20220630 Classics 4 - Revision history

Yang Xinyi: /* 英语笔译杨心怡 Yang Xinyi 202170081604 MW */

2022-07-07T08:44:42Z

英语笔译杨心怡 Yang Xinyi 202170081604 MW

Yang Xinyi: /* 英语笔译杨心怡 Yang Xinyi 202170081604 MW */

2022-07-07T08:13:32Z

英语笔译杨心怡 Yang Xinyi 202170081604 MW

Yang Xinyi: /* The origin of Chinese children's literature */

2022-07-07T08:06:01Z

The origin of Chinese children's literature

Wang Yajuan: /* References */

2022-07-07T07:18:31Z

References

Wang Yajuan: /* 英语笔译王亚娟 Wang Yajuan 202170081598 */

2022-07-07T07:17:48Z

英语笔译王亚娟 Wang Yajuan 202170081598

Wang Yajuan: /* 英语笔译王亚娟 Wang Yajuan 202170081598 MW */

2022-07-07T07:16:45Z

英语笔译王亚娟 Wang Yajuan 202170081598 MW

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Yang Xinyi: /* The origin of Chinese children's literature */

2022-07-07T03:09:31Z

The origin of Chinese children's literature

Yang Xinyi: /* 英语笔译杨心怡 Yang Xinyi 202170081604 MW */

2022-07-07T03:04:43Z

英语笔译杨心怡 Yang Xinyi 202170081604 MW

Xiao Jiali: /* 3.2.1The essence of social view */

2022-07-06T11:06:14Z

3.2.1The essence of social view

Xiao Jiali: /* 3.2.1The essence of social view */

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3.2.1The essence of social view

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 ===Conclusion===
 The origin of China children's literature is a dynamic process, children's literature has gone through a period of "spontaneous,""awakening,""conscious" and finally in the May 4th period of the process of stereotypes.Due to the particularity of the target language readers, it is not easy to translate children's literature.Due to the lack of systematic guidance from standardized theories on the translation of China children's literature into foreign languages, the number of translated works of Chinese children's literature into foreign languages is uneven. It is hoped that more high-level translation experts and scholars can participate in the standardization and development of the translation practice of Chinese children's literature into foreign languages and promote the research on the translation of Chinese children's literature into foreign languages.Through the construction of a scientific and effective translation model, China will promote the overseas dissemination of Chinese children's literature and help Chinese children's literature to firmly land and take root in foreign markets.
 ==英语笔译	杨紫微	Yang Ziwei	202170081605 CE==

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 ==英语笔译	杨心怡	Yang Xinyi	202170081604 MW==
-The Source of China Children's Literature and the Dilemma of Its Translation
 <center>'''The source of China Children’s Literature and the Dilemma of its Translation'''</center>
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 Children's literature translation studies in other countries. Including Japan, Korea, the United United States, Europe and other countries, the translation of children's literature translation. For example,'Japan's early translation of children's literature Glimpse '(Jiang Qunxing, 2005), Translation and Introduction of United States Fairy Tales in China the 20th Century (Niu Rui, 2011) respectively introduce the translation and introduction of works of Denmark fairy tale master Hans Christian Andersen, Germany fairy tale works of the Brothers Grimm, and Ireland fairy tale master Oscar Wilde in China. Chen Xiu, 2013) and Translation of Korean Popular Science Children's Books (Wisdom, 2015) mainly introduce the translation principles and methods of Korea popular science children's books. As of 2016, there are few translations and introductions of children's literature works from other countries, which is also worthy of in-depth discussion and research.
-===The origin of Chinese children's literature===
+===1 The origin of Chinese children's literature===
 .1The Spontaneous Stage
@@ Line 829: / Line 829: @@
 In 1925, the novel Monthly published two albums of Andersen in August and September, which set off a "Andersen fever" in China.And like France's "mother goose's story," Italy's "love education,"The classic works such as Alice's Adventures in Wonderland and Wilde's Fairy Tales in United Kingdom and the Brothers Grimm's Fairy Tales Germany have also been introduced into China one after another and have exerted great influence.
 The active advocacy of the cultural pioneers of the May 4th Movement and the prosperity and development of the press are the important reasons for the "translation fever" of children's literature.Lu Xun, Zhou Zuoren, Zhao Jingshen, Zhao Yuanren and Xia Mianzun have done a lot of translation work. Zhou Zuoren once translated Grimm's fairy tales, such as Straw, Coal and Broad Bean and Big Radish; Xia Mianzun once translated Amiches 'educational novel Education of Love; Zheng Zhenduo translated Prince Anle, Young Emperor and Selfish Giant; Zhao Jingshen translated Famous Flowers. These translations not only provide reference for the creation of children's literature in China, but also broaden the horizons of our children's readers.'Children's World 'and' children ' is the most important translation of children's literature during this period, then the editor of "children's world "zheng zhenduo once said: "If all the children's literature materials from other countries in the world cater to China children, we will try our best to use them."
 ==英语笔译	杨紫微	Yang Ziwei	202170081605 CE==

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 From this period of children's books we can clearly see the era of children's expectations and great trust: "My boy, my boy, quickly invigorate your spirit to restore my ancestral inheritance and return my public property, so that you will not be buried in a dream again.""My brother Washington, my brother Napoleon. Although the heart is small, the blood is white hot, but the head is small, and the courage is not frightened."
 The China children's literature activities in the late Qing Dynasty and the early Republic of China are beneficial explorations with national and national characteristics based on "children's discovery,"and are an indispensable part of the modernization process of Chinese children's literature.
 ==英语笔译	杨紫微	Yang Ziwei	202170081605 CE==

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 *Xie Tianzhen谢天振(2009).''中西翻译简史''[History of Chinese and Western Translation ]. Beijing: Foreign Language Teaching and Research Press北京：外语教学与研究出版社.
 *Yilidana Ilhamu依丽达娜·伊力哈木(2021). ''拉斯韦尔传播理论研究'' [Research on Rathwell communication Theory]. Xinjiang: Dissertation of Xinjiang University新疆：新疆大学学位论文.
-*Zhang Boran, Xu Jun(2017). 典籍翻译——立足本土 融合中西[Translation of Classic Books: Based on Local culture and Integrating Chinese and Western culture].''中国社会科学报''Chinese Social Science Journal(5)26.
+*Zhang Boran, Xu Jun张柏然, 许钧(2017). 典籍翻译——立足本土 融合中西[Translation of Classic Books: Based on Local culture and Integrating Chinese and Western culture].''中国社会科学报''Chinese Social Science Journal(5)26.
 ==英语笔译	肖冬晴	Xiao Dongqing	202170081599 CE==

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 In July 2016, the 1986 version of the domestic television series ''Journey to the West'' (in Nepali) was screened in Nepal, triggering a ratings boom and "becoming a topic of conversation on the streets of Nepal and generating enthusiastic reviews in the local media." The popularity of Journey to the West TV series in Nepal reflects a major trend in the overseas dissemination of China's classics: with the rapid development of science and technology, cultural dissemination is no longer limited to the translation of literature from text to text, and classical literature has reached a wider audience outside the country through three-dimensional and diversified forms of dissemination, such as movies, TV series, operas, animation and video games. In the United States, Japan, Vietnam and other countries, ''Journey to the West'' has been brought to the screen in the form of movies or TV dramas; Japanese cartoonist Toriyama Akira's comic Dragon Ball, which is based on ''Journey to the West'', has become popular all over the world and has been turned into animation, movies and a wide variety of video games. After the film and television adaptation, the cultural products have incorporated a large number of modern and contemporary elements and cultural characteristics of the recipient countries, presenting a distinctive contemporary nature in content and form. (Hu Chenyao, Liu Yunhong 2019: 145) The advancement of electronic technology has brought viewers more impactful visual effects and psychological experiences.
-===Relationship Between Transmission Paths of  ''Journey to the West'' and Other Communication Elements in 5W===
+===Relationship Between Transmission Paths of  ''Journey to the West'' and Other Communication Elements of 5W===
 Translation paths was influenced by other elements in 5W. 5W includes Who, Say what, in which channel, to whom and with what effects. Among them, the communicator is the sender of the message. The emergence of the communication subject means the beginning of the communication activity. The content of communication is the core of the whole communication process. The sender and the audience interact in both directions in the process of information dissemination. And only by relying on the communication media, the dissemination of information can be completed. The communication audience is the receiver of the information. And the communication effect is the effective result after the audience receives the information (Yilidana Ilhamu 2021:28). The 5W model analyzes five elements in the process of communication and the complex relationship among them. In fact, these five elements are closely connected. This part focuses on the relationship between the transmission paths and other elements in 5W model.

← Older revision		Revision as of 03:09, 7 July 2022
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	1.2 Awakening Stage		1.2 Awakening Stage
		+
		+	The end of the Qing Dynasty and the beginning of the Republic of China was a crucial period for breeding innovative forces in "great changes that have not occurred in thousands of years.Paying attention to individual value, attaching importance to individual strength and penetrating into children's hearts directly reflect the transformation of people's view of children, so the late Qing Dynasty and the early Republic of China are the awakening stage of the development of China children's literature.
		+
		+	(Sun Jianguo:2010) said: "The end of Qing Dynasty and the beginning of Republic of China was a historical period in which profound changes took place China's social, political and cultural life. It was also an indispensable transition period for Chinese children's literature to move from the ancient spontaneous and natural state to the modern conscious literary age."
		+
		+	At this stage, the enlighteners actively advocated children's literature, regarded children as the masters of the country, began to pay attention to children's growth and education, and actively explored the improvement of children's books.
		+	Kang Youwei, Liang Qichao and other people in the leadership of the bourgeois reform movement at the same time the rise of reformism literature movement, they promote the reformism literature movement also includes the attention of children's literature.
		+	From this period of children's books we can clearly see the era of children's expectations and great trust: "My boy, my boy, quickly invigorate your spirit to restore my ancestral inheritance and return my public property, so that you will not be buried in a dream again.""My brother Washington, my brother Napoleon. Although the heart is small, the blood is white hot, but the head is small, and the courage is not frightened."
		+	The China children's literature activities in the late Qing Dynasty and the early Republic of China are beneficial explorations with national and national characteristics based on "children's discovery,"and are an indispensable part of the modernization process of Chinese children's literature.

	==英语笔译杨紫微 Yang Ziwei 202170081605 CE==		==英语笔译杨紫微 Yang Ziwei 202170081605 CE==

← Older revision		Revision as of 03:04, 7 July 2022
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	The Source of China Children's Literature and the Dilemma of Its Translation		The Source of China Children's Literature and the Dilemma of Its Translation
		+	<center>'''The source of China Children’s Literature and the Dilemma of its Translation'''</center>
		+
		+	<center>Yang Xinyi</center>
		+
		+	===Abstract===
		+	As China’s international status continues to rise, chinese literature is used for clutural transmission to foreign countries, so that more foreign friends can understand the excellent quality and spirit of Chinese people. Under the background of "going out" of this culture, excellent works of Chinese children's literature begin to emerge constantly. The high-level original works and translated works of Cao Wenxuan and Yang Hongying are undoubtedly the most successful examples of overseas cultural dissemination.As the translation of China children's literature is still in its infancy, there are also many problems in the study of children's literature translation. The development of excellent English translation of Chinese children's literature is slow, and it cannot be popularized in the world like English children's literature. To expand its international influence, literary translation is the most important factor of all.This paper introduces the origin of China children's literature, the difficulties it is facing at present, the translator's work criticism and the commonly used translation theories.
		+
		+	===Key words===
		+	Children's literature; Translation; English translation
		+
		+	===Introduction===
		+	“Childrens’ literature is considered to be the most cosmopolitan literature and the most easily 'going out' cultural product.”(c.f: Zhang 2020:21)
		+	The study of the history of China children's literature translation, national style, translators and so on ,which all the blank fields that need to be filled.Dynastic history research can be divided into the following stages: Late Qing Dynasty; May 4th Movement; The 1930s and 1940s; the beginning of reform and opening up; The 21st century, etc.The existing studies on the translation of children's literature mainly focus on European and American countries, and the later studies can be extended to Japan, France, Germany, Russia, Spain, Korea, Italy and other countries.The study of translators is also an important area of translation studies. Due to the particularity of the target language readers, children's literature translation is not easy.
		+
		+	===Literature Review===
		+	2000-2016 In the past 16 years, the number of documents on the theme of children's literature translation has been on the rise, nearly 200 articles published in 2016. Among the 14 papers in total, Qin Gong from the Institute of Literature of the China Academy of Social Sciences published 4 papers in the series of "Translation of Children's Literature during the May 4th Movement." In the same year, Xu Derong of Ocean University of China published "On the Translation of Children's Literature" in the core journal of foreign language, China Translation, which pondered on several basic problems of children's literature translation such as stylistic features, children's taste and cross-cultural communication.Since then, the domestic foreign language circle has strengthened the research on the translation of children's literature, and the number of papers has increased substantially almost every year.In 2006, the number of papers published increased to 45, and in 2013, the number of papers published reached an unprecedented 181.From 2014 to 2016, the research on children's literature translation has increased steadily.
		+	The retrieval results show that the translated papers of children's literature in 2000-2016 come from China Academic Journal Network Publishing Database, Characteristic Journals, China Doctoral Dissertation Full-text Database, China Excellent Master's Dissertation Full-text Database, China Important Conference Papers Full-text Database, International Conference Papers Full-text Database and China Academic Periodical Full-text Database.It can be seen from the sources of papers that the master's degree thesis accounts for the largest proportion, with 168 papers (56.9%), followed by academic journal papers with 121 papers (41%), and only 1 doctoral thesis (0.3%).At the same time, there are 25 core journals in academic journal papers, accounting for about 20% of the total number of journals.
		+	The above data show that the translation of children's literature research is mainly concentrated in the master's thesis part, the number of high-level core papers and doctoral dissertations is not much, especially the number of doctoral dissertations can be counted on one hand, the overall level of research still needs to be improved. According to the types of translation studies of children's literature, according to the journal articles published in HowNet 2000-2016, they can be mainly divided into the following categories:
		+
		+	(1) The dynastic history of children's literature translation
		+
		+	The early years of the republic of China in the late qing dynasty (Li li); Anti-Japanese War (Wen Jun, 2008); Translation of Chinese and Children's Literature from 1919 to 2012 (Wei Xuemei, 2013).Ten years of the new century, since the reform and opening up.The current history of children's literature translation studies are mainly to study the translation of a certain period of time, such as during the May 4th Movement and the Anti-Japanese War, the study of the translation history of children's literature from the founding of the People's Republic of China to the beginning of the Cultural Revolution, during the Cultural Revolution and the thirty years of reform and opening up has not been paid attention to.
		+
		+	(2) Translation and Introduction of Children's Literature in Other Countries
		+
		+	Children's literature translation studies in other countries. Including Japan, Korea, the United United States, Europe and other countries, the translation of children's literature translation. For example,'Japan's early translation of children's literature Glimpse '(Jiang Qunxing, 2005), Translation and Introduction of United States Fairy Tales in China the 20th Century (Niu Rui, 2011) respectively introduce the translation and introduction of works of Denmark fairy tale master Hans Christian Andersen, Germany fairy tale works of the Brothers Grimm, and Ireland fairy tale master Oscar Wilde in China. Chen Xiu, 2013) and Translation of Korean Popular Science Children's Books (Wisdom, 2015) mainly introduce the translation principles and methods of Korea popular science children's books. As of 2016, there are few translations and introductions of children's literature works from other countries, which is also worthy of in-depth discussion and research.
		+	===The origin of Chinese children's literature===
		+
		+	1.1The Spontaneous Stage
		+
		+	In ancient China, although there was no 'children's literature', there was 'children's literature' everywhere, and specific works of children's literature abounded. Children's literature includes nursery rhymes, children's songs, sacred myths, legends and folklore, as well as classical literature that children have taken ownership of. These valuable resources have laid a solid foundation for children's literature to move from spontaneity to self-awareness. The earliest recorded children's rhyme in ancient literature is the Kang Qu Nursery Rhyme from Lie Zi Zhong Ni: "The people of the city are the most important people in the world.
		+	The first collection of folk children's songs in the history of Chinese literature appeared during the Wanli period of the Ming dynasty, the Yanyu Xiaoyu (Performing Children's Words) compiled by Lü Kun. This is arguably the first true collection of folk children's songs in China, pioneering the creation of children's songs and rhymes for children's education. And works such as Journey to the West and Liao Zhai Zhiyi were appropriated by children for their storytelling and fun. Although the child may not be able to say exactly what it is about these works that captivates him or her, this phenomenon inspires us to consider the unique status of classical literature for children.
		+	In the case of Journey to the West, the magic of the 72 transformations, the spirit of eternal struggle, the witty, brave, tumbling, humorous and cheerful figure of Sun Da Sheng is not only a classic character in Chinese children's literature, but has also left a strong mark in the history of children's literature worldwide. "Before the birth of children's literature produced exclusively for children as a separate literary sector, there had been children's literature that was actively chosen by children as their own. The accumulation of this type of children's literature was bound to create a striking and unique literary phenomenon at a certain point in time, not only providing public opinion for the self-consciousness of children's literature not only prepared children's literature for self-consciousness, but also directly laid the literary (in terms of subject matter, expression, etc.) It is also an indispensable foundation for the development of children's literature."
		+	The significance of folklore for modern children's literature lies not only in the variation of genre forms and their homogeneous correspondence, but also in the fact that folklore is received by children. Folklore has a special significance in the reception of literature by children because of its unique mode of transmission.
		+	“Listening” and “reading” are the two main ways in which children receive literature, and “speaking”, after listening and reading, is the way in which folk literature is transmitted.
		+	Mr Zhu Ziqiang also believes that "folk literature played an extremely important role in the origin and development of children's literature".
		+	Folk literature is the cradle of children's literature, and the richness and breadth of folk literature gives children's literature a deep historical deposit and cultural connotation. Secondly, folk literature has a great influence on the creation of children's literature. This is demonstrated by the fact that writers will consciously or unconsciously draw from folk literature and apply it to their own works. For example, Lu Xun was able to obtain the nourishment of folk literature from works such as One Thousand and One Nights, A Collection of Grimm's Fairy Tales and An Introduction to Mythology, before completing his works such as The Flowers of the Morning and the Night and New Stories.
		+	The New Tales" and other works. It can be said that the influence of folklore on children's literature is profound and long-lasting, and this subtle influence has brought The influence of folklore on children's literature is profound and long-lasting.
		+
		+	1.2 Awakening Stage

	==英语笔译杨紫微 Yang Ziwei 202170081605 CE==		==英语笔译杨紫微 Yang Ziwei 202170081605 CE==

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 So, "what does morality mean? We have to read its oracle bone inscriptions. " The word "德" in oracle bone inscriptions, first draw a road with a fork in the road, then draw a very concrete big eye next to it, and then draw a straight symbol on it, this word is the de in oracle bone inscriptions. When it comes to Jinwen, people add a heart to it below, and this word is the origin of the word "德". What does it mean? Read this character first. Walking on the road with a fork in the road, staring straight ahead and moving forward wholeheartedly, is called "德" . In other words, walking along the way is virtue. Follow what path? To follow the path of heaven is virtue. Therefore, we must pay attention to the fact that the morality that Laozi is talking about is not our daily so-called morality of human relations, but that following the way of heaven is Tao and virtue.When we advocated virtue, we had already lost the Tao, so we began to talk about benevolence, and then we could not even protect the heart of benevolence, so we could only give handouts, and finally lost all Tao, virtue, benevolence and righteousness, and could only give etiquette. Etiquette is the summation of national political law and folk etiquette. It was only when we discarded all these that human civilization began the violent control of severe punishment and draconian laws.In other words, the rulers regulate the world with benevolence and righteousness, and people all over the world run for benevolence and righteousness, abandon their own nature and disguise themselves with benevolence and righteousness.（陈霞，2017）
-[[File:Example.jpg]]
+[[File:Examplehhh.jpg]]
 We are very familiar with a word, once as a famous school motto, "virtuous carrying things" is actually derived from here. But many people have misinterpreted it, interpreting "things" as characters and "virtue" as ethics. What Laozi is talking about is virtue. "carrying things with virtue" means that virtue is obeyed by all things, and all things can be nurtured. So, what does Laozi mean by saying this? It implies that all things have virtue, but people do not have virtue. Therefore, this sentence implies Laozi's criticism of civilized human beings, which is why he said, "Man and earth, earth and heaven, heaven and nature." The Dharma here means imitating, saying that man should imitate the earth, the earth should imitate the heaven, the heaven should imitate the Tao, and the Tao imitates nature. Pay attention to the nature here, the concept of nature here is not the meaning of nature, the concept of nature was introduced into China from the West in modern times. The meaning of nature here is natural, which refers to the evolution and evolutionary state of Tao, which is called nature. In fact, he is further criticizing civilized human beings, violating the way of heaven and losing material morality.

← Older revision		Revision as of 11:02, 6 July 2022
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	So, "what does morality mean? We have to read its oracle bone inscriptions. " The word "德" in oracle bone inscriptions, first draw a road with a fork in the road, then draw a very concrete big eye next to it, and then draw a straight symbol on it, this word is the de in oracle bone inscriptions. When it comes to Jinwen, people add a heart to it below, and this word is the origin of the word "德". What does it mean? Read this character first. Walking on the road with a fork in the road, staring straight ahead and moving forward wholeheartedly, is called "德" . In other words, walking along the way is virtue. Follow what path? To follow the path of heaven is virtue. Therefore, we must pay attention to the fact that the morality that Laozi is talking about is not our daily so-called morality of human relations, but that following the way of heaven is Tao and virtue.When we advocated virtue, we had already lost the Tao, so we began to talk about benevolence, and then we could not even protect the heart of benevolence, so we could only give handouts, and finally lost all Tao, virtue, benevolence and righteousness, and could only give etiquette. Etiquette is the summation of national political law and folk etiquette. It was only when we discarded all these that human civilization began the violent control of severe punishment and draconian laws.In other words, the rulers regulate the world with benevolence and righteousness, and people all over the world run for benevolence and righteousness, abandon their own nature and disguise themselves with benevolence and righteousness.（陈霞，2017）		So, "what does morality mean? We have to read its oracle bone inscriptions. " The word "德" in oracle bone inscriptions, first draw a road with a fork in the road, then draw a very concrete big eye next to it, and then draw a straight symbol on it, this word is the de in oracle bone inscriptions. When it comes to Jinwen, people add a heart to it below, and this word is the origin of the word "德". What does it mean? Read this character first. Walking on the road with a fork in the road, staring straight ahead and moving forward wholeheartedly, is called "德" . In other words, walking along the way is virtue. Follow what path? To follow the path of heaven is virtue. Therefore, we must pay attention to the fact that the morality that Laozi is talking about is not our daily so-called morality of human relations, but that following the way of heaven is Tao and virtue.When we advocated virtue, we had already lost the Tao, so we began to talk about benevolence, and then we could not even protect the heart of benevolence, so we could only give handouts, and finally lost all Tao, virtue, benevolence and righteousness, and could only give etiquette. Etiquette is the summation of national political law and folk etiquette. It was only when we discarded all these that human civilization began the violent control of severe punishment and draconian laws.In other words, the rulers regulate the world with benevolence and righteousness, and people all over the world run for benevolence and righteousness, abandon their own nature and disguise themselves with benevolence and righteousness.（陈霞，2017）
−

	[[File:Example.jpg]]		[[File:Example.jpg]]

20220630 Classics 4 - Revision history

Yang Xinyi: /* 英语笔译 杨心怡 Yang Xinyi 202170081604 MW */

Yang Xinyi: /* 英语笔译 杨心怡 Yang Xinyi 202170081604 MW */

Yang Xinyi: /* The origin of Chinese children's literature */

Wang Yajuan: /* References */

Wang Yajuan: /* 英语笔译 王亚娟 Wang Yajuan 202170081598 */

Wang Yajuan: /* 英语笔译 王亚娟 Wang Yajuan 202170081598 MW */

Yang Xinyi: /* The origin of Chinese children's literature */

Yang Xinyi: /* 英语笔译 杨心怡 Yang Xinyi 202170081604 MW */

Xiao Jiali: /* 3.2.1The essence of social view */

Xiao Jiali: /* 3.2.1The essence of social view */

Yang Xinyi: /* 英语笔译杨心怡 Yang Xinyi 202170081604 MW */

Yang Xinyi: /* 英语笔译杨心怡 Yang Xinyi 202170081604 MW */

Wang Yajuan: /* 英语笔译王亚娟 Wang Yajuan 202170081598 */

Wang Yajuan: /* 英语笔译王亚娟 Wang Yajuan 202170081598 MW */

Yang Xinyi: /* 英语笔译杨心怡 Yang Xinyi 202170081604 MW */