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File:Gayageum.pptx

2025-07-05T11:09:08Z

Zhang Meiling:

User:Zhang Meiling

2025-06-20T13:08:49Z

Zhang Meiling: /* References */

= Northeast Yangko =

The origins of Yangko can be traced back to agricultural dances of the Han Dynasty, evolving into the more entertainment-oriented Village Field Music by the Song Dynasty. Wu Xilin's ''Miscellaneous Notes on the New Year'' from the Qing Dynasty records that the Village Field Music during the Lantern Festival in Nanjing had transformed into Yangko performances featuring multiple roles. Initially closely tied to farming, ''Notes on Eastern Guangdong'' describes scenes of farm women singing in groups while transplanting rice seedlings to the beat of drums, illustrating its roots in collective song and dance during labor. The ''Huangzhou Gazetteer'' from the Daoguang era of the Qing Dynasty documents the early form of Yangko: farmers linking arms and stamping their feet in the fields, using their steps to mimic hoeing, synchronized with drumbeats. This fusion of work chants and dance gradually evolved into rural entertainment.

Over time, Yangko spread from the countryside to urban areas, with performers donning specialized costumes and staging shows in streets and squares. ''Spring Odes of Yanjing'' depicts lively scenes of "waist drums filling the roads with clamor." During the Republican era, Yangko took on new social functions. The New Yangko Movement launched in 1942 in the Shanxi -Gansu- Ningxia Border Region produced works like Brother and Sister Reclaim Wasteland, which reflected revolutionary themes, forming a distinctive "struggle yangko" style.After the founding of the People's Republic of China, Yangko retained its traditional festive role while also developing into a mass fitness activity, showcasing the modern transformation of traditional art. In 2006, Yangko was included in the first batch of China's national intangible cultural heritage.

As time passed, Yangko evolved from simple singing into a comprehensive performance combining dance and drama, its influence expanding from northern China to southern regions, becoming a unique artistic landscape.

Northeast Yangko has a long history, an artistic treasure created and accumulated by the laboring people of northern China over centuries. It originated from the labor of rice transplantation and is linked to ancient hymns and prayers for harvests and disaster prevention offered to agricultural deities. Throughout its development, it absorbed elements from farming songs, folk martial arts, acrobatics, and opera techniques, transforming from a simple singing performance into the beloved folk dance it is today.

== The Historical Development of Northeast Yangko ==
As one of the most renowned traditional dances in northern China, Northeast Yangko has been passed down through generations, forming a broad audience base. It mainly refers to Yangko-style folk dances prevalent in Heilongjiang, Jilin, and Liaoning provinces. Northeast China has always been an inseparable part of the country, and through continuous cultural exchanges with the Central Plains since the Qin and Han dynasties, it developed a distinctive regional culture. Northeast Yangko emerged as the dance spread to the region during the Ming and Qing dynasties through Han migrations beyond the Shanhai Pass, gradually taking on local characteristics. The earliest records of Northeast Yangko date back to the Shunzhi and Kangxi eras of the Qing Dynasty, documented in local gazetteers and literary works describing its performances in folk festivals and rituals.

==The Unique Charm of Northeast Yangko==
Northeast Yangko is diverse in form, with main performance styles including "Stilt Yangko", "Ground Yangko", and "Short-Stilts Yangko". It typically integrates song, dance, drama, acrobatics, and even martial arts, showcasing a rich artistic repertoire. Through its dance movements, it reflects the lived experiences of laborers, highlighting distinct aesthetic preferences.

Its music features lively, shifting rhythms, often led by a solo singer with a chorus response. The repertoire includes folk tunes like "Making Merry Till Dawn" and "Flying Kites". Dancers control their breath to create a unique rhythmic flow, while the melodic accompaniment enhances the charm of the movements. The clothing props are also distinctive, contributing to the regional character of Northeast Yangko.

Like other folk arts of the Northeast, Yangko carries the region's cultural identity, using artistic expression to showcase its heritage. By analyzing its historical evolution, the dance truly reflects the splendid folk culture of the Northeast.

[[File:Example.jpg]]

==The Fusion of Northeast Yangko and Regional Culture==
The style of Northeast Yangko aligns with the temperament of Northeasterners—bold, straightforward, and unrestrained. These traits are fully embodied in the dance, with its vigorous steps and dynamic movements complementing the local character. Deeply rooted in the black soil, Northeast Yangko embodies the rustic aesthetic of northern laborers. Its dance movements, costumes, and music incorporate rich regional elements, making it an integral part of Northeast culture. Through Yangko, the people of the Northeast express joy and their hopes for a prosperous future.

==Terms and Expressions==
Northeast Yangko - 东北秧歌

Yangko - 秧歌

Folk song and dance - 民间歌舞

Traditional dance - 传统舞蹈

national intangible cultural heritage - 国家非物质文化遗产

Stilt Yangko - 高跷秧歌

Ground Yangko - 地秧歌

Short-stilts Yangko - 寸跷秧歌

Opera techniques - 戏曲技艺

dance movements - 舞蹈动作

clothing props - 服饰道具

==Questions==
1. What are the performance forms of Northeast Yangko?

2. Why is Northeast Yangko said to reflect the character of Northeasterners?

3. In which regions is Northeast Yangko primarily popular?

4. How did Northeast Yangko originally originate?

==Answers==
1. The performance forms of Northeast Yangko include "Stilt Yangko," "Ground Yangko," and "Short-Stilts Yangko." It integrates song, dance, drama, acrobatics, and martial arts, showcasing a rich and diverse artistic repertoire.

2.Northeast Yangko reflects the character of Northeasterners because its bold, straightforward, and unrestrained style aligns with their temperament. The dance's vigorous steps and dynamic movements embody the resilience and enthusiasm of the people in Northeast China.

3.Northeast Yangko is primarily popular in Heilongjiang, Jilin, and Liaoning provinces in Northeast China.

4.Northeast Yangko originally originated from labor activities related to rice transplantation and was linked to ancient hymns and prayers for harvests and disaster prevention offered to agricultural deities. Over time, it absorbed elements from farming songs, folk martial arts, acrobatics, and opera techniques, evolving from simple singing into a folk dance. It further developed as Han migrants introduced Yangko to the region during the Ming and Qing dynasties, blending with local culture.

==References==
[1] Gao Tianshuo. A Study on the Aesthetic Characteristics of Northeast Yangko [D]. Jilin University of Arts, 2023. [https://kns.cnki.net/kcms2/article/abstractv=C4JADW50D8ve7K4xHLx0INwjGIstJ_bnYa10__CoMMUdVnlEkOZyu6wGxiUbDmiRqHEzgz8nVyPgQXZwT1n7ai_1EAUEWRCu1hVj1UnibztnK9j56CH_O9m2j1Am779W9ELkEyqO-qA6TaIx63ZvCDXPBkmM82NQsDP3xMpAJ2I=&uniplatform=NZKPT link title]

[2] Zhang Fuqin.Physical Characteristics and Aesthetic Features of Northeast Yangko Dance[J]. Yipu (Journal of Jilin University of Arts),1990,(01):65-69. [https://kns.cnki.net/kcms2/article/abstract?v=C4JADW50D8tVgPbGXVR7eRsMA7LIM33TfzzURGP159Gysojdzx1hBOEru89l6BXr5qZoGy7IGRBQl5YZBXDER32sxFscKXEObnzckFj_yszj2ECuxoMsEO7mpoa1BAp8cliUATBOcOTH9mxHd63aRTq3D4hsKN_&uniplatform=NZKPT link title]

[3] China Society for Anthropology of Arts. Intangible Cultural Heritage Transmission and Artistic Anthropology Research [M]. Beijing: Xueyuan Press, 2013.09.

[4] Cong Ruixuan, Zhao Yu, Pan Jing. Chinese Ethnic-Regional Fitness Dance Series: Northeast Yangko and Shandong Yangko Dance [M]. Beijing: Blue Sky Press, 2015.01.

[5] Shi Lixue. Northeast Folk Culture [M]. Beijing: Social Sciences Academic Press, 2019.02.

[6]Li S .Inheritance and Development of “Di Yangko” Dance under the Background of Urbanization[J].Literature and Art Development and Innovation,2024,1(4). DOI:http://dx.doi.org/10.12417/3029-2344.24.04.009.

==AI Statement==
When writing my final paper, I utilized DeepSeek by first issuing the following instruction: "I need to write a final paper on Northeast Yangko. Please draft an outline for me." Based on the framework provided by DeepSeek, I revised it after reviewing relevant papers and literature. The content of the thesis was completed through my own research of literature and academic papers, without relying on AI. During the English translation process, I used DeepSeek for assistance, making adjustments to some specialized terminology to ensure accuracy. While AI tools contributed to improving the quality of the thesis, all content was the result of my independent thinking and work.

= 东北秧歌 =
秧歌的起源可追溯至汉代的农作舞，宋代发展为娱乐性更强的村田乐。清代吴锡麟在《新年杂咏抄》中记载，南京元宵节的村田乐已演变为包含多种角色的秧歌表演。秧歌最初与农业生产密切相关，《粤东笔记》描述农妇插秧时击鼓群歌的场景，说明其源于田间劳动时的集体歌舞。清代道光年间的《晃州厅志》记录了秧歌的早期形态：农民在田中连袂踏步，以足代锄，配合鼓点节奏。这种劳动号子与舞蹈的结合逐渐演变为农家娱乐形式。随着时间推移，秧歌从农村进入城市，表演者开始穿着特制服装，在街头广场演出，《燕京春咏》描绘了"腰鼓声声喧满路"的热闹场景。民国时期，秧歌被赋予新的社会功能。1942年陕甘宁边区开展的“新秧歌运动"创编了《兄妹开荒》等反映革命内容的作品，形成"斗争秧歌"的独特风格。新中国成立后，秧歌既保留传统节庆功能，又发展为全民健身活动，体现了传统艺术的现代转型。2006年秧歌被列入首批国家级非遗名录。

随着岁月的流转，秧歌逐渐从单纯的歌唱演变为舞蹈与戏剧的综合性表演，其影响力亦从我国北方扩展至南方各地，成为一处独特的艺术风景。

东北秧歌有悠久的历史，是北方劳动人民长期创造积累的艺术财富，它起源于插秧耕田的劳动生活，又和古代祭祀农神祈求丰收，祈福禳灾时所唱的颂歌、禳歌有关，并在发展过程中不断吸收农歌、菱歌、民间武术、杂技以及戏曲的技艺与形式，从而由一般的演唱秧歌发展到今天广大群众喜闻乐见的一种民间歌舞。

==东北秧歌的发展沿革==
东北秧歌作为我国北方地区知名度最高的传统舞蹈之一，经过民间的代代相传，目前已经传承千载，并形成了广泛的受众群体与群众基础。东北秧歌，主要泛指东北地区的秧歌类民间舞蹈。这类舞蹈主要流传于黑龙江、吉林、辽宁三个省份。东北地区一直是我国不可分割的一部分，自秦汉以来不断与中原地区交流，逐渐形成了具有浓郁地方特色的东北文化。而东北秧歌是秧歌舞蹈随明清期间，多次汉族向关外移民而流传至东北，逐渐形成具有地方特色的东北秧歌舞蹈。关于东北秧歌最早的记载，在清朝顺治康熙年间，当地的一些地方县志以及文人诗词中，就记载了东北秧歌在民间活动庆典祭祀中的表演。

==东北秧歌的独特魅力==
东北秧歌的种类繁多，形式多样，主要表演形式有“高跷秧歌”、“地秧歌”、“寸跷秧歌”。东北秧歌通常是将歌、舞、戏、杂耍甚至是武术融为一体，其中所包含的艺术内容非常丰富，意图通过舞蹈的表演内容展现当时人民劳动的切实体验，以此又展现出了东北秧歌不同的审美习惯。其音乐节奏欢快多变，一般由一人领唱，众人和，演唱的小调十分丰富，如《闹五更》《放风筝》等。在舞蹈中，通过控制身体内在气息，形成独特的韵味。伴奏音乐旋律婉转动听，为秧歌的舞蹈动作增添了更多魅力。同时，东北秧歌的服饰道具也颇具特色，共同构成了这一地区秧歌的独特风貌.东北秧歌与东北其他民间艺术相同，承载了东北地域文化，运用艺术的形式将东北地域文化得以展现。正是通过对东北秧歌历史沿革的分析和整理，真正的通过东北秧歌的舞蹈作品展现出东北悠久民族民间的辉煌文化。

==东北秧歌与地域文化的交融==
东北秧歌的风格与东北人的性格特点是相统一的。东北人粗犷、豪放，这种性格特点在秧歌中得到了充分的体现。秧歌的舞步大气、动作豪放，与东北人的性格相辅相成。东北秧歌深深扎根于黑土地，体现了北方劳动人民质朴的审美情趣。其舞蹈动作、服饰、音乐等都融入了丰富的地域文化元素，成为了东北文化的重要组成部分。通过扭秧歌，东北人民能够表达自己的喜悦心情和对未来生活的美好展望。

==术语和表达==
东北秧歌 - Northeast Yangko

秧歌 - Yangko

民间歌舞 - Folk song and dance

传统舞蹈 - Traditional dance

国家非物质文化遗产 national intangible cultural heritage

高跷秧歌 - Stilt Yangko

地秧歌 - Ground Yangko

寸跷秧歌 - short-stilts Yangko

戏曲技艺 - Opera techniques

舞蹈动作 - dance movements

服饰道具 - clothing props

==问题==
1.东北秧歌有哪几种表演形式？

2.为什么说东北秧歌体现了东北人性格？

3.东北秧歌主要在哪些地区流行？

4.东北秧歌最初是怎么产生的？

==答案==
1. 东北秧歌的表演形式主要包括“高跷秧歌”“地秧歌”和“寸跷秧歌”，融合了歌唱、舞蹈、戏剧、杂技甚至武术，展现出丰富多样的艺术表现力。

2.东北秧歌的风格与东北人豪爽、直率、奔放的性格相契合。舞蹈中刚劲有力的步伐和热情奔放的动作，充分展现了东北人坚韧、乐观的精神气质。

3.东北秧歌主要流行于中国东北地区的黑龙江、吉林、辽宁三省。

4.东北秧歌最初源于水稻插秧等劳动活动，并与古代祭祀农神、祈求丰收和消灾的颂歌相关。在发展过程中，它吸收了农歌、民间武术、杂技和戏曲技艺等元素，从简单的歌唱演变为民间舞蹈。明清时期，随着关内汉人移民东北，秧歌传入该地区并与本土文化融合，逐渐形成独具特色的东北秧歌。

==参考文献==
[1]高天朔.东北秧歌审美特点研究[D].吉林艺术学院,2023.[https://kns.cnki.net/kcms2/article/abstract?v=C4JADW50D8ve7K4xHLx0INwjGIstJ_bnYa10__CoMMUdVnlEkOZyu6wGxiUbDmiRqHEzgz8nVyPgQXZwT1n7ai_1EAUEWRCu1hVj1UnibztnK9j56CH_O9m2j1Am779W9ELkEyqO-qA6TaIx63ZvCDXPBkmM82NQsDP3xMpAJ2I=&uniplatform=NZKPT link title]

[2]张富秦.东北秧歌的体态特征及审美特点[J].艺圃(吉林艺术学院学报),1990,(01):65-69. [https://kns.cnki.net/kcms2/article/abstract?v=C4JADW50D8tVgPbGXVR7eRsMA7LIM33TfzzURGP159Gysojdzx1hBOEru89l6BXr5qZoGy7IGRBQl5YZBXDER32sxFscKXEObnzckFj_yszj2ECuxoMsEO7mpoa1BAp8cliUATBOcOTH9mxHd63aRTq3D4hsKN_&uniplatform=NZKPT link title]

[3]中国艺术人类学学会.非物质文化遗产传承与艺术人类学研究[M]. 北京：学苑出版, 2013.09.

[4]丛瑞萱, 赵宇, 潘晶. 中国民族区域健身舞系列：东北秧歌和山东秧歌舞[M]. 北京：蓝天出版社, 2015.01.

[5]施立学. 东北民俗文化[M]. 北京：社会科学文献出版社. 2019.02.

[6]Li S .Inheritance and Development of “Di Yangko” Dance under the Background of Urbanization[J].Literature and Art Development and Innovation,2024,1(4). DOI:http://dx.doi.org/10.12417/3029-2344.24.04.009.

==AI声明==
在撰写论文时我使用了deepseek，首先向deepseek提出以下指令：“我要写一篇关于东北秧歌的论文，请给我拟一个框架。“我根据deepseek给出的框架，并阅读论文和文献进行了修改，论文里面的内容是我查阅文献和论文完成的，没有借助AI。在英译的过程中，我借助deepseek进行辅助翻译，修改了一些专业术语，确保准确性。AI工具在论文质量提供了帮助，但所有内容由本人独立思考完成。

Zhang Meiling:

== Northeast Yangko ==

The origins of Yangko can be traced back to agricultural dances of the Han Dynasty, evolving into the more entertainment-oriented Village Field Music by the Song Dynasty. Wu Xilin's Miscellaneous Notes on the ''New Year from the Qing Dynasty'' records that the Village Field Music during the Lantern Festival in Nanjing had transformed into Yangko performances featuring multiple roles. Initially closely tied to farming, ''Notes on Eastern Guangdong'' describes scenes of farm women singing in groups while transplanting rice seedlings to the beat of drums, illustrating its roots in collective song and dance during labor. The ''Huangzhou Gazetteer'' from the Daoguang era of the Qing Dynasty documents the early form of Yangko: farmers linking arms and stamping their feet in the fields, using their steps to mimic hoeing, synchronized with drumbeats. This fusion of work chants and dance gradually evolved into rural entertainment.
Over time, Yangko spread from the countryside to urban areas, with performers donning specialized costumes and staging shows in streets and squares. ''Spring Odes of Yanjing'' depicts lively scenes of "waist drums filling the roads with clamor." During the Republican era, Yangko took on new social functions. The New Yangko Movement launched in 1942 in the Shanxi -Gansu- Ningxia Border Region produced works like Brother and Sister Reclaim Wasteland, which reflected revolutionary themes, forming a distinctive "struggle yangko" style.After the founding of the People's Republic of China, Yangko retained its traditional festive role while also developing into a mass fitness activity, showcasing the modern transformation of traditional art. In 2006, Yangko was included in the first batch of China's national intangible cultural heritage.
As time passed, Yangko evolved from simple singing into a comprehensive performance combining dance and drama, its influence expanding from northern China to southern regions, becoming a unique artistic landscape.
Northeast Yangko has a long history, an artistic treasure created and accumulated by the laboring people of northern China over centuries. It originated from the labor of rice transplantation and is linked to ancient hymns and prayers for harvests and disaster prevention offered to agricultural deities. Throughout its development, it absorbed elements from farming songs, folk martial arts, acrobatics, and opera techniques, transforming from a simple singing performance into the beloved folk dance it is today.

=== The Historical Development of Northeast Yangko ===
As one of the most renowned traditional dances in northern China, Northeast Yangko has been passed down through generations, forming a broad audience base. It mainly refers to Yangko-style folk dances prevalent in Heilongjiang, Jilin, and Liaoning provinces. Northeast China has always been an inseparable part of the country, and through continuous cultural exchanges with the Central Plains since the Qin and Han dynasties, it developed a distinctive regional culture. Northeast Yangko emerged as the dance spread to the region during the Ming and Qing dynasties through Han migrations beyond the Shanhai Pass, gradually taking on local characteristics. The earliest records of Northeast Yangko date back to the Shunzhi and Kangxi eras of the Qing Dynasty, documented in local gazetteers and literary works describing its performances in folk festivals and rituals.

===The Unique Charm of Northeast Yangko===
Northeast Yangko is diverse in form, with main performance styles including "Stilt Yangko", "Ground Yangko", and "Short-Stilts Yangko". It typically integrates song, dance, drama, acrobatics, and even martial arts, showcasing a rich artistic repertoire. Through its dance movements, it reflects the lived experiences of laborers, highlighting distinct aesthetic preferences.
Its music features lively, shifting rhythms, often led by a solo singer with a chorus response. The repertoire includes folk tunes like "Making Merry Till Dawn" and "Flying Kites". Dancers control their breath to create a unique rhythmic flow, while the melodic accompaniment enhances the charm of the movements. The clothing props are also distinctive, contributing to the regional character of Northeast Yangko.
Like other folk arts of the Northeast, Yangko carries the region's cultural identity, using artistic expression to showcase its heritage. By analyzing its historical evolution, the dance truly reflects the splendid folk culture of the Northeast.

===The Fusion of Northeast Yangko and Regional Culture===
The style of Northeast Yangko aligns with the temperament of Northeasterners—bold, straightforward, and unrestrained. These traits are fully embodied in the dance, with its vigorous steps and dynamic movements complementing the local character. Deeply rooted in the black soil, Northeast Yangko embodies the rustic aesthetic of northern laborers. Its dance movements, costumes, and music incorporate rich regional elements, making it an integral part of Northeast culture. Through Yangko, the people of the Northeast express joy and their hopes for a prosperous future.

===Terms and Expressions===
Northeast Yangko - 东北秧歌

Yangko - 秧歌

Folk song and dance - 民间歌舞

Traditional dance - 传统舞蹈

national intangible cultural heritage - 国家非物质文化遗产

Stilt Yangko - 高跷秧歌

Ground Yangko - 地秧歌

Short-stilts Yangko - 寸跷秧歌

Opera techniques - 戏曲技艺

dance movements - 舞蹈动作

clothing props - 服饰道具

===Questions===
1. What are the performance forms of Northeast Yangko?

2. Why is Northeast Yangko said to reflect the character of Northeasterners?

3. In which regions is Northeast Yangko primarily popular?

4. How did Northeast Yangko originally originate?

===References===
[1] Gao Tianshuo. A Study on the Aesthetic Characteristics of Northeast Yangko [D]. Jilin University of Arts, 2023.

[2] Intangible Cultural Heritage Inheritance and Anthropological Studies of Art, Chinese Society for Anthropology of Art, Inner Mongolia.

[3] Northeast Yangko and Shandong Yangko Dance, Blue Sky Publishing House.

[4] Northeast Folk Culture, Social Sciences Academic Press.

== 东北秧歌 ==
秧歌的起源可追溯至汉代的农作舞，宋代发展为娱乐性更强的村田乐。清代吴锡麟在《新年杂咏抄》中记载，南京元宵节的村田乐已演变为包含多种角色的秧歌表演。秧歌最初与农业生产密切相关，《粤东笔记》描述农妇插秧时击鼓群歌的场景，说明其源于田间劳动时的集体歌舞。清代道光年间的《晃州厅志》记录了秧歌的早期形态：农民在田中连袂踏步，以足代锄，配合鼓点节奏。这种劳动号子与舞蹈的结合逐渐演变为农家娱乐形式。随着时间推移，秧歌从农村进入城市，表演者开始穿着特制服装，在街头广场演出，《燕京春咏》描绘了"腰鼓声声喧满路"的热闹场景。民国时期，秧歌被赋予新的社会功能。1942年陕甘宁边区开展的“新秧歌运动"创编了《兄妹开荒》等反映革命内容的作品，形成"斗争秧歌"的独特风格。新中国成立后，秧歌既保留传统节庆功能，又发展为全民健身活动，体现了传统艺术的现代转型。2006年秧歌被列入首批国家级非遗名录。
随着岁月的流转，秧歌逐渐从单纯的歌唱演变为舞蹈与戏剧的综合性表演，其影响力亦从我国北方扩展至南方各地，成为一处独特的艺术风景。
东北秧歌有悠久的历史，是北方劳动人民长期创造积累的艺术财富，它起源于插秧耕田的劳动生活，又和古代祭祀农神祈求丰收，祈福禳灾时所唱的颂歌、禳歌有关，并在发展过程中不断吸收农歌、菱歌、民间武术、杂技以及戏曲的技艺与形式，从而由一般的演唱秧歌发展到今天广大群众喜闻乐见的一种民间歌舞。

===东北秧歌的发展沿革===
东北秧歌作为我国北方地区知名度最高的传统舞蹈之一，经过民间的代代相传，目前已经传承千载，并形成了广泛的受众群体与群众基础。东北秧歌，主要泛指东北地区的秧歌类民间舞蹈。这类舞蹈主要流传于黑龙江、吉林、辽宁三个省份。东北地区一直是我国不可分割的一部分，自秦汉以来不断与中原地区交流，逐渐形成了具有浓郁地方特色的东北文化。而东北秧歌是秧歌舞蹈随明清期间，多次汉族向关外移民而流传至东北，逐渐形成具有地方特色的东北秧歌舞蹈。关于东北秧歌最早的记载，在清朝顺治康熙年间，当地的一些地方县志以及文人诗词中，就记载了东北秧歌在民间活动庆典祭祀中的表演。

===东北秧歌的独特魅力===
东北秧歌的种类繁多，形式多样，主要表演形式有“高跷秧歌”、“地秧歌”、“寸跷秧歌”。东北秧歌通常是将歌、舞、戏、杂耍甚至是武术融为一体，其中所包含的艺术内容非常丰富，意图通过舞蹈的表演内容展现当时人民劳动的切实体验，以此又展现出了东北秧歌不同的审美习惯。其音乐节奏欢快多变，一般由一人领唱，众人和，演唱的小调十分丰富，如《闹五更》《放风筝》等。在舞蹈中，通过控制身体内在气息，形成独特的韵味。伴奏音乐旋律婉转动听，为秧歌的舞蹈动作增添了更多魅力。同时，东北秧歌的服饰道具也颇具特色，共同构成了这一地区秧歌的独特风貌.东北秧歌与东北其他民间艺术相同，承载了东北地域文化，运用艺术的形式将东北地域文化得以展现。正是通过对东北秧歌历史沿革的分析和整理，真正的通过东北秧歌的舞蹈作品展现出东北悠久民族民间的辉煌文化。

===东北秧歌与地域文化的交融===
东北秧歌的风格与东北人的性格特点是相统一的。东北人粗犷、豪放，这种性格特点在秧歌中得到了充分的体现。秧歌的舞步大气、动作豪放，与东北人的性格相辅相成。东北秧歌深深扎根于黑土地，体现了北方劳动人民质朴的审美情趣。其舞蹈动作、服饰、音乐等都融入了丰富的地域文化元素，成为了东北文化的重要组成部分。通过扭秧歌，东北人民能够表达自己的喜悦心情和对未来生活的美好展望。

===术语和表达===
东北秧歌 - Northeast Yangko

秧歌 - Yangko

民间歌舞 - Folk song and dance

传统舞蹈 - Traditional dance

国家非物质文化遗产 national intangible cultural heritage

高跷秧歌 - Stilt Yangko

地秧歌 - Ground Yangko

寸跷秧歌 - short-stilts Yangko

戏曲技艺 - Opera techniques

舞蹈动作 - dance movements

服饰道具 - clothing props

===问题===
1.东北秧歌有哪几种表演形式？

2.为什么说东北秧歌体现了东北人性格？

3.东北秧歌主要在哪些地区流行？

4.东北秧歌最初是怎么产生的？

===参考文献===
[1]高天朔.东北秧歌审美特点研究[D].吉林艺术学院,2023.

[2]《非物质文化遗产传承与艺术人类学研究》中国艺术人类学学会内蒙古

[3]《东北秧歌和山东秧歌舞》蓝天出版社

[4]《东北民俗文化》社会科学文献出版社 2019

User:Zhang Meiling

2025-06-05T16:39:05Z

Zhang Meiling:

User:Zhang Meiling

2025-06-05T16:37:01Z

Zhang Meiling:

User:Zhang Meiling

2025-06-05T16:35:05Z

Zhang Meiling:

2025-06-05T03:04:24Z

Zhang Meiling:

Final Exam Paper Titles
#https://bou.de/u/wiki/User:Liu_Chao#Final_Paper 簪花 Zang Flowers ok
#https://bou.de/u/wiki/User:Tao_Yao 拔罐 Cupping Therapy ok
#https://bou.de/u/wiki/User:Zeng_Zhi 手串文化 Bead Bracelet Culture ok
#https://bou.de/u/wiki/User:Zhang_Jiaxin 哪吒 Cultural Implications of Nezha ok
#https://bou.de/u/wiki/User:Li_Ting2 湘西赶尸 The Corpse of Xiangxi Technique ok
#https://bou.de/u/wiki/User:Liao_Zuoyun 湘菜 Hunan Cuisine ok (please check if not yet in the text book)
#https://bou.de/u/wiki/User:Liu_Qi 劝酒文化 Toast-urging ok
#https://bou.de/u/wiki/User:Zhang_Huifang 蔡伦与造纸术 Cai Lun invents the paper making ok
#https://bou.de/u/wiki/User:Cheng_Sixiang 月饼 Mooncake ok, but check if not yet in the text book
#https://bou.de/u/wiki/User:Miao_Yunlong 女书 Women's Script Nvshu ok, but check if not yet in the text book
#https://bou.de/u/wiki/User:Huang_Yixuan2 中国守艺人 The keepers of Tradition: China's Heritage Guardians
#https://bou.de/u/wiki/User:Li_Mei 《易经》与阴阳 ''The Book of Changes'' and Yin-Yang ok
#https://bou.de/u/wiki/User:Liao_Dan 吊脚楼 Stilted Building
#https://bou.de/u/wiki/User:Zheng_Jinlian 广东新会陈皮 Guangdong Xinhui dried tangerine peel ok
#https://bou.de/u/wiki/User:Lu_Jiahui 中国古代幻术 Ancient Chinese Art of Illusions ok
#https://bou.de/u/wiki/User:Du_Yuan 点茶 Tea Whisking ok
#https://bou.de/u/wiki/User:Liu_Ying 盲盒经济 Blind Box Economy ok
#https://bou.de/u/wiki/User:Cao_Yuan 蒙古族舞蹈 Mongolian Ethnic Dance ok
#https://bou.de/u/wiki/User:Zhang_Mai 汝瓷 Ru porcelain ok
#https://bou.de/u/wiki/User:Xu_Yangyang 打铁花 Striking Iron Fireworks ok
#https://bou.de/u/wiki/User:Liu_Peini 灯芯糕 The Wick Cakes ok
#https://bou.de/u/wiki/User:Song_Xin 剑门关 Jianmen Pass ok, but please only explain the culture, not landscape or material objects
#https://bou.de/u/wiki/User:Cao_Chunyang 胖东来 Pangdonglai Supermarket in a fourth-tier city ok
#https://bou.de/u/wiki/User:Jin_Yichen 吴越文化 Wuyue Culture ok
#https://bou.de/u/wiki/User:Ye_Sitong 温州话 Wenzhou Dialect ok
#https://bou.de/u/wiki/User:Xiao_Luyu 封神演义 Chinese classical novel The Investiture of the Gods ok
#https://bou.de/u/wiki/User:Zhang_Qi 福建线面 Fujian Thin Noddles ok
#https://bou.de/u/wiki/User:Zheng_Kaiwu 工夫茶 Kanghu tea ok
#https://bou.de/u/wiki/User:Luo_Jingyan 油纸伞折扇 Folding Fan
#https://bou.de/u/wiki/User:Luo_Sicheng 惊鸿舞 Flying Wild Goose Dance ok
#https://bou.de/u/wiki/User:Liu_Jianan 安徽名酒—古井贡酒 Famous Anhui Liquor-Gujing Tribute Liquor
#https://bou.de/u/wiki/User:Chen_Lin 服美役 beauty duty ok
#https://bou.de/u/wiki/User:Tang_Yan 道州理学文化 Neo-Confucian Culture in Daozhou ok
#https://bou.de/u/wiki/User:Qin_Yi 胶东花饽饽 Jiao Dong Huabobo ok
#https://bou.de/u/wiki/User:Chen_Zhen 玄奘 Xuanzang ok
#https://bou.de/u/wiki/User:Ou_Huang 浏阳花炮制作技艺 Liuyang Fireworks Making Technique ok
#https://bou.de/u/wiki/User:Luo_Yan 成人礼 Chinese Coming-of-Age Ceremony ok
#https://bou.de/u/wiki/User:Lv_Jiahao 越剧 Opera:Yue Opera Pleaes check if it is already in the text book.
#https://bou.de/u/wiki/User:Wang_Yuxin 中国古法酿酒 Traditional Chinese Brewing Techniques ok
#https://bou.de/u/wiki/User:Dai_Yexun 粤剧 Opera:Cantonese opera Please check if it is already in the text book.
#https://bou.de/u/wiki/User:Yan_Jidong 闽南文化 Hokkien culture ok.
#https://bou.de/u/wiki/User:Qiu_Ping 重阳节 Chung Yeung Festival ok
#https://bou.de/u/wiki/User:He_Yunfeng 献哈达 Etiquette:Offering Hada(Khata) Scarf
#https://bou.de/u/wiki/User:Zhou_Le 榨辣椒 Pressing pepper
#https://bou.de/u/wiki/User:Huang_Qiaoqiao 舞剧《咏春》 Dance Drama Wing Chun
#https://bou.de/u/wiki/User:Duan_Binyao 古诗十九首 Nineteen Old Poems
#https://bou.de/u/wiki/User:Li_Linyao 傣族泼水节 Dai Water-Splashing Festival
#https://bou.de/u/wiki/User:Xiao_Yikang 赣东北特色腌制食品 Northeastern Jiangxi Specialty Fermented food
#https://bou.de/u/wiki/User:Gao_Xiaoqing 粽子 Zongzi
#https://bou.de/u/wiki/User:Zhang_Meiling 东北秧歌 Northeast Yangko
#https://bou.de/u/wiki/User:Huang_Sinan 春晚 Spring Festival Gala
#https://bou.de/u/wiki/User:Du_Jiangping 楚辞 The Songs of Chu
#https://bou.de/u/wiki/User:Jiang_Ziqiang 抛绣球 Zhuang Custom of Throwing the Embroidered Ball for Courtship
#https://bou.de/u/wiki/User:Zeng_Xiaohui 中秋节 Mid-autumn Festival
#https://bou.de/u/wiki/User:Geng_Hongmei 醴陵釉下五彩瓷 Liling Underglaze Five-Color Porcelain
#https://bou.de/u/wiki/User:Yang_Yue2 现代文学：许渊冲 Modern Literature: Xv Yuanchong
#https://bou.de/u/wiki/User:Chen_Anqi 螺钿 Luodian
#https://bou.de/u/wiki/User:Yang_Jing 粮画 The Grain Paintings
#https://bou.de/u/wiki/User:Dai_Shiru 李白 Li Bai
#https://bou.de/u/wiki/User:Yu_Jingfang 傩文化 Nuo culture
#https://bou.de/u/wiki/User:Li_Mingfeng 编钟 Chinese Ancient Instrument:Bianzhong
#https://bou.de/u/wiki/User:Chen_Ting 湘西泡菜 Xiangxi Pickles
#https://bou.de/u/wiki/User:Gong_Wei 桃源擂茶 Taoyuan Lei Cha
#https://bou.de/u/wiki/User:Yang_Jiahong2 闽南红砖古厝 Southern Fujian Red Brick Ancient Houses
#https://bou.de/u/wiki/User:Wang_Huaixing 长白山 Mount Changbai
#https://bou.de/u/wiki/User:Xiang_Jianning 马面裙 Horse face skirt
#https://bou.de/u/wiki/User:Zhao_Qi 动画片：《虹猫蓝兔七侠传》 Chinese wuxia animation: Howie & Landau Seven Chivalrous Biography
#https://bou.de/u/wiki/User:Zhang_Zixi 叶子戏 Yezi Xi
#https://bou.de/u/wiki/User:Shao_Keyuan 殷墟 The Yin Ruins
#https://bou.de/u/wiki/User:Dong_Jiating 麻辣烫 Malatang
#https://bou.de/u/wiki/User:Ouyang_Yihong 辣条 Spicy Gluten Strips
#https://bou.de/u/wiki/User:Lu_Wei 蛋炒饭 Egg-fried Rice
#https://bou.de/u/wiki/User:Xing_Xueqing 桃花源 The Peach Garden
#https://bou.de/u/wiki/User:Wang_Xinyu 赣南客家围屋 Hakka Tulou in Southern Jiangxi
#https://bou.de/u/wiki/User:Yuan_Xiaolin 新中式 new Chinese style clothes
#https://bou.de/u/wiki/User:Chu_Hanqi 翠兰 Cui Lan（a kind of tea)
#https://bou.de/u/wiki/User:Wu_Jiating 瓦罐汤 Clay Pot
#https://bou.de/u/wiki/User:Jiang_Xinyue 灵隐寺 Lingyin Temple
#https://bou.de/u/wiki/User:Xu_Xinwen 十二生肖Chinese Zodiac
#https://bou.de/u/wiki/User:Liu_Pei 南岳衡山 Mount Heng
#https://bou.de/u/wiki/User:Xiao_Zixin 恋与深空 Love and Deepspace
#https://bou.de/u/wiki/User:Liu_Shutian 中医脉象Traditional Chinese Medicine Pulse
#https://bou.de/u/wiki/User:Li_Jiayi 哈尔滨啤酒 Harbin Beer
#https://bou.de/u/wiki/User:Qi_Zhiyang 漆扇 Lacquer Fan
#https://bou.de/u/wiki/User:Chen_Sisi 永州石雕 Yongzhou Stone Carving
#https://bou.de/u/wiki/User:Yan_Xiang 阜阳美食-格拉条 Fuyang Cuisine-Gelatiao
#https://bou.de/u/wiki/User:Zuo_Fang 四羊方尊 Four-ram Square Zun( cultural artifact)
#https://bou.de/u/wiki/User:Liu_Yunxi 邵阳米粉 Shaoyang Rice Noodles
#https://bou.de/u/wiki/User:Luo_Jiaxin 腊八节 Laba Festival
#https://bou.de/u/wiki/User:Fei_Xinyu 中国古代战车 Army and weapons: Ancient Chinese Chariots
#https://bou.de/u/wiki/User:Liu_Chang 朝鲜族象帽舞 Xiangmao Dance of the Korean Ethnic Group
#https://bou.de/u/wiki/User:Zhao_Yashi 中国民族舞：傣族舞 Chinese Folk Dance: Dai Ethic Dance
#https://bou.de/u/wiki/User:Xiao_Yawen 醴陵瓷器 Liling porcelain
#https://bou.de/u/wiki/User:Li_Yuan2 吴桥杂技 Wuqiao Acrobatics
#https://bou.de/u/wiki/User:Guo_Cili 热干面 Hot Dry Noodles
#https://bou.de/u/wiki/User:Li_Zihan 豆豉 Fermented Soya Beans
#https://bou.de/u/wiki/User:Zhou_Tianyi 汨罗长乐故事会 Changle Taige Storytelling Festival
#https://bou.de/u/wiki/User:She_Xiao 文房四宝 Four Treasures of the Study
#https://bou.de/u/wiki/User:Cai_Yichun 汤显祖 Tangxianzu
#https://bou.de/u/wiki/User:Shen_Shuai 咏春拳 Wing Chun Kung Fu
#https://bou.de/u/wiki/User:Fu_Sihui 中国皮影戏 Chinese Shadow Puppetry
#https://bou.de/u/wiki/User:Luo_Guoqiang 浏阳烟花 Liuyang Fireworks

Chin Lang Cult Fin Exam Spring 2025

2025-05-09T06:57:49Z

Zhang Meiling:

Chinese Language and Culture, Spring 2025

2025-02-24T09:12:55Z

Zhang Meiling: /* Teacher presentation: Introduction to Culture */

[[Media:Example.ogg]]Welcome to our course website [[Chinese Language and Culture, Spring 2025]]!

=Session 1 Fri Feb 21 12:45-14:15 room 613 - Organizational issues=

==What we learn in this class==
*We learn about Chinese culture from international, especially Western perspective.
*We learn about cultural phenomena, traditional Chinese culture.
*We learn English and Chinese terminology in the area of Chinese culture.
*We learn to think critically about cultural traditions and to appreciate the benefits from cultural traditions.
*We learn how to determine the location and role of Chinese culture within global culture.
*We learn basics of theories and models of intercultural communication and comparison.
*We learn the appreciate and respect the diversity of multipolar cultures and of integration.
*We become aware of the dangers of cultural discrimination (colonialism, religious missions, imperialism etc.).

==Students' contribution==
*Every student needs to prepare the 1-2 textbook texts of the respective chapters in the textbook ahead each week of class.
*Every student selects a topic, prepares 2 ppt presentations of 15 min. (one without AI, one with AI, and please indicate references and an AI statement at the end of the presentation) and a mentimeter.com quiz for everybody to take live in class with results shown after all will have answered. The topics and contents of the sessions are determined by the selection of the students.
*For the final exam, you write another chapter of the textbook in both Chinese and English, with "Terms and Expressions", References, Questions and Answers, Statement regarding AI

==Textbook==
You will receive the textbook for our class. We need a volunteer who integrates the last 92 new chapters into the word file. After tha, you will receive an updated version of the textbook. There are more than 200 topics of our textbook. Here you find all topics in the order of the book and with the names of the students who will translate the chapters into Chinese. Please select two topics by writing your name behind it and by setting it in '''bold'''. These topics will be presented in the form of a powerpoint presentation.

==Agreement on use of classroom time==
Should we read the texts in class or should the students read the text ahead of class (especially learning the terms and expressions) and come to class prepared? How should we use our classroom time? (presentations, quizzes, discussions, exercise to translate adhoc an unknown text from the same area)

==Homework for every session==
Please prepare the topics of the following session by reading the respective texts in the textbook (if you have not much time, you can read it in Chinese), learn the vocabulary and make yourself familiar with the questions asked under the text.

==Teacher presentation: Introduction to Culture==
[[Media:01_Chin_Lang_Cult_Spring_2025.pptx]]

[[File:Example.jpg]]==Homework for Session 2==
Please register on the Wiki and wait for the teacher to approve. You can click on http://bit.ly/WIKIREG, then input two times your pinyin name for username and real name in the way "Wang Jianguo", type in some info about yourself and submit the form with accepting the terms and conditions as well as typing in the captcha password "wikicaptcha". More detailed instructions for registration you find in the powerpoint presentation which you can download from here ("Teacher presentation").

Please select one of the following chapters of our textbook by writing your name behind the topic to give a 20 minute presentation on plus a MikeCRM quiz: The first three presenters will have to present next week!

1. Geographic Nature as a Basis for Cultural Development 17

2. Aesthetic ideals and social customs: Chinese Marriage Customs 22

3. Aesthetic ideals and social customs: Habits, Ways of Contacting 31

4. Aesthetic ideals and social customs: Marriage-Accompanying Songs in Hunan 40

5. Aesthetic ideals and social customs: Crying Marriage of Tujia 49

6. Aesthetic ideals and social customs: The Four Most Handsome Men in Ancient China 63

7. Animals: Panda 71 （Liu Yunxi）

8. Architecture 78

9. Architecture: The Forbidden City 89

10. Architecture: Four Famous Bridges 102

11. Architecture: Four Great Pavilions 113

12. Architecture: Shengjing Imperial Palace 124

13. Architecture: Three Great Towers in China 131

14. Architecture: Fengshui in Chinese Architecture 145

15. Army and weapons: Chinese Ancient Weapons 154

16. Army and weapons: Terracotta Army 163

17. Astrology: Chinese Astrology 170

18. Astrology: Calendar, The 24 Solar Terms 178

19. Astrology: Twelve Animals of the Chinese Zodiac 188

20. Beverages: Milk Tea 197

21. Beverages: Tea 203

22. Beverages: The Liquor Culture of Ancient China 209

23. Body movement performance: Chinese Lion Dancing 218

24. Body movement performance: Stilts 223

25. Body movement performance: Traditional Chinese Dance 230

26. Chinese Writing: Ancient Writing and Painting Tool, Writing Brush 236

27. Chinese Writing: Calligraphy 246

28. Chinese Writing: The Evolution of Calligraphy 252

29. Chinese Writing: Chinese Characters 262

30. Chinese Writing: Chinese Characters and Scripts 276

31. Clothing: Chinese Clothing 283

32. Clothing: Batik (Lanran) 291

33. Clothing: Cheongsam 301

34. Confucianism: Confucian Culture 309

35. Confucianism: Chinese Traditional Culture-Five Constant Virtues 324

36. Confucianism: Classical Philosophy - Confucius and Confucianism 332

37. Confucianism: Classical Philosophy - Reading The Analects 339 (Duan Binyao)

38. Education: Ancient Chinese Education 350

39. Education: Historical Figures, The Four Talented Women of Ancient China 361

40. Education: Modern Chinese Education System 371

41. Education: The Nine-Grade Official Selection System in Wei, Jin, Southern and Northern Dynasties 386

42. Education: Yuelu Academy (One of the Four Most Prestigious Academies) 395

43. Facial Make-up 406

44. Facial Make-up: Cosmetics, Traditional Chinese Make-Up 413

45. Facial Make-up: Face Changing in Sichuan Opera 431

46. Fine Arts: Painting 440

47. Fine Arts: Bada Shanren and Qi Baishi 445

48. Fine Arts: Painting Riverside Scene at Tomb Sweeping Day 452

49. Fine Arts: Seal-cutting 459

50. Games: Go 围棋 462

51. Games: Kite Flying 468

52. Games: Mahjong: An Ancient Chinese card play 476（Jiang Ziqiang）

53. Garden Culture: Gardens 505

54. Garden Culture: Bonsai (Penjing) 511

55. Garden Culture: The Summer Palace 519（Li Mei）

56. Garden Culture: Qingming Riverside Landscspe Garden 526

57. Gender: Wu Zetian: The Only Female Emperor of Imperial China 535

58. History: Carl and Cixi 548

59. Interieur: The Folding Screen 552

60. Landscapes and Tourism: Four Buddhist Shrines 561

61. Landscapes and Tourism: Four State-Level Cultural Relics 573

62. Landscapes and Tourism: Landscape, Five Famous Mountains 585

63. Landscapes and Tourism: Mogao Grottoes 593

64. Landscapes and Tourism: The Culture of Mount Tai 606

65. Landscapes and Tourism: Canal Culture：The Grand Canal（The Peking-Hangzhou Grand Canal） 621

66. Landscapes and Tourism: The Ancient Tea Horse Road 635

67. Landscapes and Tourism: Tourism, Nanking-An Ancient Capital of Six Dynasties 642

68. Language: Chinese Language 649

69. Language: Chinese Dialects 660

70. Language: Chinese Folk Argot 669

71. Literature: Ancient literature - Chinese Classical Fairy Tales 681

72. Literature: Ancient literature - Chinese Mythology 688

73. Literature: Ancient literature - Classical Literature 699

74. Literature: Ancient Literature - Four satirical novels in ancient China 706

75. Literature: Ancient literature: Four Folk Stories of Ancient China 715

76. Literature: Ancient Literature - Take Su Shi as an example. Relegation Literature in Ancient China 725 (Duan Binyao)

77. Literature: Ancient Literature: The Classic of Mountains and Seas 748

78. Literature: Ancient literature: Yuefu 765

79. Literature: Premodern literature - China's Four Great Classical Novels 773 (Duan Binyao)

80. Literature: Premodern literature - Li Bai's “The River-Merchant's Wife: A Letter” and its translations 780

81. Literature: Premodern literature: Strange Stories from a Chinese Studio 786

82. Literature: Premodern literature: Tang-Song 794

83. Literature: Tang and Song - Classical Prose Movement of late Tang Dynasty and Song Dynasty 823

84. Literature: Modern Literature 832

85. Literature: Modern Literature: Qian Zhongshu (Ch'ien Chung-shu) 841

86. Literature: Modern and Contemporary Literature: Literature, Science Fiction, and Fantasy 848

87. Literature: Contemporary Literature 859

88. Martial Arts: Huo Yuanjia 865

89. Martial Arts: Qigong 868

90. Martial Arts: Taiji (Tai Chi) Shadow Boxing 873

91. Martial Arts: Wushu 885

92. Martial Arts: Frolics of the Five Animals (Wuqinxi) 890

93. Medicine: Traditional Chinese Medicine (TCM) 900

94. Medicine: TCM - Acupuncture and Moxibustion 907

95. Medicine: TCM - Diagnosis and Pharmacology 912

96. Medicine: TCM - The Development of Chinese Medicine 917

97. Medicine: TCM – The Chinese Medical Sage Zhang Zhongjing 924

98. Minority cultures: Lisu People and Daogan Festival of Lisu Ethnic Minority 934

99. Minority cultures: The Ethnic Minorities’ Costumes 941

100. Money culture: Currency, Jiaozi (A Paper Currency in Northern Song Dynasty) 952

101. Money culture: The tradition of Red Envelope and Lucky Money 962

102. Music and instruments: Guzheng 975

103. Music and instruments: Pipa 986

104. Mythology: Gods and Immortals 996

105. Mythology: Huli-jing 1005

106. National Symbols: National Anthem 1018

107. National Symbols: National Flag 1026

108. Opera: Peking Opera 1035

109. Opera: Peking Opera Acrobatics 1043

110. Opera: Peking Opera Actor Mei Lanfang 1050

111. Opera: Tea-picking Opera 1055

112. Opera: Hunan Flower-drum Opera (Huagu Opera) 1064

113. Philosophical Schools: Four Main Philosophical Schools 1076

114. Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy – Daoism 1087

115. Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading Tao Te Ching 1093

116. Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Sutra of Hui-neng 1099

117. Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Importance of Living 1106

118. Philosophical Schools (Daoism, Buddhism, Legalism): Legalism 1119

119. Philosophy: Chinese Traditional Cultivation Culture 1129

120. Religion: Traditional Chinese Funeral Culture 1141

121. Religion: Buddhism 1155

122. Religion: Daoism 1170

123. Religion: Christianity 1175

124. Religion: Islam 1181

125. Science and Technology: Ancient Science and Technology 1185

126. Science and Technology: China's Four New Inventions 1191

127. Science and Technology: Compass 1217

128. Science and Technology: TikTok (Douyin) 1226

129. Science and Technology: Three Giant Home Appliance Enterprises In China 1235

130. Science and Technology: Four Domestic Mobile Phone Companies 1257

131. Silk and porcelain: Silk 1272 （Fei Xinyu）

132. Silk and porcelain: Porcelain 1277 （Dai Shiru）

133. Silk and porcelain: Celadon and Celadon Song 《青花瓷》歌词 1283

134. Silk Road - by land and by sea: Zhang Qian and the Silk Road 1291

135. Silk Road - by land and by sea: Zheng He and the Maritime Silk Road 1296

136. Silk Road - by land and by sea: Zheng He's Voyages 1300

137. Social: The Long-life Lock 1308

138. Social: Round Table Culture 1317 (Li Jiayi)

139. Stage entertainment: Crosstalk 相声 1325
140. Stage entertainment: Shadow Play 1332

141. Traditional Crafts: Carving 1340

142. Traditional Crafts: Chinese Jade Culture 1348
143. Traditional Crafts: Cloisonne 1363

144. Traditional Crafts: Embroidery 1369

145. Traditional Crafts: Shu Embroidery (Sichuan Embroidery) 1373

146. Traditional Crafts: Xiang Embroidery 1386

147. Traditional Crafts: Folk Art - Chinese Paper-cutting 1400

148. Traditional Crafts: Handcraft - Chinese Knots 1409

149. Traditional Crafts: Lacquerware 1418

150. Traditional Crafts: The Kingfisher Craft点翠 1423（Chen Lin）

151. Traditional Cuisine: Chinese Dining Etiquette 1436

152. Traditional Cuisine: Chopsticks 1450 (Li Jiayi)

153. Traditional Cuisine: Eight Major Cuisines of China 1456(Liu peini)

154. Traditional Cuisine: Four Distinct Regional Cuisines 1473

155. Traditional Cuisine: Breakfast Culture of Wuhan 1480

156. Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick 1491
157. Traditional Cuisine: Hotpot 1501 (Zheng Kaiwu)

158. Traditional Cuisine: The Art of Chinese Cooking 1508

159. Traditional Cuisine: Two Famous Dishes 1514

160. Traditional Festivals 1518……

161. Traditional Festivals: Lattice on Ancient Chinese Windows 1525

162. Traditional Festivals: Spring Festival Couplets 1538

163. Westernization: The Eastward Spread of Western Learning 1544

164. Westernization: The Westernization Movement 1550

165. Worship: Chinese Incense Culture 1558

166. Economy: Chinese Currency Changes 1569

167. History: Wang Shouren 1573

168. Martial Arts: Chinese Swordsman Spirit 1582

169. Cuisine: Luosifen 1593 （Zeng Zhi）

170. Fine Arts: Chinese Paper Cutting 1601 （Luo Jiaxin）

171. Science and Technology: Taobao(淘宝) 1611

172. Traditional Craft: Bronze 1623

173. Entertainment: Deyunshe 德云社 1631

174. Traditional Cuisine: Jiaozi 1644

175. Aesthetic ideals and social customs: the Photo Retouching Culture in China 1655

176. Traditional Crafts: Handcraft - Oil-paper Umbrella 1664 (Tao Yao)

177. stage entertainment:Yuan drama 1676

178. Music and instruments: Erhu 1685

179. Traditional and Modern Views on Marriage and Love 1694

180. Traditional Cuisine: Tangyuan 1701（Liu Shutian）

181. Animals：Golden Monkey 1712

182. Chinese Economy: rich businessmen 1719

183. Opera: Chinese Local Operas 1727

184. The Chinese tradition of ancestor worship 1740

185. Opera: Huangmei opera 1752

186. The “reference” of Chinese Music 1759

187. Chinese Folk Art:Lion Dance 1767（Gao Xiaoqing）

188. Science and Technology: Mobile Games（手游） 1783

189. Clothing: Vintage Clothing 1790

190. Fine arts:Kunqu Opera 1798

191. Aesthetic ideals and social customs: The Culture of Flowers 1807

192. National Belief: the Chinese Dream 1818

193. Science and Technology: Buytogether（PDD) 1825

194. Aesthetic ideals and social customs：Marriage and Burial Customs of Tujia People 1845

195. Sports: Cuju (蹴鞠) 1845

196. Science and Technology: The culture of Chinese Electric Vehicles 中国电动汽车 1845

197. Chinese tradition culture: The culture of Ronghua—Velvet Flowers 绒花 1845

198. Stage entertainment: Northeast Errenzhuan (二人转) 1845

199. Traditional Crafts: Dough Sculpture 面塑 1845

200. Nanchang Relic Museum for Haihun Principality of Han Dynasty 1845

201. The culture of Grass cloth 夏布 1845 (Huang Qiaoqiao)

202. The Legend of Zhen Huan 《甄嬛传》 1845 （Xing Xueqing）

203. Chinese horror movies 中式恐怖片 1845 (Zhang Jiaxin)

204. Stand-up comedy 单口喜剧 1845

205. Bride-price（彩礼） 1845

206. Chinese science fiction movies 中国科幻片 1845

207. Shandong cuisine鲁菜 1845

208. Chinese traditional ornament: Buyao （步摇） 1845

209. Tofu meatball with pig blood (猪血丸子) 1845 （Li Ting2）

210. Sunzi’s Art of War: Source for All Books on War (孙子兵法) 1845

211. The Temple of Heaven：Reverence with Awe and Gratitude（天坛） 1845

212. Education：training Schools （教育：补习班） 1845

213. Chinese Dreamcore (中式梦核) 1845 (Zhang Zixi)

214. Lu Ban, China’s inventor（中国发明家——鲁班） 1845

215. Live Streaming E-commerce（直播电商） 1845 (Tao Yao)

216. The Story of Ming Lan（知否知否，应是绿肥红瘦） 1845 (Ye Sitong)

217. Cha Bai Xi/Tea Latte Art (茶百戏) 1845 (Tao Yao)

218. Guangdong Herbal tea（广东凉茶） 1845(Gao Xiaoqing)

219. Chinese traditional art form：Seal carving（篆刻） 1845(Huang Qiaoqiao)

220. Rice cake (年糕) 1845

221. Zhongyuan festival 1845 （Ou Huang）

222. Dulong: Facial tattoo (独龙族：纹面) 1845

223. The Return of the Pearl Princess（还珠格格） 1845 （Lu Jiahui）

224. Chinese Food：Jiangxi Cuisine（赣菜） 1845 (Liao Dan)

225. "Cun Chao": China's village football league（“村超”：中国乡村足球联赛） 1845 (Chen Zhen)

226. Landscapes and Tourism: Junshan Island (君山岛) 1845

227. Chinese Bossy Fictions & Micro-drama（中国式霸总小说&短剧） 1845 (He Yunfeng)

228. Chinese Traditional Medicine (中医药）——— Mortise and Tenon Joint（榫卯结构） 1845

229. Jingdezhen Porcelain 1845 (Xiao Luyu)

230. Gayageum（伽倻琴） 1845 (Zhang Meiling)

231. The plaque and couplet in Chinese garden（园林匾额对联） 1845

232. Sun Wukong（孙悟空） 1845

233. Traditional Chinese Pigments（中国传统颜料） 1845 (Cao Yuan)

234. Dragon Lantern Dance（舞龙灯） 1845

235. Bamboo Weaving (竹编） 1845

236. Landscapes and Tourism: Harbin Ice and Snow World (冰雪大世界) 1845 (Xu Xinwen)

237. Braised Chicken Rice (黄焖鸡米饭-Huang Men Ji Mifan) 1845

238. Three Famous Chinese Mountains(中国三山) 1845

239. Female Emperor---Wu Zetian 1845

240. Clay sculpture (泥塑） 1845

241. Abacus (中国珠算） 1845

242. Hunan Rice Noodles（湖南米粉） 1845 （Ou Huang）

243. Chinese name（中国姓名文化） 1845 (Yang Jing)

244. Chinese popular viral memes (中国网络社交媒体“热梗”） 1845(Xiao Yikang)

245. Douzhi (豆汁) 1845 (Chen Zhen)

246. New Year Wood-block Paintings (木版年画） 1845

247. Carved lacquer（雕漆） 1845

248. Jing Gang Mountain (井冈山） 1845

249. Intangible Cultural Heritage: Tongguan Kiln （铜官窑） 1845

250. Language: Hakka Dialect（客家话） 1845

251. Rice noodle roll（肠粉） 1845 ( Li Mingfeng )

252. Traditional Cuisine: Northeastern Chinese Cuisine(东北菜） 1845（Liu Shutian）

253. Yuelu Mountain (岳麓山) 1845

254. Traditional Crafts：Tie-Dye（扎染） 1845（Zhang Qi）

255. Chinese-style sun protection (中式防晒） 1845

256. Danmu (弹幕） 1845 (Zhou Le)

257. Yangshao Culture（仰韶文化） 1845

258. Indigo Dyeing (蓝染) 1845

259. Female Writers: Zhang Ailing, Chen Ping, Lin Yihan and Li Bihua 1845

260. Wedding dress in the Song Dynasty (宋代婚服) 1845 (Liu Chao)

261. The cultural idea oft he great unification in ancient China (中国古代的大一统文化思想) 1845

262. The Four Pillars of Destiny (八字) 1845 （Ou Huang）

263. Shaolin Temple (少林寺) 1845

264. Single bamboo drifting（独竹漂） 1845

265. Cuisine: Changde spicy salted duck 酱板鸭传说的由来 1845 （Xing Xueqing）

266. Hui Culture (徽文化) 1845(Liu Jianan)

267. Ma Zu Culture (妈祖文化) 1845 (Yan Jidong)

268. Table Manners 1845（Luo Yan）

269. Music of the Mongol nationality (蒙古族音乐) 1845

270. The Yingge Dance（英歌舞） 1845 （Jiang Xinyue)

271. Palace Lantern（宫灯） 1845

272. Chinese Term of Endearment（中国亲昵称谓） 1845

273. Changsha Stinky Tofu（长沙臭豆腐) 1845(Luo Sicheng)

274. God of Wealth(财神) 1845 （Zeng Zhi）

275. Zhuazhou（抓周） 1845 （Zeng Xiaohui）

276. Nail art（美甲） 1845 （Luo Jiaxin）

277. Mirror (镜子) 1845

278. The Beef Board Noodle (牛肉板面) 1845

279. Huo Qubing (霍去病） 1845 （Luo Jingyan）

280. Chinese Courtyard Houses（中国四合院） 1845

281. Music and instruments: Yangqin（扬琴） 1845

282. Black Myth: Wukong（黑神话悟空） 1845 (Chen Zhen)

283. Guangdong Morning Tea Culture （广东早茶文化） 1845

=Session 02 Fri Feb 28 12:45-14:15 room 613 - Student presentations=
==Teacher presentation: Introduction to Culture==
[[Media:02_Chin_Lang_Cult_Spring_2025.pptx]]

==Topics for today==
Please copy and paste your presentation topic, your name here and add your powerpoint file (size limit 10 MB)

=Session 03 Fri Mar 07 12:45-14:15 room 613 - Student presentations=
=Session 04 Fri Mar 14 12:45-14:15 room 613 - Student presentations=
=Session 05 Fri Mar 21 12:45-14:15 room 613 - Student presentations=
=Session 06 Fri Mar 28 12:45-14:15 room 613 - Student presentations=
=HOLIDAY Session 07 Fri Apr 04 12:45-14:15 room 613 - Student presentations=
清明节4月4日——4月6日
=Session 08 Fri Apr 11 12:45-14:15 room 613 - Student presentations=
=Session 09 Fri Apr 18 12:45-14:15 room 613 - Student presentations=
=Session 10 Fri Apr 25 12:45-14:15 room 613 - Student presentations=
=HOLIDAY Session 11 Fri May 02 12:45-14:15 room 613 - Student presentations=
劳动节5月1日——5月5日
=Session 12 Fri May 09 12:45-14:15 room 613 - Student presentations=
=Session 13 Fri May 16 12:45-14:15 room 613 - Student presentations=
=Session 14 Fri May 23 12:45-14:15 room 613 - Student presentations=
=Session 15 Fri May 30 12:45-14:15 room 613 - Student presentations=
端午节5月31日——6月2日
=Session 16 Fri Jun 28 12:45-14:15 room 613 - Final Exam=
Please write your paper here: [[Chin_Lang_Cult_Fin_Exam_Spring_2025]]