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	<updated>2026-04-04T09:34:40Z</updated>
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	<entry>
		<id>https://bou.de/u/index.php?title=File:Jiangxi_Cuisine.pptx&amp;diff=170198</id>
		<title>File:Jiangxi Cuisine.pptx</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:Jiangxi_Cuisine.pptx&amp;diff=170198"/>
		<updated>2025-07-06T13:57:49Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: Luo Yan uploaded a new version of &amp;amp;quot;File:Jiangxi Cuisine.pptx&amp;amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Chinese_Language_and_Culture,_Spring_2025&amp;diff=170197</id>
		<title>Chinese Language and Culture, Spring 2025</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Chinese_Language_and_Culture,_Spring_2025&amp;diff=170197"/>
		<updated>2025-07-06T13:57:25Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Session 05 Fri Mar 21 14:30-16:10 room 613 - Student presentations */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Welcome to our course website [[Chinese Language and Culture, Spring 2025]]!&lt;br /&gt;
&lt;br /&gt;
=Session 1 Fri Feb 21 14:30-16:10 room 613 - Organizational issues=&lt;br /&gt;
&lt;br /&gt;
==What we learn in this class==&lt;br /&gt;
*We learn about Chinese culture from international, especially Western perspective. &lt;br /&gt;
*We learn about cultural phenomena, traditional Chinese culture.&lt;br /&gt;
*We learn English and Chinese terminology in the area of Chinese culture.&lt;br /&gt;
*We learn to think critically about cultural traditions and to appreciate the benefits from cultural traditions.&lt;br /&gt;
*We learn how to determine the location and role of Chinese culture within global culture.&lt;br /&gt;
*We learn basics of theories and models of intercultural communication and comparison.&lt;br /&gt;
*We learn the appreciate and respect the diversity of multipolar cultures and of integration.&lt;br /&gt;
*We become aware of the dangers of cultural discrimination (colonialism, religious missions, imperialism etc.).&lt;br /&gt;
&lt;br /&gt;
==Students' contribution==&lt;br /&gt;
*Every student needs to prepare the 1-2 textbook texts of the respective chapters in the textbook ahead each week of class. &lt;br /&gt;
*Every student selects a topic, prepares 2 ppt presentations of 15 min. (one without AI, one with AI, and please indicate references and an AI statement at the end of the presentation) and a mentimeter.com quiz for everybody to take live in class with results shown after all will have answered. The topics and contents of the sessions are determined by the selection of the students.&lt;br /&gt;
*For the final exam, you write another chapter of the textbook in both Chinese and English, with &amp;quot;Terms and Expressions&amp;quot;, References, Questions and Answers, Statement regarding AI&lt;br /&gt;
&lt;br /&gt;
==Textbook==&lt;br /&gt;
You will receive the textbook for our class. We need a volunteer who integrates the last 92 new chapters into the word file. After tha, you will receive an updated version of the textbook. There are more than 200 topics of our textbook. Here you find all topics in the order of the book and with the names of the students who will translate the chapters into Chinese. Please select two topics by writing your name behind it and by setting it in '''bold'''. These topics will be presented in the form of a powerpoint presentation.&lt;br /&gt;
&lt;br /&gt;
==Agreement on use of classroom time==&lt;br /&gt;
Should we read the texts in class or should the students read the text ahead of class (especially learning the terms and expressions) and come to class prepared? How should we use our classroom time? (presentations, quizzes, discussions, exercise to translate adhoc an unknown text from the same area)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
==Homework for every session==&lt;br /&gt;
Please prepare the topics of the following session by reading the respective texts in the textbook (if you have not much time, you can read it in Chinese), learn the vocabulary and make yourself familiar with the questions asked under the text.&lt;br /&gt;
&lt;br /&gt;
==Teacher presentation: Introduction to Culture==&lt;br /&gt;
[[Media:01_Chin_Lang_Cult_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
==Homework for Session 2==&lt;br /&gt;
Please register on the Wiki and wait for the teacher to approve. You can click on http://bit.ly/WIKIREG, then input two times your pinyin name for username and real name in the way &amp;quot;Wang Jianguo&amp;quot;, type in some info about yourself and submit the form with accepting the terms and conditions as well as typing in the captcha password &amp;quot;wikicaptcha&amp;quot;. More detailed instructions for registration you find in the powerpoint presentation which you can download from here (&amp;quot;Teacher presentation&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
Please select one of the following chapters of our textbook by writing your name behind the topic to give a 20 minute presentation on plus a MikeCRM quiz: The first three presenters will have to present next week!&lt;br /&gt;
&lt;br /&gt;
1.	Geographic Nature as a Basis for Cultural Development	17&lt;br /&gt;
&lt;br /&gt;
2.	Aesthetic ideals and social customs: Chinese Marriage Customs	22&lt;br /&gt;
&lt;br /&gt;
3.	Aesthetic ideals and social customs: Habits, Ways of Contacting	31&lt;br /&gt;
&lt;br /&gt;
4.	Aesthetic ideals and social customs: Marriage-Accompanying Songs in Hunan	40&lt;br /&gt;
&lt;br /&gt;
5.	Aesthetic ideals and social customs: Crying Marriage of Tujia	49&lt;br /&gt;
&lt;br /&gt;
6.	Aesthetic ideals and social customs: The Four Most Handsome Men in Ancient China	63&lt;br /&gt;
&lt;br /&gt;
7.	Animals: Panda	71 &lt;br /&gt;
&lt;br /&gt;
8.	Architecture	78&lt;br /&gt;
&lt;br /&gt;
9.	Architecture: The Forbidden City 	89&lt;br /&gt;
&lt;br /&gt;
10.	Architecture: Four Famous Bridges	102&lt;br /&gt;
&lt;br /&gt;
11.	Architecture: Four Great Pavilions	113&lt;br /&gt;
&lt;br /&gt;
12.	Architecture: Shengjing Imperial Palace	124&lt;br /&gt;
&lt;br /&gt;
13.	Architecture: Three Great Towers in China	131&lt;br /&gt;
&lt;br /&gt;
14.	Architecture: Fengshui in Chinese Architecture	145 &lt;br /&gt;
&lt;br /&gt;
15.	Army and weapons: Chinese Ancient Weapons	154&lt;br /&gt;
&lt;br /&gt;
16.	Army and weapons: Terracotta Army	163&lt;br /&gt;
&lt;br /&gt;
17.	Astrology: Chinese Astrology	170&lt;br /&gt;
&lt;br /&gt;
18.	Astrology: Calendar, The 24 Solar Terms	178&lt;br /&gt;
&lt;br /&gt;
19.	Astrology: Twelve Animals of the Chinese Zodiac	188&lt;br /&gt;
&lt;br /&gt;
20.	Beverages: Milk Tea	197&lt;br /&gt;
&lt;br /&gt;
21.	Beverages: Tea	203 (Zhang Mai)&lt;br /&gt;
&lt;br /&gt;
22.	Beverages: The Liquor Culture of Ancient China	209&lt;br /&gt;
&lt;br /&gt;
23.	Body movement performance: Chinese Lion Dancing 	218&lt;br /&gt;
&lt;br /&gt;
24.	Body movement performance: Stilts	223&lt;br /&gt;
&lt;br /&gt;
25.	Body movement performance: Traditional Chinese Dance	230&lt;br /&gt;
&lt;br /&gt;
26.	Chinese Writing: Ancient Writing and Painting Tool, Writing Brush	236&lt;br /&gt;
&lt;br /&gt;
27.	Chinese Writing: Calligraphy	246 (Tang Yan)&lt;br /&gt;
&lt;br /&gt;
28.	Chinese Writing: The Evolution of Calligraphy	252&lt;br /&gt;
&lt;br /&gt;
29.	Chinese Writing: Chinese Characters	262&lt;br /&gt;
&lt;br /&gt;
30.	Chinese Writing: Chinese Characters and Scripts	276&lt;br /&gt;
&lt;br /&gt;
31.	Clothing: Chinese Clothing	283&lt;br /&gt;
&lt;br /&gt;
32.	Clothing: Batik (Lanran)	291&lt;br /&gt;
&lt;br /&gt;
33.	Clothing: Cheongsam	301 &lt;br /&gt;
&lt;br /&gt;
34.	Confucianism: Confucian Culture	309  &lt;br /&gt;
&lt;br /&gt;
35.	Confucianism: Chinese Traditional Culture-Five Constant Virtues	324&lt;br /&gt;
&lt;br /&gt;
36.	Confucianism: Classical Philosophy - Confucius and Confucianism	332&lt;br /&gt;
&lt;br /&gt;
37.	Confucianism: Classical Philosophy - Reading The Analects	339 &lt;br /&gt;
&lt;br /&gt;
38.	Education: Ancient Chinese Education	350&lt;br /&gt;
&lt;br /&gt;
39.	Education: Historical Figures, The Four Talented Women of Ancient China	361&lt;br /&gt;
&lt;br /&gt;
40.	Education: Modern Chinese Education System	371&lt;br /&gt;
&lt;br /&gt;
41.	Education: The Nine-Grade Official Selection System in Wei, Jin, Southern and Northern Dynasties	386&lt;br /&gt;
&lt;br /&gt;
42.	Education: Yuelu Academy (One of the Four Most Prestigious Academies)	395&lt;br /&gt;
&lt;br /&gt;
43.	Facial Make-up	406&lt;br /&gt;
&lt;br /&gt;
44.	Facial Make-up: Cosmetics, Traditional Chinese Make-Up	413&lt;br /&gt;
&lt;br /&gt;
45.	Facial Make-up: Face Changing in Sichuan Opera	431&lt;br /&gt;
&lt;br /&gt;
46.	Fine Arts: Painting	440&lt;br /&gt;
&lt;br /&gt;
47.	Fine Arts: Bada Shanren and Qi Baishi	445&lt;br /&gt;
&lt;br /&gt;
48.	Fine Arts: Painting Riverside Scene at Tomb Sweeping Day	452&lt;br /&gt;
&lt;br /&gt;
49.	Fine Arts: Seal-cutting	459&lt;br /&gt;
&lt;br /&gt;
50.	Games: Go 围棋 	462（Zhao Qi）&lt;br /&gt;
&lt;br /&gt;
51.	Games: Kite Flying	468&lt;br /&gt;
&lt;br /&gt;
52.	Games: Mahjong: An Ancient Chinese card play	476（Jiang Ziqiang）&lt;br /&gt;
&lt;br /&gt;
53.	Garden Culture: Gardens	505&lt;br /&gt;
&lt;br /&gt;
54.	Garden Culture: Bonsai (Penjing) 	511&lt;br /&gt;
&lt;br /&gt;
55.	Garden Culture: The Summer Palace	519（Li Mei）&lt;br /&gt;
&lt;br /&gt;
56.	Garden Culture: Qingming Riverside Landscspe Garden	526&lt;br /&gt;
&lt;br /&gt;
57.	Gender: Wu Zetian: The Only Female Emperor of Imperial China	535&lt;br /&gt;
&lt;br /&gt;
58.	History: Carl and Cixi	548&lt;br /&gt;
&lt;br /&gt;
59.	Interieur: The Folding Screen	552&lt;br /&gt;
&lt;br /&gt;
60.	Landscapes and Tourism: Four Buddhist Shrines	561&lt;br /&gt;
&lt;br /&gt;
61.	Landscapes and Tourism: Four State-Level Cultural Relics	573&lt;br /&gt;
&lt;br /&gt;
62.	Landscapes and Tourism: Landscape, Five Famous Mountains	585&lt;br /&gt;
&lt;br /&gt;
63.	Landscapes and Tourism: Mogao Grottoes	593&lt;br /&gt;
&lt;br /&gt;
64.	Landscapes and Tourism: The Culture of Mount Tai 606（Qin Yi)&lt;br /&gt;
&lt;br /&gt;
65.	Landscapes and Tourism: Canal Culture：The Grand Canal（The Peking-Hangzhou Grand Canal）	621&lt;br /&gt;
&lt;br /&gt;
66.	Landscapes and Tourism: The Ancient Tea Horse Road	635&lt;br /&gt;
&lt;br /&gt;
67.	Landscapes and Tourism: Tourism, Nanking-An Ancient Capital of Six Dynasties	642&lt;br /&gt;
&lt;br /&gt;
68.	Language: Chinese Language	649&lt;br /&gt;
&lt;br /&gt;
69.	Language: Chinese Dialects	660&lt;br /&gt;
&lt;br /&gt;
70.	Language: Chinese Folk Argot	669&lt;br /&gt;
&lt;br /&gt;
71.	Literature: Ancient literature - Chinese Classical Fairy Tales	681&lt;br /&gt;
&lt;br /&gt;
72.	Literature: Ancient literature - Chinese Mythology	688&lt;br /&gt;
&lt;br /&gt;
73.	Literature: Ancient literature - Classical Literature	699&lt;br /&gt;
&lt;br /&gt;
74.	Literature: Ancient Literature - Four satirical novels in ancient China	706&lt;br /&gt;
&lt;br /&gt;
75.	Literature: Ancient literature: Four Folk Stories of Ancient China	715&lt;br /&gt;
&lt;br /&gt;
76.	Literature: Ancient Literature - Take Su Shi as an example. Relegation Literature in Ancient China	725  (Duan Binyao)&lt;br /&gt;
&lt;br /&gt;
77.	Literature: Ancient Literature: The Classic of Mountains and Seas	748&lt;br /&gt;
&lt;br /&gt;
78.	Literature: Ancient literature: Yuefu	765&lt;br /&gt;
&lt;br /&gt;
79.	Literature: Premodern literature - China's Four Great Classical Novels	773 &lt;br /&gt;
&lt;br /&gt;
80.	Literature: Premodern literature - Li Bai's “The River-Merchant's Wife: A Letter” and its translations	780&lt;br /&gt;
&lt;br /&gt;
81.	Literature: Premodern literature: Strange Stories from a Chinese Studio	786&lt;br /&gt;
&lt;br /&gt;
82.	Literature: Premodern literature: Tang-Song	794&lt;br /&gt;
&lt;br /&gt;
83.	Literature: Tang and Song - Classical Prose Movement of late Tang Dynasty and Song Dynasty	823&lt;br /&gt;
&lt;br /&gt;
84.	Literature: Modern Literature	832&lt;br /&gt;
&lt;br /&gt;
85.	Literature: Modern Literature: Qian Zhongshu (Ch'ien Chung-shu)	841（Miao Yunlong）&lt;br /&gt;
&lt;br /&gt;
86.	Literature: Modern and Contemporary Literature: Literature, Science Fiction, and Fantasy	848&lt;br /&gt;
&lt;br /&gt;
87.	Literature: Contemporary Literature	859&lt;br /&gt;
&lt;br /&gt;
88.	Martial Arts: Huo Yuanjia	865&lt;br /&gt;
&lt;br /&gt;
89.	Martial Arts: Qigong	868&lt;br /&gt;
&lt;br /&gt;
90.	Martial Arts: Taiji (Tai Chi) Shadow Boxing	873&lt;br /&gt;
&lt;br /&gt;
91.	Martial Arts: Wushu	885&lt;br /&gt;
&lt;br /&gt;
92.	Martial Arts: Frolics of the Five Animals (Wuqinxi)	890&lt;br /&gt;
&lt;br /&gt;
93.	Medicine: Traditional Chinese Medicine (TCM)	900 &lt;br /&gt;
&lt;br /&gt;
94.	Medicine: TCM - Acupuncture and Moxibustion	907&lt;br /&gt;
&lt;br /&gt;
95.	Medicine: TCM - Diagnosis and Pharmacology	912&lt;br /&gt;
&lt;br /&gt;
96.	Medicine: TCM - The Development of Chinese Medicine	917&lt;br /&gt;
&lt;br /&gt;
97.	Medicine: TCM – The Chinese Medical Sage Zhang Zhongjing	924&lt;br /&gt;
&lt;br /&gt;
98.	Minority cultures: Lisu People and Daogan Festival of Lisu Ethnic Minority	934&lt;br /&gt;
&lt;br /&gt;
99.	Minority cultures: The Ethnic Minorities’ Costumes	941&lt;br /&gt;
&lt;br /&gt;
100.	Money culture: Currency, Jiaozi (A Paper Currency in Northern Song Dynasty)	952&lt;br /&gt;
&lt;br /&gt;
101.	Money culture: The tradition of Red Envelope and Lucky Money 	962  (Xu Yangyang)&lt;br /&gt;
&lt;br /&gt;
102.	Music and instruments: Guzheng	975&lt;br /&gt;
&lt;br /&gt;
103.	Music and instruments: Pipa	986&lt;br /&gt;
&lt;br /&gt;
104.	Mythology: Gods and Immortals	996&lt;br /&gt;
&lt;br /&gt;
105.	Mythology: Huli-jing	1005&lt;br /&gt;
&lt;br /&gt;
106.	National Symbols: National Anthem	1018&lt;br /&gt;
&lt;br /&gt;
107.	National Symbols: National Flag	1026 （Liao Zuoyun）&lt;br /&gt;
&lt;br /&gt;
108.	Opera: Peking Opera	1035&lt;br /&gt;
&lt;br /&gt;
109.	Opera: Peking Opera Acrobatics	1043&lt;br /&gt;
&lt;br /&gt;
110.	Opera: Peking Opera Actor Mei Lanfang	1050 (Dai shiru)&lt;br /&gt;
&lt;br /&gt;
111.	Opera: Tea-picking Opera	1055&lt;br /&gt;
&lt;br /&gt;
112.	Opera: Hunan Flower-drum Opera (Huagu Opera)	1064&lt;br /&gt;
&lt;br /&gt;
113.	Philosophical Schools: Four Main Philosophical Schools	1076&lt;br /&gt;
&lt;br /&gt;
114.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy – Daoism	1087&lt;br /&gt;
&lt;br /&gt;
115.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading Tao Te Ching	1093&lt;br /&gt;
&lt;br /&gt;
116.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Sutra of Hui-neng	1099&lt;br /&gt;
&lt;br /&gt;
117.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Importance of Living	1106&lt;br /&gt;
&lt;br /&gt;
118.	Philosophical Schools (Daoism, Buddhism, Legalism): Legalism 	1119&lt;br /&gt;
&lt;br /&gt;
119.	Philosophy: Chinese Traditional Cultivation Culture	1129&lt;br /&gt;
&lt;br /&gt;
120.	Religion: Traditional Chinese Funeral Culture	1141&lt;br /&gt;
&lt;br /&gt;
121.	Religion: Buddhism	1155&lt;br /&gt;
&lt;br /&gt;
122.	Religion: Daoism	1170&lt;br /&gt;
&lt;br /&gt;
123.	Religion: Christianity	1175&lt;br /&gt;
&lt;br /&gt;
124.	Religion: Islam	1181&lt;br /&gt;
&lt;br /&gt;
125.	Science and Technology: Ancient Science and Technology	1185&lt;br /&gt;
&lt;br /&gt;
126.	Science and Technology: China's Four New Inventions	1191 (Yang Yue2)&lt;br /&gt;
&lt;br /&gt;
127.	Science and Technology: Compass	1217&lt;br /&gt;
&lt;br /&gt;
128.	Science and Technology: TikTok (Douyin)	1226&lt;br /&gt;
&lt;br /&gt;
129.	Science and Technology: Three Giant Home Appliance Enterprises In China 	1235&lt;br /&gt;
&lt;br /&gt;
130.	Science and Technology: Four Domestic Mobile Phone Companies	1257&lt;br /&gt;
&lt;br /&gt;
131.	        Silk and porcelain: Silk	1272  (Fei Xinyu)&lt;br /&gt;
&lt;br /&gt;
132.	Silk and porcelain: Porcelain	1277&lt;br /&gt;
&lt;br /&gt;
133.	Silk and porcelain: Celadon and Celadon Song 《青花瓷》歌词	1283(Wang Huaixing)&lt;br /&gt;
&lt;br /&gt;
134.	Silk Road - by land and by sea: Zhang Qian and the Silk Road	1291&lt;br /&gt;
&lt;br /&gt;
135.	Silk Road - by land and by sea: Zheng He and the Maritime Silk Road	1296&lt;br /&gt;
&lt;br /&gt;
136.	Silk Road - by land and by sea: Zheng He's Voyages	1300&lt;br /&gt;
&lt;br /&gt;
137.	Social: The Long-life Lock	1308&lt;br /&gt;
&lt;br /&gt;
138.	Social: Round Table Culture	1317 (Wu Jiating)&lt;br /&gt;
&lt;br /&gt;
139.	Stage entertainment: Crosstalk 相声	1325&lt;br /&gt;
&lt;br /&gt;
140.	Stage entertainment: Shadow Play	1332&lt;br /&gt;
&lt;br /&gt;
141.	Traditional Crafts: Carving	1340&lt;br /&gt;
&lt;br /&gt;
142.	Traditional Crafts: Chinese Jade Culture	1348&lt;br /&gt;
&lt;br /&gt;
143.	Traditional Crafts: Cloisonne	1363   &lt;br /&gt;
&lt;br /&gt;
144.	Traditional Crafts: Embroidery	1369&lt;br /&gt;
&lt;br /&gt;
145.	Traditional Crafts: Shu Embroidery (Sichuan Embroidery)	1373   &lt;br /&gt;
&lt;br /&gt;
146.	Traditional Crafts: Xiang Embroidery	1386（Zhang Huifang）&lt;br /&gt;
&lt;br /&gt;
147.	Traditional Crafts: Folk Art - Chinese Paper-cutting	1400&lt;br /&gt;
&lt;br /&gt;
148.	Traditional Crafts: Handcraft - Chinese Knots	1409&lt;br /&gt;
&lt;br /&gt;
149.	Traditional Crafts: Lacquerware	1418&lt;br /&gt;
&lt;br /&gt;
150.	Traditional Crafts: The Kingfisher Craft点翠	1423&lt;br /&gt;
&lt;br /&gt;
151.	Traditional Cuisine: Chinese Dining Etiquette	1436&lt;br /&gt;
&lt;br /&gt;
152.	Traditional Cuisine: Chopsticks	1450&lt;br /&gt;
&lt;br /&gt;
153.	Traditional Cuisine: Eight Major Cuisines of China	1456 (Zheng Kaiwu)&lt;br /&gt;
&lt;br /&gt;
154.	Traditional Cuisine: Four Distinct Regional Cuisines	1473&lt;br /&gt;
&lt;br /&gt;
155.	Traditional Cuisine: Breakfast Culture of Wuhan	1480(Liu Peini)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
156.	Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick	1491(Xiao Zixin)&lt;br /&gt;
&lt;br /&gt;
157.	Traditional Cuisine: Hotpot	1501 (Cao Chunyang)&lt;br /&gt;
&lt;br /&gt;
158.	Traditional Cuisine: The Art of Chinese Cooking	1508&lt;br /&gt;
&lt;br /&gt;
159.	Traditional Cuisine: Two Famous Dishes	1514&lt;br /&gt;
&lt;br /&gt;
160.	Traditional Festivals	1518……&lt;br /&gt;
&lt;br /&gt;
161.	Traditional Festivals: Lattice on Ancient Chinese Windows	1525&lt;br /&gt;
&lt;br /&gt;
162.	Traditional Festivals: Spring Festival Couplets	1538&lt;br /&gt;
&lt;br /&gt;
163.	Westernization: The Eastward Spread of Western Learning	1544&lt;br /&gt;
&lt;br /&gt;
164.	Westernization: The Westernization Movement	1550&lt;br /&gt;
&lt;br /&gt;
165.	Worship: Chinese Incense Culture	1558 (She Xiao)&lt;br /&gt;
&lt;br /&gt;
166.	Economy: Chinese Currency Changes	1569&lt;br /&gt;
&lt;br /&gt;
167.	History: Wang Shouren	1573 Lv Jiahao&lt;br /&gt;
&lt;br /&gt;
168.	Martial Arts: Chinese Swordsman Spirit	1582&lt;br /&gt;
&lt;br /&gt;
169.	Cuisine: Luosifen	1593 （Chen Sisi)&lt;br /&gt;
&lt;br /&gt;
170.	Fine Arts: Chinese Paper Cutting	1601 &lt;br /&gt;
&lt;br /&gt;
171.	Science and Technology: Taobao(淘宝) 	1611&lt;br /&gt;
&lt;br /&gt;
172.	Traditional Craft: Bronze	1623&lt;br /&gt;
&lt;br /&gt;
173.	Entertainment: Deyunshe 德云社	1631&lt;br /&gt;
&lt;br /&gt;
174.	Traditional Cuisine: Jiaozi	1644 （Liu Pei）&lt;br /&gt;
&lt;br /&gt;
175.	Aesthetic ideals and social customs: the Photo Retouching Culture in China	1655&lt;br /&gt;
&lt;br /&gt;
176.	Traditional Crafts: Handcraft - Oil-paper Umbrella	1664     &lt;br /&gt;
&lt;br /&gt;
177.	stage entertainment:Yuan drama	1676&lt;br /&gt;
&lt;br /&gt;
178.	Music and instruments: Erhu	1685&lt;br /&gt;
&lt;br /&gt;
179.	Traditional and Modern Views on Marriage and Love	1694 (Liu Yunxi)&lt;br /&gt;
&lt;br /&gt;
180.	Traditional Cuisine: Tangyuan	1701&lt;br /&gt;
&lt;br /&gt;
181.	Animals：Golden Monkey	1712（Xiao Yawen）&lt;br /&gt;
&lt;br /&gt;
182.	Chinese Economy: rich businessmen	1719 (Fu Sihui)&lt;br /&gt;
&lt;br /&gt;
183.	Opera: Chinese Local Operas	1727 （Wang Xinyu）&lt;br /&gt;
&lt;br /&gt;
184.	The Chinese tradition of ancestor worship	1740&lt;br /&gt;
&lt;br /&gt;
185.	Opera: Huangmei opera	1752 （Chu Hanqi）&lt;br /&gt;
&lt;br /&gt;
186.	The “reference” of Chinese Music	1759&lt;br /&gt;
&lt;br /&gt;
187.	Chinese Folk Art:Lion Dance	1767&lt;br /&gt;
&lt;br /&gt;
188.	Science and Technology: Mobile Games（手游）	1783(Du JIangping)&lt;br /&gt;
&lt;br /&gt;
189.	Clothing: Vintage Clothing	1790&lt;br /&gt;
&lt;br /&gt;
190.	Fine arts:Kunqu Opera	1798&lt;br /&gt;
&lt;br /&gt;
191.	Aesthetic ideals and social customs: The Culture of Flowers	1807 (Qiu Ping）&lt;br /&gt;
&lt;br /&gt;
192.	National Belief: the Chinese Dream	1818&lt;br /&gt;
&lt;br /&gt;
193.	Science and Technology: Buytogether（PDD) 	1825(Qi Zhiyang)&lt;br /&gt;
&lt;br /&gt;
194.	Aesthetic ideals and social customs：Marriage and Burial Customs of Tujia People	1845&lt;br /&gt;
&lt;br /&gt;
195.	Sports: Cuju (蹴鞠) 	1845 （Ouyang Yihong)&lt;br /&gt;
&lt;br /&gt;
196.	Science and Technology: The culture of Chinese Electric Vehicles 中国电动汽车	1845（Geng Hongmei)&lt;br /&gt;
&lt;br /&gt;
197.	Chinese tradition culture: The culture of Ronghua—Velvet Flowers 绒花	1845  &lt;br /&gt;
&lt;br /&gt;
198.	Stage entertainment: Northeast Errenzhuan (二人转) 	1845&lt;br /&gt;
&lt;br /&gt;
199.	Traditional Crafts: Dough Sculpture 面塑	1845&lt;br /&gt;
&lt;br /&gt;
200.	Nanchang Relic Museum for Haihun Principality of Han Dynasty	1845  &lt;br /&gt;
&lt;br /&gt;
201.	The culture of Grass cloth 夏布	1845 &lt;br /&gt;
&lt;br /&gt;
202.	The Legend of Zhen Huan 《甄嬛传》	1845 (Xiang Jianning)&lt;br /&gt;
&lt;br /&gt;
203.	Chinese horror movies 中式恐怖片	1845 (Zhang Jiaxin)&lt;br /&gt;
&lt;br /&gt;
204.	Stand-up comedy 单口喜剧	1845（Huang Sinan）&lt;br /&gt;
&lt;br /&gt;
205.	Bride-price（彩礼）	1845 &lt;br /&gt;
&lt;br /&gt;
206.	Chinese science fiction movies 中国科幻片	1845&lt;br /&gt;
&lt;br /&gt;
207.	Shandong cuisine鲁菜	1845(Lu Wei)&lt;br /&gt;
&lt;br /&gt;
208.	Chinese traditional ornament: Buyao （步摇）	1845 (Yang Jing)&lt;br /&gt;
&lt;br /&gt;
209.	Tofu meatball with pig blood (猪血丸子) 	1845       （Li Ting2）&lt;br /&gt;
&lt;br /&gt;
210.	Sunzi’s Art of War: Source for All Books on War (孙子兵法) 	1845&lt;br /&gt;
&lt;br /&gt;
211.	The Temple of Heaven：Reverence with Awe and Gratitude（天坛）	1845&lt;br /&gt;
&lt;br /&gt;
212.	Education：training Schools （教育：补习班）	1845 (Huang Yixuan2)&lt;br /&gt;
&lt;br /&gt;
213.	Chinese Dreamcore (中式梦核) 	1845  (Zhang Zixi)&lt;br /&gt;
&lt;br /&gt;
214.	Lu Ban, China’s inventor（中国发明家——鲁班）	1845 (Cai Yichun)&lt;br /&gt;
&lt;br /&gt;
215.	Live Streaming E-commerce（直播电商）	1845    (Tao Yao)&lt;br /&gt;
&lt;br /&gt;
216.	The Story of Ming Lan（知否知否，应是绿肥红瘦）	1845 (Ye Sitong)&lt;br /&gt;
&lt;br /&gt;
217.	Cha Bai Xi/Tea Latte Art (茶百戏) 	1845    （Yang Jiahong2)&lt;br /&gt;
&lt;br /&gt;
218.	Guangdong Herbal tea（广东凉茶）	1845(Gao Xiaoqing)&lt;br /&gt;
&lt;br /&gt;
219.	Chinese traditional art form：Seal carving（篆刻）	1845(Huang Qiaoqiao)&lt;br /&gt;
&lt;br /&gt;
220.	Rice cake (年糕) 	1845  （Dong Jiating）&lt;br /&gt;
&lt;br /&gt;
221.	Zhongyuan festival	1845 （Ou Huang）&lt;br /&gt;
&lt;br /&gt;
222.	Dulong: Facial tattoo (独龙族：纹面) 	1845&lt;br /&gt;
&lt;br /&gt;
223.	The Return of the Pearl Princess（还珠格格）	1845 （Lu Jiahui）&lt;br /&gt;
&lt;br /&gt;
224.	Chinese Food：Jiangxi Cuisine（赣菜）	1845 (Liao Dan)&lt;br /&gt;
&lt;br /&gt;
225.	&amp;quot;Cun Chao&amp;quot;: China's village football league（“村超”：中国乡村足球联赛）	1845 (Shen Shuai)&lt;br /&gt;
&lt;br /&gt;
226.	Landscapes and Tourism: Junshan Island (君山岛) 	1845&lt;br /&gt;
&lt;br /&gt;
227.	Chinese Bossy Fictions &amp;amp; Micro-drama（中国式霸总小说&amp;amp;短剧）	1845 (He Yunfeng)&lt;br /&gt;
&lt;br /&gt;
228.	Chinese Traditional Medicine (中医药）——— Mortise and Tenon Joint（榫卯结构）	1845&lt;br /&gt;
&lt;br /&gt;
229.	Jingdezhen Porcelain	1845 (Xiao Luyu)&lt;br /&gt;
&lt;br /&gt;
230.	Gayageum（伽倻琴）	1845 (Zhang Meiling)&lt;br /&gt;
&lt;br /&gt;
231.	The plaque and couplet in Chinese garden（园林匾额对联）	1845 (Wang Yuxin)&lt;br /&gt;
&lt;br /&gt;
232.	Sun Wukong（孙悟空）	1845 （Li Yuan2）&lt;br /&gt;
&lt;br /&gt;
233.	Traditional Chinese Pigments（中国传统颜料）	1845 (Cao Yuan)&lt;br /&gt;
&lt;br /&gt;
234.	Dragon Lantern Dance（舞龙灯）	1845 （Jin Yichen）&lt;br /&gt;
&lt;br /&gt;
235.	Bamboo Weaving (竹编）	1845 (Chen Anqi)&lt;br /&gt;
&lt;br /&gt;
236.	Landscapes and Tourism: Harbin Ice and Snow World (冰雪大世界) 	1845 (Xu Xinwen)&lt;br /&gt;
&lt;br /&gt;
237.	Braised Chicken Rice (黄焖鸡米饭-Huang Men Ji Mifan) 	1845 （Li Zihan2）&lt;br /&gt;
&lt;br /&gt;
238.	Three Famous Chinese Mountains(中国三山) 	1845（Liu  Chang）&lt;br /&gt;
&lt;br /&gt;
239.	Female Emperor---Wu Zetian	1845  (Song Xin)&lt;br /&gt;
&lt;br /&gt;
240.	Clay sculpture (泥塑）	1845 (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
241.	Abacus (中国珠算）	1845&lt;br /&gt;
&lt;br /&gt;
242.	Hunan Rice Noodles（湖南米粉）	1845 (Gong Wei)&lt;br /&gt;
&lt;br /&gt;
243.	Chinese name（中国姓名文化）	1845  &lt;br /&gt;
&lt;br /&gt;
244.	Chinese popular viral memes (中国网络社交媒体“热梗”）	1845(Xiao Yikang)&lt;br /&gt;
&lt;br /&gt;
245.	Douzhi (豆汁) 	1845(Li Linyao) &lt;br /&gt;
&lt;br /&gt;
246.	New Year Wood-block Paintings (木版年画）	1845（Du Yuan）&lt;br /&gt;
&lt;br /&gt;
247.	Carved lacquer（雕漆）	1845 （Liu Qi）&lt;br /&gt;
&lt;br /&gt;
248.	Jing Gang Mountain (井冈山）	1845 （Yu Jingfang）&lt;br /&gt;
&lt;br /&gt;
249.	Intangible Cultural Heritage: Tongguan Kiln （铜官窑）	1845&lt;br /&gt;
&lt;br /&gt;
250.	Language: Hakka Dialect（客家话）	1845&lt;br /&gt;
&lt;br /&gt;
251.	Rice noodle roll（肠粉）	1845 ( Li Mingfeng )&lt;br /&gt;
&lt;br /&gt;
252.	Traditional Cuisine: Northeastern Chinese Cuisine(东北菜）	1845（Liu Shutian）&lt;br /&gt;
&lt;br /&gt;
253.	Yuelu Mountain (岳麓山) 	1845（Chen Ting）&lt;br /&gt;
&lt;br /&gt;
254.	Traditional Crafts：Tie-Dye（扎染）	1845（Zhang Qi）&lt;br /&gt;
&lt;br /&gt;
255.	Chinese-style sun protection (中式防晒）	1845（Zhao Yashi）&lt;br /&gt;
&lt;br /&gt;
256.	Danmu (弹幕）	1845 (Zhou Le)&lt;br /&gt;
&lt;br /&gt;
257.	Yangshao Culture（仰韶文化）	1845&lt;br /&gt;
&lt;br /&gt;
258.	Indigo Dyeing (蓝染) 	1845&lt;br /&gt;
&lt;br /&gt;
259.	Female Writers: Zhang Ailing, Chen Ping, Lin Yihan and Li Bihua	1845 (Zhou Tianyi)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
260.	Wedding dress in the Song Dynasty (宋代婚服) 	1845 (Liu Chao) &lt;br /&gt;
&lt;br /&gt;
261.	The cultural idea oft he great unification in ancient China (中国古代的大一统文化思想) 	1845&lt;br /&gt;
&lt;br /&gt;
262.	The Four Pillars of Destiny (八字) (Li Jiayi)	1845 &lt;br /&gt;
&lt;br /&gt;
263.	Shaolin Temple (少林寺) 	1845 (Zuo Fang)&lt;br /&gt;
&lt;br /&gt;
264.	Single bamboo drifting（独竹漂）	1845&lt;br /&gt;
&lt;br /&gt;
265.	Cuisine: Changde spicy salted duck 酱板鸭传说的由来	1845 （Xing Xueqing）&lt;br /&gt;
&lt;br /&gt;
266.	Hui Culture (徽文化)	1845(Liu Jianan)&lt;br /&gt;
&lt;br /&gt;
267.	Ma Zu Culture (妈祖文化)	1845 (Yan Jidong)&lt;br /&gt;
&lt;br /&gt;
268.	Table Manners 	1845（Luo Yan）&lt;br /&gt;
&lt;br /&gt;
269.	Music of the Mongol nationality (蒙古族音乐)	1845&lt;br /&gt;
&lt;br /&gt;
270.	The Yingge Dance（英歌舞）	1845  （Jiang Xinyue)&lt;br /&gt;
&lt;br /&gt;
271.	Palace Lantern（宫灯）	1845  （Shao Keyuan）&lt;br /&gt;
&lt;br /&gt;
272.	Chinese Term of Endearment（中国亲昵称谓）	1845  (Zeng Zhi）&lt;br /&gt;
&lt;br /&gt;
273.	Changsha Stinky Tofu（长沙臭豆腐) 	1845(Luo Sicheng)[[File:Changsha Stinky Tofu.pptx]]&lt;br /&gt;
&lt;br /&gt;
274.	God of Wealth(财神) 	1845 &lt;br /&gt;
&lt;br /&gt;
275.	Zhuazhou（抓周）	1845 （Zeng Xiaohui）&lt;br /&gt;
&lt;br /&gt;
276.	Nail art（美甲）	1845 （Luo Jiaxin）&lt;br /&gt;
&lt;br /&gt;
277.	Mirror (镜子) 	1845   (Cheng Sixiang) &lt;br /&gt;
&lt;br /&gt;
278.	The Beef Board Noodle (牛肉板面) 	1845(Yan Xiang)&lt;br /&gt;
&lt;br /&gt;
279.	Huo Qubing (霍去病）	1845 （Luo Jingyan）&lt;br /&gt;
&lt;br /&gt;
280.	Chinese Courtyard Houses（中国四合院）	1845 (Guo Cili)&lt;br /&gt;
&lt;br /&gt;
281.	Music and instruments: Yangqin（扬琴）	1845（Dai Yexun）&lt;br /&gt;
&lt;br /&gt;
282.	Black Myth: Wukong（黑神话 悟空）	1845 (Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
283.	Guangdong Morning Tea Culture （广东早茶文化）	1845 （Zheng Jinlian）&lt;br /&gt;
&lt;br /&gt;
=Session 02 Fri Feb 28 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
==Teacher presentation: Introduction to Culture==&lt;br /&gt;
[[Media:02_Chin_Lang_Cult_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
==Topics for today==&lt;br /&gt;
Please copy and paste your presentation topic, your name here and add your powerpoint file (size limit 10 MB)&lt;br /&gt;
&lt;br /&gt;
You need to copy all the topics for the whole semester to the sessions NOW. If you do not do it sufficiently in advance, how can the fellow students prepare the texts?&lt;br /&gt;
&lt;br /&gt;
Please remember that you have to indicate the 10 topics for Friday on the course website under &amp;quot;Session 2&amp;quot; with the topic name, student name, powerpoint uploaded (max size 10 MB), all presentations will be each on 1 topic only and cannot exceed 5 minutes. They have to be interactive and helpful from the perspective of an interpreter or translator who needs to prepare his/her work on this topic.&lt;br /&gt;
&lt;br /&gt;
27. Chinese Calligraphy (Tang Yan) [[Media:Chinese_Calligraphy.pptx]]&lt;br /&gt;
&lt;br /&gt;
52. Games: Mahjong: An Ancient Chinese card play 476（Jiang Ziqiang）[[Media:Mahjong-Jiang_Ziqiang.pptx]]&lt;br /&gt;
&lt;br /&gt;
55. Garden Culture: The Summer Palace 519（Li Mei）[[Media:The Summer Palace - Li Mei.pptx]]&lt;br /&gt;
&lt;br /&gt;
76. Literature: Ancient Literature - Take Su Shi as an example. Relegation Literature in Ancient China 725 (Duan Binyao) [[Media:Duan_Binyao_-76Su_Shi_and_Delegation_Literature.pptx]]&lt;br /&gt;
&lt;br /&gt;
85. Literature: Modern Literature: Qian Zhongshu (Miao Yunlong)[[Media:Qian_Zhongshu_Miao_Yunlong.pptx]]&lt;br /&gt;
&lt;br /&gt;
Tea Latte Art (Xiang Jianning)&lt;br /&gt;
&lt;br /&gt;
Topic 7&lt;br /&gt;
&lt;br /&gt;
Topic 8&lt;br /&gt;
&lt;br /&gt;
Topic 9&lt;br /&gt;
&lt;br /&gt;
Topic 10&lt;br /&gt;
&lt;br /&gt;
=Session 03 Fri Mar 07 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
==Presentations==&lt;br /&gt;
1. Topic 21: Beverages: Tea 203 (Zhang Mai) [[Media:Tea_Spring_2025.pptx]] 86&lt;br /&gt;
&lt;br /&gt;
2. Topic 64: Landscapes and Tourism: The Culture of Mount Tai 606 (Qin Yi) [[Media:Mount_Tai_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
3. Topic 101. Money culture: The tradition of Red Envelope and Lucky Money 962 (Xu Yangyang) [[Media:Lucky_Money_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
4. Topic 107:National Symbols: Culture of the National Flag 1026 （Liao Zuoyun）[[Media:Culture_of_the_National_Flag_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
5. Topic 155:Traditional Cuisine: Breakfast Culture of Wuhan 1480 (Liu Peini) [[Media:Wuhan_Breakfast_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
6. Topic 157:Traditional Cuisine: Hotpot 1501 (Cao Chunyang)  [[Media:Hot_Pot_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
7. Topic 126: China's four new inventions 1191(Yang Yue2).) [[Media:China's_Four_New_Great_Inventions_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
==Notes on presentations==&lt;br /&gt;
Most students did not do their homework. 素质 in Chinese and international culture. Taking over responsibility. Being independent. Making sure that things run. Taking care of others. Not to do the homework in time (displaying the 13 presentations of each session) has disadvantages also for the other students, who cannot prepare.&lt;br /&gt;
&lt;br /&gt;
1. 14:43-49 Only Chinese tradition explained, not Indian, Egyptian etc. &amp;quot;Black tea&amp;quot; (in English all &amp;quot;hong cha&amp;quot; is called &amp;quot;black tea&amp;quot;), British tea culture (add milk)&lt;br /&gt;
&lt;br /&gt;
2. 14:55-15:00 Personal origin: Shandong, personal experience: climbed Mount Tai 4 times, Sacrificial Culture, Culture of Literati, Folk Belief: God of Mount Tai, Blue Rosy Cloud Fairy; Spiritual Symbolism&lt;br /&gt;
&lt;br /&gt;
3. 15:04-15:10 Legend, Tradition and Contrast, Significance; Sui Monster ya sui qian; contrast in the West: Giving money as a present is considered not as good as a present itself, giving money in an envelope has the bad taste of bribing (transparency.org); in China you can even go to the temple and pray for money&lt;br /&gt;
&lt;br /&gt;
4. 15:29-15:34 historical details of design, red meaning “stop” internationally, “achieve the great rejuvenation of the Chinese nation” (maybe a newer concept than the flag?), connection with earlier historical flags and other flags like of the communist movement, North Korea, ancient Soviet Union &lt;br /&gt;
&lt;br /&gt;
5. 15:41-15:46 dialect terms (don’t use pinyin), analogy, breakfast is one of the most resilient cultural elements a person sticks to, guozao, 热干面, missing: characteristics like that it needs to be prepared quickly because the tradition of the dock workers&lt;br /&gt;
&lt;br /&gt;
6. 15:56-16:01 hot pot history originated in China (?), regional differences within China 87&lt;br /&gt;
&lt;br /&gt;
7. 16:02-16:06 4 new inventions - not explained that these inventions were invented in other countries. 86&lt;br /&gt;
&lt;br /&gt;
==Student grades: 平时成绩/签到==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
75/103 students, 24级 MA翻译, class representative: Zhang Jiaxin&lt;br /&gt;
#	Jin Yichen &lt;br /&gt;
#	lu jiahui &lt;br /&gt;
#	li yuan&lt;br /&gt;
#	cao yuan&lt;br /&gt;
#	xiao luyu&lt;br /&gt;
#	zhang jiaxin +5&lt;br /&gt;
#	ye sitong&lt;br /&gt;
#	zhao yashi&lt;br /&gt;
#	jiang xinyue&lt;br /&gt;
#	yan xiang&lt;br /&gt;
#	fei xinyu &lt;br /&gt;
#	zhang qi&lt;br /&gt;
#	dai shiru&lt;br /&gt;
#	zhang zixi&lt;br /&gt;
#	zheng kaiwu&lt;br /&gt;
#	cai yichun&lt;br /&gt;
#	yang jing&lt;br /&gt;
#	liao dan&lt;br /&gt;
#	luo yan&lt;br /&gt;
#	qin yi&lt;br /&gt;
#	shao keyuan&lt;br /&gt;
#	cao chunyang&lt;br /&gt;
#	xu yangyang&lt;br /&gt;
#	liao zuoyun&lt;br /&gt;
#	cheng sixiang&lt;br /&gt;
#	du jiangping&lt;br /&gt;
#	liu qi&lt;br /&gt;
#	miao yunlong&lt;br /&gt;
#	huang qiaoqiao&lt;br /&gt;
#	chen lin&lt;br /&gt;
#	duan binyao&lt;br /&gt;
#	li ting&lt;br /&gt;
#	zeng zhi&lt;br /&gt;
#	xing xueqing&lt;br /&gt;
#	luo jingyan&lt;br /&gt;
#	liu shutian&lt;br /&gt;
#	gao xiaoqing&lt;br /&gt;
#	chen zhen&lt;br /&gt;
#	luo guoqiang -1-1-1&lt;br /&gt;
#	she xiao &lt;br /&gt;
#	he yunfeng &lt;br /&gt;
#	liu ying&lt;br /&gt;
#	du yuan &lt;br /&gt;
#	li jiayi &lt;br /&gt;
#	tao yao &lt;br /&gt;
#	xu xinwen &lt;br /&gt;
#	ou huang &lt;br /&gt;
#	liu peini&lt;br /&gt;
#	jiang ziqiang&lt;br /&gt;
#	zhang huifang&lt;br /&gt;
#	liu chao&lt;br /&gt;
#	liu yunxi &lt;br /&gt;
#	luo jiaxin&lt;br /&gt;
#	li mei&lt;br /&gt;
#	zeng xiaohui&lt;br /&gt;
#	huang yixuan&lt;br /&gt;
#	chen anqi&lt;br /&gt;
#	chen ting&lt;br /&gt;
#	zhang mai&lt;br /&gt;
#	yuan xiaolin -1-1&lt;br /&gt;
#	li mingfeng&lt;br /&gt;
#	dai yexun-1-1&lt;br /&gt;
#	yang pei -1&lt;br /&gt;
#	tang yan&lt;br /&gt;
#	xiang jianning-1&lt;br /&gt;
#	liu chang -1&lt;br /&gt;
#	wang yuxin&lt;br /&gt;
#	lv jiahao-1&lt;br /&gt;
#	dong jiating&lt;br /&gt;
#	lu wei&lt;br /&gt;
#	yang yue&lt;br /&gt;
#	guo cili&lt;br /&gt;
#	shen shuai&lt;br /&gt;
#	Ouyang yihong&lt;br /&gt;
#	li zihan -1&lt;br /&gt;
#	zuo fang&lt;br /&gt;
#	fu sihui&lt;br /&gt;
#	xiao zixin -1&lt;br /&gt;
#	zhou tianyi -1&lt;br /&gt;
#	qi zhiyang -1-1&lt;br /&gt;
#	liu pei &lt;br /&gt;
#	gong wei&lt;br /&gt;
#	chen sisi&lt;br /&gt;
#	huang sinan&lt;br /&gt;
#	xiao yikang&lt;br /&gt;
#	yu jingfang&lt;br /&gt;
#	luo sicheng&lt;br /&gt;
#	yang jiahong&lt;br /&gt;
#	yan jidong&lt;br /&gt;
#	xiao yawen&lt;br /&gt;
#	geng hongmei&lt;br /&gt;
#	zhou le&lt;br /&gt;
#	qiu ping&lt;br /&gt;
#	wang huaixing&lt;br /&gt;
#	wang xinyu&lt;br /&gt;
#	chu hanqi&lt;br /&gt;
#	wu jiating&lt;br /&gt;
#	zhang meiling&lt;br /&gt;
#	liu jianan&lt;br /&gt;
#	song xin&lt;br /&gt;
#	zhao qi&lt;br /&gt;
#	zheng jinlian&lt;br /&gt;
#	li linyao&lt;br /&gt;
&lt;br /&gt;
=Session 04 Fri Mar 14 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
#Topic 260：Wedding Dress in the Song Dynasty(Liu Chao)[[Media:260 The Wedding Dress in the Song Dynasty.pptx]]&lt;br /&gt;
#Topic 146: Traditional crafts: Xiang embroidery 1386(Zhang Huifang) [[Media:Hunan_embroidery_spring_2025.pptx]]&lt;br /&gt;
#Topic 153:Traditional Cuisine: Eight Major Cuisines of China 1456 (Zheng Kaiwu)[[Media:Media Eight Major Cuisines of China.pptx]]&lt;br /&gt;
#Topic 233: Traditional Chinese Pigments (Cao Yuan)[[Media:Traditional Chinese Pigments.pptx]]&lt;br /&gt;
#Topic 182: Chinese Economy:  rich businessmen (Fu Sihui) [[Media:Rich_Businessmen_Spring_2025.pptx]]&lt;br /&gt;
#Topic 156: Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick p. 1491 (Xiao Zixin)  [[Media:Tanghulu_Spring_2025.pptx]]&lt;br /&gt;
#Topic 138: Social: Round Table Culture	1317 (Wu Jiating)  [[Media:Round_Table_Culture_Spring_2025.pptx]]&lt;br /&gt;
#Topic 174: Jiaozi (Liu Pei)  [[Media:Dumplings_Spring_2025.pptx]]&lt;br /&gt;
#133.Silk and Porcelain: Celadon and “Celadon Song”青花瓷歌词（Wang Huaixing)&lt;br /&gt;
&lt;br /&gt;
=Session 05 Fri Mar 21 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
#Topic 50: Games: Go 围棋 462（Zhao Qi） [[Media:Weiqi_Go_Spring_2025.pptx]]&lt;br /&gt;
#Topic 110:Opera: Peking Opera Actor Mei Lanfang 1050 (Dai shiru)[[Media:Opera Peking Opera Actor Mei Lanfang.pptx]]&lt;br /&gt;
# Topic 131: Silk and porcelain: Silk  (Fei Xinyu) [[Media:Silk_Spring_2025.pptx]]&lt;br /&gt;
# Topic 224: Chinese Food：Jiangxi Cuisine（赣菜）(Liao Dan) [[Media:Jiangxi_Cuisine.pptx]]&lt;br /&gt;
# Topic 169: Cuisine: Luosifen  1593 (Chen Sisi) ） [[Media:Luosifen_Spring_2025.pptx]]&lt;br /&gt;
# Topic 167: History: Wang Shouren 1573 （Lv Jiahao)[[Media:History_Wang_Shouren_.pptx]]&lt;br /&gt;
# Topic 183: Jiangxi Gan Opera （Wang Xinyu） [[Media:Jiangxi Gan opera.pptx]]&lt;br /&gt;
# Topic 165: Worship: Chinese Incense Culture (She Xiao) [[Media:Chinese Incense Culture.pptx]]&lt;br /&gt;
#133.Silk and Porcelain: Celadon and “Celadon Song”青花瓷歌词（Wang Huaixing) [Media: Silk and Porcelain]&lt;br /&gt;
&lt;br /&gt;
=Session 06 Fri Mar 28 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
&lt;br /&gt;
#Topic 188:Mobile Games 手游 1783 （Du Jiangping）[[Media:Mobile_Game.pptx]]&lt;br /&gt;
#Topic 191:Aesthetic ideals and social customs: The Culture of Flowers 1807 (Qiu Ping）)[[Media:Aesthetic_ideals_and_social_customs-_The_Culture_of_Flowers.pptx]]&lt;br /&gt;
#Topic 193:Science and Technology: Buytogether（PDD) 1825(Qi Zhiyang)&lt;br /&gt;
#Topic 195:Sports: Cuju (蹴鞠) 1845 （Ouyang Yihong)[[Media: Cuju.pptx]]&lt;br /&gt;
#Topic 202:The Legend of Zhen Huan 《甄嬛传》 1845 (Xiang Jianning)[[Media: The Legend of Zhen Huan.pptx]]&lt;br /&gt;
#Topic 203:Chinese horror movies 中式恐怖片 1845 (Zhang Jiaxin)[[Media: Chinese Horror Movies.pptx]]&lt;br /&gt;
#Topic 185:Opera: Huangmei opera 1752 （Chu Hanqi）&lt;br /&gt;
#Topic 181:Animals：Golden Monkey 1712（Xiao Yawen）&lt;br /&gt;
#Topic 196:The culture of Chinese Electric Vehicles 中国电动汽车 1845（Geng Hongmei)[[Media:Chinese_Electtic_Vehicles_Geng_hongmei.pptx]]&lt;br /&gt;
&lt;br /&gt;
=HOLIDAY Session 07 Fri Apr 04 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
清明节4月4日——4月6日&lt;br /&gt;
=Session 08 Fri Apr 11 14:30-16:10 Zhishan Bldg. room 303 - Student presentations=&lt;br /&gt;
#Topic 133:Silk and Porcelain: Celadon and “Celadon Song”青花瓷歌词（Wang Huaixing）&lt;br /&gt;
#Topic 179:Traditional and Modern Views on Marriage and Love（Liu Yunxi）[[Media:Traditional and Modern Views on Marriage and Love .pptx]]&lt;br /&gt;
#Topic 181:Animals：Golden Monkey(Xiao Yawen)&lt;br /&gt;
#Topic 196:The culture of Chinese Electric Vehicles 中国电动汽车 1845（Geng Hongmei)[[Media:Chinese_Electtic_Vehicles_Geng_hongmei.pptx]]&lt;br /&gt;
#Topic 204:Stand-up comedy 单口喜剧 1845（Huang Sinan）&lt;br /&gt;
#Topic 220:Rice cake 年糕 (Dong Jiating)&lt;br /&gt;
#Topic 208:Chinese traditional ornament: Buyao(Yang Jing)[[Media:Chinese Traditional Ornament-Buyao.pptx]]&lt;br /&gt;
#Topic 209:Tofu meatball with nia blood(Li Ting2)[[Media:Pig_Blood_Balls.pptx]]&lt;br /&gt;
#Topic 212:Education：training Schools （教育：补习班） 1845 (Huang Yixuan2) [[Media:Training classes .pptx]]&lt;br /&gt;
&lt;br /&gt;
=Session 09 Fri Apr 18 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
#Topic 213: Chinese Dreamcore (Zhang Zixi)[[Media:Chinese Dreamcore.pptx]]&lt;br /&gt;
#Topic 215: Live-streaming e-commerce (Tao Yao)[[Media:Live-Streaming E-Commerce.pptx]]&lt;br /&gt;
#Topic 216: The Story of Ming Lan (Ye Sitong)[[Media:The Story of Minglan.pptx]]&lt;br /&gt;
#Topic 218: Guangdong Herbal tea (Gao Xiaoqing)&lt;br /&gt;
#Topic 219: Chinese traditional art form：Seal carving（篆刻） (Huang Qiaoqiao)[[Media:Seal carving.pptx]]&lt;br /&gt;
#Topic 207: Shan Dong Cuisine (Lu Wei) [[Media:Lu_Wei-207-Shandong_Cuisine.pptx]]&lt;br /&gt;
#Topic 221: Zhongyuan Festival (Ou Huang)[[Media:The Zhongyuan Festival.pptx]]&lt;br /&gt;
#Topic 223: The Return of the Pearl Princess (Lu Jiahui)[[Media:The Return of the Pearl Princess.pptx]]&lt;br /&gt;
&lt;br /&gt;
=Session 10 Fri Apr 25 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
#Topic 217: Cha Bai Xi/Tea Latte Art（茶百戏）(Yang Jiahong)[[Media:ChaBaiXi.pptx]]&lt;br /&gt;
#Topic 225: Cun Chao&amp;quot;: China's village football league（“村超”：中国乡村足球联赛）(Shen Shuai)&lt;br /&gt;
#Topic 227: Chinese Bossy Fictions &amp;amp; Micro-drama（中国式霸总小说&amp;amp;短剧） 1845 (He Yunfeng)[[Media:Chinese_Bossy_Fictions_and_Microdramas.pptx]]&lt;br /&gt;
#Topic 229: Jingdezhen Porcelain(Xiao Luyu)[[Media:Jingdezhen Porcelain.pptx]]&lt;br /&gt;
#Topic 230: Gayageum（伽倻琴）(Zhang Meiling) [[Media:Gayageum.pptx]]&lt;br /&gt;
#Topic 231: The plague and couplet in Chinese garden(Wang Yuxin)&lt;br /&gt;
#Topic 232: Sun Wukong(Li Yuan)[[Media:0425 Sun Wukong.pptx]]&lt;br /&gt;
#Topic 234: Dragon Lantern Dance(Jin Yichen)[[Media:Jin Yichen Dragon Lantern Dance.pptx]]&lt;br /&gt;
#Topic 235: Bamboo Weaving(Chen Anqi)&lt;br /&gt;
#Topic 236: Landscapes and Tourism: Harbin Ice and Snow World(Xu Xinwen)[[Media:Harbin Ice and Snow World.pptx]]&lt;br /&gt;
&lt;br /&gt;
==Please enroll in ai platform==&lt;br /&gt;
Please enroll (register) in the platform https://dcg.de/ai/&lt;br /&gt;
&lt;br /&gt;
=HOLIDAY Session 11 Fri May 02 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
劳动节5月1日——5月5日&lt;br /&gt;
&lt;br /&gt;
=Session 12 Tue May 06 10:00-11:40 room 613 - Student presentations=&lt;br /&gt;
#Topic 238: Three Famous Chinese Mountains(Liu Chang)&lt;br /&gt;
#Topic 239: Female emperor-Wu Zetian(女皇武则天)(Song Xin)  [[Media:Wu Zetian.pptx]]&lt;br /&gt;
#Topic 240: Clay sculpture (泥塑）(Chen Lin)[[Media:Clay Sculpture.pptx]]&lt;br /&gt;
#Topic 242: Hunan Rice Noodles(Gong Wei)[[Media:Hunan Rice Noodles.pptx]]&lt;br /&gt;
#Topic 244: Chinese Popular Memes(中国网络流行热梗）(Xiao Yikang)[[Media:Chinese popular Memes.pptx]] &lt;br /&gt;
#Topic 245: Douzhi (豆汁)(Li Linyao)[[Media:Douzhi.pptx]]&lt;br /&gt;
#Topic 246: New Year Wood-block Paintings(Du Yuan)[[Media:Du Yuan New Year Wood-block Painting.pptx]]&lt;br /&gt;
#Topic 247: Carved lacquer（雕漆）(Liu Qi)[[Media:Carved lacquer.pptx]]&lt;br /&gt;
#Topic 237: Braised Chicken Rice (黄焖鸡米饭-Huang Men Ji Mifan)(Li Zihan)&lt;br /&gt;
&lt;br /&gt;
==Regarding Wu Zetian‘s blank Steele==&lt;br /&gt;
关于武则天的“无字碑”（又称“无字碑记”）为何没有刻字，学界和民间流传着几种主要的假设：&lt;br /&gt;
	#功过自有后人评说（最广为流传）：武则天希望后世自己来评价她的一生，不愿由自己或当时的人定论。这种说法强调了她的自信与超越常规。&lt;br /&gt;
	#避讳批评或争议：武则天是中国历史上唯一的女皇帝，争议颇多。她可能认为无论写什么内容都容易引发非议，因此选择不刻字以避免争议。&lt;br /&gt;
	#彰显佛教思想：她信奉佛教，而佛教讲究“空”与“无”，无字碑可能象征“空性”或“无常”，体现她的宗教哲学。&lt;br /&gt;
	#未来自我书写：也有人猜测她原计划晚年或死前再刻碑文，但去世后未及实现，遂留下空碑。&lt;br /&gt;
	#彰显权力与独特性：无字碑作为一种非同寻常的表达形式，也可视为权力和个性的象征，显示她与众不同的统治地位。&lt;br /&gt;
&lt;br /&gt;
⸻&lt;br /&gt;
&lt;br /&gt;
English Translation:&lt;br /&gt;
&lt;br /&gt;
There are several main hypotheses about why Wu Zetian’s stele (often called the “Wordless Stele”) bears no inscription:&lt;br /&gt;
#“Let future generations judge” (most popular view): Wu Zetian may have wanted her life and legacy to be judged by later generations rather than writing her own praise. This interpretation highlights her confidence and forward-thinking.&lt;br /&gt;
#To avoid criticism or controversy: As the only female emperor in Chinese history, Wu Zetian was a controversial figure. She may have felt that any written content could provoke criticism, so she left it blank.&lt;br /&gt;
#Reflecting Buddhist philosophy: A devout Buddhist, she may have chosen to leave the stele blank as a symbol of “emptiness” or impermanence, ideas central to Buddhist thought.&lt;br /&gt;
#Intended to write later: Some believe she planned to inscribe it later in life but passed away before doing so, leaving the monument unfinished.&lt;br /&gt;
#Symbol of power and uniqueness: A blank stele could also serve as a unique and powerful statement, emphasizing her exceptional status and breaking with traditional forms.&lt;br /&gt;
&lt;br /&gt;
=Session 13 Fri May 09 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
#Topic 248: Jing Gang Mountain (井冈山）(Yu Jingfang) [[Media:Jing_Gang_Mountain_Spring_2025.pptx]]&lt;br /&gt;
#Topic 251: Rice noodle roll (Li Mingfeng)[[Media:Rice_Noodle_Roll.pptx]]&lt;br /&gt;
#Topic 252: Traditional Cuisine: Northeastern Chinese Cuisine (Liu Shutian)&lt;br /&gt;
#Topic 253: Yuelu Mountain (Chen Ting) [[Media:Yuelu_Mountain.pptx]]&lt;br /&gt;
#Topic 254: Traditional Crafts：Tie-Dye (Zhang Qi)[[Media:Traditional_Crafts_Tie-Dye.pptx]]&lt;br /&gt;
#Topic 255: Chinese-style sun protection (Zhao Yashi)[[ File:Chinese-style Sun Protection.pdf]]&lt;br /&gt;
#Topic 256: Danmu（弹幕）(Zhou Le)[[Media:Danmu.pptx]]&lt;br /&gt;
#Topic 259: Female Writers: Zhang Ailing, Chen Ping, Lin Yihan and Li Bihua (Zhou Tianyi)[[Media:Voices of Chinese Female Writers.pptx]]&lt;br /&gt;
#Topic 214: Luban China's inventor  (Cai Yichun)[[Media:Luban_China's_Inventor.pptx]]&lt;br /&gt;
&lt;br /&gt;
=Session 14 Fri May 23 14:30-16:10 room 613 - Student presentations=&lt;br /&gt;
#Topic 262: The Four Pillars of Destiny(Li Jiayi) [[Media:Eight Characters.pptx]]&lt;br /&gt;
#Topic 263: Shaolin Temple(Zuo Fang) [[Media:Shaolin Temple.pptx]]&lt;br /&gt;
#Topic 265: Cuisine: Changde spicy salted duck(Xing Xueqing)[[Media:Changde spicy salted duck.pptx]]&lt;br /&gt;
#15:25-15:30 Topic 266: Hui Culture (徽文化)(Liu Jianan)[[Media:Hui Culture.pptx]]&lt;br /&gt;
#15:30- Topic 267: Ma Zu Culture (妈祖文化)(Yan Jidong)[[Media:Mazu culture.pptx]]&lt;br /&gt;
#15:35- Topic 268: Table manner(Luo Yan)[[Media:Table manner.pptx]]&lt;br /&gt;
#15:40- Topic 270: Yingge Dance(Jiang Xinyue)[[Media:Yingge Dance.pptx]]&lt;br /&gt;
#15:45- Topic 271: Palace Lantern(Shao Keyuan)[[Media:Palace_Lantern.pptx]]&lt;br /&gt;
#15:50- Topic 272: Chinese Endearing Terms(Zeng Zhi)[[Media:Chinese Endearing Terms.pptx]]&lt;br /&gt;
&lt;br /&gt;
15:55-16:10 Check final exam paper topics&lt;br /&gt;
&lt;br /&gt;
=Session 15 Tue May 27 10:00-11:30 中和楼 213 (moved from Fri May 30 14:30-16:10 room 613) - Student presentations=&lt;br /&gt;
#Topic 273: Changsha Stinky Tofu（长沙臭豆腐）(Luo Sicheng)[[Media:Changsha Stinky Tofu.pptx]]&lt;br /&gt;
#&amp;lt;nowiki&amp;gt;Topic 274:&amp;lt;/nowiki&amp;gt; God of wealth(Liu Ying)&lt;br /&gt;
#Topic 275: Zhua zhou (抓周）(Zeng Xiaohui) [[Media:Zhuazhou.pptx]]&lt;br /&gt;
#Topic 276: Nail art(Luo Jiaxin)[[Media:Nail_Art.pptx]]&lt;br /&gt;
#Topic 277: Mirror(Cheng Sixiang)[[Media:Mirror_Cheng Sixiang.pptx]]&lt;br /&gt;
#Topic 278: The Beef Board Noodles(Yan Xiang)[[Media:Beef Board Noodles.pptx]]&lt;br /&gt;
#Topic 279: Huo Qubing(Luo Jingyan)&lt;br /&gt;
#Topic 280: Chinese Courtyard Houses（中国四合院）(Guo Cili)[[Media:Chinese Courtyard Houses-Guo Cili.pptx]]&lt;br /&gt;
#Topic 281: yangqin(Dai Yexun)[[Media:Yangqin.pptx]]&lt;br /&gt;
&lt;br /&gt;
=Session 16 Fri Jun 6 14:30-16:10 room 613=&lt;br /&gt;
#Topic 282:  Black Myth: Wukong (Chen Zhen)&lt;br /&gt;
#Topic 283: Guangdong Morning Tea Culture (Yuan Xiaolin)[[Media:Guangdong_Morning_Tea.pptx]]&lt;br /&gt;
#Topic 283: Guangdong Morning Tea Culture （广东早茶文化）(Zheng Jinlian)[[Media:Guangdong Morning Tea Culture-Zheng Jinlian.pptx]]&lt;br /&gt;
#Topic:(Luo Guoqiang) Liuyang Fireworks             &lt;br /&gt;
&lt;br /&gt;
“When flaming trees join silver flowers in one blaze, and bridges of stars unlock their iron gates,” fireworks have, since ancient times, embodied humanity’s yearning for prosperity and blessings. These luminous spectacles paint the night sky with dreamlike beauty, symbolizing hopes for a better life. When it comes to fireworks, one cannot overlook Liuyang, a city renowned as the “Home of Chinese Fireworks.” With over a thousand years of craftsmanship, Liuyang has given birth to fireworks that captivate the world.&lt;br /&gt;
&lt;br /&gt;
The origins of Liuyang fireworks can be traced back to the Tang Dynasty. Legend has it that Li Tian, revered as the “Forefather Saint of Firecrackers,” filled bamboo tubes with gunpowder to dispel plagues. The explosive force and resulting smoke were believed to purify the environment, marking the rudiments of firecrackers. Through generations of inheritance and innovation, Liuyang’s artisans continuously refined their craft. From the rudimentary bamboo-tube firecrackers of old times to the “string firecrackers” wrapped in paper and hemp stems during the Song Dynasty, and finally to today’s vibrant, intricately designed displays, Liuyang fireworks chronicle the evolution of traditional Chinese craftsmanship. During the Ming and Qing dynasties, Liuyang’s fireworks industry thrived, becoming a cornerstone of local handicrafts and expanding its reach nationwide and abroad. In the first year of the Yongzheng reign of the Qing Dynasty, Liuyang firecrackers were selected as imperial tributes, a testament to their superior quality. By the Qianlong era, they dominated the Hunan region, and during the Guangxu period, exports reached Asian countries like Japan, India, and Korea.&lt;br /&gt;
&lt;br /&gt;
A millennium of heritage has not only bestowed profound cultural depth upon Liuyang fireworks but also forged their unique brand identity. In 2006, the art of Liuyang fireworks craftsmanship was inscribed on China’s first batch of National Intangible Cultural Heritage lists, acknowledging its invaluable cultural significance. Today, Liuyang stands as the world’s largest production, trade, and research hub for fireworks. Home to over 400 manufacturing enterprises and thousands of associated businesses, it generates an annual output value exceeding 50 billion RMB, accounting for 70% of China’s total fireworks exports. These products reach more than 100 countries across the Americas, Europe, and Southeast Asia, solidifying Liuyang’s reputation as the global epicenter of fireworks.&lt;br /&gt;
&lt;br /&gt;
However, the modern era presents new challenges for the fireworks industry. Safety and environmental protection have emerged as critical constraints. Historically, Liuyang’s fireworks relied on family-run workshops, posing significant safety risks. To address this, the local government relocated enterprises to mountainous areas, promoting industrial standardization, scale, and modernization. Leveraging big data and AI, they established comprehensive, intelligent supervision systems to ensure safety at every production stage. In terms of environmental protection, Liuyang’s enterprises collaborated with prestigious universities, such as Nanjing University of Science and Technology and Beijing Institute of Technology, to develop new materials, techniques, and products. Their efforts have led to the creation of low-smoke, sulfur-free, and low-dust fireworks, redefining the industry’s ecological footprint.&lt;br /&gt;
&lt;br /&gt;
In response to market shifts and technological advancements, a new generation of Liuyang’s “fireworks innovators” drives industry transformation. They have introduced products like “Urban Fireworks,” designed for urban settings. These safe, eco-friendly items blend aesthetic appeal with social interactivity, winning favor among young consumers. Innovating sales strategies, they integrate online and offline channels, utilizing “new retail” stores, Vlogs, and video platforms to reach wider audiences. Additionally, Liuyang has developed a “fireworks economy,” integrating pyrotechnics with cultural tourism. Since 2023, weekly weekend fireworks show at the Sky Theater have hosted over a hundred events, attracting 5 million visitors and generating 15 billion yuan in revenue. These shows combine cutting-edge technologies like drones and AI with cultural IPs, creating immersive experiences that have transformed Liuyang fireworks from a regional brand into a global cultural icon.&lt;br /&gt;
&lt;br /&gt;
Emerging from the depths of history, Liuyang fireworks embrace the new era with innovation as their brush and culture as their ink. Against the backdrop of safety and sustainability, they paint a future more resplendent than ever. Serving as Liuyang’s cultural ambassador and a vivid example of traditional Chinese culture’s modern evolution, Liuyang fireworks continue to shine brightly, a timeless beacon of human ingenuity.&lt;br /&gt;
&lt;br /&gt;
浏阳烟花&lt;br /&gt;
&lt;br /&gt;
“火树银花合，星桥铁锁开。” 烟花，自古以来就承载着人们对美好生活的向往与祝福，在夜空中绽放出如梦如幻的美景。而提及烟花，就不得不提湖南浏阳 —— 这座被誉为 “中国烟花之乡” 的城市，它以千余年的烟花制作历史，孕育出了享誉全球的浏阳烟花。&lt;br /&gt;
&lt;br /&gt;
浏阳烟花的历史，最早可追溯到唐代。相传，“爆竹祖师” 李畋为驱散疫病，将火药装填于竹筒之中，利用爆炸产生的气浪与硝烟来改善环境，这便是鞭炮的雏形。此后，经过历代浏阳人的传承与创新，烟花制作工艺不断改进。从最初简单的竹筒爆竹，发展到宋代用纸筒和麻茎裹火药编成的 “编炮”，再到后来色彩斑斓、造型各异的烟花，浏阳烟花的发展历程见证了中国传统手工艺的演变与进步。到了明清时期，浏阳烟花的生产已颇具规模，成为当地重要的手工行业，并逐渐走向全国乃至世界。清雍正元年，浏阳鞭炮因其制作精良，被选为贡品，这无疑是对其品质的极高赞誉。至乾隆年间，浏阳花炮已称雄于湖南的三湘四水；光绪年间，更是达到极盛时期，产品远销日本、印度、朝鲜等亚洲国家。&lt;br /&gt;
&lt;br /&gt;
千年的历史传承，不仅让浏阳烟花积累了深厚的文化底蕴，更铸就了其独特的品牌魅力。2006 年，浏阳花炮制作技艺列入第一批国家级非物质文化遗产名录，这是对浏阳烟花文化价值的高度认可。如今，浏阳已成为全球最大的烟花爆竹生产贸易基地和科研中心，拥有 400 余家烟花生产企业及上千家产业链上下游企业，花炮年产值超 500 亿元，出口占全国出口总量的 70%，产品销往美洲、欧洲、东南亚等 100 多个国家和地区，“世界烟花看浏阳” 的美誉名副其实。&lt;br /&gt;
&lt;br /&gt;
然而，随着时代的发展，烟花产业也面临着诸多挑战。安全与环保，成为了制约其发展的两大关键因素。过去，浏阳烟花多以家庭式作坊生产为主，安全隐患较大。为了改变这一现状，浏阳市政府果断采取措施，将烟花企业 “赶上山”，推动产业向工厂化、规模化、标准化发展。同时，借助大数据监控和人工智能平台，实现了对烟花爆竹生产全过程、全方位、智能化的安全监管。在环保方面，浏阳烟花企业积极开展科研攻关，与南京理工大学、北京理工大学等高等院校广泛合作，研发新材料、新工艺、新产品，致力于打造低碳、绿色、环保的烟花新形象。如今，微烟、无硫、少尘已成为浏阳烟花生产的关键词。&lt;br /&gt;
&lt;br /&gt;
面对市场变化和技术革新，新一代浏阳 “烟花人” 积极创新，推动烟花产业转型升级。一方面，他们重新定义产品，推出了 “城市烟花” 等适合城市休闲场景的新产品，这类产品安全性高、污染小，且有颜值与社交属性，深受年轻消费者喜爱。另一方面，创新销售方式，通过打造 “新零售” 门店、拍摄 Vlog、搭建视频号矩阵等线上线下融合的方式，让烟花走进更多消费者的世界。此外，浏阳还大力发展 “烟花经济”，将烟花与文化旅游产业深度融合。自 2023 年以来，每周六在天空剧院推出的周末焰火秀，已累计举办各类焰火燃放活动百余场，吸引游客 500 万人次，拉动消费 150 亿元。创意焰火秀通过与无人机、AI 等新科技相结合，以及融入国风、虚拟人物、热门影视等 IP 元素，为观众带来了一场场精彩纷呈的沉浸式视觉盛宴，也让浏阳花炮实现了从区域性品牌向国际知名 IP 的蝶变升级。&lt;br /&gt;
&lt;br /&gt;
从历史深处走来的浏阳烟花，在新时代的浪潮中，正以创新为笔，以文化为墨，在安全与环保的底色上，描绘出更加绚烂多彩的未来画卷。它不仅是浏阳的城市名片，更是中国传统文化在现代社会中传承与发展的生动例证，绽放永不落幕的璀璨光芒。&lt;br /&gt;
&lt;br /&gt;
=Deadline extended to June 20, 2025 - Final Exam=&lt;br /&gt;
&amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;Please upload your ppt if you not have done so so far.&amp;lt;/span&amp;gt;&lt;br /&gt;
[[Media:282_Black_Myth_Wukong_Chen_Zhen.pptx]]&lt;br /&gt;
&lt;br /&gt;
Topic 196:[[Media:Chinese_Electtic_Vehicles_Geng_hongmei.pptx]]&lt;br /&gt;
&lt;br /&gt;
[[Media:ChaBaiXi.pptx]]&lt;br /&gt;
&lt;br /&gt;
==Grading Criteria for Powerpoint Presentations==&lt;br /&gt;
#Was the presentation based on scientific facts, did the presenter also conduct some research on the topic and did he/she also add her own experience or her own opinion/perspective and marking the two different perspectives as factual/subjective? Did the presentation avoid absolute judgments like &amp;quot;good&amp;quot; or &amp;quot;best&amp;quot;, but did it instead use vocabulary like &amp;quot;fascinating&amp;quot;, &amp;quot;surprising&amp;quot; etc. and also indicated to whom it is fascinating/surprising etc. and why?&lt;br /&gt;
#Was the presentation successful? Did it catch the attention of the audience over the whole time? Was the presenter persuading? Was the audience excited/fascinated? Did the audience learn something? (Or was the audience bored and talked the whole time without paying attention to the presenter?)&lt;br /&gt;
#Formal things: Was the speaker good to hear (loud/clear)? Did he make a self-confident impression and did he know his topic? Did the speaker speak freely and not read out? Where there meaningful pictures and graphs on the slides and only a few keywords, well sorted by numbers or bullet points (or was the powerpoint merely a text desert of small size script with the script being copied onto the slides)?&lt;br /&gt;
#Was the presentation appropriate to the topic?&lt;br /&gt;
#Was the activity part meaningful and appropriate to the topic? Did it speak to everyone in the audience individually?&lt;br /&gt;
#Was the presentation not too short and not too long in time, but as long as the other presentations, so that all presentations of the day could be presented?&lt;br /&gt;
#Did the presentation consider the same cultural phenomenon both in China and in other countries, at least as a comparison?&lt;br /&gt;
#Did the presentation avoid mistakes like reading out text in a boring way, pronounciation mistakes, typos in the English text?&lt;br /&gt;
#Did you indicate the sources you have used at least on the last page of your presentation in the form of a list?&lt;br /&gt;
#Did you upload your ppt file successfully (if not, did you contact the teaching assistant to upload)?&lt;br /&gt;
#Did you present your ppt file in the full screen mode?&lt;br /&gt;
#Did you arrive early in classroom to copy your file onto the desktop of the class computer and did you check it and also any embedded or accompanying video files etc. if everything works properly including sound?&lt;br /&gt;
#Did the presentation avoid deadly mistakes like plagiarism, using ai without indicating it (if you use ai to create the presentation, you need to indicate the platform and the full prompt you gave to ai and the main adjustments you did to the prompt), using ideology, patriotism, politics, religious beliefs, advertisement for products, ignorance (e.g. that a cultural phenomenon is wide spread in Asia and the origin is unclear, but claiming it was Chinese and originated in China), racism, prejudices, telling lies, spreading false rumors etc.?&lt;br /&gt;
&lt;br /&gt;
==How to write your final exam paper?==&lt;br /&gt;
Most of you have written their papers. However, please watch these guidelines, add page numbers to the paper sources you use, add answers to the questions and follow the special rules for ai usage if you used ai. Just write it like the other chapters in the textbook on your personal wiki homepage beneath the learning progress diary until &amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;&lt;br /&gt;
'''New deadline to fulfill these more specified requirements: June 20, 2025'''.&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
About 1000 words in English, followed by a Chinese translation (no machine translation). You can also write in Chinese and translate into English. Both texts need to be like the other papers in the textbook.&lt;br /&gt;
&lt;br /&gt;
===Sections===&lt;br /&gt;
Title, student name, Abstract, Main part, illustrations, Terms and Expressions, Questions, Answers, References, and AI Statement.&lt;br /&gt;
&lt;br /&gt;
The AI statement should look like this:&lt;br /&gt;
&lt;br /&gt;
I hereby guarantee that I have not used the help of AI to write my final paper in this course.&lt;br /&gt;
&lt;br /&gt;
or, if you actually use AI&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;color:red&amp;quot;&amp;gt;'''How about letting AI write for me?'''&lt;br /&gt;
&lt;br /&gt;
Your AI statement in the References section needs to look like this:&lt;br /&gt;
&lt;br /&gt;
To help me to write my final paper, I have used the following AI chatbot: ... I have prompted the chatbot with the following prompt: &amp;quot;...&amp;quot; I found the following problems with the outcome: ... I have adjusted the output by the following measures (revising prompt as: &amp;quot;....&amp;quot; or manually correcting the following references: ... Written the following passage new: ...).&lt;br /&gt;
&lt;br /&gt;
If you use AI, not your paper will be graded, but your prompt and adjustments&lt;br /&gt;
&lt;br /&gt;
===References===&lt;br /&gt;
*Please add the sources in the form &amp;quot;(Wang 2020, 445)&amp;quot; behind each paragraph and with a long entry in the References section.&lt;br /&gt;
*In the References section, please add at least 1-2 Western sources. It is always good to relate the Chinese tradition to similar traditions in other countries.&lt;br /&gt;
*In the English version of your References, please add the Pinyin to the Chinese names and titles. Everything needs to be readable in English characters.&lt;br /&gt;
&lt;br /&gt;
===Formatting===&lt;br /&gt;
*Please also add free lines at places where you want to have a line break, e.g. after a header.&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Chin_Lang_Cult_Fin_Exam_Spring_2025]]&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=File:Jiangxi_Cuisine.pptx&amp;diff=170196</id>
		<title>File:Jiangxi Cuisine.pptx</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:Jiangxi_Cuisine.pptx&amp;diff=170196"/>
		<updated>2025-07-06T13:56:33Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: Luo Yan uploaded a new version of &amp;amp;quot;File:Jiangxi Cuisine.pptx&amp;amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=File:Jiangxi_Cuisine.pptx&amp;diff=170195</id>
		<title>File:Jiangxi Cuisine.pptx</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:Jiangxi_Cuisine.pptx&amp;diff=170195"/>
		<updated>2025-07-06T13:56:29Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: Luo Yan uploaded a new version of &amp;amp;quot;File:Jiangxi Cuisine.pptx&amp;amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169929</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169929"/>
		<updated>2025-06-20T11:44:05Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: &lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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1. Divining an auspicious date; Notifying and instructing guests; Divining the chief guest&lt;br /&gt;
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Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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2. Displaying robes and vessels; Laying out mats; Threefold capping&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
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3. The chief guest libates the initiate; Bestowing a courtesy name&lt;br /&gt;
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As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
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4. Performing the ritual of salutation; Escorting the guests&lt;br /&gt;
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Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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1. Passing through the door of adulthood, the door of talent, and the door of success&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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2. Flag-raising ceremony; Oath-taking; Presentation of the Constitution&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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3. Gratitude to parents&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
1. 筮日、戒宾、筮宾&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
2. 陈服器、布席、三加&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
3. 宾醴冠者、取字&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
4. 行拜见礼、送宾&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''笄礼''' ===&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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1. 过成人门、成才门、成功门&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
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2. 升旗、宣誓、赠《宪法》&lt;br /&gt;
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学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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3. 感恩父母&lt;br /&gt;
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百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
1. Divining an auspicious date; Notifying and instructing guests; Divining the chief guest&lt;br /&gt;
&lt;br /&gt;
Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
2. Displaying robes and vessels; Laying out mats; Threefold capping&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
3. The chief guest libates the initiate; Bestowing a courtesy name&lt;br /&gt;
&lt;br /&gt;
As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
&lt;br /&gt;
4. Performing the ritual of salutation; Escorting the guests&lt;br /&gt;
&lt;br /&gt;
Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
1. Passing through the door of adulthood, the door of talent, and the door of success&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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2. Flag-raising ceremony; Oath-taking; Presentation of the Constitution&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
3. Gratitude to parents&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
1. 筮日、戒宾、筮宾&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
2. 陈服器、布席、三加&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
3. 宾醴冠者、取字&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
4. 行拜见礼、送宾&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
1. 过成人门、成才门、成功门&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
2. 升旗、宣誓、赠《宪法》&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
3. 感恩父母&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== Divining an auspicious date; Notifying and instructing guests; Divining the chief guest ====&lt;br /&gt;
&lt;br /&gt;
Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== Displaying robes and vessels; Laying out mats; Threefold capping ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== The chief guest libates the initiate; Bestowing a courtesy name====&lt;br /&gt;
&lt;br /&gt;
As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== Performing the ritual of salutation; Escorting the guests ====&lt;br /&gt;
Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== Passing through the door of adulthood, the door of talent, and the door of success ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== Flag-raising ceremony; Oath-taking; Presentation of the Constitution===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== Gratitude to parents ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== 筮日、戒宾、筮宾 ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== 陈服器、布席、三加====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== 宾醴冠者、取字 ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== 行拜见礼、送宾 ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== 过成人门、成才门、成功门 ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== 升旗、宣誓、赠《宪法》 ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== 感恩父母 ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-20T03:10:54Z</updated>

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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
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At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
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I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
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在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
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我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
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[[File:Threecapping.jpg]]&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
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I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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[[File:Threecapping.jpg]]&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
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学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成人礼''' ==&lt;br /&gt;
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每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
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== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
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第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
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第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
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== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
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== '''参考文献''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
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在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
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我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
[[File:Threecapping.jpg]]&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
[[File:Threecapping.jpg]]&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
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== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169741"/>
		<updated>2025-06-20T02:57:24Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Chinese Coming-of-Age Ceremony */&lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a ritual performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, traditional society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary traditional coming-of-age ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both have similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reached adulthood but his body is still not fully robust.&amp;quot; At 20, his father or elder brothers would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Between the Zhou Dynasty and the Han Dynasty, it emphasizes its educational function for adults, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several days before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining an auspicious date&amp;quot;. The host then notifies the guests of the chosen date several days in advance and invites them to attend. After the invitees politely decline the first invitation as a formality, they accept the host's reinvitation. This process is called &amp;quot;notifying and instructing guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining an auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, and then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confers the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The increasing nobility of the robe in the stage of each capping is intended to enable the initiate to appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
As the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations as an expression of expectations and blessings for the adult. The initiate then bows to his mother to express his gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the Capping Ceremony, the initiate officially steps into adulthood. At this point, the initiate performs the ritual of salutation to the guests. He first pays respects to family members, then to the monarch, ministers, officials and local scholars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, and marks the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the matriarch of the female, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral temple, which includes &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage, assume responsibilities as newly adults for their families, and initiate their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at the age of twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared with the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually develop into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-20T00:42:01Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI Statement */&lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, I guarantee that it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169634</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169634"/>
		<updated>2025-06-19T15:48:41Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI Statement */&lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the process of writing this paper,in particular Doubao. However, it does not participate in the writing of the paper's structure or content in any way.&lt;br /&gt;
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At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
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I have prompted the chatbot Doubao with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests. The translation of these terms still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still give the grade based on the paper.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
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在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
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我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper,in particular Doubao.&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.&amp;quot;Due to my unfamiliarity with these terms, I have prompted the chatbot Doubao with the following prompt:&amp;quot;Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI：豆包，但其绝没有参与该论文框架与内容的撰写。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我向豆包提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，这些术语的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T15:23:44Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI Statement */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper,in particular Doubao.&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.&amp;quot;Due to my unfamiliarity with these terms, I have prompted the chatbot Doubao with the following prompt:&amp;quot;Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
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== '''回答''' ==&lt;br /&gt;
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#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
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== '''参考文献''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中有使用AI,尤其是豆包。&lt;br /&gt;
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在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T15:22:23Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI声明 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper,in particular Doubao.&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.&amp;quot;Due to my unfamiliarity with these terms, I have prompted the chatbot Doubao with the following prompt:&amp;quot;Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中有使用AI,尤其是豆包。&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具帮助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T15:20:21Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Abstract */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies, coming-of-age ceremony in ancient Japan and in modern Japan and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper,in particular Doubao.&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.&amp;quot;Due to my unfamiliarity with these terms, I have prompted the chatbot Doubao with the following prompt:&amp;quot;Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中没有使用AI。在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper,in particular Doubao.&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.&amp;quot;Due to my unfamiliarity with these terms, I have prompted the chatbot Doubao with the following prompt:&amp;quot;Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼、古代日本的成人礼、现代日本的成人礼以及成人礼的传承价值五个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中没有使用AI。在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T15:17:37Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Chinese Coming-of-Age Ceremony */&lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeral ceremonies——carry abundant cultural significance. As one of such rituals, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their inherited value.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper,in particular Doubao.&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.In the later stages of writing, I use AI tools to support and improve my essays.&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as&amp;quot;divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.&amp;quot;Due to my unfamiliarity with these terms, I have prompted the chatbot Doubao with the following prompt:&amp;quot;Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:&amp;quot;Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?&amp;quot;）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations.  In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中没有使用AI。在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T15:03:06Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI Statement */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I don't use AI tools during the completion of this course paper.At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan.Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中没有使用AI。在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<updated>2025-06-19T15:01:19Z</updated>

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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中没有使用AI。在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。&lt;br /&gt;
我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T14:21:22Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI Statement */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
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== '''参考文献''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169521</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169521"/>
		<updated>2025-06-19T14:20:49Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI声明 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169510</id>
		<title>User:Luo Yan</title>
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		<updated>2025-06-19T14:14:12Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 感恩父母 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169507</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169507"/>
		<updated>2025-06-19T14:13:38Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Gratitude to parents */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
[[File:Gratitude.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169505</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169505"/>
		<updated>2025-06-19T14:13:02Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Gratitude to parents */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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[[File:Gratitude.jpg]]&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
[[File:Gratitude.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
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&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
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第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
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== '''参考文献''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<updated>2025-06-19T14:11:37Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: &lt;/p&gt;
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		<author><name>Luo Yan</name></author>
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		<updated>2025-06-19T14:10:55Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 感恩父母 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
[[File:Gratitude.jpg]]&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
[[File:Gratitude.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169499</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169499"/>
		<updated>2025-06-19T14:10:11Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Gratitude to parents */&lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
[[File:Gratitude.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169495</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169495"/>
		<updated>2025-06-19T14:08:47Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Modern Coming-of-Age Ceremony */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169494</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169494"/>
		<updated>2025-06-19T14:08:21Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Modern Coming-of-Age Ceremony */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
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&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
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&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169493</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169493"/>
		<updated>2025-06-19T14:07:41Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 现代成人礼 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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----&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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----&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T14:05:27Z</updated>

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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
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		<author><name>Luo Yan</name></author>
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		<summary type="html">&lt;p&gt;Luo Yan: /* 成人礼 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
[[File:Modern.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169476</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169476"/>
		<updated>2025-06-19T13:59:45Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Chinese Coming-of-Age Ceremony */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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[[File:Modern.jpg]]&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
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冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
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学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
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百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
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在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成人礼''' ==&lt;br /&gt;
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每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
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== '''成人礼的传承意义''' ==&lt;br /&gt;
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第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
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第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
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第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
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== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169470</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169470"/>
		<updated>2025-06-19T13:51:56Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI Statement */&lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirements, I conduct further research and add two sections on coming-of-age ceremony in ancient Japan and in modern Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
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&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169466"/>
		<updated>2025-06-19T13:50:58Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* AI声明 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
&lt;br /&gt;
=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼和现代日本的成人礼这两部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
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----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
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冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
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学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
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百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
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在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成人礼''' ==&lt;br /&gt;
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每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
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== '''成人礼的传承意义''' ==&lt;br /&gt;
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第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
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第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
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第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
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== '''术语与表达''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''问题''' ==&lt;br /&gt;
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#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
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== '''参考文献''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169462</id>
		<title>User:Luo Yan</title>
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		<updated>2025-06-19T13:49:23Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 现代日本的成人礼 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段（Batkalova, Kuralay and Anuar Galiev 2016,7）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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		<title>User:Luo Yan</title>
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		<updated>2025-06-19T13:48:50Z</updated>

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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
&lt;br /&gt;
=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
&lt;br /&gt;
The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
&lt;br /&gt;
== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
&lt;br /&gt;
In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
&lt;br /&gt;
== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
&lt;br /&gt;
== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
&lt;br /&gt;
== '''References''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6-7.&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169460</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169460"/>
		<updated>2025-06-19T13:48:02Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Chinese Coming-of-Age Ceremony */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Modern Japan''' ==&lt;br /&gt;
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In modern Japan &amp;quot;Coming of Age Ceremony&amp;quot; is officially celebrated on January 15 each year. The ceremony is held primarily at a local level and sponsored by the government. After their 20th young Japanese people become officially adults and receives certain legal rights (rites to vote, manage their own life and etc.). This occasion also corresponds with graduation period, thus marking the end of childhood and start of adulthood.This occasion in contemporary Japan involves wearing of traditional kimono since the Coming of the Age is an opportunity to dress in echo of old traditions: girls wear Furisode, bright kimono with long sleeves, traditionally designed for unmarried women.Some adults may visit Shinto shrines for purification ceremonies similar to those held for children at 3-5-7（Batkalova, Kuralay and Anuar Galiev 2016,7）. &lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''现代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169458</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169458"/>
		<updated>2025-06-19T13:44:19Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 现代日本的成年礼 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
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冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
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学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
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在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成人礼''' ==&lt;br /&gt;
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每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段。&lt;br /&gt;
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== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
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第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
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第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
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== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
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== '''参考文献''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169456</id>
		<title>User:Luo Yan</title>
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		<updated>2025-06-19T13:43:41Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 成人礼 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
&lt;br /&gt;
I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
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----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
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冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
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这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
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=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
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学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
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=== '''感恩父母''' ===&lt;br /&gt;
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百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
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== '''古代日本的成人礼''' ==&lt;br /&gt;
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在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
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== '''现代日本的成年礼''' ==&lt;br /&gt;
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每年1月15日，日本会正式举行“成人日”庆典。该庆典主要由地方政府举办，是一种由国家支持的正式仪式。在年满20岁后，日本青年被正式认定为成年人，获得一系列法律权利，例如选举权、生活自主权等。这个时点通常也与毕业季重合，象征着童年的结束和成年的开始。在这一场合中，人们通常会穿上传统和服，借此机会延续古老传统。女孩会穿着“振袖”——这是一种色彩鲜艳、袖子很长的和服，传统上为未婚女性所穿。有些年轻人还会前往神社，参与类似于儿童“七五三”仪式的祓禊（净化）仪式，以祈求顺利迈入成人阶段。&lt;br /&gt;
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== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169449</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169449"/>
		<updated>2025-06-19T13:35:53Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Chinese Coming-of-Age Ceremony */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
&lt;br /&gt;
==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
&lt;br /&gt;
=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
#What is the inherited value of the coming-of-age ceremony?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
#First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
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冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
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与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
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在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
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[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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=='''现代成人礼'''==&lt;br /&gt;
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现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
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=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
&lt;br /&gt;
Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
&lt;br /&gt;
=== '''Capping Ceremony''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
&lt;br /&gt;
==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
&lt;br /&gt;
Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
&lt;br /&gt;
Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
&lt;br /&gt;
==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
&lt;br /&gt;
After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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----&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
&lt;br /&gt;
The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
&lt;br /&gt;
This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
&lt;br /&gt;
As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
&lt;br /&gt;
Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
&lt;br /&gt;
#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
&lt;br /&gt;
== '''Answers''' ==&lt;br /&gt;
&lt;br /&gt;
#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
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在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
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在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
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==== '''行拜见礼、送宾''' ====&lt;br /&gt;
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冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169443</id>
		<title>User:Luo Yan</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169443"/>
		<updated>2025-06-19T13:33:31Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 成人礼 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
&lt;br /&gt;
Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''Abstract''' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
&lt;br /&gt;
== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
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礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
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== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
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传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
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=== '''冠礼''' ===&lt;br /&gt;
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冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
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在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
#成人礼的传承意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
#第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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&lt;br /&gt;
其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169437</id>
		<title>User:Luo Yan</title>
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		<updated>2025-06-19T13:26:43Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* 绪言 */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
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= '''成人礼''' =&lt;br /&gt;
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== '''摘要''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
&lt;br /&gt;
==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
&lt;br /&gt;
==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
&lt;br /&gt;
==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
== '''AI声明''' ==&lt;br /&gt;
&lt;br /&gt;
本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Luo_Yan&amp;diff=169436</id>
		<title>User:Luo Yan</title>
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		<updated>2025-06-19T13:26:05Z</updated>

		<summary type="html">&lt;p&gt;Luo Yan: /* Introduction */&lt;/p&gt;
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24英语笔译 Luo Yan  202470081595  '''Chinese Coming-of-Age Ceremony'''&lt;br /&gt;
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Final Exam Paper Titles&lt;br /&gt;
[https://bou.de/u/wiki/Chinese_Language_and_Culture,_Spring_2025 Link to Course Homepage] &lt;br /&gt;
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='''Chinese Coming-of-Age Ceremony'''=&lt;br /&gt;
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== '''Abstract''' ==&lt;br /&gt;
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Rituals paly an indispensable role in human social interaction, embodying shared norms and customs. Life-cycle rituals——encompassing birth, coming-of-age, marriage, and funeeral ceremonies——carry profound cultural significance. As one such ritual, the coming-of-age ceremony marks the transition from childhood to adulthood. This article explores traditional and modern Chinese coming-of-age ceremonies and their contemporary relevance.&lt;br /&gt;
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== '''Traditional Coming-of-Age Ceremonies: Capping Ceremony(Guanli) and Hair-Pinning Ceremony(Jili)''' ==&lt;br /&gt;
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Traditional coming-of-age ceremony is a rite performed when youths reach adulthood, serving as a cornerstone of ancient adult education.Through this ceremony, society educates and admonishes young people, signifying their departure from parental protection and their new responsibilities. In China, the primary ceremonies are the Capping Ceremony(Guanli) for males and the Hair-Pinning Ceremony(Jili) for females. Though distinct, both share similar rituals and procedures.&lt;br /&gt;
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=== '''Capping Ceremony''' ===&lt;br /&gt;
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Capping Ceremony is the coming-of-age ceremony for aristocratic males. As recorded in ''Liji(Book of Rites)'', ''Qu Li Shang'':&amp;quot; At the age of twenty, a man undergoes the Capping Ceremony called 'ruoguan'（弱冠）, signifying that he has reaches adulthood but his body is still not fully robust.&amp;quot; At 20, a father or elder brother would crown the youth with a cap in the ancestral temple before esteemed guests, symbolizing his entry into adulthood. Historically evolving from &amp;quot;male coming-of-age ritual&amp;quot;(Chengdingli成丁礼）), Capping Ceremony emerges during the Zhou Dynasty. Throughout the Han Dynasty, it emphasizes adult education, while the Ming Dynasty imbues it with political significance. After the Ming Dynasty, Capping Ceremony declines and eventually merges with wedding ceremonies by the early Republican era(Zhang Jianying 2024,13-14). The traditional Capping Ceremony mainly includes the following procedures:&lt;br /&gt;
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==== '''Divining an auspicious date; Notifying and instructing guests; Divining the chief guest''' ====&lt;br /&gt;
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Several dyas before the Capping Ceremony, an auspicious date is determined through divination(using yarrow stalks or turtle shells) to express good wishes for the initiate. If the divined date is auspicious, it is adopted; if inauspicious, the divination is repeated until a favorable date is found. This process is known as &amp;quot;divining the auspicious date&amp;quot;. The host then notifies the guests of the chosen date several dyas in advance and invites them to attend. After the invitees politely declines the first invitation as a formality, they accept the host's reinvitation. This ritual exchange is called &amp;quot;notifying and instructing the guests&amp;quot;. Three days prior to the ceremony, a divination is performed to select the chief guest who would confer the caps on the initiate. The procedure mirrors that of divining the auspicious date, known as &amp;quot;divining the chief guest&amp;quot;.&lt;br /&gt;
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==== '''Displaying robes and vessels; Laying out mats; Threefold capping''' ====&lt;br /&gt;
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Before the formal ceremony, the host first displays the robes, headgears and sacrificial offerings for the Capping Ceremony, then lays out the ceremonial mats north of the eastern steps in the ancestral temple——where the chief guest would confer the caps on the initiate. This precedes the core ritual: the threefold capping, in which the chief guest successively bestows three caps upon the initiate: first a black cloth cap, then a leather cap, and finally a ceremonial cap. The initiate also changes into three sets of matching robes. After each capping, the chief guest presents distinct blessings, symbolizing the initiate's progression toward adulthood. The escalating nobility of the robe in each capping stage is intended to make the initiate appreciate the journey to maturity.&lt;br /&gt;
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==== '''The chief guest libates the initiate; Bestowing a courtesy name'''====&lt;br /&gt;
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After the Capping Ceremony concludes, the chief guest libates the initiate with ritual wine and offers congratulations, expressing expectations and blessings for the adult. The initiate then pays respect to his mother, bowing to express gratitude for her nurture. Following the libation, the chief guest bestows a countesy name upon the initiate. This sobriquet is typically used for peers addressing one another or juniors addressing elders, serving as a formal marker of respect.&lt;br /&gt;
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==== '''Performing the ritual of salutation; Escorting the guests''' ====&lt;br /&gt;
Upon the conclusion of the formal Capping Ceremony, the initiate officially steps into adulthood. At this point, the newly capped adult performs the ritual of salutation to the guests, first paying respects to family members, then proceeding to meet the monarch, ministers, officials and local shcolars and gentry. This sequence of salutations——beginning with family and extending to the court and local community——symbolizes the initiate's transition from familial to social responsibility, marking the gradual assumption of adult roles. Finally, the host offers wine to the guests, presents gifts as tokens of gratitude, and escorts them to the gate of the ancestral temple, thus concluding the ritual（Zhang Qiuyan 2018，16-17）.&lt;br /&gt;
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[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
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=== '''Hair-Pinning Ceremony''' ===&lt;br /&gt;
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Corresponding to the men's Capping Ceremony, the Hair-Pinning Ceremony is the coming-of-age ceremony for ancient Chinese women, commonly known as &amp;quot;topknot ceremony&amp;quot;, emerging alongside the Capping Ceremony. &amp;quot;Receiving the hairpin&amp;quot; involves changing the juvenile haiestyle during the ceremony: the hair is coiled into a bun, wrapped with a black kerchief, and then fixed with a hairpin. The ceremony is presided over by the female head of the family, while an invited female guest places the hairpin on the maiden, signifying her adulthood and eligibility for marriage(Xu Xiaopan 2023,9). After the ceremony, noblewomen typically receive adult education in the royal palace or clan ancestral hall, instruct in the &amp;quot;four female virtues&amp;quot;: fude(moral conduct), furong(deportment), fugong(domestic skills), and fuyan(eloquence). These encompass the ethics for interacting with others, the manners for serving in-laws, and practical skills like needlework——essential for a wife in traditional society.&lt;br /&gt;
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Following the Hair-Pinning Ceremony, young women are deemed eligible for marriage and assume responsibilities as newly adult members of the family, initiating their roles as wives and later mothers in their husband's households(Zhang Cainian 2022,3). Under the ancient Chinese patriarchal tradition, the Hair-Pinning Ceremony is typically conducted shortly before marriage. However, if a woman remains unbetrothed, she would still undergo the ritual at age twenty to mark her entry into adulthood. This practice highlights the greater flexibility in the timing of the Hair-Pinning Ceremony compared to the fixed age of twenty for the Capping Ceremony for males. Its procedures parallels that of the Capping Ceremony, including threefold hair-pinning, paying respects to elders, and bestowing blessings. The core threefold hair-pinning mirrors its male counterpart but with distinct specifics: instead of successive caps, the maiden receives hairpins of increasing elegance——a wooden pin, a jade pin, and finally a ceremonial pin——symbolizing her transition from girlhood to womanhood.&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
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== '''Modern Coming-of-Age Ceremony''' ==&lt;br /&gt;
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The modern 18-year-old coming-of-age ceremony originates in the 1990s. This innovative activity is quickly promoted by the Shanghai Municipal Committee of the Communist Youth League of China and gradually developed into the &amp;quot;Coming-of-Age Ceremony&amp;quot; across all provinces, autonomous regions, and municipalities in China. On December 18,1993, the first 18-year-old coimg-of-age ceremony was solemnly held in front of the People's Heroes Memorial Tower on the Bund in Shanghai. For more than three decades, this activity——centered on patriotic education and aimed at fostering adolescents' sense of social and moral responsibility upon reaching adulthood——has generated a strong social response. Take schools' coming-of-age ceremony as an example(Zhang Jianying 2024,19-20）:&lt;br /&gt;
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=== '''Passing through the door of adulthood, the door of talent, and the door of success''' ===&lt;br /&gt;
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This tradition not only embodies expectations for students' growth but also contains rich cultural connotations. Firstly, &amp;quot;the door of adulthood&amp;quot; serves not just as a symbol in the coming-of-age ceremony, but as a reminder for students——alerting them to think independently and take responsibility for their actions. Secondly, &amp;quot;the door of talent&amp;quot; encapsulates the school's hopes for students' academic achievements, and encourages them to strive for continuous learning, enhance their comprehensive quality, and become useful members of society. Finally, &amp;quot;the door of success&amp;quot; not only commends students for their perseverance and courage to forge ahead but also expresses high expectations for their upcoming college entrance examination.&lt;br /&gt;
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=== '''Flag-raising ceremony; Oath-taking; Presentation of the Constitution'''===&lt;br /&gt;
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As the primary front for cultural and ethical education, schools are committed to students' all-round development. The coming-of-age ceremony, as a part of schools' ritual education, conveys the nation's core socialist values to students through processes like the flag-raising ceremony, oath-taking, and presentation of the Constitution of the People's Republic of China. This aims to nurture students' patriotic feelings and sense of ownership, while inspiring thier responsibility and mission wotard society and the country.&lt;br /&gt;
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=== '''Gratitude to parents''' ===&lt;br /&gt;
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Of all virtues, filial piety comes first. Influenced by Confucianism, &amp;quot;filial piety&amp;quot; is a highly valued cultural concept and supreme moral ethic in our tradition, permeating the entire educational process. Therefore, in the coming-of-age ceremony held by schools, this part embodies the national value orientation. It teaches students to be grateful for their parents' sacrifices and love, cultivates a sense of gratitude, makes them aware of the close bond with family and kinship, reminds them to assume their responsibilities as children, forters correct family values, and clarifies their relos and duties within the family.&lt;br /&gt;
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== '''the Coming-of-Age Ceremony in Ancient Japan''' ==&lt;br /&gt;
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The rite of initiation to adulthood in Japan is called as Coming of the Age ceremony. This adulthood initiation rite had a highest semiotic status in Japanese traditional culture. Adulthood Rites for boys in ancient Japan used to be held around age of 11-15 years old. This initiation rite was called as Genpuku, which is considered to be an important ritual that affected the whole life course of a boy. In ancient times, in the period between early childhood and Genpuku, Japanese boys were called as wakashuu. Genpuku rite was known as kanrei amongst the court nobility of ancient Japan and involved special guidance before initiation rites. Capping ceremony was the main part of Genpuku, which symbolized a ritual clothing ceremony of the child to adulthood wearing. Traditional Japanese rites of adulthood for girls was called Mogi that involved certain symbolical ritual elements such as new adult clothing for girls with presenting a token &lt;br /&gt;
gift as pleated skirt. Girls also blackened their teeth, this rite was called Ohaguro. Initiation rites for girls also included the rite of Hikimayu – removing eyebrows and repainting it in a new make-up. Then girls received a new hairstyle by tying the long hair on a top. Moreover, girls were taught about new social responsibilities and traditional customs, art and history, as well as the way of being a good wife and mother（Batkalova, Kuralay and Anuar Galiev 2016,6）&lt;br /&gt;
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== '''The Inherited Value of the Coming-of-Age Ceremony''' ==&lt;br /&gt;
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First, it reinforces self-awareness. The essence of the coming-of-age ceremony lies in marking the important transition from dependence to independence, from adolescence to adulthood. It not only signifies physical maturation and age progression but also symbolizes the development of an &amp;quot;adult&amp;quot; mindset.&lt;br /&gt;
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Second, it carries cultural heritage. As an essential part of traditional culture, the coming-of-age ceremony is rich in historical memory and cultural meaning. It is not only a milestone in an individual's growth but also a vessel for cultural transmission. Through the ceremony, young people can engage with the essence of traditional culture, gain insights into ancestral wisdom and teachings, and help draw more public attention to traditional practices, thus promoting cultural dissemination and preservation.&lt;br /&gt;
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Third, it fosters social cohesion. The coming-of-age ceremony is a collective ritual with strong social cohesion. It brings together people of different ages, genders, and regions to witness and take part in this significant moment. Such communal participation helps bridge generational gaps, eliminate gender biases, and overcome regional cultural differences（Wang Fei, Shi Haiquan 2025,117-118）.&lt;br /&gt;
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== '''Trems and expressions''' ==&lt;br /&gt;
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成人礼  coming-of-age ceremony&lt;br /&gt;
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冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
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笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
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成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
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筮日  divine an auspicious date&lt;br /&gt;
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戒宾  notify and instrust guests&lt;br /&gt;
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筮宾  divine the chief guest&lt;br /&gt;
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受冠者  initiate&lt;br /&gt;
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陈服器  display robes and vessels&lt;br /&gt;
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布席  lay out mats&lt;br /&gt;
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三加  threefold capping/hair-pinning&lt;br /&gt;
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缁布冠  a black cloth cap&lt;br /&gt;
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皮弁  a leather cap&lt;br /&gt;
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爵弁  a ceremonial cap&lt;br /&gt;
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宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
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取字  bestow a courtesy name&lt;br /&gt;
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行拜见礼  perform the ritual of salutation&lt;br /&gt;
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送宾  escort the guests&lt;br /&gt;
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== '''Questions''' ==&lt;br /&gt;
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#What are the Guan Li and Ji Li ceremonies? Who are they intended for respectively?&lt;br /&gt;
#At what age did males typically undergo the Capping Ceremony, and who presided over it?&lt;br /&gt;
#At what age did females typically undergo the Hair-Pinning Ceremony, and who presided over it?&lt;br /&gt;
#What are the main procedures of the Capping Ceremony?&lt;br /&gt;
#What are the main procedures of the Hair-Pinning Ceremony?&lt;br /&gt;
#What is the significance of the coming-of-age ceremony in today's society?&lt;br /&gt;
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== '''Answers''' ==&lt;br /&gt;
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#The Capping Ceremony is the ancient Chinese coming-of-age ceremony for young men, signifying their entry into adulthood, and it is applicable to men. The Hair-Pinning Ceremony is the ancient Chinese coming-of-age ceremony for young women, signifying their entry into adulthood, and it is applicable to women.&lt;br /&gt;
#Ancient men generally held the Capping Ceremony at the age of 20, and it was usually presided over by their father or an elder.&lt;br /&gt;
#Ancient women generally held the Hair-Pinning Ceremony at the age of 15, and it was usually presided over by their mother or an elder.&lt;br /&gt;
#The main procedures of the Capping Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The main procedures of the Hair-Pinning Ceremony include: divining an auspicious day, divining the chief guest, threefold capping, each with different meanings, bestowing a courtesy name, and libating the initiate by the chief guest.&lt;br /&gt;
#The coming-of-age ceremony has significant meaning in contemporary society. It helps young people clarify their responsibilities and obligations, enhances their sense of social responsibility and belonging, and also aids in the transmission and promotion of traditional culture, strengthening cultural confidence.&lt;br /&gt;
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== '''References''' ==&lt;br /&gt;
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[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6.&lt;br /&gt;
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https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
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[2] Wang Fei王妃, Shi Haiquan石海泉. 守正创新：传统仪式育人功能的时代解读——以成人礼为例[Upholding tradition and innovating: A contemporary interpretation of the educational function of traditional rituals—Taking the coming-of-age ceremony as an example][J].产业与科技论坛Forum on Industry and Technology,2025,24(04):117–118.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEtLVOivZERf8kOI6yYIHOOEYbnROUTdPBfyC1tHF_A8V9kQn6leqOZwnML9S3WpJh3vispOhZkvCQNcWiGle4P6iKjrYQ6bjK-1gv2skAMnNyjmxivxz5pf3dLpMXCe_PMdh0WMcMNqas53PKGb80jYEofpYivxKg=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[3] Xu Xiaopan徐小盼. 汉族传统冠笄礼服饰的文化传承及其创新应用[Cultural inheritance and innovative application of traditional Han Chinese coming-of-age ceremonial attire][D].江南大学Jiangnan University,2023,9.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODGunDXkxR9Af8hFSg1w9b5s7sPhy90A2t21ZhnS6Otf00_NrMn1R-tp3bmict67nm110StQIzzDYm4gYkc6R8NGTNuKzkmxEqtvJcwEEJLrhSuCuCalOXRxrzwOUkvZEMK5ZV1D_VR4m_SZ5TwSZH5W57khS_g00ZA=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[4] Zhang Cainian张彩念. 传统成人礼服饰考证及其现代设计实践[Study on traditional coming-of-age ceremonial clothing and its modern design practices][D].江南大学Jiangnan University,2022:4.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHWMG2TRSd1Y5HhxRy7ZoWbVYgtipkhxpp7W4jR1lG6sGkqD-LZkI-3AgGUe1EF3zuVTOH7rlDH5S92W1nOZt7AVFyMXrP21kitzka5FrkL9tBZiUTV-zKfrH8FAdm7I2GG4-UMajl1SSJWlMBqII7kqtGDOZDv22A=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5] Zhang Jianying张剑英. 成人礼文化传承及传播研究[Research on the inheritance and dissemination of coming-of-age ceremony culture][D].西南科技大学Southwest University of Science and Technology,2024:13–14,19–20.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODE315g7Q4Z7mXtTELe04bIDztIDCNeqi9f1lTLc7lXcYkDbERAdYAOvZtyzPmZ5LgckN_Zs_5n2FEI8Spe5TuGbl8ZLjmDG_3rGrPiiKYOLIT1KYgenB91D18XdTaLTBIyWEcHymf1TvxDCESaXwNLwnL_PYxhrfaw=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6] Zhang Qiuyan张秋燕. 中国传统成人礼与当代青年成人教育[Traditional Chinese coming-of-age ceremonies and contemporary youth adult education][J].山西青年职业学院学报Journal of Shanxi Youth Vocational College,2018:31(03),16–17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI Statement''' ==&lt;br /&gt;
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I hereby declare that I use AI tools during the completion of this course paper, particularly Deepseek and Doubao, but only as auxiliary tools. They are not involved in the construction of the paper’s overall framework.&lt;br /&gt;
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At the beginning of the writing process, due to my limited understanding of the specific rituals and procedures of the coming-of-age ceremony, I consult resources from Baidu, Google Scholar, and CNKI to familiarize myself with the topic and build a basic framework in my mind—such as the fundamental rituals of the Capping Ceremony and Hair-Pinning Ceremony. Additionally, through my research, I discover that there are significant differences between traditional and modern coming-of-age ceremonies. Therefore, the first draft of my paper primarily focus on comparing traditional and contemporary practices. Later, in response to my teacher’s requirement, I conduct further research and add a section on coming-of-age ceremony in ancient Japan. In the final stages of writing, I use AI tools to help identify and address gaps in the paper.&lt;br /&gt;
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Firstly, the paper includes many culturally specific terms—for example, terms used in the process of Capping Ceremony, such as“divining an auspicious date, notifying and instructing the guest, divining the chief guest, displaying robes and vessels, laying out mats, threefold capping, the chief guest libates the initiate, bestowing a courtesy name, performing the ritual of salutation, and escorting the guests.”Due to my unfamiliarity with these terms,I have shortcomings in translating these terms, so I have prompted the chatbot Doubao with the following prompt:“Can you explain the meanings of these terms?”I found the following problems with the outcome: my understanding of these terms is superficial, and the English translations are not accurate. I have adjusted the output by the following measures（revising prompt as:“Can you explain the accurate meanings of these terms with reference to Book of Etiquette and Ceremonial, James Legge’s translations, or other relevant sources, and provide standard English translations?”）I correct and refine the translations of these culturally specific terms to improve clarity and readability.&lt;br /&gt;
&lt;br /&gt;
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Secondly, I have prompted the chatbot Deepseek with the following prompt:“Can you help identify mistranslations, omissions, grammatical errors, or logical inconsistencies in the English version of this paper?”I found the following problems with the outcome: my English translation still has some shortcomings and needs further revision and polishing. I have adjusted the output by the following measures (revising prompt as:“Can you point out the specific problematic areas and suggest methods of polishing the translation?”) I then carefully revise and polish the English version to improve the overall quality of the translation.&lt;br /&gt;
&lt;br /&gt;
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Throughout the early stages of writing, I maintain a rigorous academic attitude. From topic selection to structural design, I rely on my own independent thinking. When dealing with culturally specific terms, I conduct extensive research using multiple browsers and academic websites to ensure the most accurate translations. In the final stage of completing the paper, I use AI-assisted tools to identify and correct issues in the paper and thereby improve its overall quality.Therefore, teacher, you can still grade the paper based on the essay.&lt;br /&gt;
&lt;br /&gt;
= '''成人礼''' =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== '''绪言''' ==&lt;br /&gt;
&lt;br /&gt;
礼仪在人类社会交往中扮演着不可或缺的角色，它体现了人们共同遵循达的规范和习俗。人生礼仪以诞生礼、成人礼、婚礼和丧葬礼为主要内容，蕴含着丰富的文化价值。成人礼作为其中之一，是未成年人脱离稚气、迈入成人行列的标志性仪式。本文将围绕传统成人礼、现代成人礼以及成人礼的现实意义三个方面展开叙述。&lt;br /&gt;
&lt;br /&gt;
== '''传统成人礼：冠礼和笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
传统成人礼是古代青年在达到成人年龄时举行的象征他们迈向成人阶段的一种仪式，是古代成人教育中最重要的一环。传统社会通过举行成人仪式，教育并警示年轻人，使他们认识到自己即将脱离长辈的护佑，必须掌握一定的本领并要独立承担相应的社会责任。中国传统的成人礼主要有男子的“冠礼”和女子的“笄礼”两种，二者虽有不同，但它们的礼节仪式和程序非常相似。&lt;br /&gt;
&lt;br /&gt;
=== '''冠礼''' ===&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
冠礼是古代士族男子的成年仪式。《礼记·曲礼上》载“二十曰弱冠”，古代男子在20岁时要由父亲或兄长在宗庙中为其举行加冠仪式，并邀请德高望重的宾客参加，以此表明其已经长大成人。从冠礼的历史演变过程来看，由“成丁礼”演变而来的冠礼在周朝开始出现，直至汉朝均强调仪式对成年男子的教育功能，明朝的冠礼仪式则颇具政治意味，明代之后，冠礼逐渐衰微，至民国初期，冠礼与婚礼渐渐合为一体（张剑英，2024，13-14）。传统冠礼主要包括一些仪式和程序：&lt;br /&gt;
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==== '''筮日、戒宾、筮宾''' ====&lt;br /&gt;
&lt;br /&gt;
在行礼前数日，通过占筮的办法确定举行冠礼的吉日，表达对受冠者的美好祝愿。如果所占日子为吉日即可，若为凶日则需要重新占卜下一吉日，此为“筮日”。主人提前几日将冠礼吉日告知众宾，并邀请他们前来参加仪式，受邀者礼节推辞后，接受主人再次邀请，此为“戒宾”。冠礼的前三天，占卜在冠礼仪式上为受冠者加冠的正宾，其仪式和占筮吉日相同，此为“筮宾”。&lt;br /&gt;
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==== '''陈服器、布席、三加'''====&lt;br /&gt;
&lt;br /&gt;
在正礼之前，主人需要先将加冠所用的冠服、头饰以及祭品等摆出来，并在祖庙阼阶偏北布设好加冠的席位，主宾要在此为冠者加冠。之后便进入冠礼的中心环节：由正宾向冠者进行三次加冠，依次为缁布冠、皮弁、爵弁，冠者也要更换三种不同的服饰与之相配，每次加冠后正宾都会赠予冠者不同的祝词，三次加冠的服饰越来越尊贵，意在让冠者体会成人的过程。&lt;br /&gt;
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==== '''宾醴冠者、取字''' ====&lt;br /&gt;
&lt;br /&gt;
在加冠完成之后，正宾要向冠者敬醴酒并祝贺，以表示对其的期许和祝福。而后，冠者要向母亲行拜见礼，以感激其养育之恩。宾醴冠者后，正宾要为冠者取字，“字”一般用于平辈之间相互称呼或晚辈称呼长辈，表示尊重。&lt;br /&gt;
&lt;br /&gt;
==== '''行拜见礼、送宾''' ====&lt;br /&gt;
&lt;br /&gt;
冠礼正礼完成后就意味着冠者步入成人阶段，此时，冠者要以成人的身份向宾客行拜见礼。冠者首先要拜见家庭成员，然后拜见国君、卿大夫、乡党士绅等。拜见礼由家庭开始，再到庙堂乡里，意味着冠者从家庭走向社会，标志着其逐渐成人。最后，主人以酒敬宾客，送礼物表示答谢，并将宾客送至门外，仪式结束（张秋燕,2018,16-17）。&lt;br /&gt;
[[File:Coming-of-Age Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''笄礼''' ==&lt;br /&gt;
&lt;br /&gt;
与男子冠礼相对应，笄礼是古代女子的成人礼，俗称“上头礼”，与冠礼同时期兴起。受笄即在行笄礼时改变幼年的发式，将头发绾成一个髻，然后用一块黑布将发髻包住，随即以簪插定发髻。主行笄礼者为女性家长，由约请的女宾为少女加笄，表示少女成年可以结婚（徐小盼，2023，9）。贵族女子受笄后，一般要在公宫过宗室接受成人教育，授以“妇德、妇容、妇功、妇言”等，作为媳妇必须具备的待人接物及侍奉舅姑的品德礼貌与女红劳作等技巧本领。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
在行及笄礼之后，女子可以进行婚配，承担起作为新成年女子对家庭的责任，可以在另一个家庭开始其作为妻子而后作为母亲的家庭生活（张彩念，2022，4）。中国古代男尊女卑的社会风习下，笄礼只有在女子婚嫁前才举行。但是，如果一直待嫁未许人，则年至二十也行笄礼，以此标志她们进入成年阶段。由此可见，相对于男子冠礼，女子及笄礼举办的年龄更加灵活。其流程与男子冠礼相似，由三加、拜见长辈、祝辞等议程。突出中心环节“三加”，只不过具体内容有所不同。&lt;br /&gt;
&lt;br /&gt;
[[File:Hair-Pinning Ceremony.jpg]]&lt;br /&gt;
&lt;br /&gt;
=='''现代成人礼'''==&lt;br /&gt;
&lt;br /&gt;
现代意义上的18岁成人礼仪始于20世纪90年代。这一具有创新性的活动很快得到共青团上海市委的推广，并逐渐发展成为遍及全国各省区市的“成人节”。1993年12月18日，上海外滩的人民英雄纪念塔前，第一届18岁成人仪式隆重举行。三十多年来，这一以爱国主义教育为核心，旨在激发青少年成年后社会责任感和道德感的仪式教育活动，在社会上引起强烈反响。以学校成人礼活动为例（张剑英，2024，19-20）：&lt;br /&gt;
&lt;br /&gt;
=== '''过成人门、成才门、成功门''' ===&lt;br /&gt;
&lt;br /&gt;
这一传统不仅体现了对学生成长的期望，也蕴含着丰富的文化内涵。“成人门”不仅是成人礼过程中的一个象征，更是对学生的一种警示，可以提醒学生开始拥有的权利和义务，告诫他们要学会独立思考并为自己的行为负责。“成才门”不仅饱含了学校对学生在学业成就上的期许，也是对学生通过不断努力学习、提高自己的综合素质、成为社会的有用之才的鼓励。最后的“成功门”不仅是对学生们坚持不懈、勇往直前的精神的赞扬，更对学生们即将迎来的高考寄予厚望。&lt;br /&gt;
&lt;br /&gt;
=== '''升旗、宣誓、赠《宪法》''' ===&lt;br /&gt;
&lt;br /&gt;
学校作为文化素质教育的主要阵地，致力于学生的全面发展。其中，成人礼作为学校仪式教育的一部分，在举办仪式活动的过程中，通过升旗、宣誓、赠送《宪法》等流程，向学生传达国家社会主义核心价值观，以培养学生的爱国主义情感和主人翁意识，激发学生对社会和国家的责任感和使命感。&lt;br /&gt;
&lt;br /&gt;
=== '''感恩父母''' ===&lt;br /&gt;
&lt;br /&gt;
百善孝为先，受儒家思想熏陶，“孝”是我们传统中极被重视的文化价值观念，是至高无上的道德伦理，贯穿教育始终。因此，在学校举办的成人礼中，感恩父母这一环节体现了民族价值观念取向，可以教导学生要懂得感恩父母的付出和爱护，培养对父母的感恩心态，让学生意识到自己与家庭和亲情的紧密联系，提醒学生承担起自己作为子女的担当，树立正确的家庭观念，明白自己在家庭中的责任和角色。&lt;br /&gt;
&lt;br /&gt;
== '''古代日本的成人礼''' ==&lt;br /&gt;
&lt;br /&gt;
在日本，被称为“成人仪式”的成年礼，是一种具有高度符号意义的传统文化仪式。在日本传统文化中，这一成年的入门仪式被赋予了极高的象征地位。在古代日本，男孩的成人礼通常在11至15岁之间举行。这一仪式称为“元服”，被视为影响男孩一生命运的重要仪式。在从幼年到举行元服之间的阶段，日本男孩通常被称为“若衆”，意指尚未成年的少年。在日本古代宫廷贵族中，元服仪式被称为“冠礼”，举行前需由长辈进行特殊的指导教育。仪式的核心部分是“加冠”——象征着儿童向成年人的转变。日本传统上女子的成人礼称为“裳着”，该仪式也包含一系列象征性的仪式元素。女孩在仪式中会穿上象征成年的新服装，并获得一条象征意义的褶裙作为赠礼。此外，女孩还会进行“黑齿”仪式，即将牙齿染黑，这是成年女性的外在标志之一。裳着仪式还包括“引眉”——将原有眉毛剃除，并以新妆容重新绘制。女孩的长发也会被高高束起，象征着身份的转变和新的责任（Batkalova ,Kuralay and Anuar Galiev 2016,6）。&lt;br /&gt;
&lt;br /&gt;
== '''成人礼的传承意义''' ==&lt;br /&gt;
&lt;br /&gt;
第一，强化自我认知。“成人礼”的要义在于标志个体从依赖走向独立、从少年迈向成年的重要转折点，其不仅代表着年龄的增长和生理的成熟，还意味着具有“成人”的意识。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第二，传承文化价值。“成人礼”作为传统文化的重要组成部分，承载着丰富的历史记忆和文化内涵。它不仅是个体成长的标志，更是文化传承的载体。在“成人礼”仪式中，青年人不仅能够接触到传统文化的精髓，了解祖先的智慧和教诲，还能够吸引更多的人关注和了解传统文化，从而促进文化的传播和普及。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
第三，促进社会融合。“成人礼”是一个集体性的仪式，具有强大的社会凝聚力。它能够将不同年龄、性别、地域的人们聚集在一起，共同见证和参与这一重要时刻。这种集体性的参与有助于消除社会中可能存在的年龄代沟、性别偏见以及地域文化差异等隔阂。（王妃，石海泉，2025，117-118）&lt;br /&gt;
&lt;br /&gt;
== '''术语与表达''' ==&lt;br /&gt;
&lt;br /&gt;
成人礼  coming-of-age ceremony&lt;br /&gt;
&lt;br /&gt;
冠礼  Capping Ceremony(Guanli)&lt;br /&gt;
&lt;br /&gt;
笄礼  Hair-Pinning Ceremony(Jili)&lt;br /&gt;
&lt;br /&gt;
成丁礼  male coming-of-age ritual(Chengdingli)&lt;br /&gt;
&lt;br /&gt;
筮日  divine an auspicious date&lt;br /&gt;
&lt;br /&gt;
戒宾  notify and instrust guests&lt;br /&gt;
&lt;br /&gt;
筮宾  divine the chief guest&lt;br /&gt;
&lt;br /&gt;
受冠者  initiate&lt;br /&gt;
&lt;br /&gt;
陈服器  display robes and vessels&lt;br /&gt;
&lt;br /&gt;
布席  lay out mats&lt;br /&gt;
&lt;br /&gt;
三加  threefold capping/hair-pinning&lt;br /&gt;
&lt;br /&gt;
缁布冠  a black cloth cap&lt;br /&gt;
&lt;br /&gt;
皮弁  a leather cap&lt;br /&gt;
&lt;br /&gt;
爵弁  a ceremonial cap&lt;br /&gt;
&lt;br /&gt;
宾醴冠者  the chief guest libates the initiate&lt;br /&gt;
&lt;br /&gt;
取字  bestow a courtesy name&lt;br /&gt;
&lt;br /&gt;
行拜见礼  perform the ritual of salutation&lt;br /&gt;
&lt;br /&gt;
送宾  escort the guests&lt;br /&gt;
&lt;br /&gt;
== '''问题''' ==&lt;br /&gt;
&lt;br /&gt;
#什么是冠礼和笄礼？它们分别适用于什么人？&lt;br /&gt;
#古代男子在举行冠礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#古代女子在举行笄礼时，一般在什么年龄？由谁主持？&lt;br /&gt;
#冠礼的主要流程有哪些？&lt;br /&gt;
#笄礼的主要流程有哪些？&lt;br /&gt;
#成人礼对当前社会存在哪些意义？&lt;br /&gt;
&lt;br /&gt;
== '''回答''' ==&lt;br /&gt;
&lt;br /&gt;
#冠礼是古代男子成年礼，标志着男子正式进入成年阶段，适用于男子。笄礼是古代女子成年礼，标志着女子正式进入成年阶段，适用于女子。&lt;br /&gt;
#古代男子一般在20岁举行冠礼，通常由父亲或长辈主持。&lt;br /&gt;
#古代女子一般在15岁举行笄礼，通常由母亲或长辈主持。&lt;br /&gt;
#冠礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加冠（三次加冠，分别代表不同的意义）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#笄礼的主要流程包括：筮日（选择吉日）、筮宾（选择主宾）、加笄（将发簪插入发中）、命字（取字）、醴酒（以酒礼宾）等。&lt;br /&gt;
#成人礼在当前社会具有重要的意义，它可以帮助年轻人明确自己的责任和义务，增强社会责任感和归属感，同时也有助于传承和弘扬传统文化，增强文化自信。&lt;br /&gt;
&lt;br /&gt;
== '''参考文献''' ==&lt;br /&gt;
&lt;br /&gt;
[1]Batkalova, Kuralay, and Anuar Galiev. &amp;quot;Rites of passage in Japanese traditional culture.&amp;quot; The IAFOR International Conference on Japan &amp;amp; Japan Studies 2016: Official Conference Proceedings. 2016: 6&lt;br /&gt;
&lt;br /&gt;
https://papers.iafor.org/wp-content/uploads/papers/iicj2016/IICJ2016_26954.pdf&lt;br /&gt;
&lt;br /&gt;
[2]王妃,石海泉.守正创新：传统仪式育人功能的时代解读——以成人礼为例[J].产业与科技论坛,2025,24(04):117-118.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFemsVB5cTfbqED5iTp2yIoCJounOAh_CRuuYOYJ6_HhSEzV91pi1y340F1wTuwDuMI-yANo124Pxyl_iICqlLvIWemprVIyAazn746ylgZskcB2FdL7K2whtmLHHAjcEOZSeS8UcVXjfkiRY6ixphQC86KWiBBBX8=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[3]徐小盼.汉族传统冠笄礼服饰的文化传承及其创新应用[D].江南大学,2023:9.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODFv1D_P29mopb9OzlGQf801mL_AhHOxkIrbDV7kLIlMrz9IeFYundP4xQabIxtrDVsimCn4tIrOts4QA5jcpjgy8vT2zV2VVnYcqOIaUlHO37opKrLoL-7ggj5sP80O5EIwCKD17_H4NF34NVr1OseuJhGSqRb6i9c=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
&lt;br /&gt;
[4]张彩念.传统成人礼服饰考证及其现代设计实践[D].江南大学,2022:4.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODF2TRZMnRQmYAcbliOWonArwY8QJAtaMnvIjBk26uHM8LDGl1CRFGlEHMdwnAaRVNwFo7yGKYoXDwMyAhcBPHtC1LDUxccJFhZ-N8yB6GiJGuUtkd66i8Mh2QxDABh3-Jz8xZv8e1U5UH1ck2Cjs2bQ38zlP-ldwX0=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[5]张剑英.成人礼文化传承及传播研究[D].西南科技大学,2024:13-14,19-20.&lt;br /&gt;
&lt;br /&gt;
https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODHlYayx8nEIiPbUlkpwiceIHECxkPRRyld02BiGxmVxRtrXoHB8mie_SsM_C87-gBP6AaaYeFrpEq76hmhC4Nv_J7ihTgWCfeVt0-ZBPPvvgQpJmdeS2rCaH47MD2az-YLU8qnW83prUozTy_KDnNc9ABHAV0Wtsq4=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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[6]张秋燕.中国传统成人礼与当代青年成人教育[J].山西青年职业学院学报,2018,31(03):16-17.&lt;br /&gt;
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https://kns.cnki.net/kcms2/article/abstract?v=7HNy6Ze5ODEc-U4C2NsLzX287hp8YBqx5Np99m3ax6r9tLD7oxk0n1zHE4fUYAEWgy3MsKw418UIfxF8_PLPjW2R97eLt144I92N81OQ49uPki8YV2cROZpzgLe_bhAuFLnX4g_DA6O9TafZ9QimuhodNlCPCyK7Oa3V73m87gM=&amp;amp;uniplatform=NZKPT&lt;br /&gt;
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== '''AI声明''' ==&lt;br /&gt;
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本人声明在完成此课程论文的过程中使用了AI，尤其使用了Deepkseek以及豆包，但只是作为辅助工具，并没有参与论文的框架构建。&lt;br /&gt;
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在论文写作初期，因对成人礼的具体仪式、流程不是很了解，于是我先通过百度、谷歌学术以及中国知网查找资料了解成人礼仪式，在脑中构建基本框架。例如，冠礼和笄礼的基本仪式。此外，我查阅资料还发现，传统成人礼与现代成人礼的基本仪式存在较大的差异。于是，论文初稿起初只要是围绕传统成人礼和当代成人礼展开叙述。到后来，根据老师的要求，我又查阅资料在文中增加了古代日本的成人礼这一部分。到论文写作后期，我使用了AI工具辅助我查漏补缺。&lt;br /&gt;
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首先，该论文中出现了很多文化专有词汇，例如冠礼流程中出现的“筮日、戒宾、筮宾、陈服器、布席、三加、宾醴冠者、取字、行拜见礼、送宾”，在不清楚这些词汇具体含义的情况下，我对这些词汇的翻译存在欠缺，于是我向豆包提出了以下提示：“能不能告诉我以上这些词汇的真正含义？”我发现结果存在以下问题：我对这些术语的理解不够深刻，很多术语的翻译不够到位。我通过以下措施调整了输出内容（将提示修改为：“能不能结合以上术语的真正含义，查阅《仪礼》、理雅各等相关资料，给出以上术语的标准英文翻译？”），重新完善了文化专有词汇的翻译：我对原有术语的翻译进行了修正，让这些术语的翻译更加准确可读。&lt;br /&gt;
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其次，我向Deepseek提出了以下提示：“能不能告诉我该论文的英文翻译是否存在错译、漏译、语法错误、逻辑紊乱等问题？”我发现结果存在以下问题：我的英文翻译还存在不足之处，需要进一步修改润色。我通过以下措施调整了输出内容（将提示修改为：能不能告诉我存在翻译问题的具体地方，以及修改润色的方法？”），重新修改了英文翻译内容：我对全文进行了润色，让翻译结果更加可观。&lt;br /&gt;
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在论文撰写前期，我始终保持着严谨的科学态度，从选题到论文基本框架的建构都是基于我自己独立的想法和思考，对于文化专有词汇，我也都会通过各种浏览器和网站查找其最正确的翻译。在确定论文终稿时期，我确实使用了AI辅助工具，帮助我及时发现论文中存在的问题，并给予我建议，借此进一步提高论文的质量。因此，老师您仍可以基于文章本身打分。&lt;/div&gt;</summary>
		<author><name>Luo Yan</name></author>
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