20220630 Culture 6 - Revision history

Liu Zhen: /* References */

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References

Liu Zhen: /* Terms and Expressions */

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Terms and Expressions

Liu Zhen: /* Introduction */

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Introduction

Liu Zhen: /* Historical Overview of Guqin Art */

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Historical Overview of Guqin Art

Liu Zhen: /* Contemporary Significance of Guqin Art */

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Contemporary Significance of Guqin Art

Liu Zhen: /* References */

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References

Liu Zhen: /* 英语笔译刘珍 Liu Zhen 202170081588 */

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英语笔译刘珍 Liu Zhen 202170081588

Liu Zhen: /* Development of Guqin Music in the Song Dynasty */

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Development of Guqin Music in the Song Dynasty

Liu Zhen: /* 5. Contemporary Cultural Significance and Value of Guqin Art */

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5. Contemporary Cultural Significance and Value of Guqin Art

Liu Zhen: /* 4. Contemporary Significance of Guqin Art */

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4. Contemporary Significance of Guqin Art

← Older revision		Revision as of 02:45, 8 July 2022
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	5.The earliest example of the modern shorthand tablature survives from around the twelfth century C.E.. An earlier form of music notation from the Tang era survives in just one manuscript, dated to the seventh century C.E., called Jieshi Diao Youlan 《碣石調幽蘭》 (Solitary Orchid in Stone Tablet Mode).		5.The earliest example of the modern shorthand tablature survives from around the twelfth century C.E.. An earlier form of music notation from the Tang era survives in just one manuscript, dated to the seventh century C.E., called Jieshi Diao Youlan 《碣石調幽蘭》 (Solitary Orchid in Stone Tablet Mode).
−
−	~~===References===~~
−	~~Li Xiangting李祥霆.(2014). 古琴综议[A Comprehensive Discussion on Guqin][M]. 中国人民大学出版社[China Renmin University Press].~~
−
−	~~Zhang Bin张斌.(2014). 宋代古琴文化考论[A Study on Guqin Culture in Song Dynasty][M]. 南京大学出版社[Nanjing University Press].~~
−
−	~~Zhu Changwen.朱长文(2010). 琴史[A History of Qin][M]. 北京:中华书局[Beijing: Zhonghua Book Company].~~
−
−	~~Wu Zhao.吴钊(2006).传统与现代——中国古琴艺术面临的挑战[Tradition and Modernity -- Challenges Facing Chinese Guqin Art][J].人民音乐[People's Music], 2005(6)，22-24.~~
−
−	~~Zhan Qiaoling. 詹桥玲(2005).琴歌的历史与现状[History and Present Situation of Qinge][J]. 中国音乐学[Chinese Musicology], 2005(4)，99-101.~~
−
−	Zhang Huaying.章华英(2013).文人阶层消亡与当代古琴人文精神之缺失[The disappearance of Literati Class and the Absence of Contemporary Guqin Humanistic Spirit][J]. 艺术评论[Art Review],2013(9)，26-29.
−
−	~~Zhang Haitao.张海涛(2011). 古琴艺术当代发展思考[Thoughts on the Contemporary Development of Guqin Art][J]. 民族艺术研究[Ethnic Art Research], (02):52-57.~~

	==英语笔译龙翰良 Long Hanliang 202170081589==		==英语笔译龙翰良 Long Hanliang 202170081589==

← Older revision		Revision as of 02:44, 8 July 2022
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	Guqin art development up to now, has the vital significance in the contemporary social and cultural life and value, this article through to the history of the guqin art situation, development and innovation, of gu qin art in the contemporary music education in the value, the value of modern value and music therapy, provide material for the contemporary music creation, such as value, The paper analyzes and explores the significance of guqin art in the inheritance and development of Chinese traditional music culture, arouses thoughts on the inheritance and development of guqin art in the contemporary era, and puts forward relevant suggestions by analyzing the dilemma of guqin art in the contemporary development. Firstly, as an important traditional Chinese culture, the Chinese national spirit contained in guqin art is of great value. Inheriting, developing and carrying forward the excellent traditional culture of our nation plays an irreplaceable role in creating and developing the new socialist culture with Chinese characteristics. Chinese traditional music culture education is almost in the situation of breaking down in contemporary music education. The traditional education thought reflected by guqin art has enlightenments and values for contemporary music education.		Guqin art development up to now, has the vital significance in the contemporary social and cultural life and value, this article through to the history of the guqin art situation, development and innovation, of gu qin art in the contemporary music education in the value, the value of modern value and music therapy, provide material for the contemporary music creation, such as value, The paper analyzes and explores the significance of guqin art in the inheritance and development of Chinese traditional music culture, arouses thoughts on the inheritance and development of guqin art in the contemporary era, and puts forward relevant suggestions by analyzing the dilemma of guqin art in the contemporary development. Firstly, as an important traditional Chinese culture, the Chinese national spirit contained in guqin art is of great value. Inheriting, developing and carrying forward the excellent traditional culture of our nation plays an irreplaceable role in creating and developing the new socialist culture with Chinese characteristics. Chinese traditional music culture education is almost in the situation of breaking down in contemporary music education. The traditional education thought reflected by guqin art has enlightenments and values for contemporary music education.
		+
		+	===References===
		+	Li Xiangting李祥霆.(2014). 古琴综议[A Comprehensive Discussion on Guqin][M]. 中国人民大学出版社[China Renmin University Press].
		+
		+	Zhang Bin张斌.(2014). 宋代古琴文化考论[A Study on Guqin Culture in Song Dynasty][M]. 南京大学出版社[Nanjing University Press].
		+
		+	Zhu Changwen.朱长文(2010). 琴史[A History of Qin][M]. 北京:中华书局[Beijing: Zhonghua Book Company].
		+
		+	Wu Zhao.吴钊(2006).传统与现代——中国古琴艺术面临的挑战[Tradition and Modernity -- Challenges Facing Chinese Guqin Art][J].人民音乐[People's Music], 2005(6)，22-24.
		+
		+	Zhan Qiaoling. 詹桥玲(2005).琴歌的历史与现状[History and Present Situation of Qinge][J]. 中国音乐学[Chinese Musicology], 2005(4)，99-101.
		+
		+	Zhang Huaying.章华英(2013).文人阶层消亡与当代古琴人文精神之缺失[The disappearance of Literati Class and the Absence of Contemporary Guqin Humanistic Spirit][J]. 艺术评论[Art Review],2013(9)，26-29.
		+
		+	Zhang Haitao.张海涛(2011). 古琴艺术当代发展思考[Thoughts on the Contemporary Development of Guqin Art][J]. 民族艺术研究[Ethnic Art Research], (02):52-57.

	===Terms and Expressions===		===Terms and Expressions===

@@ Line 28: / Line 28: @@
 '''The Research Object
 '''
 Qin, also known as Yao Qin, Silk, jade qin, seven-stringed qin, is now known as Guqin. It is one of the oldest stringed plucking instruments in China's traditional national Musical Instruments. It has a long history of about 3,000 years. There are legends such as Fu Xi Shennong making qin, Huang Di Tang Yao making qin, etc. From five strings, King Wen and King Wu each added one string and finally made it seven strings. For thousands of years, qin has been the top of the "four arts", as well as a tool for the literati to cultivate their morality and realize the road. UNESCO listed it as one of the first oral and intangible cultural heritage of humanity representative works in 2003, namely for its artistic value, historical status
 Full affirmation of.

@@ Line 44: / Line 44: @@
 ===Historical Overview of Guqin Art===
-'''1.Artistic Characteristics'''
+'''2.1 Artistic Characteristics'''
 The piano is composed of two parts: the body and the strings. The body of the instrument is inlaid into a whole by the upper and lower two rectangular boards, which is called "violin box". Upper board multi-purpose cork, such as tung or fir; The lower board uses hardwood, such as catalpa. The wide right side of the body is the head, and the narrow left side is the tail. Starting from the head, the front end of the head is called "Feng forehead", and the one one or two points higher than "Feng forehead" is called "Chenglu", also called "Yue Skirt", which refers to its position at the foot of Yue Mountain. The hardwood for the first part of the qin is "Yueshan", which is connected with "Chenglu" and four or five points higher, and is also known as "Linyue". The hard wood at the tail is higher than the surface of the instrument, which is called "dragon gum". From "Yueshan" to "Dragon gum" is the length of the vibrating part of the string, called "chord length". There are 13 dots on the outside of the surface of the instrument called "emblem position", from the first emblem at the head to the tail of the instrument, which is the phonemic basis for obtaining overtones or strings.
@@ Line 54: / Line 54: @@
 String is the material basis for the existence of stringed instruments, and the string is the main vocal body of the instrument. There are seven strings, arranged from the outside to the inside according to the height of the scattered notes of each string. The lowest and highest notes are called the first string and the seventh string respectively. The strings used are the thickest and thinnest, and the seventh string is close to the player. As for the method of making strings, the ancient silk string manufacturing technology has formed a quite mature technological system and theory. According to literature records, the ancient string-making method is very elegant from the selection of strings to the production process, the selection of materials from the type of silk to the origin, the weather, heat and other factors during the process are very strict, and the necessary winding and drying of strings in the process are also very flexible and maneuverable. According to the selection of materials and the different era, the production procedures of the dynasties have different degrees of difference. However, since the 1920s, with the progress of The Times and the introduction of modern industrial technology in the West, the ancient Chinese traditional and ancient silk string making method has been on the verge of being lost, replaced by steel and nylon strings. In the process of modern qin chopping, the selection of strings has changed, the timbre and quality of qin have changed to different degrees, and the artistic style and spiritual connotation of ancient traditional qin music have also changed.
-'''2.1 Qin Song and qin song'''
+'''2.2 Qin Song and qin song'''
 Guqin song is an indispensable and important part of the research field of guqin, as well as a special form of expression in the art of guqin. So far, there are about 600 musical scores of guqin songs. The most famous collection of ancient qin songs is Boya Xinfa, written by Yang Lun, a representative of the qin Song school, which was published before 1609. It experienced a historical process of ups and downs from the budding period of pre-Qin dynasty to the peak period of Tang and Song Dynasty and then to the decline period of Ming and Qing Dynasties. It was not until the forties and fifties that the art of qinge was again attached great importance to by famous musicians such as Wu Jinglue, Zha Fuxi and Zhang Ziqian. They have done a lot of digging, sorting and research on the art of qinge, which has played a positive role in the revitalization and revival of the art of qinge.

@@ Line 78: / Line 78: @@
 === Contemporary Significance of Guqin Art===
 '''4.1 Guqin art in the Context of Contemporary Society and Culture'''
 Since the 20th century, China has experienced a great change, from the social system, politics, economic system, culture, morality and other aspects have experienced a series of earth-shaking changes and unprecedented violent impact. As a traditional Chinese culture, the art of guqin has undergone the most drastic transformation. Up to now, the development of guqin art has changed quietly. Contemporary Guqin art is in a very critical period, and it has come to a stage of self-examination and reflection.
@@ Line 88: / Line 89: @@
 '''4.2 Modern inheritance and significance of Guqin art'''
 The final development of Huaqin culture is largely related to the long tradition of "music education" and "poetry education" of Confucian culture, and is also closely related to the active participation and promotion of Confucian scholars in the upper social status. As Confucian culture occupies the mainstream position of Chinese culture, it maintains and promotes the concepts of self-cultivation, family harmony, governance and world peace. Since the Zhou Dynasty, Duke Zhou's "making ritual and music" has played a further systematic role in ancient Chinese ritual and music civilization, and has been incorporated into the system culture, making it more rational into the norms of people's behavior, so as to achieve an organic integration. Due to ancient Confucian scholar have mostly with three cardinal guides the p5 ethic morality as the center, such as the "writing carry doctrine" on the early music domain is invisible expanded by jean missionary, jean is combined with music education closely, music education is one of the modern people understand the premise of the Chinese piano culture, the internal concept of piano, gradually mature.

← Older revision		Revision as of 16:43, 7 July 2022
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	===References===		===References===
		+	Li Xiangting李祥霆.(2014). 古琴综议[A Comprehensive Discussion on Guqin][M]. 中国人民大学出版社[China Renmin University Press].
		+
		+	Zhang Bin张斌.(2014). 宋代古琴文化考论[A Study on Guqin Culture in Song Dynasty][M]. 南京大学出版社[Nanjing University Press].
		+
		+	Zhu Changwen.朱长文(2010). 琴史[A History of Qin][M]. 北京:中华书局[Beijing: Zhonghua Book Company].
		+
		+	Wu Zhao.吴钊(2006).传统与现代——中国古琴艺术面临的挑战[Tradition and Modernity -- Challenges Facing Chinese Guqin Art][J].人民音乐[People's Music], 2005(6)，22-24.
		+
		+	Zhan Qiaoling. 詹桥玲(2005).琴歌的历史与现状[History and Present Situation of Qinge][J]. 中国音乐学[Chinese Musicology], 2005(4)，99-101.
		+
		+	Zhang Huaying.章华英(2013).文人阶层消亡与当代古琴人文精神之缺失[The disappearance of Literati Class and the Absence of Contemporary Guqin Humanistic Spirit][J]. 艺术评论[Art Review],2013(9)，26-29.
		+
		+	Zhang Haitao.张海涛(2011). 古琴艺术当代发展思考[Thoughts on the Contemporary Development of Guqin Art][J]. 民族艺术研究[Ethnic Art Research], (02):52-57.

	==英语笔译龙翰良 Long Hanliang 202170081589==		==英语笔译龙翰良 Long Hanliang 202170081589==

@@ Line 15: / Line 15: @@
 ==英语笔译	刘珍	Liu Zhen	202170081588==
-<center>'''Chinese Guqin and It's Development in the Song Dynasty'''</center>
+<center>'''Chinese Guqin '''</center>
 <center>Liu Zhen</center>
@@ Line 123: / Line 123: @@
 Guqin art development up to now, has the vital significance in the contemporary social and cultural life and value, this article through to the history of the guqin art situation, development and innovation, of gu qin art in the contemporary music education in the value, the value of modern value and music therapy, provide material for the contemporary music creation, such as value, The paper analyzes and explores the significance of guqin art in the inheritance and development of Chinese traditional music culture, arouses thoughts on the inheritance and development of guqin art in the contemporary era, and puts forward relevant suggestions by analyzing the dilemma of guqin art in the contemporary development. Firstly, as an important traditional Chinese culture, the Chinese national spirit contained in guqin art is of great value. Inheriting, developing and carrying forward the excellent traditional culture of our nation plays an irreplaceable role in creating and developing the new socialist culture with Chinese characteristics. Chinese traditional music culture education is almost in the situation of breaking down in contemporary music education. The traditional education thought reflected by guqin art has enlightenments and values for contemporary music education.
 ===Terms and Expressions===

← Older revision		Revision as of 16:23, 7 July 2022
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	Guqin art development up to now, has the vital significance in the contemporary social and cultural life and value, this article through to the history of the guqin art situation, development and innovation, of gu qin art in the contemporary music education in the value, the value of modern value and music therapy, provide material for the contemporary music creation, such as value, The paper analyzes and explores the significance of guqin art in the inheritance and development of Chinese traditional music culture, arouses thoughts on the inheritance and development of guqin art in the contemporary era, and puts forward relevant suggestions by analyzing the dilemma of guqin art in the contemporary development. Firstly, as an important traditional Chinese culture, the Chinese national spirit contained in guqin art is of great value. Inheriting, developing and carrying forward the excellent traditional culture of our nation plays an irreplaceable role in creating and developing the new socialist culture with Chinese characteristics. Chinese traditional music culture education is almost in the situation of breaking down in contemporary music education. The traditional education thought reflected by guqin art has enlightenments and values for contemporary music education.		Guqin art development up to now, has the vital significance in the contemporary social and cultural life and value, this article through to the history of the guqin art situation, development and innovation, of gu qin art in the contemporary music education in the value, the value of modern value and music therapy, provide material for the contemporary music creation, such as value, The paper analyzes and explores the significance of guqin art in the inheritance and development of Chinese traditional music culture, arouses thoughts on the inheritance and development of guqin art in the contemporary era, and puts forward relevant suggestions by analyzing the dilemma of guqin art in the contemporary development. Firstly, as an important traditional Chinese culture, the Chinese national spirit contained in guqin art is of great value. Inheriting, developing and carrying forward the excellent traditional culture of our nation plays an irreplaceable role in creating and developing the new socialist culture with Chinese characteristics. Chinese traditional music culture education is almost in the situation of breaking down in contemporary music education. The traditional education thought reflected by guqin art has enlightenments and values for contemporary music education.
−
−	~~===Development of Guqin Music in the Song Dynasty===~~
−	The maturity of guqin manufacturing technology in song Dynasty will inevitably bring the progress of playing skills, and the progress of playing skills will effectively promote the prosperity of music, which is reflected in the literature is the prosperity of repertoire. Of course, most of these songs are guqin songs before the Song Dynasty. It is doubtful whether they can be played in the Song Dynasty. And the actual situation of these musical pieces has been difficult to see because of the different schools of musical music version. Now can be sure to know the Song Dynasty qin qu Jiang Kui "ancient Resentment", Yang Zan "Zixia Cave spectrum" 13 volumes and so on, tao Zongyi "Said evil" there is a "Monk Juyue spectrum record" recorded in the Song dynasty a total of 221 qin songs.
−
−	Song Dynasty was also a very important stage in the development of music. Guqin, as one of the traditional national Musical Instruments with the longest history, had no clear evidence of its notation before the Tang Dynasty, except that it was handed down from generation to generation by teachers and apprentics and orally and mentally. In the pre-Qin, Wei and Jin periods, there were only catalogues in the literature but no music was handed down. Of course, qin Cao is also recorded in the Ming and Qing dynasties, but its origin is unclear. Most of them are rewritten by later generations according to the title, and can not be identified as the music of the Wei and Jin dynasties or earlier. The earliest extant ancient qin score is a copy of qin music in the Southern and Northern Dynasties period written by the Tang dynasty, "Brown Stone Diao · You LAN", which is now stored in Japan. It was discovered by Yang Shoujing when he visited ancient books in Japan, and was compiled by li Shuchang, the minister in Japan at that time, into the "Gu Yi Cong Shu" and sent back to China.

	===The Song Dynasty guqin school -- Zhejiang school===		===The Song Dynasty guqin school -- Zhejiang school===

@@ Line 96: / Line 96: @@
 Third, the inheritance of modern piano museums. The appearance of the guqin pavilion first appeared in the early 20th century, especially after it was selected as the Intangible Cultural Heritage in 2003, with the rise of the "guqin fever", the guqin pavilion blossomed all over the country. The rise of modern guqin museums has not only met the increasing social demand, but also played a certain degree of inheritance function in the mining, sorting, research and training of guqin art.
-===5. Contemporary Cultural Significance and Value of Guqin Art===
+=== Contemporary Cultural Significance and Value of Guqin Art===
 '''5.1 The Significance of Guqin Art in the Inheritance of National Traditional Culture'''

20220630 Culture 6 - Revision history

Liu Zhen: /* References */

Liu Zhen: /* Terms and Expressions */

Liu Zhen: /* Introduction */

Liu Zhen: /* Historical Overview of Guqin Art */

Liu Zhen: /* Contemporary Significance of Guqin Art */

Liu Zhen: /* References */

Liu Zhen: /* 英语笔译 刘珍 Liu Zhen 202170081588 */

Liu Zhen: /* Development of Guqin Music in the Song Dynasty */

Liu Zhen: /* 5. Contemporary Cultural Significance and Value of Guqin Art */

Liu Zhen: /* 4. Contemporary Significance of Guqin Art */

Liu Zhen: /* 英语笔译刘珍 Liu Zhen 202170081588 */