20210601 culture - Revision history

Bao Qinwen: /* References */

2021-07-14T04:18:53Z

References

Bao Qinwen: /* Some common cultural implications of jade in China */

2021-07-14T04:13:50Z

Some common cultural implications of jade in China

Bao Qinwen: /* Bào Qìnwén 鲍沁雯：Chinese Jade Culture */

2021-07-14T04:12:59Z

Bào Qìnwén 鲍沁雯：Chinese Jade Culture

Bao Qinwen: /* Bào Qìnwén 鲍沁雯：Chinese Jade Culture */

2021-07-14T03:53:54Z

Bào Qìnwén 鲍沁雯：Chinese Jade Culture

Dai Muyu: /* Main idea of the painting */

2021-07-07T13:38:32Z

Main idea of the painting

Dai Muyu: /* Main idea of the painting */

2021-07-07T13:34:58Z

Main idea of the painting

Dai Muyu: /* Main idea of the painting */

2021-07-07T13:32:48Z

Main idea of the painting

Dai Muyu: /* Main idea of the painting */

2021-07-07T13:28:10Z

Main idea of the painting

Root: /* Dù Xīnyǔ 杜心语 Chinese folk argot */

2021-07-05T16:33:38Z

Dù Xīnyǔ 杜心语 Chinese folk argot

Root: /* Conclusion */

2021-07-05T15:37:45Z

Conclusion

@@ Line 80: / Line 80: @@
 == References ==
-Yao Shiqi 姚世奇.(2004).《中国玉文化》Chinese Jade Culture (2)
+Yao Shiqi 姚世奇.(2004).《中国玉文化》Chinese Jade Culture .2
-Ruan Xibo 阮希波. (2017).试论中国玉文化起源 [On the origin of Chinese jade culture].(1)
+Ruan Xibo 阮希波. (2017).试论中国玉文化起源 [On the origin of Chinese jade culture].1
-Zhang Ruixiang, Yang Xiaoping, Ou Xiuhua 张睿祥 杨筱平 欧秀花.(2018). 从神坛走向民间：中国古代玉器的发展历程[From the Temple to the Folk: The Development course of Ancient Chinese Jade].文物鉴定与鉴赏 Identification and appreciation of cultural relics (11) 84-86
+Zhang Ruixiang, Yang Xiaoping, Ou Xiuhua 张睿祥 杨筱平 欧秀花.(2018). 从神坛走向民间：中国古代玉器的发展历程[From the Temple to the Folk: The Development course of Ancient Chinese Jade].文物鉴定与鉴赏 Identification and appreciation of cultural relics (11).84-86
-Zhang Ying 张颖. (2016).汉字“玉”的文化解读 [Cultural interpretation of the Chinese character "Jade"](2)
+Zhang Ying 张颖. (2016).汉字“玉”的文化解读 [Cultural interpretation of the Chinese character "Jade"].2
-Wang Zhijie 王志杰. （2014）. 论儒家思想对玉文化的影响 [On the influence of Confucianism on jade culture](3)
+Wang Zhijie 王志杰. （2014）. 论儒家思想对玉文化的影响 [On the influence of Confucianism on jade culture].2
-Han Jiawei 韩佳蔚. (2010). 从汉语成语看“玉”的文化象征意义[View the cultural symbolism of "Jade" from Chinese idioms](1)(3)
+Han Jiawei 韩佳蔚. (2010). 从汉语成语看“玉”的文化象征意义[View the cultural symbolism of "Jade" from Chinese idioms].1,3
 == Terms and expressions ==

@@ Line 68: / Line 68: @@
 '''Symbol of Noble Morality'''
-In the book Shuo Wen Jie Zi written by Xu Shen of the Eastern Han Dynasty, jade has "five virtues". Represented by Confucius, Confucianism combines ethical and moral values with jade or jade articles symbolizing “11 virtues” including benevolence, wisdom, righteousness, propriety, music, loyalty, faithfulness, heaven, earth, virtue, Tao and so on. Jade is regarded as the symbol of a gentleman to regulate morality and restrain behavior. Honest men describe the exquisite and clean jade as their pursuit of the highest moral ideal. In the minds of the "gentleman", jade is a symbol of nobility and purity, representing the noble character of human beings.(Wang Zhijie 2014,)
+In the book Shuo Wen Jie Zi written by Xu Shen of the Eastern Han Dynasty, jade has "five virtues". Represented by Confucius, Confucianism combines ethical and moral values with jade or jade articles symbolizing “11 virtues” including benevolence, wisdom, righteousness, propriety, music, loyalty, faithfulness, heaven, earth, virtue, Tao and so on. Jade is regarded as the symbol of a gentleman to regulate morality and restrain behavior. Honest men describe the exquisite and clean jade as their pursuit of the highest moral ideal. In the minds of the "gentleman", jade is a symbol of nobility and purity, representing the noble character of human beings.(Wang Zhijie 2014,2)
 == The jade culture embodied in Chinese language ==

@@ Line 68: / Line 68: @@
 '''Symbol of Noble Morality'''
-In the book Shuo Wen Jie Zi written by Xu Shen of the Eastern Han Dynasty, jade has "five virtues". Represented by Confucius, Confucianism combines ethical and moral values with jade or jade articles symbolizing “11 virtues” including benevolence, wisdom, righteousness, propriety, music, loyalty, faithfulness, heaven, earth, virtue, Tao and so on. Jade is regarded as the symbol of a gentleman to regulate morality and restrain behavior. Honest men describe the exquisite and clean jade as their pursuit of the highest moral ideal. In the minds of the "gentleman", jade is a symbol of nobility and purity, representing the noble character of human beings.(Wang Zhijie 2014,3)
+In the book Shuo Wen Jie Zi written by Xu Shen of the Eastern Han Dynasty, jade has "five virtues". Represented by Confucius, Confucianism combines ethical and moral values with jade or jade articles symbolizing “11 virtues” including benevolence, wisdom, righteousness, propriety, music, loyalty, faithfulness, heaven, earth, virtue, Tao and so on. Jade is regarded as the symbol of a gentleman to regulate morality and restrain behavior. Honest men describe the exquisite and clean jade as their pursuit of the highest moral ideal. In the minds of the "gentleman", jade is a symbol of nobility and purity, representing the noble character of human beings.(Wang Zhijie 2014,)
 == The jade culture embodied in Chinese language ==
 According to the cultural implication of jade, there are many corresponding words and sentences containing "Yu"(jade) in Chinese.
-First, in Chinese, "jade" is opposite to "stone". The Chinese character "Yu" symbolizes beauty, kindness and extraordinary, while "Shi"(stone) symbolizes ordinary. "Stone" and "jade" form distinction in contrast. If someone cannot distinguish right from wrong, we will say him “make no distinction between jade and stone ”（"玉石不分"). “Stone“ is used with “jade” to serve as a foil to the beauty of “jade”; however, the combination of "gold" and "jade" sets off and highlights the richness and nobility of "jade". The idioms "fine gold and beautiful jade"(“良金美玉”), "the house full of gold and jade" （“金玉满堂”）and "gold and jade predestined match"(“金玉良缘”) highlight the preciousness of "jade" with the preciousness of "gold".
+First, in Chinese, "jade" is opposite to "stone". The Chinese character "Yu" symbolizes beauty, kindness and extraordinary, while "Shi"(stone) symbolizes ordinary. "Stone" and "jade" form distinction in contrast. If someone cannot distinguish right from wrong, we will say him “make no distinction between jade and stone ”（"玉石不分"). “Stone“ is used with “jade” to serve as a foil to the beauty of “jade”; however, the combination of "gold" and "jade" sets off and highlights the richness and nobility of "jade". The idioms "fine gold and beautiful jade"(“良金美玉”), "the house full of gold and jade" （“金玉满堂”）and "gold and jade predestined match"(“金玉良缘”) highlight the preciousness of "jade" with the preciousness of "gold".(Han Jiawei 2010,1)
-Second, "jade" is a spiritual symbol of virtue. Its corresponding idioms, such as "as clean as ice and as pure as jade"(“冰清玉洁”), use the clarity of ice and the purity of jade to refer to one's noble and pure character. The idiom "It is better to die of ‘jade’ when life is a disgrace" (“宁为玉碎，不为瓦全”)to refer to one's willingness to die for justice rather than to live an ugly life. This idiom expresses the national belief that morality and personality is the first-line tenet via the widely accepted concept of "jade". Another example of the idiom "a jade tree in the wind"(“玉树临风”) is used to describe people who have not only good looks, but also good and pure qualities.（Han Jiawei 2010,5）
+Second, "jade" is a spiritual symbol of virtue. Its corresponding idioms, such as "as clean as ice and as pure as jade"(“冰清玉洁”), use the clarity of ice and the purity of jade to refer to one's noble and pure character. The idiom "It is better to die of ‘jade’ when life is a disgrace" (“宁为玉碎，不为瓦全”)to refer to one's willingness to die for justice rather than to live an ugly life. This idiom expresses the national belief that morality and personality is the first-line tenet via the widely accepted concept of "jade". Another example of the idiom "a jade tree in the wind"(“玉树临风”) is used to describe people who have not only good looks, but also good and pure qualities.（Han Jiawei 2010,3）
@@ Line 90: / Line 90: @@
 Wang Zhijie 王志杰. （2014）. 论儒家思想对玉文化的影响 [On the influence of Confucianism on jade culture](3)
-Han Jiawei 韩佳蔚. (2010). 从汉语成语看“玉”的文化象征意义[View the cultural symbolism of "Jade" from Chinese idioms](5)
+Han Jiawei 韩佳蔚. (2010). 从汉语成语看“玉”的文化象征意义[View the cultural symbolism of "Jade" from Chinese idioms](1)(3)
 == Terms and expressions ==

@@ Line 31: / Line 31: @@
 '''The origin of Chinese jade culture'''
-The origin of Chinese jade culture should be no later than 18,000 years ago during the period of the Peak Cave Cultural Site. At this time, in addition to working for food, the cave people have formed a basic aesthetic concept. In Zhoukoudian keel mountain top cave people site, archaeologists found many ancient works of art as sacrificial objects. Whether from the emergence of people's awareness of beauty, to the confirmation of archaeological objects, we can confirm that the Chinese land has appeared the prototype of jade culture in the mid-term of the caveman period. (Ruan Xibo 2017)
+The origin of Chinese jade culture should be no later than 18,000 years ago during the period of the Peak Cave Cultural Site. At this time, in addition to working for food, the cave people have formed a basic aesthetic concept. In Zhoukoudian keel mountain top cave people site, archaeologists found many ancient works of art as sacrificial objects. Whether from the emergence of people's awareness of beauty, to the confirmation of archaeological objects, we can confirm that the Chinese land has appeared the prototype of jade culture in the mid-term of the caveman period. (Ruan Xibo 2017,1)
 '''The origin of Chinese jade civilization '''
-"Civilization" is opposite to “savage”. Corresponding to the history of human development, Chinese jade culture has gone through a long process of breeding and growing from birth to civilization. We trace the origin of Chinese jade culture back to the peak caveman period 18,000 years ago, then, 8200 years ago, at the Xinglongwa cultural site in Chifeng City, Inner Mongolia, the excavation of a pair of white jade marked the birth of China's jade civilization and the arrival of China's jade civilization era. The pair of jade block that has fine workmanship has not only been the oldest jade found in China so far, but also a milestone that marks the earliest human discovery of the true sense of jade jewelry. This shows that the aesthetic level , processing art, processing equipment of ancestors at that time has reached a relatively high level. The appearance of jade marks the birth of the era of Chinese jade civilization, which is exactly one of the main symbols of the origin of Chinese civilization. With the birth of the era of jade civilization, Chinese jade culture has gradually developed into social, economic, political, cultural, religious, artistic and moral aspects, in addition to maintaining the main direction of the original pursuit of beauty.(Ruan Xibo 2017)
+"Civilization" is opposite to “savage”. Corresponding to the history of human development, Chinese jade culture has gone through a long process of breeding and growing from birth to civilization. We trace the origin of Chinese jade culture back to the peak caveman period 18,000 years ago, then, 8200 years ago, at the Xinglongwa cultural site in Chifeng City, Inner Mongolia, the excavation of a pair of white jade marked the birth of China's jade civilization and the arrival of China's jade civilization era. The pair of jade block that has fine workmanship has not only been the oldest jade found in China so far, but also a milestone that marks the earliest human discovery of the true sense of jade jewelry. This shows that the aesthetic level , processing art, processing equipment of ancestors at that time has reached a relatively high level. The appearance of jade marks the birth of the era of Chinese jade civilization, which is exactly one of the main symbols of the origin of Chinese civilization. With the birth of the era of jade civilization, Chinese jade culture has gradually developed into social, economic, political, cultural, religious, artistic and moral aspects, in addition to maintaining the main direction of the original pursuit of beauty.(Ruan Xibo 2017,1)
 == The evolution of the function of jade in China ==
@@ Line 64: / Line 64: @@
 '''Symbol of power and wealth'''
-Jade is a symbol of wealth and power. On the officialdom, the different positions and ranks would hold different jade. Since the ruling of the Emperor of Qin, the hereditary imperial jade seal had become the token of the imperial power. The leaders who dominated the world were often titled with “jade” such as "jade emperor" ,from which we can see that the political connotation of jade has become more prominent. Throughout the feudal society, the “Xi” (imperial jade seal) was an exclusive object for the emperor, which is mostly jade.(Zhang Ying 2016)
+Jade is a symbol of wealth and power. On the officialdom, the different positions and ranks would hold different jade. Since the ruling of the Emperor of Qin, the hereditary imperial jade seal had become the token of the imperial power. The leaders who dominated the world were often titled with “jade” such as "jade emperor" ,from which we can see that the political connotation of jade has become more prominent. Throughout the feudal society, the “Xi” (imperial jade seal) was an exclusive object for the emperor, which is mostly jade.(Zhang Ying 2016,2)
 '''Symbol of Noble Morality'''
-In the book Shuo Wen Jie Zi written by Xu Shen of the Eastern Han Dynasty, jade has "five virtues". Represented by Confucius, Confucianism combines ethical and moral values with jade or jade articles symbolizing “11 virtues” including benevolence, wisdom, righteousness, propriety, music, loyalty, faithfulness, heaven, earth, virtue, Tao and so on. Jade is regarded as the symbol of a gentleman to regulate morality and restrain behavior. Honest men describe the exquisite and clean jade as their pursuit of the highest moral ideal. In the minds of the "gentleman", jade is a symbol of nobility and purity, representing the noble character of human beings.(Wang Zhijie 2014)
+In the book Shuo Wen Jie Zi written by Xu Shen of the Eastern Han Dynasty, jade has "five virtues". Represented by Confucius, Confucianism combines ethical and moral values with jade or jade articles symbolizing “11 virtues” including benevolence, wisdom, righteousness, propriety, music, loyalty, faithfulness, heaven, earth, virtue, Tao and so on. Jade is regarded as the symbol of a gentleman to regulate morality and restrain behavior. Honest men describe the exquisite and clean jade as their pursuit of the highest moral ideal. In the minds of the "gentleman", jade is a symbol of nobility and purity, representing the noble character of human beings.(Wang Zhijie 2014,3)
 == The jade culture embodied in Chinese language ==
@@ Line 75: / Line 75: @@
 First, in Chinese, "jade" is opposite to "stone". The Chinese character "Yu" symbolizes beauty, kindness and extraordinary, while "Shi"(stone) symbolizes ordinary. "Stone" and "jade" form distinction in contrast. If someone cannot distinguish right from wrong, we will say him “make no distinction between jade and stone ”（"玉石不分"). “Stone“ is used with “jade” to serve as a foil to the beauty of “jade”; however, the combination of "gold" and "jade" sets off and highlights the richness and nobility of "jade". The idioms "fine gold and beautiful jade"(“良金美玉”), "the house full of gold and jade" （“金玉满堂”）and "gold and jade predestined match"(“金玉良缘”) highlight the preciousness of "jade" with the preciousness of "gold".
-Second, "jade" is a spiritual symbol of virtue. Its corresponding idioms, such as "as clean as ice and as pure as jade"(“冰清玉洁”), use the clarity of ice and the purity of jade to refer to one's noble and pure character. The idiom "It is better to die of ‘jade’ when life is a disgrace" (“宁为玉碎，不为瓦全”)to refer to one's willingness to die for justice rather than to live an ugly life. This idiom expresses the national belief that morality and personality is the first-line tenet via the widely accepted concept of "jade". Another example of the idiom "a jade tree in the wind"(“玉树临风”) is used to describe people who have not only good looks, but also good and pure qualities.（Han Jiawei 2010）
+Second, "jade" is a spiritual symbol of virtue. Its corresponding idioms, such as "as clean as ice and as pure as jade"(“冰清玉洁”), use the clarity of ice and the purity of jade to refer to one's noble and pure character. The idiom "It is better to die of ‘jade’ when life is a disgrace" (“宁为玉碎，不为瓦全”)to refer to one's willingness to die for justice rather than to live an ugly life. This idiom expresses the national belief that morality and personality is the first-line tenet via the widely accepted concept of "jade". Another example of the idiom "a jade tree in the wind"(“玉树临风”) is used to describe people who have not only good looks, but also good and pure qualities.（Han Jiawei 2010,5）
@@ Line 82: / Line 82: @@
 Yao Shiqi 姚世奇.(2004).《中国玉文化》Chinese Jade Culture (2)
-Ruan Xibo 阮希波. (2017).试论中国玉文化起源 [On the origin of Chinese jade culture].
+Ruan Xibo 阮希波. (2017).试论中国玉文化起源 [On the origin of Chinese jade culture].(1)
 Zhang Ruixiang, Yang Xiaoping, Ou Xiuhua 张睿祥 杨筱平 欧秀花.(2018). 从神坛走向民间：中国古代玉器的发展历程[From the Temple to the Folk: The Development course of Ancient Chinese Jade].文物鉴定与鉴赏 Identification and appreciation of cultural relics (11) 84-86
-Zhang Ying 张颖. (2016).汉字“玉”的文化解读 [Cultural interpretation of the Chinese character "Jade"]
+Zhang Ying 张颖. (2016).汉字“玉”的文化解读 [Cultural interpretation of the Chinese character "Jade"](2)
-Wang Zhijie 王志杰. （2014）. 论儒家思想对玉文化的影响 [On the influence of Confucianism on jade culture]
+Wang Zhijie 王志杰. （2014）. 论儒家思想对玉文化的影响 [On the influence of Confucianism on jade culture](3)
-Han Jiawei 韩佳蔚. (2010). 从汉语成语看“玉”的文化象征意义[View the cultural symbolism of "Jade" from Chinese idioms]
+Han Jiawei 韩佳蔚. (2010). 从汉语成语看“玉”的文化象征意义[View the cultural symbolism of "Jade" from Chinese idioms](5)
 == Terms and expressions ==

@@ Line 202: / Line 202: @@
 At this time, the boats gathered the tow, the sail, the accounts, the cargo, and the cooking, and such scenery is the vivid representation of the real situation of Bianjing shipping.
-When it refers to “cross the river”, there is a "Rainbow Bridge" across the Bian River. There were so many people on the bridge. Those who carry sedan chairs, sell farm tools or products, ride donkeys or shout at others.--[[User:Dai Muyu|Dai Muyu]] ([[User talk:Dai Muyu|talk]]) 13:34, 7 July 2021 (UTC)
+When it refers to “cross the river”, there is a "Rainbow Bridge" across the Bian River. There were so many people on the bridge. Those who carry sedan chairs, sell farm tools or products, ride donkeys or shout at others.
 ==References==

@@ Line 200: / Line 200: @@
 Xuanhe years as a academician, he was good at painting floor view, buildings, trees, and figures.
-At this time, the boats gathered the tow, the sail, the accounts, the cargo, and the cooking, and such scenery is the vivid representation of the real situation of Bianjing shipping.--[[User:Dai Muyu|Dai Muyu]] ([[User talk:Dai Muyu|talk]]) 13:32, 7 July 2021 (UTC)
+At this time, the boats gathered the tow, the sail, the accounts, the cargo, and the cooking, and such scenery is the vivid representation of the real situation of Bianjing shipping.
 ==References==

← Older revision		Revision as of 13:32, 7 July 2021
Line 198:		Line 198:


		+	Xuanhe years as a academician, he was good at painting floor view, buildings, trees, and figures.

−		+	At this time, the boats gathered the tow, the sail, the accounts, the cargo, and the cooking, and such scenery is the vivid representation of the real situation of Bianjing shipping.--[[User:Dai Muyu\|Dai Muyu]] ([[User talk:Dai Muyu\|talk]]) 13:32, 7 July 2021 (UTC)
−	~~Xuanhe years as a academician~~, ~~he was good at painting floor view~~, ~~buildings~~, ~~trees~~, and ~~figures~~. --[[User:Dai Muyu\|Dai Muyu]] ([[User talk:Dai Muyu\|talk]]) 13:28, 7 July 2021 (UTC)

	==References==		==References==

← Older revision		Revision as of 13:28, 7 July 2021
Line 190:		Line 190:

	The artist weaved various social contradictions in the bridge and under the bridge, reflecting the acute social problems caused by the inaction of officials in the late Northern Song Dynasty.(Yu Hui余辉、Xu Bei徐蓓,3-5)		The artist weaved various social contradictions in the bridge and under the bridge, reflecting the acute social problems caused by the inaction of officials in the late Northern Song Dynasty.(Yu Hui余辉、Xu Bei徐蓓,3-5)
		+
		+
		+
		+
		+
		+
		+
		+
		+
		+
		+	Xuanhe years as a academician, he was good at painting floor view, buildings, trees, and figures. --[[User:Dai Muyu\|Dai Muyu]] ([[User talk:Dai Muyu\|talk]]) 13:28, 7 July 2021 (UTC)

	==References==		==References==

@@ Line 648: / Line 648: @@
 =Dù Xīnyǔ 杜心语 Chinese folk argot=
-In the feudal society of China, argot was created by various groups or groups in the civil society, especially the secret society, out of various cultural customs and communication needs. It was characterized by evasion and metaphor. At present, due to the development of the network, some network terms are also known as "network argot".(Sogou Encyclopedia 2017)
+In the feudal society of China, argot was created by various groups or groups in the civil society, especially the secret societies, out of various cultural customs and communication needs. It was characterized by evasion and metaphor. At present, due to the development of the network, some network terms are also known as "network argot".(Sogou Encyclopedia 2017)
 ==Ancient Local Argots==
 The language used by ancient Chinese people to sacrifice or perform witchcraft.Its shape is pattern, not character. Its pronunciation depends on the pronunciation of local dialects.(Guo Zhengyi,2012)

@@ Line 556: / Line 556: @@
 ===Conclusion ===
-In July 2004, Shenyang Imperial Palace was listed on the World Heritage List, and it has become one of the most important cultural relics in China. In addition, a famous world heritage site becomes the joint cultural wealth of all mankind. This change in historical and cultural area has also brought another change in scientific research on Shenyang Imperial Palace Museum. A new proposition and task for the museum's cultural management is put, especially for academic research activities. Now, Shenyang Palace Museum is established as a center for academic exchange, research and information. In the academic research of Shenyang Palace Museum, all efforts are mobilized to expand the content of academic research and to integrate the resources of academic research by cooperation. By studying Shenyang Imperial Palace from the viewpoint of academic, we can further understand the value of Shenyang Imperial Palace as a world heritage. （Deng Qing 2009，147）Its most significantly historical value is the record of the rising of Qing Dynasty, its most significantly artistic value is the cultural spirit of Manchu, and its most significantly scientific value is the outstanding representative of national architecture.（Li Xiaoli 2014 1）The value of Shenyang Imperial Palace is mainly reflected on its early cultural implication, palace culture source, color painting status and age, architectural complex integrity and so on. （Deng Qing 2009，148）
+In July 2004, Shenyang Imperial Palace was listed on the World Heritage List, and it has become one of the most important cultural relics in China. In addition, a famous world heritage site becomes the joint cultural wealth of all mankind. This change in historical and cultural area has also brought another change in scientific research on Shenyang Imperial Palace Museum. A new proposition and task for the museum's cultural management is put, especially for academic research activities. Now, Shenyang Palace Museum is established as a center for academic exchange, research and information. In the academic research of Shenyang Palace Museum, all efforts are mobilized to expand the content of academic research and to integrate the resources of academic research by cooperation. By studying Shenyang Imperial Palace from the viewpoint of academic, we can further understand the value of Shenyang Imperial Palace as a world heritage. （Deng Qing 2009，147）
-By connecting Shenyang Palace Museum with "Forbidden Science" (故宫学)and conducting academic research under the framework of "Forbidden Science"(故宫学), many researchers have comprehensively improved the academic research level, academic reputation, academic communication and cooperation between Shenyang Palace Museum and domestic academic circles. There are still abundant treasures in Shenyang Imperial Palace, waiting for us to drill.（Deng Qing 2009，146-148）
+Its most significantly historical value is the record of the rising of Qing Dynasty, its most significantly artistic value is the cultural spirit of Manchu, and its most significantly scientific value is the outstanding representative of national architecture.（Li Xiaoli 2014, 1）The value of Shenyang Imperial Palace is mainly reflected on its early cultural implication, palace culture source, color painting status and age, architectural complex integrity and so on. （Deng Qing 2009，148）
 ==Terms and Expressions==