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		<id>https://bou.de/u/index.php?title=User:Zhu_Shunjie&amp;diff=168542</id>
		<title>User:Zhu Shunjie</title>
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		<updated>2025-06-13T12:46:28Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The Xiang Army: An Important Force in the Late Qing Military Transformation in Military Reform&lt;br /&gt;
&lt;br /&gt;
Zhu Shunjie&lt;br /&gt;
&lt;br /&gt;
Abstract&lt;br /&gt;
The Xiang Army, as the most significant regional armed force in the late Qing Dynasty, profoundly altered the course of modern Chinese history through its rise and development. This article analyzes the Xiang Army from four dimensions: its founding background, organizational structure, military strategies, and historical impact. Combining the statecraft tradition of Huxiang (Hunan) culture with the practices of the Westernization Movement, the article explores the Xiang Army's dual role in military reform, the reshaping of the political structure, and the modernization transformation.&lt;br /&gt;
&lt;br /&gt;
I. The Founding Background of the Xiang Army&lt;br /&gt;
The birth of the Xiang Army was closely linked to the outbreak of the Taiping Rebellion. In 1851, Hong Xiuquan launched an uprising in Jintian, Guangxi. The Taiping Army rapidly swept across southern China, while the Qing government's Eight Banners and Green Standard Army proved corrupt and incapable and could not effectively resist the attack of the Taiping Army. In 1853, the Taiping Army conquered Nanjing. The Qing court was forced to order local officials to organize &amp;quot;tuanlian&amp;quot;to deal with the situation. Against this background, Zeng Guofan was ordered to return to Hunan to organize militia, initiating the founding of the Xiang Army.&lt;br /&gt;
Hunan's regional characteristics also provided favorable conditions for the birth of the Xiang Army. Hunan had a tradition of martial spirit. The statecraft school has had an influence here for a long time. And powerful clan forces in places like Xiangxiang provided a solid social foundation for recruitment. Furthermore, Zeng Guofan's own Confucian cultivation and deep understanding of military affairs laid the ideological foundation for the Xiang Army's establishment.&lt;br /&gt;
&lt;br /&gt;
II. The Organizational Structure and Military Innovations of the Xiang Army&lt;br /&gt;
The Xiang Army's camp system drew inspiration from Qi Jiguang's &amp;quot;Qi Army&amp;quot; of the Ming Dynasty, with the camp as the basic combat unit, 500 people in each camp of the land division, 388 people in the navy, and 322 people in the cavalry, forming a strict hierarchical system. Its recruitment system was based on geographical and blood ties. The principle of &amp;quot;soldiers are recruited by generals&amp;quot; strengthened the personal bonds between officers and soldiers, making the Xiang Army a private armed force of &amp;quot;soldiers belong to their generals&amp;quot;. While this system enhanced combat effectiveness, it also laid hidden dangers for the local forces in the late Qing Dynasty.&lt;br /&gt;
In terms of tactics, the Xiang Army pioneered a defensive strategy of &amp;quot;building a solid camp and fighting a stupid battle&amp;quot; . Whenever they arrived at a place, they would first dig deep trenches and build high fortifications, aiming to exhaust the enemy's strength through prolonged sieges. This tactic was used in battles such as Anqing, Jiujiang, and Tianjing (Nanjing). Although criticized as conservative, this attrition-based method effectively compensated for the Xiang Army's weakness in open-field combat and became the key to victory against the Taiping Army.&lt;br /&gt;
&lt;br /&gt;
III.The Political Influence and Modernization Practices of the Xiang Army&lt;br /&gt;
The victory of the Xiang Army directly rescued the crumbling Qing dynasty, but it also profoundly changed the power structure between the central and local governments. After the war, the Xiang Army generals occupied most of the provincial governor-general and governor positions nationwide, forming a situation where &amp;quot;governors were everywhere&amp;quot; . Local military, political and financial power gradually broke away from central control. This situation of &amp;quot;heavy outside and light inside&amp;quot;  accelerated the decline of the Qing Dynasty, but created conditions for the development of the Westernization Movement.&lt;br /&gt;
The Xiang Army group became the main promoter of the Westernization Movement. Zeng Guofan established the Jiangnan General Manufacturing Bureau, Zuo Zongtang founded Fuzhou Shipbuilding Bureau and Guo Songtao went on a diplomatic mission to the West. These initiatives opened the precedent for China's modern industrialization and opening up to the outside world. In practice, the leaders of the Xiang Army advocated the concept of &amp;quot;learning the superior techniques of the barbarians to control them&amp;quot; . By introducing Western technology and sending students abroad, they promoted the modernization of China's military and education.&lt;br /&gt;
&lt;br /&gt;
IV. The Historical Evaluation and Controversies of the Xiang Army&lt;br /&gt;
The historical evaluation of the Xiang Army presents a distinct polarization. On one hand, its suppression of the Taiping Rebellion is seen as a tool to maintain feudal rule. The massacres such as the battles of Jiujiang and Anqing caused a moral controversy. On the other hand, its contributions to resisting foreign aggression and promoting modernization cannot be ignored, such as Zuo Zongtang's recovery of Xinjiang and Sun Kaihua's resistance to the French in Hobei. These campaigns demonstrated their national integrity.&lt;br /&gt;
There are also differences in the academic community's research on the Xiang Army. Luo Ergang emphasized the enlightening role of its military system reform in modern military, while Wang Kaiyun exposed its internal corruption and power struggles. Xiao Yishan believed that the Xiang Army indirectly created conditions for the Revolution of 1911, while Mao Haibin criticized its conservatism as an obstacle to the modernization process. These diverse perspectives reveal the complexity of the Xiang Army in historical transformation.&lt;br /&gt;
&lt;br /&gt;
Conclusion&lt;br /&gt;
The rise and fall of the Xiang Army is a microcosm of the social contradictions and transformations in the late Qing Dynasty. It was both the terminator of the traditional military system and the initiator of the modernization process. Its military system and political structure profoundly influenced the direction of modern Chinese history. The collision between the pragmatic spirit of Hunan culture and the practice of the Westernization provided a unique path for China to cope with the challenges of modernization. The history of the Xiang Army reminds us that the integration of tradition and modernity and the balance between the central and local governments have always been the core issues of national transformation.&lt;br /&gt;
&lt;br /&gt;
Terms and Expressions&lt;br /&gt;
1.湘军 the Xiang Army&lt;br /&gt;
2.洋务运动 Westernization Movement&lt;br /&gt;
3.太平天国运动 Taiping Rebellion&lt;br /&gt;
4.太平军 the Taiping Army&lt;br /&gt;
5.八旗 Eight Banners&lt;br /&gt;
6.团练 tuanlian&lt;br /&gt;
7.戚家军Qi Army&lt;br /&gt;
8.营 camp&lt;br /&gt;
9.兵由将招 soldiers are recruited by generals  &lt;br /&gt;
10.兵为将有 soldiers belong to their generals&lt;br /&gt;
11.扎硬寨打呆仗 building a solid camp and fighting a stupid battle&lt;br /&gt;
12.总督 the provincial governor-general &lt;br /&gt;
13.巡抚 governor &lt;br /&gt;
14.曾国藩Zeng Guofan&lt;br /&gt;
15.江南制造总局 the Jiangnan General Manufacturing Bureau&lt;br /&gt;
16.左宗棠Zuo Zongtang &lt;br /&gt;
17.福州船政局 Fuzhou Shipbuilding Bureau &lt;br /&gt;
18.郭嵩焘 Guo Songtao&lt;br /&gt;
19.师夷长技以制夷 learning the superior techniques of the barbarians to control them&lt;br /&gt;
20.辛亥革命 the Revolution of 1911&lt;br /&gt;
&lt;br /&gt;
Questions&lt;br /&gt;
1.Who was the main founder of the Xiang Army?&lt;br /&gt;
2.What principle did the Xiang Army mainly rely on when recruiting soldiers?&lt;br /&gt;
3.Which Xiang Army general founded the Fuzhou Shipbuilding Bureau ?&lt;br /&gt;
&lt;br /&gt;
Answer&lt;br /&gt;
1.Zeng Guofan.&lt;br /&gt;
2.It relied on geographical (hometown) and blood (family) ties, implementing the principle of “soldiers are recruited by their officers.”&lt;br /&gt;
3.Zuo Zongtang.&lt;br /&gt;
&lt;br /&gt;
References &lt;br /&gt;
1.Wang Jiping. On the social soil for the rise of the Xiang Army [J]. Historical Monthly, 1992(3):46-52.&lt;br /&gt;
2.Luo Ergang. A New History of the Xiang Army [M]. Beijing: Zhonghua Book Company, 1939.&lt;br /&gt;
3.Wang Kaiyun. History of the Xiang Army [M]. Changsha: Yuelu Publishing House, 1983.&lt;br /&gt;
4.Long Shengyun. A Draft History of the Xiang Army [M]. Chengdu: Sichuan People's Publishing House, 1990.&lt;br /&gt;
5.Xiao Yishan. A General History of the Qing Dynasty [M]. Taipei: Commercial Press, 1962.&lt;br /&gt;
6.Cao Lili. A Review of the Study of the Xiang Army in the Late Qing Dynasty in the Past Forty Years [J]. Journal of the National Museum of China, 2020(2):148-159.&lt;br /&gt;
7.Mao Haijian. Zeng Guofan and His Xiang Army [EB/OL]. Modern History Research,  2022-11-11.&lt;br /&gt;
8.Wang Kaiyun. History of the Xiang Army (full text in vernacular) [EB/OL]. Wenyan Ancient Books Network, 2024-08-10.&lt;br /&gt;
9.Fairbank, John King. The Cambridge History of China: Late Ch'ing, 1800-1911. Cambridge University Press, 1978.&lt;br /&gt;
10.Perry, Elizabeth J. Rebels and Revolutionaries in North China, 1845-1945. Stanford University Press, 1980.&lt;br /&gt;
&lt;br /&gt;
湘军：晚清军事变革的重要力量&lt;br /&gt;
摘要&lt;br /&gt;
湘军作为晚清最重要的地方武装力量，其兴起与发展深刻改变了中国近代历史进程。本文从湘军的创建背景、组织结构、军事策略及历史影响四个方面展开分析，结合湖湘文化的经世传统与洋务运动的实践，探讨其在军事改革、政治格局重塑及近代化转型中的双重角色。&lt;br /&gt;
一、湘军的创建背景&lt;br /&gt;
湘军的诞生与太平天国运动的爆发密切相关。1851年，洪秀全在广西金田发动起义，太平军迅速席卷南方，清廷的八旗和绿营军队腐败无能，无法有效抵御太平军的进攻。1853年，太平军攻克南京，清廷被迫命地方官员筹办“团练”以应对局势。在这种背景下，曾国藩奉命回湖南办理团练，开始了湘军的创建过程。&lt;br /&gt;
湖南的地域特性也为湘军的诞生提供了有利条件。湖南民风彪悍，经世学派在此早有影响，湘乡等地的宗族势力强大，为募兵提供了坚实的社会基础。此外，曾国藩本人的儒学修养和对军事的深刻理解，也为湘军的创建奠定了思想基础。&lt;br /&gt;
二、湘军的组织结构与军事革新&lt;br /&gt;
湘军的营制借鉴明代戚继光的“戚家军”，以营为基本作战单位，陆师每营500人，水师388人，马队322人，形成严密的层级体系。其招募制度以地缘、血缘为纽带，“兵由将招”的原则强化了官兵之间的私人依附关系，使湘军成为“兵为将有”的私人化武装。这种制度设计虽提升了战斗力，却为晚清地方势力坐大埋下隐患。&lt;br /&gt;
在战术上，湘军首创“扎硬寨打呆仗”的防御策略。每到一地必先深沟高垒，通过长期围困消耗敌方有生力量，如安庆、九江、天京等战役均采用此战术。这种以静制动的战法虽被批评为保守，却有效弥补了湘军野战能力的不足，成为对抗太平军的制胜关键。&lt;br /&gt;
三、湘军的政治影响与近代化实践&lt;br /&gt;
湘军的胜利直接挽救了摇摇欲坠的清王朝，但也深刻改变了中央与地方的权力格局。战后，湘军将领占据全国大部分督抚职位，形成“督抚满天下”的局面，地方军政财权逐渐脱离中央控制。这种“外重内轻”的态势加速了清朝的衰落，却为洋务运动的开展创造了条件。&lt;br /&gt;
湘军集团成为洋务运动的主要推动者。曾国藩创办江南制造总局，左宗棠创建福州船政局，郭嵩焘出使西洋，这些举措开启了中国近代工业化与对外开放的先河。湘军将领在实践中提出“师夷长技以制夷”的理念，通过引进西方技术、派遣留学生等方式，推动了中国军事、教育的现代化转型。&lt;br /&gt;
四、湘军的历史评价与争议&lt;br /&gt;
湘军的历史评价呈现鲜明的两极化。一方面，其镇压太平天国的行为被视为维护封建统治的工具，屠城暴行如九江、安庆之役更引发道德争议。另一方面，湘军在抵御外侮、推动近代化方面的贡献不可忽视，如左宗棠收复新疆、孙开华沪尾抗法等战役彰显了其民族气节。&lt;br /&gt;
学术界对湘军的研究亦存在分歧。罗尔纲强调其兵制改革对近代军事的启蒙作用，王闿运则揭露其内部腐败与权力斗争。萧一山认为湘军间接为辛亥革命创造了条件，而茅海建则批评其保守性阻碍了现代化进程。这种多元视角揭示了湘军在历史转型中的复杂性。&lt;br /&gt;
结论&lt;br /&gt;
湘军的兴衰是晚清社会矛盾与变革的缩影。它既是传统军事制度的终结者，又是近代化进程的开启者。其创建的军事体系与政治格局深刻影响了中国近代历史走向，而湖湘文化的经世精神与洋务实践的碰撞，则为中国应对现代化挑战提供了独特的路径。湘军的历史启示我们，传统与现代的交融、中央与地方的平衡，始终是国家转型的核心命题。&lt;br /&gt;
&lt;br /&gt;
专有名词&lt;br /&gt;
1.湘军 the Xiang Army&lt;br /&gt;
2.洋务运动 Westernization Movement&lt;br /&gt;
3.太平天国运动 Taiping Rebellion&lt;br /&gt;
4.太平军 the Taiping Army&lt;br /&gt;
5.八旗 Eight Banners&lt;br /&gt;
6.团练 tuanlian&lt;br /&gt;
7.戚家军Qi Army&lt;br /&gt;
8.营 camp&lt;br /&gt;
9.兵由将招 soldiers are recruited by generals  &lt;br /&gt;
10.兵为将有 soldiers belong to their generals&lt;br /&gt;
11.扎硬寨打呆仗 building a solid camp and fighting a stupid battle&lt;br /&gt;
12.总督 the provincial governor-general &lt;br /&gt;
13.巡抚 governor &lt;br /&gt;
14.曾国藩Zeng Guofan&lt;br /&gt;
15.江南制造总局 the Jiangnan General Manufacturing Bureau&lt;br /&gt;
16.左宗棠Zuo Zongtang &lt;br /&gt;
17.福州船政局 Fuzhou Shipbuilding Bureau &lt;br /&gt;
18.郭嵩焘 Guo Songtao&lt;br /&gt;
19.师夷长技以制夷 learning the superior techniques of the barbarians to control them&lt;br /&gt;
20.辛亥革命 the Revolution of 1911&lt;br /&gt;
&lt;br /&gt;
问题&lt;br /&gt;
1. 湘军的主要创建者是谁？&lt;br /&gt;
2. 湘军在招募士兵时主要依靠什么原则？&lt;br /&gt;
3. 湘军将领中谁创办了福州船政局？&lt;br /&gt;
&lt;br /&gt;
答案&lt;br /&gt;
1.曾国藩。&lt;br /&gt;
2.以地缘（同乡）、血缘（亲属）为纽带，实行“兵由将招”。&lt;br /&gt;
3.左宗棠。&lt;br /&gt;
&lt;br /&gt;
参考文献 &lt;br /&gt;
1.王继平. 论湘军兴起的社会土壤[J]. 史学月刊, 1992(3):46-52.&lt;br /&gt;
2. 罗尔纲. 湘军新志[M]. 北京: 中华书局, 1939.&lt;br /&gt;
3. 王闿运. 湘军志[M]. 长沙: 岳麓书社, 1983.&lt;br /&gt;
4. 龙盛运. 湘军史稿[M]. 成都: 四川人民出版社, 1990.&lt;br /&gt;
5. 萧一山. 清代通史[M]. 台北: 商务印书馆, 1962.&lt;br /&gt;
6. 曹丽莉. 近四十年来晚清湘军研究综述[J]. 中国国家博物馆馆刊, 2020(2):148-159.&lt;br /&gt;
7. 茅海建. 曾国藩和他的湘军[EB/OL]. 近代史研究, 2022-11-11.&lt;br /&gt;
8. 王闿运. 湘军志（全文白话文）[EB/OL]. 文言古籍网, 2024-08-10.&lt;br /&gt;
9. Fairbank, John King. The Cambridge History of China: Late Ch'ing, 1800-1911. Cambridge University Press, 1978.&lt;br /&gt;
10.Perry, Elizabeth J. Rebels and Revolutionaries in North China, 1845-1945. Stanford University Press, 1980.&lt;br /&gt;
&lt;br /&gt;
AI陈述：我在此保证，我没有使用ai的帮助来写这门课程的期末论文。&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=User:Zhu_Shunjie&amp;diff=168541</id>
		<title>User:Zhu Shunjie</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=User:Zhu_Shunjie&amp;diff=168541"/>
		<updated>2025-06-13T12:45:53Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The Xiang Army: An Important Force in the Late Qing Military Transformation in Military Reform&lt;br /&gt;
Zhu Shunjie&lt;br /&gt;
Abstract&lt;br /&gt;
The Xiang Army, as the most significant regional armed force in the late Qing Dynasty, profoundly altered the course of modern Chinese history through its rise and development. This article analyzes the Xiang Army from four dimensions: its founding background, organizational structure, military strategies, and historical impact. Combining the statecraft tradition of Huxiang (Hunan) culture with the practices of the Westernization Movement, the article explores the Xiang Army's dual role in military reform, the reshaping of the political structure, and the modernization transformation.&lt;br /&gt;
&lt;br /&gt;
I. The Founding Background of the Xiang Army&lt;br /&gt;
The birth of the Xiang Army was closely linked to the outbreak of the Taiping Rebellion. In 1851, Hong Xiuquan launched an uprising in Jintian, Guangxi. The Taiping Army rapidly swept across southern China, while the Qing government's Eight Banners and Green Standard Army proved corrupt and incapable and could not effectively resist the attack of the Taiping Army. In 1853, the Taiping Army conquered Nanjing. The Qing court was forced to order local officials to organize &amp;quot;tuanlian&amp;quot;to deal with the situation. Against this background, Zeng Guofan was ordered to return to Hunan to organize militia, initiating the founding of the Xiang Army.&lt;br /&gt;
Hunan's regional characteristics also provided favorable conditions for the birth of the Xiang Army. Hunan had a tradition of martial spirit. The statecraft school has had an influence here for a long time. And powerful clan forces in places like Xiangxiang provided a solid social foundation for recruitment. Furthermore, Zeng Guofan's own Confucian cultivation and deep understanding of military affairs laid the ideological foundation for the Xiang Army's establishment.&lt;br /&gt;
&lt;br /&gt;
II. The Organizational Structure and Military Innovations of the Xiang Army&lt;br /&gt;
The Xiang Army's camp system drew inspiration from Qi Jiguang's &amp;quot;Qi Army&amp;quot; of the Ming Dynasty, with the camp as the basic combat unit, 500 people in each camp of the land division, 388 people in the navy, and 322 people in the cavalry, forming a strict hierarchical system. Its recruitment system was based on geographical and blood ties. The principle of &amp;quot;soldiers are recruited by generals&amp;quot; strengthened the personal bonds between officers and soldiers, making the Xiang Army a private armed force of &amp;quot;soldiers belong to their generals&amp;quot;. While this system enhanced combat effectiveness, it also laid hidden dangers for the local forces in the late Qing Dynasty.&lt;br /&gt;
In terms of tactics, the Xiang Army pioneered a defensive strategy of &amp;quot;building a solid camp and fighting a stupid battle&amp;quot; . Whenever they arrived at a place, they would first dig deep trenches and build high fortifications, aiming to exhaust the enemy's strength through prolonged sieges. This tactic was used in battles such as Anqing, Jiujiang, and Tianjing (Nanjing). Although criticized as conservative, this attrition-based method effectively compensated for the Xiang Army's weakness in open-field combat and became the key to victory against the Taiping Army.&lt;br /&gt;
&lt;br /&gt;
III.The Political Influence and Modernization Practices of the Xiang Army&lt;br /&gt;
The victory of the Xiang Army directly rescued the crumbling Qing dynasty, but it also profoundly changed the power structure between the central and local governments. After the war, the Xiang Army generals occupied most of the provincial governor-general and governor positions nationwide, forming a situation where &amp;quot;governors were everywhere&amp;quot; . Local military, political and financial power gradually broke away from central control. This situation of &amp;quot;heavy outside and light inside&amp;quot;  accelerated the decline of the Qing Dynasty, but created conditions for the development of the Westernization Movement.&lt;br /&gt;
The Xiang Army group became the main promoter of the Westernization Movement. Zeng Guofan established the Jiangnan General Manufacturing Bureau, Zuo Zongtang founded Fuzhou Shipbuilding Bureau and Guo Songtao went on a diplomatic mission to the West. These initiatives opened the precedent for China's modern industrialization and opening up to the outside world. In practice, the leaders of the Xiang Army advocated the concept of &amp;quot;learning the superior techniques of the barbarians to control them&amp;quot; . By introducing Western technology and sending students abroad, they promoted the modernization of China's military and education.&lt;br /&gt;
&lt;br /&gt;
IV. The Historical Evaluation and Controversies of the Xiang Army&lt;br /&gt;
The historical evaluation of the Xiang Army presents a distinct polarization. On one hand, its suppression of the Taiping Rebellion is seen as a tool to maintain feudal rule. The massacres such as the battles of Jiujiang and Anqing caused a moral controversy. On the other hand, its contributions to resisting foreign aggression and promoting modernization cannot be ignored, such as Zuo Zongtang's recovery of Xinjiang and Sun Kaihua's resistance to the French in Hobei. These campaigns demonstrated their national integrity.&lt;br /&gt;
There are also differences in the academic community's research on the Xiang Army. Luo Ergang emphasized the enlightening role of its military system reform in modern military, while Wang Kaiyun exposed its internal corruption and power struggles. Xiao Yishan believed that the Xiang Army indirectly created conditions for the Revolution of 1911, while Mao Haibin criticized its conservatism as an obstacle to the modernization process. These diverse perspectives reveal the complexity of the Xiang Army in historical transformation.&lt;br /&gt;
&lt;br /&gt;
Conclusion&lt;br /&gt;
The rise and fall of the Xiang Army is a microcosm of the social contradictions and transformations in the late Qing Dynasty. It was both the terminator of the traditional military system and the initiator of the modernization process. Its military system and political structure profoundly influenced the direction of modern Chinese history. The collision between the pragmatic spirit of Hunan culture and the practice of the Westernization provided a unique path for China to cope with the challenges of modernization. The history of the Xiang Army reminds us that the integration of tradition and modernity and the balance between the central and local governments have always been the core issues of national transformation.&lt;br /&gt;
&lt;br /&gt;
Terms and Expressions&lt;br /&gt;
1.湘军 the Xiang Army&lt;br /&gt;
2.洋务运动 Westernization Movement&lt;br /&gt;
3.太平天国运动 Taiping Rebellion&lt;br /&gt;
4.太平军 the Taiping Army&lt;br /&gt;
5.八旗 Eight Banners&lt;br /&gt;
6.团练 tuanlian&lt;br /&gt;
7.戚家军Qi Army&lt;br /&gt;
8.营 camp&lt;br /&gt;
9.兵由将招 soldiers are recruited by generals  &lt;br /&gt;
10.兵为将有 soldiers belong to their generals&lt;br /&gt;
11.扎硬寨打呆仗 building a solid camp and fighting a stupid battle&lt;br /&gt;
12.总督 the provincial governor-general &lt;br /&gt;
13.巡抚 governor &lt;br /&gt;
14.曾国藩Zeng Guofan&lt;br /&gt;
15.江南制造总局 the Jiangnan General Manufacturing Bureau&lt;br /&gt;
16.左宗棠Zuo Zongtang &lt;br /&gt;
17.福州船政局 Fuzhou Shipbuilding Bureau &lt;br /&gt;
18.郭嵩焘 Guo Songtao&lt;br /&gt;
19.师夷长技以制夷 learning the superior techniques of the barbarians to control them&lt;br /&gt;
20.辛亥革命 the Revolution of 1911&lt;br /&gt;
&lt;br /&gt;
Questions&lt;br /&gt;
1.Who was the main founder of the Xiang Army?&lt;br /&gt;
2.What principle did the Xiang Army mainly rely on when recruiting soldiers?&lt;br /&gt;
3.Which Xiang Army general founded the Fuzhou Shipbuilding Bureau ?&lt;br /&gt;
&lt;br /&gt;
Answer&lt;br /&gt;
1.Zeng Guofan.&lt;br /&gt;
2.It relied on geographical (hometown) and blood (family) ties, implementing the principle of “soldiers are recruited by their officers.”&lt;br /&gt;
3.Zuo Zongtang.&lt;br /&gt;
&lt;br /&gt;
References &lt;br /&gt;
1.Wang Jiping. On the social soil for the rise of the Xiang Army [J]. Historical Monthly, 1992(3):46-52.&lt;br /&gt;
2.Luo Ergang. A New History of the Xiang Army [M]. Beijing: Zhonghua Book Company, 1939.&lt;br /&gt;
3.Wang Kaiyun. History of the Xiang Army [M]. Changsha: Yuelu Publishing House, 1983.&lt;br /&gt;
4.Long Shengyun. A Draft History of the Xiang Army [M]. Chengdu: Sichuan People's Publishing House, 1990.&lt;br /&gt;
5.Xiao Yishan. A General History of the Qing Dynasty [M]. Taipei: Commercial Press, 1962.&lt;br /&gt;
6.Cao Lili. A Review of the Study of the Xiang Army in the Late Qing Dynasty in the Past Forty Years [J]. Journal of the National Museum of China, 2020(2):148-159.&lt;br /&gt;
7.Mao Haijian. Zeng Guofan and His Xiang Army [EB/OL]. Modern History Research,  2022-11-11.&lt;br /&gt;
8.Wang Kaiyun. History of the Xiang Army (full text in vernacular) [EB/OL]. Wenyan Ancient Books Network, 2024-08-10.&lt;br /&gt;
9.Fairbank, John King. The Cambridge History of China: Late Ch'ing, 1800-1911. Cambridge University Press, 1978.&lt;br /&gt;
10.Perry, Elizabeth J. Rebels and Revolutionaries in North China, 1845-1945. Stanford University Press, 1980.&lt;br /&gt;
&lt;br /&gt;
湘军：晚清军事变革的重要力量&lt;br /&gt;
摘要&lt;br /&gt;
湘军作为晚清最重要的地方武装力量，其兴起与发展深刻改变了中国近代历史进程。本文从湘军的创建背景、组织结构、军事策略及历史影响四个方面展开分析，结合湖湘文化的经世传统与洋务运动的实践，探讨其在军事改革、政治格局重塑及近代化转型中的双重角色。&lt;br /&gt;
一、湘军的创建背景&lt;br /&gt;
湘军的诞生与太平天国运动的爆发密切相关。1851年，洪秀全在广西金田发动起义，太平军迅速席卷南方，清廷的八旗和绿营军队腐败无能，无法有效抵御太平军的进攻。1853年，太平军攻克南京，清廷被迫命地方官员筹办“团练”以应对局势。在这种背景下，曾国藩奉命回湖南办理团练，开始了湘军的创建过程。&lt;br /&gt;
湖南的地域特性也为湘军的诞生提供了有利条件。湖南民风彪悍，经世学派在此早有影响，湘乡等地的宗族势力强大，为募兵提供了坚实的社会基础。此外，曾国藩本人的儒学修养和对军事的深刻理解，也为湘军的创建奠定了思想基础。&lt;br /&gt;
二、湘军的组织结构与军事革新&lt;br /&gt;
湘军的营制借鉴明代戚继光的“戚家军”，以营为基本作战单位，陆师每营500人，水师388人，马队322人，形成严密的层级体系。其招募制度以地缘、血缘为纽带，“兵由将招”的原则强化了官兵之间的私人依附关系，使湘军成为“兵为将有”的私人化武装。这种制度设计虽提升了战斗力，却为晚清地方势力坐大埋下隐患。&lt;br /&gt;
在战术上，湘军首创“扎硬寨打呆仗”的防御策略。每到一地必先深沟高垒，通过长期围困消耗敌方有生力量，如安庆、九江、天京等战役均采用此战术。这种以静制动的战法虽被批评为保守，却有效弥补了湘军野战能力的不足，成为对抗太平军的制胜关键。&lt;br /&gt;
三、湘军的政治影响与近代化实践&lt;br /&gt;
湘军的胜利直接挽救了摇摇欲坠的清王朝，但也深刻改变了中央与地方的权力格局。战后，湘军将领占据全国大部分督抚职位，形成“督抚满天下”的局面，地方军政财权逐渐脱离中央控制。这种“外重内轻”的态势加速了清朝的衰落，却为洋务运动的开展创造了条件。&lt;br /&gt;
湘军集团成为洋务运动的主要推动者。曾国藩创办江南制造总局，左宗棠创建福州船政局，郭嵩焘出使西洋，这些举措开启了中国近代工业化与对外开放的先河。湘军将领在实践中提出“师夷长技以制夷”的理念，通过引进西方技术、派遣留学生等方式，推动了中国军事、教育的现代化转型。&lt;br /&gt;
四、湘军的历史评价与争议&lt;br /&gt;
湘军的历史评价呈现鲜明的两极化。一方面，其镇压太平天国的行为被视为维护封建统治的工具，屠城暴行如九江、安庆之役更引发道德争议。另一方面，湘军在抵御外侮、推动近代化方面的贡献不可忽视，如左宗棠收复新疆、孙开华沪尾抗法等战役彰显了其民族气节。&lt;br /&gt;
学术界对湘军的研究亦存在分歧。罗尔纲强调其兵制改革对近代军事的启蒙作用，王闿运则揭露其内部腐败与权力斗争。萧一山认为湘军间接为辛亥革命创造了条件，而茅海建则批评其保守性阻碍了现代化进程。这种多元视角揭示了湘军在历史转型中的复杂性。&lt;br /&gt;
结论&lt;br /&gt;
湘军的兴衰是晚清社会矛盾与变革的缩影。它既是传统军事制度的终结者，又是近代化进程的开启者。其创建的军事体系与政治格局深刻影响了中国近代历史走向，而湖湘文化的经世精神与洋务实践的碰撞，则为中国应对现代化挑战提供了独特的路径。湘军的历史启示我们，传统与现代的交融、中央与地方的平衡，始终是国家转型的核心命题。&lt;br /&gt;
&lt;br /&gt;
专有名词&lt;br /&gt;
1.湘军 the Xiang Army&lt;br /&gt;
2.洋务运动 Westernization Movement&lt;br /&gt;
3.太平天国运动 Taiping Rebellion&lt;br /&gt;
4.太平军 the Taiping Army&lt;br /&gt;
5.八旗 Eight Banners&lt;br /&gt;
6.团练 tuanlian&lt;br /&gt;
7.戚家军Qi Army&lt;br /&gt;
8.营 camp&lt;br /&gt;
9.兵由将招 soldiers are recruited by generals  &lt;br /&gt;
10.兵为将有 soldiers belong to their generals&lt;br /&gt;
11.扎硬寨打呆仗 building a solid camp and fighting a stupid battle&lt;br /&gt;
12.总督 the provincial governor-general &lt;br /&gt;
13.巡抚 governor &lt;br /&gt;
14.曾国藩Zeng Guofan&lt;br /&gt;
15.江南制造总局 the Jiangnan General Manufacturing Bureau&lt;br /&gt;
16.左宗棠Zuo Zongtang &lt;br /&gt;
17.福州船政局 Fuzhou Shipbuilding Bureau &lt;br /&gt;
18.郭嵩焘 Guo Songtao&lt;br /&gt;
19.师夷长技以制夷 learning the superior techniques of the barbarians to control them&lt;br /&gt;
20.辛亥革命 the Revolution of 1911&lt;br /&gt;
&lt;br /&gt;
问题&lt;br /&gt;
1. 湘军的主要创建者是谁？&lt;br /&gt;
2. 湘军在招募士兵时主要依靠什么原则？&lt;br /&gt;
3. 湘军将领中谁创办了福州船政局？&lt;br /&gt;
&lt;br /&gt;
答案&lt;br /&gt;
1.曾国藩。&lt;br /&gt;
2.以地缘（同乡）、血缘（亲属）为纽带，实行“兵由将招”。&lt;br /&gt;
3.左宗棠。&lt;br /&gt;
&lt;br /&gt;
参考文献 &lt;br /&gt;
1.王继平. 论湘军兴起的社会土壤[J]. 史学月刊, 1992(3):46-52.&lt;br /&gt;
2. 罗尔纲. 湘军新志[M]. 北京: 中华书局, 1939.&lt;br /&gt;
3. 王闿运. 湘军志[M]. 长沙: 岳麓书社, 1983.&lt;br /&gt;
4. 龙盛运. 湘军史稿[M]. 成都: 四川人民出版社, 1990.&lt;br /&gt;
5. 萧一山. 清代通史[M]. 台北: 商务印书馆, 1962.&lt;br /&gt;
6. 曹丽莉. 近四十年来晚清湘军研究综述[J]. 中国国家博物馆馆刊, 2020(2):148-159.&lt;br /&gt;
7. 茅海建. 曾国藩和他的湘军[EB/OL]. 近代史研究, 2022-11-11.&lt;br /&gt;
8. 王闿运. 湘军志（全文白话文）[EB/OL]. 文言古籍网, 2024-08-10.&lt;br /&gt;
9. Fairbank, John King. The Cambridge History of China: Late Ch'ing, 1800-1911. Cambridge University Press, 1978.&lt;br /&gt;
10.Perry, Elizabeth J. Rebels and Revolutionaries in North China, 1845-1945. Stanford University Press, 1980.&lt;br /&gt;
&lt;br /&gt;
AI陈述：我在此保证，我没有使用ai的帮助来写这门课程的期末论文。&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
	<entry>
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		<title>User:Zhu Shunjie</title>
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		<updated>2025-06-13T12:02:09Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The Xiang Army: An Important Force in the Late Qing Military Transformation in Military Reform&lt;br /&gt;
Abstract&lt;br /&gt;
The Xiang Army, as the most significant regional armed force in the late Qing Dynasty, profoundly altered the course of modern Chinese history through its rise and development. This article analyzes the Xiang Army from four dimensions: its founding background, organizational structure, military strategies, and historical impact. Combining the statecraft tradition of Huxiang (Hunan) culture with the practices of the Westernization Movement, the article explores the Xiang Army's dual role in military reform, the reshaping of the political structure, and the modernization transformation.&lt;br /&gt;
&lt;br /&gt;
I. The Founding Background of the Xiang Army&lt;br /&gt;
The birth of the Xiang Army was closely linked to the outbreak of the Taiping Rebellion. In 1851, Hong Xiuquan launched an uprising in Jintian, Guangxi. The Taiping Army rapidly swept across southern China, while the Qing government's Eight Banners and Green Standard Army proved corrupt and incapable and could not effectively resist the attack of the Taiping Army. In 1853, the Taiping Army conquered Nanjing. The Qing court was forced to order local officials to organize &amp;quot;tuanlian&amp;quot;to deal with the situation. Against this background, Zeng Guofan was ordered to return to Hunan to organize militia, initiating the founding of the Xiang Army.&lt;br /&gt;
Hunan's regional characteristics also provided favorable conditions for the birth of the Xiang Army. Hunan had a tradition of martial spirit. The statecraft school has had an influence here for a long time. And powerful clan forces in places like Xiangxiang provided a solid social foundation for recruitment. Furthermore, Zeng Guofan's own Confucian cultivation and deep understanding of military affairs laid the ideological foundation for the Xiang Army's establishment.&lt;br /&gt;
&lt;br /&gt;
II. The Organizational Structure and Military Innovations of the Xiang Army&lt;br /&gt;
The Xiang Army's camp system drew inspiration from Qi Jiguang's &amp;quot;Qi Army&amp;quot; of the Ming Dynasty, with the camp as the basic combat unit, 500 people in each camp of the land division, 388 people in the navy, and 322 people in the cavalry, forming a strict hierarchical system. Its recruitment system was based on geographical and blood ties. The principle of &amp;quot;soldiers are recruited by generals&amp;quot; strengthened the personal bonds between officers and soldiers, making the Xiang Army a private armed force of &amp;quot;soldiers belong to their generals&amp;quot;. While this system enhanced combat effectiveness, it also laid hidden dangers for the local forces in the late Qing Dynasty.&lt;br /&gt;
In terms of tactics, the Xiang Army pioneered a defensive strategy of &amp;quot;building a solid camp and fighting a stupid battle&amp;quot; . Whenever they arrived at a place, they would first dig deep trenches and build high fortifications, aiming to exhaust the enemy's strength through prolonged sieges. This tactic was used in battles such as Anqing, Jiujiang, and Tianjing (Nanjing). Although criticized as conservative, this attrition-based method effectively compensated for the Xiang Army's weakness in open-field combat and became the key to victory against the Taiping Army.&lt;br /&gt;
&lt;br /&gt;
III.The Political Influence and Modernization Practices of the Xiang Army&lt;br /&gt;
The victory of the Xiang Army directly rescued the crumbling Qing dynasty, but it also profoundly changed the power structure between the central and local governments. After the war, the Xiang Army generals occupied most of the provincial governor-general and governor positions nationwide, forming a situation where &amp;quot;governors were everywhere&amp;quot; . Local military, political and financial power gradually broke away from central control. This situation of &amp;quot;heavy outside and light inside&amp;quot;  accelerated the decline of the Qing Dynasty, but created conditions for the development of the Westernization Movement.&lt;br /&gt;
The Xiang Army group became the main promoter of the Westernization Movement. Zeng Guofan established the Jiangnan General Manufacturing Bureau, Zuo Zongtang founded Fuzhou Shipbuilding Bureau and Guo Songtao went on a diplomatic mission to the West. These initiatives opened the precedent for China's modern industrialization and opening up to the outside world. In practice, the leaders of the Xiang Army advocated the concept of &amp;quot;learning the superior techniques of the barbarians to control them&amp;quot; . By introducing Western technology and sending students abroad, they promoted the modernization of China's military and education.&lt;br /&gt;
&lt;br /&gt;
IV. The Historical Evaluation and Controversies of the Xiang Army&lt;br /&gt;
The historical evaluation of the Xiang Army presents a distinct polarization. On one hand, its suppression of the Taiping Rebellion is seen as a tool to maintain feudal rule. The massacres such as the battles of Jiujiang and Anqing caused a moral controversy. On the other hand, its contributions to resisting foreign aggression and promoting modernization cannot be ignored, such as Zuo Zongtang's recovery of Xinjiang and Sun Kaihua's resistance to the French in Hobei. These campaigns demonstrated their national integrity.&lt;br /&gt;
There are also differences in the academic community's research on the Xiang Army. Luo Ergang emphasized the enlightening role of its military system reform in modern military, while Wang Kaiyun exposed its internal corruption and power struggles. Xiao Yishan believed that the Xiang Army indirectly created conditions for the Revolution of 1911, while Mao Haibin criticized its conservatism as an obstacle to the modernization process. These diverse perspectives reveal the complexity of the Xiang Army in historical transformation.&lt;br /&gt;
&lt;br /&gt;
Conclusion&lt;br /&gt;
The rise and fall of the Xiang Army is a microcosm of the social contradictions and transformations in the late Qing Dynasty. It was both the terminator of the traditional military system and the initiator of the modernization process. Its military system and political structure profoundly influenced the direction of modern Chinese history. The collision between the pragmatic spirit of Hunan culture and the practice of the Westernization provided a unique path for China to cope with the challenges of modernization. The history of the Xiang Army reminds us that the integration of tradition and modernity and the balance between the central and local governments have always been the core issues of national transformation.&lt;br /&gt;
&lt;br /&gt;
Terms and Expressions&lt;br /&gt;
1.湘军 the Xiang Army&lt;br /&gt;
2.洋务运动 Westernization Movement&lt;br /&gt;
3.太平天国运动 Taiping Rebellion&lt;br /&gt;
4.太平军 the Taiping Army&lt;br /&gt;
5.八旗 Eight Banners&lt;br /&gt;
6.团练 tuanlian&lt;br /&gt;
7.戚家军Qi Army&lt;br /&gt;
8.营 camp&lt;br /&gt;
9.兵由将招 soldiers are recruited by generals  &lt;br /&gt;
10.兵为将有 soldiers belong to their generals&lt;br /&gt;
11.扎硬寨打呆仗 building a solid camp and fighting a stupid battle&lt;br /&gt;
12.总督 the provincial governor-general &lt;br /&gt;
13.巡抚 governor &lt;br /&gt;
14.曾国藩Zeng Guofan&lt;br /&gt;
15.江南制造总局 the Jiangnan General Manufacturing Bureau&lt;br /&gt;
16.左宗棠Zuo Zongtang &lt;br /&gt;
17.福州船政局 Fuzhou Shipbuilding Bureau &lt;br /&gt;
18.郭嵩焘 Guo Songtao&lt;br /&gt;
19.师夷长技以制夷 learning the superior techniques of the barbarians to control them&lt;br /&gt;
20.辛亥革命 the Revolution of 1911&lt;br /&gt;
&lt;br /&gt;
Questions&lt;br /&gt;
1.Who was the main founder of the Xiang Army?&lt;br /&gt;
2.What principle did the Xiang Army mainly rely on when recruiting soldiers?&lt;br /&gt;
3.Which Xiang Army general founded the Fuzhou Shipbuilding Bureau ?&lt;br /&gt;
&lt;br /&gt;
Answer&lt;br /&gt;
1.Zeng Guofan.&lt;br /&gt;
2.It relied on geographical (hometown) and blood (family) ties, implementing the principle of “soldiers are recruited by their officers.”&lt;br /&gt;
3.Zuo Zongtang.&lt;br /&gt;
&lt;br /&gt;
References &lt;br /&gt;
1.Wang Jiping. On the social soil for the rise of the Xiang Army [J]. Historical Monthly, 1992(3):46-52.&lt;br /&gt;
2.Luo Ergang. A New History of the Xiang Army [M]. Beijing: Zhonghua Book Company, 1939.&lt;br /&gt;
3.Wang Kaiyun. History of the Xiang Army [M]. Changsha: Yuelu Publishing House, 1983.&lt;br /&gt;
4.Long Shengyun. A Draft History of the Xiang Army [M]. Chengdu: Sichuan People's Publishing House, 1990.&lt;br /&gt;
5.Xiao Yishan. A General History of the Qing Dynasty [M]. Taipei: Commercial Press, 1962.&lt;br /&gt;
6.Cao Lili. A Review of the Study of the Xiang Army in the Late Qing Dynasty in the Past Forty Years [J]. Journal of the National Museum of China, 2020(2):148-159.&lt;br /&gt;
7.Mao Haijian. Zeng Guofan and His Xiang Army [EB/OL]. Modern History Research,  2022-11-11.&lt;br /&gt;
8.Wang Kaiyun. History of the Xiang Army (full text in vernacular) [EB/OL]. Wenyan Ancient Books Network, 2024-08-10.&lt;br /&gt;
9.Fairbank, John King. The Cambridge History of China: Late Ch'ing, 1800-1911. Cambridge University Press, 1978.&lt;br /&gt;
10.Perry, Elizabeth J. Rebels and Revolutionaries in North China, 1845-1945. Stanford University Press, 1980.&lt;br /&gt;
&lt;br /&gt;
湘军：晚清军事变革的重要力量&lt;br /&gt;
摘要&lt;br /&gt;
湘军作为晚清最重要的地方武装力量，其兴起与发展深刻改变了中国近代历史进程。本文从湘军的创建背景、组织结构、军事策略及历史影响四个方面展开分析，结合湖湘文化的经世传统与洋务运动的实践，探讨其在军事改革、政治格局重塑及近代化转型中的双重角色。&lt;br /&gt;
一、湘军的创建背景&lt;br /&gt;
湘军的诞生与太平天国运动的爆发密切相关。1851年，洪秀全在广西金田发动起义，太平军迅速席卷南方，清廷的八旗和绿营军队腐败无能，无法有效抵御太平军的进攻。1853年，太平军攻克南京，清廷被迫命地方官员筹办“团练”以应对局势。在这种背景下，曾国藩奉命回湖南办理团练，开始了湘军的创建过程。&lt;br /&gt;
湖南的地域特性也为湘军的诞生提供了有利条件。湖南民风彪悍，经世学派在此早有影响，湘乡等地的宗族势力强大，为募兵提供了坚实的社会基础。此外，曾国藩本人的儒学修养和对军事的深刻理解，也为湘军的创建奠定了思想基础。&lt;br /&gt;
二、湘军的组织结构与军事革新&lt;br /&gt;
湘军的营制借鉴明代戚继光的“戚家军”，以营为基本作战单位，陆师每营500人，水师388人，马队322人，形成严密的层级体系。其招募制度以地缘、血缘为纽带，“兵由将招”的原则强化了官兵之间的私人依附关系，使湘军成为“兵为将有”的私人化武装。这种制度设计虽提升了战斗力，却为晚清地方势力坐大埋下隐患。&lt;br /&gt;
在战术上，湘军首创“扎硬寨打呆仗”的防御策略。每到一地必先深沟高垒，通过长期围困消耗敌方有生力量，如安庆、九江、天京等战役均采用此战术。这种以静制动的战法虽被批评为保守，却有效弥补了湘军野战能力的不足，成为对抗太平军的制胜关键。&lt;br /&gt;
三、湘军的政治影响与近代化实践&lt;br /&gt;
湘军的胜利直接挽救了摇摇欲坠的清王朝，但也深刻改变了中央与地方的权力格局。战后，湘军将领占据全国大部分督抚职位，形成“督抚满天下”的局面，地方军政财权逐渐脱离中央控制。这种“外重内轻”的态势加速了清朝的衰落，却为洋务运动的开展创造了条件。&lt;br /&gt;
湘军集团成为洋务运动的主要推动者。曾国藩创办江南制造总局，左宗棠创建福州船政局，郭嵩焘出使西洋，这些举措开启了中国近代工业化与对外开放的先河。湘军将领在实践中提出“师夷长技以制夷”的理念，通过引进西方技术、派遣留学生等方式，推动了中国军事、教育的现代化转型。&lt;br /&gt;
四、湘军的历史评价与争议&lt;br /&gt;
湘军的历史评价呈现鲜明的两极化。一方面，其镇压太平天国的行为被视为维护封建统治的工具，屠城暴行如九江、安庆之役更引发道德争议。另一方面，湘军在抵御外侮、推动近代化方面的贡献不可忽视，如左宗棠收复新疆、孙开华沪尾抗法等战役彰显了其民族气节。&lt;br /&gt;
学术界对湘军的研究亦存在分歧。罗尔纲强调其兵制改革对近代军事的启蒙作用，王闿运则揭露其内部腐败与权力斗争。萧一山认为湘军间接为辛亥革命创造了条件，而茅海建则批评其保守性阻碍了现代化进程。这种多元视角揭示了湘军在历史转型中的复杂性。&lt;br /&gt;
结论&lt;br /&gt;
湘军的兴衰是晚清社会矛盾与变革的缩影。它既是传统军事制度的终结者，又是近代化进程的开启者。其创建的军事体系与政治格局深刻影响了中国近代历史走向，而湖湘文化的经世精神与洋务实践的碰撞，则为中国应对现代化挑战提供了独特的路径。湘军的历史启示我们，传统与现代的交融、中央与地方的平衡，始终是国家转型的核心命题。&lt;br /&gt;
&lt;br /&gt;
专有名词&lt;br /&gt;
1.湘军 the Xiang Army&lt;br /&gt;
2.洋务运动 Westernization Movement&lt;br /&gt;
3.太平天国运动 Taiping Rebellion&lt;br /&gt;
4.太平军 the Taiping Army&lt;br /&gt;
5.八旗 Eight Banners&lt;br /&gt;
6.团练 tuanlian&lt;br /&gt;
7.戚家军Qi Army&lt;br /&gt;
8.营 camp&lt;br /&gt;
9.兵由将招 soldiers are recruited by generals  &lt;br /&gt;
10.兵为将有 soldiers belong to their generals&lt;br /&gt;
11.扎硬寨打呆仗 building a solid camp and fighting a stupid battle&lt;br /&gt;
12.总督 the provincial governor-general &lt;br /&gt;
13.巡抚 governor &lt;br /&gt;
14.曾国藩Zeng Guofan&lt;br /&gt;
15.江南制造总局 the Jiangnan General Manufacturing Bureau&lt;br /&gt;
16.左宗棠Zuo Zongtang &lt;br /&gt;
17.福州船政局 Fuzhou Shipbuilding Bureau &lt;br /&gt;
18.郭嵩焘 Guo Songtao&lt;br /&gt;
19.师夷长技以制夷 learning the superior techniques of the barbarians to control them&lt;br /&gt;
20.辛亥革命 the Revolution of 1911&lt;br /&gt;
&lt;br /&gt;
问题&lt;br /&gt;
1. 湘军的主要创建者是谁？&lt;br /&gt;
2. 湘军在招募士兵时主要依靠什么原则？&lt;br /&gt;
3. 湘军将领中谁创办了福州船政局？&lt;br /&gt;
&lt;br /&gt;
答案&lt;br /&gt;
1.曾国藩。&lt;br /&gt;
2.以地缘（同乡）、血缘（亲属）为纽带，实行“兵由将招”。&lt;br /&gt;
3.左宗棠。&lt;br /&gt;
&lt;br /&gt;
参考文献 &lt;br /&gt;
1.王继平. 论湘军兴起的社会土壤[J]. 史学月刊, 1992(3):46-52.&lt;br /&gt;
2. 罗尔纲. 湘军新志[M]. 北京: 中华书局, 1939.&lt;br /&gt;
3. 王闿运. 湘军志[M]. 长沙: 岳麓书社, 1983.&lt;br /&gt;
4. 龙盛运. 湘军史稿[M]. 成都: 四川人民出版社, 1990.&lt;br /&gt;
5. 萧一山. 清代通史[M]. 台北: 商务印书馆, 1962.&lt;br /&gt;
6. 曹丽莉. 近四十年来晚清湘军研究综述[J]. 中国国家博物馆馆刊, 2020(2):148-159.&lt;br /&gt;
7. 茅海建. 曾国藩和他的湘军[EB/OL]. 近代史研究, 2022-11-11.&lt;br /&gt;
8. 王闿运. 湘军志（全文白话文）[EB/OL]. 文言古籍网, 2024-08-10.&lt;br /&gt;
9. Fairbank, John King. The Cambridge History of China: Late Ch'ing, 1800-1911. Cambridge University Press, 1978.&lt;br /&gt;
10.Perry, Elizabeth J. Rebels and Revolutionaries in North China, 1845-1945. Stanford University Press, 1980.&lt;br /&gt;
&lt;br /&gt;
AI陈述：我在此保证，我没有使用ai的帮助来写这门课程的期末论文。&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Cult_Ov_Fin_Exam_Spring_2025&amp;diff=167765</id>
		<title>Cult Ov Fin Exam Spring 2025</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Cult_Ov_Fin_Exam_Spring_2025&amp;diff=167765"/>
		<updated>2025-06-05T09:50:39Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: /* https://wiki.rub.de/uvu/index.php/User:Zhu_Shunjie#Final_Paper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=Please write your final exam topics here!=&lt;br /&gt;
Write your topics behind your name.&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Liu_Xiaojia#Final_Paper 中国著名茶叶 The Famous Tea of China==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Shang_Ruyi#Final_Paper 余华 Yu Hua==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Zhou_Yanhua#Final_Paper 划龙舟比赛 Dragon boat race==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Zhou_Qingyi#Final_Paper 锔瓷Chinese Ceramic Mending ==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Liu_Xiaojia#Final_Paper==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Peng_Peixin#Final_Paper 《藏海传》Legend of Zang Hai==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Xu_Huanchang#Final_Paper 长江七号 Changjiang Number 7==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Hu_Xiuhao#Final_Paper 金庸武侠小说鉴赏 Appreciation of Kung Fu Stories written by Jinyong ==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Wang_Nan#Final_Paper 鱼丸 Fish Ball==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Wu_Jincheng#Final_Paper 二次元文化 ACG Culture==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Liu_Wenziqin#Final_Paper==&lt;br /&gt;
==https://bou.de/u/wiki/User:Yao_Kexin#Final_Paper 中国的拉郎现象：圣黛CP（孙悟空×林黛玉）The &amp;quot;Langlang&amp;quot; Phenomenon in China: The &amp;quot;Sun Wukong × Lin Daiyu&amp;quot; (St. Dai) Couple==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Li_Bingjie#Final_Paper 魅力城头山 Charming Chengtoushan==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Zhou_Zhengyuan#Final_Paper 滕王阁 Tengwang Pavilion ==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Xiao_Xiangping#Final_Paper 扬州炒饭 Yangzhou Fried Rice==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Yang_Ning#Final_Paper 香港武侠电影 Hong Kong Martial Arts Films==&lt;br /&gt;
==https://bou.de/u/wiki/User:Lu_Yingxin#Final_Paper 中国井盐 Chinese Well Salt==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Zhang_Yubo#Final_Paper 张宇波 Chinese meme culture==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Chen_Jingxi#Final_Paper==&lt;br /&gt;
==https://bou.de/u/wiki/User:Zhu_Huiting#Final_Paper 炎帝陵 Yandi Mausoleum==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Zhong_Weiping#Final_Paper 盗墓笔记 The Grave Robbers’ Chronicles==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Su_Xing#Final_Paper 《西厢记》The moon and the Zither ：The story of the western wing==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Zheng_Xiaotong#Final_Paper 郓城壮馍 Yuncheng Zhangmo ==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Li_Yijun#Final_Paper 汉寿甲鱼 Hanshou turtle==&lt;br /&gt;
&lt;br /&gt;
==https://bou.de/u/wiki/User:Tang_Jiahua#Final_Paper泡泡玛特 POP MART==&lt;br /&gt;
==https://bou.de/u/wiki/User:Zhou_Yuzhen#Final_Paper==&lt;br /&gt;
==https://bou.de/u/wiki/User:Li_Zuyi#Final_Paper 中文原创音乐剧：聂小倩与宁采臣 Chinese Original Musical: Nie Xiaoqian and Ning Caichen==&lt;br /&gt;
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==https://bou.de/u/wiki/User:Zhu_Shunjie#Final_Paper 湘军 the Xiang Army==&lt;br /&gt;
&lt;br /&gt;
=第九讲：旗袍文化与游戏文化 Session Nine: Cheongsam Culture and Game Culture=&lt;br /&gt;
&lt;br /&gt;
==旗袍文化与翻译 Clothing: Cheongsam and Translation==&lt;br /&gt;
&lt;br /&gt;
旗袍作为中国传统服饰的代表，其名称通常音译为&amp;quot;cheongsam&amp;quot;(粤语发音)或&amp;quot;qipao&amp;quot;(普通话发音)，译者需了解这两种译法的使用语境，如在国际时尚领域&amp;quot;cheongsam&amp;quot;更为常见，而学术文章中可能两者并用并说明其语源。&lt;br /&gt;
&lt;br /&gt;
As a representative of traditional Chinese clothing, the name of qipao is usually transliterated as &amp;quot;cheongsam&amp;quot; (Cantonese pronunciation) or &amp;quot;qipao&amp;quot; (Mandarin pronunciation). Translators need to understand the usage context of these two translations. For example, &amp;quot;cheongsam&amp;quot; is more common in the international fashion field, while academic articles may use both and explain their etymology.&lt;br /&gt;
&lt;br /&gt;
旗袍的历史演变中包含丰富的文化信息，翻译时需准确表达不同历史时期旗袍的特点，如满族旗袍、1920年代的改良旗袍、1930年代的上海风格旗袍等，避免将不同时期的特征混淆。&lt;br /&gt;
&lt;br /&gt;
The historical evolution of qipao contains rich cultural information. The characteristics of qipao in different historical periods need to be accurately expressed in translation, such as Manchu qipao, improved qipao in the 1920s, Shanghai-style qipao in the 1930s, etc., avoiding confusion of features from different periods.&lt;br /&gt;
&lt;br /&gt;
旗袍工艺和结构术语的翻译需特别注意专业准确性，如将&amp;quot;盘扣&amp;quot;译为&amp;quot;Chinese knot buttons/pankou buttons&amp;quot;而非简单的&amp;quot;buttons&amp;quot;，将&amp;quot;琵琶襟&amp;quot;译为&amp;quot;overlapping front closure/pipa front&amp;quot;而非简单的&amp;quot;collar&amp;quot;，以准确表达其独特的结构特点。&lt;br /&gt;
&lt;br /&gt;
Special attention should be paid to professional accuracy in the translation of qipao craftsmanship and structure terminology. For example, &amp;quot;pan kou&amp;quot; can be translated as &amp;quot;Chinese knot buttons/pankou buttons&amp;quot; rather than simply &amp;quot;buttons,&amp;quot; and &amp;quot;pipa jin&amp;quot; as &amp;quot;overlapping front closure/pipa front&amp;quot; rather than simply &amp;quot;collar,&amp;quot; to accurately express their unique structural features.&lt;br /&gt;
&lt;br /&gt;
翻译旗袍文化相关内容时，需关注性别视角和文化身份的敏感问题，既要避免东方主义的刻板印象（如将旗袍简单地与&amp;quot;exotic Oriental femininity&amp;quot;联系），也要准确传达旗袍在中国现代女性身份建构中的复杂角色。&lt;br /&gt;
&lt;br /&gt;
When translating qipao culture-related content, attention should be paid to sensitive issues of gender perspective and cultural identity. It is necessary to avoid Orientalist stereotypes (such as simply associating qipao with &amp;quot;exotic Oriental femininity&amp;quot;) and accurately convey the complex role of qipao in the construction of modern Chinese female identity.&lt;br /&gt;
&lt;br /&gt;
口译涉及旗袍主题时，译者需熟悉面料、花纹、剪裁等专业术语，如将&amp;quot;缎面&amp;quot;译为&amp;quot;satin&amp;quot;，&amp;quot;盘金云纹&amp;quot;译为&amp;quot;gold-embroidered cloud pattern&amp;quot;等，同时了解旗袍在不同场合（正式社交、日常穿着、艺术表演等）的文化含义，以准确传达相关语境。&lt;br /&gt;
&lt;br /&gt;
When interpretation involves qipao themes, interpreters need to be familiar with professional terms such as fabrics, patterns, cutting, etc., such as translating &amp;quot;duan mian&amp;quot; as &amp;quot;satin,&amp;quot; &amp;quot;pan jin yun wen&amp;quot; as &amp;quot;gold-embroidered cloud pattern,&amp;quot; etc., while understanding the cultural meanings of qipao in different occasions (formal social, daily wear, artistic performance, etc.), to accurately convey the relevant context.&lt;br /&gt;
&lt;br /&gt;
'''重要词汇 | Key Vocabulary'''&lt;br /&gt;
&lt;br /&gt;
中文拼音英文旗袍 qípáo cheongsam/qipao&lt;br /&gt;
&lt;br /&gt;
盘扣 pánkòu Chinese knot buttons/pankou buttons&lt;br /&gt;
&lt;br /&gt;
琵琶襟 pípájī noverlapping front closure/pipa front&lt;br /&gt;
&lt;br /&gt;
缎面 duànmiàn satin&lt;br /&gt;
&lt;br /&gt;
开衩 kāichà side slit&lt;br /&gt;
&lt;br /&gt;
立领 lì lǐng mandarin collar/stand-up collar&lt;br /&gt;
&lt;br /&gt;
改良旗袍 gǎiliáng qípáo modified qipao&lt;br /&gt;
&lt;br /&gt;
旗人服饰 qírén fúshì Manchu clothing&lt;br /&gt;
&lt;br /&gt;
剪裁 jiǎn cái cutting/tailoring&lt;br /&gt;
&lt;br /&gt;
手工缝制 shǒugōng féngzhì hand-sewn/handcrafted&lt;br /&gt;
&lt;br /&gt;
==黑神话：悟空与翻译 Black Myth: Wukong and Translation==&lt;br /&gt;
&lt;br /&gt;
《黑神话：悟空》作为基于中国古典名著《西游记》的游戏作品，其翻译需特别注意中国传统文化元素的准确表达，如游戏中的神话人物、法术、武器等需结合原著背景进行翻译，避免与西方奇幻概念混淆。&lt;br /&gt;
&lt;br /&gt;
As a game based on the Chinese classical masterpiece &amp;quot;Journey to the West,&amp;quot; the translation of &amp;quot;Black Myth: Wukong&amp;quot; needs to pay special attention to the accurate expression of traditional Chinese cultural elements. Mythological characters, spells, weapons, etc., in the game need to be translated in combination with the background of the original work, avoiding confusion with Western fantasy concepts.&lt;br /&gt;
&lt;br /&gt;
游戏术语与中国传统文化术语的结合是翻译的重点，如将游戏中的技能系统&amp;quot;法相天地&amp;quot;译为&amp;quot;Divine Transformation&amp;quot;时，需注意保留其佛教文化背景，必要时通过注释或游戏内说明传达其文化内涵。&lt;br /&gt;
&lt;br /&gt;
The combination of game terminology and traditional Chinese cultural terminology is the focus of translation. For example, when translating the skill system &amp;quot;fa xiang tian di&amp;quot; in the game as &amp;quot;Divine Transformation,&amp;quot; attention should be paid to retaining its Buddhist cultural background, with its cultural connotations conveyed through annotations or in-game explanations when necessary.&lt;br /&gt;
&lt;br /&gt;
游戏中的文言表达和诗词引用在翻译时需特别注意语体风格，如游戏角色的对话可能模仿古代语言风格，翻译时既要保持其古雅氛围，又要确保现代玩家能够理解，可采用适度古风的英语表达来再现这种效果。&lt;br /&gt;
&lt;br /&gt;
Special attention should be paid to stylistic style in the translation of classical Chinese expressions and poetry quotations in the game. For example, the dialogue of game characters may imitate ancient language style. When translating, it is necessary to maintain its elegant atmosphere while ensuring that modern players can understand it. Moderately archaic English expressions can be used to reproduce this effect.&lt;br /&gt;
&lt;br /&gt;
游戏视觉元素中的中国传统文化符号，如建筑风格、服饰设计、器物形象等，在涉及这些元素的描述文本翻译时，需准确使用相应的专业术语，如将游戏中的&amp;quot;飞檐斗拱&amp;quot;译为&amp;quot;flying eaves and dougong brackets&amp;quot;而非简单的&amp;quot;Chinese roof&amp;quot;。&lt;br /&gt;
&lt;br /&gt;
For traditional Chinese cultural symbols in game visual elements, such as architectural style, costume design, implement images, etc., when translating descriptive texts involving these elements, corresponding professional terms need to be used accurately. For example, &amp;quot;fei yan dou gong&amp;quot; in the game can be translated as &amp;quot;flying eaves and dougong brackets&amp;quot; rather than simply &amp;quot;Chinese roof.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
口译涉及游戏和中国传统文化结合的内容时，译者需同时熟悉游戏术语和中国文化术语，了解原著《西游记》的经典英译本如Arthur Waley的《Monkey》中的译名选择，在专业游戏术语和传统文化表达之间找到平衡，确保不同背景的听众都能理解。&lt;br /&gt;
&lt;br /&gt;
When interpretation involves content combining games and traditional Chinese culture, interpreters need to be familiar with both game terminology and Chinese cultural terminology, understand the translation choices in classic English translations of the original &amp;quot;Journey to the West&amp;quot; such as Arthur Waley's &amp;quot;Monkey,&amp;quot; find a balance between professional game terminology and traditional cultural expressions, and ensure that audiences with different backgrounds can understand.&lt;br /&gt;
&lt;br /&gt;
'''重要词汇 | Key Vocabulary'''&lt;br /&gt;
&lt;br /&gt;
中文拼音英文黑神话：悟空 Hēi shénhuà: Wùkōng Black Myth: Wukong&lt;br /&gt;
&lt;br /&gt;
西游记 Xī yóujì Journey to the West&lt;br /&gt;
&lt;br /&gt;
孙悟空 Sūn Wùkōng Sun Wukong/Monkey King&lt;br /&gt;
&lt;br /&gt;
法术 fǎ shù spells/magic&lt;br /&gt;
&lt;br /&gt;
法相天地 fǎ xiàng tiān dì Divine Transformation&lt;br /&gt;
&lt;br /&gt;
筋斗云 jīn dǒu yún Somersault Cloud&lt;br /&gt;
&lt;br /&gt;
如意金箍棒 rú yì jīn gū bàng Ruyi Jingu Bang/Compliant Golden-hooped Rod&lt;br /&gt;
&lt;br /&gt;
妖怪 yāoguài demons/monsters&lt;br /&gt;
&lt;br /&gt;
修为 xiūwéi cultivation level&lt;br /&gt;
&lt;br /&gt;
神通 shéntōng divine powers/supernatural abilities&lt;br /&gt;
&lt;br /&gt;
==第九讲测验 Session Nine Quiz==&lt;br /&gt;
&lt;br /&gt;
#旗袍这一服饰名称有哪两种常见的英文译法？它们各自的使用语境有何不同？What are the two common English translations of the clothing name &amp;quot;qipao&amp;quot;? What are the differences in their usage contexts?&lt;br /&gt;
#翻译旗袍工艺术语如&amp;quot;盘扣&amp;quot;、&amp;quot;琵琶襟&amp;quot;时应注意哪些专业性问题？What professional issues should be noted when translating qipao craftsmanship terms such as &amp;quot;pan kou&amp;quot; and &amp;quot;pipa jin&amp;quot;?&lt;br /&gt;
#《黑神话：悟空》作为基于《西游记》的游戏，在翻译相关内容时应特别注意哪些文化因素？As a game based on &amp;quot;Journey to the West,&amp;quot; what cultural factors should be specially noted when translating content related to &amp;quot;Black Myth: Wukong&amp;quot;?&lt;br /&gt;
#游戏中的文言表达和古风对话在翻译时有哪些特殊挑战？译者可采取什么策略？What special challenges do classical Chinese expressions and archaic dialogues in games have in translation? What strategies can translators adopt?&lt;br /&gt;
#在翻译旗袍文化相关内容时，如何避免东方主义的刻板印象？请给出具体建议。How can Orientalist stereotypes be avoided when translating qipao culture-related content? Please give specific suggestions.&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=File:Yuelu_Mountain.pptx&amp;diff=167434</id>
		<title>File:Yuelu Mountain.pptx</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=File:Yuelu_Mountain.pptx&amp;diff=167434"/>
		<updated>2025-06-04T09:53:14Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Overview_of_Chinese_Culture,_Spring_2025&amp;diff=165360</id>
		<title>Overview of Chinese Culture, Spring 2025</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Overview_of_Chinese_Culture,_Spring_2025&amp;diff=165360"/>
		<updated>2025-02-26T14:14:41Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: /* Homework */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Welcome to our course website [[Overview of Chinese Culture, Spring 2025]]!&lt;br /&gt;
&lt;br /&gt;
=Session 1 Wed Feb 19 8:00-9:40 room 腾龙楼 407 - Organizational issues=&lt;br /&gt;
FRI 8:00-9:40 '''中国文化概要''' [[Overview of Chinese Culture, Spring 2025]] 407 BA22笔译1 (1-16, 09230030.01)&lt;br /&gt;
&lt;br /&gt;
==What we learn in this class==&lt;br /&gt;
*We learn about Chinese culture from international, especially Western perspective. &lt;br /&gt;
*We learn about cultural phenomena, traditional Chinese culture.&lt;br /&gt;
*We learn English and Chinese terminology in the area of Chinese culture.&lt;br /&gt;
*We learn to think critically about cultural traditions and to appreciate the benefits from cultural traditions.&lt;br /&gt;
*We learn how to determine the location and role of Chinese culture within global culture.&lt;br /&gt;
*We learn basics of theories and models of intercultural communication and comparison.&lt;br /&gt;
*We learn the appreciate and respect the diversity of multipolar cultures and of integration.&lt;br /&gt;
*We become aware of the dangers of cultural discrimination (colonialism, religious missions, imperialism etc.).&lt;br /&gt;
&lt;br /&gt;
==Students' contribution==&lt;br /&gt;
*Every student needs to prepare the 1-2 textbook texts of the respective chapters in the textbook ahead each week of class. &lt;br /&gt;
*Every student selects a topic, prepares 2 ppt presentations of 15 min. (one without AI, one with AI, and please indicate references and an AI statement at the end of the presentation) and a mentimeter.com quiz for everybody to take live in class with results shown after all will have answered. The topics and contents of the sessions are determined by the selection of the students.&lt;br /&gt;
*For the final exam, you write another chapter of the textbook in both Chinese and English, with &amp;quot;Terms and Expressions&amp;quot;, References, Questions and Answers, Statement regarding AI&lt;br /&gt;
&lt;br /&gt;
==Textbook==&lt;br /&gt;
You will receive the textbook for our class. We need a volunteer who integrates the last 92 new chapters into the word file. After tha, you will receive an updated version of the textbook. There are more than 200 topics of our textbook. Here you find all topics in the order of the book and with the names of the students who will translate the chapters into Chinese. Please select two topics by writing your name behind it and by setting it in '''bold'''. These topics will be presented in the form of a powerpoint presentation.&lt;br /&gt;
&lt;br /&gt;
==Agreement on use of classroom time==&lt;br /&gt;
Should we read the texts in class or should the students read the text ahead of class (especially learning the terms and expressions) and come to class prepared? How should we use our classroom time? (presentations, quizzes, discussions, exercise to translate adhoc an unknown text from the same area)&lt;br /&gt;
&lt;br /&gt;
==Homework for next session (actually for every session)==&lt;br /&gt;
Please prepare the topics of the following session by reading the respective texts in the textbook and by answering the respective questions.&lt;br /&gt;
&lt;br /&gt;
==Teacher presentation: Introduction to Culture==&lt;br /&gt;
[[Media:01_Chin_Cult_Spring_2025.pptx]]&lt;br /&gt;
==Homework==&lt;br /&gt;
Please register on the Wiki and wait for the teacher to approve.&lt;br /&gt;
&lt;br /&gt;
Please select one of the following chapters of our textbook by writing your name behind the topic to give a 20 minute presentation on plus a MikeCRM quiz: The first three presenters will have to present next week!&lt;br /&gt;
&lt;br /&gt;
1.	Geographic Nature as a Basis for Cultural Development	17&lt;br /&gt;
&lt;br /&gt;
2.	Aesthetic ideals and social customs: Chinese Marriage Customs	22 Xu Huanchang&lt;br /&gt;
&lt;br /&gt;
3.	Aesthetic ideals and social customs: Habits, Ways of Contacting	31&lt;br /&gt;
&lt;br /&gt;
4.	Aesthetic ideals and social customs: Marriage-Accompanying Songs in Hunan	40&lt;br /&gt;
&lt;br /&gt;
5.	Aesthetic ideals and social customs: Crying Marriage of Tujia	49&lt;br /&gt;
&lt;br /&gt;
6.	Aesthetic ideals and social customs: The Four Most Handsome Men in Ancient China	63 '''Yao Kexin'''&lt;br /&gt;
&lt;br /&gt;
7.	Animals: Panda	71&lt;br /&gt;
&lt;br /&gt;
8.	Architecture	78&lt;br /&gt;
&lt;br /&gt;
9.	Architecture: The Forbidden City 	89&lt;br /&gt;
&lt;br /&gt;
10.	Architecture: Four Famous Bridges	102&lt;br /&gt;
&lt;br /&gt;
11.	Architecture: Four Great Pavilions	113&lt;br /&gt;
&lt;br /&gt;
12.	Architecture: Shengjing Imperial Palace	124&lt;br /&gt;
&lt;br /&gt;
13.	Architecture: Three Great Towers in China	131&lt;br /&gt;
&lt;br /&gt;
14.	Architecture: Fengshui in Chinese Architecture	145&lt;br /&gt;
&lt;br /&gt;
15.	Army and weapons: Chinese Ancient Weapons	154&lt;br /&gt;
&lt;br /&gt;
16.	Army and weapons: Terracotta Army	163&lt;br /&gt;
&lt;br /&gt;
17.	Astrology: Chinese Astrology	170&lt;br /&gt;
&lt;br /&gt;
18.	Astrology: Calendar, The 24 Solar Terms	178&lt;br /&gt;
&lt;br /&gt;
19.	Astrology: Twelve Animals of the Chinese Zodiac	188&lt;br /&gt;
&lt;br /&gt;
20.	Beverages: Milk Tea	197(Li Zuyi)&lt;br /&gt;
&lt;br /&gt;
21.	Beverages: Tea	203(Li Zhiying)&lt;br /&gt;
&lt;br /&gt;
22.	Beverages: The Liquor Culture of Ancient China	209&lt;br /&gt;
&lt;br /&gt;
23.	Body movement performance: Chinese Lion Dancing 	218&lt;br /&gt;
&lt;br /&gt;
24.	Body movement performance: Stilts	223&lt;br /&gt;
&lt;br /&gt;
25.	Body movement performance: Traditional Chinese Dance	230&lt;br /&gt;
&lt;br /&gt;
26.	Chinese Writing: Ancient Writing and Painting Tool, Writing Brush	236&lt;br /&gt;
&lt;br /&gt;
27.	Chinese Writing: Calligraphy	246&lt;br /&gt;
&lt;br /&gt;
28.	Chinese Writing: The Evolution of Calligraphy	252 Liu Xiaojia&lt;br /&gt;
&lt;br /&gt;
29.	Chinese Writing: Chinese Characters	262&lt;br /&gt;
&lt;br /&gt;
30.	Chinese Writing: Chinese Characters and Scripts	276&lt;br /&gt;
&lt;br /&gt;
31.	Clothing: Chinese Clothing	283&lt;br /&gt;
&lt;br /&gt;
32.	Clothing: Batik (Lanran)	291&lt;br /&gt;
&lt;br /&gt;
33.	Clothing: Cheongsam	301  (Lu Yingxin)&lt;br /&gt;
&lt;br /&gt;
34.	Confucianism: Confucian Culture	309&lt;br /&gt;
&lt;br /&gt;
35.	Confucianism: Chinese Traditional Culture-Five Constant Virtues	324&lt;br /&gt;
&lt;br /&gt;
36.	Confucianism: Classical Philosophy - Confucius and Confucianism	332&lt;br /&gt;
&lt;br /&gt;
37.	Confucianism: Classical Philosophy - Reading The Analects	339    (Duan Binyao)&lt;br /&gt;
&lt;br /&gt;
38.	Education: Ancient Chinese Education	350&lt;br /&gt;
&lt;br /&gt;
39.	Education: Historical Figures, The Four Talented Women of Ancient China	361（Shang Ruyi/Michelle）&lt;br /&gt;
&lt;br /&gt;
40.	Education: Modern Chinese Education System	371&lt;br /&gt;
&lt;br /&gt;
41.	Education: The Nine-Grade Official Selection System in Wei, Jin, Southern and Northern Dynasties	386&lt;br /&gt;
&lt;br /&gt;
42.	Education: Yuelu Academy (One of the Four Most Prestigious Academies)	395&lt;br /&gt;
&lt;br /&gt;
43.	Facial Make-up	406&lt;br /&gt;
&lt;br /&gt;
44.	Facial Make-up: Cosmetics, Traditional Chinese Make-Up	413&lt;br /&gt;
&lt;br /&gt;
45.	Facial Make-up: Face Changing in Sichuan Opera	431&lt;br /&gt;
&lt;br /&gt;
46.	Fine Arts: Painting	440&lt;br /&gt;
&lt;br /&gt;
47.	Fine Arts: Bada Shanren and Qi Baishi	445&lt;br /&gt;
&lt;br /&gt;
48.	Fine Arts: Painting Riverside Scene at Tomb Sweeping Day	452&lt;br /&gt;
&lt;br /&gt;
49.	Fine Arts: Seal-cutting	459&lt;br /&gt;
&lt;br /&gt;
50.	Games: Go 围棋 	462&lt;br /&gt;
&lt;br /&gt;
51.	Games: Kite Flying	468&lt;br /&gt;
&lt;br /&gt;
52.	Games: Mahjong: An Ancient Chinese card play	476(Zhou Yuzhen)&lt;br /&gt;
&lt;br /&gt;
53.	Garden Culture: Gardens	505&lt;br /&gt;
&lt;br /&gt;
54.	Garden Culture: Bonsai (Penjing) 	511&lt;br /&gt;
&lt;br /&gt;
55.	Garden Culture: The Summer Palace	519&lt;br /&gt;
&lt;br /&gt;
56.	Garden Culture: Qingming Riverside Landscspe Garden	526&lt;br /&gt;
&lt;br /&gt;
57.	Gender: Wu Zetian: The Only Female Emperor of Imperial China	535&lt;br /&gt;
&lt;br /&gt;
58.	History: Carl and Cixi	548&lt;br /&gt;
&lt;br /&gt;
59.	Interieur: The Folding Screen	552&lt;br /&gt;
&lt;br /&gt;
60.	Landscapes and Tourism: Four Buddhist Shrines	561&lt;br /&gt;
&lt;br /&gt;
61.	Landscapes and Tourism: Four State-Level Cultural Relics	573&lt;br /&gt;
&lt;br /&gt;
62.	Landscapes and Tourism: Landscape, Five Famous Mountains	585&lt;br /&gt;
&lt;br /&gt;
63.	Landscapes and Tourism: Mogao Grottoes	593&lt;br /&gt;
&lt;br /&gt;
64.	Landscapes and Tourism: The Culture of Mount Tai(Zheng Xiaotong)	606&lt;br /&gt;
&lt;br /&gt;
65.	Landscapes and Tourism: Canal Culture：The Grand Canal（The Peking-Hangzhou Grand Canal）	621&lt;br /&gt;
&lt;br /&gt;
66.	Landscapes and Tourism: The Ancient Tea Horse Road	635&lt;br /&gt;
&lt;br /&gt;
67.	Landscapes and Tourism: Tourism, Nanking-An Ancient Capital of Six Dynasties	642（Hu Xiuhao）&lt;br /&gt;
&lt;br /&gt;
68.	Language: Chinese Language	649&lt;br /&gt;
&lt;br /&gt;
69.	Language: Chinese Dialects	660   (Li Bingjie)&lt;br /&gt;
&lt;br /&gt;
70.	Language: Chinese Folk Argot	669&lt;br /&gt;
&lt;br /&gt;
71.	Literature: Ancient literature - Chinese Classical Fairy Tales	681&lt;br /&gt;
&lt;br /&gt;
72.	Literature: Ancient literature - Chinese Mythology	688&lt;br /&gt;
&lt;br /&gt;
73.	Literature: Ancient literature - Classical Literature	699&lt;br /&gt;
&lt;br /&gt;
74.	Literature: Ancient Literature - Four satirical novels in ancient China	706&lt;br /&gt;
&lt;br /&gt;
75.	Literature: Ancient literature: Four Folk Stories of Ancient China	715 （Su Xing）&lt;br /&gt;
&lt;br /&gt;
76.	Literature: Ancient Literature - Take Su Shi as an example. Relegation Literature in Ancient China	725    Chen Jingxi&lt;br /&gt;
77.	Literature: Ancient Literature: The Classic of Mountains and Seas	748&lt;br /&gt;
&lt;br /&gt;
78.	Literature: Ancient literature: Yuefu	765&lt;br /&gt;
&lt;br /&gt;
79.	Literature: Premodern literature - China's Four Great Classical Novels	773   (Duan Binyao)&lt;br /&gt;
&lt;br /&gt;
80.	Literature: Premodern literature - Li Bai's “The River-Merchant's Wife: A Letter” and its translations	780 '''Yang Ning'''&lt;br /&gt;
&lt;br /&gt;
81.	Literature: Premodern literature: Strange Stories from a Chinese Studio	786&lt;br /&gt;
&lt;br /&gt;
82.	Literature: Premodern literature: Tang-Song	794&lt;br /&gt;
&lt;br /&gt;
83.	Literature: Tang and Song - Classical Prose Movement of late Tang Dynasty and Song Dynasty	823&lt;br /&gt;
&lt;br /&gt;
84.	Literature: Modern Literature	832&lt;br /&gt;
&lt;br /&gt;
85.	Literature: Modern Literature: Qian Zhongshu (Ch'ien Chung-shu)	841&lt;br /&gt;
&lt;br /&gt;
86.	Literature: Modern and Contemporary Literature: Literature, Science Fiction, and Fantasy	848&lt;br /&gt;
&lt;br /&gt;
87.	Literature: Contemporary Literature	859&lt;br /&gt;
&lt;br /&gt;
88.	Martial Arts: Huo Yuanjia	865&lt;br /&gt;
&lt;br /&gt;
89.	Martial Arts: Qigong	868&lt;br /&gt;
&lt;br /&gt;
90.	Martial Arts: Taiji (Tai Chi) Shadow Boxing	873&lt;br /&gt;
&lt;br /&gt;
91.	Martial Arts: Wushu	885&lt;br /&gt;
&lt;br /&gt;
92.	Martial Arts: Frolics of the Five Animals (Wuqinxi)	890&lt;br /&gt;
&lt;br /&gt;
93.	Medicine: Traditional Chinese Medicine (TCM)	900&lt;br /&gt;
&lt;br /&gt;
94.	Medicine: TCM - Acupuncture and Moxibustion	907&lt;br /&gt;
&lt;br /&gt;
95.	Medicine: TCM - Diagnosis and Pharmacology	912&lt;br /&gt;
&lt;br /&gt;
96.	Medicine: TCM - The Development of Chinese Medicine	917&lt;br /&gt;
&lt;br /&gt;
97.	Medicine: TCM – The Chinese Medical Sage Zhang Zhongjing	924&lt;br /&gt;
&lt;br /&gt;
98.	Minority cultures: Lisu People and Daogan Festival of Lisu Ethnic Minority	934&lt;br /&gt;
&lt;br /&gt;
99.	Minority cultures: The Ethnic Minorities’ Costumes	941&lt;br /&gt;
&lt;br /&gt;
100.	Money culture: Currency, Jiaozi (A Paper Currency in Northern Song Dynasty)	952&lt;br /&gt;
&lt;br /&gt;
101.	Money culture: The tradition of Red Envelope and Lucky Money 	962&lt;br /&gt;
&lt;br /&gt;
102.	Music and instruments: Guzheng	975&lt;br /&gt;
&lt;br /&gt;
103.	Music and instruments: Pipa	986&lt;br /&gt;
&lt;br /&gt;
104.	Mythology: Gods and Immortals	996&lt;br /&gt;
&lt;br /&gt;
105.	Mythology: Huli-jing	1005&lt;br /&gt;
&lt;br /&gt;
106.	National Symbols: National Anthem	1018&lt;br /&gt;
&lt;br /&gt;
107.	National Symbols: National Flag	1026&lt;br /&gt;
&lt;br /&gt;
108.	Opera: Peking Opera	1035&lt;br /&gt;
&lt;br /&gt;
109.	Opera: Peking Opera Acrobatics	1043&lt;br /&gt;
&lt;br /&gt;
110.	Opera: Peking Opera Actor Mei Lanfang	1050&lt;br /&gt;
&lt;br /&gt;
111.	Opera: Tea-picking Opera	1055&lt;br /&gt;
&lt;br /&gt;
112.	Opera: Hunan Flower-drum Opera (Huagu Opera)	1064&lt;br /&gt;
&lt;br /&gt;
113.	Philosophical Schools: Four Main Philosophical Schools	1076&lt;br /&gt;
&lt;br /&gt;
114.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy – Daoism	1087&lt;br /&gt;
&lt;br /&gt;
115.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading Tao Te Ching	1093&lt;br /&gt;
&lt;br /&gt;
116.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Sutra of Hui-neng	1099&lt;br /&gt;
&lt;br /&gt;
117.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Importance of Living	1106&lt;br /&gt;
&lt;br /&gt;
118.	Philosophical Schools (Daoism, Buddhism, Legalism): Legalism 	1119&lt;br /&gt;
&lt;br /&gt;
119.	Philosophy: Chinese Traditional Cultivation Culture	1129&lt;br /&gt;
&lt;br /&gt;
120.	Religion: Traditional Chinese Funeral Culture	1141&lt;br /&gt;
&lt;br /&gt;
121.	Religion: Buddhism	1155&lt;br /&gt;
&lt;br /&gt;
122.	Religion: Daoism	1170&lt;br /&gt;
&lt;br /&gt;
123.	Religion: Christianity	1175&lt;br /&gt;
&lt;br /&gt;
124.	Religion: Islam	1181&lt;br /&gt;
&lt;br /&gt;
125.	Science and Technology: Ancient Science and Technology	1185&lt;br /&gt;
&lt;br /&gt;
126.	Science and Technology: China's Four New Inventions	1191&lt;br /&gt;
&lt;br /&gt;
127.	Science and Technology: Compass	1217&lt;br /&gt;
&lt;br /&gt;
128.	Science and Technology: TikTok (Douyin)	1226&lt;br /&gt;
&lt;br /&gt;
129.	Science and Technology: Three Giant Home Appliance Enterprises In China 	1235&lt;br /&gt;
&lt;br /&gt;
130.	Science and Technology: Four Domestic Mobile Phone Companies	1257&lt;br /&gt;
&lt;br /&gt;
131.	Silk and porcelain: Silk	1272&lt;br /&gt;
&lt;br /&gt;
132.	Silk and porcelain: Porcelain	1277&lt;br /&gt;
&lt;br /&gt;
133.	Silk and porcelain: Celadon and Celadon Song 《青花瓷》歌词	1283&lt;br /&gt;
&lt;br /&gt;
134.	Silk Road - by land and by sea: Zhang Qian and the Silk Road	1291&lt;br /&gt;
&lt;br /&gt;
135.	Silk Road - by land and by sea: Zheng He and the Maritime Silk Road	1296&lt;br /&gt;
&lt;br /&gt;
136.	Silk Road - by land and by sea: Zheng He's Voyages	1300&lt;br /&gt;
&lt;br /&gt;
137.	Social: The Long-life Lock	1308&lt;br /&gt;
&lt;br /&gt;
138.	Social: Round Table Culture	1317&lt;br /&gt;
&lt;br /&gt;
139.	Stage entertainment: Crosstalk 相声	1325&lt;br /&gt;
140.	Stage entertainment: Shadow Play	1332(Peng Peixin)&lt;br /&gt;
&lt;br /&gt;
141.	Traditional Crafts: Carving	1340&lt;br /&gt;
&lt;br /&gt;
142.	Traditional Crafts: Chinese Jade Culture	1348&lt;br /&gt;
143.	Traditional Crafts: Cloisonne	1363&lt;br /&gt;
&lt;br /&gt;
144.	Traditional Crafts: Embroidery	1369&lt;br /&gt;
&lt;br /&gt;
145.	Traditional Crafts: Shu Embroidery (Sichuan Embroidery)	1373&lt;br /&gt;
&lt;br /&gt;
146.	Traditional Crafts: Xiang Embroidery	1386&lt;br /&gt;
&lt;br /&gt;
147.	Traditional Crafts: Folk Art - Chinese Paper-cutting	1400&lt;br /&gt;
&lt;br /&gt;
148.	Traditional Crafts: Handcraft - Chinese Knots	1409&lt;br /&gt;
&lt;br /&gt;
149.	Traditional Crafts: Lacquerware	1418&lt;br /&gt;
&lt;br /&gt;
150.	Traditional Crafts: The Kingfisher Craft点翠	1423&lt;br /&gt;
&lt;br /&gt;
151.	Traditional Cuisine: Chinese Dining Etiquette	1436&lt;br /&gt;
&lt;br /&gt;
152.	Traditional Cuisine: Chopsticks	1450&lt;br /&gt;
&lt;br /&gt;
153.	Traditional Cuisine: Eight Major Cuisines of China	1456&lt;br /&gt;
&lt;br /&gt;
154.	Traditional Cuisine: Four Distinct Regional Cuisines	1473&lt;br /&gt;
&lt;br /&gt;
155.	Traditional Cuisine: Breakfast Culture of Wuhan	1480&lt;br /&gt;
&lt;br /&gt;
156.	Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick	1491&lt;br /&gt;
157.	Traditional Cuisine: Hotpot	1501&lt;br /&gt;
&lt;br /&gt;
158.	Traditional Cuisine: The Art of Chinese Cooking	1508&lt;br /&gt;
&lt;br /&gt;
159.	Traditional Cuisine: Two Famous Dishes	1514&lt;br /&gt;
&lt;br /&gt;
160.	Traditional Festivals	1518&lt;br /&gt;
&lt;br /&gt;
161.	Traditional Festivals: Lattice on Ancient Chinese Windows	1525&lt;br /&gt;
&lt;br /&gt;
162.	Traditional Festivals: Spring Festival Couplets	1538&lt;br /&gt;
&lt;br /&gt;
163.	Westernization: The Eastward Spread of Western Learning	1544&lt;br /&gt;
&lt;br /&gt;
164.	Westernization: The Westernization Movement	1550&lt;br /&gt;
&lt;br /&gt;
165.	Worship: Chinese Incense Culture	1558&lt;br /&gt;
&lt;br /&gt;
166.	Economy: Chinese Currency Changes	1569&lt;br /&gt;
&lt;br /&gt;
167.	History: Wang Shouren	1573&lt;br /&gt;
&lt;br /&gt;
168.	Martial Arts: Chinese Swordsman Spirit	1582&lt;br /&gt;
&lt;br /&gt;
169.	Cuisine: Luosifen	1593&lt;br /&gt;
&lt;br /&gt;
170.	Fine Arts: Chinese Paper Cutting	1601&lt;br /&gt;
&lt;br /&gt;
171.	Science and Technology: Taobao(淘宝) 	1611&lt;br /&gt;
&lt;br /&gt;
172.	Traditional Craft: Bronze	1623&lt;br /&gt;
&lt;br /&gt;
173.	Entertainment: Deyunshe 德云社	1631&lt;br /&gt;
&lt;br /&gt;
174.	Traditional Cuisine: Jiaozi	1644&lt;br /&gt;
&lt;br /&gt;
175.	Aesthetic ideals and social customs: the Photo Retouching Culture in China	1655&lt;br /&gt;
&lt;br /&gt;
176.	Traditional Crafts: Handcraft - Oil-paper Umbrella	1664&lt;br /&gt;
&lt;br /&gt;
177.	stage entertainment:Yuan drama	1676&lt;br /&gt;
&lt;br /&gt;
178.	Music and instruments: Erhu	1685&lt;br /&gt;
&lt;br /&gt;
179.	Traditional and Modern Views on Marriage and Love	1694&lt;br /&gt;
&lt;br /&gt;
180.	Traditional Cuisine: Tangyuan	1701&lt;br /&gt;
&lt;br /&gt;
181.	Animals：Golden Monkey	1712&lt;br /&gt;
&lt;br /&gt;
182.	Chinese Economy: rich businessmen	1719&lt;br /&gt;
&lt;br /&gt;
183.	Opera: Chinese Local Operas	1727&lt;br /&gt;
&lt;br /&gt;
184.	The Chinese tradition of ancestor worship	1740&lt;br /&gt;
&lt;br /&gt;
185.	Opera: Huangmei opera	1752&lt;br /&gt;
&lt;br /&gt;
186.	The “reference” of Chinese Music	1759&lt;br /&gt;
&lt;br /&gt;
187.	Chinese Folk Art:Lion Dance	1767&lt;br /&gt;
&lt;br /&gt;
188.	Science and Technology: Mobile Games（手游）	1783&lt;br /&gt;
&lt;br /&gt;
189.	Clothing: Vintage Clothing	1790&lt;br /&gt;
&lt;br /&gt;
190.	Fine arts:Kunqu Opera	1798&lt;br /&gt;
&lt;br /&gt;
191.	Aesthetic ideals and social customs: The Culture of Flowers	1807&lt;br /&gt;
&lt;br /&gt;
192.	National Belief: the Chinese Dream	1818&lt;br /&gt;
&lt;br /&gt;
193.	Science and Technology: Buytogether（PDD) 	1825&lt;br /&gt;
&lt;br /&gt;
194.	Aesthetic ideals and social customs：Marriage and Burial Customs of Tujia People	1845&lt;br /&gt;
&lt;br /&gt;
195.	Sports: Cuju (蹴鞠) 	1845&lt;br /&gt;
&lt;br /&gt;
196.	Science and Technology: The culture of Chinese Electric Vehicles 中国电动汽车	1845&lt;br /&gt;
&lt;br /&gt;
197.	Chinese tradition culture: The culture of Ronghua—Velvet Flowers 绒花	1845 (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
198.	Stage entertainment: Northeast Errenzhuan (二人转) 	1845&lt;br /&gt;
&lt;br /&gt;
199.	Traditional Crafts: Dough Sculpture 面塑	1845&lt;br /&gt;
&lt;br /&gt;
200.	Nanchang Relic Museum for Haihun Principality of Han Dynasty	1845&lt;br /&gt;
&lt;br /&gt;
201.	The culture of Grass cloth 夏布	1845 (Huang Qiaoqiao)&lt;br /&gt;
&lt;br /&gt;
202.	The Legend of Zhen Huan 《甄嬛传》Zhou Yanhua	1845&lt;br /&gt;
&lt;br /&gt;
203.	Chinese horror movies 中式恐怖片	1845&lt;br /&gt;
&lt;br /&gt;
204.	Stand-up comedy 单口喜剧	1845&lt;br /&gt;
&lt;br /&gt;
205.	Bride-price（彩礼）	1845&lt;br /&gt;
&lt;br /&gt;
206.	Chinese science fiction movies 中国科幻片	1845&lt;br /&gt;
&lt;br /&gt;
207.	Shandong cuisine鲁菜	1845&lt;br /&gt;
&lt;br /&gt;
208.	Chinese traditional ornament: Buyao （步摇）	1845&lt;br /&gt;
&lt;br /&gt;
209.	Tofu meatball with pig blood (猪血丸子) 	1845&lt;br /&gt;
&lt;br /&gt;
210.	Sunzi’s Art of War: Source for All Books on War (孙子兵法) 	1845&lt;br /&gt;
&lt;br /&gt;
211.	The Temple of Heaven：Reverence with Awe and Gratitude（天坛）	1845&lt;br /&gt;
&lt;br /&gt;
212.	Education：training Schools （教育：补习班）	1845&lt;br /&gt;
&lt;br /&gt;
213.	Chinese Dreamcore (中式梦核) 	1845……(Liu Wenziqin/Lucie)&lt;br /&gt;
&lt;br /&gt;
214.	Lu Ban, China’s inventor（中国发明家——鲁班）	1845&lt;br /&gt;
&lt;br /&gt;
215.	Live Streaming E-commerce（直播电商）	1845&lt;br /&gt;
&lt;br /&gt;
216.	The Story of Ming Lan（知否知否，应是绿肥红瘦）	1845 Xiao Xiangping&lt;br /&gt;
&lt;br /&gt;
217.	Cha Bai Xi/Tea Latte Art (茶百戏) 	1845&lt;br /&gt;
&lt;br /&gt;
218.	Guangdong Herbal tea（广东凉茶）	1845&lt;br /&gt;
&lt;br /&gt;
219.	Chinese traditional art form：Seal carving（篆刻）	1845&lt;br /&gt;
&lt;br /&gt;
220.	Rice cake (年糕) 	1845&lt;br /&gt;
&lt;br /&gt;
221.	Zhongyuan festival	1845(Ou Huang)&lt;br /&gt;
&lt;br /&gt;
222.	Dulong: Facial tattoo (独龙族：纹面) 	1845&lt;br /&gt;
&lt;br /&gt;
223.	The Return of the Pearl Princess（还珠格格）	1845&lt;br /&gt;
&lt;br /&gt;
224.	Chinese Food：Jiangxi Cuisine（赣菜）	1845&lt;br /&gt;
&lt;br /&gt;
225.	&amp;quot;Cun Chao&amp;quot;: China's village football league（“村超”：中国乡村足球联赛）	1845&lt;br /&gt;
&lt;br /&gt;
226.	Landscapes and Tourism: Junshan Island (君山岛) 	1845&lt;br /&gt;
&lt;br /&gt;
227.	Chinese Bossy Fictions &amp;amp; Micro-drama（中国式霸总小说&amp;amp;短剧）	1845 '''Yao Kexin'''&lt;br /&gt;
&lt;br /&gt;
228.	Chinese Traditional Medicine (中医药）——— Mortise and Tenon Joint（榫卯结构）	1845&lt;br /&gt;
&lt;br /&gt;
229.	Jingdezhen Porcelain	1845&lt;br /&gt;
&lt;br /&gt;
230.	Gayageum（伽倻琴）	1845&lt;br /&gt;
&lt;br /&gt;
231.	The plaque and couplet in Chinese garden（园林匾额对联）	1845&lt;br /&gt;
&lt;br /&gt;
232.	Sun Wukong（孙悟空）	1845(Zhong Weiping )&lt;br /&gt;
&lt;br /&gt;
233.	Traditional Chinese Pigments（中国传统颜料）	1845&lt;br /&gt;
&lt;br /&gt;
234.	Dragon Lantern Dance（舞龙灯）	1845&lt;br /&gt;
&lt;br /&gt;
235.	Bamboo Weaving (竹编）	1845&lt;br /&gt;
&lt;br /&gt;
236.	Landscapes and Tourism: Harbin Ice and Snow World (冰雪大世界) 	1845&lt;br /&gt;
&lt;br /&gt;
237.	Braised Chicken Rice (黄焖鸡米饭-Huang Men Ji Mifan) 	1845 Wang Nan&lt;br /&gt;
&lt;br /&gt;
238.	Three Famous Chinese Mountains(中国三山) 	1845&lt;br /&gt;
&lt;br /&gt;
239.	Female Emperor---Wu Zetian	1845&lt;br /&gt;
&lt;br /&gt;
240.	Clay sculpture (泥塑）	1845&lt;br /&gt;
&lt;br /&gt;
241.	Abacus (中国珠算）	1845  (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
242.	Hunan Rice Noodles（湖南米粉）	1845(Ou Huang)&lt;br /&gt;
&lt;br /&gt;
243.	Chinese name（中国姓名文化）	1845&lt;br /&gt;
&lt;br /&gt;
244.	Chinese popular viral memes (中国网络社交媒体“热梗”）	1845&lt;br /&gt;
&lt;br /&gt;
245.	Douzhi (豆汁) 	1845(Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
246.	New Year Wood-block Paintings (木版年画）	1845&lt;br /&gt;
&lt;br /&gt;
247.	Carved lacquer（雕漆）	1845&lt;br /&gt;
&lt;br /&gt;
248.	Jing Gang Mountain (井冈山）	1845&lt;br /&gt;
&lt;br /&gt;
249.	Intangible Cultural Heritage: Tongguan Kiln （铜官窑）	1845&lt;br /&gt;
&lt;br /&gt;
250.	Language: Hakka Dialect（客家话）	1845&lt;br /&gt;
&lt;br /&gt;
251.	Rice noodle roll（肠粉）	1845&lt;br /&gt;
&lt;br /&gt;
252.	Traditional Cuisine: Northeastern Chinese Cuisine(东北菜）	1845&lt;br /&gt;
&lt;br /&gt;
253.	Yuelu Mountain (岳麓山) 	1845(Zhu Shunjie)&lt;br /&gt;
&lt;br /&gt;
254.	Traditional Crafts：Tie-Dye（扎染）	1845&lt;br /&gt;
&lt;br /&gt;
255.	Chinese-style sun protection (中式防晒）	1845&lt;br /&gt;
&lt;br /&gt;
256.	Danmu (弹幕）	1845&lt;br /&gt;
&lt;br /&gt;
257.	Yangshao Culture（仰韶文化）	1845&lt;br /&gt;
&lt;br /&gt;
258.	Indigo Dyeing (蓝染) 	1845&lt;br /&gt;
&lt;br /&gt;
259.	Female Writers: Zhang Ailing, Chen Ping, Lin Yihan and Li Bihua	1845&lt;br /&gt;
&lt;br /&gt;
260.	Wedding dress in the Song Dynasty (宋代婚服) 	1845&lt;br /&gt;
&lt;br /&gt;
261.	The cultural idea oft he great unification in ancient China (中国古代的大一统文化思想) 	1845&lt;br /&gt;
&lt;br /&gt;
262.	The Four Pillars of Destiny (八字) 	1845(Ou Huang)&lt;br /&gt;
&lt;br /&gt;
263.	Shaolin Temple (少林寺) 	1845&lt;br /&gt;
&lt;br /&gt;
264.	Single bamboo drifting（独竹漂）	1845&lt;br /&gt;
&lt;br /&gt;
265.	Cuisine: Changde spicy salted duck 酱板鸭传说的由来	1845 (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
266.	Hui Culture (徽文化)	1845(Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
267.	Ma Zu Culture (妈祖文化)	1845&lt;br /&gt;
&lt;br /&gt;
268.	Table Manners 	1845&lt;br /&gt;
&lt;br /&gt;
269.	Music of the Mongol nationality (蒙古族音乐)	1845&lt;br /&gt;
&lt;br /&gt;
270.	The Yingge Dance（英歌舞）	1845&lt;br /&gt;
&lt;br /&gt;
271.	Palace Lantern（宫灯）	1845&lt;br /&gt;
&lt;br /&gt;
272.	Chinese Term of Endearment（中国亲昵称谓）	1845 Zhu Huiting&lt;br /&gt;
&lt;br /&gt;
273.	Changsha Stinky Tofu（长沙臭豆腐) 	1845&lt;br /&gt;
&lt;br /&gt;
274.	God of Wealth(财神) 	1845&lt;br /&gt;
&lt;br /&gt;
275.	Zhuazhou（抓周）	1845&lt;br /&gt;
&lt;br /&gt;
276.	Nail art（美甲）	1845&lt;br /&gt;
&lt;br /&gt;
277.	Mirror (镜子) 	1845&lt;br /&gt;
&lt;br /&gt;
278.	The Beef Board Noodle (牛肉板面) 	1845&lt;br /&gt;
&lt;br /&gt;
279.	Huo Qubing (霍去病）	1845 （Li Yijun）&lt;br /&gt;
&lt;br /&gt;
280.	Chinese Courtyard Houses（中国四合院）	1845&lt;br /&gt;
&lt;br /&gt;
281.	Music and instruments: Yangqin（扬琴）	1845&lt;br /&gt;
&lt;br /&gt;
282.	Black Myth: Wukong（黑神话 悟空）	1845(Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
283.	Guangdong Morning Tea Culture （广东早茶文化）	1845（Tang Jiahua）&lt;br /&gt;
&lt;br /&gt;
=Session 02 Wed Feb 26 8:00-9:40 room 腾龙楼 407 - Student presentations=&lt;br /&gt;
==28. Chinese Writing: The Evolution of Calligraphy.     (Liu Xiaojia)==&lt;br /&gt;
&lt;br /&gt;
[[Media:Calligraphy_pres_Spring_2025.pptx]] by Liu Xiaojia&lt;br /&gt;
&lt;br /&gt;
==39. The Four Talented Women of Ancient China.  (Shang Ruyi)==&lt;br /&gt;
&lt;br /&gt;
[[Media:The four talented women of ancient China_pres_Spring_2025.pptx]] by Shang Ruyi&lt;br /&gt;
&lt;br /&gt;
==202.The Legend of Zhen Huan.   (Zhou Yanhua)==&lt;br /&gt;
&lt;br /&gt;
[[Media:202_The_Legend_of_Zhen_Huan_2025.pptx]] by Zhou Yanhua&lt;br /&gt;
&lt;br /&gt;
==Teacher presentation==&lt;br /&gt;
[[Media:02_Chin_Cult_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
=Session 03 Wed Mar 05 8:00-9:40 room 腾龙楼 407 - Student presentations=&lt;br /&gt;
&lt;br /&gt;
[[Media:Soccer_pres_Spring_2025.pptx]] by Wang Jianguo&lt;br /&gt;
&lt;br /&gt;
=Session 04 Wed Mar 12 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
== 188. Science and Technology: Mobile Games（手游）(Wu Jincheng) ==&lt;br /&gt;
== 133. Silk and porcelain: Celadon and Celadon Song 《青花瓷》歌词 （Zhou Zhengyuan） ==&lt;br /&gt;
&lt;br /&gt;
=Session 05 Wed Mar 19 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 06 Wed Mar 26 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 07 Wed Apr 02 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
清明节4月4日——4月6日&lt;br /&gt;
=Session 08 Wed Apr 09 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 09 Wed Apr 16 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 10 Wed Apr 23 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 11 Wed Apr 30 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
劳动节5月1日——5月5日&lt;br /&gt;
=Session 12 Wed May 07 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 13 Wed May 14 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 14 Wed May 21 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 15 Wed May 28 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
端午节5月31日——6月2日&lt;br /&gt;
=Session 16 Wed Jun 25 8:00-9:40 room 腾龙楼 407 - Final Exam=&lt;br /&gt;
Please write your paper here: [[Cult_Ov_Fin_Exam_Spring_2025]]&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Overview_of_Chinese_Culture,_Spring_2025&amp;diff=165336</id>
		<title>Overview of Chinese Culture, Spring 2025</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Overview_of_Chinese_Culture,_Spring_2025&amp;diff=165336"/>
		<updated>2025-02-26T02:29:09Z</updated>

		<summary type="html">&lt;p&gt;Zhu Shunjie: /* Homework */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Welcome to our course website [[Overview of Chinese Culture, Spring 2025]]!&lt;br /&gt;
&lt;br /&gt;
=Session 1 Wed Feb 19 8:00-9:40 room 腾龙楼 407 - Organizational issues=&lt;br /&gt;
FRI 8:00-9:40 '''中国文化概要''' [[Overview of Chinese Culture, Spring 2025]] 407 BA22笔译1 (1-16, 09230030.01)&lt;br /&gt;
&lt;br /&gt;
==What we learn in this class==&lt;br /&gt;
*We learn about Chinese culture from international, especially Western perspective. &lt;br /&gt;
*We learn about cultural phenomena, traditional Chinese culture.&lt;br /&gt;
*We learn English and Chinese terminology in the area of Chinese culture.&lt;br /&gt;
*We learn to think critically about cultural traditions and to appreciate the benefits from cultural traditions.&lt;br /&gt;
*We learn how to determine the location and role of Chinese culture within global culture.&lt;br /&gt;
*We learn basics of theories and models of intercultural communication and comparison.&lt;br /&gt;
*We learn the appreciate and respect the diversity of multipolar cultures and of integration.&lt;br /&gt;
*We become aware of the dangers of cultural discrimination (colonialism, religious missions, imperialism etc.).&lt;br /&gt;
&lt;br /&gt;
==Students' contribution==&lt;br /&gt;
*Every student needs to prepare the 1-2 textbook texts of the respective chapters in the textbook ahead each week of class. &lt;br /&gt;
*Every student selects a topic, prepares 2 ppt presentations of 15 min. (one without AI, one with AI, and please indicate references and an AI statement at the end of the presentation) and a mentimeter.com quiz for everybody to take live in class with results shown after all will have answered. The topics and contents of the sessions are determined by the selection of the students.&lt;br /&gt;
*For the final exam, you write another chapter of the textbook in both Chinese and English, with &amp;quot;Terms and Expressions&amp;quot;, References, Questions and Answers, Statement regarding AI&lt;br /&gt;
&lt;br /&gt;
==Textbook==&lt;br /&gt;
You will receive the textbook for our class. We need a volunteer who integrates the last 92 new chapters into the word file. After tha, you will receive an updated version of the textbook. There are more than 200 topics of our textbook. Here you find all topics in the order of the book and with the names of the students who will translate the chapters into Chinese. Please select two topics by writing your name behind it and by setting it in '''bold'''. These topics will be presented in the form of a powerpoint presentation.&lt;br /&gt;
&lt;br /&gt;
==Agreement on use of classroom time==&lt;br /&gt;
Should we read the texts in class or should the students read the text ahead of class (especially learning the terms and expressions) and come to class prepared? How should we use our classroom time? (presentations, quizzes, discussions, exercise to translate adhoc an unknown text from the same area)&lt;br /&gt;
&lt;br /&gt;
==Homework for next session (actually for every session)==&lt;br /&gt;
Please prepare the topics of the following session by reading the respective texts in the textbook and by answering the respective questions.&lt;br /&gt;
&lt;br /&gt;
==Teacher presentation: Introduction to Culture==&lt;br /&gt;
[[Media:01_Chin_Cult_Spring_2025.pptx]]&lt;br /&gt;
==Homework==&lt;br /&gt;
Please register on the Wiki and wait for the teacher to approve.&lt;br /&gt;
&lt;br /&gt;
Please select one of the following chapters of our textbook by writing your name behind the topic to give a 20 minute presentation on plus a MikeCRM quiz: The first three presenters will have to present next week!&lt;br /&gt;
&lt;br /&gt;
1.	Geographic Nature as a Basis for Cultural Development	17&lt;br /&gt;
&lt;br /&gt;
2.	Aesthetic ideals and social customs: Chinese Marriage Customs	22&lt;br /&gt;
&lt;br /&gt;
3.	Aesthetic ideals and social customs: Habits, Ways of Contacting	31&lt;br /&gt;
&lt;br /&gt;
4.	Aesthetic ideals and social customs: Marriage-Accompanying Songs in Hunan	40&lt;br /&gt;
&lt;br /&gt;
5.	Aesthetic ideals and social customs: Crying Marriage of Tujia	49&lt;br /&gt;
&lt;br /&gt;
6.	Aesthetic ideals and social customs: The Four Most Handsome Men in Ancient China	63&lt;br /&gt;
&lt;br /&gt;
7.	Animals: Panda	71&lt;br /&gt;
&lt;br /&gt;
8.	Architecture	78&lt;br /&gt;
&lt;br /&gt;
9.	Architecture: The Forbidden City 	89&lt;br /&gt;
&lt;br /&gt;
10.	Architecture: Four Famous Bridges	102&lt;br /&gt;
&lt;br /&gt;
11.	Architecture: Four Great Pavilions	113&lt;br /&gt;
&lt;br /&gt;
12.	Architecture: Shengjing Imperial Palace	124&lt;br /&gt;
&lt;br /&gt;
13.	Architecture: Three Great Towers in China	131&lt;br /&gt;
&lt;br /&gt;
14.	Architecture: Fengshui in Chinese Architecture	145&lt;br /&gt;
&lt;br /&gt;
15.	Army and weapons: Chinese Ancient Weapons	154&lt;br /&gt;
&lt;br /&gt;
16.	Army and weapons: Terracotta Army	163&lt;br /&gt;
&lt;br /&gt;
17.	Astrology: Chinese Astrology	170&lt;br /&gt;
&lt;br /&gt;
18.	Astrology: Calendar, The 24 Solar Terms	178&lt;br /&gt;
&lt;br /&gt;
19.	Astrology: Twelve Animals of the Chinese Zodiac	188&lt;br /&gt;
&lt;br /&gt;
20.	Beverages: Milk Tea	197(Li Zuyi)&lt;br /&gt;
&lt;br /&gt;
21.	Beverages: Tea	203&lt;br /&gt;
&lt;br /&gt;
22.	Beverages: The Liquor Culture of Ancient China	209&lt;br /&gt;
&lt;br /&gt;
23.	Body movement performance: Chinese Lion Dancing 	218&lt;br /&gt;
&lt;br /&gt;
24.	Body movement performance: Stilts	223&lt;br /&gt;
&lt;br /&gt;
25.	Body movement performance: Traditional Chinese Dance	230&lt;br /&gt;
&lt;br /&gt;
26.	Chinese Writing: Ancient Writing and Painting Tool, Writing Brush	236&lt;br /&gt;
&lt;br /&gt;
27.	Chinese Writing: Calligraphy	246&lt;br /&gt;
&lt;br /&gt;
28.	Chinese Writing: The Evolution of Calligraphy	252 Liu Xiaojia&lt;br /&gt;
&lt;br /&gt;
29.	Chinese Writing: Chinese Characters	262&lt;br /&gt;
&lt;br /&gt;
30.	Chinese Writing: Chinese Characters and Scripts	276&lt;br /&gt;
&lt;br /&gt;
31.	Clothing: Chinese Clothing	283&lt;br /&gt;
&lt;br /&gt;
32.	Clothing: Batik (Lanran)	291&lt;br /&gt;
&lt;br /&gt;
33.	Clothing: Cheongsam	301   （Lu Yingxin)&lt;br /&gt;
&lt;br /&gt;
34.	Confucianism: Confucian Culture	309&lt;br /&gt;
&lt;br /&gt;
35.	Confucianism: Chinese Traditional Culture-Five Constant Virtues	324&lt;br /&gt;
&lt;br /&gt;
36.	Confucianism: Classical Philosophy - Confucius and Confucianism	332&lt;br /&gt;
&lt;br /&gt;
37.	Confucianism: Classical Philosophy - Reading The Analects	339    (Duan Binyao)&lt;br /&gt;
&lt;br /&gt;
38.	Education: Ancient Chinese Education	350&lt;br /&gt;
&lt;br /&gt;
39.	Education: Historical Figures, The Four Talented Women of Ancient China	361（Shang Ruyi/Michelle）&lt;br /&gt;
&lt;br /&gt;
40.	Education: Modern Chinese Education System	371&lt;br /&gt;
&lt;br /&gt;
41.	Education: The Nine-Grade Official Selection System in Wei, Jin, Southern and Northern Dynasties	386&lt;br /&gt;
&lt;br /&gt;
42.	Education: Yuelu Academy (One of the Four Most Prestigious Academies)	395&lt;br /&gt;
&lt;br /&gt;
43.	Facial Make-up	406&lt;br /&gt;
&lt;br /&gt;
44.	Facial Make-up: Cosmetics, Traditional Chinese Make-Up	413&lt;br /&gt;
&lt;br /&gt;
45.	Facial Make-up: Face Changing in Sichuan Opera	431&lt;br /&gt;
&lt;br /&gt;
46.	Fine Arts: Painting	440&lt;br /&gt;
&lt;br /&gt;
47.	Fine Arts: Bada Shanren and Qi Baishi	445&lt;br /&gt;
&lt;br /&gt;
48.	Fine Arts: Painting Riverside Scene at Tomb Sweeping Day	452&lt;br /&gt;
&lt;br /&gt;
49.	Fine Arts: Seal-cutting	459&lt;br /&gt;
&lt;br /&gt;
50.	Games: Go 围棋 	462&lt;br /&gt;
&lt;br /&gt;
51.	Games: Kite Flying	468&lt;br /&gt;
&lt;br /&gt;
52.	Games: Mahjong: An Ancient Chinese card play	476&lt;br /&gt;
&lt;br /&gt;
53.	Garden Culture: Gardens	505&lt;br /&gt;
&lt;br /&gt;
54.	Garden Culture: Bonsai (Penjing) 	511&lt;br /&gt;
&lt;br /&gt;
55.	Garden Culture: The Summer Palace	519&lt;br /&gt;
&lt;br /&gt;
56.	Garden Culture: Qingming Riverside Landscspe Garden	526&lt;br /&gt;
&lt;br /&gt;
57.	Gender: Wu Zetian: The Only Female Emperor of Imperial China	535&lt;br /&gt;
&lt;br /&gt;
58.	History: Carl and Cixi	548&lt;br /&gt;
&lt;br /&gt;
59.	Interieur: The Folding Screen	552&lt;br /&gt;
&lt;br /&gt;
60.	Landscapes and Tourism: Four Buddhist Shrines	561&lt;br /&gt;
&lt;br /&gt;
61.	Landscapes and Tourism: Four State-Level Cultural Relics	573&lt;br /&gt;
&lt;br /&gt;
62.	Landscapes and Tourism: Landscape, Five Famous Mountains	585&lt;br /&gt;
&lt;br /&gt;
63.	Landscapes and Tourism: Mogao Grottoes	593&lt;br /&gt;
&lt;br /&gt;
64.	Landscapes and Tourism: The Culture of Mount Tai(Zheng Xiaotong)	606&lt;br /&gt;
&lt;br /&gt;
65.	Landscapes and Tourism: Canal Culture：The Grand Canal（The Peking-Hangzhou Grand Canal）	621&lt;br /&gt;
&lt;br /&gt;
66.	Landscapes and Tourism: The Ancient Tea Horse Road	635&lt;br /&gt;
&lt;br /&gt;
67.	Landscapes and Tourism: Tourism, Nanking-An Ancient Capital of Six Dynasties	642&lt;br /&gt;
&lt;br /&gt;
68.	Language: Chinese Language	649&lt;br /&gt;
&lt;br /&gt;
69.	Language: Chinese Dialects	660&lt;br /&gt;
&lt;br /&gt;
70.	Language: Chinese Folk Argot	669&lt;br /&gt;
&lt;br /&gt;
71.	Literature: Ancient literature - Chinese Classical Fairy Tales	681&lt;br /&gt;
&lt;br /&gt;
72.	Literature: Ancient literature - Chinese Mythology	688&lt;br /&gt;
&lt;br /&gt;
73.	Literature: Ancient literature - Classical Literature	699&lt;br /&gt;
&lt;br /&gt;
74.	Literature: Ancient Literature - Four satirical novels in ancient China	706&lt;br /&gt;
&lt;br /&gt;
75.	Literature: Ancient literature: Four Folk Stories of Ancient China	715&lt;br /&gt;
&lt;br /&gt;
76.	Literature: Ancient Literature - Take Su Shi as an example. Relegation Literature in Ancient China	725    (Duan Binyao)&lt;br /&gt;
&lt;br /&gt;
77.	Literature: Ancient Literature: The Classic of Mountains and Seas	748&lt;br /&gt;
&lt;br /&gt;
78.	Literature: Ancient literature: Yuefu	765&lt;br /&gt;
&lt;br /&gt;
79.	Literature: Premodern literature - China's Four Great Classical Novels	773   (Duan Binyao)&lt;br /&gt;
&lt;br /&gt;
80.	Literature: Premodern literature - Li Bai's “The River-Merchant's Wife: A Letter” and its translations	780&lt;br /&gt;
&lt;br /&gt;
81.	Literature: Premodern literature: Strange Stories from a Chinese Studio	786&lt;br /&gt;
&lt;br /&gt;
82.	Literature: Premodern literature: Tang-Song	794&lt;br /&gt;
&lt;br /&gt;
83.	Literature: Tang and Song - Classical Prose Movement of late Tang Dynasty and Song Dynasty	823&lt;br /&gt;
&lt;br /&gt;
84.	Literature: Modern Literature	832&lt;br /&gt;
&lt;br /&gt;
85.	Literature: Modern Literature: Qian Zhongshu (Ch'ien Chung-shu)	841&lt;br /&gt;
&lt;br /&gt;
86.	Literature: Modern and Contemporary Literature: Literature, Science Fiction, and Fantasy	848&lt;br /&gt;
&lt;br /&gt;
87.	Literature: Contemporary Literature	859&lt;br /&gt;
&lt;br /&gt;
88.	Martial Arts: Huo Yuanjia	865&lt;br /&gt;
&lt;br /&gt;
89.	Martial Arts: Qigong	868&lt;br /&gt;
&lt;br /&gt;
90.	Martial Arts: Taiji (Tai Chi) Shadow Boxing	873&lt;br /&gt;
&lt;br /&gt;
91.	Martial Arts: Wushu	885&lt;br /&gt;
&lt;br /&gt;
92.	Martial Arts: Frolics of the Five Animals (Wuqinxi)	890&lt;br /&gt;
&lt;br /&gt;
93.	Medicine: Traditional Chinese Medicine (TCM)	900&lt;br /&gt;
&lt;br /&gt;
94.	Medicine: TCM - Acupuncture and Moxibustion	907&lt;br /&gt;
&lt;br /&gt;
95.	Medicine: TCM - Diagnosis and Pharmacology	912&lt;br /&gt;
&lt;br /&gt;
96.	Medicine: TCM - The Development of Chinese Medicine	917&lt;br /&gt;
&lt;br /&gt;
97.	Medicine: TCM – The Chinese Medical Sage Zhang Zhongjing	924&lt;br /&gt;
&lt;br /&gt;
98.	Minority cultures: Lisu People and Daogan Festival of Lisu Ethnic Minority	934&lt;br /&gt;
&lt;br /&gt;
99.	Minority cultures: The Ethnic Minorities’ Costumes	941&lt;br /&gt;
&lt;br /&gt;
100.	Money culture: Currency, Jiaozi (A Paper Currency in Northern Song Dynasty)	952&lt;br /&gt;
&lt;br /&gt;
101.	Money culture: The tradition of Red Envelope and Lucky Money 	962&lt;br /&gt;
&lt;br /&gt;
102.	Music and instruments: Guzheng	975&lt;br /&gt;
&lt;br /&gt;
103.	Music and instruments: Pipa	986&lt;br /&gt;
&lt;br /&gt;
104.	Mythology: Gods and Immortals	996&lt;br /&gt;
&lt;br /&gt;
105.	Mythology: Huli-jing	1005&lt;br /&gt;
&lt;br /&gt;
106.	National Symbols: National Anthem	1018&lt;br /&gt;
&lt;br /&gt;
107.	National Symbols: National Flag	1026&lt;br /&gt;
&lt;br /&gt;
108.	Opera: Peking Opera	1035&lt;br /&gt;
&lt;br /&gt;
109.	Opera: Peking Opera Acrobatics	1043&lt;br /&gt;
&lt;br /&gt;
110.	Opera: Peking Opera Actor Mei Lanfang	1050&lt;br /&gt;
&lt;br /&gt;
111.	Opera: Tea-picking Opera	1055&lt;br /&gt;
&lt;br /&gt;
112.	Opera: Hunan Flower-drum Opera (Huagu Opera)	1064&lt;br /&gt;
&lt;br /&gt;
113.	Philosophical Schools: Four Main Philosophical Schools	1076&lt;br /&gt;
&lt;br /&gt;
114.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy – Daoism	1087&lt;br /&gt;
&lt;br /&gt;
115.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading Tao Te Ching	1093&lt;br /&gt;
&lt;br /&gt;
116.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Sutra of Hui-neng	1099&lt;br /&gt;
&lt;br /&gt;
117.	Philosophical Schools (Daoism, Buddhism, Legalism): Classical Philosophy - Reading The Importance of Living	1106&lt;br /&gt;
&lt;br /&gt;
118.	Philosophical Schools (Daoism, Buddhism, Legalism): Legalism 	1119&lt;br /&gt;
&lt;br /&gt;
119.	Philosophy: Chinese Traditional Cultivation Culture	1129&lt;br /&gt;
&lt;br /&gt;
120.	Religion: Traditional Chinese Funeral Culture	1141&lt;br /&gt;
&lt;br /&gt;
121.	Religion: Buddhism	1155&lt;br /&gt;
&lt;br /&gt;
122.	Religion: Daoism	1170&lt;br /&gt;
&lt;br /&gt;
123.	Religion: Christianity	1175&lt;br /&gt;
&lt;br /&gt;
124.	Religion: Islam	1181&lt;br /&gt;
&lt;br /&gt;
125.	Science and Technology: Ancient Science and Technology	1185&lt;br /&gt;
&lt;br /&gt;
126.	Science and Technology: China's Four New Inventions	1191&lt;br /&gt;
&lt;br /&gt;
127.	Science and Technology: Compass	1217&lt;br /&gt;
&lt;br /&gt;
128.	Science and Technology: TikTok (Douyin)	1226&lt;br /&gt;
&lt;br /&gt;
129.	Science and Technology: Three Giant Home Appliance Enterprises In China 	1235&lt;br /&gt;
&lt;br /&gt;
130.	Science and Technology: Four Domestic Mobile Phone Companies	1257&lt;br /&gt;
&lt;br /&gt;
131.	Silk and porcelain: Silk	1272&lt;br /&gt;
&lt;br /&gt;
132.	Silk and porcelain: Porcelain	1277&lt;br /&gt;
&lt;br /&gt;
133.	Silk and porcelain: Celadon and Celadon Song 《青花瓷》歌词	1283&lt;br /&gt;
&lt;br /&gt;
134.	Silk Road - by land and by sea: Zhang Qian and the Silk Road	1291&lt;br /&gt;
&lt;br /&gt;
135.	Silk Road - by land and by sea: Zheng He and the Maritime Silk Road	1296&lt;br /&gt;
&lt;br /&gt;
136.	Silk Road - by land and by sea: Zheng He's Voyages	1300&lt;br /&gt;
&lt;br /&gt;
137.	Social: The Long-life Lock	1308&lt;br /&gt;
&lt;br /&gt;
138.	Social: Round Table Culture	1317&lt;br /&gt;
&lt;br /&gt;
139.	Stage entertainment: Crosstalk 相声	1325&lt;br /&gt;
140.	Stage entertainment: Shadow Play	1332&lt;br /&gt;
&lt;br /&gt;
141.	Traditional Crafts: Carving	1340&lt;br /&gt;
&lt;br /&gt;
142.	Traditional Crafts: Chinese Jade Culture	1348&lt;br /&gt;
143.	Traditional Crafts: Cloisonne	1363&lt;br /&gt;
&lt;br /&gt;
144.	Traditional Crafts: Embroidery	1369&lt;br /&gt;
&lt;br /&gt;
145.	Traditional Crafts: Shu Embroidery (Sichuan Embroidery)	1373&lt;br /&gt;
&lt;br /&gt;
146.	Traditional Crafts: Xiang Embroidery	1386&lt;br /&gt;
&lt;br /&gt;
147.	Traditional Crafts: Folk Art - Chinese Paper-cutting	1400&lt;br /&gt;
&lt;br /&gt;
148.	Traditional Crafts: Handcraft - Chinese Knots	1409&lt;br /&gt;
&lt;br /&gt;
149.	Traditional Crafts: Lacquerware	1418&lt;br /&gt;
&lt;br /&gt;
150.	Traditional Crafts: The Kingfisher Craft点翠	1423&lt;br /&gt;
&lt;br /&gt;
151.	Traditional Cuisine: Chinese Dining Etiquette	1436&lt;br /&gt;
&lt;br /&gt;
152.	Traditional Cuisine: Chopsticks	1450&lt;br /&gt;
&lt;br /&gt;
153.	Traditional Cuisine: Eight Major Cuisines of China	1456&lt;br /&gt;
&lt;br /&gt;
154.	Traditional Cuisine: Four Distinct Regional Cuisines	1473&lt;br /&gt;
&lt;br /&gt;
155.	Traditional Cuisine: Breakfast Culture of Wuhan	1480&lt;br /&gt;
&lt;br /&gt;
156.	Traditional Cuisine: Tanghulu, Sugar-coated Haws on a Stick	1491&lt;br /&gt;
157.	Traditional Cuisine: Hotpot	1501&lt;br /&gt;
&lt;br /&gt;
158.	Traditional Cuisine: The Art of Chinese Cooking	1508&lt;br /&gt;
&lt;br /&gt;
159.	Traditional Cuisine: Two Famous Dishes	1514&lt;br /&gt;
&lt;br /&gt;
160.	Traditional Festivals	1518&lt;br /&gt;
&lt;br /&gt;
161.	Traditional Festivals: Lattice on Ancient Chinese Windows	1525&lt;br /&gt;
&lt;br /&gt;
162.	Traditional Festivals: Spring Festival Couplets	1538&lt;br /&gt;
&lt;br /&gt;
163.	Westernization: The Eastward Spread of Western Learning	1544&lt;br /&gt;
&lt;br /&gt;
164.	Westernization: The Westernization Movement	1550&lt;br /&gt;
&lt;br /&gt;
165.	Worship: Chinese Incense Culture	1558&lt;br /&gt;
&lt;br /&gt;
166.	Economy: Chinese Currency Changes	1569&lt;br /&gt;
&lt;br /&gt;
167.	History: Wang Shouren	1573&lt;br /&gt;
&lt;br /&gt;
168.	Martial Arts: Chinese Swordsman Spirit	1582&lt;br /&gt;
&lt;br /&gt;
169.	Cuisine: Luosifen	1593&lt;br /&gt;
&lt;br /&gt;
170.	Fine Arts: Chinese Paper Cutting	1601&lt;br /&gt;
&lt;br /&gt;
171.	Science and Technology: Taobao(淘宝) 	1611&lt;br /&gt;
&lt;br /&gt;
172.	Traditional Craft: Bronze	1623&lt;br /&gt;
&lt;br /&gt;
173.	Entertainment: Deyunshe 德云社	1631&lt;br /&gt;
&lt;br /&gt;
174.	Traditional Cuisine: Jiaozi	1644&lt;br /&gt;
&lt;br /&gt;
175.	Aesthetic ideals and social customs: the Photo Retouching Culture in China	1655&lt;br /&gt;
&lt;br /&gt;
176.	Traditional Crafts: Handcraft - Oil-paper Umbrella	1664&lt;br /&gt;
&lt;br /&gt;
177.	stage entertainment:Yuan drama	1676&lt;br /&gt;
&lt;br /&gt;
178.	Music and instruments: Erhu	1685&lt;br /&gt;
&lt;br /&gt;
179.	Traditional and Modern Views on Marriage and Love	1694&lt;br /&gt;
&lt;br /&gt;
180.	Traditional Cuisine: Tangyuan	1701&lt;br /&gt;
&lt;br /&gt;
181.	Animals：Golden Monkey	1712&lt;br /&gt;
&lt;br /&gt;
182.	Chinese Economy: rich businessmen	1719&lt;br /&gt;
&lt;br /&gt;
183.	Opera: Chinese Local Operas	1727&lt;br /&gt;
&lt;br /&gt;
184.	The Chinese tradition of ancestor worship	1740&lt;br /&gt;
&lt;br /&gt;
185.	Opera: Huangmei opera	1752&lt;br /&gt;
&lt;br /&gt;
186.	The “reference” of Chinese Music	1759&lt;br /&gt;
&lt;br /&gt;
187.	Chinese Folk Art:Lion Dance	1767&lt;br /&gt;
&lt;br /&gt;
188.	Science and Technology: Mobile Games（手游）	1783&lt;br /&gt;
&lt;br /&gt;
189.	Clothing: Vintage Clothing	1790&lt;br /&gt;
&lt;br /&gt;
190.	Fine arts:Kunqu Opera	1798&lt;br /&gt;
&lt;br /&gt;
191.	Aesthetic ideals and social customs: The Culture of Flowers	1807&lt;br /&gt;
&lt;br /&gt;
192.	National Belief: the Chinese Dream	1818&lt;br /&gt;
&lt;br /&gt;
193.	Science and Technology: Buytogether（PDD) 	1825&lt;br /&gt;
&lt;br /&gt;
194.	Aesthetic ideals and social customs：Marriage and Burial Customs of Tujia People	1845&lt;br /&gt;
&lt;br /&gt;
195.	Sports: Cuju (蹴鞠) 	1845&lt;br /&gt;
&lt;br /&gt;
196.	Science and Technology: The culture of Chinese Electric Vehicles 中国电动汽车	1845&lt;br /&gt;
&lt;br /&gt;
197.	Chinese tradition culture: The culture of Ronghua—Velvet Flowers 绒花	1845 (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
198.	Stage entertainment: Northeast Errenzhuan (二人转) 	1845&lt;br /&gt;
&lt;br /&gt;
199.	Traditional Crafts: Dough Sculpture 面塑	1845&lt;br /&gt;
&lt;br /&gt;
200.	Nanchang Relic Museum for Haihun Principality of Han Dynasty	1845&lt;br /&gt;
&lt;br /&gt;
201.	The culture of Grass cloth 夏布	1845 (Huang Qiaoqiao)&lt;br /&gt;
&lt;br /&gt;
202.	The Legend of Zhen Huan 《甄嬛传》Zhou Yanhua	1845&lt;br /&gt;
&lt;br /&gt;
203.	Chinese horror movies 中式恐怖片	1845&lt;br /&gt;
&lt;br /&gt;
204.	Stand-up comedy 单口喜剧	1845&lt;br /&gt;
&lt;br /&gt;
205.	Bride-price（彩礼）	1845&lt;br /&gt;
&lt;br /&gt;
206.	Chinese science fiction movies 中国科幻片	1845&lt;br /&gt;
&lt;br /&gt;
207.	Shandong cuisine鲁菜	1845&lt;br /&gt;
&lt;br /&gt;
208.	Chinese traditional ornament: Buyao （步摇）	1845&lt;br /&gt;
&lt;br /&gt;
209.	Tofu meatball with pig blood (猪血丸子) 	1845&lt;br /&gt;
&lt;br /&gt;
210.	Sunzi’s Art of War: Source for All Books on War (孙子兵法) 	1845&lt;br /&gt;
&lt;br /&gt;
211.	The Temple of Heaven：Reverence with Awe and Gratitude（天坛）	1845&lt;br /&gt;
&lt;br /&gt;
212.	Education：training Schools （教育：补习班）	1845&lt;br /&gt;
&lt;br /&gt;
213.	Chinese Dreamcore (中式梦核) 	1845……(Liu Wenziqin/Lucie)&lt;br /&gt;
&lt;br /&gt;
214.	Lu Ban, China’s inventor（中国发明家——鲁班）	1845&lt;br /&gt;
&lt;br /&gt;
215.	Live Streaming E-commerce（直播电商）	1845&lt;br /&gt;
&lt;br /&gt;
216.	The Story of Ming Lan（知否知否，应是绿肥红瘦）	1845 Xiao Xiangping&lt;br /&gt;
&lt;br /&gt;
217.	Cha Bai Xi/Tea Latte Art (茶百戏) 	1845&lt;br /&gt;
&lt;br /&gt;
218.	Guangdong Herbal tea（广东凉茶）	1845&lt;br /&gt;
&lt;br /&gt;
219.	Chinese traditional art form：Seal carving（篆刻）	1845&lt;br /&gt;
&lt;br /&gt;
220.	Rice cake (年糕) 	1845&lt;br /&gt;
&lt;br /&gt;
221.	Zhongyuan festival	1845(Ou Huang)&lt;br /&gt;
&lt;br /&gt;
222.	Dulong: Facial tattoo (独龙族：纹面) 	1845&lt;br /&gt;
&lt;br /&gt;
223.	The Return of the Pearl Princess（还珠格格）	1845&lt;br /&gt;
&lt;br /&gt;
224.	Chinese Food：Jiangxi Cuisine（赣菜）	1845&lt;br /&gt;
&lt;br /&gt;
225.	&amp;quot;Cun Chao&amp;quot;: China's village football league（“村超”：中国乡村足球联赛）	1845&lt;br /&gt;
&lt;br /&gt;
226.	Landscapes and Tourism: Junshan Island (君山岛) 	1845&lt;br /&gt;
&lt;br /&gt;
227.	Chinese Bossy Fictions &amp;amp; Micro-drama（中国式霸总小说&amp;amp;短剧）	1845&lt;br /&gt;
&lt;br /&gt;
228.	Chinese Traditional Medicine (中医药）——— Mortise and Tenon Joint（榫卯结构）	1845&lt;br /&gt;
&lt;br /&gt;
229.	Jingdezhen Porcelain	1845&lt;br /&gt;
&lt;br /&gt;
230.	Gayageum（伽倻琴）	1845&lt;br /&gt;
&lt;br /&gt;
231.	The plaque and couplet in Chinese garden（园林匾额对联）	1845&lt;br /&gt;
&lt;br /&gt;
232.	Sun Wukong（孙悟空）	1845&lt;br /&gt;
&lt;br /&gt;
233.	Traditional Chinese Pigments（中国传统颜料）	1845&lt;br /&gt;
&lt;br /&gt;
234.	Dragon Lantern Dance（舞龙灯）	1845&lt;br /&gt;
&lt;br /&gt;
235.	Bamboo Weaving (竹编）	1845&lt;br /&gt;
&lt;br /&gt;
236.	Landscapes and Tourism: Harbin Ice and Snow World (冰雪大世界) 	1845&lt;br /&gt;
&lt;br /&gt;
237.	Braised Chicken Rice (黄焖鸡米饭-Huang Men Ji Mifan) 	1845&lt;br /&gt;
&lt;br /&gt;
238.	Three Famous Chinese Mountains(中国三山) 	1845&lt;br /&gt;
&lt;br /&gt;
239.	Female Emperor---Wu Zetian	1845&lt;br /&gt;
&lt;br /&gt;
240.	Clay sculpture (泥塑）	1845&lt;br /&gt;
&lt;br /&gt;
241.	Abacus (中国珠算）	1845  (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
242.	Hunan Rice Noodles（湖南米粉）	1845(Ou Huang)&lt;br /&gt;
&lt;br /&gt;
243.	Chinese name（中国姓名文化）	1845&lt;br /&gt;
&lt;br /&gt;
244.	Chinese popular viral memes (中国网络社交媒体“热梗”）	1845&lt;br /&gt;
&lt;br /&gt;
245.	Douzhi (豆汁) 	1845(Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
246.	New Year Wood-block Paintings (木版年画）	1845&lt;br /&gt;
&lt;br /&gt;
247.	Carved lacquer（雕漆）	1845&lt;br /&gt;
&lt;br /&gt;
248.	Jing Gang Mountain (井冈山）	1845&lt;br /&gt;
&lt;br /&gt;
249.	Intangible Cultural Heritage: Tongguan Kiln （铜官窑）	1845&lt;br /&gt;
&lt;br /&gt;
250.	Language: Hakka Dialect（客家话）	1845&lt;br /&gt;
&lt;br /&gt;
251.	Rice noodle roll（肠粉）	1845&lt;br /&gt;
&lt;br /&gt;
252.	Traditional Cuisine: Northeastern Chinese Cuisine(东北菜）	1845&lt;br /&gt;
&lt;br /&gt;
253.	Yuelu Mountain (岳麓山) 	1845(Zhu Shunjie)&lt;br /&gt;
&lt;br /&gt;
254.	Traditional Crafts：Tie-Dye（扎染）	1845&lt;br /&gt;
&lt;br /&gt;
255.	Chinese-style sun protection (中式防晒）	1845&lt;br /&gt;
&lt;br /&gt;
256.	Danmu (弹幕）	1845&lt;br /&gt;
&lt;br /&gt;
257.	Yangshao Culture（仰韶文化）	1845&lt;br /&gt;
&lt;br /&gt;
258.	Indigo Dyeing (蓝染) 	1845&lt;br /&gt;
&lt;br /&gt;
259.	Female Writers: Zhang Ailing, Chen Ping, Lin Yihan and Li Bihua	1845&lt;br /&gt;
&lt;br /&gt;
260.	Wedding dress in the Song Dynasty (宋代婚服) 	1845&lt;br /&gt;
&lt;br /&gt;
261.	The cultural idea oft he great unification in ancient China (中国古代的大一统文化思想) 	1845&lt;br /&gt;
&lt;br /&gt;
262.	The Four Pillars of Destiny (八字) 	1845(Ou Huang)&lt;br /&gt;
&lt;br /&gt;
263.	Shaolin Temple (少林寺) 	1845&lt;br /&gt;
&lt;br /&gt;
264.	Single bamboo drifting（独竹漂）	1845&lt;br /&gt;
&lt;br /&gt;
265.	Cuisine: Changde spicy salted duck 酱板鸭传说的由来	1845 (Chen Lin)&lt;br /&gt;
&lt;br /&gt;
266.	Hui Culture (徽文化)	1845(Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
267.	Ma Zu Culture (妈祖文化)	1845&lt;br /&gt;
&lt;br /&gt;
268.	Table Manners 	1845&lt;br /&gt;
&lt;br /&gt;
269.	Music of the Mongol nationality (蒙古族音乐)	1845&lt;br /&gt;
&lt;br /&gt;
270.	The Yingge Dance（英歌舞）	1845&lt;br /&gt;
&lt;br /&gt;
271.	Palace Lantern（宫灯）	1845&lt;br /&gt;
&lt;br /&gt;
272.	Chinese Term of Endearment（中国亲昵称谓）	1845&lt;br /&gt;
&lt;br /&gt;
273.	Changsha Stinky Tofu（长沙臭豆腐) 	1845&lt;br /&gt;
&lt;br /&gt;
274.	God of Wealth(财神) 	1845&lt;br /&gt;
&lt;br /&gt;
275.	Zhuazhou（抓周）	1845&lt;br /&gt;
&lt;br /&gt;
276.	Nail art（美甲）	1845&lt;br /&gt;
&lt;br /&gt;
277.	Mirror (镜子) 	1845&lt;br /&gt;
&lt;br /&gt;
278.	The Beef Board Noodle (牛肉板面) 	1845&lt;br /&gt;
&lt;br /&gt;
279.	Huo Qubing (霍去病）	1845&lt;br /&gt;
&lt;br /&gt;
280.	Chinese Courtyard Houses（中国四合院）	1845&lt;br /&gt;
&lt;br /&gt;
281.	Music and instruments: Yangqin（扬琴）	1845&lt;br /&gt;
&lt;br /&gt;
282.	Black Myth: Wukong（黑神话 悟空）	1845(Chen Zhen)&lt;br /&gt;
&lt;br /&gt;
283.	Guangdong Morning Tea Culture （广东早茶文化）	1845（Tang Jiahua）&lt;br /&gt;
&lt;br /&gt;
=Session 02 Wed Feb 26 8:00-9:40 room 腾龙楼 407 - Student presentations=&lt;br /&gt;
==28. Chinese Writing: The Evolution of Calligraphy.     (Liu Xiaojia)==&lt;br /&gt;
&lt;br /&gt;
[[Media:Calligraphy_pres_Spring_2025.pptx]] by Liu Xiaojia&lt;br /&gt;
&lt;br /&gt;
==39. The Four Talented Women of Ancient China.  (Shang Ruyi)==&lt;br /&gt;
&lt;br /&gt;
[[Media:The four talented women of ancient China_pres_Spring_2025.pptx]] by Shang Ruyi&lt;br /&gt;
&lt;br /&gt;
==202.The Legend of Zhen Huan.   (Zhou Yanhua)==&lt;br /&gt;
&lt;br /&gt;
[[Media:202_The_Legend_of_Zhen_Huan_2025.pptx]] by Zhou Yanhua&lt;br /&gt;
&lt;br /&gt;
==Teacher presentation==&lt;br /&gt;
[[Media:02_Chin_Cult_Spring_2025.pptx]]&lt;br /&gt;
&lt;br /&gt;
=Session 03 Wed Mar 05 8:00-9:40 room 腾龙楼 407 - Student presentations=&lt;br /&gt;
&lt;br /&gt;
[[Media:Soccer_pres_Spring_2025.pptx]] by Wang Jianguo&lt;br /&gt;
&lt;br /&gt;
=Session 04 Wed Mar 12 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
== 188. Science and Technology: Mobile Games（手游） 1783 (Wu Jincheng) ==&lt;br /&gt;
&lt;br /&gt;
=Session 05 Wed Mar 19 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 06 Wed Mar 26 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 07 Wed Apr 02 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
清明节4月4日——4月6日&lt;br /&gt;
=Session 08 Wed Apr 09 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 09 Wed Apr 16 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 10 Wed Apr 23 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 11 Wed Apr 30 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
劳动节5月1日——5月5日&lt;br /&gt;
=Session 12 Wed May 07 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 13 Wed May 14 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 14 Wed May 21 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
=Session 15 Wed May 28 8:00-9:40 room 腾龙楼 407 - Student presentations==&lt;br /&gt;
端午节5月31日——6月2日&lt;br /&gt;
=Session 16 Wed Jun 25 8:00-9:40 room 腾龙楼 407 - Final Exam=&lt;br /&gt;
Please write your paper here: [[Cult_Ov_Fin_Exam_Spring_2025]]&lt;/div&gt;</summary>
		<author><name>Zhu Shunjie</name></author>
	</entry>
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