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	<id>https://bou.de/u/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Dekeo</id>
	<title>China Studies Wiki - User contributions [en]</title>
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	<updated>2026-04-04T11:14:24Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Farewell_My_Concubine&amp;diff=6625</id>
		<title>Talk:Farewell My Concubine</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Farewell_My_Concubine&amp;diff=6625"/>
		<updated>2013-04-16T02:44:56Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Licia, please start to paste your notes and extend it into a paper. The final version should be 7 pages. You need to stick to the 1st person narrative (&amp;quot;I&amp;quot;, &amp;quot;me&amp;quot; etc.) and not only describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:03, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This is just a sketch to start out with- more is coming.--[[User:Licia K|Licia K]] ([[User talk:Licia K|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
These are great quotes! I'll have to take a look at it when there's more content. Can't wait to see the finished product!--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This is a good beginning! Perhaps you could add how it was received in China as well as the United States. --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 07:59, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Good quotes, although you should point how who actually said them. Now say more about the film. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:28, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Humm...needs some work, although I remember that you said you were working on the Wong Kar-wai article for the midterm, you still need to flesh this one out. I recognize the quotes from the movie, but you really should describe the scenes when they are said, and explain why you chose these particular quotes (as opposed to any others).&lt;br /&gt;
Good start.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:06, 2 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
You have some good information here. Could use a bit more in the bodies though. And maybe add a few more pictures.--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 15 April 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
:I looked and looked, but I couldn't find more pictures that weren't copyrighted. Too bad I couldn't just run out with my camera and take some!&lt;br /&gt;
&lt;br /&gt;
Well, here it is (the finished product). Hope you like it. [[User:Licia K|Licia K]] ([[User talk:Licia K|talk]]) 03:47, 16 April 2013 (CEST)&lt;br /&gt;
&lt;br /&gt;
Much better than the list of quotes you first pasted on here! Still a little skimpy though - you really could use a little more information in the separate sections. Perhaps you could find some more info if you check out the class texts. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:41, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Farewell_My_Concubine&amp;diff=6621</id>
		<title>Talk:Farewell My Concubine</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Farewell_My_Concubine&amp;diff=6621"/>
		<updated>2013-04-16T02:41:51Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Licia, please start to paste your notes and extend it into a paper. The final version should be 7 pages. You need to stick to the 1st person narrative (&amp;quot;I&amp;quot;, &amp;quot;me&amp;quot; etc.) and not only describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:03, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This is just a sketch to start out with- more is coming.--[[User:Licia K|Licia K]] ([[User talk:Licia K|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
These are great quotes! I'll have to take a look at it when there's more content. Can't wait to see the finished product!--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This is a good beginning! Perhaps you could add how it was received in China as well as the United States. --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 07:59, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Good quotes, although you should point how who actually said them. Now say more about the film. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:28, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Humm...needs some work, although I remember that you said you were working on the Wong Kar-wai article for the midterm, you still need to flesh this one out. I recognize the quotes from the movie, but you really should describe the scenes when they are said, and explain why you chose these particular quotes (as opposed to any others).&lt;br /&gt;
Good start.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:06, 2 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
You have some good information here. Could use a bit more in the bodies though. And maybe add a few more pictures.--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 15 April 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
==I looked and looked, but I couldn't find more pictures that weren't copyrighted. Too bad I couldn't just run out with my camera and take some!&lt;br /&gt;
&lt;br /&gt;
Well, here it is (the finished product). Hope you like it. [[User:Licia K|Licia K]] ([[User talk:Licia K|talk]]) 03:47, 16 April 2013 (CEST)&lt;br /&gt;
&lt;br /&gt;
Much better than the list of quotes you first pasted on here! Still a little skimpy though - you really could use a little more information in the separate sections. Perhaps you could find some more info if you check out the class texts. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:41, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6619</id>
		<title>Chinese Culture and Film</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6619"/>
		<updated>2013-04-16T02:36:24Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://wiki.vm.ruhr-uni-bochum.de/uvu/index.php/uvu:Community_Portal Click here to learn how to use this Wiki.] [[User:Root|Root]] 11:42, 10 January 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Student produced China-related [http://www.uvu.edu/chinesestudies/activities/Chacon_trailer.mov trailer] and [http://martin.woesler.de/Chacon_film.mov film] Spring 2012 by Chris Chacon&lt;br /&gt;
&lt;br /&gt;
'''Overview on Final Papers'''&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;Dear students, thank you very much for putting your articles here online. Here is a quick link to all the articles of all students in class. You may want to check if you have commented on all of them.&amp;lt;/span&amp;gt;&lt;br /&gt;
*Licia K - final paper: [[Farewell My Concubine]], (midterm paper was: [[Wong Kar Wai]])&lt;br /&gt;
*Melanie W - final paper: [[5th Generation Director: Zhang Yimou]], (midterm paper was: [[Ideology in Chinese Films]])&lt;br /&gt;
*Hannah R - final paper: [[Shaolin Soccer]], (midterm paper was: [[The role of meals in Ang Lee's Eat, Drink, Man, Woman]])&lt;br /&gt;
*Matt C - final paper: [[A Beautiful Life]] [[User:Matt C|Matt C]], (midterm paper was: [[Jet Li]])&lt;br /&gt;
*Quaid A - midterm and final paper was: (student film project)&lt;br /&gt;
*Robert B - final paper: [[Stars in Chinese films]], (midterm paper was: [[Jackie Chan]])&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
This UVU Wiki webpage examines a selection of films from internationally acclaimed Chinese film directors. It is based on a UVU course, in which students act as the film directors and present them, their philosophy, style, work and view from their perspective and put them into the context of Chinese film history.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Recommended Readings:&lt;br /&gt;
* Berry, Michael. Speaking in Images: Interviews with Contemporary Chinese, Filmmakers. Columbia UP, 2005, ISBN 978-0231133319, A #417,632&lt;br /&gt;
* Zhang Zhen (Editor), Jason McGrath (Contributor), Chris Berry (Contributor), Sheldon H. Lu (Contributor), Yinjing Zhang (Contributor), The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century, Paperback, 464 pp., Duke University Press Books, March 7, 2007, ISBN: 9780822340744, A#655,344&lt;br /&gt;
* Chris Berry, Chinese Films in Focus II, Paperback, 304 pp., British Film Institute; 2nd Revised edition edition, December 23, 2008, ISBN: 9781844572373, A #526,197&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Beginnings: The Early Years (prior to 1949) =&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Street Angel]] -- [[User:Holly|Holly]]&lt;br /&gt;
&lt;br /&gt;
== The Early Years: Discussion Topics ==&lt;br /&gt;
* [[Chinese Film Generations]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Fifth Generation =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
* [[Wong Kar Wai]] -- [[User:Keeley X.|Keeley X.]], [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Stephen Chow]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ang Lee]] -- [[User: Jacob|Jacob]]&lt;br /&gt;
* [[Zhang Yimou]] -- [[User:Keeley X.|Keeley X.]] &lt;br /&gt;
* [[Fifth Generation Director: Zhang Yimou]] -- Melanie W&lt;br /&gt;
* [[Chen Kaige]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
&lt;br /&gt;
== Actors/Actresses ==&lt;br /&gt;
* [[Gong Li]] -- [[User: RisR|RisR]]&lt;br /&gt;
*[[Jet Li]] -- [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 22:52, 26 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Farewell My Concubine]] -- [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Balzac and the Little Chinese Seamstress]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Infernal_Affairs_and_The_Departed]]  -- [[User:Jon|Jon]]&lt;br /&gt;
* [[A Beautiful Life]] -- [[User:Jacob|Jacob]], Mat&lt;br /&gt;
* [[A Beautiful Life]] [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 06:50, 14 April 2013 (CEST)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 5th Generation: Discussion Topics ==&lt;br /&gt;
*[[The role of meals in Ang Lee's Eat, Drink, Man, Woman]] -- [[User:Hannah A|Hannah A]] ([[User talk:Hannah A|talk]]) 12:26, 1 March 2013 (CET).&lt;br /&gt;
&lt;br /&gt;
= Martial Arts =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
* [[Jackie Chan]] -- [[User:RisR.|RisR.]], Robert&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Enter_The_Dragon]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ip Man]], [[Ip Man 2]] -- [[User:Jacob|Jacob]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Zhang Yimou: House of Flying Daggers; Jet Li -- Mat&lt;br /&gt;
* Stephen Chow: Shaolin Soccer -- Hannah&lt;br /&gt;
&lt;br /&gt;
= Sixth Generation =&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
&lt;br /&gt;
== 6th Generation: Discussion Topics ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= General Discussion Topics =&lt;br /&gt;
* [[Hong_Kong_Film_Awards]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Comedies (Screwball)]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Chinese Emotions]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Success of Chinese Film Since 1984]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Beijing Film Academy]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
* [[Ideology in Chinese Films]] -- Melanie W&lt;br /&gt;
* [[Stars in Chinese films]] -- Robert B.&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6618</id>
		<title>Chinese Culture and Film</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6618"/>
		<updated>2013-04-16T02:35:30Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://wiki.vm.ruhr-uni-bochum.de/uvu/index.php/uvu:Community_Portal Click here to learn how to use this Wiki.] [[User:Root|Root]] 11:42, 10 January 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Student produced China-related [http://www.uvu.edu/chinesestudies/activities/Chacon_trailer.mov trailer] and [http://martin.woesler.de/Chacon_film.mov film] Spring 2012 by Chris Chacon&lt;br /&gt;
&lt;br /&gt;
'''Overview on Final Papers'''&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;Dear students, thank you very much for putting your articles here online. Here is a quick link to all the articles of all students in class. You may want to check if you have commented on all of them.&amp;lt;/span&amp;gt;&lt;br /&gt;
*Licia K - final paper: [[Farewell My Concubine]], (midterm paper was: [[Wong Kar Wai]])&lt;br /&gt;
*Melanie W - final paper: [[5th Generation Director: Zhang Yimou]], (midterm paper was: [[Ideology in Chinese Films]])&lt;br /&gt;
*Hannah R - final paper: [[Shaolin Soccer]], (midterm paper was: [[The role of meals in Ang Lee's Eat, Drink, Man, Woman]])&lt;br /&gt;
*Matt C - final paper: [[A Beautiful Life]] [[User:Matt C|Matt C]], (midterm paper was: [[Jet Li]])&lt;br /&gt;
*Quaid A - midterm and final paper was: (student film project)&lt;br /&gt;
*Robert B - final paper: [[Stars in Chinese films]], (midterm paper was: [[Jackie Chan]])&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
This UVU Wiki webpage examines a selection of films from internationally acclaimed Chinese film directors. It is based on a UVU course, in which students act as the film directors and present them, their philosophy, style, work and view from their perspective and put them into the context of Chinese film history.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Recommended Readings:&lt;br /&gt;
* Berry, Michael. Speaking in Images: Interviews with Contemporary Chinese, Filmmakers. Columbia UP, 2005, ISBN 978-0231133319, A #417,632&lt;br /&gt;
* Zhang Zhen (Editor), Jason McGrath (Contributor), Chris Berry (Contributor), Sheldon H. Lu (Contributor), Yinjing Zhang (Contributor), The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century, Paperback, 464 pp., Duke University Press Books, March 7, 2007, ISBN: 9780822340744, A#655,344&lt;br /&gt;
* Chris Berry, Chinese Films in Focus II, Paperback, 304 pp., British Film Institute; 2nd Revised edition edition, December 23, 2008, ISBN: 9781844572373, A #526,197&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Beginnings: The Early Years (prior to 1949) =&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Street Angel]] -- [[User:Holly|Holly]]&lt;br /&gt;
&lt;br /&gt;
== The Early Years: Discussion Topics ==&lt;br /&gt;
* [[Chinese Film Generations]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Fifth Generation =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
* [[Wong Kar Wai]] -- [[User:Keeley X.|Keeley X.]], [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Stephen Chow]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ang Lee]] -- [[User: Jacob|Jacob]]&lt;br /&gt;
* [[Zhang Yimou]] -- [[User:Keeley X.|Keeley X.]] &lt;br /&gt;
* [[Fifth Generation Director: Zhang Yimou]] -- Melanie W&lt;br /&gt;
* [[Chen Kaige]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
&lt;br /&gt;
== Actors/Actresses ==&lt;br /&gt;
* [[Gong Li]] -- [[User: RisR|RisR]]&lt;br /&gt;
*[[Jet Li]] -- [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 22:52, 26 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Farewell My Concubine]] -- [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Balzac and the Little Chinese Seamstress]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Infernal_Affairs_and_The_Departed]]  -- [[User:Jon|Jon]]&lt;br /&gt;
* [[A Beautiful Life]] -- [[User:Jacob|Jacob]], Mat&lt;br /&gt;
* [[A Beautiful Life]] [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 06:50, 14 April 2013 (CEST)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 5th Generation: Discussion Topics ==&lt;br /&gt;
*[[The role of meals in Ang Lee's Eat, Drink, Man, Woman]] -- [[User:Hannah A|Hannah A]] ([[User talk:Hannah A|talk]]) 12:26, 1 March 2013 (CET).&lt;br /&gt;
&lt;br /&gt;
= Martial Arts =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
* [[Jackie Chan]] -- [[User:RisR.|RisR.]], Robert&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Enter_The_Dragon]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ip Man]], [[Ip Man 2]] -- [[User:Jacob|Jacob]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Zhang Yimou: House of Flying Daggers; Jet Li -- Mat&lt;br /&gt;
* Stephen Chow: Shaolin Soccer -- Hannah&lt;br /&gt;
&lt;br /&gt;
= Sixth Generation =&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
&lt;br /&gt;
== 6th Generation: Discussion Topics ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= General Discussion Topics =&lt;br /&gt;
* [[Hong_Kong_Film_Awards]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Comedies (Screwball)]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Chinese Emotions]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Success of Chinese Film Since 1984]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Beijing Film Academy]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
* [[Ideology in Chinese Films]] -- Melanie W&lt;br /&gt;
* Stars in Chinese films -- Robert&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:5th_Generation_Director:_Zhang_Yimou&amp;diff=6617</id>
		<title>Talk:5th Generation Director: Zhang Yimou</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:5th_Generation_Director:_Zhang_Yimou&amp;diff=6617"/>
		<updated>2013-04-16T02:33:44Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;You have some good info. Perhaps expand more on his movies, and maybe add a few more pictures.--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I see a lot of information, but no citations (except for the pictures). The article was supposed to be in first person too. For references, I only see one listed. It would be good to have at least 2 references (he is a famous director; there is certain to be more than one source of info on him - for example, check out the books we use in class). In short, it's not bad for a rough draft.&amp;lt;br/&amp;gt;&lt;br /&gt;
Also, there is an article from last year's class about Zhang Yimou. According to the instructions for this assignment, if there was an existing article, we were supposed to revise and add to it - not create a new article. I know it isn't easy to start with another person's material, but that was part of the assignment. Maybe it's not to late to fix this. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 03:56, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6614</id>
		<title>Chinese Culture and Film</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6614"/>
		<updated>2013-04-16T02:28:19Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://wiki.vm.ruhr-uni-bochum.de/uvu/index.php/uvu:Community_Portal Click here to learn how to use this Wiki.] [[User:Root|Root]] 11:42, 10 January 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Student produced China-related [http://www.uvu.edu/chinesestudies/activities/Chacon_trailer.mov trailer] and [http://martin.woesler.de/Chacon_film.mov film] Spring 2012 by Chris Chacon&lt;br /&gt;
&lt;br /&gt;
'''Overview on Final Papers'''&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;Dear students, thank you very much for putting your articles here online. Here is a quick link to all the articles of all students in class. You may want to check if you have commented on all of them.&amp;lt;/span&amp;gt;&lt;br /&gt;
*Licia K - final paper: [[Farewell My Concubine]], (midterm paper was: [[Wong Kar Wai]])&lt;br /&gt;
*Melanie W - final paper: [[5th Generation Director: Zhang Yimou]], (midterm paper was: [[Ideology in Chinese Films]])&lt;br /&gt;
*Hannah R - final paper: [[Shaolin Soccer]], (midterm paper was: [[The role of meals in Ang Lee's Eat, Drink, Man, Woman]])&lt;br /&gt;
*Matt C - final paper: [[A Beautiful Life]] [[User:Matt C|Matt C]], (midterm paper was: [[Jet Li]])&lt;br /&gt;
*Quaid A - midterm and final paper was: (student film project)&lt;br /&gt;
*Robert B - final paper: [[Stars in Chinese films]], (midterm paper was: [[Jackie Chan]])&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
This UVU Wiki webpage examines a selection of films from internationally acclaimed Chinese film directors. It is based on a UVU course, in which students act as the film directors and present them, their philosophy, style, work and view from their perspective and put them into the context of Chinese film history.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Recommended Readings:&lt;br /&gt;
* Berry, Michael. Speaking in Images: Interviews with Contemporary Chinese, Filmmakers. Columbia UP, 2005, ISBN 978-0231133319, A #417,632&lt;br /&gt;
* Zhang Zhen (Editor), Jason McGrath (Contributor), Chris Berry (Contributor), Sheldon H. Lu (Contributor), Yinjing Zhang (Contributor), The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century, Paperback, 464 pp., Duke University Press Books, March 7, 2007, ISBN: 9780822340744, A#655,344&lt;br /&gt;
* Chris Berry, Chinese Films in Focus II, Paperback, 304 pp., British Film Institute; 2nd Revised edition edition, December 23, 2008, ISBN: 9781844572373, A #526,197&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Beginnings: The Early Years (prior to 1949) =&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Street Angel]] -- [[User:Holly|Holly]]&lt;br /&gt;
&lt;br /&gt;
== The Early Years: Discussion Topics ==&lt;br /&gt;
* [[Chinese Film Generations]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Fifth Generation =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
* [[Wong Kar Wai]] -- [[User:Keeley X.|Keeley X.]], [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Stephen Chow]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ang Lee]] -- [[User: Jacob|Jacob]]&lt;br /&gt;
* [[Zhang Yimou]] -- [[User:Keeley X.|Keeley X.]] &lt;br /&gt;
* [[Chen Kaige]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
&lt;br /&gt;
== Actors/Actresses ==&lt;br /&gt;
* [[Gong Li]] -- [[User: RisR|RisR]]&lt;br /&gt;
*[[Jet Li]] -- [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 22:52, 26 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Farewell My Concubine]] -- [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Balzac and the Little Chinese Seamstress]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Infernal_Affairs_and_The_Departed]]  -- [[User:Jon|Jon]]&lt;br /&gt;
* [[A Beautiful Life]] -- [[User:Jacob|Jacob]], Mat&lt;br /&gt;
* [[A Beautiful Life]] [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 06:50, 14 April 2013 (CEST)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 5th Generation: Discussion Topics ==&lt;br /&gt;
*[[The role of meals in Ang Lee's Eat, Drink, Man, Woman]] -- [[User:Hannah A|Hannah A]] ([[User talk:Hannah A|talk]]) 12:26, 1 March 2013 (CET).&lt;br /&gt;
&lt;br /&gt;
= Martial Arts =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
* [[Jackie Chan]] -- [[User:RisR.|RisR.]], Robert&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Enter_The_Dragon]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ip Man]], [[Ip Man 2]] -- [[User:Jacob|Jacob]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Zhang Yimou: House of Flying Daggers; Jet Li -- Mat&lt;br /&gt;
* Stephen Chow: Shaolin Soccer -- Hannah&lt;br /&gt;
&lt;br /&gt;
= Sixth Generation =&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
&lt;br /&gt;
== 6th Generation: Discussion Topics ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= General Discussion Topics =&lt;br /&gt;
* [[Hong_Kong_Film_Awards]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Comedies (Screwball)]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Chinese Emotions]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Success of Chinese Film Since 1984]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Beijing Film Academy]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
* [[Ideology in Chinese Films]] -- Melanie W&lt;br /&gt;
* Stars in Chinese films -- Robert&lt;br /&gt;
* [[Fifth Generation Director: Zhang Yimou]] -- Melanie W&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Stars_of_Chinese_Cinema&amp;diff=6613</id>
		<title>Talk:Stars of Chinese Cinema</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Stars_of_Chinese_Cinema&amp;diff=6613"/>
		<updated>2013-04-16T02:25:35Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I need to come back to this page later. Can't wait to see what you come up with! --[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Robert - I hope you can write this in the next few hours. I too am curious about what you &amp;quot;come up with&amp;quot;. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:25, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6611</id>
		<title>Talk:A Beautiful Life</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6611"/>
		<updated>2013-04-16T02:23:29Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like you've put some work into this. Is this a revised article, one that was first created last year? The second name seems to imply that it is, but the history says it was just created two days ago. Anyway, I have a couple of points to bring up on the plot synopsis: It's a plumber, not cook that Fang is passed off as and he uses the police car to follow the married lover (boss); not exactly smart (it is using the vehicle for personal use) but not exactly shady either.&amp;lt;br/&amp;gt;&lt;br /&gt;
OK, on to more serious matters. I don't see any citations. Not on the pictures and not in the written parts. Unless you personally created all this material, you really do need to tell us where you got it; to give credit to the original sources. And, unless you got all the info from one source, you should have a citation after every section, if not every paragraph. Also, while online sources can be good, it doesn't hurt to add a written one or two (the texts used for class mention a few things related to this show). Don't give up! It is a good article, or will be when you get the citations in! [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:05, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6610</id>
		<title>Talk:A Beautiful Life</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6610"/>
		<updated>2013-04-16T02:22:55Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like you've put some work into this. Is this a revised article, one that was first created last year? The second name seems to imply that it is, but the history says it was just created two days ago. Anyway, I have a couple of points to bring up on the plot synopsis: It's a plumber, not cook that Fang is passed off as and he uses the police car to follow the married lover (boss); not exactly smart (it is using the vehicle for personal use) but not exactly shady either.&amp;lt;br/&amp;gt;&lt;br /&gt;
OK, on to more serious matters. I don't see any citations. Not on the pictures and not in the written parts. Unless you personally created all this material, you really do need to tell us where you got it; to give credit to the original sources. And, unless you got all the info from one source, you should have a citation after every section, if not every paragraph. Also, while online sources can be good, it doesn't hurt to add a written one or two (the texts used for class mention a few things related to this show). Don't give up! It is a good article, or will be when you get the citations in![[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:05, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6608</id>
		<title>Talk:A Beautiful Life</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6608"/>
		<updated>2013-04-16T02:19:02Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like you've put some work into revising this article. Not an easy task I know! A couple of points on the plot synopsis: It's a plumber, not cook that Fang is pasted off as and he uses the police car to follow the married lover (boss), not exactly smart (it is using the vehicle for personal use) but not exactly shady either.&lt;br /&gt;
OK, on to more serious matters. I don't see any citations. Not on the pictures and not in the written parts. Unless you personally created all this material, you really do need to tell us where you got it; to give credit to the original sources. And, unless you got all the info from one source, you should have a citation after every section, if not every paragraph. Also, while online sources can be good, it doesn't hurt to add a written one or two (the texts used for class mention a few things related to this show). Don't give up! It is a good article, or will be when you get the citations in![[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:05, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6605</id>
		<title>Talk:A Beautiful Life</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6605"/>
		<updated>2013-04-16T02:10:15Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like you've put some work into revising this article. Not an easy task I know! Acouple of points: It's a plumber, not cook that Fang is pasted off as and he uses the police car to follow the married lover (boss), not exactly smart (it is using the vehicle for personal use) but not exactly shady either.[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:05, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6600</id>
		<title>Talk:A Beautiful Life</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:A_Beautiful_Life&amp;diff=6600"/>
		<updated>2013-04-16T02:05:15Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: Created page with &amp;quot;Looks like you've put some work into revising this article. Not an easy task I know! ~~~~&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like you've put some work into revising this article. Not an easy task I know! [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 04:05, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6595</id>
		<title>Chinese Culture and Film</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Chinese_Culture_and_Film&amp;diff=6595"/>
		<updated>2013-04-16T02:03:37Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://wiki.vm.ruhr-uni-bochum.de/uvu/index.php/uvu:Community_Portal Click here to learn how to use this Wiki.] [[User:Root|Root]] 11:42, 10 January 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Student produced China-related [http://www.uvu.edu/chinesestudies/activities/Chacon_trailer.mov trailer] and [http://martin.woesler.de/Chacon_film.mov film] Spring 2012 by Chris Chacon&lt;br /&gt;
&lt;br /&gt;
'''Overview on Final Papers'''&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;Dear students, thank you very much for putting your articles here online. Here is a quick link to all the articles of all students in class. You may want to check if you have commented on all of them.&amp;lt;/span&amp;gt;&lt;br /&gt;
*Licia K - final paper: [[Farewell My Concubine]], (midterm paper was: [[Wong Kar Wai]])&lt;br /&gt;
*Melanie W - final paper: [[5th Generation Director: Zhang Yimou]], (midterm paper was: [[Ideology in Chinese Films]])&lt;br /&gt;
*Hannah R - final paper: [[Shaolin Soccer]], (midterm paper was: [[The role of meals in Ang Lee's Eat, Drink, Man, Woman]])&lt;br /&gt;
*Matt C - final paper: [[A Beautiful Life]] -- [[User:Jacob|Jacob]], Mat, (midterm paper was: [[Jet Li]])&lt;br /&gt;
*Quaid A - midterm and final paper was: (student film project)&lt;br /&gt;
*Robert B - final paper: [[Stars in Chinese films]], (midterm paper was: [[Jackie Chan]])&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
This UVU Wiki webpage examines a selection of films from internationally acclaimed Chinese film directors. It is based on a UVU course, in which students act as the film directors and present them, their philosophy, style, work and view from their perspective and put them into the context of Chinese film history.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Recommended Readings:&lt;br /&gt;
* Berry, Michael. Speaking in Images: Interviews with Contemporary Chinese, Filmmakers. Columbia UP, 2005, ISBN 978-0231133319, A #417,632&lt;br /&gt;
* Zhang Zhen (Editor), Jason McGrath (Contributor), Chris Berry (Contributor), Sheldon H. Lu (Contributor), Yinjing Zhang (Contributor), The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century, Paperback, 464 pp., Duke University Press Books, March 7, 2007, ISBN: 9780822340744, A#655,344&lt;br /&gt;
* Chris Berry, Chinese Films in Focus II, Paperback, 304 pp., British Film Institute; 2nd Revised edition edition, December 23, 2008, ISBN: 9781844572373, A #526,197&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Beginnings: The Early Years (prior to 1949) =&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Street Angel]] -- [[User:Holly|Holly]]&lt;br /&gt;
* [[A Beautiful Life]] [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 06:50, 14 April 2013 (CEST)&lt;br /&gt;
&lt;br /&gt;
== The Early Years: Discussion Topics ==&lt;br /&gt;
* [[Chinese Film Generations]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= Fifth Generation =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
* [[Wong Kar Wai]] -- [[User:Keeley X.|Keeley X.]], [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Stephen Chow]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ang Lee]] -- [[User: Jacob|Jacob]]&lt;br /&gt;
* [[Zhang Yimou]] -- [[User:Keeley X.|Keeley X.]] &lt;br /&gt;
* [[Chen Kaige]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
&lt;br /&gt;
== Actors/Actresses ==&lt;br /&gt;
* [[Gong Li]] -- [[User: RisR|RisR]]&lt;br /&gt;
*[[Jet Li]] -- [[User:Matt C|Matt C]] ([[User talk:Matt C|talk]]) 22:52, 26 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Farewell My Concubine]] -- [[User:Licia K|Licia K]] 00:23, 8 February 2013 (UTC)&lt;br /&gt;
* [[Balzac and the Little Chinese Seamstress]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Infernal_Affairs_and_The_Departed]]  -- [[User:Jon|Jon]]&lt;br /&gt;
* [[A Beautiful Life]] -- [[User:Jacob|Jacob]], Mat&lt;br /&gt;
&lt;br /&gt;
== 5th Generation: Discussion Topics ==&lt;br /&gt;
*[[The role of meals in Ang Lee's Eat, Drink, Man, Woman]] -- [[User:Hannah A|Hannah A]] ([[User talk:Hannah A|talk]]) 12:26, 1 March 2013 (CET).&lt;br /&gt;
&lt;br /&gt;
= Martial Arts =&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
* [[Jackie Chan]] -- [[User:RisR.|RisR.]], Robert&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
* [[Enter_The_Dragon]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Ip Man]], [[Ip Man 2]] -- [[User:Jacob|Jacob]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Zhang Yimou: House of Flying Daggers; Jet Li -- Mat&lt;br /&gt;
* Stephen Chow: Shaolin Soccer -- Hannah&lt;br /&gt;
&lt;br /&gt;
= Sixth Generation =&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
&lt;br /&gt;
== Directors ==&lt;br /&gt;
&lt;br /&gt;
== Actors ==&lt;br /&gt;
&lt;br /&gt;
== Movies ==&lt;br /&gt;
&lt;br /&gt;
== 6th Generation: Discussion Topics ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= General Discussion Topics =&lt;br /&gt;
* [[Hong_Kong_Film_Awards]] -- [[User:Jon|Jon]]&lt;br /&gt;
* [[Comedies (Screwball)]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Chinese Emotions]]  -- [[User:Hollyspendlove|Hollyspendlove]]&lt;br /&gt;
* [[Success of Chinese Film Since 1984]] -- [[User:Keeley X.|Keeley X.]]&lt;br /&gt;
* [[Beijing Film Academy]] -- [[User:RisR.|RisR.]]&lt;br /&gt;
* [[Ideology in Chinese Films]] -- Melanie W&lt;br /&gt;
* Stars in Chinese films -- Robert&lt;br /&gt;
* [[Fifth Generation Director: Zhang Yimou]] -- Melanie W&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Shaolin_Soccer&amp;diff=6594</id>
		<title>Talk:Shaolin Soccer</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Shaolin_Soccer&amp;diff=6594"/>
		<updated>2013-04-16T02:01:16Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like this is a work in progress, but the outline looks promising. Good luck finishing the article. You might try to work in some 1st person sections and maybe a section where you express you own opinions of the show. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 03:59, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Shaolin_Soccer&amp;diff=6592</id>
		<title>Talk:Shaolin Soccer</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Shaolin_Soccer&amp;diff=6592"/>
		<updated>2013-04-16T01:59:50Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: Created page with &amp;quot;Looks like this is a work in progress, but the outline looks promising. Good luck finishing the article. You might try to work in some 1st person sections. ~~~~&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Looks like this is a work in progress, but the outline looks promising. Good luck finishing the article. You might try to work in some 1st person sections. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 03:59, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:5th_Generation_Director:_Zhang_Yimou&amp;diff=6590</id>
		<title>Talk:5th Generation Director: Zhang Yimou</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:5th_Generation_Director:_Zhang_Yimou&amp;diff=6590"/>
		<updated>2013-04-16T01:56:56Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;You have some good info. Perhaps expand more on his movies, and maybe add a few more pictures.--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I see a lot of information, but no citations (except for the pictures). The article was supposed to be in first person too. For references, I only see one listed. It would be good to have at least 2 references (he is a famous director; there is certain to be more than one source of info on him - for example, check out the books we use in class). In short, it's not bad for a rough draft. [[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 03:56, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:5th_Generation_Director:_Zhang_Yimou&amp;diff=6589</id>
		<title>Talk:5th Generation Director: Zhang Yimou</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:5th_Generation_Director:_Zhang_Yimou&amp;diff=6589"/>
		<updated>2013-04-16T01:56:33Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;You have some good info. Perhaps expand more on his movies, and maybe add a few more pictures.--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I see a lot of information, but no citations (except for the pictures). The article was supposed to be in first person too. For references, I only see one listed. It would be good to have at least 2 references (he is a famous director; there is certain to be more than one source of info on him - for example, check out the books we use in class). In short, it's not bad for a rough draft.[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 03:56, 16 April 2013 (CEST)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=5th_Generation_Director:_Zhang_Yimou&amp;diff=6583</id>
		<title>5th Generation Director: Zhang Yimou</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=5th_Generation_Director:_Zhang_Yimou&amp;diff=6583"/>
		<updated>2013-04-16T01:51:47Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: /* INTRODUCTION */  &amp;quot;Yellow Earth&amp;quot; is credited to Chen Kaige - although Zang Yimou was involved with it.. That's why I deleted it from the list.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=INTRODUCTION=&lt;br /&gt;
[[ File:ZhangYimou-Hawaii.JPG|250px|thumb|right|Zhang_Yimou.Photo_by_Alejandro_Bárcenas.Click[http://commons.wikimedia.org/wiki/File:ZhangYimou-Hawaii_cropped.jpg]for original source.]]&lt;br /&gt;
Zhang Yimou was one of the iconic film makers that graduated from the Beijing Film Academy in the Fifth Generation. Some of his most iconic films include movies, such as Hero, Crouching Tiger, Hidden Dragon; One and Eight, etc. He is an example of someone who came from humble circumstances and had risen above such circumstances to become one of the most important Chinese film makers in Chinese film history.&lt;br /&gt;
&lt;br /&gt;
=ZHANG YIMOU: BACKGROUND=   &lt;br /&gt;
Zhang Yimou was born in 1951 in Xi'an, China. He and his family lived through the Cultural Revolution. Young Zhang had faced a hard life throughout that period, because he had a &amp;quot;bad&amp;quot; family background. His father and his two older brothers were Nationalist officers at the Huangpu Military Academy.  Zhang described in an interview his experience growing up under such circumstances in the book Speaking in Images conducted by Michael Berry:During the Cultural Revolution my father was labeled the worst kind of counterrevolutionary,a double counterrevolutionary, which meant he was both a historical counterrevolutionary (lishi fangeming) and an acting counterrevolutionary (xianxing fangeming).”  &lt;br /&gt;
[[File:Revolutionaries.JPG|250px|thumb|left|Chairman_Mao_and_Lin_Biao.Photo_by_Morlaworw.Click[http://commons.wikimedia.org/wiki/File:HK_Sheung_Wan_Upper_Lascar_Row_Cat_Street_Market_Chairman_Mao_%26_Lin_Biao_1967_B.jpg]for original source.]]His family was considered a principle target of oppression. People would regularly ransack his family's house and being sent to the countryside for reeducation. Zhang describes this time as &amp;quot;an era without hope...a world of desperation.&amp;quot;  Zhang also described how it was like for others during the Cultural Revolution. He stated that for those from prominent families, such as other filmmakers like, Chen Kaige and Tian Zhuangzhuang’s situation was different from those whose background was similar to Zhang Yimou’s. The Cultural Revolution was difficult for people like them as well, however, they “never lost hope because they always expected things to turn back around in a few years and everything to go back to the way it was.”  He described how it was different for people with a bad background like him, because they “were filled with desperation and knew there was no possibility of going back-there was nothing to go back to…Most enemies of the people during that time fell into the category of the “five bad elements”…people like me were called “the worst element”…this label was permanent-there was no hope for us to one day turn things around.”&lt;br /&gt;
&lt;br /&gt;
=FILMING= &lt;br /&gt;
	Before Zhang Yimou became interested in making motion pictures, he began with an interest in photography after he had bought his first camera in 1976. His first photograph taken with that camera was of a peasant working the land beside the Wei River. He still jokes about how his first picture was of a peasant and twenty years later he’s still filming about peasants.The Cultural Revolution was a very trying time in Zhang’s young life. He didn’t have good opportunities for getting a good job, so like many other men during the Cultural Revolution, he worked in a factory to help his family with finances. In the interview with Michael Berry, he describes having a lot of down time while he was working at the factory. He became interested in photography and sports as a &amp;quot;spiritual release&amp;quot; as a way to spend his spare time, as well as using these hobbies as a coping mechanism during the Cultural Revolution:&lt;br /&gt;
	I was working in a factory and there was a lot of downtime when we had nothing to do. I was around twenty years old and, because all the schools were closed, I tried to use my 	interest in recreation and sports as means of spiritual release. During that [[File:Ahfaz_farmers1.JPG|250px|thumb|right|Ahfaz_farmers.Photo_by_Rameez_Rahman.Click[http://commons.wikimedia.org/wiki/File:Ahfaz_farmers1.jpg]for original source.]]era there were a lot of kids who used their talents in the arts or sports to improve their lives and change their fates. That was also the case with me. Knowledge was useless in trying to improve your fate-only people with talents seemed to be able to get ahead.   &lt;br /&gt;
While many young people tried to use such talents to make something of their lives, as a young man, Zhang used his creativity in photography for his own personal interest because he enjoyed is as a kind of release. &lt;br /&gt;
At that time, many young people went to college in search of good employment opportunities. Zhang was never interested in film when he entered the Beijing Film Academy. During the Cultural Revolution, people try to get accepted into universities as a means to escape bad circumstances. Studying at a university opened opportunities that were otherwise unlikely to be offered. Before he applied to the Beijing Film Academy, he enrolled in a physical education college because he was good at basketball. He also thought of going to an art school because he used to paint. He didn’t go to either type of school because he didn’t think of himself as competitive enough to be successful in either of those career fields. There was also a school in his hometown called Xibei Agricultural Institute, but he decided not to go there because the quality of curriculum instruction wasn’t very good, so he wouldn’t have any opportunities for getting a good job that would help him escape from his already despairing circumstances. His only reason for applying to the Beijing Film Academy was to get a degree that would turn his life around. He desperately wanted to turn his life around by obtaining a degree and getting a good job. In those days, after college students graduate from a university, the government assigns graduate students what job they would get and where they would work. &lt;br /&gt;
He describes his experience at the Beijing Film Academy as a very uncomfortable and nerve wracking experience for him. He entered the university under special circumstances, which caused him to feel very uneasy. He stated that he had “entered the film academy under very special circumstances that got around the rules, so I always felt uneasy, as if I had an illegal status…I was never proud to be a student; I was always extremely reserved, careful of causing problems.”  He always felt stifled during his years of study. It wasn’t until after he graduated and was assigned his first job with the Guangxi Film Studio when he felt that he could finally fully express his creativity. Some of his most famous films that he made as a result of such a release of pent up creativity included successful films, such as One and Eight, Yellow Earth, and The Big Parade. Growing up labeled as “the worst element” caused him to feel that he could never be anything important, but as he was creating these films he pushed himself to the limit to create something that was the exact opposite of how he conducted himself in person.&lt;br /&gt;
&lt;br /&gt;
=CINEMATOGRAPHY=&lt;br /&gt;
Following graduation he was assigned a job at the Guangxi Film Studio. Being free of the stress at the university, he began to express his opinions more freely in films, such as One and Eight, Yellow Earth, and The Big Parade. One of his trademarks is his use of bold new angles and jarring horizon lines. This provided a bold visual model that stood apart from the more realist and intellectual approaches to film making.&lt;br /&gt;
His experience at the Beijing Film Academy was one of the main influences that inspired him to create such visual works throughout his early years as a cinematographer. Because he always felt constrained to remain reserved and follow orders from his classmates and teachers, he experienced a freedom to push himself to the limit in his movies following graduation. &lt;br /&gt;
One other characteristic that influenced Zhang Yimou when he decides on what movies he wants to make and how he creates the cinematography is his eye for material that has a kind of strong visual model. Before he made Red Sorghum, he describes being drawn into the visual elements of the novel written by Mo Yan, Red Sorghum. Mo Yan’s novel depicted a sorghum that was a deep red color, as well as characters that were written with a “bold raw energy” that had drawn Zhang Yimou to making a film adaptation of the book. &lt;br /&gt;
Another factor that contributed to his success as a cinematographer was the atmosphere in China at the time Zhang Yimou came out with his early movies One and Eight, Yellow Earth, and The Big Parade. Throughout the period of the Fifth Generation, the atmosphere in China was very conservative, and there were few artists who experimented with film. There were other Fifth Generation filmmakers who were better known for their talents in filmmaking; primarily the filmmakers in this category were Chen Kaige and Tian Zhuangzhuang. When Zhang Yimou entered the spotlight with his films, he soon became well known for being an unknown filmmaker who pushed preconceived barriers in films as a cinematographer in his early works. He brought onto the table an element that was new to the Chinese audience, which was what helped him rise to fame. That element was his bold ne angles and jarring horizon lines that he is well known for in his films.&lt;br /&gt;
=FILM TRADEMARKS: USE OF COLOR=&lt;br /&gt;
	One of the key trademarks in Zhang Yimou’s films is his use of bold colors. Zhang describes his reasoning for using a lot of colors in his movies primarily for his own personal preferences. He never usually uses color for some sort of intellectual design. He relates the influence of his use of color to his upbringing in northwest China and his exposure to traditional Chinese folklore. &lt;br /&gt;
In the movie Hero, one of the key elements that made it famous worldwide was its bold use of color. Zhang Yimou used the color black for the Emperor's palace, color of armor, horses because black was the national color of Qin. When he was filming House of Flying Daggers, he chose colors from illustrated books of Dunhuang Buddhist cave paintings. Zhang filmed a few of the shots in Dunhuang while he was still in production of Hero. He loved the cave paintings he saw when he was filming those shots in Dunhuang. When he was having a discussion with his art director, Huo Tingxiao, he asked to look at some illustration books of the Dunhuang Buddhist cave paintings. When he saw the paintings that represented the typical colors scheme of a Dunhuang grotto painting, he decided that those would be the colors that he wanted to use in House of Flying Daggers.  [[File:Dunhuang_Mara_Budda_2.JPG|250px|thumb|right|Dunhuang_Mara_Budda_Cave_Painting.Photo_by_Anonymous.  &lt;br /&gt;
Click[http://commons.wikimedia.org/wiki/File:Dunhuang_Mara_Budda_2.jpg] for original source.]]&lt;br /&gt;
In Hero, color wasn't used for symbolic meaning. Zhang use of color was for aesthetic purposes. The main colors he used throughout the movie were red, blue, white, and green. Zhang tried not to use red, because it was too associated with Asia. Blue was used for the lake scene. White was used for the desert scene. Green was used for flashbacks because Zhang ran out of colors he wanted to use.&lt;br /&gt;
&lt;br /&gt;
=COMPUTER GRAPHICS=&lt;br /&gt;
Zhang Yimou was also well known for his use of computer graphics (CG). He is well known for his efforts in using as minimal CG as possible. An example of this is when he was filming House of Flying Daggers, he shot actual daggers and arrows through the forest, then had the CG people combine the footage. &lt;br /&gt;
What influenced him the most in his use of computer graphics in his films was Tony Ching. Zhang didn’t know very much about creating CG effects, so he relied on Tony Ching’s expertise. He taught Zhang the fundamental techniques, and introduced him to several top special-effects studios. Ching always tried to use as minimal computer generated effects for scenes as possible. His statement, “The most important thing is to always have faith in what you shoot”  had a profound lasting effect on the way that Zhang used computer graphics in his movies.  He said, “You can’t rely too much on computers; it is always best to shoot as much as you can because, in the end, you can really see the different results.”&lt;br /&gt;
&lt;br /&gt;
=CITED SOURCES=&lt;br /&gt;
Zhang, Yimou. Interview by Michael Berry. &amp;quot;Speaking in Images.&amp;quot; Columbia University. Press.2005. 109-140. Print.&lt;br /&gt;
&lt;br /&gt;
=CLASSROOM PRESENTATIONS=&lt;br /&gt;
[[File:Zhang_Yimou.pptx]]&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Qin_Shihuangdi&amp;diff=5714</id>
		<title>Talk:Qin Shihuangdi</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Qin_Shihuangdi&amp;diff=5714"/>
		<updated>2013-03-02T07:06:28Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: /* New comments in 2013 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Emmanuel, I have uploaded your powerpoint presentation. Please revise the existing article. Now it is still too short. The final version should be 7 pages. You need to stick to the 1st person narrative (&amp;quot;I&amp;quot;, &amp;quot;me&amp;quot; etc.) and not only describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 13:31, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
== Long poem. I really don't like first person as it is really hard to keep going and not revert to third person at times. Content is good but choppy at times and needs filling out in places.[[User:Anonymous5|Anonymous5]] ([[User talk:Anonymous5|talk]]) 21:32, 27 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I kind of liked the poem at the beginning. It is a little different approach. I agree that the content is good but a little choppy. You have done well though for using the first person throughout.[[User:Oprah wind fury| Oprah wind fury]] ([[User talk:Oprah wind fury|talk]]) 15:19, 27 February 2013 (MST)&lt;br /&gt;
&lt;br /&gt;
Thanks for the comments! I'm still working on filling the holes and incorporating the existing article with my work. That is why it is so choppy. The poem in the beginning was there prior in the existing article, it is not my favorite part of the article and I am considering replacing it with a traditional introduction. [[User:Emmanuel R|Emmanuel R]] ([[User talk:Emmanuel R|talk]]) 05:45, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Qin Shi Huang is one of the most memorable figures that I've seen in this class.  I like that you pointed out that China still bears the name of his dynasty.  He's particularly memorable because of his terra cotta clay army. [[User:Dr who|Dr who]] ([[User talk:Dr who|talk]]) 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I think it's looking pretty good. I kind of think a picture of the painting of him that got the artist killed would be nice touch. [[User:Leo1299|Leo1299]] ([[User talk:Leo1299|talk]]) 03:11, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Reminder- there is some question as to whether or not the book burning really happened- you present it as fact- this might be a good spot to add a commentary, similar to the spot where you pointed out the bias of the Han Dynasty records. As to the &amp;quot;poem&amp;quot; at the first- yeah, it is a little long, but it does summarize what he accomplished in his reign. Good luck with the rest of the revision.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 08:06, 2 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
=Old comments=&lt;br /&gt;
I'm sorry Professor, There is just no way I'm going to have this done by midnight. I just saved my most recent update and I will continue to work on this until I finish, but that will be some time after midnight, I'm afraid. I'll take whatever late penalty you feel is fair. I knew the deadline. I have no one but myself to blame for finishing late.[[User:Licia K|Licia K]] 07:04, 5 March 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
= Scope =&lt;br /&gt;
I know, it's just a start. More pictures, words and citations will be added.[[User:Licia K|Licia K]] 05:33, 6 February 2012 (UTC)&lt;br /&gt;
:This is not even a start, it is just a stub. Can anybody help Licia with it? [[Special:Contributions/161.28.159.52|161.28.159.52]] 22:37, 24 February 2012 (UTC)&lt;br /&gt;
::Who is IP 161.28.159.52? Please login with your user name first! [[Special:Contributions/161.28.159.52|161.28.159.52]] 22:38, 24 February 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Content=&lt;br /&gt;
Where is all that great information from your presentation?  I feel that becoming a ruler at such a young age and accomplishing so much in such short time, a timeline of some sort would be very useful in putting Qin Shihuangdi's life in perpective.  [[Jimmerica|Jimmerica]] 02:33, 3 March 2012 (UTC)&lt;br /&gt;
: I'm working on it- slowly, but I will get back to this article. Good idea about a time line- we'll have to see how it works out. [[User:Licia K|Licia K]] 09:12, 4 March 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Also, you should look into uploading the powerpoint, Then you could use different pictures in the article. And, don't forget to proof read the final article. But, definitely, finish writing this. You started almost a month ago and should be further along than you are- especially since the paper is due in less than 24 hours! [[User:Dekeo|Dekeo]] 09:53, 4 March 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
If you put it in the perspective of Qin, you still need to address the faults of the Emperor, such as killing of philosophers, and the book burnings. [[User:Linksys|Linksys]] 17:48, 4 March 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
The dates when Qin unified China are informative, but they do need to be tied into the rest of the page.  Put it in a sentence or paragraph about his conquerings, this will help it make sense. [[User:Linksys|Linksys]] 05:09, 5 March 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
= Credits =&lt;br /&gt;
*You have quoted from one of my books. Why don't you mention the sources? [[Special:Contributions/161.28.159.52|161.28.159.52]] 22:38, 24 February 2012 (UTC)&lt;br /&gt;
* Cite! Cite! Cite! [[User:Dekeo|Dekeo]] 09:53, 4 March 2012 (UTC)&lt;br /&gt;
After you get more content, you should add your references using MLA format. [[Jimmerica|Jimmerica]] 02:33, 3 March 2012 (UTC)&lt;br /&gt;
: Yup. It's in the works. I'm looking for better sources for the pictures (you know, free of copy-write issues.) [[User:Licia K|Licia K]] 09:12, 4 March 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Wiki format? ==&lt;br /&gt;
I though that the information you had was good, but the format you used had no organized structure. The use of actual paragraphs would have been good and pictures to help get a better idea of what you are describing.&lt;br /&gt;
: I'm still working on this page.[[User:Licia K|Licia K]] 07:04, 5 March 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Qin_Shihuangdi&amp;diff=5713</id>
		<title>Qin Shihuangdi</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Qin_Shihuangdi&amp;diff=5713"/>
		<updated>2013-03-02T06:58:50Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: /* The Qin Military */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Qinshihuang.jpg|3000px|thumb|right|The &amp;quot;First&amp;quot; Emperor Qin Shihuangdi]]&lt;br /&gt;
They call me brutal, a Tyrant, a mass murderer. Some men have cursed my name for more than two thousand years; others have blessed it. I was the First, and the greatest, Emperor of Qin. Without me, there would be no China as you know it today. Brutal? Tyrant? I think NOT!  &lt;br /&gt;
&lt;br /&gt;
''A new age is inaugurated by the Emperor;&lt;br /&gt;
''Rules and measures are rectified, &lt;br /&gt;
''The myriad things set in order, &lt;br /&gt;
''Human affairs are made clear&lt;br /&gt;
''And there is harmony between fathers and sons.&lt;br /&gt;
''The Emperor in his sagacity, benevolence and justice &lt;br /&gt;
''Has made all laws and principles manifest...&lt;br /&gt;
''Great are the Emperor's achievements,&lt;br /&gt;
''Men attend diligently to basic tasks,&lt;br /&gt;
''Farming is encouraged, secondary pursue discouraged,&lt;br /&gt;
''All the common people prosper;&lt;br /&gt;
''All men under the sky &lt;br /&gt;
''Toil with a single purpose; &lt;br /&gt;
''Tools and measures are made uniform,&lt;br /&gt;
''The written script is standardized;&lt;br /&gt;
''Wherever the sun and moon shine...&lt;br /&gt;
''He works day and night without rest; &lt;br /&gt;
''He defines the laws, leaving nothing in doubt, &lt;br /&gt;
''Making known what is forbidden. &lt;br /&gt;
''The local officials have their duties, &lt;br /&gt;
''Administration is smoothly carried out, &lt;br /&gt;
''All is done correctly, all according to plan...&lt;br /&gt;
''No evil or impropriety is allowed, &lt;br /&gt;
''All strive to be good men and true, &lt;br /&gt;
''And exert themselves in tasks great and small;&lt;br /&gt;
''None dares to idle or ignore his duties... &lt;br /&gt;
''Great is the virtue of our Emperor &lt;br /&gt;
''Who pacifies ail four corners of the earth,&lt;br /&gt;
''Who punishes traitors, roots out evil men,&lt;br /&gt;
''And with profitable measures brings prosperity. &lt;br /&gt;
''Tasks are done at the proper season, &lt;br /&gt;
''All things flourish and grow; &lt;br /&gt;
''The common people know peace &lt;br /&gt;
''And have laid aside weapons and armor...&lt;br /&gt;
''Men delight in his rule, &lt;br /&gt;
''All understanding the law and discipline.&lt;br /&gt;
''The universe entire &lt;br /&gt;
''Is our Emperor's realm... &lt;br /&gt;
''Wherever human life is found, &lt;br /&gt;
''All acknowledge his suzerainty, &lt;br /&gt;
''His achievements surpass those of the Five Emperors,&lt;br /&gt;
''His kindness reaches even the beasts of the field; &lt;br /&gt;
''All creatures benefit from his virtue, &lt;br /&gt;
''All live in peace at home.&lt;br /&gt;
(Andrea and Overfield 97-100)&lt;br /&gt;
&lt;br /&gt;
== Beginnings ==&lt;br /&gt;
I was born in the year 259 BC in Handan, the capital of Zhao. In the beginning, my mother was a concubine of Lu Buwei, who would eventually become Prime Minister under my father. My father was so struck by this concubine that he eventually took her as his own. From that union I came to be. I was given the name Ying Zheng to honor my ancestors, and Zhao Zheng to honor my family. Zheng was my personal name. (Qian 35) My father was KIng Zhuangxiang of Qin. He became king in 250 BC but his reign only lasted until 247 BC when he died. I took his place at thirteen years old. I became King Zheng of Qin. As I was not of age and thus not fit to rule, Lu Buwei, my Prime Minister helped me rule. Li Si was one of his retainers. One of the first commands I gave was to begin construction on my tomb, a wise decision as it turns out, for, as all men are mortal, I was not destined to live long after the completion of my great work. Not for me, the peace I strove for. I was born to strife and conflict and such a life was all I knew. (UNESCO)&lt;br /&gt;
&lt;br /&gt;
=== Controversy over Birth ===&lt;br /&gt;
According to Grand Historian Sima Qian, my father was not King Zhuangxiang. Sima Qian claimed that my actual father was Lu Buwei. The Grand Historian claimed that my mother was already pregnant when King Zhuangxiang took her as his concubine. Lu Buwei was outraged when KIng Zhuangxiang took the concubine (my mother) as his own. Lu Buwei let King Zhuangxiang have my mother as his concubine because he hoped he would get something in return someday. He eventually was made Prime Minister by KIng Zhuangxiang. (Qian 161-162) I respected Lu Buwei highly and referred to him as Uncle but I never wondered if he was my father. If Sima Qian's allegations were true, then that would have made me an illegitimate ruler.&lt;br /&gt;
'''Contemporary Commentator'''&lt;br /&gt;
I think one must not forget that the Grand Historian Sima Qian wrote his records during the Han Dynasty. He essentially wrote the history of the Qin to fit the Han worldview. This alleged controversy over the birth of Qin Shihuangdi could have been entirely fabricated by the Grand Historian as an attempt to discredit the Qin Dynasty. The possibility of the First Emperor's birth being illegitimate paints the Qin Dynasty in an unfavorable light as well as tarnishes the legacy of Qin Shihuangdi. This mechanism could have been used by the Grand Historian to reduce the importance of the Qin Dynasty while at the same time promoting the superiority of the Han Dynasty. In the study of history it is important to be objective and unfortunately there seems to be a Han bias to the writings of Sima Qian.&lt;br /&gt;
== The State of Qin ==&lt;br /&gt;
My nation, Qin, was one of many states in existence at the end of the Zhou Dynasty. In 361 BC, following the advice of Shang Yang, or Lord Shang as he was widely known, my nation began to be ruled according to the tenants of Legalism. At the time I ascended to the throne, Qin was strong, peaceful and prosperous. The people were law-abiding citizens and paid taxes to the state. In 264 BC, shortly before I was born, our nation was visited by a follower of the man called Confucius. His name was Xunzi. He reported that our people &amp;quot;stood in deep awe&amp;quot; of the officials. The officials he described as &amp;quot;serious and sincere&amp;quot;. Where, I ask, is the evidence of tyranny later ascribed to my state? Our people were well cared for; what other nation, at that same time, could say as much? (Ebrey 49-52,60)&lt;br /&gt;
[[File:state of qin map.jpg|300px|thumb|left|The State of Qin in 260 BC]]&lt;br /&gt;
=== The Teachings of Lord Shang ===&lt;br /&gt;
Lord Shang arrived in Qin state in 361 BC. As Chief Minister he instituted many reforms that transformed Qin into a more efficient and powerful state congruent with Legalism. He rejected the Confucian virtues of humanity and rightness saying they have no practical use in political life. Rather he advocated strengthening the power of the ruler. War was seen as a necessary means to achieve territorial expansion and to make the people strong, disciplined, and submissive. He advocated the destruction of the old feudal order replacing it instead with a strong central government headed by an absolute ruler. Shang saw the rule of law as an important tool of promoting discipline administered by an impartial bureaucracy. Severe punishments would discourage the breaking of these laws while people were generously rewarded for reporting those that did. Agriculture was the basis of the economy. Shang said that the state depended on the agriculture and war for its peace. The officials must be consistent in their conduct, if the officials are consistent then the state is well governed. Single-mindedness is something that should be strived for. The people were to live frugal and obedient lives devoted to the interests of the state in peace and war. (Bary and Bloom 191-195)&lt;br /&gt;
=== My Rule of Qin ===&lt;br /&gt;
My rule of Qin was marked by constant warfare between Qin and the other warring states.  Since I was too young to rule when I ascended to the throne I entrusted the affairs of the state to my chief ministers. My chief ministers consisted of my Prime Minister Lu Buwei, his retainer Li Si; and my generals, Meng Ao, Wang Ji, and Lord Biao. In the first year of my rule, General Meng Ao crushed a revolt. The next nine years would be characterized by a struggle for territory between Qin and the other states. Generals Wang Ji and Meng Ao would die in this period. In the year 238 BC at the age of 21 I received the cap of manhood and received my sword and girdle. I was now able to rule my Kingdom on my own. (Qian 36-37)&lt;br /&gt;
&lt;br /&gt;
=== Attempted Coup d'etat ===&lt;br /&gt;
In the same year I turned twenty-one there was a revolt in my Kingdom by a &amp;quot;eunuch&amp;quot; in my household, Lao Ai. Lao Ai was not really a eunuch. He was part of a bigger plot to instigate a revolt and overthrow me. &lt;br /&gt;
In the years since my father King Zhuangxiang died, my mother continued a secret relationship with my prime minister Lu Buwei. Lu Buwei realized that if he continued this relationship, he would risk the chance of a scandal. So he set out to find a replacement. He found a suitable replacement in Lao Ai. The queen dowager requested he be smuggled into her chambers. Lu Buwei suggested Lao Ai be subjected to a mock castration. If Lao Ai was seen as a eunuch, he would have closer access to the queen dowager. The queen dowager bribed an official into pretending to carry out the castration. Lao Ai and the queen dowager then began a relationship that bore two sons. Lao Ai and the queen dowager suggested that if I died, one of these sons would succeed me on the throne. Through his connection with the queen dowager, Lao Ai built up a following of ambitious men looking for government office. In the year 238 BC Lao Ai planned a revolt, he forged my seal and the seal of the queen dowager and called out district troops and prepared to move on the palace. I sent out my army and crushed his rebellion. I seized Lao Ai and his supporters and made an example of them. I beheaded his followers and I had Lao Ai torn in half by two carriages. I had his whole family killed along with his two sons. I found out Lu Buwei was involved in this plot so I had him removed from his post. He later committed suicide in shame. ( Qian 37-38, 163-165)&lt;br /&gt;
&lt;br /&gt;
=== The Qin Military ===&lt;br /&gt;
[[File:Qin armor.jpg|200px|thumb|left|Qin stone armor]]&lt;br /&gt;
As a result of Lord Shang's legalists policies, we, in Qin, developed an aggressive military. Scholars estimate that Qin's population was about 5 or 6 million. Of this population anywhere between 8 percent to 20 percent of the population is estimated to have served in the army. This gave me a grand army that varied anywhere from 500,000 to 1 million strong. My army was very strong and very capable. The army was capable of equipping 1 million armored infantry, 1000 chariots, and 10,000 horses. My army had access to the best weapons available. Iron swords, crossbows, chariots and the best armors. As a result of the strong central government and institutions in Qin, my army was well trained and disciplined. The strong agriculture society in Qin made sure my army was well fed and supplied. With these military capabilities I would be able to wage war effectively against the other states. Since my army was capable of a massive amount of armored infantry, they did the majority of the fighting. Light infantry was used as shock troops and were sent in first followed by the main force of armored infantry. The calvary and chariots would bring up the rear attack the enemy's flanks and charging the weakened lines. This strategy enabled my troops to overwhelm the enemy. (Kiser and Cai 521-522)&lt;br /&gt;
[[File:Qin crossbow trigger.jpg|200px|thumb|right|Qin crossbow]]&lt;br /&gt;
&lt;br /&gt;
== My Campaign of Unification ==&lt;br /&gt;
=== Initial Campaigns ===&lt;br /&gt;
After the removal of Lu Buwei as prime minister, I appointed Li Si as my chief minister. Li Si urged me to take over Han to strike fear in the other states.because in doing so I would terrify the other states.With my kingdom firmly under my control, I could turn my attentions toward...pacification... of my warring neighbors. For over two hundred years they fought with each other. Countless lives were lost.&lt;br /&gt;
[[File:Pattern_of_Qin_conquests.JPG‎|200px|thumb|right|Patterns of conquest]]&lt;br /&gt;
On Li Si's urging I moved on Han first. Han fell relatively quickly. My army seized the King of Han and took over all of his territory in 230 BC. The following year my army prepared to move on Zhao. By the year 228 BC my army had captured Handan and the king of Zhao and had control over Zhao territory. I traveled to Handan where I had all the enemies of my mother's family killed. In the year 226 BC my army attacked the Yan capital of Ji. My forces succeeded in capturing Ji and defeating the army of Crown Prince Dan of Yan. I had the Crown Prince beheaded for his attempt on my life. The King of Yan escaped to the region of Laiodong where he seized control and made himself king of that region. (Qian 38-41)&lt;br /&gt;
=== Assassination Attempt ===&lt;br /&gt;
The year before in 227 BC, Crown Prince Dan was fearful of the possibility of my troops moving on Yan. In desperation he sent an assassin, Jing Ke to kill me. Jing Ke planned to get close to me by posing as an envoy to the King of Yan. In order to get an audience with me he would bring me the severed head of my former general, Fan Yuqi. I had a bounty out for his head. Jing Ke convinced Fan Yuqi to kill himself so the Jing Ke could put his severed head in a box. Then he acquired the sharpest dagger he could find and coated the tip in poison. Jing Ke wrapped the dagger in a map to be presented to me. I received Jing Ke in my palace and welcomed him warmly. I was pleased by the severed head of Fan Yuqi. When I asked him to bring me the map, he unveiled it to reveal a dagger! He aimed it at my chest and I lunged back and tried to draw my sword. Qin law forbade any weapons to be carried by the people who waited on me. I could not draw my sword so I ran away from Jing Ke until my doctor managed to knock Jing Ke with his medicine bag. I finally managed to draw my sword and a slashed at Jing Ke wounding him eight times. Defeated he told me about his failure to kill me for the Crown Prince of Yan. As punishment I had Jing Ke torn limb from limb. After this incident I ordered more troops to Zhao and then ordered the commander in Zhao to attack Yan. When I found Crown Prince Dan, I had him beheaded. (Qian 172-176)&lt;br /&gt;
=== The Final Campaigns === &lt;br /&gt;
Following the fall of the capital of Yan, my army moved on the capital of Wei, Daliang in 225 BC. My forces diverted water from the Yellow river and flooded the capital causing the walls to collapse. The king of Wei capitulated and I took over his territory. This was a largely uneventful campaign. I then conquered Chu (Jing) in 223 BC. The Chu army was crushed and the king killed. The following year I called up large amounts of troops and moved to attack the Yan region of Liaodong. I finally succeeded in capturing the king of Yan, King Xi. In 221 BC I marched my army south from Yan into Qi where I seized King Jian of Qi. With this victory I acheived unification of China and I brought the states under my rule. (Qian 41-42)&lt;br /&gt;
[[File:Qin_conquest-.JPG |300px|thumb|left|Qin expansion, at 300 BC (yellow) and 220 BC (peach)]]&lt;br /&gt;
Here is the order in which the major states fell:&lt;br /&gt;
*Han in 230 BC&lt;br /&gt;
*Zhao 228 BC&lt;br /&gt;
*Wei 225 BC&lt;br /&gt;
*Chu 223 BC&lt;br /&gt;
*Yan 222 BC&lt;br /&gt;
*Qi 221 BC&lt;br /&gt;
(Ebrey pp40,60)&lt;br /&gt;
In just nine years I succeeded in ending the period of warring states. I proclaimed myself emperor and established the Qin Dynasty. From this day forth I was known as Qin Shihuangdi. The first emperor.&lt;br /&gt;
&lt;br /&gt;
== Qin Shihuangdi ==&lt;br /&gt;
=== First Emperor ===&lt;br /&gt;
This is what my new name meant.&lt;br /&gt;
*‘First’ because I fully expected my Empire to last for 10,000 years, if not forever. This was a name each of my descendants would share. I was Shi haungdi, my son would be Ershi huangdi, his son Sanshi huangdi and so forth.&lt;br /&gt;
*‘August and Divine’ as I was now at least equal to a god.&lt;br /&gt;
Together, they meant ‘Emperor’. I was fully the equal of the mythical emperors of our past. &lt;br /&gt;
[[File:Qin Shihuangdi.jpg|200px|thumb|right|Qin Shihuangdi  photo by Tonynetone]]&lt;br /&gt;
=== Naming Debate ===&lt;br /&gt;
Perhaps there are some of you who wonder why I am sometimes called Qin Shihuangdi and sometimes Qin Shihuang. Originally, I chose the name Shihuangdi, for the reasons I just explained. In later years, the historians felt a need to connect me with my kingdom and they added the &amp;quot;Qin&amp;quot; to the front of my name, where the family name would usually go. This made me Qin Shihuangdi. Even later, it was decided that my name should only have the same number of syllables that any average, ordinary person had- 3. So, they dropped the last syllable &amp;quot;di&amp;quot; (the one that meant &amp;quot;divine&amp;quot;) and I became known as Qin Shihuang. (If your name is still known two thousand years from now, perhaps you will find it changed as well.)&lt;br /&gt;
=== My Rule as Emperor ===&lt;br /&gt;
One of the first things I did as Emperor was carry out sweeping changes in order to unify and stabilize the Empire. With the help of my prime minister Li Si and my ministers I divided the empire into 36 commanderies that answered to the central court. Each province was administered by a governor and a military commander. I abolished all feudal ranks and privileges. In an effort to protect against armed insurrection I disarmed the population and made it illegal to possess any weapon of any kind. The rich and powerful families of the empire, 120,000 in all, were moved to the capital so I could better monitor them. I made the legalist ideas of Lord Shang, Han Fei, and Li Si state philosophy. Justice for people who dared break the law was swift and fierce. Punishments were severe and often resulted in execution or forced labor on the many projects in my empire. I used forced labor to connect the many parts of the Great Wall, and to build my magnificent palace and tomb. I also improved the roads in the empire.(Ebrey 60-63)&lt;br /&gt;
=== The Burning of Books ===&lt;br /&gt;
Criticism was not tolerated in my empire. In an effort to control knowledge I had to act. The records of the past could be used to criticize myself and the government. In 213 BC I ordered any books and records of historians other than the state of Qin burned. The Classic of Documents and the Classic of Odes were to be burned as well. Anyone caught in the marketplace discussing either the Documents or the Odes would be put to death. I ordered 460 scholars put to death to eliminate any and all opposition to my rule. See also: [[Book burning in Qin Dynasty]]&lt;br /&gt;
=== Standardization ===&lt;br /&gt;
In an effort to unify my empire I standardized the weights and measures, the gauge of wagon wheels, and developed a uniform system of writing. I ordered new coins for my reign as well. They were round, with a square hole in the middle. The shape was suggestive of eternity, round which represented heaven, and a square hole which represented the world. The hole also made it easy smooth out the edges. Many coins could be stacked on a square rod and the edges filed smooth at one time.&lt;br /&gt;
[[File:Qin weight.jpg|200px|thumb|right|Qin standardized weight]]&lt;br /&gt;
In 220 BC I took a tour of inspection of my empire. In honor of my great accomplishments, I erected stone tablets carved with everything I achieved. The quote at the beginning of this page is from a tablet I erected at Mt. Langya.&lt;br /&gt;
If you examine the quote, you will notice a common theme- all my accomplishments brought peace and/or order to my troubled realm.&lt;br /&gt;
[[File:Qin tours.png|200px|thumb|left|The tours of my empire]]&lt;br /&gt;
Under my rule, for the first time the entire country was ruled by one powerful centralized administration. My government wielded more power than any before. In might and magnificence, I was greater than all prior governments. My people were awed, and yes, afraid of my magnificence. For the next two thousand years (more or less) my pattern of centralized control would be the government of choice for China. If the country was not ruled by  descendents of my body, it was at least ruled by descendents of my style of rule, descendents of spirit. (De Bary &amp;amp; Bloom, pp 227)&lt;br /&gt;
&lt;br /&gt;
== My Death ==&lt;br /&gt;
After many assassination attempts I became obsessed with reaching immortality. I became obsessed with locating the mythical land of Peng Lai. Herbs brought from this place could grant me immortality. I spent large sums of money sending magicians to locate this mythical land. I dreamed of an ocean God in the shape of a giant fish that was blocking my efforts to locate Peng Lai. I ordered all my ships to carry equipment to seize a giant fish. I myself carried a crossbow just in case I happened across this giant fish. (Qian 61-62)&lt;br /&gt;
I established an Empire meant to last forever. But it was not to be. I died before my work was done in 210 BC. from illness. Only eight years after my death, the Qin dynasty was no more.&lt;br /&gt;
=== My Tomb ===&lt;br /&gt;
[[File:Qin Statue.png|200px|thumb|right|Statue of Qin Shihuangdi]]&lt;br /&gt;
When I first ascended to the throne, I started work on my tomb at Mt. Li. After I became emperor I moved 700,000 men from all over the empire and ordered them to finish it. Replicas of palaces, scenic towers and the hundred officials were brought from around the empire to fill the tomb. Mercury was used to build imitations the hundred rivers, and the Yellow and Yangtze rivers, and the oceans and were built in a way that it seem to flow(Qian 63) I was buried with a full sized army of terra cotta warriors to protect me in the afterlife. These warriors were equipped with real weapons and real chariots. No two of these magnificent warriors was identical, they were all unique. (Ebrey 63) See also: [[ Terra Cotta Army]]&lt;br /&gt;
=== My Legacy ===&lt;br /&gt;
The Qin Dynasty was marked by aggressive rule and legalist ideals. But the institutions I created such as a centralized government, the standardization of weights and measures, and the unified writing sustem endure to this day. I reigned as Emperor for only 11 years. My &amp;quot;dynasty&amp;quot; didn't even last 10 years past my death. And yet, the land I unified still bears the name of my state. The unity '''I''' forged, the Empire '''I''' created, this has endured throughout the ages. In time the Han would fall and so too the dynasty that replaced them and the one that would replace them and so down to your day. True, my dynasty did not endure but my legacy, '''MY''' legacy remains.&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
*Andrea, Alfred J. and Overfield, James H. &amp;quot;The Human Record: Sources of Global History&amp;quot;, Vol 1. Boston: Houghton Mifflin, 1994,2d. ed. pp. 97-100 &lt;br /&gt;
&lt;br /&gt;
*De Bary, WM. Theodore, and Irene Bloom, eds. Sources of Chinese Tradition, Volume 1, From Earliest Times to 1600. New York: Columbia University Press, 1999. &lt;br /&gt;
&lt;br /&gt;
*Ebrey, Patricia. Cambridge Illustrated History of China, Second Edition. Cambridge: Cambridge University Press, 2010.&lt;br /&gt;
&lt;br /&gt;
*Kiser, Edward, and Yong Kai. “War and Bureaucratization in Qin China: Exploring an Anomalous Case.” American Sociological Review, Vol. 68, No. 4, (August 2003), p. 511 – 539.&lt;br /&gt;
&lt;br /&gt;
*Qian, Sima. Records of the Grand Historian: Qin Dynasty. Translated by Burton Watson. Hong Kong: Columbia University Press, 1993.&lt;br /&gt;
&lt;br /&gt;
*World Heritage Site. UNESCO. http://whc.unesco.org/en/list/441&lt;br /&gt;
&lt;br /&gt;
== Classroom Presentations ==&lt;br /&gt;
[[File:Qin_Shihuangdi_Presentation_by_Emmanuel_Rivas.pptx]]&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Kennecott_Copper&amp;diff=5712</id>
		<title>Kennecott Copper</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Kennecott_Copper&amp;diff=5712"/>
		<updated>2013-03-02T06:55:32Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Kennecott is a subsidiary of Rio Tinto, the 2nd largest mining organization in the world. Kennecott has been in Utah (in one form or another) for 110 years. It makes over $1 billion a year, and it spends almost the same amount (mostly in Utah) every year.&lt;br /&gt;
&lt;br /&gt;
20% of the worlds Rhenium (used in jets) comes from the Bingham mine. Gold, silver and molybdenum are also products of the mine, but copper is the main product. It is an essential ingredient in Wind and solar energy production- no copper? no power. The Prius (environmentally friendly car) used 3x the copper of older cars. Copper is a main player in &amp;quot;green&amp;quot; power. It is also essential in cellphones and computers.&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Kennecott_Copper&amp;diff=5711</id>
		<title>Talk:Kennecott Copper</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Kennecott_Copper&amp;diff=5711"/>
		<updated>2013-03-02T06:54:18Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;More coming (later)--[[User:Licia K|Licia K]] ([[User talk:Licia K|talk]]) 00:29, 1 March 2013 (CET)&lt;br /&gt;
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Yes, you do need to flesh this out. But, it is a start and you do list some interesting info. A company as big as this should be possible to find a lot of info on though- even if we haven't had a presentation by them yet. Keep working on it.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:54, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:The_role_of_meals_in_Ang_Lee%27s_Eat,_Drink,_Man,_Woman&amp;diff=5709</id>
		<title>Talk:The role of meals in Ang Lee's Eat, Drink, Man, Woman</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:The_role_of_meals_in_Ang_Lee%27s_Eat,_Drink,_Man,_Woman&amp;diff=5709"/>
		<updated>2013-03-02T06:51:45Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Hannah, please start by uploading your powerpoint presentation and then paste it into the article. The final version should be 7 pages. You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:08, 25 February 2013 (CET)&lt;br /&gt;
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I had this problem with another article, but nothing loaded up when I clicked on your link.  If you have not yet started your article then I guess I do not have much to say.  [[User:A Nonny Mouse|A Nonny Mouse]] ([[User talk:A Nonny Mouse|talk]]) 01:22, 28 February 2013 (CET)&lt;br /&gt;
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I'll have to read this when there's content. I'm sure it'll turn out great! [[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:22, 28 February 2013 (CET)&lt;br /&gt;
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Don't forget to add pictures to your finished work! --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 08:15, 1 March 2013 (CET)&lt;br /&gt;
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So I could not find any common licensed pictures for this movie on Flikr or the Wikimedia commons. There were a few on imdb and google, but they are all copyrighted. Should I just not put in pictures? [[User:Hannah A|Hannah A]] ([[User talk:Hannah A|talk]]) 12:25, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I feel like you should say a bit more about how the Confucian philosophy you mention at the end of the first section fits in with the film. Also, say more about what that philosophy is. You give a brief mention of these things, but you could say a lot more by elaborating on the philosophy and then using specific quotes from the film to show how they tie together. Also, you say that the three sisters fulfill the stereotypical Chinese roles of &amp;quot;Younger Sister&amp;quot; &amp;quot;Older Sister&amp;quot; and &amp;quot;Mother,&amp;quot; but I can't say that I'm familiar with these roles as any sort of trope in Chinese movies specifically. I mean, they are roles, but not ones that are really confined to Chinese culture. I'd like to see some kind of source link to support your argument that these roles are prevalent throughout Chinese cinema. I do really like, however, the bit about the role reversal that you bring up. You should also say a bit more about symbolism in the film and/or possibly something about what kinds of symbolism are common in Chinese cinema. Certainly there is symbolism, almost all films have some kind of symbolism, but is there something common among Chinese films that you notice here. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:09, 1 March 2013 (CET)&lt;br /&gt;
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&lt;br /&gt;
You might want to start with an introduction to the movie. As written, it seems like you start the article in the middle of a point. A smother transition into the &amp;quot;meat&amp;quot; of your article will help the &amp;quot;flow&amp;quot; of it.&lt;br /&gt;
&lt;br /&gt;
I agree on with the comment on the philosophy and the roles. It almost seems like you were trying to force the characters, as portrayed, into outdated definitions. The youngest daughter, for example, is troubled by her older sister's bickering, telling them to stop it at one point. She holds down a job, but still make sure to be on time for the Sunday meals. She is not so much playing with Shan-Shan as babysitting; keeping her out from under her mother's feet so that she could visit with her friend (the older sister). This is not quite the carefree and careless attitude of the young kids in the early 20th century movies.&lt;br /&gt;
&lt;br /&gt;
Perhaps you could compare the family meals to the traditional US family dinner. (If I remember correctly, you (or someone) mentioned that comparison during the class discussion.&lt;br /&gt;
&lt;br /&gt;
You might want to use clearer headings on the first part and clearly divide the &amp;quot;food&amp;quot; portion from the &amp;quot;philosophy&amp;quot; part. Right now, it almost looks like you typed the title twice.(Or, I guess you could see if it is possible to change the title of the article too)&lt;br /&gt;
&lt;br /&gt;
Pictures...were there any of Ang Lee? And, since food was one of the main topics, perhaps you could put in a picture or two of some Chinese dishes; OK, so they won't be the ones from the movie, but they can still relate to the topic. Since you mention the actors and actresses, are there any pictures of them?&lt;br /&gt;
&lt;br /&gt;
Good job.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 06:58, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Blu&amp;diff=5708</id>
		<title>Talk:Blu</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Blu&amp;diff=5708"/>
		<updated>2013-03-02T06:49:11Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dear Jenessa, &lt;br /&gt;
&lt;br /&gt;
please start by pasting a description of the company and their China relation. Please also add notes from the speaker's presentation. The final version of the article should be a few screen pages. You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures like the announcement poster, fotos from the presentation, company logo, company fotos or product fotos. &lt;br /&gt;
&lt;br /&gt;
If you have anything from academic sources to add, please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! &lt;br /&gt;
&lt;br /&gt;
Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:16, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Great job! I'd suggest that you give it another proof reading though. Some of the sentences are a little awkward and I don't think that they say exactly what you meant them to say.&lt;br /&gt;
&lt;br /&gt;
Also, I'd suggest that you start the article with the words on the left side (pictures on the right). Westerners are used to reading from left to right and the article seems a little unbalanced when you start right off on the right side.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:49, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Cannonball_Musical_Instruments&amp;diff=5707</id>
		<title>Talk:Cannonball Musical Instruments</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Cannonball_Musical_Instruments&amp;diff=5707"/>
		<updated>2013-03-02T06:43:28Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: Created page with &amp;quot;Dear Brian,  please start by pasting a description of the company and their China relation. Please also add notes from the speaker's presentation. The final version of the art...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dear Brian,&lt;br /&gt;
&lt;br /&gt;
please start by pasting a description of the company and their China relation. Please also add notes from the speaker's presentation. The final version of the article should be a few screen pages. You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures like the announcement poster, fotos from the presentation, company logo, company fotos or product fotos (as far as they allow them to be published on the Wiki).&lt;br /&gt;
&lt;br /&gt;
If you have anything from academic sources to add, please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [1]. Good luck with your composition!&lt;br /&gt;
&lt;br /&gt;
Best, Root (talk) 14:15, 25 February 2013 (CET) &lt;br /&gt;
&lt;br /&gt;
Humm...I'll have to check back when you have something written here! The presentation was interesting. I look forward to your write up.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:43, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:ATL_Technologies&amp;diff=5706</id>
		<title>Talk:ATL Technologies</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:ATL_Technologies&amp;diff=5706"/>
		<updated>2013-03-02T06:41:34Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dear Telmar and Alex, &lt;br /&gt;
&lt;br /&gt;
please start by pasting a description of the company and their China relation. Please also add notes from the speaker's presentation. The final version of the article should be a few screen pages. You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures like the announcement poster, fotos from the presentation, company logo, company fotos or product fotos. &lt;br /&gt;
&lt;br /&gt;
If you have anything from academic sources to add, please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! &lt;br /&gt;
&lt;br /&gt;
Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:15, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Well done! Just make sure to proof read it- there were a few mixed up sentences toward the end. I hope I can do half as well on my page! --[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:41, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Wong_Kar_Wai&amp;diff=5703</id>
		<title>Wong Kar Wai</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Wong_Kar_Wai&amp;diff=5703"/>
		<updated>2013-03-02T06:36:18Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Karen_Seto.jpg|300px|thumb|right|Wong Kar-wai in Toronto, photo by Karen Seto.]]&lt;br /&gt;
&lt;br /&gt;
== '''Biography''' ==&lt;br /&gt;
My name is Wong Kar-wai. I was born in Shanghai, China on July 17th 1956. When I was only 5, I moved to Hong Kong with my mother. I grew up there and spent a lot of time watching movies. This instilled in me a love of film(Tobias). I graduated from the Hong Kong Polytechnic College (in Graphic Design)in 1980. Then, I attended a two year production program and started writing for television. I didn't become a screenwriter until the mid 1980s- my first movie (&amp;quot;As Tears go by&amp;quot;) came out in 1988(Tobias). It was not very successful. I never did attend film school. Since I was in Hong Kong, I do not fit into the &amp;quot;generations&amp;quot; of the film school in Beijing.&lt;br /&gt;
&lt;br /&gt;
My first critically acclaimed movie was &amp;quot;Days of Being Wild&amp;quot; in 1990. It didn't do all that well, initially, in the theater, but, in later years, many would consider this to be one of my best movies- in 2011 it was named one of the best 100 Chinese movies. International audiences considered it a sort of &amp;quot;Cantonese 'Rebel without a cause'&amp;quot;. It is the first of an unofficial trilogy (the other two shows are &amp;quot;In the Mood for Love&amp;quot; (2000) and &amp;quot;2046&amp;quot;. &amp;quot;2046&amp;quot; took me 5 years to make; it was released in 2004.(Walsh) &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(IMDb; Kar Wai Wong)&lt;br /&gt;
&lt;br /&gt;
== '''Style''' ==&lt;br /&gt;
&amp;quot;The best way ...is to prepare to get lost. I mean literally, thrown without compass into a thicket of imagery and time-shifting both undeniably gorgeous and ultimately inconsequential, about characters as interchangeable as they are operatically grand, with their big loves and crazy style.&amp;quot; So said Lisa Schwarzbaum, about the 2008 redux of my 1994 movie &amp;quot;Ashes of Time&amp;quot;, in her ''Entertainment Weekly'' review (She gave me a B+...Can you believe that? I thought it was much better than that...)&lt;br /&gt;
&lt;br /&gt;
(the rest of this article is from 2012- I am still working on this part-- Licia K)&lt;br /&gt;
&lt;br /&gt;
[[File:ITMFL Francesca M. Fontana.jpg|300px|thumb|right|A scene from In the Mood for Love by Francesca M. Fontana.]]&lt;br /&gt;
'''Time:''' &amp;quot;The device of the intersection is a Wong Kar-wai hallmark. He has used two parallel stories since his directorial debut in 1988&amp;quot; Along with the intersection, when one watches a movie by Wong Kar Wai, one is bound to observe that his movies are never a linear time frame, they are fragmented.(Audrey Yue; p.144)&amp;lt;br /&amp;gt;&lt;br /&gt;
'''Romance:''' Wong's unofficial trilogy (Bryan Walsh) focuses on the different relationship stages that his characters go through. He addresses many complicated relationships and the emotional issues that accompany them.&amp;lt;br /&amp;gt;&lt;br /&gt;
'''Being “stuck”:''' As Wong put it in an interview: &amp;quot;Most of my films deal with people who are stuck in certain routines and habits that don't make them happy. They want to change, but they need something to push them. I think it's mostly love that causes them to break their routines and move on. That's why we always want to repeat shots, to show the routines and the changes as they happen.&amp;quot; (Scott Tobias)&amp;lt;br /&amp;gt;&lt;br /&gt;
'''Pre-Production:''' [http://www.youtube.com/embed/lQ3nS80QE9E Wong typically doesn't believe in using pre-production as he believes that the raw material from a first take is what makes a movie. He likes his actors/actresses to become the character.]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''Editing:''' To Wong, [http://www.youtube.com/embed/t0e__NMHiDg editing is almost like making the movie again]. &amp;lt;br /&amp;gt;&lt;br /&gt;
'''Actors/Actresses:'''Wong is known for his tendency to use the same actors and actresses repeatedly throughout his films. His main actor, Tony Leung has played in six of his films and is currently filming the seventh (IMDb; Tony Leung). His favorite actress Maggie Cheung has been in five of his films (IMDb; Maggie Cheung). The reason he does this is because &amp;quot;[n]ormally, filmmakers would just write a script and cast people to act as certain characters in the story. But in [his] way of doing things, [he has] the actors in my mind already, so [he's] trying to borrow something that's unique to them&amp;quot; (Scott Tobias).&amp;lt;br /&amp;gt;&lt;br /&gt;
'''Non-Traditional Filming method:''' &amp;quot;As a kid, [he] spent most of [his] time in cinemas&amp;quot; (Scott Tobias) and after working in TV and writing scripts he came to a point where he could make his own movies and &amp;quot;[he] understood that directors always wanted to change what was originally written, to improve on it. In [his] case, [he's] always thought in terms of images, so as these images occur to [him], [he has] to continue to revise the plan in order to accommodate them.&amp;quot; (Scott Tobias) &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=='''Awards'''==&lt;br /&gt;
Wong has been nominated for or won awards from 30 different institutions over the years for his films. Some of his awards include:&amp;lt;br /&amp;gt;&lt;br /&gt;
1991 Hong Kong Film Awards, Best Director (Days of Being Wild)&amp;lt;br /&amp;gt;&lt;br /&gt;
1995 Hong Kong Film Awards, Best Director (Chungking Express)&amp;lt;br /&amp;gt;&lt;br /&gt;
1997 Cannes Film Festival, Best Director (Happy Together)&amp;lt;br /&amp;gt;&lt;br /&gt;
2000 European Film Awards, Screen International Award (In the Mood for Love)&amp;lt;br /&amp;gt;&lt;br /&gt;
2004 European Film Awards, Screen International Award (2046)&amp;lt;br /&amp;gt;&lt;br /&gt;
2001 César Award, Best Foreign Film (In the Mood for Love)&amp;lt;br /&amp;gt;&lt;br /&gt;
2001 German Film Awards, Best Foreign Film (In the Mood for Love)&lt;br /&gt;
1991 Golden Horse Film Festival, Golden Horse Award (Days of Being Wild)&lt;br /&gt;
&lt;br /&gt;
(IMDb; Kar Wai Wong)&lt;br /&gt;
==''' Filmography''' ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
'''1988 As Tears Go By''': Wong Kar Wai's first film; a love story. &amp;lt;br /&amp;gt;&lt;br /&gt;
'''1990 Days of Being Wild''': The movie that shot Wong Kar Wai into international popularity. This is the first movie in Wong's unofficial trilogy. The movie is about a man who finds out the he is adopted but can't find his mother because his adopted mother won't tell him. He develops a relationship with two very different women and doesn't have the emotional capability of choosing between the two which ultimately leads to heartbreak all around. &amp;lt;br /&amp;gt;&lt;br /&gt;
'''1994 Chungking Express''': A movie about two seperate cops and the relationships they have with somewhat nefarious women. This film brought Wong Kar Wai into the American spotlight when director Quentin Tarantino watched it and became a major fan and promoter of Wong (Scott Tobias).&amp;lt;br /&amp;gt;&lt;br /&gt;
'''1994 Ashes of Time''': A movie about a swordsman who goes to the desert to seek out men to fulfill his contract killings.&amp;lt;br /&amp;gt;&lt;br /&gt;
'''1995 Fallen Angels:''' A movie about a hitman and his attempt to deal with his less murderous emotions. &amp;lt;br /&amp;gt;&lt;br /&gt;
'''1997 Happy Together''': &amp;quot;a luminous road movie examining the tumultuous relationship between gay lovers in Argentina.&amp;quot; (Scott Tobias) &amp;lt;br /&amp;gt;&lt;br /&gt;
'''2000 In the Mood for Love''': Considered the second movie in the unofficial trilogy(Bryan Walsh), In the Mood for Love is a movie about a man and woman who find out their spouses are cheating with each other and form a relationship around this awkward bond. The movie deals with struggling against society and against emotion. &amp;lt;br /&amp;gt;&lt;br /&gt;
'''2004 2046''': Made at the same time as In the Mood for Love, 2046 is about a man seeking the woman he loves in another time and dealing with other relationships as he seeks to fill the space she left. This movie is considered to be the final movie in the unofficial trilogy (Bryan Walsh).&amp;lt;br /&amp;gt;&lt;br /&gt;
'''2007 My Blueberry Nights''': Wong's only American production, My Blueberry Nights is about a disillusioned young woman who travels seeking love and the characters she meets along the way. &amp;lt;br /&amp;gt;&lt;br /&gt;
'''2012 The Grandmasters''' &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== '''Thoughts''' ==&lt;br /&gt;
As I studied Wong Kar Wai and looked at the trailers for his films, as well as watching In the Mood for Love and 2046, I came to gain a deep respect for him. When I had read interviews from other Chinese film directors, I had been disappointed to find them to be egotistical, just like the typical American director. They all seemed to think they were as special as everyone else thought they were. But as I read and watched interviews of Wong Kar Wai, I was honestly impressed by his humility and his true ingenuity in the film industry. His lack of formal training, I feel, benefited him greatly. By not knowing how everyone else made films, he was able to create true art, unique to him. And yet he is continually humble about this ability and I find that highly admirable. &lt;br /&gt;
I will admit that In the Mood for Love is his only movie that I can say is up my alley, but I am more than willing to acknowledge that I just generally don't watch art house films. But In the Mood for Love was just stunningly beautiful. He captured the tension, the raw emotions of the situation so well without ever being graphic or explicit. I also enjoyed his use of colors and outfits. It was a rare film that was both visually and intellectually stimulating. One scene from the movie that just struck me for some reason was when Mrs. Chan went down to get noodles and passed Mr. Chow. For some reason the tension, the strangeness of the situation was so apparent to me. Each scene that they were together after they found out about the affair the tension between the two was tangible. Wong does an incredible job not only picking actors and actresses that have great chemistry but filming scenes where the emotions jump out at you and drag you deep into the movie.  &lt;br /&gt;
Ultimately, I would be willing to watch more of his movies and to recommend the ones that I have seen. I consider Wong Kar Wai to be an exceptional film maker and a sign of the true creativity that is capable of coming out of the Chinese film industry now.&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
Bryan Walsh, . &amp;quot;&amp;quot;We love what we can't have, and we can't have what we love&amp;quot;.&amp;quot; Time Magazine World. Time, 2004. Web. 29 Feb 2012. &amp;lt;http://www.time.com/time/magazine/article/0,9171,702208-2,00.html&amp;gt;.&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Maggie Cheung.&amp;quot; IMDb. IMDb.com. Web. 29 Feb. 2012. &amp;lt;http://www.imdb.com/name/nm0001041/&amp;gt;.&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Tony Leung Chiu Wai.&amp;quot; IMDb. IMDb.com. Web. 29 Feb. 2012. &amp;lt;http://www.imdb.com/name/nm0504897/&amp;gt;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Tobias, Scott. &amp;quot;Wong Kar-Wai.&amp;quot; Wong Kar-Wai. Onion Inc., 28 Feb. 2001. Web. 29 Feb. 2012. &amp;lt;http://www.avclub.com/articles/wong-karwai,13700/&amp;gt;.&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Kar Wai Wong.&amp;quot; IMDb. IMDb.com. Web. 29 Feb. 2012. &amp;lt;http://www.imdb.com/name/nm0939182/&amp;gt;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Yue, Audrey. &amp;quot;18 In the Mood for Love: Intersections of Hong Kong Modernity.&amp;quot; Chinese Films in Focus II. London: BFI, 2008. 144-52. Print.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Presentation ===&lt;br /&gt;
[[File:Wong_Kar_wai.pptx]]&lt;br /&gt;
&lt;br /&gt;
--[[User:Keeley X.|Keeley X.]] 02:55, 1 March 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Jackie_Chan&amp;diff=5701</id>
		<title>Jackie Chan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Jackie_Chan&amp;diff=5701"/>
		<updated>2013-03-02T06:32:39Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: /* Injuries */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=='''Biography'''==&lt;br /&gt;
&lt;br /&gt;
[[File:Jackie_Chan_2002-portrait.jpg|300px|thumb|right|U.S. Navy photo by Photographer’s Mate 3rd Class Lee M. McCaskill.  Click [http://www.navy.mil/view_single.asp?id=3581 here] for original source.]]&lt;br /&gt;
&lt;br /&gt;
Jackie Chan was born April 7, 1954 during the Year of the Horse.  His parents were Charles and Lee-Lee Chan.  The Chan’s were extremely poor, having recently fled mainland China for Hong Kong (Poolos 8).  In his autobiography, Chan claims he was born by cesarean section at twelve months gestation.  A large baby, Chan weighed twelve pounds at birth, causing his mother to nickname him Pao-Pao, which means “cannonball” in Chinese.  His parents were so poor that the doctor offered to adopt/buy him for $26 US (Chan 5).  His parents declined and brought him home to the French ambassador’s house, where Charles worked as a cook and Lee-Lee worked as a housekeeper.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Chan’s father believed that “pain gives you discipline.  Discipline is at the root of manhood.  And so, to be a real man, one must suffer as much as possible” (Chan 10).  Charles Chan also believed that “learning kung fu was the same as learning how to be a man” (Chan 12).  Therefore, from the age of four, Chan was awakened by his father each morning around five.  They would run for miles, then strength train, then Charles would teach Jackie principles and moves of kung fu (Chan 11).  Because he knew how to fight, Chan got in a lot of fights as a child.  Most of them evolved as Chan defended friends being picked on.  Chan didn’t mind being bullied himself, but when they turned on his friends Chan would defend them (Chan 13).  &lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
When Chan was seven, his parents moved to Australia to work in the Hong Kong embassy there.  They wanted him to get a good education, so they indentured him for ten years to the Peking Opera Research Institute.  To American sensibilities, the Peking Opera Research Institute was a cross between the circus and the army.  J. Poolos’ biography on Chan describes the daily routine:  “Every morning, he would awaken at five and start training immediately.  He worked his voice; ran; practiced stick fighting; worked on kicks; and practiced jumping, hapkido, judo, karate, and boxing.  Often, he’d repeat more of the same training before the day was through.  The rigorous schedule was nonstop.  To bed at midnight and up again at five...Each session would last two hours, and then he’d have to run to the next instructor for a different type of training.  He didn’t have time for anything but training.  Anyone who got tired from the day-to-day grind was punished in any number of ways that are considered abusive by today’s standards.  The boys were routinely threatened with physical punishment, starvation, and the withholding of privileges.  Canings with bamboo sticks were a daily routine for most of the students.  Land short on a jump or miss a dance step, and out came the stick.  Students were also subjected to cruel endurance tests, including headstands for up to eight hours.  Sometimes the teachers required students to assume the horse stance (where the legs are wide apart with the feet facing forward) while holding a bowl of water.  If a student spilled even a drop, he or she was brutally beaten” (Poolos 19).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
As tough as it was, as an adult, Chan has spoken at length about how grateful he was to his master there for the rigorous training he received there.  His successful career has been a direct result of his training at the Peking Opera Research Institute.  It was also where he met his best friends Sammo Hung and Yuen Biao, who he would successfully work with throughout his career (Poolos 22).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Chan finished school at age 17 and tried to find work in the film industry.  He quickly made friends with a tenacious bunch of stunt men.  They called their philosophy of living ''lung fu mo shi'', which translated to English means “dragon tiger.”  Chan has described their philosophy as “Power on top of power, strength on top of strength, bravery on top of bravery.  If you were lung fu mo shi, you laughed at life before swallowing it whole” (Poolos 31).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
One of Chan’s first film roles was a bit part as one of the many fighters Bruce Lee defeats in ''Fist of Fury''.  It was on the set of ''Fist of Fury'' that Chan met Willy Chan, who would have an enormous impact on Chan’s career (Poolos 36).  He kept only finding small roles and bit parts and quickly ran out of money.  Broke, Chan moved to Australia to live with his parents (Poolos 39).  It was there, while working on a construction site, that he received his US screen name: Jackie Chan.  A friend of Chan’s parents took Chan to work with him at a construction site.  Believing the other men wouldn’t be able to pronounce Chan’s name, the friend called him by his own name: Jack.  Because Chan was smaller than the “original” Jack, he quickly became Jackie and the name stuck (Poolos 44).  Chan felt unhappy and unfulfilled in Australia and was thrilled when Willie Chan called to cast him in director Lo Wei’s remake of Bruce Lee’s hit ''Fist of Fury''.  &lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Chan quickly flew back to Hong Kong to begin filming ''Fist of Fury''.  Before filming began, director Lo Wei paid to have Chan’s appearance surgically “Westernized,” including straightening his teeth and surgically widening his eyes.  Lo Wei also gave Chan his Chinese screen name: Sing Lung, which translated to English means “already a dragon” (Poolos 45).  The stunt coordinator was injured while filming ''Fist of Fury'', so Chan stepped in.  He was surprised that his salary as stunt coordinator was exponentially higher as stunt coordinator than his salary as star of the film, but Willie Chan explained that he was being paid as an experienced stunt coordinator and a novice actor (Poolos 50).  While Chan was grateful to work on the film, Lo Wei forced him to fight and act as Bruce Lee had done, both of which were far from Chan’s style.  “On camera, Lee was dark, grim, and intense.  It just wasn’t Chan’s—or any other actor’s—style.  Chan was more comfortable with humor, the sillier the better.  By then he had become a huge fan of Buster Keaton’s silent movies and the Marx Brothers’ comedies, and his instinct was to affect a style of hyper-animated fighting moves and to work slapstick comedy into his fight scenes from time to time” (Poolos 51).  Perhaps because he was forced to act and fight in Lee’s style, ''Fist of Fury'' was the dawn of Chan’s style: Perpetual Motion Technique.  “Its premise is the maintenance of continuous body motion throughout the entire fight sequence to give the impression of non-stop action.  Fight sequences in his films typically occur amid elaborate sets, and combat covers a great deal of space, the result of Chan’s traversal of horizontal and vertical distances.  Chan’s stuntwork directs viewers’ attention to his physical interaction with surrounding architecture...Such interaction makes viewers aware of the real spatial relationships and structural properties of the objects displayed” (Willis 125).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
After ''Fist of Fury'', Chan moved on to do other movies with other directors.  These did a lot better at the box office because he was allowed to do what he did best: be Jackie Chan.  Lo Wei was angry that his investment—Chan—was making money (and lots of it) for other directors.  He sent the Chinese mafia, the Triads, to “convince” Chan to come back.  Instead, Chan escaped to the US.  While in the US, Chan had a minor role in the movies ''Battle Creek Brawl'' and ''Cannonball Run'' (Poolos 69).  Chan was unimpressed by both the non-contact fighting style found in American films and the casual filmmaking style of US directors and it turned him into a perfectionist.  Upon his return to Hong Kong, he advocated for a return to authenticity: real blows that could be shot using multiple cameras simultaneously as there would no longer be “misses” from fake hits (Little).  His first film upon his return to Hong Kong was directing ''Dragon Lord''.  While filming ''Dragon Lord'', Chan broke the world record for amount of takes on a single scene by shooting a particular scene 2,900 times.  After ''Dragon Lord'' flopped at the box office, Chan realized he was unhappy with the way his career was turning out.  He reunited with his friends from The Peking Opera Institute, Sammo Hung and Yuen Biao, and made a string of extremely successful films (Poolos 76).  By staying true to his own film style and roots, Chan has had incredible success worldwide.  Chan is Hong Kong’s, and all of East Asia’s, largest box-office draw; he has been so since the mid-80s (Willis 119).  His films distributed in Western markets have been identified as the most accessible Asian films to non-Asian audiences, especially those with conventional action or spy plots.  Those set in China or Hong Kong or with traditional martial art plots haven’t been re-released in the US because cultural specificity prevents Western audiences from connecting with the plot or characters (Willis 122).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=='''Qualities Found in Jackie Chan Films'''==&lt;br /&gt;
&lt;br /&gt;
[[File:Jackie_Chan_star_in_Hollywood.jpg|400px|thumb|left|Jackie Chan's star in Hollywood, photo by asiu1990. Click [http://commons.wikimedia.org/wiki/File:Jackie_Chan_star_in_Hollywood.jpg here] for original source]]&lt;br /&gt;
&lt;br /&gt;
'''I. Comedy'''&lt;br /&gt;
A Jackie Chan action film consists of a mix of wild physical comedy with spectacular stunts (Little 25).  Chan’s characters “function as both the source and target of physical comedy” (Willis 114).  From Chan’s perspective, comedy provides male heroes with a source of power and independence and also prompts audiences to identify with the protagonist’s “vulnerability and self-effacement” (Willis 118).  His comedic characters illustrate how serious and dour opponents are ineffectual (Willis 124).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''II. Stunts &amp;amp; Fights'''&lt;br /&gt;
Chan has said, “I’m always trying to imagine funny and dangerous stunts.  I always think of the stunts first and of how many I’ll be able to put in the film” (Little 25).  Ironically, Chan hates violence, though he loves action.  He prides himself on choreographing exciting and realistic fight scenes, but they are never graphically violent.  There is no swearing, not a lot of blood.  Chan has compared a good film fight to a tap dance (Little 132).  He also says that while anyone can do stunts, the real skill is in planning and choreographing the stunts.  Chan says, “I don’t think the stunts are anything special.  What I’m proud of is my choreography technique.  My technique is more difficult than doing the stunt.  You’re talking about my jumping over a helicopter, hanging onto objects that are very high up—anybody can do that.  I’m just being honest.  But if you’re talking about my technique, like doing a turning kick, coming down, throwing punches—boom! boom! boom!—and blending that with acting and comedy, that’s more difficult than doing the stunt” (Little 137).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''III. Outtakes'''&lt;br /&gt;
The outtakes during the credits of ''Cannonball Run'' so impressed Chan that he has incorporated them into his movies ever since (Little 33).  As Chan himself has said, “Everybody knows Jackie Chan is crazy” and the outtakes have proven this repeatedly (Willis 132).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=='''Quotes'''==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[File:Jackie_Chan_Cannes.jpg|300px|thumb|right|Jackie Chan at Cannes Film Festival 2008, photo by Georges Biard.  Click [http://commons.wikimedia.org/wiki/File:Jackie_Chan_Cannes.jpg here] for original source.]]&lt;br /&gt;
&lt;br /&gt;
On what makes his movie fights so good: “Choreography!  Action or martial arts choreography is so important.  The camera angles, the editing, the tempo of the fight, all of these things are very important.  In real life you can be the greatest martial artist or greatest street fighter of all time, but if you have poor choreography, editing - or if you don’t understand how to put together a cinematic fight scene - you aren’t going to look that good” (Little 118).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
On doing his own stunts: “I knew I had to be different.  I always wanted to do something nobody else can do.  With special effects, anybody can be Superman.  But nobody else can be Jackie Chan” (Little 26).&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
On Bruce Lee style vs. Jackie Chan style:  “Bruce Lee was the best at what he did.  No one can do it better.  So why try?  People want to see living ideas, not dead bones.  Bruce was a success because he was doing things no one else was doing.  Now everyone is doing Bruce.  If we want to be successful, we need to do the opposite.  Bruce kicked very high.  I say we should kick as low to the ground as possible.  Bruce screamed when he hit someone to show his strength and anger.  I say we should scream to show how much hitting someone hurts your hand.  Bruce was Superman, but I think audiences want to see someone who is just a man, like them.  Someone who wins only after making a lot of mistakes, who has a sense of humor.  Someone who’s not afraid to be a coward” (Poolos 59).&lt;br /&gt;
&lt;br /&gt;
=='''Injuries'''==&lt;br /&gt;
&lt;br /&gt;
According to Jackie Chan's autobiography, his injuries have been extensive.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;'''Head''': Other than the brain hemorrhage I suffered on ''Armor of God'', I've hit my head and injured it many times.  I was actually knocked completely unconscious while working as a stuntman on ''Hand of Death''.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Ears''': The ''Armor of God'' fall also left me hard-of-hearing in one ear.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Eye''': On ''Drunken Master'', my brow ridge was injured, and I nearly lost an eye.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Nose''': You'd think that someone Up There had it in for me and my nose!  It's bad enough that it's so big to begin with, but I've actually broken it at least three times-on ''The Young Master'', ''Project A'', and, most recently, ''Mr. Nice Guy''.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Cheek''': While making ''Supercop'', I dislocated a cheekbone.  I didn't even know you could do that.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Teeth''': Hwang Jang Lee is a tremendous kicker...as I found out when he kicked out one of my teeth (accidentally) while we were making ''Snake in Eagle's Shadow''.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Chin''': I injured my chin on ''Dragon Lord''.  It was painful even talking for a while.  Which made it hard to direct, not to mention act.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Throat''': During ''The Young Master'', I was almost suffocated when I injured my throat.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Neck''': I've hurt my neck a lot, but my worst neck injuries happened during the clock-tower fall in ''Project A'', and after I messed up a flip during ''Mr. Nice Guy''.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Shoulder''': I dislocated my shoulder while making ''City Hunter''.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Hand''': During ''The Protector'', I hurt my hand and finger bones-adding injury to insult.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Arm''': While I was shooting a fight scene in ''Snake in Eagle's Shadow'', my arm was accidentally slashed by a sword that should have had a blunted edge.  Blood went everywhere, and I fell down screaming...and the camera kept rolling!  That's real pain you see in the movie!&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Chest''': On ''Armor of God II: Operation Condor'', I dislocated my sternum after falling from a hanging chain.  That's another bone I didn't know you could dislocate, but somehow I managed to do it.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Back''': I've had a lot of back injuries doing my movies, but the pole-slide scene in ''Police Story'' almost paralyzed me when I nearly broke the seventh and eighth vertebrae in my spine.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Pelvis''': Also during the pole-slide stunt, I dislocated my pelvis.  I guess you're wondering just how many weird bones a person can dislocate.  Sometimes it seems like I've dislocated them all.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Legs''': I crushed my legs while shooting ''Crime Story'', after getting caught between two cars.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Knee''': I've hurt my knees so often that I wonder whether there's even any cartilege left in them.  (If you think I run a little funny, that's part of the reason why.  It makes any stunt in which I have to jump harder, but I do my best anyway.  Would you expect anything less?  One of my worst injuries occurred during ''City Hunter'', while I was shooting a skateboard chase.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
'''Foot''': I broke my ankle while jumping onto a hovercraft in ''Rumble in the Bronx''.  After the bone was set and a cast was put on, I was told to stay off my feet until it healed.  But I had a movie to finish!  I went back to the set and put a sock on my broken foot, painted to look like a sneaker&amp;quot; (Chan 326).&lt;br /&gt;
&lt;br /&gt;
=='''Fan Inspirations'''==&lt;br /&gt;
&lt;br /&gt;
*Jackie Chan as a role model&lt;br /&gt;
Jackie Chan made a rare promise: he will donate half of his assets to charity when he dies.&lt;br /&gt;
(teenink.com)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;His cool, great and fabulous movies and his personality too. I think that he is the best person in all the world, he is my idol in all the aspects. &lt;br /&gt;
Thanks to Jackie I love the Chinese culture, everyday I think of him because he is a great role model and he helped me to believe I can realize my dreams.&amp;quot;&lt;br /&gt;
(JackieChankids.com)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I love Jackie Chan the best of all of my favorite people because:&lt;br /&gt;
he's my guardian angel &lt;br /&gt;
he makes me feel safe &lt;br /&gt;
he inspires me in everything I do mostly&lt;br /&gt;
I depend on him to do the best to succeed in everything!!!!!!!!!&lt;br /&gt;
when I'm down he keeps me up by being funny&lt;br /&gt;
I love him the best of all for who he is !!!!!!!!!!!!!!!&lt;br /&gt;
(JackieChankids.com)&lt;br /&gt;
&lt;br /&gt;
*Personal Thoughts on Jackie Chan&lt;br /&gt;
Jackie Chan is a great role model to not only millions of people in the world but also to myself. His great work ethic and dedication to perfection in his movies, actions, talent, and career is what makes his someone to be looked up to. He wants and demands not only the best out of himself while he is on set but also of all those that he is working with. Jackie is a great citizen and as well as taking care of and giving attention to his adoring fans. Jackie gives to multiple charities. He is one of my heros and i aspire to be a great stunt man as he is. &lt;br /&gt;
&lt;br /&gt;
=='''Sources'''==&lt;br /&gt;
&lt;br /&gt;
Chan, Jackie. ''I Am Jackie Chan: My Life in Action''. New York: Ballantine Books, 1998. Print.&lt;br /&gt;
&lt;br /&gt;
Little, John, and Curtis Wong, ed. ''Jackie Chan''. Chicago: Contemporary Books, 1999. Print.&lt;br /&gt;
&lt;br /&gt;
Poolos, J. ''Jackie Chan''. 1st ed. New York: The Rosen Publishing Group, Inc., 2002. Print.&lt;br /&gt;
&lt;br /&gt;
Willis, Andy, ed. ''Film Stars''. Manchester: Manchester University Press, 2004. Print.&lt;br /&gt;
&lt;br /&gt;
=='''NOTE'''==&lt;br /&gt;
&lt;br /&gt;
Oral Report on Jackie Chan given by Ris Ratliff 20 Mar. 2012.&lt;br /&gt;
This wiki article by [[User:RisR|RisR]] and soon to be [[143Robertb]] 06:31, 6 April 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Jackie_Chan&amp;diff=5700</id>
		<title>Talk:Jackie Chan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Jackie_Chan&amp;diff=5700"/>
		<updated>2013-03-02T06:31:44Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Really great start with tons of really interesting and useful information.  I think you are supposed to write the article in the same way you are presenting by referring to yourself as &amp;quot;I&amp;quot; When referring to Jackie Chan.  I really like the section where you list out his different injuries.  He really is such an interesting guy with such an interesting film career.  Maybe offer some more pictures and also maybe some video clips of some of Jackies best moments in action.  [[User:A Nonny Mouse|A Nonny Mouse]] ([[User talk:A Nonny Mouse|talk]]) 01:25, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
You have some really great info. I would like to see some clips of Jackie doing some stunts though. [[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:25, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
The biography section has a lot of text, which could be broken up with sub-headings or media like pictures. Otherwise it's great :) --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 08:10, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I agree, the biography section is a bit long and intimidating. Perhaps split it up in to phases of life (i.e. Early Life, Acting Career, etc.). I'd also like to see some more analysis of what makes Jackie Chan so popular in America compared to other martial arts actors. It would also be really interesting to see come kind of analysis of one of his films. You could also take the section about Qualities of Jackie Chan Films and show how those qualities appear throughout his works. You make brief mention of them, but for the most part you have to have actually seen some Jackie Chan films first to really understand what you're talking about. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:26, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
It isn't easy to make someone else's work your own, but I think you are well on the way. Yes, this would sound great in first person! I look forward to the finished project.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:31, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Jet_Li&amp;diff=5697</id>
		<title>Jet Li</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Jet_Li&amp;diff=5697"/>
		<updated>2013-03-02T06:19:56Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Jet_Li_at_Fearless_Premiere_taken_by_Gavatron.jpg|200px|thumb|right|Jet Li at the Fearless Premiere. Photo by Gavatron.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Biography ==&lt;br /&gt;
&lt;br /&gt;
[[File:Jet_Li(1).jpg|200px|thumb|right| Jet Li at the preview of the film The Warlords at SF World Cinema, CentralWorld, Bangkok.]]&lt;br /&gt;
&lt;br /&gt;
[[File:Jet Li.jpg|300px|thumb|right|]]&lt;br /&gt;
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[[File: Li.jpg|300px|thumb|right|]]&lt;br /&gt;
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I was born in Beijing April 26, 1963 by the name of Li Lian Jie, My eventual screen name of Jet came from a nickname I received early on due to the jet like speed with which I could move my arms during martial arts attacks. I am the youngest of five kids and my father died shortly after my birth at the age of two:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, I was such a good kid. My family consisted of my mother, two older sisters and two older brothers. I was the youngest. When I was two years old, my father passed away, so I never knew my father's picture in my mind. Because I was the smallest, my mother never allowed me to go swimming or ride the bicycle. Any risky activity -- any kind of exercise that was even slightly dangerous -- was off-limits. So while kids my age were out playing in the street, this docile little boy stayed inside. &amp;quot;Don't touch that!&amp;quot; adults would tell me, and it would never occur to me to touch it. &amp;quot;Don't eat that!&amp;quot; -- and I would leave it alone. Those are my earliest memories. That's the kind of environment I grew up in&amp;quot; (Li).&lt;br /&gt;
&lt;br /&gt;
In 1971 when I was eight years old I was selected from my schoolmates to be part of the Beijing wushu academy and was enrolled alongside people two and three years older than me.  I quickly became a renowned competitor in wushu tournaments and gained fame and recognition at an early age.  By the age of twelve I had won an important competition in China:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;My winning first place caused quite a sensation, because I was so young. I was 12 years old, and the other two medallists were in their mid- to late twenties. During the awards ceremony, as I stood on the top step of the podium, I was still shorter than the 2nd and 3rd place medallists. It must have been quite a sight&amp;quot; (Edwards and Jeffreys)&lt;br /&gt;
&lt;br /&gt;
Soon after that I became a full time trainee at the wushu academy.  I slept in the dormitory there and trained rigorously throughout the day, my coach at the time was very harsh and strict.  Eventually I traveled to America and performed there.  I was even able to perform for Richard Nixon:  &lt;br /&gt;
&amp;quot;The last stop and climax of our U.S. tour was Washington, D.C., where a select few from our team performed our wushu routines on the White House lawn. After the performance, we were officially introduced to the American dignitaries and posed with them for official pictures. As I remember, President Richard Nixon stood with one of my female teammates, and I stood next to Secretary of State Henry Kissinger. At one point, Nixon turned towards me and said, 'Young man, your kung fu is very impressive! How about being my bodyguard when you grow up?'&lt;br /&gt;
'No,' I blurted out. 'I don't want to protect any individual. When I grow up, I want to defend my one billion Chinese countrymen!' People were stunned. There was an uncomfortable silence. Nobody had expected me to give that kind of an answer-least of all myself&amp;quot; (Li).&lt;br /&gt;
&lt;br /&gt;
My popularity from the wushu academy eventually led to a successful film career and at a young age I starred in my first film, Shaolin Temple(1982). In 1986 I even starred in my directorial debut Born to Defense (1986) which was a commercial failure, but still respected for its realistic use of martial arts.  I then starred in over twenty popular Chinese movies before starting a successful acting career in America beginning with my role as a major villain in Lethal Weapon 4 (1994).  Since then I have starred in many more American and Chinese films alike as well as serving as producer on many other films.  In 1987 I married Qiuyan Huang and had two children we divorced in 1990 and nine years later I married my present wife Nina Li Chi and we have two children together. &lt;br /&gt;
&lt;br /&gt;
I feel that I have proven to be a martial arts star who has relied more on my serious acting ability than I have my comedic ability.  My films have shown a great range in character types and many different forms of martial arts.  I am a practicing Buddhist and I live my life by that religion.  When looking at my movies I believe that three specific films encompass my personal philosophies on life: “&amp;quot;Everything I want to say is in those three movies, the message of Hero(2002) is that your personal suffering is not as important as the suffering of your country. The point of Danny the Dog [Unleashed] (2006) is that violence is not a solution. Fearless is actually about personal growth — about a guy who decides that in the end his greatest enemy is himself&amp;quot; (AsianBite).&lt;br /&gt;
&lt;br /&gt;
Although Jet Li has starred in martial arts roles since 2006 he claimed in interviews at the time that he was done with martial arts: “I stepped into the martial arts movie market when I was only 16. I think I have proved my ability in this field and it won't make sense for me to continue for another five or 10 years. Fearless (2006) is a conclusion to my life as a martial arts star” (imdb).    Whether or not he is planning on continuing doing more roles with martial arts is unknown.  Only time will tell if he will take his career into more of a serious direction.&lt;br /&gt;
&lt;br /&gt;
== Quotes ==&lt;br /&gt;
&lt;br /&gt;
[[File:Jackie_Chan_2002-ptrait.jpg|300px|thumb|right|U.S. Navy photo by Photographer’s Mate 3rd Class Lee M. McCaskill.  Click [http://www.navy.mil/view_single.asp?id=3581 here] for original source.]]&lt;br /&gt;
&lt;br /&gt;
“I think today’s world has become smaller, and family movies work for Asian audiences and American audiences, because when you play in the other kind of movie, maybe some movies only work for Western [audiences], they don’t really work in Asia” (aintitcool.com).&lt;br /&gt;
&lt;br /&gt;
“So some movies I do are very commercial, you know, just be the actor, just do the job, but some movies I really want to tell the story there, tell my personal beliefs, like FEARLESS, that kind of film” (imdb).&lt;br /&gt;
&lt;br /&gt;
“I have met Jackie Chan about 6 times up 'til now . . . and even though many people think we are natural enemies, I personally think he is a cool bloke and would honestly love to work with him in a film one time - that would a well brilliant movie!” (imdb).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
“We are a global family. The religion is different, the languages are different but we are human beings and we need to help each other” (imdb).&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Some movies I’m involved a lot. Like DANNY THE DOG [Fearless], I really want to make a movie to tell people if your physical skill’s very well, like you can hurt people, but if you don’t understand human life, friendship, family value, you know, you become a dog, if you only live to hurt people. So that’s why I make that movie, which I personally like very much, but it’s not been successful everywhere. [Laughs] So some movies I do are very commercial, you know, just be the actor, just do the job, but some movies I really want to tell the story there, tell my personal beliefs, like FEARLESS, that kind of film&amp;quot; (aintitcool.com).&lt;br /&gt;
&lt;br /&gt;
&amp;quot;In FEARLESS I just involved everything, and I told all my beliefs in the movie, why you’re learning martial arts and what martial arts are for, how it’s not just revenge and to hurt the others, and you don’t need to always be physical. If you need to beat up anybody, it’s yourself, because the most dangerous enemy is yourself. So I taught everything in the movie. Since then I’ve decided that movies are just my work. I didn’t stay as much involved as in the past. So I’m more focused on the philosophy now in my daily life&amp;quot; (aintitcool.com).&lt;br /&gt;
&lt;br /&gt;
==Commentary==&lt;br /&gt;
Jet Li has proven to be one of the most prominent martial arts figures in western film.  With his U.S. movie debut in Lethal Weapon 4 he proved that he could be one of the most important Chinese actors appearing in American film.  His popularity in America has grown substantially since then and he has recently starred in the huge blockbusters The Expendables and The Expendables 2.  One of the most important aspects of his acting career is that he has proven himself to be a far more serious and capable actor in America than other popular Chinese martial arts actors.  &lt;br /&gt;
One important aspect of Jet Li as a martial artist and an actor is that he has a very pacifist point of view towards real life and violent confrontation:&lt;br /&gt;
&lt;br /&gt;
“Situations always vary. It is hard to say under what circumstances it is right or wrong to use martial arts against someone else. Of course, generally speaking, avoiding conflict and resorting to lawful authorities are always the best means of dealing with a dangerous situation. If a robber holds a gun to you and wants your money, it is better to give him the money than to risk your life. A gun outdoes years of martial arts training in a split second. Like I've said many times before, it is important to differentiate between movies and reality” (Li).&lt;br /&gt;
&lt;br /&gt;
Li sees his use of martial arts more as a way of life than as a tool for combat.  He believes that wushu is more about a state of mind than violence.  The fame that he has gained through martial arts, for him, has more to do with his career choice and good fortune than it does his ability to fight actual people.  &lt;br /&gt;
&lt;br /&gt;
“Fame means different things during different periods of your life. Of course, there is a good side and a bad side to fame -- fame gives a lot, but it also takes a lot away. These days, I don't pay any attention to fame and fortune. Fame is given by others and not something I have any control over. I try to do what I think I should be doing and don't pay much attention to what others may say” (Li).&lt;br /&gt;
&lt;br /&gt;
It is important that we see Li as a man whose understanding of his own career goes far beyond what people might initially think of it.  He is utilizing his craft as a way of life that helps him become a master of the martial arts as well as a fantastic actor.  &lt;br /&gt;
Jet Li is also an important Chinese actor in American and chinese films as he has been able to show the world that while he is primarily an action movie star, he also has the ability to be a compelling dramatic actor as well.  He has received several best actor awards as well as been nominated for several actors.  Jet Li has proven time and time again that while he is capable of great physical feats that he is more than just punching, kicking, and stunts.  While figures such as Jackie Chan have reserved most of their dramatic acting specifically for Chinese films, Jet Li has shown a strong dramatic screen presence in American films as well.  With American movies like Unleashed(2006), Kiss of the Dragon(2001), and The One(2001) Li has proved that he is more capable as an actor than most Chinese martial artists starring in American films.  &lt;br /&gt;
&lt;br /&gt;
Li has clearly been a strong and important presence in American and Chinese Cinema alike and will most likely prove to be an even stronger presence in the future.  With his martial arts abilities combined with his acting ability no one knows what kinds of important things he may do in coming years.&lt;br /&gt;
&lt;br /&gt;
== Filmography ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ACTOR&lt;br /&gt;
&lt;br /&gt;
???? The Expendables 3 (announced) &lt;br /&gt;
Yin Yang (rumored)&lt;br /&gt;
 &lt;br /&gt;
2012 The Expendables 2 &lt;br /&gt;
Yin Yang&lt;br /&gt;
 &lt;br /&gt;
2011 Flying Swords of Dragon Gate &lt;br /&gt;
Zhao Huai'an&lt;br /&gt;
 &lt;br /&gt;
2011 The Sorcerer and the White Snake &lt;br /&gt;
Abott Fahai&lt;br /&gt;
 &lt;br /&gt;
2010 The Expendables &lt;br /&gt;
Yin Yang&lt;br /&gt;
 &lt;br /&gt;
2010 Ocean Heaven &lt;br /&gt;
Wang Xingchang&lt;br /&gt;
 &lt;br /&gt;
2009 The Founding of a Republic &lt;br /&gt;
Chen Shaokuan&lt;br /&gt;
 &lt;br /&gt;
2008 The Mummy: Tomb of the Dragon Emperor &lt;br /&gt;
Emperor&lt;br /&gt;
 &lt;br /&gt;
2008 The Forbidden Kingdom &lt;br /&gt;
The Monkey King / The Silent Monk&lt;br /&gt;
 &lt;br /&gt;
2007 The Warlords &lt;br /&gt;
General Pang Qingyun (as Lianjie Li)&lt;br /&gt;
 &lt;br /&gt;
2007 War &lt;br /&gt;
Rogue&lt;br /&gt;
 &lt;br /&gt;
2006 Fearless &lt;br /&gt;
Huo Yuanjia&lt;br /&gt;
 &lt;br /&gt;
2005 Unleashed &lt;br /&gt;
Danny&lt;br /&gt;
 &lt;br /&gt;
2003 Rise to Honor (Video Game) &lt;br /&gt;
Kit Yun (voice)&lt;br /&gt;
 &lt;br /&gt;
2003 Cradle 2 the Grave &lt;br /&gt;
Su&lt;br /&gt;
 &lt;br /&gt;
2002 Hero &lt;br /&gt;
Nameless&lt;br /&gt;
 &lt;br /&gt;
2001 The One &lt;br /&gt;
Gabe Law / Gabriel Yulaw / Lawless&lt;br /&gt;
 &lt;br /&gt;
2001 Kiss of the Dragon &lt;br /&gt;
Liu Jian&lt;br /&gt;
 &lt;br /&gt;
2000 Romeo Must Die &lt;br /&gt;
Han Sing&lt;br /&gt;
 &lt;br /&gt;
1998 Lethal Weapon 4 &lt;br /&gt;
Wah Sing Ku&lt;br /&gt;
 &lt;br /&gt;
1998 Contract Killer &lt;br /&gt;
Fu&lt;br /&gt;
 &lt;br /&gt;
1997 Once Upon a Time in China and America &lt;br /&gt;
Wong Fei-Hung&lt;br /&gt;
 &lt;br /&gt;
1996 Black Mask &lt;br /&gt;
Tsui Chik / Black Mask&lt;br /&gt;
 &lt;br /&gt;
1996 Dr. Wai in the Scriptures with No Words &lt;br /&gt;
Chow Si-Kit&lt;br /&gt;
 &lt;br /&gt;
1995 Meltdown &lt;br /&gt;
Kit Li&lt;br /&gt;
 &lt;br /&gt;
1995 The Enforcer &lt;br /&gt;
Kung Wei&lt;br /&gt;
 &lt;br /&gt;
1994 Fist of Legend &lt;br /&gt;
Chen Zhen&lt;br /&gt;
 &lt;br /&gt;
1994 The Defender &lt;br /&gt;
Allan Hui Ching-yeung / John Chang&lt;br /&gt;
 &lt;br /&gt;
1994 Legend of the Red Dragon &lt;br /&gt;
Hung Hei-Kwun&lt;br /&gt;
 &lt;br /&gt;
1993 The Evil Cult &lt;br /&gt;
Chang Mo Kei (as Lin-kit Lee)&lt;br /&gt;
 &lt;br /&gt;
1993 Tai-Chi Master &lt;br /&gt;
Junbao&lt;br /&gt;
 &lt;br /&gt;
1993 The Legend II &lt;br /&gt;
Fong Sai Yuk&lt;br /&gt;
 &lt;br /&gt;
1993 Last Hero in China &lt;br /&gt;
Wong Fei-hung (as Lin-kit Lee)&lt;br /&gt;
 &lt;br /&gt;
1993 The Legend &lt;br /&gt;
Fong Sai-Yuk&lt;br /&gt;
 &lt;br /&gt;
1993 Once Upon a Time in China III &lt;br /&gt;
Wong Fei-hung&lt;br /&gt;
 &lt;br /&gt;
1992 The Master &lt;br /&gt;
Jet&lt;br /&gt;
 &lt;br /&gt;
1992 Once Upon a Time in China II &lt;br /&gt;
Wong Fei-Hung&lt;br /&gt;
 &lt;br /&gt;
1992 The Legend of the Swordsman &lt;br /&gt;
Ling Wu Chung&lt;br /&gt;
 &lt;br /&gt;
1991 Once Upon a Time in China &lt;br /&gt;
Wong Fei-hung&lt;br /&gt;
 &lt;br /&gt;
1989 Dragon Fight &lt;br /&gt;
Jimmy Lee (as Jet Lee)&lt;br /&gt;
 &lt;br /&gt;
1988 Abbot Hai Teng of Shaolin &lt;br /&gt;
 &lt;br /&gt;
1986 Shaolin Temple 3: Martial Arts of Shaolin &lt;br /&gt;
Zhi Ming&lt;br /&gt;
 &lt;br /&gt;
1986 Born to Defense &lt;br /&gt;
Jet&lt;br /&gt;
 &lt;br /&gt;
1984 Shaolin Temple 2: Kids from Shaolin &lt;br /&gt;
San Lung&lt;br /&gt;
&lt;br /&gt;
1982 The Shaolin Temple &lt;br /&gt;
Chieh Yuan&lt;br /&gt;
&lt;br /&gt;
PRODUCER&lt;br /&gt;
Fearless (producer) &lt;br /&gt;
 &lt;br /&gt;
2005 Unleashed (producer) &lt;br /&gt;
 &lt;br /&gt;
2001 Invincible (TV movie) (executive producer) &lt;br /&gt;
 &lt;br /&gt;
2001 Kiss of the Dragon (associate producer) &lt;br /&gt;
 &lt;br /&gt;
1994 Fist of Legend (executive producer, producer) &lt;br /&gt;
 &lt;br /&gt;
1994 The Defender (producer - as Li Yang Chung) &lt;br /&gt;
 &lt;br /&gt;
1994 Legend of the Red Dragon (producer) &lt;br /&gt;
 &lt;br /&gt;
1993 The Evil Cult (producer) &lt;br /&gt;
 &lt;br /&gt;
1993 Tai-Chi Master (producer) &lt;br /&gt;
 &lt;br /&gt;
1993 The Legend II (executive producer - as Li Yang Chung) &lt;br /&gt;
 &lt;br /&gt;
1993 Last Hero in China (producer) &lt;br /&gt;
 &lt;br /&gt;
1993 The Legend (producer - as Li Yang-Chung)&lt;br /&gt;
&lt;br /&gt;
http://www.imdb.com/name/nm0001472/?ref_=sr_1&lt;br /&gt;
&lt;br /&gt;
== Awards and Honors ==&lt;br /&gt;
&lt;br /&gt;
1995 Golden Horse Film Festival, Best Actor&lt;br /&gt;
&lt;br /&gt;
2007 HKFCS Award, Best Actor&lt;br /&gt;
&lt;br /&gt;
2008 Hong Kong Film Award, Best Actor&lt;br /&gt;
&lt;br /&gt;
2008 Shanghai Film Critics Award, Best Actor&lt;br /&gt;
&lt;br /&gt;
== Jet Li Videoclips ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jet vs. Jackie http://www.youtube.com/watch?v=gcPJ5qSnrEI&lt;br /&gt;
&lt;br /&gt;
Jet in Lethal Weapon http://www.youtube.com/watch?v=adnXzutxWcQ&lt;br /&gt;
&lt;br /&gt;
Jet vs. Donnie Yen http://www.youtube.com/watch?v=eTsKEgUJyUQ&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Li, Jet. &amp;quot;Let's start at the beginning&amp;quot;. Essays. JetLi.com. Retrieved July 30, 2010.&lt;br /&gt;
&lt;br /&gt;
* Li, Jet. &amp;quot;Life Essay: Part 2&amp;quot;. Essays. JetLi.com. Retrieved July 30, 2010.&lt;br /&gt;
&lt;br /&gt;
* Li, Jet. &amp;quot;Life Essay: Part 9&amp;quot;. Essays. JetLi.com. Retrieved July 30, 2010.&lt;br /&gt;
&lt;br /&gt;
*http://www.aintitcool.com/node/37715&lt;br /&gt;
&lt;br /&gt;
*http://www.imdb.com/name/nm0001472/bio&lt;br /&gt;
&lt;br /&gt;
*www.youtube.com&lt;br /&gt;
&lt;br /&gt;
== Classroom presentations ==&lt;br /&gt;
*[[Media:Jet_Li_by_Matt_C.pptx]]&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Jet_Li&amp;diff=5696</id>
		<title>Talk:Jet Li</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Jet_Li&amp;diff=5696"/>
		<updated>2013-03-02T06:19:01Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dear Matt, good start. &lt;br /&gt;
*Please also upload your powerpoint presentation and then extend the existing article. Now it is still too short. It is about 1 screen page now, the rest are lists of films etc. The final version should be 7 pages. &lt;br /&gt;
*You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator:&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). &lt;br /&gt;
*If you want to write less, you can integrate more pictures. &lt;br /&gt;
*Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; &lt;br /&gt;
*Of course, if you write something you created yourself (like a conclusion, comment etc.) you cannot indicate a source. &lt;br /&gt;
*In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. &lt;br /&gt;
*In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. &lt;br /&gt;
*For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal our Wiki steps]. &lt;br /&gt;
*Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 04:36, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I like this. it's enough information for me. i just want some links to clips of his videos or something. like a best of clip or something like that. maybe wiki isn't the place for that. so good work for now fellow classmate. --[[User:143robertb|143robertb]] ([[User talk:143robertb|talk]]) 04:50, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I agree with 143robertb. Some more clips would be great! --[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 04:50, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Maybe you could put up some screenshots from his movies and add them to the article to make it more engaging. --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 07:53, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
So, Jet Li's father died at the age of two? That would mean that he had to have gotten his wife pregnant at the age of 1. Anyway, watch out for confusing wording like that. Personally, I'd like to hear more about what makes Jet Li as popular as he is. I mean, obviously he's great at martial arts, but what is it that makes him so likable to audiences in America. One can see how someone like Jackie Chan is as popular as he is based on his mixing of action and comedy (Americans love comedy), but Jet Li has a much more serious approach to things, and I'd like to hear your thoughts as to why he is so well received over here where there are many Chinese martial artists who don't gain such popularity. It would also be interesting to see an analysis of his performance in one or two of his films and how his acting technique compares to other actors in his field. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:18, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Great job with the first person! just check that last paragraph- you suddenly switch from 1st person to third. Consistency will add just that little bit of polish that your article needs. I also second the suggestion that you make sure your sentence mean what you want them to mean. For example- &amp;quot;When I was two years old, my father passed away, so I never knew my father's picture in my mind.&amp;quot; I think you meant &amp;quot;Since my father died when I was two I was never able to picture him in my mind&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
You might want to play with the size and positioning of your pictures too. Right now, they seem just a little awkwardly placed.&lt;br /&gt;
&lt;br /&gt;
Good job!--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:19, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Farewell_My_Concubine&amp;diff=5695</id>
		<title>Talk:Farewell My Concubine</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Farewell_My_Concubine&amp;diff=5695"/>
		<updated>2013-03-02T06:06:17Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Licia, please start to paste your notes and extend it into a paper. The final version should be 7 pages. You need to stick to the 1st person narrative (&amp;quot;I&amp;quot;, &amp;quot;me&amp;quot; etc.) and not only describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:03, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This is just a sketch to start out with- more is coming.--[[User:Licia K|Licia K]] ([[User talk:Licia K|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
These are great quotes! I'll have to take a look at it when there's more content. Can't wait to see the finished product!--[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:42, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This is a good beginning! Perhaps you could add how it was received in China as well as the United States. --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 07:59, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Good quotes, although you should point how who actually said them. Now say more about the film. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:28, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Humm...needs some work, although I remember that you said you were working on the Wong Kar-wai article for the midterm, you still need to flesh this one out. I recognize the quotes from the movie, but you really should describe the scenes when they are said, and explain why you chose these particular quotes (as opposed to any others).&lt;br /&gt;
Good start.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 07:06, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:The_role_of_meals_in_Ang_Lee%27s_Eat,_Drink,_Man,_Woman&amp;diff=5693</id>
		<title>Talk:The role of meals in Ang Lee's Eat, Drink, Man, Woman</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:The_role_of_meals_in_Ang_Lee%27s_Eat,_Drink,_Man,_Woman&amp;diff=5693"/>
		<updated>2013-03-02T05:58:24Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Hannah, please start by uploading your powerpoint presentation and then paste it into the article. The final version should be 7 pages. You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:08, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I had this problem with another article, but nothing loaded up when I clicked on your link.  If you have not yet started your article then I guess I do not have much to say.  [[User:A Nonny Mouse|A Nonny Mouse]] ([[User talk:A Nonny Mouse|talk]]) 01:22, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I'll have to read this when there's content. I'm sure it'll turn out great! [[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 01:22, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Don't forget to add pictures to your finished work! --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 08:15, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
So I could not find any common licensed pictures for this movie on Flikr or the Wikimedia commons. There were a few on imdb and google, but they are all copyrighted. Should I just not put in pictures? [[User:Hannah A|Hannah A]] ([[User talk:Hannah A|talk]]) 12:25, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I feel like you should say a bit more about how the Confucian philosophy you mention at the end of the first section fits in with the film. Also, say more about what that philosophy is. You give a brief mention of these things, but you could say a lot more by elaborating on the philosophy and then using specific quotes from the film to show how they tie together. Also, you say that the three sisters fulfill the stereotypical Chinese roles of &amp;quot;Younger Sister&amp;quot; &amp;quot;Older Sister&amp;quot; and &amp;quot;Mother,&amp;quot; but I can't say that I'm familiar with these roles as any sort of trope in Chinese movies specifically. I mean, they are roles, but not ones that are really confined to Chinese culture. I'd like to see some kind of source link to support your argument that these roles are prevalent throughout Chinese cinema. I do really like, however, the bit about the role reversal that you bring up. You should also say a bit more about symbolism in the film and/or possibly something about what kinds of symbolism are common in Chinese cinema. Certainly there is symbolism, almost all films have some kind of symbolism, but is there something common among Chinese films that you notice here. --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 22:09, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
I agree on with the comment on the philosophy and the roles. It almost seems like you were trying to force the characters, as portrayed, into outdated definitions. The youngest daughter, for example, is troubled by her older sister's bickering, telling them to stop it at one point. She holds down a job, but still make sure to be on time for the Sunday meals. She is not so much playing with Shan-Shan as babysitting; keeping her out from under her mother's feet so that she could visit with her friend (the older sister). This is not quite the carefree and careless attitude of the young kids in the early 20th century movies.&lt;br /&gt;
&lt;br /&gt;
Perhaps you could compare the family meals to the traditional US family dinner. (If I remember correctly, you (or someone) mentioned that comparison during the class discussion.&lt;br /&gt;
&lt;br /&gt;
You might want to use clearer headings on the first part and clearly divide the &amp;quot;food&amp;quot; portion from the &amp;quot;philosophy&amp;quot; part. Right now, it almost looks like you typed the title twice.(Or, I guess you could see if it is possible to change the title of the article too)&lt;br /&gt;
&lt;br /&gt;
Pictures...were there any of Ang Lee? And, since food was one of the main topics, perhaps you could put in a picture or two of some Chinese dishes; OK, so they won't be the ones from the movie, but they can still relate to the topic. Since you mention the actors and actresses, are there any pictures of them?&lt;br /&gt;
&lt;br /&gt;
Good job.--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 06:58, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Ideology_in_Chinese_Films&amp;diff=5692</id>
		<title>Talk:Ideology in Chinese Films</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Ideology_in_Chinese_Films&amp;diff=5692"/>
		<updated>2013-03-02T05:35:12Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=New comments in 2013=&lt;br /&gt;
Dear Melanie, good start. Please also upload your powerpoint presentation and then extend the existing article. Now it is still too short. The final version should be 7 pages. You need not only to describe things, but also switch to the commentator role (maybe indicated by &amp;quot;Contemporary Commentator&amp;quot; and then evaluate and discuss the topic from different angles, put it into context, criticize etc.). If you want to write less, you can integrate more pictures. Please make sure to indicate your source after each sentence or, if there is a whole paragraph with the same source, after each paragraph. You can indicate it like &amp;quot;Smith 2009:345&amp;quot; and in the final section &amp;quot;References&amp;quot; write the long version &amp;quot;Smith, Jared, Confucius revisted, Yale University Press 2009, 415 pp.&amp;quot; In the edit mode, section headers are indicated with &amp;quot;=&amp;quot; and sub section headers with &amp;quot;==&amp;quot;. In the edit mode, paragraphs need to be marked with 2 line feeds (&amp;quot;Enter&amp;quot; key). 1 Line feed will not show up as a paragraph. For additional editing tips, including how to indicate sources and how to find copyright free pictures, please refer to [http://wiki.vm.rub.de/uvu/index.php/uvu:Community_Portal]. Good luck with your composition! Best, [[User:Root|Root]] ([[User talk:Root|talk]]) 14:05, 25 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Great start.  Definitely go into more depth about each little subject that you have.  A pretty fascinating read that informs really well.  Probably give more of your own opinions and ideas about the subject. [[User:A Nonny Mouse|A Nonny Mouse]] ([[User talk:A Nonny Mouse|talk]]) 01:20, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I also really enjoyed the article. easy to read and follow along. just get a picture and it'll do just nicely. &lt;br /&gt;
--[[User:143robertb|143robertb]] ([[User talk:143robertb|talk]]) 04:48, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
This seems like a good start. Some more info about the 5th and 6th generations would be nice. Cool pictures! It's awesome that you took most of these pictures yourself when you were in China. --[[User:Zombies Don't Eat Vegans|Zombies Don't Eat Vegans]] ([[User talk:Zombies Don't Eat Vegans|talk]]) 04:48, 28 February 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Looks great! The headings could be in lowercase to make the article more inviting. Also the 6th generation heading could be reformatted so it fits in with the rest of the article --[[User:Linksys|Linksys]] ([[User talk:Linksys|talk]]) 07:40, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Good work. I have a few suggestions, though. I'd like to see a bit more elaboration on the terms you use. For example, in the &amp;quot;Early 20th Century&amp;quot; section, you use terms like &amp;quot;Family Dramas&amp;quot; and &amp;quot;Butterfly Literature&amp;quot; with only brief descriptions as to what those things are. I'd like to see a more in depth description of these terms accompanied by some kind of example. Perhaps give a brief plot summary of a book or film that would fit into these categories; or, alternatively, some kind of modern day equivalent. You might also want to consider listing a few of the movies that fit in to each category (for example, at the end of the 4th Generation section, list a few movies and directors that are considered to be a part of the 4th generation, etc.). I'd also like to see a bit more about the characteristics of each generation. What sort of similarities do the directors of the 5th generation share, for example? --[[User:Professor Wiskers McMeowmouth|Professor Wiskers McMeowmouth]] ([[User talk:Professor Wiskers McMeowmouth|talk]]) 21:57, 1 March 2013 (CET)&lt;br /&gt;
&lt;br /&gt;
Nice documentation of your sources. It looks like you've really tried to expand the original notes, but, I think you got a little carried away. There is nothing wrong with writing like you talk- your sentences often read like you are trying to squeeze as much info as you can into each one. For example- your first sentence- &amp;quot;Throughout the history of Chinese cinema, the changing ideologies that were present in films in flux as time passed seemed to rotate through in a roundabout way.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The first part (through to &amp;quot;cinema&amp;quot;) is fine. It makes sense. The rest of the sentence doesn't make much sense, as written- try reading it out loud and I think you'll see what I mean. &lt;br /&gt;
&lt;br /&gt;
I think you meant to say that, &amp;quot;The themes of Chinese films, throughout the last century, have reflected the ideology prevalent in society at the time the film was made. As the decades passed, these themes appear to have rotated through a sequence of themes.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
You have some good ideas, but I struggled to read many of sentences. Like the sample sentence I copied here, they seemed long and over worded. Keep it simple and short is good advice to follow.&lt;br /&gt;
&lt;br /&gt;
Also, your pictures look really nice, but most of them don't seem to have anything to do with the topic of your article. Pictures are worth a thousand words- but only if they support the written words.&lt;br /&gt;
&lt;br /&gt;
One last point- be sure to double check your spelling. (troupes for example- ''military'' troops is spelled differently).&lt;br /&gt;
&lt;br /&gt;
Good job!--[[User:Dekeo|Dekeo]] ([[User talk:Dekeo|talk]]) 06:35, 2 March 2013 (CET)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Being_Polite_in_Chinese_Society-_some_%22Do%27s%22_and_%22Don%27ts%22&amp;diff=4138</id>
		<title>Being Polite in Chinese Society- some &quot;Do's&quot; and &quot;Don'ts&quot;</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Being_Polite_in_Chinese_Society-_some_%22Do%27s%22_and_%22Don%27ts%22&amp;diff=4138"/>
		<updated>2012-12-05T18:08:22Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=Introduction- Politeness pays=&lt;br /&gt;
American's are often very casual in their interpersonal interactions. The Chinese, by comparison, are far more restrained- more formal, by American standards. When interacting with someone from China, it always safe to be as respectful as you know how to be, to &amp;quot;put on your company manners&amp;quot; as it were.&lt;br /&gt;
&lt;br /&gt;
*Bows&lt;br /&gt;
In America, when you are introduced to someone you will expect to shake their hand. This is also acceptable in China (especially if you are a Westerner- they know the Western custom), but don't be surprised if the handshake is accompanied by a slight bow. In the old days, it was customary to show your respect for the other person by bowing to them.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Gifts- Giving and receiving=&lt;br /&gt;
[[File:Gifts.jpg|250px|thumb|right|red &amp;amp; gold packages, photo by Bcody80.  Click [http://en.wikipedia.org/wiki/File:DihuaMarketRat.jpg here] for original source.]]&lt;br /&gt;
Gifts are one way to show your appreciation for someone or for something they have done for you. Following are some &amp;quot;Do's&amp;quot; and &amp;quot;Don'ts&amp;quot; about gifts and gift giving.&lt;br /&gt;
&lt;br /&gt;
Do:&lt;br /&gt;
* use red or gold wrapping (symbolizes good luck)&lt;br /&gt;
* give pairs (even numbers symbolize good luck)&lt;br /&gt;
* reciprocate (if you get a gift- give one of greater value back)- this is very important to remember!&lt;br /&gt;
&lt;br /&gt;
Don't:&lt;br /&gt;
* give a &amp;quot;paired&amp;quot; gift to a sick person (doubled misfortune)&lt;br /&gt;
* open the gift in front of the giver (It is considered rude)&lt;br /&gt;
* give &amp;quot;unlucky&amp;quot; items such as: &lt;br /&gt;
&lt;br /&gt;
-Handkerchief (good-bye forever)&lt;br /&gt;
&lt;br /&gt;
-Scissors/knife (want to &amp;quot;cut&amp;quot; the relationship)&lt;br /&gt;
&lt;br /&gt;
-Umbrella (break up)[[User:Humus|Humus]] 15:22, 4 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
-Clock, as a birthday gift (in Chinese this sounds like &amp;quot;bury parents&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
-Jasmine or plum blossoms to a businessman (In Chinese these words sound like the words for unlucky business events)&lt;br /&gt;
&lt;br /&gt;
= Visiting=&lt;br /&gt;
[[File:Teapot.JPG|150px|thumb|left|Teapot, photo by Andy Titcomb.  Click [http://en.wikipedia.org/wiki/File:Chinese_teapot.JPG here] for original source.]]&lt;br /&gt;
Remember, it pays to be extra polite (by American standards). Here are some &amp;quot;Do's&amp;quot; and &amp;quot;Don'ts&amp;quot; for when visiting, or being visited.&lt;br /&gt;
&lt;br /&gt;
Do:&lt;br /&gt;
* Offer your guest tea- give a 3/4 full cup with both hands (one hand under the cup, one hand holding it)&lt;br /&gt;
* Accept the tea- receive with '''both hands''' and take a few sips even if you are not thirsty. (see the &amp;quot;Don'ts&amp;quot; for what to do if you don't drink tea)&lt;br /&gt;
* Accept gifts if offered by your guest- or bring a gift if you are the visitor (good gifts are- foodstuffs/fruit, cloth, Handicrafts, cash (&amp;quot;red packet&amp;quot;)&lt;br /&gt;
* Ask your guests to stay longer (or to visit again)&lt;br /&gt;
* Accompany them to the door&lt;br /&gt;
* Watch them leave &lt;br /&gt;
&lt;br /&gt;
Don't:&lt;br /&gt;
* Refuse the offer of tea (although it is OK to request a cup of hot water &amp;quot;White Tea&amp;quot;, if you don't drink tea)&lt;br /&gt;
* Refuse an offered gift (DON'T embarrass your guests)&lt;br /&gt;
* Open the gift in front of the giver (DON'T embarrass your guest)&lt;br /&gt;
* (Hosts) don't turn your back and go inside right after you say goodbye (it's rude)&lt;br /&gt;
&lt;br /&gt;
=Eating out- Banquets=&lt;br /&gt;
[[File:Restaurant round table.jpg|150px|thumb|right|Restaurant table setting, photo by Hatestye.  Click [http://en.wikipedia.org/wiki/File:HK_Sai_Ying_Pun_%E5%90%8D%E6%98%9F%E6%B5%B7%E9%AE%AE%E9%85%92%E5%AE%B6_Star_Seafood_Restaurant_round_table_March-2012_Ip4.jpg here] for original source.]]&lt;br /&gt;
Expect to be invited to eat out, it is a common way for the Chinese to get to know you. Unless you know them very well, it is rude to &amp;quot;talk business&amp;quot; at dinner- the goal is to get to know you- business can come later. Here are some &amp;quot;Do's&amp;quot; and &amp;quot;Don'ts&amp;quot; for eating out.&lt;br /&gt;
&lt;br /&gt;
Do:&lt;br /&gt;
* Hand out invitations when inviting them to dinner (respect your guests)&lt;br /&gt;
* Wait for your host to seat you&lt;br /&gt;
* Remember, politeness counts! &lt;br /&gt;
&lt;br /&gt;
Don't:&lt;br /&gt;
* Take the best seat, unless directed there (the guest of honor faces the main door and is seated to the right of the host)&lt;br /&gt;
* Hit your empty bowl with your chopsticks&lt;br /&gt;
* Stick your chopsticks upright in your rice (signifies that this food is an offering to the dead)&lt;br /&gt;
* Reach over another person for food (be polite)&lt;br /&gt;
* Let you chopsticks hover over the food on the table while you decide what you want to eat. Be polite. Use the serving chopsticks (if there are any) and not your own pair, to pick up food from a central plate.&lt;br /&gt;
&lt;br /&gt;
= Miscellaneous =&lt;br /&gt;
Here are some other tips for polite (according to the Chinese) behavior.&lt;br /&gt;
[[File:Red envelopes- wikipedia.jpg|150px|thumb|right|Red packets, photo by Oldie.  Click [http://en.wikipedia.org/wiki/Red_envelope here] for original source.]]&lt;br /&gt;
&lt;br /&gt;
Do:&lt;br /&gt;
* If you are attending a funeral? Do wear somber color clothing.&lt;br /&gt;
* For a Birthday? A gift of wine symbolizes long life. Don't cut the longevity noodles.&lt;br /&gt;
* Gifts for a Birth? Good gifts: red packet (cash), baby food, jewelry,  articles for everyday use&lt;br /&gt;
* Red packets (red envelopes with space to include some money) are always acceptable as gifts-&lt;br /&gt;
&lt;br /&gt;
Don't:&lt;br /&gt;
* Don't ask new acquaintances personal questions such as: how old are you? how much do you make?&lt;br /&gt;
* Don't point at people (like Americans do, with one finger), use full hand and gesture in their direction&lt;br /&gt;
* Don't call out &amp;quot;hey!&amp;quot; Address the person by name, or, better yet, title.&lt;br /&gt;
* Don't insult someone (as in calling a fat person a &amp;quot;pig.&amp;quot;) &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
Remember...Courtesy counts. &lt;br /&gt;
&lt;br /&gt;
It is better to be too formal than too casual in your relationships. &lt;br /&gt;
&lt;br /&gt;
If in doubt, follow their lead; your Chinese associates know the &amp;quot;proper&amp;quot; way to behave.&lt;br /&gt;
&lt;br /&gt;
=Works Cited=&lt;br /&gt;
Fu Chunjiang, Asiapac (January 31, 2003)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=The_Traditional_Role_of_Women_in_China&amp;diff=4137</id>
		<title>The Traditional Role of Women in China</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=The_Traditional_Role_of_Women_in_China&amp;diff=4137"/>
		<updated>2012-12-05T18:06:36Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Women in China and their Confucius roll: A girl born is characteristically placed under the bed in her Chinese home and therefore her place takes-on the service to family. For a play thing, a toy, pieces of broken pot are put there with her. From this means industriousness for her, to come from her. An offering too is made to the ancestors.[[User:Tim G|Tim G]] 15:50, 4 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
I must add &amp;quot;why&amp;quot; this topic appealed to me: in addition to the fact that I feel inadequate to report on China's' Literature, I was raised by a Woman. When Mom is the only adult figure in the home, &amp;quot;raised by a woman&amp;quot; means something different than the traditional. My Mom returned to college after a divorce to get her masters degree. She is 77 years old now and is and always has been the biggest cheerleader of each of her 5 children. My feeling is that a Chinese Woman as well as all Women, ancient and modern, have generally got the short end of the stick in these areas of life- stepping out on spouse and education. I would include career but feel that the road here comes to a fork, one way leading to success outside of the home while the other emphasizing the innate nurturing of a child bringing forth the next generation. I think this crevasse, gulch, should never be created. No forks in the road when family could get left-out to loose.[[User:Tim G|Tim G]] 15:50, 4 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
There are two principles that should come to the wonderful women of China, a boon and vision for all the world: One stems from mating for life of eagles, geese, and wolves. If these worthy animals mate for life, what are humans or what do humans do that puts them in a like category or a pure state? There are many religions which aspire to an eternal end of things, why not eternal life with spouse? The second thing is ancestral worship. I don't espouse ancestral worship, nevertheless, gathering ancestors together as if forming a chain or a link to the sacred unit- family is a principle widely ascribed-to. Therefore, is not the role of women in China indirectly or even directly connected to eternal life with spouse and family. I have said before that the woman in China and women world wide have often gotten the short end of the stick. Well, here I infer that grace, service, and honor should be ascribed them and is ascribed them, only allow them the agency to enjoy it(for the government has had its way with suppression.)[[User:Tim G|Tim G]] 12:22, 3 December 2012 (UTC)[[User:Tim G|Tim G]] 15:50, 4 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=The_Traditional_Role_of_Women_in_China&amp;diff=4136</id>
		<title>The Traditional Role of Women in China</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=The_Traditional_Role_of_Women_in_China&amp;diff=4136"/>
		<updated>2012-12-05T18:06:08Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Women in China and their Confucius roll: A girl born is characteristically placed under the bed in her Chinese home and therefore her place takes-on the service to family. For a play thing, a toy, pieces of broken pot are put there with her. From this means industriousness for her, to come from her. An offering too is made to the ancestors.[[User:Tim G|Tim G]] 15:50, 4 December 2012 (UTC)&lt;br /&gt;
I must add &amp;quot;why&amp;quot; this topic appealed to me: in addition to the fact that I feel inadequate to report on China's' Literature, I was raised by a Woman. When Mom is the only adult figure in the home, &amp;quot;raised by a woman&amp;quot; means something different than the traditional. My Mom returned to college after a divorce to get her masters degree. She is 77 years old now and is and always has been the biggest cheerleader of each of her 5 children. My feeling is that a Chinese Woman as well as all Women, ancient and modern, have generally got the short end of the stick in these areas of life- stepping out on spouse and education. I would include career but feel that the road here comes to a fork, one way leading to success outside of the home while the other emphasizing the innate nurturing of a child bringing forth the next generation. I think this crevasse, gulch, should never be created. No forks in the road when family could get left-out to loose.[[User:Tim G|Tim G]] 15:50, 4 December 2012 (UTC)&lt;br /&gt;
There are two principles that should come to the wonderful women of China, a boon and vision for all the world: One stems from mating for life of eagles, geese, and wolves. If these worthy animals mate for life, what are humans or what do humans do that puts them in a like category or a pure state? There are many religions which aspire to an eternal end of things, why not eternal life with spouse? The second thing is ancestral worship. I don't espouse ancestral worship, nevertheless, gathering ancestors together as if forming a chain or a link to the sacred unit- family is a principle widely ascribed-to. Therefore, is not the role of women in China indirectly or even directly connected to eternal life with spouse and family. I have said before that the woman in China and women world wide have often gotten the short end of the stick. Well, here I infer that grace, service, and honor should be ascribed them and is ascribed them, only allow them the agency to enjoy it(for the government has had its way with suppression.)[[User:Tim G|Tim G]] 12:22, 3 December 2012 (UTC)[[User:Tim G|Tim G]] 15:50, 4 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:The_Traditional_Role_of_Women_in_China&amp;diff=4135</id>
		<title>Talk:The Traditional Role of Women in China</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:The_Traditional_Role_of_Women_in_China&amp;diff=4135"/>
		<updated>2012-12-05T18:04:22Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Just look for some ways to structure and expand on this idea. Some more research. [[User:winghei|Winghei]] :00 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
I appreciate your comments and your views. To make this an article though, you need to list sources- for example, where did you find out about putting the baby under the bed, and being given pot shards to play with? There is a lot of material available on this subject. It will be nice to see your article when you have had a chance to look some of it up and report on it. Happy researching! [[User:Dekeo|Dekeo]] 18:03, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:The_Traditional_Role_of_Women_in_China&amp;diff=4134</id>
		<title>Talk:The Traditional Role of Women in China</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:The_Traditional_Role_of_Women_in_China&amp;diff=4134"/>
		<updated>2012-12-05T18:03:58Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Just look for some ways to structure and expand on this idea. Some more research. [[User:winghei|Winghei]] :00 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
I appreciate your comments and your views. To make this an article though, you need to list sources- for example, where did you find out about putting the baby under the bed, and being given pot shards to play with? There is a lot of material available on this subject. It will be nice to see your article when you have had a chance to look some of it up and report on it. Happy researching![[User:Dekeo|Dekeo]] 18:03, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4133</id>
		<title>Talk:Chinese Philosophy, Religion, and Beliefs</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4133"/>
		<updated>2012-12-05T17:57:05Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I fixed up your picture for you.&lt;br /&gt;
&lt;br /&gt;
Also, remember that, when you find a picture you need to go all the way to the original website that posted the picture.For example, on Google images, if you look to the right, you see a link to the website that the picture came from. You need to go to that page to check for copyright issues. Otherwise, you might be breaking the copyright on that picture. To avoid this issue, look up pictures that are free for anyone to use- Wikipedia Commons has a lot of them (try looking up your person in Wikipedia; click on a picture and it will take you to the page where you can check the copyright- most of the ones I've seen are free to use.) &lt;br /&gt;
&lt;br /&gt;
This is a nice summary of folks, but you don't list your sources. Even though this isn't a paper you print out and hand in, the sources need to be listed.[[User:Dekeo|Dekeo]] 17:25, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4132</id>
		<title>Talk:Chinese Philosophy, Religion, and Beliefs</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4132"/>
		<updated>2012-12-05T17:56:50Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I fixed up your picture for you.&lt;br /&gt;
&lt;br /&gt;
Also, remember that, when you find a picture you need to go all the way to the original website that posted the picture.For example, on Google images, if you look to the right, you see a link to the website that the picture came from. You need to go to that page to check for copyright issues. Otherwise, you might be breaking the copyright on that picture. To avoid this issue, look up pictures that are free for anyone to use- Wikipedia Commons has a lot of them (try looking up your person in Wikipedia; click on a picture and it will take you to the page where you can check the copyright- most of the ones I've seen are free to use.) &lt;br /&gt;
&lt;br /&gt;
 This is a nice summary of folks, but you don't list your sources. Even though this isn't a paper you print out and hand in, the sources need to be listed.[[User:Dekeo|Dekeo]] 17:25, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Pre-modern_Chinese_Literature_through_the_end_of_the_Ming_Dynasty&amp;diff=4131</id>
		<title>Talk:Pre-modern Chinese Literature through the end of the Ming Dynasty</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Pre-modern_Chinese_Literature_through_the_end_of_the_Ming_Dynasty&amp;diff=4131"/>
		<updated>2012-12-05T17:54:55Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: Created page with 'I fixed up two of your pictures for you. Remember,you need to &amp;quot;upload file&amp;quot; before you can link it to your article. If you put in the picture info (like you have- check your othe…'&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I fixed up two of your pictures for you. Remember,you need to &amp;quot;upload file&amp;quot; before you can link it to your article. If you put in the picture info (like you have- check your other two pictures on the &amp;quot;edit&amp;quot; page to see what I'm talking about)and the &amp;quot;File&amp;quot; is in red print, it means that you haven't uploaded the picture yet. Log on and click on the &amp;quot;upload file&amp;quot; link on the left side of the page. It will take you the proper page. Fill in the info, click, and the computer will upload the picture. Then, copy the name you saved it as and go back to your page edit screen to be sure that the file name matches. Save the edit and your picture should now show up! It sounds more complicated than it is. That's why I didn't fix all your pictures- I left a couple for you to practice on.&lt;br /&gt;
&lt;br /&gt;
Also, remember that, when you find a picture you need to go all the way to the original website that posted the picture.For example, On Google images, if you look to the right, you see a link to the website that the picture came from. You need to go to that page to check for copyright issues. Otherwise, you might be breaking the copyright on that picture. To avoid this issue, look up pictures that are free for anyone to use- Wikipedia Commons has a lot of them (try looking up your person in Wikipedia; click on a picture and it will take you to the page where you can check the copyright- most of the ones I've seen are free to use.) &lt;br /&gt;
&lt;br /&gt;
OK so it is a long post- I hope it helps. I enjoyed your article.[[User:Dekeo|Dekeo]] 17:54, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Pre-modern_Chinese_Literature_through_the_end_of_the_Ming_Dynasty&amp;diff=4130</id>
		<title>Pre-modern Chinese Literature through the end of the Ming Dynasty</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Pre-modern_Chinese_Literature_through_the_end_of_the_Ming_Dynasty&amp;diff=4130"/>
		<updated>2012-12-05T17:40:32Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* [[Pre-modern Chinese Literature through the end of the Ming Dynasty]] [[User:Telmar L|Telmar L]] 17:01, 4 December 2012 (UTC)&lt;br /&gt;
[[File:Du_Fu1-241x350.jpg|400px|thumb|left|&amp;quot;Du-Fu Poetry&amp;quot; Click [http://www.theepochtimes.com/n2/images/stories/large/2012/01/16/Du_Fu1-241x350.jpg here] for original source.]]&lt;br /&gt;
&lt;br /&gt;
Chinese Literature is well prefaced by the traditional myths and legends that have been passed down from many generations. Some of these legends illustrate the beginnings of the world and the formation of mankind. Not unlike the westerner's familiarity with The Bible which details it's own version of the origins of mankind, the mythology talks of Pan Gu who came before the Earth was created and later became a part of the earth. The legend talks about Nuwa the Goddess that created humankind from clay. Even the details of the early myths are referenced in later works of authors and poets to the present day.&lt;br /&gt;
=Pre-Qin Literature=&lt;br /&gt;
'''Book of Songs''': The book of songs is also known as the ''Shi Ching'' It contains 4 different types of works including Airs, Minor Odes, Major Odes, and Dynastic Songs. Often the poetry contains four lines of four syllables and makes references to the nature in people or their agrarian culture. Some of these poems are as old as 1000 BCE.&lt;br /&gt;
&lt;br /&gt;
'''Songs of Chu''': This poetry is mainly in reference to the work of Poet Qu Yuan. The poetry is localized originally to the Hunan Hubei provinces with the specific usage of that region's phonology contained in the poetry. his poetry is also called the ''The Elegies of Chu''. The poetry was influenced by the Warring States period which was concurrent with this author's works.&lt;br /&gt;
= Literature of the Han Dynasty=&lt;br /&gt;
'''Yue Fu''': Literally means ''Music Bureau'' or the collections of lyrics specifically for songs and poems used for royal purposes whether commissioned or for use in the palace. Different melodies could be applied to these lyrics and many were altered throughout time.&lt;br /&gt;
&lt;br /&gt;
'''Jian'an''': At the end of the Han dynasty, during a a time of social difficulty many writer such as ''The Three Cao's'', ''Cai Yan'', and ''The Seven Scholar's of Jian 'an'' wrote poetry reflecting the sentiments of the time. Most of the works are five-character verses. The poetry was more prose-like than trying to portray the situations as they were occurring literally.&lt;br /&gt;
&lt;br /&gt;
=Landscape Poetry=&lt;br /&gt;
This poetry as it is easily interpreted; dealt with the expressions of landscape and nature surrounding the people. Glorifying the natural beauty that existed and still exists in China and it's surrounding regions today. One such prolific poet was Xie Lingyun whose poetry of mountains and streams made up a large genre of landscape poetry. &amp;quot;Xie Lingyun&amp;quot;[[File:Xie lingyun the founder of chinese natural landscape poems7773eb00ed9a69f8de9f.jpg|200px|thumb|left|Click [http://www.google.com/imgres?um=1&amp;amp;hl=en&amp;amp;safe=off&amp;amp;client=firefox-a&amp;amp;tbo=d&amp;amp;rls=org.mozilla:en-US:official&amp;amp;biw=1280&amp;amp;bih=707&amp;amp;tbm=isch&amp;amp;tbnid=L25B26NsFszaFM:&amp;amp;imgrefurl=http://history.cultural-china.com/en/59History5558.html&amp;amp;docid=hyWNyI4KR8jCLM&amp;amp;imgurl=http://history.cultural-china.com/chinaWH/upload/upfiles/2009-07/22/xie_lingyun_the_founder_of_chinese_natural_landscape_poems7773eb00ed9a69f8de9f.jpg&amp;amp;w=470&amp;amp;h=352&amp;amp;ei=8eu-UL2cBo-FqQGzpYHgCw&amp;amp;zoom=1&amp;amp;iact=rc&amp;amp;dur=327&amp;amp;sig=100621084183800483950&amp;amp;page=1&amp;amp;tbnh=143&amp;amp;tbnw=185&amp;amp;start=0&amp;amp;ndsp=27&amp;amp;ved=1t:429,r:0,s:0,i:83&amp;amp;tx=94&amp;amp;ty=84]here for original source.]]&lt;br /&gt;
&lt;br /&gt;
=Literature of the Tang Dynasty=&lt;br /&gt;
&lt;br /&gt;
Also known as the Golden Age of Chinese Poetry, Many of these poems were required to memorized for civil examinations in which poems were selected to be given an original interpretation. A book entitled ''Three Hundred Tang Poems'' is still standard poetry in China today. There were two prominent Chinese poets in the Tang Dynasty.&lt;br /&gt;
&lt;br /&gt;
'''Du Fu''': Wrote many five character verses,and was disturbed by the ''An Lushan Rebellion'' which occurred during his lifetime and influenced his poetry.&lt;br /&gt;
[[File:Du-Fu.jpg|220px|thumb|left|&amp;quot;Du-Fu&amp;quot; Click [http:http://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Dufu.jpg/250px-Dufu.jpg]here for original source.]]&lt;br /&gt;
&lt;br /&gt;
'''Li Bai''': Was part of a prestigious group of eight Chinese scholars. He traveled much in his life and much of his poetry was written while drunk with wine.&lt;br /&gt;
&lt;br /&gt;
= Literature of the Song Dynasty=&lt;br /&gt;
Was flexible verse that was applied to the many changing folk tunes of the times.The songs were patriotic or rich in their description of nature like the Tang Dynasty Poems. Some poets of the time were ''Su Shi'', ''Li Qingzhao'', and ''Fan Zhongyan.''&lt;br /&gt;
&lt;br /&gt;
=Literature of the Yuan Dynasty=&lt;br /&gt;
'''Wang Shifu''': Born in what is known as modern day Beijing, he was the leading dramatist of the Yuan Dynasty.NOt only one leading Role in his plays was given a singing part but all of the characters involved. this is exemplified in his play ''The Story of the Western Wing, also published as The Romance of the Western Chamber''&lt;br /&gt;
&lt;br /&gt;
=Literature of the Ming Dynasty= &lt;br /&gt;
'''Journey to the West''': Famous literature of the Ming Dynasty is not mentioned without the epic tale of the Journey to the West. This piece of literature continues to be released in various forms and purposes and is one of the most popular references to be seen in advertising in the current media.&lt;br /&gt;
[[File:Journey-to-the-west.jpg|220px|thumb|left|&amp;quot;Journey to the West&amp;quot; Click [http://www.google.com/imgres?um=1&amp;amp;hl=en&amp;amp;safe=off&amp;amp;client=firefox-a&amp;amp;sa=N&amp;amp;tbo=d&amp;amp;rls=org.mozilla:en-US:official&amp;amp;biw=1280&amp;amp;bih=707&amp;amp;tbm=isch&amp;amp;tbnid=6MTJJtOgU7Wg9M:&amp;amp;imgrefurl=http://www.mentorless.com/2011/06/30/neil-gaiman-on-american-gods-journey-to-the-west-and-how-he-created-a-god/&amp;amp;docid=Y3FAzf_yJgP7TM&amp;amp;imgurl=http://www.mentorless.com/wp-content/uploads/2011/06/Journey-to-the-west.jpg&amp;amp;w=576&amp;amp;h=547&amp;amp;ei=3ue-ULacA8OarAGb8YHoBg&amp;amp;zoom=1&lt;br /&gt;
]here for original source.]]&lt;br /&gt;
&lt;br /&gt;
Its main character is a monkey named Sun Wukong who learns the mysteries of mortality and even &amp;quot;magical skills&amp;quot; on his journey. He leads and army and defeats the Eastern Dragon King which thereby releases his his fellow band of monkey from the endless cycle of death and rebirth. In his  story he steals many precious items, upsets many gods and is eventually trapped by Buddha. Tan San Zang is the subject of the next section and the story continues to illustrate his pilgrimage to the Western Heaven. In the third section San Wukong and Tan San Zang are united with the introduction of some new characters who each add an interesting dynamic on their journey to the Western Heaven which they complete and ultimately attain Buddhahood.&lt;br /&gt;
&lt;br /&gt;
=Powerpoint presentation=&lt;br /&gt;
[[File:c:\users\vostro ii\documents\premodern chinese lit.pptx]]&lt;br /&gt;
=Sources=&lt;br /&gt;
&amp;lt;http://www.chinese-poems.com/&amp;gt;&lt;br /&gt;
&amp;lt;http://web.cn.edu/kwheeler/chinese_poetry.html&amp;gt;&lt;br /&gt;
&amp;lt;http://www.chinaknowledge.de/Literature/Classics/shijing.html#xiaoya&amp;gt;&lt;br /&gt;
&amp;lt;http://www.foreignercn.com/index.php?option=com_content&amp;amp;view=article&amp;amp;id=2890:tang-poetry-&amp;amp;catid=1:history-and-culture&amp;amp;Itemid=114&amp;gt;&lt;br /&gt;
&amp;lt;http://www.vbtutor.net/xiyouji/summary.htm&amp;gt;&lt;br /&gt;
&amp;lt;http://history.cultural-china.com/en/61History517.html&amp;gt;&lt;br /&gt;
&amp;lt;http://www.silkqin.com/05poet/yfsj.htm&amp;gt;&lt;br /&gt;
&amp;lt;http://www.britannica.com/EBchecked/topic/635412/Wang-Shifu&amp;gt;&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=File:Xie_lingyun_the_founder_of_chinese_natural_landscape_poems7773eb00ed9a69f8de9f.jpg&amp;diff=4129</id>
		<title>File:Xie lingyun the founder of chinese natural landscape poems7773eb00ed9a69f8de9f.jpg</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:Xie_lingyun_the_founder_of_chinese_natural_landscape_poems7773eb00ed9a69f8de9f.jpg&amp;diff=4129"/>
		<updated>2012-12-05T17:37:56Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: http://www.google.com/imgres?um=1&amp;amp;hl=en&amp;amp;safe=off&amp;amp;client=firefox-a&amp;amp;tbo=d&amp;amp;rls=org.mozilla:en-US:official&amp;amp;biw=1280&amp;amp;bih=707&amp;amp;tbm=isch&amp;amp;tbnid=L25B26NsFszaFM:&amp;amp;imgrefurl=http://history.cultural-china.com/en/59History5558.html&amp;amp;docid=hyWNyI4KR8jCLM&amp;amp;imgurl=http://his&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;http://www.google.com/imgres?um=1&amp;amp;hl=en&amp;amp;safe=off&amp;amp;client=firefox-a&amp;amp;tbo=d&amp;amp;rls=org.mozilla:en-US:official&amp;amp;biw=1280&amp;amp;bih=707&amp;amp;tbm=isch&amp;amp;tbnid=L25B26NsFszaFM:&amp;amp;imgrefurl=http://history.cultural-china.com/en/59History5558.html&amp;amp;docid=hyWNyI4KR8jCLM&amp;amp;imgurl=http://history.cultural-china.com/chinaWH/upload/upfiles/2009-07/22/xie_lingyun_the_founder_of_chinese_natural_landscape_poems7773eb00ed9a69f8de9f.jpg&amp;amp;w=470&amp;amp;h=352&amp;amp;ei=8eu-UL2cBo-FqQGzpYHgCw&amp;amp;zoom=1&amp;amp;iact=rc&amp;amp;dur=327&amp;amp;sig=100621084183800483950&amp;amp;page=1&amp;amp;tbnh=143&amp;amp;tbnw=185&amp;amp;start=0&amp;amp;ndsp=27&amp;amp;ved=1t:429,r:0,s:0,i:83&amp;amp;tx=94&amp;amp;ty=84&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=File:Du_Fu1-241x350.jpg&amp;diff=4128</id>
		<title>File:Du Fu1-241x350.jpg</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:Du_Fu1-241x350.jpg&amp;diff=4128"/>
		<updated>2012-12-05T17:35:11Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: www.theepochtimes.com/n2/images/stories/large/2012/01/16/Du_Fu1-241x350.jpg&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;www.theepochtimes.com/n2/images/stories/large/2012/01/16/Du_Fu1-241x350.jpg&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Chinese_Film_Timeline&amp;diff=4127</id>
		<title>Talk:Chinese Film Timeline</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Chinese_Film_Timeline&amp;diff=4127"/>
		<updated>2012-12-05T17:28:01Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I like your use of pictures![[User:winghei|Winghei]] :00 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Nice start. I look forward to reading the finished timeline [[User:Dekeo|Dekeo]] 17:28, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4126</id>
		<title>Talk:Chinese Philosophy, Religion, and Beliefs</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4126"/>
		<updated>2012-12-05T17:25:28Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: Created page with 'I fixed up your picture for you. This is a nice summary of folks, but you don't list your sources. Even though this isn't a paper you print out and hand in, the sources need to b…'&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I fixed up your picture for you. This is a nice summary of folks, but you don't list your sources. Even though this isn't a paper you print out and hand in, the sources need to be listed.[[User:Dekeo|Dekeo]] 17:25, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4125</id>
		<title>Chinese Philosophy, Religion, and Beliefs</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Chinese_Philosophy,_Religion,_and_Beliefs&amp;diff=4125"/>
		<updated>2012-12-05T17:19:10Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: /* Confucius */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Media:Chinese Ethics-presentation 2]]=Chinese Ethics=&lt;br /&gt;
*Chinese Philosophy, Religion, and Beliefs [[User:Jenessa L|Jenessa L]] 03:11, 4 December 2012 (UTCB)&lt;br /&gt;
&lt;br /&gt;
Before the warring states period China's religious beliefs were minimal.  Philosophy made its way into China during the Spring and Autumn Warring States Period.  Many of the scholars introduced at this time include: Confucius, Mencius, Laozi, Zhuangzi, Sunzi, Mozi and Han Feizi.  &lt;br /&gt;
=== Confucius ===&lt;br /&gt;
Although Confucius was raised in poverty he gained a good education.  Because of this Confucius emphasized the importance of education from people in all types of classes.  His ideas gained fame only after Confucius had passed away.[[File:ConfuciusID.JPG|200px|thumb|right|Confucius Click [http://www.google.com/imgres?q=confucius&amp;amp;hl=en&amp;amp;sa=X&amp;amp;tbo=d&amp;amp;biw=1034&amp;amp;bih=619&amp;amp;tbm=isch&amp;amp;tbnid=ItDqmSNf1IU-kM:&amp;amp;imgrefurl=https://twitter.com/confucius140&amp;amp;docid=I-FIMMEMhuItPM&amp;amp;imgurl=https://twimg0-a.akamaihd.net/profile_images/322783172/confuciusID.JPG&amp;amp;w=240&amp;amp;h=280&amp;amp;ei=v5m-ULXcFe_DiwKj5oGACQ&amp;amp;zoom=1&amp;amp;iact=hc&amp;amp;vpx=4&amp;amp;vpy=159&amp;amp;dur=2442&amp;amp;hovh=224&amp;amp;hovw=192&amp;amp;tx=85&amp;amp;ty=102&amp;amp;sig=113499008382305340382&amp;amp;page=3&amp;amp;tbnh=146&amp;amp;tbnw=128&amp;amp;start=49&amp;amp;ndsp=28&amp;amp;ved=1t:429,r:63,s:0,i:345.JPG here]for original source.]]&lt;br /&gt;
&lt;br /&gt;
=== Han Feizi ===&lt;br /&gt;
Han Feizi taught that rulers must keep ultimate control over their subjects by strictly punishing them for their disobedience.  Without harsh punishments the rule breaking would only be encouraged.[[User:Humus|Humus]] 15:39, 4 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
=== Mozi ===&lt;br /&gt;
Mozi was the founder of the Mohist school.  He felt that war was the worst thing that only led to hurt and pain.  He taught that love should be all embracing and people should love others as they love themselves.&lt;br /&gt;
The Mohist School was one of the main schools of thought during the Spring and Autumn Warring States Period.&lt;br /&gt;
Mohism was opposed to the teachings of Confucius and Taoism.  Mohist beliefs were popular until the Legalist Qin Dynasty came into power.  Many of the Mohist classics were ruined when Qin Shi Huang carried out the burning of books and elimination of scholars.&lt;br /&gt;
&lt;br /&gt;
== Religions ==&lt;br /&gt;
&lt;br /&gt;
=== Taoism ===&lt;br /&gt;
Taoism was founded during the eastern Han period.  &lt;br /&gt;
Tao means path or principle and Taoists believe that the only way to reach Tao is to live a life free from desires.&lt;br /&gt;
Laozi was the founder of Taoism.  He wrote, “The Classic of the Virtue of the Tao” it is the Taoist scripture.&lt;br /&gt;
&lt;br /&gt;
=== Buddhism ===&lt;br /&gt;
Buddhism was introduced into China by an Indian monk, Bodhidharma.  When Buddhism was introduced into China it began to gain Chinese elements such as Zen Buddhism.[[User:Humus|Humus]] 15:41, 4 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
=== Islam ===&lt;br /&gt;
Islam was founded by Muhammad and spread to China from Arabia during the Tang Dynasty.&lt;br /&gt;
Minority groups in China are Muslim.[[User:Humus|Humus]] 15:42, 4 December 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
=== Christianity ===&lt;br /&gt;
Christianity was introduced to China during the early Tang Dynasty but did not gain influence until the Ming and Qing Dynasties when Christian missionaries from the west combined the faith with western culture and science.&lt;br /&gt;
&lt;br /&gt;
=== Ancestral Worship ===&lt;br /&gt;
The Chinese hold their ancestors in high regard.  They view their ancestors that have passed away as their guardians.&lt;br /&gt;
&lt;br /&gt;
=== Deity Worship ===&lt;br /&gt;
The Chinese like the Greeks have their own deities that they worship for specific causes of things.&lt;br /&gt;
Every seventh day of the seventh lunar month the Chinese celebrate their own version of Valentine’s Day.  This story involves the seventh daughter of the Emperor of heaven and an orphaned farm boy falling in love and meeting once a year.&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=File:ConfuciusID.JPG&amp;diff=4124</id>
		<title>File:ConfuciusID.JPG</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:ConfuciusID.JPG&amp;diff=4124"/>
		<updated>2012-12-05T17:11:17Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: http://www.google.com/imgres?q=confucius&amp;amp;hl=en&amp;amp;sa=X&amp;amp;tbo=d&amp;amp;biw=1034&amp;amp;bih=619&amp;amp;tbm=isch&amp;amp;tbnid=ItDqmSNf1IU-kM:&amp;amp;imgrefurl=https://twitter.com/confucius140&amp;amp;docid=I-FIMMEMhuItPM&amp;amp;imgurl=https://twimg0-a.akamaihd.net/profile_images/322783172/confuciusID.JPG&amp;amp;w=240&amp;amp;h&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;http://www.google.com/imgres?q=confucius&amp;amp;hl=en&amp;amp;sa=X&amp;amp;tbo=d&amp;amp;biw=1034&amp;amp;bih=619&amp;amp;tbm=isch&amp;amp;tbnid=ItDqmSNf1IU-kM:&amp;amp;imgrefurl=https://twitter.com/confucius140&amp;amp;docid=I-FIMMEMhuItPM&amp;amp;imgurl=https://twimg0-a.akamaihd.net/profile_images/322783172/confuciusID.JPG&amp;amp;w=240&amp;amp;h=280&amp;amp;ei=v5m-ULXcFe_DiwKj5oGACQ&amp;amp;zoom=1&amp;amp;iact=hc&amp;amp;vpx=4&amp;amp;vpy=159&amp;amp;dur=2442&amp;amp;hovh=224&amp;amp;hovw=192&amp;amp;tx=85&amp;amp;ty=102&amp;amp;sig=113499008382305340382&amp;amp;page=3&amp;amp;tbnh=146&amp;amp;tbnw=128&amp;amp;start=49&amp;amp;ndsp=28&amp;amp;ved=1t:429,r:63,s:0,i:345.JPG&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Talk:China_Economy&amp;diff=4123</id>
		<title>Talk:China Economy</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Talk:China_Economy&amp;diff=4123"/>
		<updated>2012-12-05T17:03:57Z</updated>

		<summary type="html">&lt;p&gt;Dekeo: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The PowerPoint looks interesting-Who's is this? You need to &amp;quot;sign&amp;quot; it remember? (click on&amp;quot;~&amp;quot; 4 times to sign). Also, it would be nice if there was a little written material (and maybe a picture) too. [[User:Dekeo|Dekeo]] 22:20, 11 October 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
I think, it is a little bit short. [[User:Root|Root]] 11:16, 23 October 2012 (UTC)&lt;br /&gt;
&lt;br /&gt;
Don't forget to list your sources. You mention some, in the body of your text, but, until you list sources (for example, how did you find out about the &amp;quot;green city&amp;quot;? If it was online, you could list the website at the end of the paper). Until you do, it is just your opinions. Also, it would be good to check the spelling- it is &amp;quot;Tiananmen Square &amp;quot;; you can look words up online to verify them (the spell checker isn't always right when it comes to foreign words!). Nice job.[[User:Dekeo|Dekeo]] 17:03, 5 December 2012 (UTC)&lt;/div&gt;</summary>
		<author><name>Dekeo</name></author>
	</entry>
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