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Crit lit 20230131 - Revision history
2026-04-04T16:39:24Z
Revision history for this page on the wiki
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Zhang Yuxuan: /* List of final exam papers (please also add your English name) */
2024-02-07T00:05:04Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:05, 7 February 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Line 13:</td>
<td colspan="2" class="diff-lineno">Line 13:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答: The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答: The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺: Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺: Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ZYX: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their <del class="diffchange diffchange-inline">ideology </del>in Zhang Wei's novel "The Ancient Ship") OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ZYX: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their <ins class="diffchange diffchange-inline">ideologies </ins>in Zhang Wei's novel "The Ancient Ship") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* WMF: 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* WMF: 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* AX: 曹禺 《雷雨》: 社会分析与儒家价值体系的崩溃 (Analysis of society and the collapse of Confucian values system in Cao Yu's "Thunderstorm")</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* AX: 曹禺 《雷雨》: 社会分析与儒家价值体系的崩溃 (Analysis of society and the collapse of Confucian values system in Cao Yu's "Thunderstorm")</div></td></tr>
</table>
Zhang Yuxuan
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158755&oldid=prev
Ai Xi: /* List of final exam papers (please also add your English name) */
2024-01-31T12:35:41Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:35, 31 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Line 15:</td>
<td colspan="2" class="diff-lineno">Line 15:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ZYX: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ZYX: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* WMF: 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* WMF: 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* AX: 曹禺 《雷雨》: 社会分析与儒家价值体系的崩溃 (Analysis of society and the collapse of Confucian values system in Cao Yu's "Thunderstorm")</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Tips=</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Tips=</div></td></tr>
</table>
Ai Xi
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158693&oldid=prev
Root at 15:06, 28 January 2024
2024-01-28T15:06:48Z
<p></p>
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<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:06, 28 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2" >Line 2:</td>
<td colspan="2" class="diff-lineno">Line 2:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=List of final exam papers (please also add your English name)=</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=List of final exam papers (please also add your English name)=</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">王晓彤：将曹雪芹《红楼梦》中的人名翻译成英文时使用的策略 </del>（Translation strategies used in translating personal names in Cao Xueqin's “The Dream of the Red Chamber” into English）OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">WXT： 将曹雪芹《红楼梦》中的人名翻译成英文时使用的策略 </ins>（Translation strategies used in translating personal names in Cao Xueqin's “The Dream of the Red Chamber” into English）OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">金乐：语言如何塑造我们的世界观</del>:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">JL： 语言如何塑造我们的世界观</ins>:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。</del>(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">YL： 墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。</ins>(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">康明杰 </del>廖亦武的《吆屍人》内下层社会的形象如何。The image of the underclass portrayed in Liao Yiwu's book "The corpse walker". OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">KMJ: </ins>廖亦武的《吆屍人》内下层社会的形象如何。The image of the underclass portrayed in Liao Yiwu's book "The corpse walker". OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">安浩阳</del>: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">AHY</ins>: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">李美琳</del>:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">LML</ins>: 孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">苏诗美 </del>意识流技巧在王蒙的著作 OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">SSM: </ins>意识流技巧在王蒙的著作 OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">裴梦姣 Natalia Gloc：中国女作家：冰心《两个家庭》</del>(Women writers in Chinese literature: Bing Xin “Two Families”) OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">PMJ: 中国女作家：冰心《两个家庭》</ins>(Women writers in Chinese literature: Bing Xin “Two Families”) OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容: Challenges in rendering Chinese literary works into English: Example of San Guo Yan Yi</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容: Challenges in rendering Chinese literary works into English: Example of San Guo Yan Yi</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 <del class="diffchange diffchange-inline"> </del>The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 爱答<ins class="diffchange diffchange-inline">: </ins>The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺 Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺<ins class="diffchange diffchange-inline">: </ins>Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">张宇璇</del>: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">ZYX</ins>: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">王美芬 Gabriela Krukowska </del>莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">WMF: </ins>莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Tips=</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Tips=</div></td></tr>
</table>
Root
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158665&oldid=prev
An Kairong: /* List of final exam papers (please also add your English name) */
2024-01-28T08:28:07Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 08:28, 28 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l10" >Line 10:</td>
<td colspan="2" class="diff-lineno">Line 10:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 苏诗美 意识流技巧在王蒙的著作 OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 苏诗美 意识流技巧在王蒙的著作 OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 裴梦姣 Natalia Gloc：中国女作家：冰心《两个家庭》(Women writers in Chinese literature: Bing Xin “Two Families”) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 裴梦姣 Natalia Gloc：中国女作家：冰心《两个家庭》(Women writers in Chinese literature: Bing Xin “Two Families”) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容<ins class="diffchange diffchange-inline">: Challenges in rendering Chinese literary works into English: Example of San Guo Yan Yi</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺 Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺 Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. OK</div></td></tr>
</table>
An Kairong
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158478&oldid=prev
Root: /* List of final exam papers (please also add your English name) */
2024-01-26T09:04:53Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:04, 26 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l5" >Line 5:</td>
<td colspan="2" class="diff-lineno">Line 5:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 金乐：语言如何塑造我们的世界观:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 金乐：语言如何塑造我们的世界观:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰 廖亦武的《吆屍人》内下层社会的形象如何。The image of the underclass portrayed in Liao Yiwu's book "The corpse walker". </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰 廖亦武的《吆屍人》内下层社会的形象如何。The image of the underclass portrayed in Liao Yiwu's book "The corpse walker". <ins class="diffchange diffchange-inline"> OK</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安浩阳: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安浩阳: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 苏诗美 意识流技巧在王蒙的著作 OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 苏诗美 意识流技巧在王蒙的著作 OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 裴梦姣 Natalia Gloc：中国女作家：冰心《两个家庭》(Women writers in Chinese literature: Bing Xin “Two Families”)</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 裴梦姣 Natalia Gloc：中国女作家：冰心《两个家庭》(Women writers in Chinese literature: Bing Xin “Two Families”) <ins class="diffchange diffchange-inline">OK</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺 Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺 Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes. <ins class="diffchange diffchange-inline">OK</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 张宇璇: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 张宇璇: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 王美芬 Gabriela Krukowska 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 王美芬 Gabriela Krukowska 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td></tr>
</table>
Root
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158428&oldid=prev
Yang Siyi: /* List of final exam papers (please also add your English name) */
2024-01-25T09:09:25Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:09, 25 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l12" >Line 12:</td>
<td colspan="2" class="diff-lineno">Line 12:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 杨思艺 <ins class="diffchange diffchange-inline">Techniques used in translation of wuxia novels based on Jin Yong's The Legend of the Condor Heroes.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 张宇璇: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 张宇璇: 张炜小说《古船》中的人物及其意识形态分析 (Analysis of the characters and their ideology in Zhang Wei's novel "The Ancient Ship") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 王美芬 Gabriela Krukowska 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 王美芬 Gabriela Krukowska 莫言《酒国》与米哈伊尔·布尔加科夫《大师与玛格丽特》的比较 (Comparison of Mo Yan's "Republic of wine" and Mikhail Bulgakov's "Master and Margarita") OK</div></td></tr>
</table>
Yang Siyi
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158392&oldid=prev
Kang Mingjie: /* List of final exam papers (please also add your English name) */
2024-01-23T19:16:29Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:16, 23 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l5" >Line 5:</td>
<td colspan="2" class="diff-lineno">Line 5:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 金乐：语言如何塑造我们的世界观:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 金乐：语言如何塑造我们的世界观:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰 <del class="diffchange diffchange-inline">The </del>image of the underclass portrayed in Liao Yiwu's book "The corpse walker". </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰 <ins class="diffchange diffchange-inline">廖亦武的《吆屍人》内下层社会的形象如何。The </ins>image of the underclass portrayed in Liao Yiwu's book "The corpse walker". </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安浩阳: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安浩阳: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td></tr>
</table>
Kang Mingjie
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158388&oldid=prev
Kang Mingjie: /* List of final exam papers (please also add your English name) */
2024-01-23T13:02:28Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:02, 23 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l5" >Line 5:</td>
<td colspan="2" class="diff-lineno">Line 5:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 金乐：语言如何塑造我们的世界观:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 金乐：语言如何塑造我们的世界观:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰 <ins class="diffchange diffchange-inline">The image of the underclass portrayed in Liao Yiwu's book "The corpse walker". </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安浩阳: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安浩阳: 萧红小说《呼兰河传》中的中国乡村神灵与信仰。（Chinese gods and beliefs in the countryside in Xiao Hong's novel "Tales of Hulan River") OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td></tr>
</table>
Kang Mingjie
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158381&oldid=prev
Jin Yue at 16:25, 18 January 2024
2024-01-18T16:25:10Z
<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:25, 18 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td>
<td colspan="2" class="diff-lineno">Line 3:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=List of final exam papers (please also add your English name)=</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=List of final exam papers (please also add your English name)=</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 王晓彤：将曹雪芹《红楼梦》中的人名翻译成英文时使用的策略 （Translation strategies used in translating personal names in Cao Xueqin's “The Dream of the Red Chamber” into English）OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 王晓彤：将曹雪芹《红楼梦》中的人名翻译成英文时使用的策略 （Translation strategies used in translating personal names in Cao Xueqin's “The Dream of the Red Chamber” into English）OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">今乐：语言如何塑造我们的世界观</del>:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">金乐：语言如何塑造我们的世界观</ins>:《马桥词典》书的分析（How language shapes our worldview - analysis of the book 《Dictionary of Maqiao》）OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 晏黎：墨香铜臭网络小说《魔道祖师》的取名策略及其对人物解读的影响。(The strategy of creating names in web novel "The Grandmaster of Demonic Cultivation" by Mo Xiang Tong Xiu and how it affects our interpretation of the characters) OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 康明杰</div></td></tr>
</table>
Jin Yue
https://bou.de/u/index.php?title=Crit_lit_20230131&diff=158326&oldid=prev
Pei Mengjiao: /* List of final exam papers (please also add your English name) */
2024-01-15T22:32:33Z
<p><span dir="auto"><span class="autocomment">List of final exam papers (please also add your English name)</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:32, 15 January 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9" >Line 9:</td>
<td colspan="2" class="diff-lineno">Line 9:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 李美琳:孙悟空 - 人物研究 (Sun Wukong - Character Analysis) OK</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 苏诗美 意识流技巧在王蒙的著作 OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 苏诗美 意识流技巧在王蒙的著作 OK</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">裴梦姣：中国女作家：冰心《两个家庭》</del>(Women writers in Chinese literature: Bing Xin “Two Families”)</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">裴梦姣 Natalia Gloc：中国女作家：冰心《两个家庭》</ins>(Women writers in Chinese literature: Bing Xin “Two Families”)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 安凱容</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 爱答 The portrayal of xenocide concept in two different approaches: The Three-Body Problem by Liu Cixin and Ender's Game by Orson S. Card (philosophical comparison) OK</div></td></tr>
</table>
Pei Mengjiao