20201109 cult - Revision history

Yang Ziling: /* Gui Yizhi 桂一枝 */

2020-12-17T08:23:57Z

Gui Yizhi 桂一枝

Zhumeimei at 05:12, 17 December 2020

2020-12-17T05:12:56Z

Yang Ziling: /* Yang Ziling 杨子泠 */

2020-12-16T15:55:45Z

Yang Ziling 杨子泠

XieFan: /* Liu Ou 刘欧 */

2020-11-23T07:10:22Z

Liu Ou 刘欧

Chen Han: /* Chen Han 陈涵 */

2020-11-16T13:17:03Z

Chen Han 陈涵

Zhang Peiwen: /* Zhang Hui 张慧 */

2020-11-16T10:40:13Z

Zhang Hui 张慧

Zhang Peiwen: /* Zhang Peiwen 张佩闻 */

2020-11-16T10:37:20Z

Zhang Peiwen 张佩闻

Root: /* Wang Meiling 王美玲 */

2020-11-16T08:06:16Z

Wang Meiling 王美玲

Root: /* Tang Bei 汤蓓 */

2020-11-16T08:05:21Z

Tang Bei 汤蓓

Root at 08:04, 16 November 2020

2020-11-16T08:04:04Z

← Older revision		Revision as of 08:23, 17 December 2020
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	Long before the emergence of the written word, ballads, accompanied by music and dance, and myths, passed around by word of mouth, were widely popular. Chinese literature finds its origins in these traditions. However, ballads were what people improvised out of daily life, and due to lack of means to record and preserve them in ancient times, they quickly disappeared without leaving much of a trace.		Long before the emergence of the written word, ballads, accompanied by music and dance, and myths, passed around by word of mouth, were widely popular. Chinese literature finds its origins in these traditions. However, ballads were what people improvised out of daily life, and due to lack of means to record and preserve them in ancient times, they quickly disappeared without leaving much of a trace.
		+
		+	Ballads and oral myths that accompany dance and music have been produced in large numbers long before the emergence of appeared, and that was where literature originated. However, ballads were things that people improvised in their lives, and there was no means to preserve and record them in ancient times, so they were quickly annihilated without leaving a trace. --[[User:Yang Ziling\|Yang Ziling]] ([[User talk:Yang Ziling\|talk]]) 08:23, 17 December 2020 (UTC)

	B. 这个时刻是20世纪中国文学史上最著名的转变之一，不久后，周树人就自诩为文学医生，专门疗救中国人灵魂的沉疴。在接下来的30多年里，他以“鲁迅”为笔名，成了现代中国文学的奠基者之一。		B. 这个时刻是20世纪中国文学史上最著名的转变之一，不久后，周树人就自诩为文学医生，专门疗救中国人灵魂的沉疴。在接下来的30多年里，他以“鲁迅”为笔名，成了现代中国文学的奠基者之一。

@@ Line 1,152: / Line 1,152: @@
 Contemporary Chinese literature refers, firstly, to Chinese literature since 1949; and secondly, to literature that takes place in a specific socialist historical context. The First National Literary Congress held in July 1947 marked the starting point from which China's new literature entered the stage of contemporary literature.--[[User:Liu Yi|Liu Yi]] ([[User talk:Liu Yi|talk]]) 15:16, 11 November 2020 (UTC)
---[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC)==Yang Ziling 杨子泠==
+==Yang Ziling 杨子泠==
 . 唐诗的形式和风格是丰富多彩、推陈出新的。它不仅继承了汉魏民歌、乐府传统，并且大大发展了歌行体的样式。

@@ Line 1,152: / Line 1,152: @@
 Contemporary Chinese literature refers, firstly, to Chinese literature since 1949; and secondly, to literature that takes place in a specific socialist historical context. The First National Literary Congress held in July 1947 marked the starting point from which China's new literature entered the stage of contemporary literature.--[[User:Liu Yi|Liu Yi]] ([[User talk:Liu Yi|talk]]) 15:16, 11 November 2020 (UTC)
-==Yang Ziling 杨子泠==
+--[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC)==Yang Ziling 杨子泠==
 . 唐诗的形式和风格是丰富多彩、推陈出新的。它不仅继承了汉魏民歌、乐府传统，并且大大发展了歌行体的样式。
-The form and style of Tang poetry are rich and colorful, and innovative. It not only inherited the traditions of Han and Wei folk songs and Yuefu, but also greatly developed the style of Gexing.
+The form and style of Tang poetry are rich and colorful, and innovative. It not only inherited the traditions of Han and Wei folk songs and Yuefu, but also greatly developed the style of Gexing. --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC)
 .中国现代文学是以革命现实主义为主体并包有多种创作方法﹑流派的文学 “五四”文学革命在中国文学史上引起的另一个历史性变革﹐是大大加强了文学与现实生活的密切联系。
-Modern Chinese literature is based on revolutionary realism as the main body and includes a variety of creative methods and genres. The "May 4th" literary revolution caused another historical change in the history of Chinese literature, which greatly strengthened the close connection between literature and real life.
+Modern Chinese literature is based on revolutionary realism as the main body and includes a variety of creative methods and genres. The "May 4th" literary revolution caused another historical change in the history of Chinese literature, which greatly strengthened the close connection between literature and real life.  --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC)
 .元曲的兴起对于我国民族诗歌的发展、文化的繁荣有着深远的影响和卓越的贡献，元曲一出现就同其他艺术之花一样，立即显示出旺盛的生命力。
-The rise of Yuanqu has a profound influence and outstanding contribution to the development of national poetry and cultural prosperity in our country. As soon as Yuanqu appears, like other artistic flowers, it immediately shows its vigorous vitality.
+The rise of Yuanqu has a profound influence and outstanding contribution to the development of national poetry and cultural prosperity in our country. As soon as Yuanqu appears, like other artistic flowers, it immediately shows its vigorous vitality. --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC)
 ==Yi Zichu 义子楚==

← Older revision		Revision as of 07:10, 23 November 2020
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	True literature comes from the masses and must be closely related with the folk of a certain region at that time. --[[User:Li Liqin\|Li Liqin]] ([[User talk:Li Liqin\|talk]]) 15:38, 15 November 2020 (UTC)		True literature comes from the masses and must be closely related with the folk of a certain region at that time. --[[User:Li Liqin\|Li Liqin]] ([[User talk:Li Liqin\|talk]]) 15:38, 15 November 2020 (UTC)
		+
		+	Literature in a real sense is created by the masses, especially those living in a certain region at a certain time.--[[User:XieFan\|XieFan]] ([[User talk:XieFan\|talk]]) 07:10, 23 November 2020 (UTC)

	==Liu Yi 刘艺==		==Liu Yi 刘艺==

← Older revision		Revision as of 13:17, 16 November 2020
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	Scar Literature boldly uncovered the people’s wounds caused by the Cultural Revolution mostly in a real, plain and even rough form，thus releasing their pain and hatred from 1966 to 1976 hidden deep in their hearts, which fitted properly the primary function of literature——catharsis. --[[User:Chen Han\|Chen Han]] ([[User talk:Chen Han\|talk]]) 07:32, 13 November 2020 (UTC)		Scar Literature boldly uncovered the people’s wounds caused by the Cultural Revolution mostly in a real, plain and even rough form，thus releasing their pain and hatred from 1966 to 1976 hidden deep in their hearts, which fitted properly the primary function of literature——catharsis. --[[User:Chen Han\|Chen Han]] ([[User talk:Chen Han\|talk]]) 07:32, 13 November 2020 (UTC)
		+
		+	4.《长干行》以商妇独白自述的手法，反映古代商人妻子的生活与情感。
		+
		+	''Changgan Song'' reflected the lives and feelings of merchants' wives in ancient times in the way of their own words. --[[User:Chen Han\|Chen Han]] ([[User talk:Chen Han\|talk]]) 13:17, 16 November 2020 (UTC)

	1. The content of the Book of Songs is abundant, reflecting labor and love, war and corvee, suppression and resistance, custom and marriage, and ancestor worship and banquet, even astronomical phenomenon, landscape, animals, plants and so on. It’s a mirror of the social life of Zhou Period.		1. The content of the Book of Songs is abundant, reflecting labor and love, war and corvee, suppression and resistance, custom and marriage, and ancestor worship and banquet, even astronomical phenomenon, landscape, animals, plants and so on. It’s a mirror of the social life of Zhou Period.

← Older revision		Revision as of 10:40, 16 November 2020
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	Chinese contemporary literature, firstly refers to the one since 1949, secondly to the one about specific historical language context of socialism limited in “Mainland China.--[[User:Yuan Tianyi\|Yuan Tianyi]] ([[User talk:Yuan Tianyi\|talk]]) 08:12, 12 November 2020 (UTC)		Chinese contemporary literature, firstly refers to the one since 1949, secondly to the one about specific historical language context of socialism limited in “Mainland China.--[[User:Yuan Tianyi\|Yuan Tianyi]] ([[User talk:Yuan Tianyi\|talk]]) 08:12, 12 November 2020 (UTC)
		+	Chinese contemporary literature, first of all, refers to the Chinese literature since 1949;Secondly, it refers to the literature that takes place in the specific context of socialist history.--[[User:Zhang Peiwen\|Zhang Peiwen]] ([[User talk:Zhang Peiwen\|talk]]) 10:40, 16 November 2020 (UTC)

	==Zhang Ling 张玲==		==Zhang Ling 张玲==

@@ Line 1,310: / Line 1,310: @@
 现代文学属于二十世纪资本主义文化的一部分。
 Modern literature is the product of the 21st century capitalist society.--[[User:Zhang Peiwen|Zhang Peiwen]] ([[User talk:Zhang Peiwen|talk]]) 10:05, 13 November 2020 (UTC)
 ==Zhang Weihong 张维虹==

@@ Line 871: / Line 871: @@
 ==Wang Meiling 王美玲==
-.古代文学一般包括欧洲古代文学和中国古代文学。欧洲古代文学又包括古希腊文学和罗马文学，中国古代文学按时间分类，包括先秦两汉文学，魏晋南北朝文学，唐宋文学，元明清文学。Ancient literature generally consist of ancient European literature and ancient Chinese literature: the former including ancient Greek literature and Roman literature; the latter is classified in terms of time, including pre Qin and Han literature, Wei, Jin, southern and Northern Dynasties literature, Tang and song literature, yuan, Ming and Qing Dynasties literature.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC)
+.古代文学一般包括欧洲古代文学和中国古代文学。欧洲古代文学又包括古希腊文学和罗马文学，中国古代文学按时间分类，包括先秦两汉文学，魏晋南北朝文学，唐宋文学，元明清文学。
-.近代文学区别于传统封建文学有以下的特点：文学的政治性、战斗性，随着近代社会的发展，愈来愈加强和显著了。进步作家和作品，继承了中国文学的优良传统，为反对帝国主义和封建专制主义的内外压迫，争取民族独立和自由平等而斗争。爱国主义和民族主义是这个时期文学突出的思想内容。Modern literature is different from the traditional feudal literature in the following characteristics: the political and fighting natures of literature have been more intensive and prominent with the development of modern society. Progressive writers and works inherited the fine tradition of Chinese literature and fought for national independence, freedom and equality against the internal and external oppression of imperialism and feudal autocracy. Patriotism and nationalism are the prominent ideology of literature in this period.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC)
-.在评价“中国当代文学”的时候，我们一方面要克服沾沾自喜的自诩和自大，另一方面，要具有放眼世界、虚心向善的态度，具体地说，就是不要妄想确立一套“特殊”的“价值准则”，因为，任何时候，文学批评和文学研究都需要一些“普遍”的“价值准则”，都需要依据世界性的经典尺度和人类性的理想标准。When evaluating "contemporary Chinese Literature", on the one hand, we should overcome the complacency and arrogance, on the other hand, we should embrace a broad-minded and open-minded attitude towards the outside world. To be specific, we should not hope to establish a set of "special" value criteria in vain. Because in any time, literary criticism and literary research need some "universal" value criteria, which all need to be based on the world's classical scale and the ideal standard of human nature.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC)
+Ancient literature generally consist of ancient European literature and ancient Chinese literature: the former including ancient Greek literature and Roman literature; the latter is classified in terms of time, including pre Qin and Han literature, Wei, Jin, southern and Northern Dynasties literature, Tang and song literature, yuan, Ming and Qing Dynasties literature.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC)
-.中国是诗的国度，唐朝是中国诗歌的巅峰，巅峰时期的那个黄金时代令人神往。诗歌是当时文学的最高代表，成为中国传统文学坚实的重要组成部分，也是中华文明靓丽的风景线。China is the country of poetry,while the Tang Dynasty is the peak of Chinese poetry whose golden age  is fascinating and attractive. Poetry is the highest representative of literature at that time, which has become an integral part to Chinese traditional literature and a vibrant landscape of Chinese civilization.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC)
 ==Wang Xuan 王轩==

@@ Line 842: / Line 842: @@
 .《红楼梦》写于十八世纪中叶，是清朝统治时期乾隆皇帝时代杰出的文言小说，在过去的二百多年，一直广受欢迎。这本120回的小说，前80回由曹雪芹执笔、后40回由高鹗续写完成。表面上它主要是写宝玉和黛玉之间的爱情，但实际上，通过这个故事以及书中的其他情节，作者深刻地揭露了封建制度地邪恶和封建统治阶级的罪行。
- A Dream of Red Mansions, the great classical Chinese novel written in the mid-eighteenth century during the reign of Emperor Chien-lung of the Qing Dynasty, had been widely popular throughout the last two hundred years and more. In this 120-chapter novel, the first 80 chapters were written by Cao Xueqin and the left 40 by Gao E. On the surface this novel deals largely with the love between Pao-yu and Tai-yu; but actually, through this story as well as other episodes in the book, the author penetratingly exposes the evils of feudal system and the crimes of the feudal ruling class.--[[User:Tang Bei|Tang Bei]] ([[User talk:Tang Bei|talk]]) 01:04, 16 November 2020 (UTC)
+A Dream of Red Mansions, the great classical Chinese novel written in the mid-eighteenth century during the reign of Emperor Chien-lung of the Qing Dynasty, had been widely popular throughout the last two hundred years and more. In this 120-chapter novel, the first 80 chapters were written by Cao Xueqin and the left 40 by Gao E. On the surface this novel deals largely with the love between Pao-yu and Tai-yu; but actually, through this story as well as other episodes in the book, the author penetratingly exposes the evils of feudal system and the crimes of the feudal ruling class.--[[User:Tang Bei|Tang Bei]] ([[User talk:Tang Bei|talk]]) 01:04, 16 November 2020 (UTC)
 .在中国诗歌史上有一个“盛唐”时代，集中在唐玄宗统治时期(公元712年-756年)。这个时代恰逢文化繁荣，文学英才辈出，具有独特的辉煌和伟大的光环。杰出诗人李白、杜甫和王维的作品，其魅力是历代读者无人不晓的。“盛唐”可谓中国诗歌的黄金时代。后世诗人哀叹徒仰他们的光芒而黯然失色。

← Older revision		Revision as of 08:04, 16 November 2020
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−	==Alsied, Saffana==--[[User:SAFFANA ALSIED 2\|SAFFANA ALSIED 2]] ([[User talk:SAFFANA ALSIED 2\|talk]]) 18:45, 14 November 2020 (UTC)	+	==Alsied, Saffana==
		+	--[[User:SAFFANA ALSIED 2\|SAFFANA ALSIED 2]] ([[User talk:SAFFANA ALSIED 2\|talk]]) 18:45, 14 November 2020 (UTC)

	1.The book provides precious biographical records of various kinds of people who lived during the 3,000 years from the legendary Yellow Emperor to Emperor Wudi of the Han Dynasty. It is also valued as a literary work and has a great influence on the literary development of subsequent prose, fiction and drama.		1.The book provides precious biographical records of various kinds of people who lived during the 3,000 years from the legendary Yellow Emperor to Emperor Wudi of the Han Dynasty. It is also valued as a literary work and has a great influence on the literary development of subsequent prose, fiction and drama.