Ang Lee

2012-03-05T01:23:02Z

Jacob Glazier:

[[File:Ang Lee by Nicolas Genin.jpg|300px|thumb|right|Ang Lee in Venice. Photo by Nicolas Genin.]]
李安 (Lǐ Ān)

=='''Filmography'''==
[[File:Ang Lee by Mai Le.jpg|300px|thumb|right|Ang Lee at Mill Valley Film Festival 2007. Photo by Mai Le.]]
1992 Pushing Hands 
1993 The Wedding Banquet 
1994 Eat Drink Man Woman 
1995 Sense and Sensibility 
1997 The Ice Storm 
1999 Ride with the Devil 
2000 Crouching Tiger, Hidden Dragon 
2001 Chosen (short) 
2003 Hulk 
2005 Brokeback Mountain 
2007 Lust, Caution 
2009 Taking Woodstock 
2012 Life of Pi (post-production) 

(IMDb; Ang Lee)

=='''Trademarks'''==

Ang Lee trademarks are interesting for me to look at. One thing that he does is he works with two people very often in his movies. An actor that he used many times was Sihung Lung. He was in most of Lee’s Chinese movies (Pushing Hands; The Wedding Banquet; Eat Drink Man Woman; Crouching Tiger, Hidden Dragon) and I think would have continued to be in them had he not passed away on May 2, 2002. (IMDb; Sihung Lung) Lung played the a fatherly roll in these movies. Crouching Tiger is the one that he isn’t a direct father for anyone but acts like a father for Yu Shu Lien when she comes to stay with him when she takes the sword to him. Lee’s first three movies are described as by “Ang [Lee] calls it his ‘Father Knows Best’ trilogy, and it really is a trilogy,” said James Schamus. James is chief executive of Focus Features (Rother). Schamus is the other person who Lee works with a lot. In fact Schamus helped produce or write almost all of his movies (IMDb; Schamus).

“The figure of the father, even the flawed or absent father, is one of his most trenchant themes and is present, along with generational conflict, in all of his work.” said Whitney Crothers Dilley, professor in Taiwan at Shih Hsin University teaches literature and film studies and wrote a book about Lee (Rother). This is really interesting when you find out him because it is really well known for him to be kind of a rebel and a wild person. It makes me think of why he does it? It seems to me that he does things very thought out and has a kind of deeper meaning to things.

These deeper meaning things are sometimes the hard things that he takes on to describe in his movies a few examples are war, love and fitting in socially. Two of his more well known movies Sense and Sensibility and Crouching Tiger, Hidden Dragon are about women who are restricted in their society and how they handle it. These repressed women show their strengths and how others can do the same. The repressed people it seems like is who he focuses to portray. Lee has said, “I realized I’m very interested in, and identify with, the losing side” (Rother).

== '''Quotes''' ==
"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling."

"I don't know where I am, but I never know where I am. I was born in China, then my parents moved to Taiwan, where we were outsiders, then to the States, then back to China, then back here. I trust the elusive world created by movies more than anything else. I live on the other side of the screen."

"My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security. It was as if the world could turn against them at any moment."

"Nothing stands still. That's important in my movies. People want to believe in something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."

"Every movie I make. That's my hideout, the place I don't quite understand, but feel most at home."

"I think I find something new in each culture after being away for a bit, and that's creatively important. You can't move forward without changing, and that's why I try to stay open to new perspectives. I want to keep learning. If there's one thing I've learned, it's that you can never learn enough."

"I was never romantic in real life. That is why I have to make movies about it"

(IMDb; Ang Lee)

== '''References''' ==
"Ang Lee." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0000487/>. 
"James Schamus." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0770005/>. 
"Sihung Lung." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0485950/>. 
Rother, Larry. “Chasing Society’s Hidden Dragons.” ''New York Times.'' New York Times, 31 July 2009. Web. 1 March 2012. <http://www.nytimes.com/2009/08/01/movies/01lee.html>. 
Mottram, James. “Beyond the Mild Side.” ''The Independent.'' The Independent, 30 Oct. 2009. Web. 1 March 2012. <http://www.independent.co.uk/arts-entertainment/films/features/ang-lee--beyond-the-mild-side-1811465.html>. 
Coonan, Clifford. “Beijing’s bid for cool: Ang Lee’s Olympic Rapprochement.” ''The Independent.'' The Independent, 18 Oct. 2006. Web. 1 March 2012. <http://www.independent.co.uk/news/world/asia/beijings-bid-for-cool-ang-lees-olympic-rapprochement-420525.html>. 
Berry, Chris and Mary Farquhar. ''China on Screen: Cinema and Nation.'' New York Columbia University Press, 2006. 47, 69-74. Print

[[User:Jacob Glazier|Jacob Glazier]] 23:25, 3 March 2012 (UTC)

File:Ang Lee by Nicola Genin.jpg

2012-03-05T01:20:08Z

Jacob Glazier:

Ang Lee

2012-03-05T01:16:06Z

Jacob Glazier: /* Filmography */

李安 (Lǐ Ān)

=='''Filmography'''==
[[File:Ang Lee by Mai Le.jpg|300px|thumb|right|Ang Lee at Mill Valley Film Festival 2007. Photo by Mai Le.]]
1992 Pushing Hands 
1993 The Wedding Banquet 
1994 Eat Drink Man Woman 
1995 Sense and Sensibility 
1997 The Ice Storm 
1999 Ride with the Devil 
2000 Crouching Tiger, Hidden Dragon 
2001 Chosen (short) 
2003 Hulk 
2005 Brokeback Mountain 
2007 Lust, Caution 
2009 Taking Woodstock 
2012 Life of Pi (post-production) 

(IMDb; Ang Lee)

=='''Trademarks'''==

Ang Lee trademarks are interesting for me to look at. One thing that he does is he works with two people very often in his movies. An actor that he used many times was Sihung Lung. He was in most of Lee’s Chinese movies (Pushing Hands; The Wedding Banquet; Eat Drink Man Woman; Crouching Tiger, Hidden Dragon) and I think would have continued to be in them had he not passed away on May 2, 2002. (IMDb; Sihung Lung) Lung played the a fatherly roll in these movies. Crouching Tiger is the one that he isn’t a direct father for anyone but acts like a father for Yu Shu Lien when she comes to stay with him when she takes the sword to him. Lee’s first three movies are described as by “Ang [Lee] calls it his ‘Father Knows Best’ trilogy, and it really is a trilogy,” said James Schamus. James is chief executive of Focus Features (Rother). Schamus is the other person who Lee works with a lot. In fact Schamus helped produce or write almost all of his movies (IMDb; Schamus).

“The figure of the father, even the flawed or absent father, is one of his most trenchant themes and is present, along with generational conflict, in all of his work.” said Whitney Crothers Dilley, professor in Taiwan at Shih Hsin University teaches literature and film studies and wrote a book about Lee (Rother). This is really interesting when you find out him because it is really well known for him to be kind of a rebel and a wild person. It makes me think of why he does it? It seems to me that he does things very thought out and has a kind of deeper meaning to things.

These deeper meaning things are sometimes the hard things that he takes on to describe in his movies a few examples are war, love and fitting in socially. Two of his more well known movies Sense and Sensibility and Crouching Tiger, Hidden Dragon are about women who are restricted in their society and how they handle it. These repressed women show their strengths and how others can do the same. The repressed people it seems like is who he focuses to portray. Lee has said, “I realized I’m very interested in, and identify with, the losing side” (Rother).

== '''Quotes''' ==
"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling."

"I don't know where I am, but I never know where I am. I was born in China, then my parents moved to Taiwan, where we were outsiders, then to the States, then back to China, then back here. I trust the elusive world created by movies more than anything else. I live on the other side of the screen."

"My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security. It was as if the world could turn against them at any moment."

"Nothing stands still. That's important in my movies. People want to believe in something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."

"Every movie I make. That's my hideout, the place I don't quite understand, but feel most at home."

"I think I find something new in each culture after being away for a bit, and that's creatively important. You can't move forward without changing, and that's why I try to stay open to new perspectives. I want to keep learning. If there's one thing I've learned, it's that you can never learn enough."

"I was never romantic in real life. That is why I have to make movies about it"

(IMDb; Ang Lee)

== '''References''' ==
"Ang Lee." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0000487/>. 
"James Schamus." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0770005/>. 
"Sihung Lung." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0485950/>. 
Rother, Larry. “Chasing Society’s Hidden Dragons.” ''New York Times.'' New York Times, 31 July 2009. Web. 1 March 2012. <http://www.nytimes.com/2009/08/01/movies/01lee.html>. 
Mottram, James. “Beyond the Mild Side.” ''The Independent.'' The Independent, 30 Oct. 2009. Web. 1 March 2012. <http://www.independent.co.uk/arts-entertainment/films/features/ang-lee--beyond-the-mild-side-1811465.html>. 
Coonan, Clifford. “Beijing’s bid for cool: Ang Lee’s Olympic Rapprochement.” ''The Independent.'' The Independent, 18 Oct. 2006. Web. 1 March 2012. <http://www.independent.co.uk/news/world/asia/beijings-bid-for-cool-ang-lees-olympic-rapprochement-420525.html>. 
Berry, Chris and Mary Farquhar. ''China on Screen: Cinema and Nation.'' New York Columbia University Press, 2006. 47, 69-74. Print

[[User:Jacob Glazier|Jacob Glazier]] 23:25, 3 March 2012 (UTC)

Ang Lee

2012-03-05T01:15:50Z

Jacob Glazier: /* Trademarks */

李安 (Lǐ Ān)

=='''Filmography'''==
1992 Pushing Hands 
1993 The Wedding Banquet 
1994 Eat Drink Man Woman 
1995 Sense and Sensibility 
1997 The Ice Storm 
1999 Ride with the Devil 
2000 Crouching Tiger, Hidden Dragon 
2001 Chosen (short) 
2003 Hulk 
2005 Brokeback Mountain 
2007 Lust, Caution 
2009 Taking Woodstock 
2012 Life of Pi (post-production) 

(IMDb; Ang Lee)

=='''Trademarks'''==

Ang Lee trademarks are interesting for me to look at. One thing that he does is he works with two people very often in his movies. An actor that he used many times was Sihung Lung. He was in most of Lee’s Chinese movies (Pushing Hands; The Wedding Banquet; Eat Drink Man Woman; Crouching Tiger, Hidden Dragon) and I think would have continued to be in them had he not passed away on May 2, 2002. (IMDb; Sihung Lung) Lung played the a fatherly roll in these movies. Crouching Tiger is the one that he isn’t a direct father for anyone but acts like a father for Yu Shu Lien when she comes to stay with him when she takes the sword to him. Lee’s first three movies are described as by “Ang [Lee] calls it his ‘Father Knows Best’ trilogy, and it really is a trilogy,” said James Schamus. James is chief executive of Focus Features (Rother). Schamus is the other person who Lee works with a lot. In fact Schamus helped produce or write almost all of his movies (IMDb; Schamus).

“The figure of the father, even the flawed or absent father, is one of his most trenchant themes and is present, along with generational conflict, in all of his work.” said Whitney Crothers Dilley, professor in Taiwan at Shih Hsin University teaches literature and film studies and wrote a book about Lee (Rother). This is really interesting when you find out him because it is really well known for him to be kind of a rebel and a wild person. It makes me think of why he does it? It seems to me that he does things very thought out and has a kind of deeper meaning to things.

These deeper meaning things are sometimes the hard things that he takes on to describe in his movies a few examples are war, love and fitting in socially. Two of his more well known movies Sense and Sensibility and Crouching Tiger, Hidden Dragon are about women who are restricted in their society and how they handle it. These repressed women show their strengths and how others can do the same. The repressed people it seems like is who he focuses to portray. Lee has said, “I realized I’m very interested in, and identify with, the losing side” (Rother).

== '''Quotes''' ==
"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling."

"I don't know where I am, but I never know where I am. I was born in China, then my parents moved to Taiwan, where we were outsiders, then to the States, then back to China, then back here. I trust the elusive world created by movies more than anything else. I live on the other side of the screen."

"My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security. It was as if the world could turn against them at any moment."

"Nothing stands still. That's important in my movies. People want to believe in something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."

"Every movie I make. That's my hideout, the place I don't quite understand, but feel most at home."

"I think I find something new in each culture after being away for a bit, and that's creatively important. You can't move forward without changing, and that's why I try to stay open to new perspectives. I want to keep learning. If there's one thing I've learned, it's that you can never learn enough."

"I was never romantic in real life. That is why I have to make movies about it"

(IMDb; Ang Lee)

== '''References''' ==
"Ang Lee." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0000487/>. 
"James Schamus." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0770005/>. 
"Sihung Lung." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0485950/>. 
Rother, Larry. “Chasing Society’s Hidden Dragons.” ''New York Times.'' New York Times, 31 July 2009. Web. 1 March 2012. <http://www.nytimes.com/2009/08/01/movies/01lee.html>. 
Mottram, James. “Beyond the Mild Side.” ''The Independent.'' The Independent, 30 Oct. 2009. Web. 1 March 2012. <http://www.independent.co.uk/arts-entertainment/films/features/ang-lee--beyond-the-mild-side-1811465.html>. 
Coonan, Clifford. “Beijing’s bid for cool: Ang Lee’s Olympic Rapprochement.” ''The Independent.'' The Independent, 18 Oct. 2006. Web. 1 March 2012. <http://www.independent.co.uk/news/world/asia/beijings-bid-for-cool-ang-lees-olympic-rapprochement-420525.html>. 
Berry, Chris and Mary Farquhar. ''China on Screen: Cinema and Nation.'' New York Columbia University Press, 2006. 47, 69-74. Print

[[User:Jacob Glazier|Jacob Glazier]] 23:25, 3 March 2012 (UTC)

Ang Lee

2012-03-05T01:15:11Z

Jacob Glazier: /* Trademarks */

李安 (Lǐ Ān)

=='''Filmography'''==
1992 Pushing Hands 
1993 The Wedding Banquet 
1994 Eat Drink Man Woman 
1995 Sense and Sensibility 
1997 The Ice Storm 
1999 Ride with the Devil 
2000 Crouching Tiger, Hidden Dragon 
2001 Chosen (short) 
2003 Hulk 
2005 Brokeback Mountain 
2007 Lust, Caution 
2009 Taking Woodstock 
2012 Life of Pi (post-production) 

(IMDb; Ang Lee)

=='''Trademarks'''==
[[File:Ang Lee by Mai Le.jpg|300px|thumb|right|Ang Lee at Mill Valley Film Festival 2007. Photo by Mai Le.]]
Ang Lee trademarks are interesting for me to look at. One thing that he does is he works with two people very often in his movies. An actor that he used many times was Sihung Lung. He was in most of Lee’s Chinese movies (Pushing Hands; The Wedding Banquet; Eat Drink Man Woman; Crouching Tiger, Hidden Dragon) and I think would have continued to be in them had he not passed away on May 2, 2002. (IMDb; Sihung Lung) Lung played the a fatherly roll in these movies. Crouching Tiger is the one that he isn’t a direct father for anyone but acts like a father for Yu Shu Lien when she comes to stay with him when she takes the sword to him. Lee’s first three movies are described as by “Ang [Lee] calls it his ‘Father Knows Best’ trilogy, and it really is a trilogy,” said James Schamus. James is chief executive of Focus Features (Rother). Schamus is the other person who Lee works with a lot. In fact Schamus helped produce or write almost all of his movies (IMDb; Schamus).

“The figure of the father, even the flawed or absent father, is one of his most trenchant themes and is present, along with generational conflict, in all of his work.” said Whitney Crothers Dilley, professor in Taiwan at Shih Hsin University teaches literature and film studies and wrote a book about Lee (Rother). This is really interesting when you find out him because it is really well known for him to be kind of a rebel and a wild person. It makes me think of why he does it? It seems to me that he does things very thought out and has a kind of deeper meaning to things.

These deeper meaning things are sometimes the hard things that he takes on to describe in his movies a few examples are war, love and fitting in socially. Two of his more well known movies Sense and Sensibility and Crouching Tiger, Hidden Dragon are about women who are restricted in their society and how they handle it. These repressed women show their strengths and how others can do the same. The repressed people it seems like is who he focuses to portray. Lee has said, “I realized I’m very interested in, and identify with, the losing side” (Rother).

== '''Quotes''' ==
"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling."

"I don't know where I am, but I never know where I am. I was born in China, then my parents moved to Taiwan, where we were outsiders, then to the States, then back to China, then back here. I trust the elusive world created by movies more than anything else. I live on the other side of the screen."

"My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security. It was as if the world could turn against them at any moment."

"Nothing stands still. That's important in my movies. People want to believe in something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."

"Every movie I make. That's my hideout, the place I don't quite understand, but feel most at home."

"I think I find something new in each culture after being away for a bit, and that's creatively important. You can't move forward without changing, and that's why I try to stay open to new perspectives. I want to keep learning. If there's one thing I've learned, it's that you can never learn enough."

"I was never romantic in real life. That is why I have to make movies about it"

(IMDb; Ang Lee)

== '''References''' ==
"Ang Lee." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0000487/>. 
"James Schamus." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0770005/>. 
"Sihung Lung." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0485950/>. 
Rother, Larry. “Chasing Society’s Hidden Dragons.” ''New York Times.'' New York Times, 31 July 2009. Web. 1 March 2012. <http://www.nytimes.com/2009/08/01/movies/01lee.html>. 
Mottram, James. “Beyond the Mild Side.” ''The Independent.'' The Independent, 30 Oct. 2009. Web. 1 March 2012. <http://www.independent.co.uk/arts-entertainment/films/features/ang-lee--beyond-the-mild-side-1811465.html>. 
Coonan, Clifford. “Beijing’s bid for cool: Ang Lee’s Olympic Rapprochement.” ''The Independent.'' The Independent, 18 Oct. 2006. Web. 1 March 2012. <http://www.independent.co.uk/news/world/asia/beijings-bid-for-cool-ang-lees-olympic-rapprochement-420525.html>. 
Berry, Chris and Mary Farquhar. ''China on Screen: Cinema and Nation.'' New York Columbia University Press, 2006. 47, 69-74. Print

[[User:Jacob Glazier|Jacob Glazier]] 23:25, 3 March 2012 (UTC)

File:Ang Lee by Mai Le.jpg

2012-03-05T01:13:58Z

Jacob Glazier:

Ang Lee

2012-03-05T01:05:03Z

Jacob Glazier:

李安 (Lǐ Ān)

=='''Filmography'''==
1992 Pushing Hands 
1993 The Wedding Banquet 
1994 Eat Drink Man Woman 
1995 Sense and Sensibility 
1997 The Ice Storm 
1999 Ride with the Devil 
2000 Crouching Tiger, Hidden Dragon 
2001 Chosen (short) 
2003 Hulk 
2005 Brokeback Mountain 
2007 Lust, Caution 
2009 Taking Woodstock 
2012 Life of Pi (post-production) 

(IMDb; Ang Lee)

=='''Trademarks'''==
Ang Lee trademarks are interesting for me to look at. One thing that he does is he works with two people very often in his movies. An actor that he used many times was Sihung Lung. He was in most of Lee’s Chinese movies (Pushing Hands; The Wedding Banquet; Eat Drink Man Woman; Crouching Tiger, Hidden Dragon) and I think would have continued to be in them had he not passed away on May 2, 2002. (IMDb; Sihung Lung) Lung played the a fatherly roll in these movies. Crouching Tiger is the one that he isn’t a direct father for anyone but acts like a father for Yu Shu Lien when she comes to stay with him when she takes the sword to him. Lee’s first three movies are described as by “Ang [Lee] calls it his ‘Father Knows Best’ trilogy, and it really is a trilogy,” said James Schamus. James is chief executive of Focus Features (Rother). Schamus is the other person who Lee works with a lot. In fact Schamus helped produce or write almost all of his movies (IMDb; Schamus).

“The figure of the father, even the flawed or absent father, is one of his most trenchant themes and is present, along with generational conflict, in all of his work.” said Whitney Crothers Dilley, professor in Taiwan at Shih Hsin University teaches literature and film studies and wrote a book about Lee (Rother). This is really interesting when you find out him because it is really well known for him to be kind of a rebel and a wild person. It makes me think of why he does it? It seems to me that he does things very thought out and has a kind of deeper meaning to things.

These deeper meaning things are sometimes the hard things that he takes on to describe in his movies a few examples are war, love and fitting in socially. Two of his more well known movies Sense and Sensibility and Crouching Tiger, Hidden Dragon are about women who are restricted in their society and how they handle it. These repressed women show their strengths and how others can do the same. The repressed people it seems like is who he focuses to portray. Lee has said, “I realized I’m very interested in, and identify with, the losing side” (Rother).

== '''Quotes''' ==
"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling."

"I don't know where I am, but I never know where I am. I was born in China, then my parents moved to Taiwan, where we were outsiders, then to the States, then back to China, then back here. I trust the elusive world created by movies more than anything else. I live on the other side of the screen."

"My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security. It was as if the world could turn against them at any moment."

"Nothing stands still. That's important in my movies. People want to believe in something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."

"Every movie I make. That's my hideout, the place I don't quite understand, but feel most at home."

"I think I find something new in each culture after being away for a bit, and that's creatively important. You can't move forward without changing, and that's why I try to stay open to new perspectives. I want to keep learning. If there's one thing I've learned, it's that you can never learn enough."

"I was never romantic in real life. That is why I have to make movies about it"

(IMDb; Ang Lee)

== '''References''' ==
"Ang Lee." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0000487/>. 
"James Schamus." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0770005/>. 
"Sihung Lung." IMDb. IMDb.com. Web. 1 March. 2012. <http://www.imdb.com/name/nm0485950/>. 
Rother, Larry. “Chasing Society’s Hidden Dragons.” ''New York Times.'' New York Times, 31 July 2009. Web. 1 March 2012. <http://www.nytimes.com/2009/08/01/movies/01lee.html>. 
Mottram, James. “Beyond the Mild Side.” ''The Independent.'' The Independent, 30 Oct. 2009. Web. 1 March 2012. <http://www.independent.co.uk/arts-entertainment/films/features/ang-lee--beyond-the-mild-side-1811465.html>. 
Coonan, Clifford. “Beijing’s bid for cool: Ang Lee’s Olympic Rapprochement.” ''The Independent.'' The Independent, 18 Oct. 2006. Web. 1 March 2012. <http://www.independent.co.uk/news/world/asia/beijings-bid-for-cool-ang-lees-olympic-rapprochement-420525.html>. 
Berry, Chris and Mary Farquhar. ''China on Screen: Cinema and Nation.'' New York Columbia University Press, 2006. 47, 69-74. Print

[[User:Jacob Glazier|Jacob Glazier]] 23:25, 3 March 2012 (UTC)

Ang Lee

2012-03-04T23:54:35Z

Jacob Glazier: /* References */

Ang Lee

2012-03-04T23:18:50Z

Jacob Glazier:

Ang Lee

2012-03-04T23:17:41Z

Ang Lee

2012-03-03T23:29:20Z

Jacob Glazier:

Ang Lee

2012-03-03T23:25:22Z

Jacob Glazier: Created page with '"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling." "I don't know where I am, but I never know…'

"I'm experienced enough to know that the hardest thing to tell is an epic short story; slices of life that add up to an epic feeling."

"I don't know where I am, but I never know where I am. I was born in China, then my parents moved to Taiwan, where we were outsiders, then to the States, then back to China, then back here. I trust the elusive world created by movies more than anything else. I live on the other side of the screen."

"My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security. It was as if the world could turn against them at any moment."

"Nothing stands still. That's important in my movies. People want to believe in something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."

"Every movie I make. That's my hideout, the place I don't quite understand, but feel most at home."

"I think I find something new in each culture after being away for a bit, and that's creatively important. You can't move forward without changing, and that's why I try to stay open to new perspectives. I want to keep learning. If there's one thing I've learned, it's that you can never learn enough."

"I was never romantic in real life. That is why I have to make movies about it"

[[User:Jacob Glazier|Jacob Glazier]] 23:25, 3 March 2012 (UTC)