https://bou.de/u/api.php?action=feedcontributions&feedformat=atom&user=MonkeysunChina Studies Wiki - User contributions [en]2026-04-04T12:43:54ZUser contributionsMediaWiki 1.35.14https://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93613Zhang Jie: Kid From The Forest2016-06-09T08:34:49Z<p>Monkeysun: </p>
<hr />
<div>[[File:Zhang Jie.jpg|200px|thumb|left| Zhang Jie]] <br />
[http://baike.baidu.com/link?url=j1CSdHxNOXjV6S3GDsrumaVa_DeM68kuOeB_g6M2DLnR8nvgxxVVWXC6WWItWT3bj68YcmoKaJYlrV9heBGXOS_69Q-0LAYHU7JsaQuaWRq]<br />
<br />
== Personal Introduction ==<br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
<br />
== Info About her Literatural Works ==<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
== Focus On “Kid From The Forest” ==<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,<br />
is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
<br />
== Plot About The Masterpiece ==<br />
*Having been banished during the “Culture Revolution” and suffered from cancer, <br />
Professor Liang found the great talent of Sun Changning on music, <br />
thus starting teaching Sun carefully to develop his talent. <br />
*After Liang’s death, Sun went to Beijing for examination with Liang’s hope. <br />
*Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. <br />
Finally，he was admitted. <br />
<br />
== Extract 1 About The Masterpiece == <br />
*The far-away swallow, turning its head, flying towards the field, linger over the forests, <br />
and finally stay beside a tomb, chatting with him, my dear friend. <br />
*How I wish that he could come back to life, <br />
and that he could see the brightness, warmth and liberty our party has re-brought. <br />
<br />
== Extract 2 About The Masterpiece ==<br />
*On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, <br />
countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. <br />
*They have been longing for the day when the disaster is over, and finally they make it. <br />
How sweet the liberty is ! <br />
*And their talents are able to blossom fabulously.<br />
<br />
== Extract 3 About The Masterpiece ==<br />
*Both he and other students like him haven’t been informed of the news that, <br />
the Central has already make the decision: In view of the high quality of the students, <br />
the Central support the academy to expand the enrollment.<br />
*What is waiting for them is a morning that cannot get more beautiful or brilliant ,<br />
and that they will forever remember!<br />
<br />
== Present Conditions ==<br />
*Zhang Jie is still writing, although she is about to enter the seventy years of age.<br />
Whether to Zhang Jie in although once two handfuls of Maodun literary prize, <br />
she still insist on every new work to try new style, the new theme, she said he always likes to try. <br />
*In her latest novel, a cloak of the" mystery "coat of the novel. <br />
But in this novel is trying to express is a kind of fate can not be control, a contact, and her own history of doubt. <br />
*Zhang Jie said she did not mind other people like her work, don't like the story, <br />
you can put it thrown in the side, but even if the world hate me, <br />
I also will because these words to live free.</div>Monkeysunhttps://bou.de/u/index.php?title=Bing_Xin&diff=93612Bing Xin2016-06-09T08:27:07Z<p>Monkeysun: </p>
<hr />
<div>Bing Xin (1900-1999) ... <br />
[[File:Bing Xin.jpg|600px|thumb|left| Bing Xin]]<br />
[http://baike.baidu.com/link?url=9nEe7ml412gu3iEPesT28fZb5n4P3FojgwFKlFkRQL7lVO3hVKbE2GmM37kgVQvvtbJ2xZfnPHdX00oiQUugB5bGod2RQuEPQqWiJHQ3Lk_]<br />
<br />
== General Introduction == <br />
*Bing xin is a well-known Chinese woman writer, whose true name is Xie Wanying.<br />
== Bin Xin's Prose ==<br />
*Bing Xin’s prose have wide range of topics ,which is very profound. <br />
She through her own experiences and delicate description, reflected the image of some side about unrest complex social life in China those day vividly. <br />
In Bing Xin's prose , we can see the semi-colonial and semi-feudal old China, imperialism, feudalism and bureaucrat comprador class <br />
oppressed and ravaged Chinese people so badly and also the people's heroes’ resist. <br />
Meanwhile, Bing Xin prose theme also extends to history, geography, culture, customs, and people in many countries of the world suffering and struggle, <br />
the reader can derive a wealth of international knowledge.<br />
*Bing Bing Xin prose embodies its own unique style emphasized. Bing Xin good at capturing life in fragments, weaving in their emotions among the waves, <br />
with a keen eye and fine emotions, to trigger internal and external affection was dissolved together, combining emotion scene, scenes, to readers lofty beauty. <br />
Bing Xin prose connotation attaches great importance to the beauty. Her prose novel conception just like the idea of dexterity.<br />
== During The Cultural Revolution == <br />
*After the start of “the Cultural Revolution", Bing Xin was targeted. <br />
In 1970, she was forced to labor until the year 1971. Then she was appointed to translate some foreign masterpiece with others.<br />
== Enduring Suffering Interrogation ==<br />
*At that time ,Bing XIn was often asked by the Red Guard like this:<br />
Who did you get in touch with? When? Where? Why? How?<br />
Have you worked with the enemies from Japan or the USA? Confess your crime!<br />
*However, whatever the Red Guard questioned her or even threatened her ,Bing Xin always responsed like this:" I have nothing to confess."<br />
== Works About The Cultrual Revolution ==<br />
*It was onced believed that Bing Xin's works about "the Cultural Revolution" include only one poem，two essays and two memorial articles.<br />
In fact they are more than those, including two masterpiece. One is called “To my family”, composed of 28 envelopes.<br />
== Daily Writings During The Cultural Revolution ==<br />
*During "the Cultural Revolution", Bing Xin insisted using the greetings when writing envelopes <br />
like "My dear"“Missing you very much”instead of “Long live Chairman Mao”or”Comrade”<br />
== Bing Xin's Children Literature == <br />
*Bing Xin's children's literature is full of children's love and hope. <br />
Bing Xin combine education with interest by feeling. <br />
*Bing Xin never appeared in the children's education appearance, not to empty preaching, blunting admonition to the education of children, <br />
The way in kind, euphemistic tone, described her life experiences and feelings, and describe it as interesting, so interesting.<br />
Patriotism education for children, and children's self Respect the heart and a sense of national pride.<br />
*Bing Xin's works of children's literature is an important content. <br />
However, Bing Xin's works is not directly stated by our motherland.<br />
Its ingenious design and vivid scenes expressd the love of the motherland.<br />
*In children's literature after the founding of the people's Republic of China, patriotic feelings behaved more intensely. <br />
Bing Xin's personal experience was naturally expressed.</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93611The Scar Literature After "the Cultural Revolution"2016-06-09T08:16:22Z<p>Monkeysun: </p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
[[File:wen1.jpg|600px|thumb|left| wen1]]<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. <br />
The emergence of the "scar literature" directly resulted from it, <br />
which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
[[File:wen2.jpg|600px|thumb|left| wen2]]<br />
<br />
[[File:wen3.jpg|600px|thumb|left| wen3]]<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,<br />
which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
[[File:wen4.jpg|600px|thumb|left| wen4]]<br />
<br />
[[File:wen5.jpg|600px|thumb|left| wen5]]<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. <br />
But it brought up a series of social problems, thus featured with the nature of humanity.<br />
[[File:wen6.jpg|600px|thumb|left| wen6]]<br />
[[File:wen7.jpg|600px|thumb|left| wen7]]<br />
<br />
*The Scar Literature is the first climate of tragedy in modern Chinese literature.<br />
On the aspect of thought,it has makde great contribution to the negativatioin of the Cultural Revolution; <br />
On the aspect of art, it has first brought the awareness of "tragedy" to the modern Chinese literature circle,<br />
which can be described as the "original color "of the literature in the new era.<br />
And because of this, the depressing asmosphere within that age came out,<br />
which was exactly the significance of the Scar Literature in modern Chinese literature. <br />
<br />
*Its historical significance is to reveal the transformation from the extremely radical to the extremely convertional and to push the deepening process of the realism,<br />
all standing on the modern historical process.<br />
<br />
*While soon the slogan "looking forward" aws brought up, and it made the Scar Literature almost end halfway,<br />
which caused its failure of historcial content with greater compatibility and masterpieces with great value in beauty of tragedy. <br />
But it has broken the stereotype of the extremely radical from the "Four Gang", <br />
and has described the tragedy where the human nature was destroyed by the autocracy ,<br />
thus becoming the pioneer of the socialistic humanity literature in the new era.</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93609The Scar Literature After "the Cultural Revolution"2016-06-07T14:19:39Z<p>Monkeysun: /* General Comment */</p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
[[File:wen1.jpg|600px|thumb|left| wen1]]<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
[[File:wen2.jpg|600px|thumb|left| wen2]]<br />
<br />
[[File:wen3.jpg|600px|thumb|left| wen3]]<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
[[File:wen4.jpg|600px|thumb|left| wen4]]<br />
<br />
[[File:wen5.jpg|600px|thumb|left| wen5]]<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.<br />
[[File:wen6.jpg|600px|thumb|left| wen6]]<br />
[[File:wen7.jpg|600px|thumb|left| wen7]]<br />
<br />
*The Scar Literature is the first climate of tragedy in modern Chinese literature.<br />
On the aspect of thought,it has makde great contribution to the negativatioin of the Cultural Revolution; <br />
On the aspect of art, it has first brought the awareness of "tragedy" to the modern Chinese literature circle,which can be described as the "original color "of the literature in the new era.<br />
And because of this, the depressing asmosphere within that age came out,which was exactly the significance of the Scar Literature in modern Chinese literature. <br />
<br />
*Its historical significance is to reveal the transformation from the extremely radical to the extremely convertional and to push the deepening process of the realism,<br />
all standing on the modern historical process.<br />
<br />
*While soon the slogan "looking forward" aws brought up, and it made the Scar Literature almost end halfway,which caused its failure of historcial content with greater compatibility and masterpieces with great value in beauty of tragedy. <br />
But it has broken the stereotype of the extremely radical from the "Four Gang", and has described the tragedy where the human nature was destroyed by the autocracy ,thus becoming the pioneer of the socialistic humanity literature in the new era.</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93608The Scar Literature After "the Cultural Revolution"2016-06-07T14:18:19Z<p>Monkeysun: /* General Comment */</p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
[[File:wen1.jpg|600px|thumb|left| wen1]]<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
[[File:wen2.jpg|600px|thumb|left| wen2]]<br />
<br />
[[File:wen3.jpg|600px|thumb|left| wen3]]<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
[[File:wen4.jpg|600px|thumb|left| wen4]]<br />
<br />
[[File:wen5.jpg|600px|thumb|left| wen5]]<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.<br />
[[File:wen6.jpg|600px|thumb|left| wen6]]<br />
[[File:wen7.jpg|600px|thumb|left| wen7]]<br />
<br />
*The Scar Literature is the first climate of tragedy in modern Chinese literature.On the aspect of thought,it has makde great contribution to the negativatioin of the Cultural Revolution; On the aspect of art, it has first brought the awareness of "tragedy" to the modern Chinese literature circle,which can be described as the "original color "of the literature in the new era.And because of this, the depressing asmosphere within that age came out,which was exactly the significance of the Scar Literature in modern Chinese literature. <br />
<br />
*Its historical significance is to reveal the transformation from the extremely radical to the extremely convertional and to push the deepening process of the realism,all standing on the modern historical process.<br />
<br />
*While soon the slogan "looking forward" aws brought up, and it made the Scar Literature almost end halfway,which caused its failure of historcial content with greater compatibility and masterpieces with great value in beauty of tragedy. But it has broken the stereotype of the extremely radical from the "Four Gang", and has described the tragedy where the human nature was destroyed by the autocracy ,thus becoming the pioneer of the socialistic humanity literature in the new era.</div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen7.jpg&diff=93561File:Wen7.jpg2016-05-31T08:02:17Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen6.jpg&diff=93560File:Wen6.jpg2016-05-31T08:01:59Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen5.jpg&diff=93559File:Wen5.jpg2016-05-31T08:01:41Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen4.jpg&diff=93558File:Wen4.jpg2016-05-31T08:01:15Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen3.jpg&diff=93557File:Wen3.jpg2016-05-31T08:00:52Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen2.jpg&diff=93556File:Wen2.jpg2016-05-31T08:00:27Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=File:Wen1.jpg&diff=93555File:Wen1.jpg2016-05-31T07:59:57Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93554The Scar Literature After "the Cultural Revolution"2016-05-31T07:59:37Z<p>Monkeysun: </p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
[[File:wen1.jpg|600px|thumb|left| wen1]]<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
[[File:wen2.jpg|600px|thumb|left| wen2]]<br />
<br />
[[File:wen3.jpg|600px|thumb|left| wen3]]<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
[[File:wen4.jpg|600px|thumb|left| wen4]]<br />
<br />
[[File:wen5.jpg|600px|thumb|left| wen5]]<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.<br />
[[File:wen6.jpg|600px|thumb|left| wen6]]<br />
[[File:wen7.jpg|600px|thumb|left| wen7]]</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93553The Scar Literature After "the Cultural Revolution"2016-05-31T07:56:12Z<p>Monkeysun: </p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
[[File:1.jpg|600px|thumb|left| 1]]<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
[[File:2.jpg|600px|thumb|left| 2]]<br />
<br />
[[File:3.jpg|600px|thumb|left| 3]]<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
[[File:4.jpg|600px|thumb|left| 4]]<br />
<br />
[[File:5.jpg|600px|thumb|left| 5]]<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.<br />
[[File:6.jpg|600px|thumb|left| 6]]<br />
[[File:7.jpg|600px|thumb|left| 7]]</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93552Zhang Jie: Kid From The Forest2016-05-31T07:46:52Z<p>Monkeysun: </p>
<hr />
<div>[[File:Zhang Jie.jpg|200px|thumb|left| Zhang Jie]] <br />
[http://baike.baidu.com/link?url=j1CSdHxNOXjV6S3GDsrumaVa_DeM68kuOeB_g6M2DLnR8nvgxxVVWXC6WWItWT3bj68YcmoKaJYlrV9heBGXOS_69Q-0LAYHU7JsaQuaWRq]<br />
<br />
== Personal Introduction ==<br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
<br />
== Info About her Literatural Works ==<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
== Focus On “Kid From The Forest” ==<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
<br />
== Plot About The Masterpiece ==<br />
*Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
*After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
<br />
== Extract 1 About The Masterpiece == <br />
*The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
<br />
== Extract 2 About The Masterpiece ==<br />
*On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
<br />
== Extract 3 About The Masterpiece ==<br />
*Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93551Zhang Jie: Kid From The Forest2016-05-31T07:45:43Z<p>Monkeysun: </p>
<hr />
<div>[[File:Zhang Jie.jpg|200px|thumb|left| Zhang Jie]] <br />
[http://baike.baidu.com/link?url=j1CSdHxNOXjV6S3GDsrumaVa_DeM68kuOeB_g6M2DLnR8nvgxxVVWXC6WWItWT3bj68YcmoKaJYlrV9heBGXOS_69Q-0LAYHU7JsaQuaWRq]<br />
<br />
== Personal Introduction ==<br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
<br />
== Info About her Literatural Works ==<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
== Focus On “Kid From The Forest” ==<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
<br />
== Plot About The Masterpiece ==<br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
<br />
== Extract 1 About The Masterpiece == <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
<br />
== Extract 2 About The Masterpiece ==<br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
<br />
== Extract 3 About The Masterpiece ==<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Bing_Xin&diff=93550Bing Xin2016-05-31T07:40:37Z<p>Monkeysun: </p>
<hr />
<div>Bing Xin (1900-1999) ... <br />
[[File:Bing Xin.jpg|600px|thumb|left| Bing Xin]]<br />
[http://baike.baidu.com/link?url=9nEe7ml412gu3iEPesT28fZb5n4P3FojgwFKlFkRQL7lVO3hVKbE2GmM37kgVQvvtbJ2xZfnPHdX00oiQUugB5bGod2RQuEPQqWiJHQ3Lk_]<br />
<br />
== General Introduction == <br />
*Bing xin is a well-known Chinese woman writer, whose true name is Xie Wanying. <br />
== During The Cultural Revolution == <br />
*After the start of “the Cultural Revolution", Bing Xin was targeted. In 1970, she was forced to labor until the year 1971. Then she was appointed to translate some foreign masterpiece with others.<br />
== Enduring Suffering Interrogation ==<br />
*At that time ,Bing XIn was often asked by the Red Guard like this:<br />
Who did you get in touch with? When? Where? Why? How?<br />
Have you worked with the enemies from Japan or the USA? Confess your crime!<br />
== Never Giving In == <br />
*However, whatever the Red Guard questioned her or even threatened her ,Bing Xin always responsed like this:" I have nothing to confess."<br />
== Works About The Cultrual Revolution ==<br />
*It was onced believed that Bing Xin's works about "the Cultural Revolution" include only one poem，two essays and two memorial articles.In fact they are more than those, including two masterpiece. One is called “To my family”, composed of 28 envelopes.<br />
== Daily Writings During The Cultural Revolution ==<br />
*During "the Cultural Revolution", Bing Xin insisted using the greetings when writing envelopes like "My dear"“Missing you very much”instead of “Long live Chairman Mao”or”Comrade”</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93549The Scar Literature After "the Cultural Revolution"2016-05-31T07:35:21Z<p>Monkeysun: </p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93548The Scar Literature After "the Cultural Revolution"2016-05-31T07:34:41Z<p>Monkeysun: </p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.<br />
Scar literature is the first new literary trend of thought in the new era. In the new period of socialism, it is the historical starting point of the cultural revolution. This kind of destruction of the soul, especially easy to cause a painful heart trauma. But this is only after breaking the shackles of the spirit, the real ideological liberation, people can realize this scar has multiple, deep. This is the historical origin of the trauma literature eruption. <br />
At the beginning of the new era, Chinese people in the political liberation, but due to the two "whatevers" is not overturned, "the dictatorship of the proletariat to the wrong theory of revolution" is still popular, so literary theory and creation is still subject to serious constraints, resulting in the strange phenomenon of "East West sunrise rain". With the convening of the Third Plenary Session of the Eleventh Central Committee "truth standard" big discussion and party, contemporary China really a turnaround, the literature to embark on the broad road. This kind of social situation is the era background of scar literature. <br />
In the new period, literature must firstly be faced with the cultural revolution, so the trauma literature naturally takes the historical period of the Cultural Revolution as an important part of the cultural revolution. Literature at the time, or to the ups and downs of the story, or to the bloody scenes of up to ten years of turmoil for the people of China caused by the spirit <br />
Luxinhua trauma to be "grapheme blood, the sound of tears," a strong indictment, to run amuck the ultra left route to be condemned. This is the core idea of scar literature.</div>Monkeysunhttps://bou.de/u/index.php?title=File:FINAL_DE_The_Scar_Literature.pptx&diff=93547File:FINAL DE The Scar Literature.pptx2016-05-31T07:25:18Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22the_Cultural_Revolution%22&diff=93546The Scar Literature After "the Cultural Revolution"2016-05-31T07:22:48Z<p>Monkeysun: Created page with "== Powerpoint Slide == thumb == Brief Introduction == *During the “Cultural Revolution”, many educated youngsters were involv..."</p>
<hr />
<div>== Powerpoint Slide ==<br />
[[File:FINAL_DE_The Scar Literature.pptx|thumb]]<br />
<br />
== Brief Introduction == <br />
*During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
<br />
== Representative works == <br />
* The representative works :《The Head Teacher》《The Scar》《Xu Mao and His Daughters》《Kid from the Forest》<br />
One early “Scar Literature” was named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
<br />
== General Comment == <br />
*“The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it brought up a series of social problems, thus featured with the nature of humanity.</div>Monkeysunhttps://bou.de/u/index.php?title=Bing_Xin&diff=93545Bing Xin2016-05-31T07:13:27Z<p>Monkeysun: </p>
<hr />
<div>Bing Xin (1900-1999) ... <br />
[[File:Bing Xin.jpg|600px|thumb|left| Bing Xin]]<br />
[http://baike.baidu.com/link?url=9nEe7ml412gu3iEPesT28fZb5n4P3FojgwFKlFkRQL7lVO3hVKbE2GmM37kgVQvvtbJ2xZfnPHdX00oiQUugB5bGod2RQuEPQqWiJHQ3Lk_]<br />
<br />
== Brief Introduction == <br />
<br />
*Bing xin is a well-known Chinese woman writer, whose true name is Xie Wanying. <br />
*After the start of “the Cultural Revolution", Bing Xin was targeted. In 1970, she was forced to labor until the year 1971. Then she was appointed to translate some foreign masterpiece with others.<br />
*At that time ,Bing XIn was often asked by the Red Guard like this:<br />
Who did you get in touch with? When? Where? Why? How?<br />
Have you worked with the enemies from Japan or the USA? Confess your crime!<br />
<br />
== Never Give In == <br />
<br />
*However, whatever the Red Guard questioned her or even threatened her ,Bing Xin always responsed like this:" I have nothing to confess."<br />
*It was onced believed that Bing Xin's works about "the Cultural Revolution" include only one poem，two essays and two memorial articles.In fact they are more than those, including two masterpiece. One is called “To my family”, composed of 28 envelopes.<br />
*During "the Cultural Revolution", Bing Xin insisted using the greetings when writing envelopes like "My dear"“Missing you very much”instead of “Long live Chairman Mao”or”Comrade”<br />
<br />
......</div>Monkeysunhttps://bou.de/u/index.php?title=File:Bing_Xin.jpg&diff=93544File:Bing Xin.jpg2016-05-31T07:09:07Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=Bing_Xin&diff=93543Bing Xin2016-05-31T07:08:18Z<p>Monkeysun: </p>
<hr />
<div>Bing Xin (1900-1999) ... <br />
[[File:Bing Xin.jpg|600px|thumb|left| Bing Xin]]<br />
[http://baike.baidu.com/link?url=9nEe7ml412gu3iEPesT28fZb5n4P3FojgwFKlFkRQL7lVO3hVKbE2GmM37kgVQvvtbJ2xZfnPHdX00oiQUugB5bGod2RQuEPQqWiJHQ3Lk_]<br />
*Bing xin is a well-known Chinese woman writer, whose true name is Xie Wanying. <br />
*After the start of “the Cultural Revolution", Bing Xin was targeted. In 1970, she was forced to labor until the year 1971. Then she was appointed to translate some foreign masterpiece with others.<br />
*At that time ,Bing XIn was often asked by the Red Guard like this:<br />
Who did you get in touch with? When? Where? Why? How?<br />
Have you worked with the enemies from Japan or the USA? Confess your crime!<br />
*However, whatever the Red Guard questioned her or even threatened her ,Bing Xin always responsed like this:" I have nothing to confess."<br />
*It was onced believed that Bing Xin's works about "the Cultural Revolution" include only one poem，two essays and two memorial articles.In fact they are more than those, including two masterpiece. One is called “To my family”, composed of 28 envelopes.<br />
*During "the Cultural Revolution", Bing Xin insisted using the greetings when writing envelopes like "My dear"“Missing you very much”instead of “Long live Chairman Mao”or”Comrade”<br />
<br />
......</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93542Zhang Jie: Kid From The Forest2016-05-31T07:04:22Z<p>Monkeysun: </p>
<hr />
<div>[[File:Zhang Jie.jpg|200px|thumb|left| Zhang Jie]] <br />
[http://baike.baidu.com/link?url=j1CSdHxNOXjV6S3GDsrumaVa_DeM68kuOeB_g6M2DLnR8nvgxxVVWXC6WWItWT3bj68YcmoKaJYlrV9heBGXOS_69Q-0LAYHU7JsaQuaWRq]<br />
Brief Instruction About Zhang Jie: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
*It is a story whose plot is this: <br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
*Extract: <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Bing_Xin&diff=93541Bing Xin2016-05-31T07:01:23Z<p>Monkeysun: </p>
<hr />
<div>Bing Xin (1900-1999) ... [http://baike.baidu.com/link?url=9nEe7ml412gu3iEPesT28fZb5n4P3FojgwFKlFkRQL7lVO3hVKbE2GmM37kgVQvvtbJ2xZfnPHdX00oiQUugB5bGod2RQuEPQqWiJHQ3Lk_]<br />
*Bing xin is a well-known Chinese woman writer, whose true name is Xie Wanying. <br />
*After the start of “the Cultural Revolution", Bing Xin was targeted. In 1970, she was forced to labor until the year 1971. Then she was appointed to translate some foreign masterpiece with others.<br />
*At that time ,Bing XIn was often asked by the Red Guard like this:<br />
Who did you get in touch with? When? Where? Why? How?<br />
Have you worked with the enemies from Japan or the USA? Confess your crime!<br />
*However, whatever the Red Guard questioned her or even threatened her ,Bing Xin always responsed like this:" I have nothing to confess."<br />
*It was onced believed that Bing Xin's works about "the Cultural Revolution" include only one poem，two essays and two memorial articles.In fact they are more than those, including two masterpiece. One is called “To my family”, composed of 28 envelopes.<br />
*During "the Cultural Revolution", Bing Xin insisted using the greetings when writing envelopes like "My dear"“Missing you very much”instead of “Long live Chairman Mao”or”Comrade”<br />
<br />
......</div>Monkeysunhttps://bou.de/u/index.php?title=File:Zhang_Jie.jpg&diff=93540File:Zhang Jie.jpg2016-05-31T06:55:36Z<p>Monkeysun: </p>
<hr />
<div></div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93539Zhang Jie: Kid From The Forest2016-05-31T06:55:12Z<p>Monkeysun: </p>
<hr />
<div>[[File:Zhang Jie.jpg|200px|thumb|left| Zhang Jie]] <br />
<br />
Brief Instruction About Zhang Jie: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
*It is a story whose plot is this: <br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
*Extract: <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93538Zhang Jie: Kid From The Forest2016-05-31T06:49:32Z<p>Monkeysun: </p>
<hr />
<div>[[File:zhangjie.jpg|200px|thumb|left|zhangjie]] <br />
<br />
Brief Instruction About Zhang Jie: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
*It is a story whose plot is this: <br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
*Extract: <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93537Zhang Jie: Kid From The Forest2016-05-31T06:45:04Z<p>Monkeysun: </p>
<hr />
<div>[[File:zhangjie.jpg]]<br />
<br />
<br />
Brief Instruction About Zhang Jie: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
*It is a story whose plot is this: <br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
*Extract: <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Modern_Chinese_Literature&diff=93526Modern Chinese Literature2016-05-22T05:58:26Z<p>Monkeysun: /* Post-Mao Literature, Scars and realism, Roots literature */</p>
<hr />
<div>= Emergence of modern Chinese literature =<br />
<br />
= Historical and cultural background late Qing =<br />
* Genre development in China, scholars as authors, Mandarin & Butterfly School<br />
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford<br />
<br />
= Encounter with the West, Westernization =<br />
* Wu Jianren, New Story of the Stone, utopian novel<br />
* Liang Qichao, Accounts of the future of new China, utopian fragment<br />
* Secondary Literature:<br />
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.<br />
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.<br />
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61<br />
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17<br />
<br />
= May Fourth iconoclasm - Historical and cultural background May Fourth =<br />
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73<br />
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139<br />
<br />
= The role of translations and translators =<br />
* Yan Fu<br />
* Lin Shu<br />
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]<br />
* the selection process and intention of translations<br />
<br />
= Discovery of the alienated Self – World Literature =<br />
* McDougall and Louie, 1-185; focus on pages 1-30<br />
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)<br />
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)<br />
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm<br />
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]<br />
<br />
= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =<br />
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm<br />
* Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.<br />
* Crescent Moon<br />
* Creation Society<br />
* Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501]<br />
* [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)<br />
** Guo Moruo: “The hound of heaven” 1920<br />
<br />
= Literature of the 1930s =<br />
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)<br />
** Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947<br />
<br />
= Women writers =<br />
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing<br />
* [[Zhang Ailing]] -- [[User:Corinneb|Corinneb]] 13:21, 8 October 2012 (UTC) "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680<br />
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)<br />
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];<br />
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)<br />
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]<br />
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)<br />
<br />
= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =<br />
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.<br />
* Mao's claim of Lu Xun<br />
<br />
= The socialist era, Yan'an Literature and Rectification =<br />
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435<br />
* Ding Ling, "When I Was in Hsia Village" [132-46]<br />
* Mao Dun and "Spring Silkworms" [56-73]<br />
<br />
= Authors in transition: From Revolutionary Romanticism to Reform Literature =<br />
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)<br />
* Wang Meng, Long Live [the] Youth!<br />
* Wang Meng, Hard Porridge, trans. by Chen Zishan<br />
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition<br />
<br />
= On different paths: Bing Xin, Zhang Jie =<br />
* [[Bing Xin]]<br />
* Zhang Jie: Heavy Wings<br />
* [[Zhang Jie: Kid From The Forest]]<br />
<br />
= Chinese Modernism and the Aesthetic =<br />
* McDougall and Louie, 189-321; focus on pages 189-207<br />
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]<br />
* Regional literature<br />
* Shen Congwen, "Xiaoxiao" [82-94]<br />
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]<br />
<br />
= Post-Revolutionary Literature; Cultural Revolution =<br />
* "Red Detachment of Women" [Film Viewing]<br />
<br />
= Post-Mao Literature, Scars and realism, Roots literature =<br />
* McDougall and Louie, 325-448; focus on pages 325-44<br />
* Liu Heng, "Dogshit Food" [366-78]; scars literature<br />
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]<br />
* [[The Scar Literature After "the Cultural Revolution"]]<br />
<br />
= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =<br />
* [[Mo Yan]] 莫言 by Corinne B.<br />
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"<br />
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC)<br />
* Jia Pingwa<br />
* Wang Shuo<br />
<br />
= Contemporary Women authors =<br />
* Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist<br />
<br />
= Avant-garde literature and post-socialist present =<br />
* Su Tong, "Escape" [445-54];<br />
* Yu Hua, "On the Road at Eighteen" [439-44]<br />
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship<br />
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s<br />
<br />
= Taiwan literature =<br />
* Zhang Dachun, "Lucky Worries About His Country" (403-416)<br />
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]<br />
<br />
= Longing for something literature I: Historicizing, II: Tibet Exotism =<br />
* Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天)<br />
* Alai<br />
<br />
= Megacity Literature II - Peking and Vagabound Literature =<br />
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick<br />
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets<br />
<br />
= Between cult and celebrity =<br />
* Cult author Guo Jingming<br />
** Book series "Bestseller"<br />
** Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river<br />
* Cult author Mian Mian<br />
** Mian Mian (棉棉), 声名狼籍 Panda Sex<br />
<br />
= Critical surrealist Han Han, young authors =<br />
* [[Han Han]] by Matt S.<br />
:Triple door<br />
:His Land<br />
<br />
= Blog, Web and Fan literature =<br />
* Blogs (blog literature?), from web to paper literature<br />
* Ai Weiwei, Han Han, Annie Baobei<br />
<br />
= Fan literature =<br />
* Web literature portal qidian.com</div>Monkeysunhttps://bou.de/u/index.php?title=The_Scar_Literature_After_%22The_Culture_Revolution%22&diff=93525The Scar Literature After "The Culture Revolution"2016-05-22T05:56:59Z<p>Monkeysun: Created page with "*During “the Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it..."</p>
<hr />
<div>*During “the Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.<br />
*The representative works of "the Scar Literature" include: "The Head Teacher""The ScarXu Mao and His Daughters""Kid from the Forest" <br />
*One early novel is named “The Head teacher”，published in 1977,which was commented to have the similar influence as “The Madman's Diary ” by Lu Xun.<br />
*In another novel"The Scar",the little Red Guard——Wang Xiaohua, accused her mother as a “traitor”.<br />
It makes us reflect: Politics & stance VS ethics & emotion<br />
Which is more important? Which is more reliable?<br />
*Generally, “The Scar Literature” focused on the superficial description full of emotional anger, lacking in profound thoughts about the tragic. But it reflected a series of social problems, thus featured with the nature of humanity.</div>Monkeysunhttps://bou.de/u/index.php?title=Bing_Xin&diff=93524Bing Xin2016-05-22T05:48:49Z<p>Monkeysun: </p>
<hr />
<div>Bing Xin (1900-1999) ...<br />
*Bing xin is a well-known Chinese woman writer, whose true name is Xie Wanying. <br />
*After the start of “the Cultural Revolution", Bing Xin was targeted. In 1970, she was forced to labor until the year 1971. Then she was appointed to translate some foreign masterpiece with others.<br />
*At that time ,Bing XIn was often asked by the Red Guard like this:<br />
Who did you get in touch with? When? Where? Why? How?<br />
Have you worked with the enemies from Japan or the USA? Confess your crime!<br />
*However, whatever the Red Guard questioned her or even threatened her ,Bing Xin always responsed like this:" I have nothing to confess."<br />
*It was onced believed that Bing Xin's works about "the Cultural Revolution" include only one poem，two essays and two memorial articles.In fact they are more than those, including two masterpiece. One is called “To my family”, composed of 28 envelopes.<br />
*During "the Cultural Revolution", Bing Xin insisted using the greetings when writing envelopes like "My dear"“Missing you very much”instead of “Long live Chairman Mao”or”Comrade”</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93523Zhang Jie: Kid From The Forest2016-05-22T05:32:14Z<p>Monkeysun: </p>
<hr />
<div>Brief Instruction About Zhang Jie: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
*It is a story whose plot is this: <br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
*Extract: <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93522Zhang Jie: Kid From The Forest2016-05-21T14:19:50Z<p>Monkeysun: </p>
<hr />
<div>Brief Instruction About Zhang Jie: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.<br />
*It is a story whose plot is this: <br />
Having been banished during the “Culture Revolution” and suffered from cancer, Professor Liang found the great talent of Sun Changning on music, thus starting teaching Sun carefully to develop his talent. <br />
After Liang’s death, Sun went to Beijing for examination with Liang’s hope. Although having missed the preliminary test, he was allowed to perform due to his insistence and the support of other students. Finally，he was admitted. <br />
*Extract: <br />
The far-away swallow, turning its head, flying towards the field, linger over the forests, and finally stay beside a tomb, chatting with him, my dear friend. How I wish that he could come back to life, and that he could see the brightness, warmth and liberty our party has re-brought. <br />
On the campus, everywhere is filled with smiles……How could them refuse heart-joy? For the 12 years, countless youngsters have been seriously delayed due to the “Culture Revolution” “The Four Gang”. They have been longing for the day when the disaster is over, and finally they make it. How sweet the liberty is ! And their talents are able to blossom fabulously.<br />
Both he and other students like him haven’t been informed of the news that, the Central has already make the decision: In view of the high quality of the students, the Central support the academy to expand the enrollment.What is waiting for them is a morning that cannot get more beautiful or brilliant ,and that they will forever remember!</div>Monkeysunhttps://bou.de/u/index.php?title=Zhang_Jie:_Kid_From_The_Forest&diff=93521Zhang Jie: Kid From The Forest2016-05-21T14:14:26Z<p>Monkeysun: Created page with "Brief Instruction: *Born in Beijing. *Reading & Music as hobbies *Graduated from Renmin university of China *Became well-known after the “Culture Revolution” *H..."</p>
<hr />
<div>Brief Instruction: <br />
*Born in Beijing.<br />
*Reading & Music as hobbies<br />
*Graduated from Renmin university of China<br />
*Became well-known after the “Culture Revolution” <br />
*Her works include “Love Cannot Be Forgotten”“Emeralds” “The Heavy Wings”<br />
*Having won the Mao Dun Literature Award twice and prized as "The bannerwoman of women literature"<br />
<br />
Focus On “Kid From The Forest”：<br />
*One of her masterpeice “Kid From The Forest” , taking place during the “Culture Revolution”,is about a talented musician delayed by the social disaster and his student who struggled to take part in the examination for his teacher. <br />
*It has won the national prize for short fictions in 1978.</div>Monkeysunhttps://bou.de/u/index.php?title=Modern_Chinese_Literature&diff=93520Modern Chinese Literature2016-05-21T14:13:25Z<p>Monkeysun: /* On different paths: Bing Xin, Zhang Jie */</p>
<hr />
<div>= Emergence of modern Chinese literature =<br />
<br />
= Historical and cultural background late Qing =<br />
* Genre development in China, scholars as authors, Mandarin & Butterfly School<br />
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford<br />
<br />
= Encounter with the West, Westernization =<br />
* Wu Jianren, New Story of the Stone, utopian novel<br />
* Liang Qichao, Accounts of the future of new China, utopian fragment<br />
* Secondary Literature:<br />
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.<br />
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.<br />
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61<br />
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17<br />
<br />
= May Fourth iconoclasm - Historical and cultural background May Fourth =<br />
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73<br />
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139<br />
<br />
= The role of translations and translators =<br />
* Yan Fu<br />
* Lin Shu<br />
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]<br />
* the selection process and intention of translations<br />
<br />
= Discovery of the alienated Self – World Literature =<br />
* McDougall and Louie, 1-185; focus on pages 1-30<br />
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)<br />
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)<br />
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm<br />
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]<br />
<br />
= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =<br />
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm<br />
* Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.<br />
* Crescent Moon<br />
* Creation Society<br />
* Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501]<br />
* [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)<br />
** Guo Moruo: “The hound of heaven” 1920<br />
<br />
= Literature of the 1930s =<br />
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)<br />
** Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947<br />
<br />
= Women writers =<br />
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing<br />
* [[Zhang Ailing]] -- [[User:Corinneb|Corinneb]] 13:21, 8 October 2012 (UTC) "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680<br />
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)<br />
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];<br />
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)<br />
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]<br />
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)<br />
<br />
= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =<br />
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.<br />
* Mao's claim of Lu Xun<br />
<br />
= The socialist era, Yan'an Literature and Rectification =<br />
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435<br />
* Ding Ling, "When I Was in Hsia Village" [132-46]<br />
* Mao Dun and "Spring Silkworms" [56-73]<br />
<br />
= Authors in transition: From Revolutionary Romanticism to Reform Literature =<br />
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)<br />
* Wang Meng, Long Live [the] Youth!<br />
* Wang Meng, Hard Porridge, trans. by Chen Zishan<br />
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition<br />
<br />
= On different paths: Bing Xin, Zhang Jie =<br />
* [[Bing Xin]]<br />
* Zhang Jie: Heavy Wings<br />
* [[Zhang Jie: Kid From The Forest]]<br />
<br />
= Chinese Modernism and the Aesthetic =<br />
* McDougall and Louie, 189-321; focus on pages 189-207<br />
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]<br />
* Regional literature<br />
* Shen Congwen, "Xiaoxiao" [82-94]<br />
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]<br />
<br />
= Post-Revolutionary Literature; Cultural Revolution =<br />
* "Red Detachment of Women" [Film Viewing]<br />
<br />
= Post-Mao Literature, Scars and realism, Roots literature =<br />
* McDougall and Louie, 325-448; focus on pages 325-44<br />
* Liu Heng, "Dogshit Food" [366-78]; scars literature<br />
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]<br />
* [[The Scar Literature After "The Culture Revolution"]]<br />
<br />
= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =<br />
* [[Mo Yan]] 莫言 by Corinne B.<br />
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"<br />
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC)<br />
* Jia Pingwa<br />
* Wang Shuo<br />
<br />
= Contemporary Women authors =<br />
* Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist<br />
<br />
= Avant-garde literature and post-socialist present =<br />
* Su Tong, "Escape" [445-54];<br />
* Yu Hua, "On the Road at Eighteen" [439-44]<br />
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship<br />
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s<br />
<br />
= Taiwan literature =<br />
* Zhang Dachun, "Lucky Worries About His Country" (403-416)<br />
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]<br />
<br />
= Longing for something literature I: Historicizing, II: Tibet Exotism =<br />
* Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天)<br />
* Alai<br />
<br />
= Megacity Literature II - Peking and Vagabound Literature =<br />
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick<br />
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets<br />
<br />
= Between cult and celebrity =<br />
* Cult author Guo Jingming<br />
** Book series "Bestseller"<br />
** Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river<br />
* Cult author Mian Mian<br />
** Mian Mian (棉棉), 声名狼籍 Panda Sex<br />
<br />
= Critical surrealist Han Han, young authors =<br />
* [[Han Han]] by Matt S.<br />
:Triple door<br />
:His Land<br />
<br />
= Blog, Web and Fan literature =<br />
* Blogs (blog literature?), from web to paper literature<br />
* Ai Weiwei, Han Han, Annie Baobei<br />
<br />
= Fan literature =<br />
* Web literature portal qidian.com</div>Monkeysunhttps://bou.de/u/index.php?title=Modern_Chinese_Literature&diff=93519Modern Chinese Literature2016-05-21T13:59:11Z<p>Monkeysun: /* On different paths: Bing Xin, Zhang Jie */</p>
<hr />
<div>= Emergence of modern Chinese literature =<br />
<br />
= Historical and cultural background late Qing =<br />
* Genre development in China, scholars as authors, Mandarin & Butterfly School<br />
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford<br />
<br />
= Encounter with the West, Westernization =<br />
* Wu Jianren, New Story of the Stone, utopian novel<br />
* Liang Qichao, Accounts of the future of new China, utopian fragment<br />
* Secondary Literature:<br />
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.<br />
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.<br />
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61<br />
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17<br />
<br />
= May Fourth iconoclasm - Historical and cultural background May Fourth =<br />
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73<br />
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139<br />
<br />
= The role of translations and translators =<br />
* Yan Fu<br />
* Lin Shu<br />
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]<br />
* the selection process and intention of translations<br />
<br />
= Discovery of the alienated Self – World Literature =<br />
* McDougall and Louie, 1-185; focus on pages 1-30<br />
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)<br />
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)<br />
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm<br />
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]<br />
<br />
= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =<br />
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm<br />
* Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.<br />
* Crescent Moon<br />
* Creation Society<br />
* Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501]<br />
* [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)<br />
** Guo Moruo: “The hound of heaven” 1920<br />
<br />
= Literature of the 1930s =<br />
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)<br />
** Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947<br />
<br />
= Women writers =<br />
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing<br />
* [[Zhang Ailing]] -- [[User:Corinneb|Corinneb]] 13:21, 8 October 2012 (UTC) "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680<br />
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)<br />
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];<br />
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)<br />
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]<br />
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)<br />
<br />
= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =<br />
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.<br />
* Mao's claim of Lu Xun<br />
<br />
= The socialist era, Yan'an Literature and Rectification =<br />
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435<br />
* Ding Ling, "When I Was in Hsia Village" [132-46]<br />
* Mao Dun and "Spring Silkworms" [56-73]<br />
<br />
= Authors in transition: From Revolutionary Romanticism to Reform Literature =<br />
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)<br />
* Wang Meng, Long Live [the] Youth!<br />
* Wang Meng, Hard Porridge, trans. by Chen Zishan<br />
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition<br />
<br />
= On different paths: Bing Xin, Zhang Jie =<br />
* [[Bing Xin]]<br />
* [[Zhang Jie: Heavy Wings]]<br />
<br />
= Chinese Modernism and the Aesthetic =<br />
* McDougall and Louie, 189-321; focus on pages 189-207<br />
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]<br />
* Regional literature<br />
* Shen Congwen, "Xiaoxiao" [82-94]<br />
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]<br />
<br />
= Post-Revolutionary Literature; Cultural Revolution =<br />
* "Red Detachment of Women" [Film Viewing]<br />
<br />
= Post-Mao Literature, Scars and realism, Roots literature =<br />
* McDougall and Louie, 325-448; focus on pages 325-44<br />
* Liu Heng, "Dogshit Food" [366-78]; scars literature<br />
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]<br />
* [[The Scar Literature After "The Culture Revolution"]]<br />
<br />
= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =<br />
* [[Mo Yan]] 莫言 by Corinne B.<br />
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"<br />
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC)<br />
* Jia Pingwa<br />
* Wang Shuo<br />
<br />
= Contemporary Women authors =<br />
* Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist<br />
<br />
= Avant-garde literature and post-socialist present =<br />
* Su Tong, "Escape" [445-54];<br />
* Yu Hua, "On the Road at Eighteen" [439-44]<br />
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship<br />
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s<br />
<br />
= Taiwan literature =<br />
* Zhang Dachun, "Lucky Worries About His Country" (403-416)<br />
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]<br />
<br />
= Longing for something literature I: Historicizing, II: Tibet Exotism =<br />
* Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天)<br />
* Alai<br />
<br />
= Megacity Literature II - Peking and Vagabound Literature =<br />
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick<br />
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets<br />
<br />
= Between cult and celebrity =<br />
* Cult author Guo Jingming<br />
** Book series "Bestseller"<br />
** Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river<br />
* Cult author Mian Mian<br />
** Mian Mian (棉棉), 声名狼籍 Panda Sex<br />
<br />
= Critical surrealist Han Han, young authors =<br />
* [[Han Han]] by Matt S.<br />
:Triple door<br />
:His Land<br />
<br />
= Blog, Web and Fan literature =<br />
* Blogs (blog literature?), from web to paper literature<br />
* Ai Weiwei, Han Han, Annie Baobei<br />
<br />
= Fan literature =<br />
* Web literature portal qidian.com</div>Monkeysunhttps://bou.de/u/index.php?title=Modern_Chinese_Literature&diff=93518Modern Chinese Literature2016-05-21T13:51:38Z<p>Monkeysun: /* Post-Mao Literature, Scars and realism, Roots literature */</p>
<hr />
<div>= Emergence of modern Chinese literature =<br />
<br />
= Historical and cultural background late Qing =<br />
* Genre development in China, scholars as authors, Mandarin & Butterfly School<br />
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford<br />
<br />
= Encounter with the West, Westernization =<br />
* Wu Jianren, New Story of the Stone, utopian novel<br />
* Liang Qichao, Accounts of the future of new China, utopian fragment<br />
* Secondary Literature:<br />
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.<br />
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.<br />
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61<br />
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17<br />
<br />
= May Fourth iconoclasm - Historical and cultural background May Fourth =<br />
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73<br />
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139<br />
<br />
= The role of translations and translators =<br />
* Yan Fu<br />
* Lin Shu<br />
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]<br />
* the selection process and intention of translations<br />
<br />
= Discovery of the alienated Self – World Literature =<br />
* McDougall and Louie, 1-185; focus on pages 1-30<br />
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)<br />
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)<br />
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm<br />
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]<br />
<br />
= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =<br />
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm<br />
* Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.<br />
* Crescent Moon<br />
* Creation Society<br />
* Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501]<br />
* [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)<br />
** Guo Moruo: “The hound of heaven” 1920<br />
<br />
= Literature of the 1930s =<br />
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)<br />
** Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947<br />
<br />
= Women writers =<br />
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing<br />
* [[Zhang Ailing]] -- [[User:Corinneb|Corinneb]] 13:21, 8 October 2012 (UTC) "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680<br />
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)<br />
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];<br />
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)<br />
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]<br />
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)<br />
<br />
= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =<br />
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.<br />
* Mao's claim of Lu Xun<br />
<br />
= The socialist era, Yan'an Literature and Rectification =<br />
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435<br />
* Ding Ling, "When I Was in Hsia Village" [132-46]<br />
* Mao Dun and "Spring Silkworms" [56-73]<br />
<br />
= Authors in transition: From Revolutionary Romanticism to Reform Literature =<br />
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)<br />
* Wang Meng, Long Live [the] Youth!<br />
* Wang Meng, Hard Porridge, trans. by Chen Zishan<br />
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition<br />
<br />
= On different paths: Bing Xin, Zhang Jie =<br />
* [[Bing Xin]]<br />
* Zhang Jie: Heavy Wings<br />
<br />
= Chinese Modernism and the Aesthetic =<br />
* McDougall and Louie, 189-321; focus on pages 189-207<br />
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]<br />
* Regional literature<br />
* Shen Congwen, "Xiaoxiao" [82-94]<br />
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]<br />
<br />
= Post-Revolutionary Literature; Cultural Revolution =<br />
* "Red Detachment of Women" [Film Viewing]<br />
<br />
= Post-Mao Literature, Scars and realism, Roots literature =<br />
* McDougall and Louie, 325-448; focus on pages 325-44<br />
* Liu Heng, "Dogshit Food" [366-78]; scars literature<br />
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]<br />
* [[The Scar Literature After "The Culture Revolution"]]<br />
<br />
= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =<br />
* [[Mo Yan]] 莫言 by Corinne B.<br />
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"<br />
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC)<br />
* Jia Pingwa<br />
* Wang Shuo<br />
<br />
= Contemporary Women authors =<br />
* Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist<br />
<br />
= Avant-garde literature and post-socialist present =<br />
* Su Tong, "Escape" [445-54];<br />
* Yu Hua, "On the Road at Eighteen" [439-44]<br />
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship<br />
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s<br />
<br />
= Taiwan literature =<br />
* Zhang Dachun, "Lucky Worries About His Country" (403-416)<br />
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]<br />
<br />
= Longing for something literature I: Historicizing, II: Tibet Exotism =<br />
* Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天)<br />
* Alai<br />
<br />
= Megacity Literature II - Peking and Vagabound Literature =<br />
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick<br />
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets<br />
<br />
= Between cult and celebrity =<br />
* Cult author Guo Jingming<br />
** Book series "Bestseller"<br />
** Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river<br />
* Cult author Mian Mian<br />
** Mian Mian (棉棉), 声名狼籍 Panda Sex<br />
<br />
= Critical surrealist Han Han, young authors =<br />
* [[Han Han]] by Matt S.<br />
:Triple door<br />
:His Land<br />
<br />
= Blog, Web and Fan literature =<br />
* Blogs (blog literature?), from web to paper literature<br />
* Ai Weiwei, Han Han, Annie Baobei<br />
<br />
= Fan literature =<br />
* Web literature portal qidian.com</div>Monkeysunhttps://bou.de/u/index.php?title=Modern_Chinese_Literature&diff=93517Modern Chinese Literature2016-05-21T13:48:32Z<p>Monkeysun: /* Post-Mao Literature, Scars and realism, Roots literature */</p>
<hr />
<div>= Emergence of modern Chinese literature =<br />
<br />
= Historical and cultural background late Qing =<br />
* Genre development in China, scholars as authors, Mandarin & Butterfly School<br />
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford<br />
<br />
= Encounter with the West, Westernization =<br />
* Wu Jianren, New Story of the Stone, utopian novel<br />
* Liang Qichao, Accounts of the future of new China, utopian fragment<br />
* Secondary Literature:<br />
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.<br />
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.<br />
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61<br />
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17<br />
<br />
= May Fourth iconoclasm - Historical and cultural background May Fourth =<br />
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73<br />
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139<br />
<br />
= The role of translations and translators =<br />
* Yan Fu<br />
* Lin Shu<br />
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]<br />
* the selection process and intention of translations<br />
<br />
= Discovery of the alienated Self – World Literature =<br />
* McDougall and Louie, 1-185; focus on pages 1-30<br />
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)<br />
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)<br />
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm<br />
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]<br />
<br />
= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =<br />
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm<br />
* Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.<br />
* Crescent Moon<br />
* Creation Society<br />
* Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501]<br />
* [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)<br />
** Guo Moruo: “The hound of heaven” 1920<br />
<br />
= Literature of the 1930s =<br />
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)<br />
** Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947<br />
<br />
= Women writers =<br />
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing<br />
* [[Zhang Ailing]] -- [[User:Corinneb|Corinneb]] 13:21, 8 October 2012 (UTC) "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680<br />
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)<br />
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];<br />
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)<br />
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]<br />
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)<br />
<br />
= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =<br />
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.<br />
* Mao's claim of Lu Xun<br />
<br />
= The socialist era, Yan'an Literature and Rectification =<br />
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435<br />
* Ding Ling, "When I Was in Hsia Village" [132-46]<br />
* Mao Dun and "Spring Silkworms" [56-73]<br />
<br />
= Authors in transition: From Revolutionary Romanticism to Reform Literature =<br />
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)<br />
* Wang Meng, Long Live [the] Youth!<br />
* Wang Meng, Hard Porridge, trans. by Chen Zishan<br />
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition<br />
<br />
= On different paths: Bing Xin, Zhang Jie =<br />
* [[Bing Xin]]<br />
* Zhang Jie: Heavy Wings<br />
<br />
= Chinese Modernism and the Aesthetic =<br />
* McDougall and Louie, 189-321; focus on pages 189-207<br />
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]<br />
* Regional literature<br />
* Shen Congwen, "Xiaoxiao" [82-94]<br />
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]<br />
<br />
= Post-Revolutionary Literature; Cultural Revolution =<br />
* "Red Detachment of Women" [Film Viewing]<br />
<br />
= Post-Mao Literature, Scars and realism, Roots literature =<br />
* McDougall and Louie, 325-448; focus on pages 325-44<br />
* Liu Heng, "Dogshit Food" [366-78]; scars literature<br />
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]<br />
* The Scar Literature After "The Culture Revolution"<br />
<br />
= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =<br />
* [[Mo Yan]] 莫言 by Corinne B.<br />
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"<br />
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC)<br />
* Jia Pingwa<br />
* Wang Shuo<br />
<br />
= Contemporary Women authors =<br />
* Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist<br />
<br />
= Avant-garde literature and post-socialist present =<br />
* Su Tong, "Escape" [445-54];<br />
* Yu Hua, "On the Road at Eighteen" [439-44]<br />
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship<br />
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s<br />
<br />
= Taiwan literature =<br />
* Zhang Dachun, "Lucky Worries About His Country" (403-416)<br />
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]<br />
<br />
= Longing for something literature I: Historicizing, II: Tibet Exotism =<br />
* Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天)<br />
* Alai<br />
<br />
= Megacity Literature II - Peking and Vagabound Literature =<br />
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick<br />
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets<br />
<br />
= Between cult and celebrity =<br />
* Cult author Guo Jingming<br />
** Book series "Bestseller"<br />
** Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river<br />
* Cult author Mian Mian<br />
** Mian Mian (棉棉), 声名狼籍 Panda Sex<br />
<br />
= Critical surrealist Han Han, young authors =<br />
* [[Han Han]] by Matt S.<br />
:Triple door<br />
:His Land<br />
<br />
= Blog, Web and Fan literature =<br />
* Blogs (blog literature?), from web to paper literature<br />
* Ai Weiwei, Han Han, Annie Baobei<br />
<br />
= Fan literature =<br />
* Web literature portal qidian.com</div>Monkeysunhttps://bou.de/u/index.php?title=Talk:Modern_Chinese_Literature&diff=93516Talk:Modern Chinese Literature2016-05-20T15:04:33Z<p>Monkeysun: Discussion About The Scar Literature</p>
<hr />
<div> The social problems that have been reflected by “The Scar Literature” are：During the “Cultural Revolution”, many educated youngsters were involved in the “countryside sports”. The emergence of the "scar literature" directly resulted from it, which mainly describes the tragic experience of the educated youth, intellectuals, persecuted officials and ordinary people in urban and rural areas.</div>Monkeysun