20220630 Culture 13 - Revision history

Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

2022-07-08T03:24:51Z

英语口译伍佳惠 Wu Jiahui 202170081625

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Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

2022-07-08T03:14:00Z

英语口译伍佳惠 Wu Jiahui 202170081625

Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

2022-07-06T14:03:13Z

英语口译伍佳惠 Wu Jiahui 202170081625

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Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

2022-07-06T13:54:50Z

英语口译伍佳惠 Wu Jiahui 202170081625

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Shi Youjie: /* Terms and expressions */

2022-07-06T09:18:57Z

Terms and expressions

Shi Youjie: /* Answers */

2022-07-06T09:14:23Z

Answers

Shi Youjie: /* References */

2022-07-06T09:13:07Z

References

Shi Youjie: /* Answers */

2022-07-06T08:49:49Z

Answers

Shi Youjie: /* Questions */

2022-07-06T08:44:38Z

Questions

Shi Youjie: /* Conclusion */

2022-07-06T08:34:22Z

Conclusion

@@ Line 573: / Line 573: @@
 <center>Wu Jiahui</center>
-===Introduction===
+===1 Introduction===
 The Chinese dragon, also known as long, loong, or lung, is a legendary creature in Chinese mythology, Chinese culture, and Chinese folklore as a whole. For thousands of years, the dragon has permeated all aspects of Chinese society, becoming a cultural cohesion and accumulation. The dragon has become a symbol of China, a symbol of the Chinese nation, and a symbol of Chinese culture. To every Chinese descendant, it carries national emotions.
@@ Line 583: / Line 583: @@
 Generally speaking, the dragon was everywhere in ancient China and looms as large nowadays in the Chinese psyche as ever.
-===Origin of the Dragon===
+===2 Origin of the Dragon===
 ====Time for the Dragon to Appear====
@@ Line 593: / Line 593: @@
 The origin of the dragon image has been variously described as being derived from snakes, crocodiles, and pigs, etc. There are also theories that the earliest dragons were lightning bolts in the sky when it rained. Most experts now concur that the dragon is a totem complex with a snake as the main body, with the head of a pig, the body of a snake, the horns of a deer, the whiskers of a sheep, the ears of a cow, the scales of a fish, and the claws of an eagle (Lin Jiangling 2019,23).
-===Cultural Connotations of the Dragon===
+===3 Cultural Connotations of the Dragon===
 The dragon is a special animal in Chinese culture, often used to symbolize good fortune, and is one of the most representative traditional cultures of the Chinese and other East Asian nations. The Chinese culture has a long history, and there are many cultural meanings associated with dragons. Nowadays, dragon culture has permeated every aspect of our society and culture.
@@ Line 643: / Line 643: @@
 The dragon costume shows Chinese beauty, and its aesthetic value is worth exploring.
-===Differences Between Chinese Dragons and Western Dragons===
+===4 Differences Between Chinese Dragons and Western Dragons===
 ====Symbolism and Meaning of the Dragon in China====
@@ Line 657: / Line 657: @@
 In the early days, the Western dragon was a divine creature or spirit, but as native Western beliefs declined and Christianity flourished, the Western dragon gradually became a demon-like being, giving it a more negative connotation after the Middle Ages. But as time goes by, and as China’s status in the international community grows, the Western world’s perception of the “dragon” has improved, and we Chinese are proud to be the “descendants of the dragon”.
-===Importance of Chinese Dragon Culture===
+===5 Importance of Chinese Dragon Culture===
 The Chinese dragon culture, which has been up and down for 8,000 years, has a long and profound history. The image of dragons has penetrated all corners of society, and the influence of dragons has spread to all dynasties and all levels of culture in a colorful way, which shows the importance of dragon culture in China. Generally speaking, the importance of dragon culture is mainly manifested in the following aspects.
@@ Line 689: / Line 689: @@
 The Chinese have always worshipped the spirit of the dragon because it is “spiritual”. It is the spirit of the dragon that brings well-being and good luck to the Chinese people. The magnificent projects we are concentrating on now, such as economic transformation, targeted poverty alleviation, strict governance of the Party, and beautiful China, can also be said to be the dragon’s way to clean up the haze around itself in the process of moving forward and further optimize the environment in which it takes off, making it purer and purer. In this environment, the Chinese dragon will also gain a higher ability to take off and take its rightful place in the international community.
-===Conclusion===
+===6 Conclusion===
 In short, dragons have always been remembered in the hearts of Chinese people for thousands of years, occupying a vital position. In addition to spreading and inheriting the dragon culture in the Chinese nation, it has also been brought around the world by Chinese who have traveled overseas. In Chinese settlements or Chinatowns around the world, dragons are still one of the most numerous and eye-catching ornaments.
@@ Line 727: / Line 727: @@
 ===Terms and expressions===
-龙图腾 the Dragon Totem
+the Dragon Totem 龙图腾
-远古氏族社会 ancient clan societies
+ancient clan societies 远古氏族社会
-划龙舟 dragon boat racing
+dragon boat racing 划龙舟
-《山海经》The Classic of Mountains and Seas
+The Classic of Mountains and Seas 《山海经》
-《西游记》 Journey to the West
+Journey to the West 《西游记》
-《封神演义》 The Investiture of Gods
+The Investiture of Gods 《封神演义》
-真龙天子 the True Dragon, Son of Heaven
+the True Dragon, Son of Heaven 真龙天子
-藻井 caisson
+caisson 藻井
-《三礼图》The Chart of Three Rites
+The Chart of Three Rites 《三礼图》
-鸱尾、鸱吻 Chiwen
+Chiwen 鸱尾、鸱吻
-避雷针 lightning rod
+lightning rod 避雷针
-三国时期 the Three Kingdoms Period
+the Three Kingdoms Period 三国时期
-南北朝时期 Northern and Southern Dynasties
+Northern and Southern Dynasties 南北朝时期
-南朝四百八十寺，多少楼台烟雨中 Of the four hundred and eighty temples built in the Southern Dynasties. Many towers and terraces are now there, shrouded in mist and rain.
+Of the four hundred and eighty temples built in the Southern Dynasties. Many towers and terraces are now there, shrouded in mist and rain. 南朝四百八十寺，多少楼台烟雨中
-故宫保和殿 the Hall of Preserving Harmony in the Forbidden City
+the Hall of Preserving Harmony in the Forbidden City 故宫保和殿
-北海九龙壁 The Nine-Dragon Wall in Beihai
+The Nine-Dragon Wall in Beihai 北海九龙壁
-北京孔庙 Beijing Temple of Confucius
+Beijing Temple of Confucius 北京孔庙
-曲阜孔庙 The Temple of Confucius in Qufu
+The Temple of Confucius in Qufu 曲阜孔庙
-赵州桥 Zhaozhou Bridge (Anji Bridge)
+Zhaozhou Bridge (Anji Bridge) 赵州桥
-司马金龙墓 the Tomb of Sima Jinlong
+the Tomb of Sima Jinlong 司马金龙墓
-龙袍 dragon robe
+dragon robe 龙袍
-龙纹 dragon pattern
+dragon pattern 龙纹
-天人合一 the unity of heaven and humanity
+the unity of heaven and humanity 天人合一
-汉族 the Han Ethnic Group
+the Han Ethnic Group 汉族
-《圣经》 Bible
+Bible《圣经》
-《贝奥武夫》 Beowulf
+Beowulf《贝奥武夫》
-《圣乔治与龙》Saint George and the Dragon
+Saint George and the Dragon《圣乔治与龙》
-《尼伯龙根之歌》  The Song of the Nibelungs
+The Song of the Nibelungs《尼伯龙根之歌》
-龙的传人 descendants of the dragon
+descendants of the dragon 龙的传人
-兼容并蓄性 inclusiveness
+inclusiveness 兼容并蓄性
-民族团结和国家统一 national unity and national reunification
+national unity and national reunification 民族团结和国家统一
-民族认同感 sense of national identity
+sense of national identity 民族认同感
-东方巨龙 Oriental Dragon
+Oriental Dragon 东方巨龙
-炎黄子孙 descendants of the Yellow Emperor
+descendants of the Yellow Emperor 炎黄子孙
 ===Questions===

@@ Line 515: / Line 515: @@
 ===Terms and expressions===
-病弱妆(sickly make-up): women dress themselves in a soft and slender manner to show their morbid beauty.
+病弱妆(sickly make-up): Women dress themselves in a soft and slender manner to show their morbid beauty.
-愁眉啼妆(sad eyebrows and crying make-up): the eyebrows are painted downwards with  powder, and under the eyes with white dye to show the tear marks.
+愁眉啼妆(sad eyebrows and crying make-up): The eyebrows are painted downwards with  powder, and under the eyes with white dye to show the tear marks.
-面靥(dimple make-up): it refers to a type of make-up generally applied to the dimples on both sides of a woman's face in ancient times.
+面靥(dimple make-up): It refers to a type of make-up generally applied to the dimples on both sides of a woman's face in ancient times.
 花钿(flower inlay): Flower inlay is a general term for thin pieces of ornamentation that can be attached to the face.
-点唇(lip-dotting): applying lipsticks in a spotted way on the lip.
+点唇(lip-dotting): Applying lipsticks in a spotted way on the lip.
-白妆(White make-up)：apply face with white powder with two cheeks not applying any rouge.
+白妆(White make-up)：Applying face with white powder with two cheeks not applying any rouge.
-晕红妆 (flush make-up): apply cheek with rouge or red powder, and the color is tend to be dark.
+晕红妆 (flush make-up): Applying cheek with rouge or red powder, and the color is tend to be dark.
-紫妆(purple make-up)：put on purple powder with brush on face.
+紫妆(purple make-up)：Put on purple powder with brush on face.
-徐妃半面妆(Xu Fei half face make-up): as the name implies, that is, one only has her half of the face decorated, the left and right cheeks of different colors.
+徐妃半面妆(Xu Fei half face make-up): One only has her half of the face decorated, the left and right cheeks of different colors.
-仙蛾妆(Immortal moth make-up): a kind of eyebrow make-up that two eyebrows are connected.
+仙蛾妆(Immortal moth make-up): A kind of eyebrow make-up that two eyebrows are connected.
-额黄(yellow forehead make-up): it is named after the yellow pigment used to paint the forehead.
+额黄(yellow forehead make-up): It is named after the yellow pigment used to paint the forehead.
 斜红(crescent make-up): It is a kind of make-up for both sides of the cheeks and between the eyebrows, mostly shaped like a crescent moon, with a bright red colour, some of which are also deliberately painted in a tattered shape, as if two knife scars, and some with a curling pattern.
-梅花妆(The plum blossom make-up): it is a kind of flower inlay and refers to a kind of frontal decoration.
+梅花妆(The plum blossom make-up): It is a kind of flower inlay and refers to a kind of frontal decoration.
 碎妆( scattered make-up)：The make-up is a kind of make-up that will be painted all over the face. Various patterns and textures are available.
-胡人（Hu people）
+胡人（Hu people):The ancient Chinese name for the peoples of the northern and western borderlands.
 ===Questions===

@@ Line 559: / Line 559: @@
 ===Answers===
 .It was formed in Han Dynasty.
 .Its popularity is directly related to the widespread spread of Buddhism in China during the Wei, Jin and Northern Dynasties.
 .Tang Dynasty.
 .It spread from under the eyebrows to the ear sockets and corners of the face, leaving only the forehead, the bridge of the nose and the chin white.
 .The transmission of Western culture influenced the lip make-up style in this time.

← Older revision		Revision as of 09:13, 6 July 2022
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	===References===		===References===
		+
		+	[1]Li ya, Chen Shiyu李芽,陈诗宇.(2021).中国妆容之美[The Beauty of Chinese Makeup].艺术品鉴.
		+
		+	[2]Li Jiabei李佳贝.(2017).汉代女性面妆审美研究[Aesthetics study of the Han Dynasty feminine face makeup].湖南师范大学.
		+
		+	[3]Miao Lin苗琳.(2020).略施粉黛——中国古代女性形象“妆容”研究.美术大观.
		+
		+	[4]Wang Luhan王露寒.(2018).淡妆浓抹总相宜—唐代女性面部妆饰的审美文化研究[Whether she is richly adorned or plainly dressed,she always charming------Research on
		+	Aesthetic Culture of Women Facial Makeup in Tang Dynasty].西安电子科技大学.
		+
		+	[5]Shen Ting沈婷.(2021) 魏晋南北朝的面妆研究[Study of Face Make-up in the Wei, Jin and Northern Dynasties].西南民族大学.
		+
		+	[6]Xu Zhonglin许仲林.(2022)论中国先秦至晚清时期女子面部妆容的特征.普洱学院学报,38(02):37-39.
		+
		+	[7]Yang Wei杨微.(2011).女性服饰妆容与唐代审美趣味研究.西北大学.
		+
		+	[8]Zhang Yuanxing张元兴.(2007)魏晋南北朝时期胡人汉化的历史必然性.内蒙古农业大学学报(社会科学版),(04).

	===Terms and expressions===		===Terms and expressions===

← Older revision		Revision as of 08:49, 6 July 2022
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	===Answers===		===Answers===
		+	1.It was formed in Han Dynasty.
		+	2.Its popularity is directly related to the widespread spread of Buddhism in China during the Wei, Jin and Northern Dynasties.
		+	3.Tang Dynasty.
		+	4.It spread from under the eyebrows to the ear sockets and corners of the face, leaving only the forehead, the bridge of the nose and the chin white.
		+	5.The transmission of Western culture influenced the lip make-up style in this time.

	==英语口译伍佳惠 Wu Jiahui 202170081625==		==英语口译伍佳惠 Wu Jiahui 202170081625==

← Older revision		Revision as of 08:44, 6 July 2022
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	===Questions===		===Questions===
		+	1.When was make-up culture formed with a standard aesthetic appreciation?
		+
		+	2.Why "额黄"(yellow forehead make-up) was popular in the Wei, Jin, Southern and Northern Dynasties?
		+
		+	3.What dynasty is the heyday of Chinese ancient make-up?
		+
		+	4.In Glorious age of Tang Dynasty,what was the most striking change in "red make-up" ?
		+
		+	5.Why small lip make-up was gradually declining in the late Qing Dynasty?

	===Answers===		===Answers===

← Older revision		Revision as of 08:34, 6 July 2022
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	===Conclusion===		===Conclusion===
		+	The history of the facial make-up of ancient Chinese women dates back to a long time ago, and it is prominent form the Han Dynasty to Qing Dynasty. Throughout this time, the women's facial make-up was influenced by the economic conditions of each dynasty, the various regional cultural practices, and other factors. These influences resulted in both common features of the era and distinctive regional characteristics that revealed the individuality of the women of that time.

	===References===		===References===

20220630 Culture 13 - Revision history

Wu Jiahui: /* 英语口译 伍佳惠 Wu Jiahui 202170081625 */

Wu Jiahui: /* 英语口译 伍佳惠 Wu Jiahui 202170081625 */

Wu Jiahui: /* 英语口译 伍佳惠 Wu Jiahui 202170081625 */

Wu Jiahui: /* 英语口译 伍佳惠 Wu Jiahui 202170081625 */

Shi Youjie: /* Terms and expressions */

Shi Youjie: /* Answers */

Shi Youjie: /* References */

Shi Youjie: /* Answers */

Shi Youjie: /* Questions */

Shi Youjie: /* Conclusion */

Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */

Wu Jiahui: /* 英语口译伍佳惠 Wu Jiahui 202170081625 */