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	<id>https://bou.de/u/index.php?action=history&amp;feed=atom&amp;title=Hist_Trans_EN_13</id>
	<title>Hist Trans EN 13 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://bou.de/u/index.php?action=history&amp;feed=atom&amp;title=Hist_Trans_EN_13"/>
	<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;action=history"/>
	<updated>2026-04-04T18:07:06Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133387&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* Reference */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133387&amp;oldid=prev"/>
		<updated>2021-12-15T11:40:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reference&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:40, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l109&quot; &gt;Line 109:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 109:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lu Xun 鲁迅.中国小说史略［M］.A Brief History of Chinese Novels 北京：人民文学出版社,Beijing:People’s Literature Publishing House 1973:125-126.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lu Xun 鲁迅.中国小说史略［M］.A Brief History of Chinese Novels 北京：人民文学出版社,Beijing:People’s Literature Publishing House 1973:125-126.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lu Xun 鲁迅.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;文化偏至论［M］On &lt;/del&gt;Cultural Deviation （《鲁迅全集》第一卷）.人民文学出版社，People’s Literature Press 1981:56.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lu Xun 鲁迅.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;文化偏至论［M］.On &lt;/ins&gt;Cultural Deviation （《鲁迅全集》第一卷）.人民文学出版社，People’s Literature Press 1981:56.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shi Meng 时萌.晚清小说［M］.Novels of the Late Qing Dynasty 上海：上海古籍出版社,Shanghai: Shanghai Ancient Books Press 1989:245.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shi Meng 时萌.晚清小说［M］.Novels of the Late Qing Dynasty 上海：上海古籍出版社,Shanghai: Shanghai Ancient Books Press 1989:245.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l133&quot; &gt;Line 133:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 133:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zhang Zhenyu 张振玉.译学概论［M］.Introduction to Translation 中台印刷厂,Zhongtai Press1966:5-7.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zhang Zhenyu 张振玉.译学概论［M］.Introduction to Translation 中台印刷厂,Zhongtai Press1966:5-7.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zeng Guofan 曾国藩.轮船工竣并陈机器局情形疏.郑振铎编.晚清文选［M］&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;,&lt;/del&gt;The Steamship Engineer and Machinery Bureau 上海书店, Shanghai Bookstore 1987影印本：83.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zeng Guofan 曾国藩.轮船工竣并陈机器局情形疏.郑振铎编.晚清文选［M］&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;The Steamship Engineer and Machinery Bureau 上海书店, Shanghai Bookstore 1987影印本：83.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written by--[[User:Zhong Yifei|Zhong Yifei]] ([[User talk:Zhong Yifei|talk]]) 13:50, 8 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written by--[[User:Zhong Yifei|Zhong Yifei]] ([[User talk:Zhong Yifei|talk]]) 13:50, 8 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133386&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* Conclusion */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133386&amp;oldid=prev"/>
		<updated>2021-12-15T11:38:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Conclusion&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:38, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot; &gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the transition period of modern China, the social function of translation played an important role, and the subversion was the most prominent in the social function of translation. At that time, China had experienced a long period of inaction towards western culture and regardless of the political and economic state of locking the country, resulting in China's ignorance of the West. However, at this time, the western world has not stopped the translation and introduction of Chinese culture through various channels Understanding. Asymmetric information exchange and translation make China in a passive position when communicating with the West. With the continuous entry of western new ideas and translation into China, values are constantly challenged, and even some extreme culturists try to subvert traditional Chinese culture and social values. The current situation requires China to make progress, and the current situation also forces China to make progress. In this period of mixed internal and external relations and political chaos, translation, as a communication tool, has always led Chinese people of insight in the exploration of saving the nation from subjugation and strengthening the country. （Zhang 1966:5-7）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the transition period of modern China, the social function of translation played an important role, and the subversion was the most prominent in the social function of translation. At that time, China had experienced a long period of inaction towards western culture and regardless of the political and economic state of locking the country, resulting in China's ignorance of the West. However, at this time, the western world has not stopped the translation and introduction of Chinese culture through various channels Understanding. Asymmetric information exchange and translation make China in a passive position when communicating with the West. With the continuous entry of western new ideas and translation into China, values are constantly challenged, and even some extreme culturists try to subvert traditional Chinese culture and social values. The current situation requires China to make progress, and the current situation also forces China to make progress. In this period of mixed internal and external relations and political chaos, translation, as a communication tool, has always led Chinese people of insight in the exploration of saving the nation from subjugation and strengthening the country. （Zhang 1966:5-7）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The changes of modern history and the prominence of modern cultural view are greatly influenced by the input of Western learning. In modern Chinese society under the shock of Western learning civilization, translation makes western learning smoothly enter the Chinese people's political world, cultural undertakings and social life, but the overall westernization is absolutely impossible. In modern times, although Chinese traditional Confucianism has been criticized, even as a cultural pioneer The activists threw the target of political opinions, but middle school can &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;not &lt;/del&gt;be reduced. Middle school is also the spiritual belief of Chinese unity since modern times. Lin Shu has always stressed that the traditional ethics revealed by Confucian culture has some eternal value and universal significance. The real Western civilization does not let us abandon middle school and completely replace it with Western learning, but let middle school be a traditional culture The social atmosphere under the coverage is more civilized.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The changes of modern history and the prominence of modern cultural view are greatly influenced by the input of Western learning. In modern Chinese society under the shock of Western learning civilization, translation makes western learning smoothly enter the Chinese people's political world, cultural undertakings and social life, but the overall westernization is absolutely impossible. In modern times, although Chinese traditional Confucianism has been criticized, even as a cultural pioneer The activists threw the target of political opinions, but middle school can&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'t &lt;/ins&gt;be reduced. Middle school is also the spiritual belief of Chinese unity since modern times. Lin Shu has always stressed that the traditional ethics revealed by Confucian culture has some eternal value and universal significance. The real Western civilization does not let us abandon middle school and completely replace it with Western learning, but let middle school be a traditional culture The social atmosphere under the coverage is more civilized.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reference==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reference==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133385&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* 3. The Influence of Modern Translation on Social Ideas */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133385&amp;oldid=prev"/>
		<updated>2021-12-15T11:36:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;3. The Influence of Modern Translation on Social Ideas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:36, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot; &gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==3. The Influence of Modern Translation on Social Ideas==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==3. The Influence of Modern Translation on Social Ideas==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===3.1 Appearance of the Concept of Marriage===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===3.1 Appearance of the Concept of Marriage===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The translation that made an important change in the concept of scholars in the late Qing Dynasty was ''The Legacy of the Camellia'' in Paris translated by Lin Shu. This book describes the ups and downs of the protagonist Mark fate and complex psychological feelings. After the Sino-Japanese War, Lin Shu joined the ranks of reformers. He took a more open attitude towards love, which made Lin's translated novels reflect some changes of the times to a certain extent, implying that modern marriage and love pay attention to color. In Lin Shu's concept, if women want to benefit from freedom of marriage, they must first receive good education, such as Qiu Zhilan as a chivalrous woman, the heroine Qiu Zhilan sneaked into the capital to avenge her father's murder. She met scholar LV Qiushi and fell in love at first sight. She took the initiative to give a keepsake while LV Qiushi was reading at night. Finally, with the help of the blind nun of Shuiyue nunnery, they got married. Qiu Zhilan pursued love independently and persevered, suggesting that women's sense of marriage and love had begun to change under the circumstances at that time, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Or &lt;/del&gt;the wind of free marriage and love has gradually risen. In Lin Shu's translated novels, Lin Shu points out the rigidity of the orders of parents and the words of matchmakers. He also advocates that women should maintain the beauty of temperament. In Lin Shu, women generally can consciously control their emotions, maintain a certain degree of reserve and gentleness in their behavior, and never do things carelessly. To a certain extent, this reflects the love aesthetics and love trend of the society at that time.（Hu 1916:474）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The translation that made an important change in the concept of scholars in the late Qing Dynasty was ''The Legacy of the Camellia'' in Paris translated by Lin Shu. This book describes the ups and downs of the protagonist Mark fate and complex psychological feelings. After the Sino-Japanese War, Lin Shu joined the ranks of reformers. He took a more open attitude towards love, which made Lin's translated novels reflect some changes of the times to a certain extent, implying that modern marriage and love pay attention to color. In Lin Shu's concept, if women want to benefit from freedom of marriage, they must first receive good education, such as Qiu Zhilan as a chivalrous woman, the heroine Qiu Zhilan sneaked into the capital to avenge her father's murder. She met scholar LV Qiushi and fell in love at first sight. She took the initiative to give a keepsake while LV Qiushi was reading at night. Finally, with the help of the blind nun of Shuiyue nunnery, they got married. Qiu Zhilan pursued love independently and persevered, suggesting that women's sense of marriage and love had begun to change under the circumstances at that time, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;or &lt;/ins&gt;the wind of free marriage and love has gradually risen. In Lin Shu's translated novels, Lin Shu points out the rigidity of the orders of parents and the words of matchmakers. He also advocates that women should maintain the beauty of temperament. In Lin Shu, women generally can consciously control their emotions, maintain a certain degree of reserve and gentleness in their behavior, and never do things carelessly. To a certain extent, this reflects the love aesthetics and love trend of the society at that time.（Hu 1916:474）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the past, the novels of talented women and beauties in ancient China were a special kind of art to express the love concept of the citizen class. In Chinese novels of talented women and beauties, most of the talented people in the books were portrayed as the images of handsome, talented, elegant and noble, and not in line with the times. Second, the highest ideal commonly pursued by scholars at that time was &amp;quot;wedding night, golden list.&amp;quot; The happy ending of joys and sorrows can satisfy people's aesthetic taste in the past. In ''The Legacy of the Camellia Woman'' in Paris, It depicts the heroine, who is loyal to her feelings and has a sense of morality, left because of Yameng's career future and family happiness. This self-sacrifice combined with tragic color made the people who have seen the story of talented people and beautiful women for a long time with an unprecedented freshness, which provided a new type of love aesthetics for the people at that time. （Chen 1990:213）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the past, the novels of talented women and beauties in ancient China were a special kind of art to express the love concept of the citizen class. In Chinese novels of talented women and beauties, most of the talented people in the books were portrayed as the images of handsome, talented, elegant and noble, and not in line with the times. Second, the highest ideal commonly pursued by scholars at that time was &amp;quot;wedding night, golden list.&amp;quot; The happy ending of joys and sorrows can satisfy people's aesthetic taste in the past. In ''The Legacy of the Camellia Woman'' in Paris, It depicts the heroine, who is loyal to her feelings and has a sense of morality, left because of Yameng's career future and family happiness. This self-sacrifice combined with tragic color made the people who have seen the story of talented people and beautiful women for a long time with an unprecedented freshness, which provided a new type of love aesthetics for the people at that time. （Chen 1990:213）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are also relevant translation works such as ''Better Return'' published during the Meiji period, which is called &amp;quot;the milestone of the theme novel describing women's consciousness in the Meiji period&amp;quot;, which describes the content of women's resistance to the oppression of old morality and ethics, and the dramatic work ''Doll's House'', the heroine Nala breaks away from her originally happy family and realizes that she is a neglected individual value. Her home is just a doll's home. It can be inferred that Nora is not the only one. The concepts of marriage and love freedom and women's individual values conveyed in her works since modern times have gradually penetrated into the society, and people have begun to gradually recognize the importance of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;women’ s &lt;/del&gt;rights. （Yuan 1989:178-181）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are also relevant translation works such as ''Better Return'' published during the Meiji period, which is called &amp;quot;the milestone of the theme novel describing women's consciousness in the Meiji period&amp;quot;, which describes the content of women's resistance to the oppression of old morality and ethics, and the dramatic work ''Doll's House'', the heroine Nala breaks away from her originally happy family and realizes that she is a neglected individual value. Her home is just a doll's home. It can be inferred that Nora is not the only one. The concepts of marriage and love freedom and women's individual values conveyed in her works since modern times have gradually penetrated into the society, and people have begun to gradually recognize the importance of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;women’s &lt;/ins&gt;rights. （Yuan 1989:178-181）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the May 4th movement, The Troubles of Young Witt was strongly favored by young Chinese readers at that time for its crazy love passion, very dreamy action, rebellious and independent thought of the society and the protagonist's individualistic thinking method. This book was once regarded as the &amp;quot;Bible&amp;quot; by young men and women at that time As a general cultural phenomenon, the love between Witt and Lvdi made the young people talk about the freedom of marriage and love at that time and take the sacred love between men and women as the ideal. Witt easily reminded people of the talents in the love story at that time. Witt's lovelorn was expressed through strong sadness, which was the best comfort and inspiration for the young people who were eager to escape from the feudal cage at that time. It was a landmark translation that influenced modern Chinese society at that time.（Shi 1989:245）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the May 4th movement, The Troubles of Young Witt was strongly favored by young Chinese readers at that time for its crazy love passion, very dreamy action, rebellious and independent thought of the society and the protagonist's individualistic thinking method. This book was once regarded as the &amp;quot;Bible&amp;quot; by young men and women at that time As a general cultural phenomenon, the love between Witt and Lvdi made the young people talk about the freedom of marriage and love at that time and take the sacred love between men and women as the ideal. Witt easily reminded people of the talents in the love story at that time. Witt's lovelorn was expressed through strong sadness, which was the best comfort and inspiration for the young people who were eager to escape from the feudal cage at that time. It was a landmark translation that influenced modern Chinese society at that time.（Shi 1989:245）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133384&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* 2. The Rise Background and Climax of Modern Translation Works */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133384&amp;oldid=prev"/>
		<updated>2021-12-15T11:33:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;2. The Rise Background and Climax of Modern Translation Works&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:33, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot; &gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==2. The Rise Background and Climax of Modern Translation Works ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==2. The Rise Background and Climax of Modern Translation Works ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===2.1 The Background of the Rise of Modern Translation===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===2.1 The Background of the Rise of Modern Translation===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the Opium War, the Qing government successively signed the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Nanjing Treaty and the Humen Treaty, which made insightful people attempt to save modern China from abyss of suffering. In the face of an unprecedented crisis, a group of people began to search for the way to save the country, and every individual has put all his strength into the efforts to save the nation in danger. Modern China is faced with a more powerful opponent in all aspects. People with insight realize that they must break through the current situation of self-isolation and learn from the outside world. Learning from the West and imitating the West became an important strategy of saving the nation at that time. Chinese society has constantly updated the old mechanism, trying to get rid of the original closed and rigid political dilemma, starting to find a new development direction, from the learning of western skills to the study of western political and economic system, ideology and culture. To learn from the West and seek self-improvement, translation is first serve as a bridge of communication. Domestic people with insight can bring western works to China by translating them. After the failure of the Second Opium War, China was forced to sign the Treaty of Beijing. The national crisis became more and more serious, the national crisis further strengthened the Chinese people's thought of self-improvement, and the understanding of the outside world became more and more urgent. At the same time, due to the current situation, foreign language communication and diplomatic intercourse have become very urgent. In this environment, translation became indispensable in this era.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the Opium War, the Qing government successively signed the Nanjing Treaty and the Humen Treaty, which made insightful people attempt to save modern China from abyss of suffering. In the face of an unprecedented crisis, a group of people began to search for the way to save the country, and every individual has put all his strength into the efforts to save the nation in danger. Modern China is faced with a more powerful opponent in all aspects. People with insight realize that they must break through the current situation of self-isolation and learn from the outside world. Learning from the West and imitating the West became an important strategy of saving the nation at that time. Chinese society has constantly updated the old mechanism, trying to get rid of the original closed and rigid political dilemma, starting to find a new development direction, from the learning of western skills to the study of western political and economic system, ideology and culture. To learn from the West and seek self-improvement, translation is first serve as a bridge of communication. Domestic people with insight can bring western works to China by translating them. After the failure of the Second Opium War, China was forced to sign the Treaty of Beijing. The national crisis became more and more serious, the national crisis further strengthened the Chinese people's thought of self-improvement, and the understanding of the outside world became more and more urgent. At the same time, due to the current situation, foreign language communication and diplomatic intercourse have become very urgent. In this environment, translation became indispensable in this era.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===2.2 The Purpose of the Rise of Modern Translation===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===2.2 The Purpose of the Rise of Modern Translation===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot; &gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===2.3 The Climax of Translation in the Western Book===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===2.3 The Climax of Translation in the Western Book===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====2.3.1 From the Opium War to the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Sino-Japanese War====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====2.3.1 From the Opium War to the Sino-Japanese War====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the Opium War to the Sino-Japanese War, especially after the 1860s, with the rise of the westernization movement aimed at self-improvement and wealth, there was an upsurge in the translation of Western science and technology books. In the late Qing Dynasty, under the influence of opium smuggling, China and the UK exchanges are getting closer and closer. Until the Opium War broke out, the door of China was completely opened, and the Qing government had to face the outside world. Lin Zexu fought in the front line of the anti-smoking movement and the anti-British struggle from 1839 to 1840. He organized personnel to translate many books. In the monthly Macao, there are five volumes: on China, on tea, on smoking prohibition, on the use of military forces and on the feelings of foreigners in various countries. These materials are mainly translated from Guangzhou weekly, Guangzhou chronicle and etc. Lin Zexu never neglected to give up the work of organizing translation. Among Lin Zexu's translations, ''The Chronicles of Four Continents'' has the most far-reaching impact on Modern Chinese history. It is the first book in modern China to systematically introducing world geography and history. The translation of these books opened the eyes of the Chinese people and began to import Western learning in modern times, which is of great significance to the history of modern thought and culture. One of the most direct effects is that it has led to the emergence of a number of masters who compile and study foreign profiles. It indirectly led to the development of the style of study for practical use, and also had an important impact on the literary reform in history. Wei Yuan revised and supplemented ''The Records of the Four Continents''. This book not only retained the characteristics of the west, but also sublimated in combination with the domestic reality, added many notes and political comments, and put forward many political propositions represented by &amp;quot;learning from the foreigners and mastering their skills to control the foreigners&amp;quot;, which gathered huge ripples in the ideological circles at that time, and even spread to Japan, It also had an impact on Japan's Meiji Restoration.However, at this time, the work of Lin Zexu and Wei Yuan only played the role of foresight and did not form a huge social situation. The development of translation still needs new forces to promote. At this time, the Westernization school played such a role. （Zou 2008:57-58）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the Opium War to the Sino-Japanese War, especially after the 1860s, with the rise of the westernization movement aimed at self-improvement and wealth, there was an upsurge in the translation of Western science and technology books. In the late Qing Dynasty, under the influence of opium smuggling, China and the UK exchanges are getting closer and closer. Until the Opium War broke out, the door of China was completely opened, and the Qing government had to face the outside world. Lin Zexu fought in the front line of the anti-smoking movement and the anti-British struggle from 1839 to 1840. He organized personnel to translate many books. In the monthly Macao, there are five volumes: on China, on tea, on smoking prohibition, on the use of military forces and on the feelings of foreigners in various countries. These materials are mainly translated from Guangzhou weekly, Guangzhou chronicle and etc. Lin Zexu never neglected to give up the work of organizing translation. Among Lin Zexu's translations, ''The Chronicles of Four Continents'' has the most far-reaching impact on Modern Chinese history. It is the first book in modern China to systematically introducing world geography and history. The translation of these books opened the eyes of the Chinese people and began to import Western learning in modern times, which is of great significance to the history of modern thought and culture. One of the most direct effects is that it has led to the emergence of a number of masters who compile and study foreign profiles. It indirectly led to the development of the style of study for practical use, and also had an important impact on the literary reform in history. Wei Yuan revised and supplemented ''The Records of the Four Continents''. This book not only retained the characteristics of the west, but also sublimated in combination with the domestic reality, added many notes and political comments, and put forward many political propositions represented by &amp;quot;learning from the foreigners and mastering their skills to control the foreigners&amp;quot;, which gathered huge ripples in the ideological circles at that time, and even spread to Japan, It also had an impact on Japan's Meiji Restoration. However, at this time, the work of Lin Zexu and Wei Yuan only played the role of foresight and did not form a huge social situation. The development of translation still needs new forces to promote. At this time, the Westernization school played such a role. （Zou 2008:57-58）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Westernization Movement took place after the second Opium War and before the Sino-Japanese war. During this period, the Qing government experienced the impact of two Opium Wars. Facing the strong ships and guns of Western powers, it was in a difficult situation at home and abroad, and felt a profound crisis never seen in history. The Westernization school, divided from the feudal landlord class, had a certain understanding of the world situation. They advocate learning from western capitalist countries. The main figures of the Westernization school were Zeng Guofan, Li Hongzhang and others. They held high positions in the Qing government. Compared with other ordinary officials, they were more deeply aware of the need to learn and introduce advanced military weapons and manufacturing technology from Western powers in order to maintain the ruling order of the feudal society and realize the stability of the regime of the Qing Dynasty. However, at that time, the Westernization school could only recognize the progress of Western skills and the strength of military strength. Their change Geng Chang's method was only limited to &amp;quot;learning from foreigners&amp;quot;. Among them, the translation of foreign books became an important means to achieve the goal of learning from foreigners. （Wang 1987:23-24）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Westernization Movement took place after the second Opium War and before the Sino-Japanese war. During this period, the Qing government experienced the impact of two Opium Wars. Facing the strong ships and guns of Western powers, it was in a difficult situation at home and abroad, and felt a profound crisis never seen in history. The Westernization school, divided from the feudal landlord class, had a certain understanding of the world situation. They advocate learning from western capitalist countries. The main figures of the Westernization school were Zeng Guofan, Li Hongzhang and others. They held high positions in the Qing government. Compared with other ordinary officials, they were more deeply aware of the need to learn and introduce advanced military weapons and manufacturing technology from Western powers in order to maintain the ruling order of the feudal society and realize the stability of the regime of the Qing Dynasty. However, at that time, the Westernization school could only recognize the progress of Western skills and the strength of military strength. Their change Geng Chang's method was only limited to &amp;quot;learning from foreigners&amp;quot;. Among them, the translation of foreign books became an important means to achieve the goal of learning from foreigners. （Wang 1987:23-24）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot; &gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This stage is also a period of vigorous rise and unprecedented prosperity of novel translation. In the early modern times, novel translation was not paid much attention. The first foreign novel translated into China was translated by foreign missionaries and published by the church. It was ''The Pilgrim’s Progress'' by British writer John Buyan, and the translation was published in Xiamen in 1853. During this period, translation activities also had some defects. Due to the popularity of translation, although abridged translation and free translation made the translator more free to express his political ideas, it also caused the disadvantages of breaking away from the original works. The purpose of translation was not to introduce western literature, but to express the translator's own ideas as a political means. At the same time, translation theory was strongly advocated in this period and political utilitarianism have also been greatly strengthened.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This stage is also a period of vigorous rise and unprecedented prosperity of novel translation. In the early modern times, novel translation was not paid much attention. The first foreign novel translated into China was translated by foreign missionaries and published by the church. It was ''The Pilgrim’s Progress'' by British writer John Buyan, and the translation was published in Xiamen in 1853. During this period, translation activities also had some defects. Due to the popularity of translation, although abridged translation and free translation made the translator more free to express his political ideas, it also caused the disadvantages of breaking away from the original works. The purpose of translation was not to introduce western literature, but to express the translator's own ideas as a political means. At the same time, translation theory was strongly advocated in this period and political utilitarianism have also been greatly strengthened.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====2.3.3 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Marked by the Rise of the New Culture Movement====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====2.3.3 Marked by the Rise of the New Culture Movement====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the revolution of 1911, people's political enthusiasm was obviously low. In terms of translation, few people paid attention to social, political and economic works, and the number of translated novels was significantly lower than that of creative novels. However, people's literary concept was gradually strengthened. During this period, many translators introduced foreign literature from a literary perspective, bringing a new atmosphere to the translation circle and the history of Chinese literature In the period of the new culture movement, the translator's political and literary ideas were significantly improved, which laid a good foundation for the third wave of Western Chinese book translation starting from the new culture movement.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the revolution of 1911, people's political enthusiasm was obviously low. In terms of translation, few people paid attention to social, political and economic works, and the number of translated novels was significantly lower than that of creative novels. However, people's literary concept was gradually strengthened. During this period, many translators introduced foreign literature from a literary perspective, bringing a new atmosphere to the translation circle and the history of Chinese literature In the period of the new culture movement, the translator's political and literary ideas were significantly improved, which laid a good foundation for the third wave of Western Chinese book translation starting from the new culture movement.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133382&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* 1. Modern Translation Work and Its Main Characteristics */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133382&amp;oldid=prev"/>
		<updated>2021-12-15T11:29:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;1. Modern Translation Work and Its Main Characteristics&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:29, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot; &gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===1.2 Representative Works of Modern Translations and Their Main Categories===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===1.2 Representative Works of Modern Translations and Their Main Categories===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The introduction of modern western literature made Lin Shu a famous literary translator. Many people will misunderstand ''The Lady of the Camellias'' as the first translation novel in modern China. But ''The Declaration'' has already begun to publish translation novels earlier. The first translation novel should be ''Xinxi Talk''. According to Zou Zhenhuan, the most expensive translation of the Bible was the first version to enter the palace, the &amp;quot;royal version&amp;quot; of the late Qing Dynasty. The first modern Japanese novel translated into Chinese was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;''The Beauty Adventure'', translated by Liang Qichao, which opened the translation of the political novel in the late Qing Dynasty. At the same time, the Chinese translation books related to Japan was ''Ryukyu Geography''. Tan Ruqian thought it as “the first Chinese translation of Japanese documents”. After translation into Chinese, the most influential translation is Yan Fu’s ''Heaven'', Lin Shu’s ''The Lady of the Camellias'', and ''Black Slaves Call for Heaven'' record translated by Wei Yi and Lin Shu. The three works had a great influence on Chinese society in different aspects. Thai new history can represent part of the translation works since modern times. It is widely spread into China though it doesn’t achieve any effect in the West. The book is considered by western scholars as the most boring residual history and a third-rate world history. In China, it sold more than one million copies, which is the most popular reading book in the Restoration period. It can be said that the social influence in different historical stages and social backgrounds can be different. ''The Law of the Duke of Nations'' theoretically defeated the ignorant idea of the Qing government. In addition, there are translations about life which popularized scientific knowledge in China and played a good role in the abolition of feudal superstition. ''Foreign Cookery'' in Chinese was the earliest Chinese translation of a relatively systematic introduction of western cooking methods in the process of introducing western food culture in China. In the aspects of medicine, there were books such as ''Tessi’s Personal Theory'', ''Optical Disclosure and Cardiotherapy''. The first sociological monograph of full-text translation in modern China was translated by Zhang Taiyan, which had an important influence on the progress of social cognition.（Feng 2012: 234-235）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The introduction of modern western literature made Lin Shu a famous literary translator. Many people will misunderstand ''The Lady of the Camellias'' as the first translation novel in modern China. But ''The Declaration'' has already begun to publish translation novels earlier. The first translation novel should be ''Xinxi Talk''. According to Zou Zhenhuan, the most expensive translation of the Bible was the first version to enter the palace, the &amp;quot;royal version&amp;quot; of the late Qing Dynasty. The first modern Japanese novel translated into Chinese was ''The Beauty Adventure'', translated by Liang Qichao, which opened the translation of the political novel in the late Qing Dynasty. At the same time, the Chinese translation books related to Japan was ''Ryukyu Geography''. Tan Ruqian thought it as “the first Chinese translation of Japanese documents”. After translation into Chinese, the most influential translation is Yan Fu’s ''Heaven'', Lin Shu’s ''The Lady of the Camellias'', and ''Black Slaves Call for Heaven'' record translated by Wei Yi and Lin Shu. The three works had a great influence on Chinese society in different aspects. Thai new history can represent part of the translation works since modern times. It is widely spread into China though it doesn’t achieve any effect in the West. The book is considered by western scholars as the most boring residual history and a third-rate world history. In China, it sold more than one million copies, which is the most popular reading book in the Restoration period. It can be said that the social influence in different historical stages and social backgrounds can be different. ''The Law of the Duke of Nations'' theoretically defeated the ignorant idea of the Qing government. In addition, there are translations about life which popularized scientific knowledge in China and played a good role in the abolition of feudal superstition. ''Foreign Cookery'' in Chinese was the earliest Chinese translation of a relatively systematic introduction of western cooking methods in the process of introducing western food culture in China. In the aspects of medicine, there were books such as ''Tessi’s Personal Theory'', ''Optical Disclosure and Cardiotherapy''. The first sociological monograph of full-text translation in modern China was translated by Zhang Taiyan, which had an important influence on the progress of social cognition.（Feng 2012: 234-235）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===1.3 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Main Characteristics of Modern Translation Works===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===1.3 Main Characteristics of Modern Translation Works===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One is catering to the taste and ethics of the Chinese readers in order to obtain a wider popularity. Influenced by the social background of the late Qing Dynasty, most people who learned from the West were limited to intellectuals and politicians. In order to make the translation get more attention, the translator chose more accepted literary works for translation. This to some extent leads to the lack of extensive translation categories. In Introduction to Translation, the second chapter &amp;quot;Translation of Catholic Scholars between the Ming and Qing Dynasties&amp;quot; discussed the Catholic doctrine translation and scientific translation between the Ming and Qing Dynasties, and pointed out that &amp;quot; at that time, translation sought more elegance, integrity and the willingness of Chinese officials and scholars to read. However, there are also some translators who try to keep the original meaning rather than deliberately satisfying the readers’ interests.&amp;quot; On the other hand, it also confirms that the characteristics of translation was catering to readers at that time. （Zhang 2003:158）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One is catering to the taste and ethics of the Chinese readers in order to obtain a wider popularity. Influenced by the social background of the late Qing Dynasty, most people who learned from the West were limited to intellectuals and politicians. In order to make the translation get more attention, the translator chose more accepted literary works for translation. This to some extent leads to the lack of extensive translation categories. In Introduction to Translation, the second chapter &amp;quot;Translation of Catholic Scholars between the Ming and Qing Dynasties&amp;quot; discussed the Catholic doctrine translation and scientific translation between the Ming and Qing Dynasties, and pointed out that &amp;quot; at that time, translation sought more elegance, integrity and the willingness of Chinese officials and scholars to read. However, there are also some translators who try to keep the original meaning rather than deliberately satisfying the readers’ interests.&amp;quot; On the other hand, it also confirms that the characteristics of translation was catering to readers at that time. （Zhang 2003:158）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133381&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* Introduction */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=133381&amp;oldid=prev"/>
		<updated>2021-12-15T11:26:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Introduction&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:26, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Introduction==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Introduction==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Around the middle of the 19th century, The Western invasion brought new knowledge. The Westernization Movement sent a large number of international students to study abroad and translated a large number of books for military &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;purposes&lt;/del&gt;.The Qing government decayed, and was tired of the invasion of foreign enemies, the war repeatedly failed. After the Sino-Japanese War in 1894, faced with internal and external troubles, far-sighted people knew that they could not rely on the Qing government, so they devoted themselves to writing novels. Many people accepted and spread Western culture through translating books. The importance of translation was recognized by the development of journalism, media, and provident men influenced by the Western culture at that time. In this social context, people have criticized the corruption of government through literature and translation.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Around the middle of the 19th century, The Western invasion brought new knowledge. The Westernization Movement sent a large number of international students to study abroad and translated a large number of books for military &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;purpose&lt;/ins&gt;.The Qing government decayed, and was tired of the invasion of foreign enemies, the war repeatedly failed. After the Sino-Japanese War in 1894, faced with internal and external troubles, far-sighted people knew that they could not rely on the Qing government, so they devoted themselves to writing novels. Many people accepted and spread Western culture through translating books. The importance of translation was recognized by the development of journalism, media, and provident men influenced by the Western culture at that time. In this social context, people have criticized the corruption of government through literature and translation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Modern China began in the Opium War in 1840. It was a special period in Chinese history. During this period, the Chinese were attacked by foreign guns, as well as by foreign culture and foreign education. Especially after the Sino-Japanese War, the Chinese people were greatly shocked psychologically, and people began to realize that the West was more advanced than China in political, economic, cultural and other aspects, which was providing a great opportunity for the introduction of translation literature. Translators at that time also hoped to translate the western advanced scientific knowledge to the Chinese people so that they could broaden their horizons and innovate their ideas. During the Reform Movement of 1898, Liang Qichao advocated publicizing political ideas by translating foreign political novels to transform the society. He believed that the incredible power of novels was &amp;quot;enough to dominate people's psychology and could change the society of one generation.&amp;quot; Based on the translation of the novel, Liang Qichao gave the novel new significance and mission. He put forward the idea of improving the novel, with the famous ones such as ''The Beauty Adventures'' and ''The Fifteen Little Heroes'', which promoted the process of novel revolution and the prosperity and development of the translating novels. Yan Fu translated works such as ''Heaven'' and Yuan Fu. His translation had a great influence at that time and was the most important enlightenment translation in China in the 20th century. In the translation of ''Heaven'', Yan Fu proposed three difficulties: Faithfulness, Expressiveness and Elegance. It was advocated by many literary writers at that time and used as the theoretical basis for their translation. The concept of &amp;quot;natural selection: the fittest to survive&amp;quot; conveyed in Yan Fu's Heaven woke people up from the dream of the heavenly world. There are more famous translation works such as Lin Shu’s ''The Lady of the Camellias'', Black slaves call for heaven record and so on. It had an important influence on the change of people's concept. People are not &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; limited &lt;/del&gt;to the traditional concept of marriage and love, and the concept of freedom and equality gradually spread. Under the prevalence of translation works, traditional values, such as emphasizing agriculture and suppressing business, men being superior to women, gradually lost their status and were gradually replaced by new ideas.  （A 1981:741）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Modern China began in the Opium War in 1840. It was a special period in Chinese history. During this period, the Chinese were attacked by foreign guns, as well as by foreign culture and foreign education. Especially after the Sino-Japanese War, the Chinese people were greatly shocked psychologically, and people began to realize that the West was more advanced than China in political, economic, cultural and other aspects, which was providing a great opportunity for the introduction of translation literature. Translators at that time also hoped to translate the western advanced scientific knowledge to the Chinese people so that they could broaden their horizons and innovate their ideas. During the Reform Movement of 1898, Liang Qichao advocated publicizing political ideas by translating foreign political novels to transform the society. He believed that the incredible power of novels was &amp;quot;enough to dominate people's psychology and could change the society of one generation.&amp;quot; Based on the translation of the novel, Liang Qichao gave the novel new significance and mission. He put forward the idea of improving the novel, with the famous ones such as ''The Beauty Adventures'' and ''The Fifteen Little Heroes'', which promoted the process of novel revolution and the prosperity and development of the translating novels. Yan Fu translated works such as ''Heaven'' and Yuan Fu. His translation had a great influence at that time and was the most important enlightenment translation in China in the 20th century. In the translation of ''Heaven'', Yan Fu proposed three difficulties: Faithfulness, Expressiveness and Elegance. It was advocated by many literary writers at that time and used as the theoretical basis for their translation. The concept of &amp;quot;natural selection: the fittest to survive&amp;quot; conveyed in Yan Fu's Heaven woke people up from the dream of the heavenly world. There are more famous translation works such as Lin Shu’s ''The Lady of the Camellias'', Black slaves call for heaven record and so on. It had an important influence on the change of people's concept. People are not &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;limited &lt;/ins&gt;to the traditional concept of marriage and love, and the concept of freedom and equality gradually spread. Under the prevalence of translation works, traditional values, such as emphasizing agriculture and suppressing business, men being superior to women, gradually lost their status and were gradually replaced by new ideas.  （A 1981:741）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The paper mainly includes three chapters: First, modern translation works and the overview of translators. Second, the background and climax of modern translation works. Third, the impact of modern translation on social life. In the modern Chinese literary circle, there was a wave of translation in western books, and the translation activities of foreign works were unprecedentedly prosperous.The emergence of a large number of translation works has also caused a large influx of foreign cultural ideas. Under the translation of domestic scholars, the translators not only conveyed the literary nature of foreign works, but also expressed their translation purpose through translation language and techniques, and had a huge impact on Chinese social life at that time. Academia research is more aimed at the overview of modern translation works and its prosperity, but little research on its impact on national social life. This paper analyzes the wide variety of materials and works to detail the influence of modern translation on social life. （Lian 2009:93）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The paper mainly includes three chapters: First, modern translation works and the overview of translators. Second, the background and climax of modern translation works. Third, the impact of modern translation on social life. In the modern Chinese literary circle, there was a wave of translation in western books, and the translation activities of foreign works were unprecedentedly prosperous. The emergence of a large number of translation works has also caused a large influx of foreign cultural ideas. Under the translation of domestic scholars, the translators not only conveyed the literary nature of foreign works, but also expressed their translation purpose through translation language and techniques, and had a huge impact on Chinese social life at that time. Academia research is more aimed at the overview of modern translation works and its prosperity, but little research on its impact on national social life. This paper analyzes the wide variety of materials and works to detail the influence of modern translation on social life. （Lian 2009:93）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==1. Modern Translation Work and Its Main Characteristics ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==1. Modern Translation Work and Its Main Characteristics ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131956&amp;oldid=prev</id>
		<title>Zhong Yifei: /* Chapter 13: The Chinese Translation History In Modern Age */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131956&amp;oldid=prev"/>
		<updated>2021-12-13T13:05:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Chapter 13: The Chinese Translation History In Modern Age&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:05, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==摘要==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==摘要==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;自19世纪中叶以来，翻译逐渐成为人们决心拯救国家免遭灭绝的工具。大量翻译作品的传播拓宽了公众，尤其是知识分子学习西方的途径。与此同时，它也改变了社会气候。西方文明的入侵、译者翻译活动的自发发展以及国家政治的被动，使中国社会进入了西学翻译的重要时期，尤其是鸦片战争前后。近代中国的翻译事业与中国人民反抗侵略的斗争不谋而合。鸦片战争后，中国不得不打开大门。中国不得不结束孤立，开始直接面对外部世界。然而，长期封锁使中国落后于西方世界。现代政治、经济、外交和文化活动都与翻译密切相关，翻译在历史上起着不可或缺的作用。原文的主题和来源往往反映了中国现代意识形态的发展趋势和政府政策的方向。至于不同时期翻译书籍的性质和数量，我们还可以看到翻译书籍的动机、知识兴趣的总体趋势以及在社会上传播的影响。本文的时间线索是从鸦片战争到五四运动，简要介绍了翻译和译者，强调了其产生背景和几个重要的发展时期，研究和分析了中国近代翻译作品中反映的西方文化，中国人翻译思想的变化以及现代翻译对中国社会的影响。本文共分为三章。第一章介绍了现代翻译作品的产生、重要性和主要特征，然后回顾了现代翻译作品的产生，强调了现代翻译作品的重要性，并简要介绍了具有代表性的翻译作品。第二章介绍了翻译作品的背景和西方书籍翻译的高潮阶段，研究了各个时期翻译的主要特点和发展趋势。第三章通过对翻译作品的描写，研究现代翻译对人们思想和社会生活的影响和表现。本文着重论述了现代翻译的发展，翻译在中国历史上的重要作用，以及翻译对现代社会的具体影响。&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhong Yifei</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131938&amp;oldid=prev</id>
		<title>Zhong Yifei: /* Chapter 13: The Chinese Translation History In Modern Age */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131938&amp;oldid=prev"/>
		<updated>2021-12-13T13:00:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Chapter 13: The Chinese Translation History In Modern Age&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:00, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Abstract==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Abstract==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the middle of the 19th century, translation has gradually become a tool for people resolved to save the country from extinction. The spread of the large number of translation works has broadened the ways for the public, especially the intellectuals, to learn the west. In the meantime, it has also changed the social climate. The invasion of western civilization, translators' spontaneous development of translation activities and the passivity of national politics made Chinese society enter an important period of western learning translation, especially around the period of Opium War. The cause of translation in modern China coincided with the Chinese people's struggle against aggression. After the Opium War, China had to open the door. China had to end its isolation and began to face the outside world directly. However, the prolonged blockade made China lag behind the western world. Modern politics, economy, diplomacy and cultural activities are closely related to translation, which plays an indispensable role in history. The theme and source of the original translation often reflect the development trend of modern Chinese ideology and the direction of government policy. As for the nature and quantity of translation books in different periods, we can also see the motivation of translation books, the general trend of intellectual interests, and the impact of the dissemination in society. The time clue of this article is from the Opium War to the May Fourth Movement, briefly introducing the translation and the translator, emphasizing its emergence background and several important period of development, research and analysis of western culture reflected in translation  works in modem Chinese history, the change of Chinese people’s thoughts in translation and the influence of modern translation on Chinese society. This paper is divided into three chapters. The first chapter introduces the emergence, importance and main characteristics of modern translation works, then reviews the emergence of modem translation works, emphasizes their importance, and briefly introduces representative translation works.  The second chapter introduces the background of translation works and translation climax stages of western books, studies the main characteristics and development trend of translation in each period. The third chapter studies the influence and performance of modern translation on people's ideology and social life through the description in translation works. This paper focuses on the development of modern translation, the important role of translation in Chinese history, and the specific impact of translation on modern society.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the middle of the 19th century, translation has gradually become a tool for people resolved to save the country from extinction. The spread of the large number of translation works has broadened the ways for the public, especially the intellectuals, to learn the west. In the meantime, it has also changed the social climate. The invasion of western civilization, translators' spontaneous development of translation activities and the passivity of national politics made Chinese society enter an important period of western learning translation, especially around the period of Opium War. The cause of translation in modern China coincided with the Chinese people's struggle against aggression. After the Opium War, China had to open the door. China had to end its isolation and began to face the outside world directly. However, the prolonged blockade made China lag behind the western world. Modern politics, economy, diplomacy and cultural activities are closely related to translation, which plays an indispensable role in history. The theme and source of the original translation often reflect the development trend of modern Chinese ideology and the direction of government policy. As for the nature and quantity of translation books in different periods, we can also see the motivation of translation books, the general trend of intellectual interests, and the impact of the dissemination in society. The time clue of this article is from the Opium War to the May Fourth Movement, briefly introducing the translation and the translator, emphasizing its emergence background and several important period of development, research and analysis of western culture reflected in translation  works in modem Chinese history, the change of Chinese people’s thoughts in translation and the influence of modern translation on Chinese society. This paper is divided into three chapters. The first chapter introduces the emergence, importance and main characteristics of modern translation works, then reviews the emergence of modem translation works, emphasizes their importance, and briefly introduces representative translation works.  The second chapter introduces the background of translation works and translation climax stages of western books, studies the main characteristics and development trend of translation in each period. The third chapter studies the influence and performance of modern translation on people's ideology and social life through the description in translation works. This paper focuses on the development of modern translation, the important role of translation in Chinese history, and the specific impact of translation on modern society.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==摘要==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhong Yifei</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131911&amp;oldid=prev</id>
		<title>Wei Chuxuan: /* Abstract */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131911&amp;oldid=prev"/>
		<updated>2021-12-13T12:49:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Abstract&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:49, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;钟义菲 Zhong Yifei，Hunan Normal University, China&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;钟义菲 Zhong Yifei，Hunan Normal University, China&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Abstract==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Abstract==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the middle of the 19th century, translation has gradually become a tool for people resolved to save the country from extinction. The spread of the large number of translation works has broadened the ways for the public, especially the intellectuals, to learn the west. In the meantime, it has also changed the social climate. The invasion of western civilization, translators' spontaneous development of translation activities and the passivity of national politics made Chinese society enter an important period of western learning translation, especially around the period of Opium War. The cause of translation in modern China coincided with the Chinese people's struggle against aggression. After the Opium War, China had to open the door. China had to end its isolation and began to face the outside world directly. However, the prolonged blockade made China lag behind the western world. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Modem &lt;/del&gt;politics, economy, diplomacy and cultural activities are closely related to translation, which plays an indispensable role in history. The theme and source of the original translation often reflect the development trend of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;modem &lt;/del&gt;Chinese ideology and the direction of government policy. As for the nature and quantity of translation books in different periods, we can also see the motivation of translation books, the general trend of intellectual interests, and the impact of the dissemination in society. The time clue of this article is from the Opium War to the May Fourth Movement, briefly introducing the translation and the translator, emphasizing its emergence background and several important period of development, research and analysis of western culture reflected in translation  works in modem Chinese history, the change of Chinese people’s thoughts in translation and the influence of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;modem &lt;/del&gt;translation on Chinese society. This paper is divided into three chapters. The first chapter introduces the emergence, importance and main characteristics of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;modem &lt;/del&gt;translation works, then reviews the emergence of modem translation works, emphasizes their importance, and briefly introduces representative translation works.  The second chapter introduces the background of translation works and translation climax stages of western books, studies the main characteristics and development trend of translation in each period. The third chapter studies the influence and performance of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;modem &lt;/del&gt;translation on people's ideology and social life through the description in translation works. This paper focuses on the development of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;modem &lt;/del&gt;translation, the important role of translation in Chinese history, and the specific impact of translation on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;modem &lt;/del&gt;society.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the middle of the 19th century, translation has gradually become a tool for people resolved to save the country from extinction. The spread of the large number of translation works has broadened the ways for the public, especially the intellectuals, to learn the west. In the meantime, it has also changed the social climate. The invasion of western civilization, translators' spontaneous development of translation activities and the passivity of national politics made Chinese society enter an important period of western learning translation, especially around the period of Opium War. The cause of translation in modern China coincided with the Chinese people's struggle against aggression. After the Opium War, China had to open the door. China had to end its isolation and began to face the outside world directly. However, the prolonged blockade made China lag behind the western world. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Modern &lt;/ins&gt;politics, economy, diplomacy and cultural activities are closely related to translation, which plays an indispensable role in history. The theme and source of the original translation often reflect the development trend of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;modern &lt;/ins&gt;Chinese ideology and the direction of government policy. As for the nature and quantity of translation books in different periods, we can also see the motivation of translation books, the general trend of intellectual interests, and the impact of the dissemination in society. The time clue of this article is from the Opium War to the May Fourth Movement, briefly introducing the translation and the translator, emphasizing its emergence background and several important period of development, research and analysis of western culture reflected in translation  works in modem Chinese history, the change of Chinese people’s thoughts in translation and the influence of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;modern &lt;/ins&gt;translation on Chinese society. This paper is divided into three chapters. The first chapter introduces the emergence, importance and main characteristics of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;modern &lt;/ins&gt;translation works, then reviews the emergence of modem translation works, emphasizes their importance, and briefly introduces representative translation works.  The second chapter introduces the background of translation works and translation climax stages of western books, studies the main characteristics and development trend of translation in each period. The third chapter studies the influence and performance of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;modern &lt;/ins&gt;translation on people's ideology and social life through the description in translation works. This paper focuses on the development of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;modern &lt;/ins&gt;translation, the important role of translation in Chinese history, and the specific impact of translation on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;modern &lt;/ins&gt;society.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wei Chuxuan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;diff=131780&amp;oldid=prev</id>
		<title>Zhong Yifei: /* Western Translation History In the Modern Ages */</title>
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		<updated>2021-12-13T11:59:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Western Translation History In the Modern Ages&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;a href=&quot;https://bou.de/u/index.php?title=Hist_Trans_EN_13&amp;amp;diff=131780&amp;amp;oldid=131772&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Zhong Yifei</name></author>
	</entry>
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