Cult Load Words EN 5 - Revision history

Sun Yashi: /* 5 孙雅诗 Study on the translation of culture loaded words under the ecological translation theory——Take the English translation of Dou E Yuan as an example */

2021-12-30T08:04:29Z

5 孙雅诗 Study on the translation of culture loaded words under the ecological translation theory——Take the English translation of Dou E Yuan as an example

Sun Yashi: /* 5 孙雅诗 Study on the translation of culture loaded words under the ecological translation theory——Take the English translation of Dou E Yuan as an example */

2021-12-30T05:52:11Z

5 孙雅诗 Study on the translation of culture loaded words under the ecological translation theory——Take the English translation of Dou E Yuan as an example

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Du Lina: /* Background */

2021-12-15T15:48:18Z

Background

Du Lina: /* Abstract */

2021-12-15T15:46:25Z

Abstract

Du Lina: /* Abstract */

2021-12-15T15:44:22Z

Abstract

Du Lina: /* Adaptive selection of communication dimension */

2021-12-15T12:39:12Z

Adaptive selection of communication dimension

Du Lina: /* References */

2021-12-15T12:35:03Z

References

Du Lina: /* Relevant basic concepts */

2021-12-15T12:32:56Z

Relevant basic concepts

Du Lina: /* Relevant basic concepts */

2021-12-15T12:32:23Z

Relevant basic concepts

Du Lina: /* Conclusions */

2021-12-15T12:29:41Z

Conclusions

← Older revision		Revision as of 08:04, 30 December 2021
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	Based on the ecological translation theory, this paper analyzes Yang Xianyi and Dai Naidie's translation of Dou E Yuan from the three basic principles of ecological translation theory —— language, culture and communication dimension to learn Yang and Dai’s skills for translating culture loaded words. I also boldly point out the inappropriate translation and put forward suggestions based on my own limited knowledge. As we can see from the above analysis, a good translation must comprehensively consider the three dimensions of language, culture and communication and make adaptive selections between them. In terms of language dimension, translators should find the corresponding words in the translation culture to replace the words in the original text without destroying the original meaning. In culture dimension, translators can introduce the background of culture loaded words by adding annotations, tail notes or in other ways to make readers understand the culture connotations behind the words, and then understand the connotation of the whole discourse better. In communication dimension, translators are required to pay attention to the communicative function of the words and convey the communicative intention of the original text. They should not blindly pay attention to the meanings, which will make the text more complicated and make readers confused. The three dimensions are interrelated and also indispensable. Based on these three dimensions, translators should actively adapt to the different ecological environments of translation, and flexibly choose the translation methods, so as to effectively convey the traditional Chinese drama culture to foreign readers and promote the effective dissemination of Chinese drama culture.(Huang 2021,116)--[[User:Du Lina\|Du Lina]] ([[User talk:Du Lina\|talk]]) 12:29, 15 December 2021 (UTC)		Based on the ecological translation theory, this paper analyzes Yang Xianyi and Dai Naidie's translation of Dou E Yuan from the three basic principles of ecological translation theory —— language, culture and communication dimension to learn Yang and Dai’s skills for translating culture loaded words. I also boldly point out the inappropriate translation and put forward suggestions based on my own limited knowledge. As we can see from the above analysis, a good translation must comprehensively consider the three dimensions of language, culture and communication and make adaptive selections between them. In terms of language dimension, translators should find the corresponding words in the translation culture to replace the words in the original text without destroying the original meaning. In culture dimension, translators can introduce the background of culture loaded words by adding annotations, tail notes or in other ways to make readers understand the culture connotations behind the words, and then understand the connotation of the whole discourse better. In communication dimension, translators are required to pay attention to the communicative function of the words and convey the communicative intention of the original text. They should not blindly pay attention to the meanings, which will make the text more complicated and make readers confused. The three dimensions are interrelated and also indispensable. Based on these three dimensions, translators should actively adapt to the different ecological environments of translation, and flexibly choose the translation methods, so as to effectively convey the traditional Chinese drama culture to foreign readers and promote the effective dissemination of Chinese drama culture.(Huang 2021,116)--[[User:Du Lina\|Du Lina]] ([[User talk:Du Lina\|talk]]) 12:29, 15 December 2021 (UTC)
−
−	Especially in translation of Chinese traditional literature, three dimensions of the ecological translation theory are considered for that Chinese is a paratactic language with a covert coherence and needs to deep understand. On the one hand,it contains diverse cultural elements and creates an aprropriate context to analze. On the other hand, developing Chinese traditional culture meets the requirements of our time of Socialism with Chinese Characteristics for a New Era. Therefore taking communication as the final purpose, a Chinese translator should explore and carry forward the Chinese traditional culture.--[[User:Du Lina\|Du Lina]] ([[User talk:Du Lina\|talk]]) 07:13, 14 December 2021 (UTC)

	=== References ===		=== References ===

@@ Line 18: / Line 18: @@
 === Introduction ===
 ==== Background ====
-Chinese drama is the artistic treasure of Chinese classical culture and an important part of Chinese culture. In order to make the Chinese drama culture go out and let more foreign readers appreciate it, translation plays a very key role as a communicating bridge. However, due to the complexity of drama language and its historical culture, drama translation is difficult. To convey its original culture connotations as much as possible, an appropriate translation strategy is required. At present, there are many translation theories. This article chooses to study Yang Xianyi and Dai Naidie’s translation of Dou E Yuan based on the ecological translation theory for two reasons. First, Yang Xianyi and Dai Naidie are excellent translators and they are good at translating traditional Chinese works. Doing research on their translations can make us learn a lot from them. Second, drama translation readers are not only the text readers, but also the directors, actors and audiences, so the translator needs to consider how to properly deal with the drama translation elements in the ecological environment. In this way, the ecological translation is necessary when we are translating dramas.（Huang 2021:113）
+Chinese drama is the artistic treasure of Chinese classical culture and an important part of Chinese culture. In order to make the Chinese drama culture go out and let more foreign readers appreciate it, translation plays a very key role as a communication bridge. However, due to the complexity of drama language and its historical culture, drama translation is a challenge. To convey its original culture connotations as much as possible, an appropriate translation strategy is required. At present, there are many translation theories. This article chooses to study Yang Xianyi and Dai Naidie’s translation of Dou E Yuan based on the ecological translation theory for two reasons. First, Yang Xianyi and Dai Naidie are excellent translators and they are good at translating traditional Chinese works. Doing research on their translations can make us learn a lot from them. Second, drama translation readers are not only the text readers, but also the directors, actors and audiences, so the translator needs to consider how to properly deal with the drama translation elements in the ecological environment. In this way, the ecological translation is necessary when we are translating dramas.（Huang 2021:113）--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 15:48, 15 December 2021 (UTC)
 ==== Relevant basic concepts ====

@@ Line 3: / Line 3: @@
 === Abstract ===
-Based on the ecological translation theory, this article takes Yang Xianyi and Dai Naidie’s translation of cultured loaded words in Dou E Yuan, a drama in Yuan Dynasty, as the research object, and it analyzes how a translator delivers the culture information to the foreign readers in terms of language dimension, culture dimension and communication dimension to promote the valid dissemination of drama culture in English-speaking countries. Also this article hopes to provide an effective reference for the current drama translation by analyzing the merits and deficiencies of Yang and Dai’s Translation.
+Based on the ecological translation theory, this article takes Yang Xianyi and Dai Naidie’s translation of cultured loaded words in Dou E Yuan, a drama in Yuan Dynasty, as the research object, and it analyzes how a translator delivers the culture information to the foreign readers in terms of language dimension, culture dimension and communication dimension to promote the valid dissemination of drama culture in English-speaking countries. Also this article hopes to provide an effective reference for the current drama translation by analyzing the merits and deficiencies of Yang and Dai’s Translation.--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 15:46, 15 December 2021 (UTC)
 === Key Words ===

@@ Line 3: / Line 3: @@
 === Abstract ===
-Based on the ecological translation theory, this article takes Yang Xianyi and Dai Naidie’s translation of cultured loaded words in Dou E Yuan, a drama in Yuan Dynasty, as the research object, and analyze how the translators deliver the culture information to the foreign readers in terms of language dimension, culture dimension and communication dimension to promote the valid dissemination of drama culture in English-speaking countries. Also this article hopes to provide an effective reference for the current drama translation by analyzing the merits and deficiencies of Yang and Dai’s Translation.
+Based on the ecological translation theory, this article takes Yang Xianyi and Dai Naidie’s translation of cultured loaded words in Dou E Yuan, a drama in Yuan Dynasty, as the research object, and it analyzes how a translator delivers the culture information to the foreign readers in terms of language dimension, culture dimension and communication dimension to promote the valid dissemination of drama culture in English-speaking countries. Also this article hopes to provide an effective reference for the current drama translation by analyzing the merits and deficiencies of Yang and Dai’s Translation.
 === Key Words ===

@@ Line 132: / Line 132: @@
 ==== Adaptive selection of communication dimension ====
-In the actual translation process, except to considering about the transmission of culture connotation and the transformation of language information, translators should also focus on the adaptive selection of communication dimension. And they should pay attention to whether the communicative intention in the original text is reflected in the translation. Language is an important tool to realize the communicative intentions of both sides, and translation is an important means to achieve "cross-language, culture and temporal communication". In translating dramatic culture load words, translators should not only realize the culture value and meaning of such words, but also realize their communicative intentions.
+In the actual translation process, except to considering about the transmission of culture connotation and the transformation of language information, translators should also focus on the adaptive selection of communication dimension. And they should pay attention to whether the communicative intention in the original text is reflected in the translation. Language is an important tool for the communicative intentions of both sides, and translation is an important means to achieve "cross-language, culture and temporal communication". In translating dramatic culture load words, translators should not only realize the culture value and meaning of such words, but also realize their communicative intentions.--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 12:39, 15 December 2021 (UTC)
    Example14: ''相公，他是告状的，怎生跪着他。''

@@ Line 180: / Line 180: @@
 Wang Mengnan王梦楠(2015).《窦娥冤》文化缺省现象分析[J]Analysis of the culture deficiency of Dou E Yuan.浙江工业大学学报(社会科学版) Journal of Zhejiang University of Technology (Social Science Edition),3:340-344.
-Yang Yun 阳赟(2012).适应与选择——《窦娥冤》英译文化维适应性探究[J]Adaptation and selection of —— Study on English translation of Dou E Yuan in terms of culture adaptability.辽宁医学院学报(社会科学版) Journal of Liaoning Medical College (Social Sciences Edition),4:128-130.
+Yang Yun 阳赟(2012).适应与选择——《窦娥冤》英译文化维适应性探究[J]Adaptation and selection —— Study on English translation of Dou E Yuan in terms of culture adaptability.辽宁医学院学报(社会科学版) Journal of Liaoning Medical College (Social Sciences Edition),4:128-130.--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 12:35, 15 December 2021 (UTC)
 YangXianyi, Dai Naidie杨宪益,戴乃迭(2001).关汉卿杂剧选(一) ［M］Guan Hanqing miscellaneous drama selection(1).Beijing: Foreign language Press外文出版社.

@@ Line 31: / Line 31: @@
 . Structure of the study
-This study is comprised of five parts including introduction, literature review, theoretical basis, body and conclusions. In the introduction part, the background and the relevant basic concepts are introduced to help readers understand this article better. In the literature review part, this article will review the domestic research on the translations of Chinese dramas. In the theoretical basis part, I will introduce the ecological translation theory, including its definition and its three dimensions——language dimension, the culture dimension and the communication dimension. In the body part, the English translation of Dou E Yuan is analyzed in terms of those three dimensions. This study will choose some typical examples to analyze, which comes from the translation of Yang Xianyi and Dai Naidie. In the end, the conclusions and suggestions will be proposed based on the analysis in the Part four. (Jiang 2020:55)
+This study is comprised of five parts including introduction, literature review, theoretical basis, body and conclusions. In the introduction part, the background and the relevant basic concepts are introduced to help readers understand this article better. In the literature review part, this article will review the domestic research on the translations of Chinese dramas. In the theoretical basis part, I will introduce the ecological translation theory, including its definition and its three dimensions——language dimension, the culture dimension and the communication dimension. In the body part, the English translation of Dou E Yuan is analyzed in terms of those three dimensions. This study will choose some typical examples to analyze, which comes from the translation of Yang Xianyi and Dai Naidie. In the end, the conclusions and suggestions will be proposed based on the analysis in the Part four. (Jiang 2020:55)--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 12:32, 15 December 2021 (UTC)
 . Significance of the study

@@ Line 148: / Line 148: @@
 === Conclusions ===
-Based on the ecological translation theory, this paper analyzes Yang Xianyi and Dai Naidie's translation of Dou E Yuan from the three basic principles of ecological translation theory —— language, culture and communication dimension to learn Yang and Dai’s skills for translating culture loaded words. I also boldly point out the inappropriate translation and put forward suggestions based on my own limited knowledge. As we can see from the above analysis, a good translation must comprehensively consider the three dimensions of language, culture and communication and make adaptive selections between them. In terms of language dimension, translators should find the corresponding words in the translation culture to replace the words in the original text without destroying the original meaning. In culture dimension, translators can introduce the background of culture loaded words by adding annotations, tail notes or in other ways to make readers understand the culture connotations behind the words, and then understand the connotation of the whole discourse better. In communication dimension, translators are required to pay attention to the communicative function of the words and convey the communicative intention of the original text. They should not blindly pay attention to the meanings, which will make the text more complicated and make readers confused. The three dimensions are interrelated and also indispensable. Based on these three dimensions, translators should actively adapt to the different ecological environments of translation, and flexibly choose the translation methods, so as to effectively convey the traditional Chinese drama culture to foreign readers and promote the effective dissemination of Chinese drama culture.(Huang 2021:116)
+Based on the ecological translation theory, this paper analyzes Yang Xianyi and Dai Naidie's translation of Dou E Yuan from the three basic principles of ecological translation theory —— language, culture and communication dimension to learn Yang and Dai’s skills for translating culture loaded words. I also boldly point out the inappropriate translation and put forward suggestions based on my own limited knowledge. As we can see from the above analysis, a good translation must comprehensively consider the three dimensions of language, culture and communication and make adaptive selections between them. In terms of language dimension, translators should find the corresponding words in the translation culture to replace the words in the original text without destroying the original meaning. In culture dimension, translators can introduce the background of culture loaded words by adding annotations, tail notes or in other ways to make readers understand the culture connotations behind the words, and then understand the connotation of the whole discourse better. In communication dimension, translators are required to pay attention to the communicative function of the words and convey the communicative intention of the original text. They should not blindly pay attention to the meanings, which will make the text more complicated and make readers confused. The three dimensions are interrelated and also indispensable. Based on these three dimensions, translators should actively adapt to the different ecological environments of translation, and flexibly choose the translation methods, so as to effectively convey the traditional Chinese drama culture to foreign readers and promote the effective dissemination of Chinese drama culture.(Huang 2021:116)--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 12:29, 15 December 2021 (UTC)
 Especially in translation of Chinese traditional literature, three dimensions of the ecological translation theory are considered for that Chinese is a paratactic language with a covert coherence and needs to deep understand. On the one hand,it contains diverse cultural elements and creates an aprropriate context to analze. On the other hand, developing Chinese traditional culture meets the requirements of our time of Socialism with Chinese Characteristics for a New Era. Therefore taking communication as the final purpose, a Chinese translator should explore and carry forward the Chinese traditional culture.--[[User:Du Lina|Du Lina]] ([[User talk:Du Lina|talk]]) 07:13, 14 December 2021 (UTC)