China Studies Wiki - User contributions [en]

Talk:Basic information of web literature

2016-06-15T14:34:09Z

Yvonne: Created page with "Firstly, I think just like the old saying, “you are what you eat.” different people like different kinds of books. People who are young or with fewer salary and lower educ..."

Firstly, I think just like the old saying, “you are what you eat.” different people like different kinds of books. People who are young or with fewer salary and lower education just like this kind of literature works. Only outstanding literature and minority literature can question the the bad aspect of humanity. Most of people like to see the warmth, and network literature can satisfy them.
And, secondly, network literature can do good to both writers and readers. It’s a kind of wisdom in daily life. Even though the knowledge is confused, like the history information, it can still enrich reader’s knowledge.

Web literature on screen

2016-06-14T03:11:57Z

Yvonne:

[[File:Web literature works on screen.png|left|thumb|300px|Web literature works on screen]]

Network literature have developed rapidly, and with the development, shooting films and plays out of network literature works become more and more common. Compared with films and plays out of traditional literature works, those out of network literature works are more high efficient, liberalization, and more kinds of limitation.

== High efficient ==

*short shooting process
[[File:Princess go go go .png|right|thumb|100px|princess go go go]]

We can see that different from shooting films and plays out of traditional literature works, those of network literature works are of highly efficient. Most of those can be quickly made, since that web-writers can finish their works quickly, and production company can also complete the films or plays quickly, too. Just like a play which is famous these days, “princess go go go ”, is a typical example.

*absent of originality
[[File:Palace.png|left|thumb|100px|Palace]]

Network literature like that generally do not need too much time to create, and the shooting process is also very short. Also, another important reason is that the absent of originality, when a kind of topic become popular, there will be many works of the same topic appear in the next days until another topic become popular. Just after the broadcast of the play “palace”, time-travel become most of the topics of network literature works in those days.

*modeling
[[File:Youth movie.png|right|thumb|100px|youth movie]]

And this phenomenon makes network literature writers’ time of creature must be short, even makes them copy from each other, since that they must keep their work be popular. So it makes works of the same topic hipping. And the works become modeling.

== Liberalization ==

Another difference is the liberalization of network literature creation. Different from traditional ones based on real life, a number of network literature works just based on the imagination of writers.like “the journey of flower”, “the lost tomb”, “empresses in the palace” and so on. Writers can use their imagination to create the story freely. In the world they create nothing is impossible.

[[File:A famous Mary Sue role WU seductive woman.png|right|thumb|200px|A famous Mary Sue role WU seductive woman]]

This kind of phenomenon also cause a problem. Without limitation of real life, writers create figures and scripts only by their own subject meaning. It makes a new noun appears that is Mary Sue. “the Mary Sue concept came out of Star Trek fan fiction and described an original female character who had a romantic liaison with an established， "canon" character， particularly if she possessed unrealistic or unlikely traits above and beyond those expected of a character in that particular series， or a conventional author surrogate. ”. So, the films and plays out of network literature works will also be very funny.

== Limitation ==
[[File:An inernet drama which been pull off these days.png|right|thumb|150px|An inernet drama which been pull off these days]]

While, when network literature be taken for films or plays, there will be more limitation than it was. Not all of details can be admitted to be on show. The play “addiction” is a typical example.

== Source ==

http://baike.baidu.com/link?url=F6xYxs1_Hq2DIeg-7gChuXDYcCsioet9jklwxwapmWOMbsOQsomAaiPPmJ-geu1dh1VoplsGcLeCjZbFZaq1CK

Web literature on screen

2016-06-14T03:10:22Z

Yvonne:

Web literature on screen

2016-06-14T03:03:54Z

Yvonne:

Web literature on screen

2016-06-14T03:03:13Z

Yvonne:

[[File:Web literature works on screen.png|left|thumb|300px|Web literature works on screen]]

Network literature have developed rapidly, and with the development, shooting films and plays out of network literature works become more and more common. Compared with films and plays out of traditional literature works, those out of network literature works are more high efficient, liberalization, and more kinds of limitation.

== High efficient ==

*short shooting process
[[File:Princess go go go .png|right|thumb|100px|princess go go go]]

We can see that different from shooting films and plays out of traditional literature works, those of network literature works are of highly efficient. Most of those can be quickly made, since that web-writers can finish their works quickly, and production company can also complete the films or plays quickly, too. Just like a play which is famous these days, “princess go go go ”, is a typical example.

*absent of originality
[[File:Palace.png|left|thumb|100px|Palace]]

Network literature like that generally do not need too much time to create, and the shooting process is also very short. Also, another important reason is that the absent of originality, when a kind of topic become popular, there will be many works of the same topic appear in the next days until another topic become popular. Just after the broadcast of the play “palace”, time-travel become most of the topics of network literature works in those days.

*modeling
[[File:Youth movie.png|right|thumb|100px|youth movie]]

And this phenomenon makes network literature writers’ time of creature must be short, even makes them copy from each other, since that they must keep their work be popular. So it makes works of the same topic hipping. And the works become modeling.

== Liberalization ==

Another difference is the liberalization of network literature creation. Different from traditional ones based on real life, a number of network literature works just based on the imagination of writers.like “the journey of flower”, “the lost tomb”, “empresses in the palace” and so on. Writers can use their imagination to create the story freely. In the world they create nothing is impossible.

[[File:A famous Mary Sue role WU seductive woman.png|right|thumb|200px|A famous Mary Sue role WU seductive woman]]

This kind of phenomenon also cause a problem. Without limitation of real life, writers create figures and scripts only by their own subject meaning. It makes a new noun appears that is Mary Sue. “the Mary Sue concept came out of Star Trek fan fiction and described an original female character who had a romantic liaison with an established， "canon" character， particularly if she possessed unrealistic or unlikely traits above and beyond those expected of a character in that particular series， or a conventional author surrogate. ”. So, the films and plays out of network literature works will also be very funny.

== Limitation ==
[[File:An inernet drama which been pull off these days.png|right|thumb|200px|An inernet drama which been pull off these days]]

While, when network literature be taken for films or plays, there will be more limitation than it was. Not all of details can be admitted to be on show. The play “addiction” is a typical example.

Web literature on screen

2016-06-14T02:49:26Z

Yvonne:

File:Youth movie.png

2016-06-14T02:35:02Z

Yvonne:

File:Palace.png

2016-06-14T02:30:24Z

Yvonne:

File:Princess go go go .png

2016-06-14T02:29:27Z

Yvonne:

Web literature on screen

2016-06-14T02:17:10Z

Yvonne:

Web literature on screen

2016-06-14T02:14:29Z

Yvonne: Created page with "Bi Shumin in the travel "

[[File:Web literature works on screen.png|left|thumb|300px|Bi Shumin in the travel ]]

Modern Chinese Literature

2016-06-14T02:13:15Z

Yvonne: /* THE OUTLINE OF WEB LITERATURE */

= Emergence of modern Chinese literature =

= Historical and cultural background late Qing =
* Genre development in China, scholars as authors, Mandarin & Butterfly School
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford

= Encounter with the West, Westernization =
* [[Wu Jianren]]--[[User:Sunflowertide|Sunflowertide]] ([[User talk:Sunflowertide|talk]]) 10:49, 1 June 2016 (UTC)
** New Story of the Stone, utopian novel
* Liang Qichao, Accounts of the future of new China, utopian fragment
* Secondary Literature:
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17

= May Fourth iconoclasm - Historical and cultural background May Fourth =
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139

= The role of translations and translators =
* Yan Fu
* Lin Shu
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]
* the selection process and intention of translations

= Discovery of the alienated Self – World Literature =
* McDougall and Louie, 1-185; focus on pages 1-30
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]

= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm
* Further reading:
**Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.
**Critical Studies:In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China,Edited by H.Chung with M.Falchikov,B.S.McDougall and K.McPherson
* Literary Research Society
**[[Zhou Zuoren]],[[Zheng Zhenduo]],[[Shen Yanbing]]--[[User:Sunshine|Sunshine]] ([[User talk:Sunshine|talk]]) 15:46, 12 June 2016 (UTC)
* Crescent Moon Society
**Xu Zhimo's poems 1925-1930 [499-501]
* Creation Society
** [[Yu Dafu]], "Sinking" 1921 [31-55]
** [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)
*** Guo Moruo: “The hound of heaven” 1920
*** http://global.britannica.com/biography/Guo-Moruo--[[User:Sunshine|Sunshine]] ([[User talk:Sunshine|talk]]) 15:46, 12 June 2016 (UTC)

= Literature of the 1930s =
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)
** Self-selected excerpts from Qian Zhongshu, [[Fortress besieged]] --[[User:Sunflowertide|Sunflowertide]] ([[User talk:Sunflowertide|talk]]) 10:36, 1 June 2016 (UTC) 1947

= Women writers =
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing
* [[Zhang Ailing]] -- 2012 Corinneb 13:21, 8 October 2012 (UTC) [[User:Mark]] 15:15, 25 May 2016 (UTC)
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)

= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.
* Mao's claim of Lu Xun

= The socialist era, Yan'an Literature and Rectification =
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435
* Ding Ling, "When I Was in Hsia Village" [132-46]
* Mao Dun and "Spring Silkworms" [56-73]

= Authors in transition: From Revolutionary Romanticism to Reform Literature =
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)
* Wang Meng, Long Live [the] Youth!
* Wang Meng, Hard Porridge, trans. by Chen Zishan
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition

= On different paths: Bing Xin, Zhang Jie =
* [[Bing Xin]]
* Zhang Jie: Heavy Wings
* [[Zhang Jie: Kid From The Forest]]

= Chinese Modernism and the Aesthetic =
* McDougall and Louie, 189-321; focus on pages 189-207
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]
* Regional literature
* Shen Congwen, "Xiaoxiao" [82-94]
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]

= Post-Revolutionary Literature; Cultural Revolution =
* "Red Detachment of Women" [Film Viewing]

= Post-Mao Literature, Scars and realism, Roots literature =
* McDougall and Louie, 325-448; focus on pages 325-44
* Liu Heng, "Dogshit Food" [366-78]; scars literature
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]
* [[The Scar Literature After "the Cultural Revolution"]]
** Lu Xinhua, Scar

= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =
* [[Mo Yan]] 莫言 by Corinne B.
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC) by Jackie(BNU)2016
* [[Jia Pingwa]]
* [[Wang Shuo]]

= Contemporary Women authors =
* [[Bi Shumin]](毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist
* [[Yan Geling]](严歌苓），The Flowers of War 金陵十三钗，Little Aunt Crane 小姨多鹤， The Lost Daughter of Happiness 扶桑

= Avant-garde literature and post-socialist present =
----
* [[Avant-garde literature]]
* [[post-socialist present]]
* [[Su Tong]], "[[Escape]]" [445-54];[[Link title]]
* Yu Hua, "[[On the Road at Eighteen]]" [439-44]
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s
[[Media:Avant-garde literature and post-socialist present.ogg]]

= Taiwan literature =
* Zhang Dachun, "Lucky Worries About His Country" (403-416)
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]

= Longing for something literature I: Historicizing, II: Tibet Exotism =
* [[Historicizing]]
* [[Yu Dan]] 于丹, 《论语》心得 Confucius in your heart, [[Yi Zhongtian]] (易中天)
* [[Alai]]

= Megacity Literature II - Peking and Vagabound Literature =
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets

= Between cult and celebrity =
* Cult author Guo Jingming
** Book series "Bestseller"
** [[Guo Jingming]] (郭敬明), 悲伤逆流成河 [[Cry me a sad river]]
* Cult author Mian Mian
** Mian Mian (棉棉), 声名狼籍 Panda Sex

= Critical surrealist Han Han, young authors =
* [[Han Han]] by Matt S.
:Triple door
:His Land

* Web literature portal qidian.com
= THE OUTLINE OF WEB LITERATURE =
* [[web literature on screen]](网络文学影视化)

Modern Chinese Literature

2016-06-14T02:04:14Z

Yvonne: /* THE OUTLINE OF WEB LITERATURE */

Modern Chinese Literature

2016-06-14T02:03:07Z

Yvonne: /* THE OUTLINE OF WEB LITERATURE */

= Emergence of modern Chinese literature =

= Historical and cultural background late Qing =
* Genre development in China, scholars as authors, Mandarin & Butterfly School
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford

= Encounter with the West, Westernization =
* [[Wu Jianren]]--[[User:Sunflowertide|Sunflowertide]] ([[User talk:Sunflowertide|talk]]) 10:49, 1 June 2016 (UTC)
** New Story of the Stone, utopian novel
* Liang Qichao, Accounts of the future of new China, utopian fragment
* Secondary Literature:
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17

= May Fourth iconoclasm - Historical and cultural background May Fourth =
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139

= The role of translations and translators =
* Yan Fu
* Lin Shu
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]
* the selection process and intention of translations

= Discovery of the alienated Self – World Literature =
* McDougall and Louie, 1-185; focus on pages 1-30
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]

= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm
* Further reading:
**Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.
**Critical Studies:In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China,Edited by H.Chung with M.Falchikov,B.S.McDougall and K.McPherson
* Literary Research Society
**[[Zhou Zuoren]],[[Zheng Zhenduo]],[[Shen Yanbing]]--[[User:Sunshine|Sunshine]] ([[User talk:Sunshine|talk]]) 15:46, 12 June 2016 (UTC)
* Crescent Moon Society
**Xu Zhimo's poems 1925-1930 [499-501]
* Creation Society
** [[Yu Dafu]], "Sinking" 1921 [31-55]
** [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)
*** Guo Moruo: “The hound of heaven” 1920
*** http://global.britannica.com/biography/Guo-Moruo--[[User:Sunshine|Sunshine]] ([[User talk:Sunshine|talk]]) 15:46, 12 June 2016 (UTC)

= Literature of the 1930s =
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)
** Self-selected excerpts from Qian Zhongshu, [[Fortress besieged]] --[[User:Sunflowertide|Sunflowertide]] ([[User talk:Sunflowertide|talk]]) 10:36, 1 June 2016 (UTC) 1947

= Women writers =
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing
* [[Zhang Ailing]] -- 2012 Corinneb 13:21, 8 October 2012 (UTC) [[User:Mark]] 15:15, 25 May 2016 (UTC)
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)

= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.
* Mao's claim of Lu Xun

= The socialist era, Yan'an Literature and Rectification =
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435
* Ding Ling, "When I Was in Hsia Village" [132-46]
* Mao Dun and "Spring Silkworms" [56-73]

= Authors in transition: From Revolutionary Romanticism to Reform Literature =
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)
* Wang Meng, Long Live [the] Youth!
* Wang Meng, Hard Porridge, trans. by Chen Zishan
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition

= On different paths: Bing Xin, Zhang Jie =
* [[Bing Xin]]
* Zhang Jie: Heavy Wings
* [[Zhang Jie: Kid From The Forest]]

= Chinese Modernism and the Aesthetic =
* McDougall and Louie, 189-321; focus on pages 189-207
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]
* Regional literature
* Shen Congwen, "Xiaoxiao" [82-94]
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]

= Post-Revolutionary Literature; Cultural Revolution =
* "Red Detachment of Women" [Film Viewing]

= Post-Mao Literature, Scars and realism, Roots literature =
* McDougall and Louie, 325-448; focus on pages 325-44
* Liu Heng, "Dogshit Food" [366-78]; scars literature
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]
* [[The Scar Literature After "the Cultural Revolution"]]
** Lu Xinhua, Scar

= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =
* [[Mo Yan]] 莫言 by Corinne B.
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC) by Jackie(BNU)2016
* [[Jia Pingwa]]
* [[Wang Shuo]]

= Contemporary Women authors =
* [[Bi Shumin]](毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist
* [[Yan Geling]](严歌苓），The Flowers of War 金陵十三钗，Little Aunt Crane 小姨多鹤， The Lost Daughter of Happiness 扶桑

= Avant-garde literature and post-socialist present =
----
* [[Avant-garde literature]]
* [[post-socialist present]]
* [[Su Tong]], "[[Escape]]" [445-54];[[Link title]]
* Yu Hua, "[[On the Road at Eighteen]]" [439-44]
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s
[[Media:Avant-garde literature and post-socialist present.ogg]]

= Taiwan literature =
* Zhang Dachun, "Lucky Worries About His Country" (403-416)
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]

= Longing for something literature I: Historicizing, II: Tibet Exotism =
* [[Historicizing]]
* [[Yu Dan]] 于丹, 《论语》心得 Confucius in your heart, [[Yi Zhongtian]] (易中天)
* [[Alai]]

= Megacity Literature II - Peking and Vagabound Literature =
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets

= Between cult and celebrity =
* Cult author Guo Jingming
** Book series "Bestseller"
** [[Guo Jingming]] (郭敬明), 悲伤逆流成河 [[Cry me a sad river]]
* Cult author Mian Mian
** Mian Mian (棉棉), 声名狼籍 Panda Sex

= Critical surrealist Han Han, young authors =
* [[Han Han]] by Matt S.
:Triple door
:His Land

* Web literature portal qidian.com
= THE OUTLINE OF WEB LITERATURE =
[[web literature on screen]]
[[File:Web literature works on screen.png|left|thumb|300px|Bi Shumin in the travel ]]

Modern Chinese Literature

2016-06-14T01:57:19Z

Yvonne: /* THE OUTLINE OF WEB LITERATURE */

Modern Chinese Literature

2016-06-14T01:55:56Z

Yvonne: /* THE OUTLINE OF WEB LITERATURE */

= Emergence of modern Chinese literature =

= Historical and cultural background late Qing =
* Genre development in China, scholars as authors, Mandarin & Butterfly School
* Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford

= Encounter with the West, Westernization =
* [[Wu Jianren]]--[[User:Sunflowertide|Sunflowertide]] ([[User talk:Sunflowertide|talk]]) 10:49, 1 June 2016 (UTC)
** New Story of the Stone, utopian novel
* Liang Qichao, Accounts of the future of new China, utopian fragment
* Secondary Literature:
** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.
** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.
** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61
** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17

= May Fourth iconoclasm - Historical and cultural background May Fourth =
* Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73
* Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139

= The role of translations and translators =
* Yan Fu
* Lin Shu
* the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]
* the selection process and intention of translations

= Discovery of the alienated Self – World Literature =
* McDougall and Louie, 1-185; focus on pages 1-30
* [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[User:Maranda|Maranda]] 21:14, 11 September 2012 (UTC) and 21:45, 4 October 2012 (UTC)
** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)
** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm
** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]

= Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism =
* Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm
* Further reading:
**Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.
**Critical Studies:In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China,Edited by H.Chung with M.Falchikov,B.S.McDougall and K.McPherson
* Literary Research Society
**[[Zhou Zuoren]],[[Zheng Zhenduo]],[[Shen Yanbing]]--[[User:Sunshine|Sunshine]] ([[User talk:Sunshine|talk]]) 15:46, 12 June 2016 (UTC)
* Crescent Moon Society
**Xu Zhimo's poems 1925-1930 [499-501]
* Creation Society
** [[Yu Dafu]], "Sinking" 1921 [31-55]
** [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC)
*** Guo Moruo: “The hound of heaven” 1920
*** http://global.britannica.com/biography/Guo-Moruo--[[User:Sunshine|Sunshine]] ([[User talk:Sunshine|talk]]) 15:46, 12 June 2016 (UTC)

= Literature of the 1930s =
*[[Qian Zhongshu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC)
** Self-selected excerpts from Qian Zhongshu, [[Fortress besieged]] --[[User:Sunflowertide|Sunflowertide]] ([[User talk:Sunflowertide|talk]]) 10:36, 1 June 2016 (UTC) 1947

= Women writers =
* Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing
* [[Zhang Ailing]] -- 2012 Corinneb 13:21, 8 October 2012 (UTC) [[User:Mark]] 15:15, 25 May 2016 (UTC)
* [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC)
* Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];
*[[ Xiao Hong (1911-1942)]] [[User:PhilipHarding|PhilipHarding]] 03:04, 9 October 2012 (UTC)
* Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]
* [[Zhang Jie (born 1937)]][[User:Ericaangie|Ericaangie]] 18:18, 4 December 2012 (UTC)

= The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action =
* Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.
* Mao's claim of Lu Xun

= The socialist era, Yan'an Literature and Rectification =
* Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435
* Ding Ling, "When I Was in Hsia Village" [132-46]
* Mao Dun and "Spring Silkworms" [56-73]

= Authors in transition: From Revolutionary Romanticism to Reform Literature =
* [[Wang Meng]] by Maranda 21:45, 4 October 2012 (UTC)
* Wang Meng, Long Live [the] Youth!
* Wang Meng, Hard Porridge, trans. by Chen Zishan
* [[Ba Jin]] [[User:PhilipHarding|PhilipHarding]] 21:43, 4 December 2012 (UTC): Family and the self-censorship in the later edition

= On different paths: Bing Xin, Zhang Jie =
* [[Bing Xin]]
* Zhang Jie: Heavy Wings
* [[Zhang Jie: Kid From The Forest]]

= Chinese Modernism and the Aesthetic =
* McDougall and Louie, 189-321; focus on pages 189-207
* Shi Zhicun, "One Evening in the Rainy Season" [115-24]
* Regional literature
* Shen Congwen, "Xiaoxiao" [82-94]
* "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]

= Post-Revolutionary Literature; Cultural Revolution =
* "Red Detachment of Women" [Film Viewing]

= Post-Mao Literature, Scars and realism, Roots literature =
* McDougall and Louie, 325-448; focus on pages 325-44
* Liu Heng, "Dogshit Food" [366-78]; scars literature
* Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]
* [[The Scar Literature After "the Cultural Revolution"]]
** Lu Xinhua, Scar

= Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo =
* [[Mo Yan]] 莫言 by Corinne B.
: His story: "Old Gun" [in China: A Traveler's Literary Companion], novel 生死疲勞 "Life and Death are Wearing me out"
* [[Yu Hua]], "Brothers" by David 06:48, 5 December 2012 (UTC) by Jackie(BNU)2016
* [[Jia Pingwa]]
* [[Wang Shuo]]

= Contemporary Women authors =
* [[Bi Shumin]](毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist
* [[Yan Geling]](严歌苓），The Flowers of War 金陵十三钗，Little Aunt Crane 小姨多鹤， The Lost Daughter of Happiness 扶桑

= Avant-garde literature and post-socialist present =
----
* [[Avant-garde literature]]
* [[post-socialist present]]
* [[Su Tong]], "[[Escape]]" [445-54];[[Link title]]
* Yu Hua, "[[On the Road at Eighteen]]" [439-44]
** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship
* Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s
[[Media:Avant-garde literature and post-socialist present.ogg]]

= Taiwan literature =
* Zhang Dachun, "Lucky Worries About His Country" (403-416)
* Zhu Tianwen, "Fin de Siècle Splendor" [388-402]

= Longing for something literature I: Historicizing, II: Tibet Exotism =
* [[Historicizing]]
* [[Yu Dan]] 于丹, 《论语》心得 Confucius in your heart, [[Yi Zhongtian]] (易中天)
* [[Alai]]

= Megacity Literature II - Peking and Vagabound Literature =
* Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick
* Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets

= Between cult and celebrity =
* Cult author Guo Jingming
** Book series "Bestseller"
** [[Guo Jingming]] (郭敬明), 悲伤逆流成河 [[Cry me a sad river]]
* Cult author Mian Mian
** Mian Mian (棉棉), 声名狼籍 Panda Sex

= Critical surrealist Han Han, young authors =
* [[Han Han]] by Matt S.
:Triple door
:His Land

* Web literature portal qidian.com
= THE OUTLINE OF WEB LITERATURE =
[[web literature on screen]]
[[Web literature works on screen.png|450px|thumb|left| Web literature works on screen]]

File:An inernet drama which been pull off these days.png

2016-06-13T15:00:16Z

Yvonne:

File:A famous Mary Sue role WU seductive woman.png

2016-06-13T14:58:29Z

Yvonne:

File:Web literature works on screen.png

2016-06-13T14:54:57Z

Yvonne: