20201026 cult - Revision history

Jiang Fengyi: /* Liu Ou 刘欧 */

2020-11-23T08:00:35Z

Liu Ou 刘欧

XieFan: /* Luo Weijia 罗维嘉 */

2020-11-23T07:05:20Z

Luo Weijia 罗维嘉

Jiang Fengyi: /* Jiang Fengyi 蒋凤仪 */

2020-11-16T07:55:01Z

Jiang Fengyi 蒋凤仪

Yang Ziling: /* Zeng Liang 曾良 */

2020-11-16T02:21:27Z

Zeng Liang 曾良

Jiang Fengyi: /* Jiang Fengyi 蒋凤仪 */

2020-11-04T12:54:53Z

Jiang Fengyi 蒋凤仪

Jiang Fengyi: /* Jiang Fengyi 蒋凤仪 */

2020-11-04T12:53:48Z

Jiang Fengyi 蒋凤仪

Jiang Fengyi: /* Jiang Fengyi 蒋凤仪 */

2020-11-03T08:47:49Z

Jiang Fengyi 蒋凤仪

Tang Yiran1: /* Mo Ling 莫玲 */

2020-11-02T09:56:11Z

Mo Ling 莫玲

Tang Yiran1: /* Tang Yiran 汤伊然 */

2020-11-02T09:13:06Z

Tang Yiran 汤伊然

Tang Yiran1: /* Tang Yiran 汤伊然 */

2020-11-02T09:09:44Z

Tang Yiran 汤伊然

← Older revision		Revision as of 08:00, 23 November 2020
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	The old man Baishi said to Mr.Lao She, "actually, there are many things on the claws of shrimps, but I don't need to draw them." It can be seen that his painting of shrimp is not a mere inmitation of the real thing.--[[User:Liu Ou\|Liu Ou]] ([[User talk:Liu Ou\|talk]]) 11:03, 1 November 2020 (UTC)		The old man Baishi said to Mr.Lao She, "actually, there are many things on the claws of shrimps, but I don't need to draw them." It can be seen that his painting of shrimp is not a mere inmitation of the real thing.--[[User:Liu Ou\|Liu Ou]] ([[User talk:Liu Ou\|talk]]) 11:03, 1 November 2020 (UTC)
		+
		+	The old man Baishi said to Mr.Lao She, "actually, there are many things on the claws of shrimps, but I don't have to draw them." , which indicated that his painting of shrimp is not a mere imitation of the real thing.--[[User:Jiang Fengyi\|Jiang Fengyi]] ([[User talk:Jiang Fengyi\|talk]]) 08:00, 23 November 2020 (UTC)
		+

	2. 玉玺，专指皇帝的玉印，是至高权力的象征。		2. 玉玺，专指皇帝的玉印，是至高权力的象征。

← Older revision		Revision as of 07:05, 23 November 2020
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	In the history of Eastern and Western art, religious art occupies a part of the history of painting.--[[User:Cao Runxin\|Cao Runxin]] ([[User talk:Cao Runxin\|talk]]) 13:43, 31 October 2020 (UTC)		In the history of Eastern and Western art, religious art occupies a part of the history of painting.--[[User:Cao Runxin\|Cao Runxin]] ([[User talk:Cao Runxin\|talk]]) 13:43, 31 October 2020 (UTC)
		+
		+	Religious art plays a role in the history of both Eastern and Western painting.--[[User:XieFan\|XieFan]] ([[User talk:XieFan\|talk]]) 07:05, 23 November 2020 (UTC)

	2.篆刻艺术是书法（主要是篆书）和雕刻（包括凿和铸）的结合。篆刻是一门艺术，是汉字独特的艺术形式。到目前为止，已经有3700多年的历史。		2.篆刻艺术是书法（主要是篆书）和雕刻（包括凿和铸）的结合。篆刻是一门艺术，是汉字独特的艺术形式。到目前为止，已经有3700多年的历史。

@@ Line 298: / Line 298: @@
 八大山人由于他的特殊身世，和所处的时代背景，使他的画作不能像其它画家那样直抒胸臆，而是通过他那晦涩难解的题画诗和那种怪怪奇奇的变形画来表现。
-Unlike other poets, Zhu Da has to express his thoughts in those extorted paintings, with obscure poems  wing to his special life experience and the history background at that time
+Unlike other poets, Zhu Da has to express his thoughts in those extorted paintings, with obscure poems  wing to his special life experience and the history background at that time.--[[User:Jiang Fengyi|Jiang Fengyi]] ([[User talk:Jiang Fengyi|talk]]) 07:55, 16 November 2020 (UTC)
 ==Jiang Qiwei 蒋淇玮==

@@ Line 1,022: / Line 1,022: @@
 Chinese painting (Xuan paper painting):refers to paintings painted on Xuan paper or silk by ink and color, it is the main form of Chinese art. From the perspective of art history,paintings dated before the Republic of China and collectively refered as ancient paintings.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 15:48, 29 October 2020 (UTC)
-Chinese painting (Xuan paper painting): referring to paintings painted on Xuan paper or silk with paints, is the main form of Chinese art. From the perspective of art history, paintings dated before the Republic of China are generally called old paintings.--[[User:Zeng Xinyuan|Zeng Xinyuan]] ([[User talk:Zeng Xinyuan|talk]]) 15:02, 1 November 2020 (UTC)
+Chinese painting (Xuanhua): The painting on rice paper and silk with pigments is the main form of Chinese art. From the perspective of art history, the paintings before the Republic of China are collectively called ancient paintings.--[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 02:21, 16 November 2020 (UTC)
 .徽派篆刻在中国文人篆刻史上始终是主流，但对徽派篆刻进行系统研究的文章却没有。
 Seal cutting of Faction Hui is the mainstream in the history of that of Chinese literati all the time. However, there is no article about systematical research of seal cutting of Faction Hui.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 15:48, 29 October 2020 (UTC)
 .在该幅《佛像、书法对联》作品中，齐白石集诗、印、书、画于一体，洗炼的笔墨将佛的形象栩栩如生地跃然纸上。

@@ Line 289: / Line 289: @@
 自唐宋以来，画家对于国画的创新一直延续至今，在传承的基础上创新风格。到了明代群星闪烁的“吴门画派”不仅代表着明代绘画的最高水平，而且还在师古与创新的探索中，为后世开一新河。
 Since the Tang and Song dynasties, painters have continued to make innovations in the traditional Chinese painting, creating new styles based on their heritage. In the Ming Dynasty, the "Wu School of Painting" , learning from the past and creating new styles, not only represented the highest level of Ming Dynasty painting, but also opened up a new stage for future generations.
 篆刻印章起源甚早，据「汉书 祭祀志」载：「自五帝始有书契，至於三王，俗化雕文，诈伪渐兴，始有印玺，以检奸萌」。
 Sealing in China originated from a very early time, as the Records on Sacrifice of Han Shu recorded: "There were written deeds since the Five Emperor period, and from the Three Kings onwards, the official statements were transformed into some normal life items. As the trend of  forgeries rose, there came seals that meant to distinguished the true documents from the copies.
 八大山人由于他的特殊身世，和所处的时代背景，使他的画作不能像其它画家那样直抒胸臆，而是通过他那晦涩难解的题画诗和那种怪怪奇奇的变形画来表现。
 Unlike other poets, Zhu Da has to express his thoughts in those extorted paintings, with obscure poems  wing to his special life experience and the history background at that time

← Older revision		Revision as of 08:47, 3 November 2020
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	==Jiang Fengyi 蒋凤仪==		==Jiang Fengyi 蒋凤仪==
		+
		+	自唐宋以来，画家对于国画的创新一直延续至今，在传承的基础上创新风格。到了明代群星闪烁的“吴门画派”不仅代表着明代绘画的最高水平，而且还在师古与创新的探索中，为后世开一新河。
		+	Since the Tang and Song dynasties, painters have continued to make innovations in the traditional Chinese painting, creating new styles based on their heritage. In the Ming Dynasty, the "Wu School of Painting" , learning from the past and creating new styles, not only represented the highest level of Ming Dynasty painting, but also opened up a new stage for future generations.

	==Jiang Qiwei 蒋淇玮==		==Jiang Qiwei 蒋淇玮==

@@ Line 517: / Line 517: @@
 Nowadays, many Chinese painters abandon their native styles and accept those of foreign countries. They always attempt to abandon the tradition and start a new style. They try to transform Chinese painting with Western painting methods, combining Chinese painting with Western painting. As a result, the Chinese painting is completely crooked and the wonderful Chinese flavor is gone.
 .西泠八家的奚冈曾说：“印之宗汉也，如诗文宗唐，字文宗晋”。唐宋之际，由于文人墨客的喜好，虽然改变了印章的体制，但仍以篆书作印。
 Xi Gang, a member of the eight Xiling families, once said: "the seal of the Han Dynasty is the same as poems of Tang Dynasty and writing in Jin Dynasty.". During the Tang and Song Dynasties, due to the preference of literati, although the seal system was changed, seal script was still used as seal.
@@ Line 526: / Line 529: @@
 Qi Baishi was born in Xiangtan, Changsha, Hunan Province. In the childhood,He was educated by his forefather and often painted in calligraphy books and account books. At the age of 14, he become the apprentice of Zhou Zhimei and was trained to be a carpenter. In his spare time, he studied flowers and birds as well as figure paintings with the remnant "Mustard Seed Garden". After being the apprentice of Hu Qinyuan, he did not work as a carpenter any more and lived on painting.--[[User:Mo Ling|Mo Ling]] ([[User talk:Mo Ling|talk]]) 04:17, 1 November 2020 (UTC)Mo Ling
 ==Ngo, Thi Minh Huong==

@@ Line 706: / Line 706: @@
 Knowing and observe all but stay obscure—an knife in an engraver’s hands run thoughtfully and smoothly, leaving flowing characters on stones with gorgeous colors.--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 09:09, 2 November 2020 (UTC)
-.善写意者专言其神，工写生者只重其形s。要写生而后写意，写意而后复写生，自能神形俱见，非偶然可得也。
+.善写意者专言其神，工写生者只重其形。要写生而后写意，写意而后复写生，自能神形俱见，非偶然可得也。
 Good freehand paintings speak of their connotations while sketching only emphasis on similarity in profile., We need to master the latter first, then dive into the former. In turn, we go back to sketching again, we can give full play of both the spirit and form of a painting work and this cannot be achieved by chance but by practice.--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 09:09, 2 November 2020 (UTC)

← Older revision		Revision as of 09:09, 2 November 2020
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	==Tang Yiran 汤伊然==		==Tang Yiran 汤伊然==
		+
		+	1.莫将画竹论难易，刚道繁难简更难。君看萧萧只数叶，满堂风雨不胜寒。
		+
		+	There is no clear border between difficulty and ease of painting bamboo, it should be said that meticulous brushwork is not easy, freehand one even more demanding. You see, he painted a few bamboo leaves, rendering the room full of wind, rain and cold air.--[[User:Tang Yiran1\|Tang Yiran1]] ([[User talk:Tang Yiran1\|talk]]) 09:09, 2 November 2020 (UTC)
		+
		+	2.金石华彩，知白守黑，方寸之间，刀走凌云志，字形流云姿。
		+
		+	Knowing and observe all but stay obscure—an knife in an engraver’s hands run thoughtfully and smoothly, leaving flowing characters on stones with gorgeous colors.--[[User:Tang Yiran1\|Tang Yiran1]] ([[User talk:Tang Yiran1\|talk]]) 09:09, 2 November 2020 (UTC)
		+
		+	3.善写意者专言其神，工写生者只重其形s。要写生而后写意，写意而后复写生，自能神形俱见，非偶然可得也。
		+
		+	Good freehand paintings speak of their connotations while sketching only emphasis on similarity in profile., We need to master the latter first, then dive into the former. In turn, we go back to sketching again, we can give full play of both the spirit and form of a painting work and this cannot be achieved by chance but by practice.--[[User:Tang Yiran1\|Tang Yiran1]] ([[User talk:Tang Yiran1\|talk]]) 09:09, 2 November 2020 (UTC)

	==Wang Meiling 王美玲==		==Wang Meiling 王美玲==