br />
19:50 244. Games: pitch-pot game (Touhu) 投壶游戏 p. 2244(Kuang Jing/Jin)<br />
<br />
20:00 245. Folk Art: Piao Se 民间艺术：飘色 p. 2253(Huang Mengyan/Mandy)<br />
<br />
20:10 246. Jingdezhen Porcelain 景德镇陶瓷 p. 2261(Li Dinghao/Leo)<br />
<br />
20:20 247. Folk Traditional Customs: Fireworks and Firecrackers 民间传统习俗：烟花和爆竹 p. 2270 (Cao Jialong/caron)<br />
<br />
20:30 BREAK<br />
<br />
20:40 249. Thangka 唐卡 p. 2285（Yang Lingyue/Judy）<br />
<br />
20:50 250. Striking iron flower 打铁花 p. 2294 (Fu Xinke/Finger)<br />
<br />
21:00 251. Chinese Cuisine: Xiang Cuisine – One of the Eight Major Cuisines 湘菜 p. 23029（Liu Li/Glen）<br />
<br />
21:10 252. The Evolution of the Official Selection System 仕进制度 2312（Xia Rong/Sharon)<br />
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21:20-35 PUFFER AND DISCUSSION<br />
<br />
<br />
=Session 15 Thursday Dec 19, 2024 19:00-21:35=<br />
Today we check everybody’s learning progress diary and award the extra 5 credits.<br />
<br />
Everybody gets a work sheet for today to finalise the research project.</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=163712User:Chen Zilan2024-12-11T15:12:23Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.<br />
==Nov 7, 2024: I did not learn anything today.<br />
==Nov 8, 2024: I talked with AI about vacation today. <br />
==Nov 9, 2024: I talked with AI about pets today.<br />
==Nov 10, 2024: I talked with AI about lost luggage today.<br />
==Nov 11, 2024: I did not learn anything today.<br />
==Nov 12, 2024: I talked with AI about sports today. <br />
==Nov 13, 2024: I talked with AI about my favorite food today.<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.<br />
==Nov 16, 2024: I talked with AI about job hunting today.<br />
==Nov 17, 2024: I did not learn anything today.<br />
==Nov 18, 2014: I did not learn anything today.<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.<br />
==Nov 20, 2024: I talked with AI about buying books today.<br />
==Nov 21, 2024: I talked with AI about weekend outing today.<br />
==Nov 22, 2024: I talked with AI about postgraduate interview today.<br />
==Nov 23, 2024: I talked with AI about playfully apologizing today.<br />
==Nov 24, 2024: I talked with AI about renting a house today.<br />
==Nov 25, 2024: I did not learn anything today.<br />
==Nov 26, 2024: I talked with AI about cinema today.<br />
==Nov 27, 2024: I talked with AI about exploring activities today.<br />
==Nov 28, 2024: I did not learn anything today.<br />
==Nov 29, 2024: I did not learn anything today.<br />
==Nov 30, 2024: I talked with AI about food today.<br />
==Dec 1, 2024: I talked with AI about travel today.<br />
==Dec 2, 2024: I did not learn anything today.<br />
==Dec 3, 2024: I did not learn anything today.<br />
==Dec 4, 2024: I talked with AI about tea today.<br />
==Dec 5, 2024: I talked with AI about what I did today.<br />
==Dec 6, 2024: I talked with AI about late WeChat reply today. <br />
==Dec 7, 2024: I did not learn anything today.</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=163381User:Chen Zilan2024-11-28T11:00:24Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.<br />
==Nov 7, 2024: I did not learn anything today.<br />
==Nov 8, 2024: I talked with AI about vacation today. <br />
==Nov 9, 2024: I talked with AI about pets today.<br />
==Nov 10, 2024: I talked with AI about lost luggage today.<br />
==Nov 11, 2024: I did not learn anything today.<br />
==Nov 12, 2024: I talked with AI about sports today. <br />
==Nov 13, 2024: I talked with AI about my favorite food today.<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.<br />
==Nov 16, 2024: I talked with AI about job hunting today.<br />
==Nov 17, 2024: I did not learn anything today.<br />
==Nov 18, 2014: I did not learn anything today.<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.<br />
==Nov 20, 2024: I talked with AI about buying books today.<br />
==Nov 21, 2024: I talked with AI about weekend outing today.<br />
==Nov 22, 2024: I talked with AI about postgraduate interview today.<br />
==Nov 23, 2024: I talked with AI about playfully apologizing today.<br />
==Nov 24, 2024: I talked with AI about renting a house today.<br />
==Nov 25, 2024: I did not learn anything today.<br />
==Nov 26, 2024: I talked with AI about cinema today.<br />
==Nov 27, 2024: I talked with AI about exploring activities today.</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=163066User:Chen Zilan2024-11-21T03:24:54Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.<br />
==Nov 7, 2024: I did not learn anything today.<br />
==Nov 8, 2024: I talked with AI about vacation today. <br />
==Nov 9, 2024: I talked with AI about pets today.<br />
==Nov 10, 2024: I talked with AI about lost luggage today.<br />
==Nov 11, 2024: I did not learn anything today.<br />
==Nov 12, 2024: I talked with AI about sports today. <br />
==Nov 13, 2024: I talked with AI about my favorite food today.<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.<br />
==Nov 15, 2024: I talked with AI about requesting a raise today.<br />
==Nov 16, 2024: I talked with AI about job hunting today.<br />
==Nov 17, 2024: I did not learn anything today.<br />
==Nov 18, 2014: I did not learn anything today.<br />
==Nov 19, 2024: I talked with AI about calling a taxi today.<br />
==Nov 20, 2024: I talked with AI about buying books today.<br />
==Nov 21, 2024: I talked with AI about weekend outing today.</div>Chen Zilanhttps://bou.de/u/index.php?title=User:Chen_Zilan&diff=162832User:Chen Zilan2024-11-14T11:53:06Z<p>Chen Zilan: </p>
<hr />
<div>我叫陈子兰，是湖师大23级英语笔译的研究生。我来自湖南岳阳，著名的景点岳阳楼就在我的家乡，它依靠在洞庭湖边，此外，岳阳烧烤也是很有名的。我爱好广泛，学习过古筝、书法和国画。希望能在您的课堂里有所收获。<br />
<br />
==Nov 6, 2024: I did not learn anything today.<br />
==Nov 7, 2024: I did not learn anything today.<br />
==Nov 8, 2024: I talked with AI about vacation today. <br />
==Nov 9, 2024: I talked with AI about pets today.<br />
==Nov 10, 2024: I talked with AI about lost luggage today.<br />
==Nov 11, 2024: I did not learn anything today.<br />
==Nov 12, 2024: I talked with AI about sports today. <br />
==Nov 13, 2024: I talked with AI about my favorite food today.<br />
==Nov 14, 2024: I talked with AI about my hotel booking today.</div>Chen Zilanhttps://bou.de/u/index.php?title=File:Chinese_Knots.pptx&diff=162299File:Chinese Knots.pptx2024-11-01T07:12:47Z<p>Chen Zilan: </p>
<hr />
<div></div>Chen Zilanhttps://bou.de/u/index.php?title=File:The_Ethnic_Minorities%27_Costumes.pptx&diff=162265File:The Ethnic Minorities' Costumes.pptx2024-10-31T11:53:55Z<p>Chen Zilan: Chen Zilan uploaded a new version of &quot;File:The Ethnic Minorities' Costumes.pptx&quot;</p>
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<div></div>Chen Zilan