20200928 trans - Revision history

Zhangqi: /* Zhou Luoping 周罗平 */

2020-12-20T05:02:59Z

Zhou Luoping 周罗平

Yang Ziling: /* Ma Zhixing 马智星 */

2020-11-09T02:04:27Z

Ma Zhixing 马智星

Zhu Xu: /* Hu Baihui 胡百辉 */

2020-11-01T13:21:31Z

Hu Baihui 胡百辉

Zhu Suyao: /* Xu Jing 许晶 */

2020-10-17T14:37:46Z

Xu Jing 许晶

Zhu Suyao: /* Xu Jing 许晶 */

2020-10-17T14:36:14Z

Xu Jing 许晶

Zhou Yuanqu: /* Zhou Yuanqu 周园曲 */

2020-10-10T08:47:31Z

Zhou Yuanqu 周园曲

Zhou Yuanqu: /* Zhou Yuanqu 周园曲 */

2020-10-10T08:46:50Z

Zhou Yuanqu 周园曲

Zou Xinyu2: /* Zhu Xu 朱旭 */

2020-10-09T10:52:39Z

Zhu Xu 朱旭

Zhixing ma: /* Ma Zhixing 马智星 */

2020-10-09T02:54:12Z

Ma Zhixing 马智星

Zhangqi: /* Zhang Qi 张琪 */

2020-10-08T07:17:51Z

Zhang Qi 张琪

@@ Line 3,342: / Line 3,342: @@
 “作为一名中国顾问和学者，我对中国的兴趣可以回溯到1952年。我很高兴被邀请撰写《中国与网络空间》的引言，这是一份关于中国国家信息基础设施发展的最新的详细报告，由曼纽尔•弗莱斯(Manuel Fries)在这本书中简明扼要地阐述了这一问题。我有幸在北京第一次见到了曼纽尔•弗里斯，他在那儿为这本书进行了研究。弗莱斯先生能说一口流利的中文，能自在地与中国官员和私营企业企业家打交道，来获取本刊物所需的信息。毫无疑问，这种能力来自于他的练习和丰富的研究经验。这种理想的结合使他能够编纂有关中国目前通信行业的重要背景信息，这也是本书的核心内容。本书中所包含的许多详细信息都无法以任何形式轻易获取，所以对那些在找寻关于中国网络空间方面的重要信息的人来说，这是一个重要的参考。为这个目的，所附的书目也很重要。我很高兴能够向所有对当代中国以及对其信息技术的快速进步感兴趣的读者推荐这本刊物。”
 沃尔夫冈•弗里克（Wolfgang Frick）博士--[[User:Zhou Luoping|Zhou Luoping]] ([[User talk:Zhou Luoping|talk]]) 06:39, 4 October 2020 (UTC)
 ==Zhou Shiqing 周诗卿==

← Older revision		Revision as of 02:04, 9 November 2020
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	At the same time the Chinese is essentialy more rhythmically accentuated by the syllable and character structure and the lack of flexion, and because of the numerous homophonies and the tonal system invites to play with the notes. Especially in pre-modern poems, the original song melodies have been lost, and the tone sequences of the reconstructed spoken language at that time are hardly to render adequate with the non-tonal and less rhythmic possibilities in German, especially since rhymed poems in German nowadays seem very antiquated. However, since the effect is important, many translators fall back on the unbounded language. Volker Klöpsch has shown that bounded translations of prehistoric Chinese poems are still not inferior to their unbounded younger sibling translations in the translation quality, since the bounded translations require more effort.同时，由于音节和汉字的结构和缺乏屈折，汉语基本上更具节奏感，而且由于大量的谐音和声调系统都被用来搭配文字。尤其是在前现代诗歌中，原有的歌曲旋律已经丢失，重建的口语语调序列很难与德语中的非调性和节奏性差的可能性相适应，尤其是现在德语的押韵诗显得非常陈旧。然而，由于翻译效果的重要性，许多译者只能依赖于无限的语言。Volker Klöpsch的研究表明，史前汉语诗歌的有边界翻译在翻译质量上仍不逊于无边界的后来的翻译，因为有界翻译需要付出更多的努力。--[[User:Zhixing ma\|Zhixing ma]] ([[User talk:Zhixing ma\|talk]]) 02:54, 9 October 2020 (UTC)		At the same time the Chinese is essentialy more rhythmically accentuated by the syllable and character structure and the lack of flexion, and because of the numerous homophonies and the tonal system invites to play with the notes. Especially in pre-modern poems, the original song melodies have been lost, and the tone sequences of the reconstructed spoken language at that time are hardly to render adequate with the non-tonal and less rhythmic possibilities in German, especially since rhymed poems in German nowadays seem very antiquated. However, since the effect is important, many translators fall back on the unbounded language. Volker Klöpsch has shown that bounded translations of prehistoric Chinese poems are still not inferior to their unbounded younger sibling translations in the translation quality, since the bounded translations require more effort.同时，由于音节和汉字的结构和缺乏屈折，汉语基本上更具节奏感，而且由于大量的谐音和声调系统都被用来搭配文字。尤其是在前现代诗歌中，原有的歌曲旋律已经丢失，重建的口语语调序列很难与德语中的非调性和节奏性差的可能性相适应，尤其是现在德语的押韵诗显得非常陈旧。然而，由于翻译效果的重要性，许多译者只能依赖于无限的语言。Volker Klöpsch的研究表明，史前汉语诗歌的有边界翻译在翻译质量上仍不逊于无边界的后来的翻译，因为有界翻译需要付出更多的努力。--[[User:Zhixing ma\|Zhixing ma]] ([[User talk:Zhixing ma\|talk]]) 02:54, 9 October 2020 (UTC)
		+
		+	同时，由于突出的音节和文字结构且缺乏起伏，并且由于众多的谐音和音调系统，汉语在节奏上更加注重音韵。尤其是在前现代诗歌中，原始的歌曲旋律已经丢失，并且当时重建的口语的音调序列几乎无法适应德语中的非调性和较少的节奏性，尤其因为德语中的押韵诗如今看似很陈旧。但是，由于效果很重要，因此许多翻译员会退回到无限制的语言。 VolkerKlöpsch已经证明，史前中国诗歌的有界翻译在翻译质量上仍不逊于其无边界的的后来的翻译，因为有界翻译需要更多的努力。--[[User:Yang Ziling\|Yang Ziling]] ([[User talk:Yang Ziling\|talk]]) 02:04, 9 November 2020 (UTC)

	==Meng Ying 孟莹==		==Meng Ying 孟莹==

← Older revision		Revision as of 13:21, 1 November 2020
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	这也意味着对自由和民主的希望。一部好的冒险小说，但其寓意却是用自然规律代替文明，这在当今物欲横流的中国现实中提出了错误的建议。这本书在中国畅销书排行榜的中间位置停滞不前，但一直保持到2008年。这本书的广告宣传做得非常好，在戈德布拉特花了10万美元买了德国版的许可证后，兰登书屋花了2万欧元购买了德文版的许可证——不知怎么的，投资滚滚而来，因此其在广告中宣称“这是自毛泽东圣经以来最成功的书”——这要留给读者定夺。--[[User:Hu Baihui\|Hu Baihui]] ([[User talk:Hu Baihui\|talk]]) 05:14, 5 October 2020 (UTC)		这也意味着对自由和民主的希望。一部好的冒险小说，但其寓意却是用自然规律代替文明，这在当今物欲横流的中国现实中提出了错误的建议。这本书在中国畅销书排行榜的中间位置停滞不前，但一直保持到2008年。这本书的广告宣传做得非常好，在戈德布拉特花了10万美元买了德国版的许可证后，兰登书屋花了2万欧元购买了德文版的许可证——不知怎么的，投资滚滚而来，因此其在广告中宣称“这是自毛泽东圣经以来最成功的书”——这要留给读者定夺。--[[User:Hu Baihui\|Hu Baihui]] ([[User talk:Hu Baihui\|talk]]) 05:14, 5 October 2020 (UTC)
		+
		+	这也意味着对自由和民主的希望。一本不错的冒险小说，但其寓意在于自然法则会代替文明，这是在当今物欲横流的中国现实中提出的错误建议。这本书在中国的畅销书排行榜中部停滞不前，但一直到2008年，它的广告力度变大，兰登书屋为德文版支付了2万欧元的许可权，而戈德布拉特则为英文版支付了10万美元。不知为何，这些投资滚滚而来，所以在广告文案中，它被称为 "自《毛泽东圣经》以来最成功的一本书"，这个决定权留给了读者。--[[User:Zhu Xu\|Zhu Xu]] ([[User talk:Zhu Xu\|talk]]) 13:21, 1 November 2020 (UTC)

	==Hu Huifang 胡慧芳==		==Hu Huifang 胡慧芳==

@@ Line 2,349: / Line 2,349: @@
 凯特·达格/伊戈尔·奥利尼科夫，马克·赫尔曼·迪克斯图书（中译德）-国际标准图书编号：978-3-941651-41-8 ► 中国人用12种动物算年份。为什么就是老鼠，牛，老虎，兔子，龙，蛇，马，山羊，猴子，公鸡，狗和猪呢？因为这些动物都是宫廷比赛的大赢家。然而要被选中为十二生肖的其中一员可不是那么容易的事！玉皇大帝宣布，这场比赛将会令所有参赛者兴奋不已。而且因为老鼠公然躲在猫的背后，至今这两个在世界各国都还是敌人！
-K.T. Hao /朱里亚诺•费里，马克·赫尔曼·迪克斯图书（中译德）-国际标准图书编号：978-3-941651-42-5 ► 小象迪拜整晚都失眠，幸运的他得到了一个礼物：一本魔法书。自那以后迪拜就一直睡得很好，还做着美梦。直到他开始害怕失去这个宝贝。他现在觉得无论魔法书藏在哪里都不够安全。为了藏好它，迪拜就越爬越高，但这终究也不是个办法。接着，迪拜害怕的事情发生了，一天他的魔法书不见了，而这正是因为这是一本魔法书。 --[[User:Zhu Suyao|Zhu Suyao]] ([[User talk:Zhu Suyao|talk]]) 14:36, 17 October 2020 (UTC)
+K.T. Hao /朱里亚诺•费里，马克·赫尔曼·迪克斯图书（中译德）-国际标准图书编号：978-3-941651-42-5 ► 小象迪拜整晚都失眠，幸运的他得到了一个礼物：一本魔法书。自那以后迪拜就一直睡得很好，还做着美梦。直到他开始害怕失去这个宝贝。他现在觉得无论魔法书藏在哪里都不够安全。为了藏好它，迪拜就越爬越高，但这终究也不是个办法。接着，迪拜害怕的事情发生了，一天他的魔法书不见了，而这正是因为这是一本魔法书。 --[[User:Zhu Suyao|Zhu Suyao]] ([[User talk:Zhu Suyao|talk]]) 14:36, 4 October 2020 (UTC)
 ==Xu Jing 许静==

@@ Line 2,347: / Line 2,347: @@
 郝广才（文）/朱里安诺•费里（图）  马海默（中译德）出版社：DIX Verlag 国际标准书号： 978-3-941651-42-5 ►大象嘟宝怎么也睡不好，幸运的是，他获得了一本魔法书。自那之后嘟宝睡得又香又甜，还做着美梦。嘟宝把这本书当作宝贝，心里害怕着它会丢失。他觉得现在似乎没有一个隐秘处能够藏好这本魔法书，于是越爬越高，但这终究也不是个办法。接着，嘟宝担心的事情发生了，魔法书不见了，正巧是因为这是一本魔法书。
 --[[User:Xu Jing2|Xu Jing2]] ([[User talk:Xu Jing2|talk]]) 10:25, 4 October 2020 (UTC)
 ==Xu Jing 许静==

@@ Line 3,525: / Line 3,525: @@
 Vol. I-IV Guido Rappe: ISBN 978-3-86515-001-1 (3-86515-001-2 ), 4 volumes, approx. 3500 pp., Berlin et.al .: European University Press 2003-2008, with the purchase of the total work 285 euro; 1. volume 1040 pp., ISBN 978-3-86515-002-8 (3-86515-002-0)
 ,00 €
 卷1-卷4.吉多·瑞普:ISBN 978-3-86515-001-1 (3-86515-001-2 ).4卷，约3500页，柏林等:欧洲大学出版社 2003-2008.全套书售价285欧元.卷1，约1040页，ISBN 978-3-86515-002-8 (3-86515-002-0)，售价59欧元.
 The four-volume " Interkulturelle Ethik " attempts to acquire transcultural commonalities, which can serve to improve the philosophical understanding between people, using the example of the ancient cultural comparison between Europe and China. From a modern philosophic perspective follwing intensive examination with both the classical texts of the moral theories and the practice of ethical techniques is intended to illustrate the strengths and weaknesses of the different directions in order to promote a mutual learning process. In this way, a conceptual foundation of moral-philosophical thought is aimed at, which is no longer based on the dominance of European thought, but exposes the view to an ethics of the equated, peaceful coexistence of human beings
 《跨文化伦理》总共四卷，该书通过举例对比古欧洲和古中国在文化方面的异同来探寻跨文化的共性，从而进一步增进不同民族之间哲学层面上的相互理解。在对讨论道德理论的经典篇章做了大量的研究之后，该书从现代哲学角度出发，阐明了不同文化的长处和短处，以期促进文化间的相互学习。这样以来，哲学——道德的理念基础就不再以欧洲理念至上，而是将目光投向了一种人类平等和和平共处的伦理理念。--[[User:Zhou Yuanqu|Zhou Yuanqu]] ([[User talk:Zhou Yuanqu|talk]]) 12:39, 4 October 2020 (UTC)

← Older revision		Revision as of 10:52, 9 October 2020
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	自二十世纪下半叶以来，人们越发热切地讨论道德伦理学。时至今日，道德伦理学已成为一个替代形而上学式欧洲伦理学传统的主要既成方法。这归因于它可以回顾一段悠久的历史，这与始于希腊和中国古代有记载的哲学相一致。由于欧洲基督教化时期意识形态态度的出现和持续的误导性争论，在很长一段时间内，人们将这些方法的高伦理水平知识推回到背景中。另一个非关键且有疑问的影响是对”义务论”一词的随意使用。这一用语从古老的文本中剥离出来并且应用于直接反对道德流派的概念中。本卷旨在帮助克服这些缺点和困惑。基于中国古代道德伦理学，本文阐述不同文化观点，并呈现中国道德伦理学与希腊道德伦理学的具体不同。这种详尽的呈现和深入的哲学渗透的结果不仅表明了道德伦理学与跨文化人类学相关，而且表明古代的修身理论也可以为现代人开拓视野。人们可以在不断形式化的时代提供价值导向，走向以主体为中心的自我完善的道路。--[[User:Zhu Xu\|Zhu Xu]] ([[User talk:Zhu Xu\|talk]]) 15:13, 3 October 2020 (UTC)		自二十世纪下半叶以来，人们越发热切地讨论道德伦理学。时至今日，道德伦理学已成为一个替代形而上学式欧洲伦理学传统的主要既成方法。这归因于它可以回顾一段悠久的历史，这与始于希腊和中国古代有记载的哲学相一致。由于欧洲基督教化时期意识形态态度的出现和持续的误导性争论，在很长一段时间内，人们将这些方法的高伦理水平知识推回到背景中。另一个非关键且有疑问的影响是对”义务论”一词的随意使用。这一用语从古老的文本中剥离出来并且应用于直接反对道德流派的概念中。本卷旨在帮助克服这些缺点和困惑。基于中国古代道德伦理学，本文阐述不同文化观点，并呈现中国道德伦理学与希腊道德伦理学的具体不同。这种详尽的呈现和深入的哲学渗透的结果不仅表明了道德伦理学与跨文化人类学相关，而且表明古代的修身理论也可以为现代人开拓视野。人们可以在不断形式化的时代提供价值导向，走向以主体为中心的自我完善的道路。--[[User:Zhu Xu\|Zhu Xu]] ([[User talk:Zhu Xu\|talk]]) 15:13, 3 October 2020 (UTC)
−
−	~~--[[User:Zou Xinyu2\|Zou Xinyu2]] ([[User talk:Zou Xinyu2\|talk]]) 04:17, 5 October 2020 (UTC)~~

	==Zou Xinyu 邹鑫雨==		==Zou Xinyu 邹鑫雨==

@@ Line 870: / Line 870: @@
 ==Ma Zhixing 马智星==
-At the same time the Chinese is essentialy more rhythmically accentuated by the syllable and character structure and the lack of flexion, and because of the numerous homophonies and the tonal system invites to play with the notes. Especially in pre-modern poems, the original song melodies have been lost, and the tone sequences of the reconstructed spoken language at that time are hardly to render adequate with the non-tonal and less rhythmic possibilities in German, especially since rhymed poems in German nowadays seem very antiquated. However, since the effect is important, many translators fall back on the unbounded language. Volker Klöpsch has shown that bounded translations of prehistoric Chinese poems are still not inferior to their unbounded younger sibling translations in the translation quality, since the bounded translations require more effort.
+At the same time the Chinese is essentialy more rhythmically accentuated by the syllable and character structure and the lack of flexion, and because of the numerous homophonies and the tonal system invites to play with the notes. Especially in pre-modern poems, the original song melodies have been lost, and the tone sequences of the reconstructed spoken language at that time are hardly to render adequate with the non-tonal and less rhythmic possibilities in German, especially since rhymed poems in German nowadays seem very antiquated. However, since the effect is important, many translators fall back on the unbounded language. Volker Klöpsch has shown that bounded translations of prehistoric Chinese poems are still not inferior to their unbounded younger sibling translations in the translation quality, since the bounded translations require more effort.同时，由于音节和汉字的结构和缺乏屈折，汉语基本上更具节奏感，而且由于大量的谐音和声调系统都被用来搭配文字。尤其是在前现代诗歌中，原有的歌曲旋律已经丢失，重建的口语语调序列很难与德语中的非调性和节奏性差的可能性相适应，尤其是现在德语的押韵诗显得非常陈旧。然而，由于翻译效果的重要性，许多译者只能依赖于无限的语言。Volker Klöpsch的研究表明，史前汉语诗歌的有边界翻译在翻译质量上仍不逊于无边界的后来的翻译，因为有界翻译需要付出更多的努力。--[[User:Zhixing ma|Zhixing ma]] ([[User talk:Zhixing ma|talk]]) 02:54, 9 October 2020 (UTC)
 ==Meng Ying 孟莹==

@@ Line 2,953: / Line 2,953: @@
 To part 2
 Bau-yü, talented son of the influential large family Djia, grows up together with his cousins almost carefree in the paradise-like 'Garden of the Great Perspective'. In the second part of the novel he experiences the degeneration and the moral decay of his family, the political and financial descent. The ideal world of childhood threatens to break at the transition to adolescent.
-Signs of imminent disaster cast a pall on the love of the androgynous Djia Bau-yü to his devoted but sickly, still-suffering and resigned cousin Lin Dai-yi.
+Signs of imminent disaster cast a pall on the love of the androgynous Djia Bau-yü to his devoted but sickly, still-suffering and resigned cousin Lin Dai-yi.Has their love a future in a time of arranged marriages and against the backdrop of the family's decline?
-Has their love a future in a time of arranged marriages and against the backdrop of the family's decline?
+To part 3Gradually, the twelve girls of the Garden of the Great Perspective marry and move away. Also Djia Bau-yü believes to marry his cousin Lin Dai-yü. But when the veil is aroused, it is Hsii Bau-tschai. Lin Dai-yü dies of grief at the same time.
 The garden orphans. The jade stone is lost. The family falls into disgrace with the Emperor, the titles are withdrawn. The property is being robbed and plundered. Some family members are arrested and exiled. The Duchess-mother dies. The decline of the extended family Djia seems to be sealed.
 Only after Djia Bau-yü understands his predestined destiny and decides to live as a Buddhist monk, the tide is turning: Djia Bau-yü passes the state examinations together with his cousin Djia Lan. Titles, reputation, and goods are restored. The Djia family is looking forward to a happy future with Djia Lan and Bau-yüs son Djia Guee.
 But where is Bau-yü?
 ==Zhang Weihong 张维虹==