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	<id>https://bou.de/u/index.php?action=history&amp;feed=atom&amp;title=Hist_Trans_EN_7</id>
	<title>Hist Trans EN 7 - Revision history</title>
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	<updated>2026-04-04T13:41:58Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=134736&amp;oldid=prev</id>
		<title>Li Xinxing: /* 1.Introduction */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=134736&amp;oldid=prev"/>
		<updated>2021-12-29T11:18:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;1.Introduction&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:18, 29 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot; &gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==1.Introduction==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==1.Introduction==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The spreading of Western learning to the east is an extensive and far-reaching influence of modern Western culture on Eastern civilization.Late 19th century to early 20th century,When the West had modernized and gradually replaced the East as the world's dominant power,The three East Asian countries ( China, Japan and Korea), which had been sleeping for a long time, were gradually awakened and embarked on the &amp;quot;journey&amp;quot; of modernization.Among them, In order to achieve a rich country and a strong army, Japan left Asia and entered Europe,Take the lead in taking a series of measures to actively learn from the West and introduce advanced ideas and culture.The main measure is to develop the translation of western literature.Under the influence of such a large environment, the translation of overseas literature in China and the Korean Peninsula has also set off a boom.It can be said that the influence of the eastward spreading of Western learning on the modernization of East Asia began with translation as a means of cultural exchange.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Some scholars have pointed out that in the process of modernization in East Asia represented by Japan,Translation plays an important role.Without translation, East Asia would not have been able to open the door to modernization.This is also true in modern China and the Korean Peninsula.It can be said that after entering the modern society, the cultural exchanges between the two countries were continued through translation --&amp;quot;A history of translation is not only a history of cultural exchange, but also a history of the dissemination of ideas&amp;quot;.As we all know, the study of translation history is a &amp;quot;basic project&amp;quot; in the construction of translation discipline.Behrman, a famous translator and translation theorist, once pointed out that &amp;quot;the composition of translation history is the first task of modern translation theory, and self-reflection is the establishment of itself&amp;quot; .The history of literary translation is an important part of the study of translation history and an indispensable factor in the investigation of a country's literature and even the whole cultural background in a particular period.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries during this period (1894 ~ 1949).Writers believe that only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the east, compare the commonness and individuality of the two countries'literary translation practices, explore the historical information behind the translation practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The spreading of Western learning to the east exerted an extensive and far-reaching influence on Eastern civilization.In the late 19th century to early 20th century,when the West had modernized and gradually replaced the East as the world's dominant power,the three East Asian countries (China,Japan and Korea),which had been sleeping for a long time, were gradually awakened and embarked on the &amp;quot;journey&amp;quot; of modernization. In order to attain prosperity, Japan left Asia and entered Europe, taking a series of measures to actively learn from the West and introduce advanced ideas and culture through the media of translation.Under the influence of such a univerasl situation, the translation of overseas literature in China and the Korean Peninsula had also set off a boom.It could be said that the influence of the eastward spreading of western learning on the modernization of East Asia began with translation as a means of cultural exchange.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The spreading of Western learning to the east exerted an extensive and far-reaching influence on Eastern civilization.In the late 19th century to early 20th century,when the West had modernized and gradually replaced the East as the world's dominant power,the three East Asian countries (China,Japan and Korea),which had been sleeping for a long time, were gradually awakened and embarked on the &amp;quot;journey&amp;quot; of modernization. In order to attain prosperity, Japan left Asia and entered Europe, taking a series of measures to actively learn from the West and introduce advanced ideas and culture through the media of translation.Under the influence of such a univerasl situation, the translation of overseas literature in China and the Korean Peninsula had also set off a boom.It could be said that the influence of the eastward spreading of western learning on the modernization of East Asia began with translation as a means of cultural exchange.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some scholars have pointed out that translation plays an important role in the process of modernization in East Asia represented by Japan.Without translation,East Asia would not have been able to open the door to modernization.This is also true in modern China and the Korean Peninsula.It can be said that after entering the modern society, the cultural exchanges between the two countries were continued through translation --&amp;quot;A history of translation is not only a history of cultural exchange, but also a history of the dissemination of ideas&amp;quot;.(Xu Duo,Xu Jun 2014:140).As we all know, the study of translation history is a &amp;quot;basic project&amp;quot; in the construction of translation discipline.Behrman, a famous translator and translation theorist, once pointed out that &amp;quot;the composition of translation history is the first task of modern translation theory, and self-reflection is the establishment of itself&amp;quot;.(XuJun,Yuan Youyi,1998:128).The history of literary translation is an important part of the study of translation history and an indispensable factor in the investigation of a country's literature and even the whole cultural background in a particular period.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some scholars have pointed out that translation plays an important role in the process of modernization in East Asia represented by Japan.Without translation,East Asia would not have been able to open the door to modernization.This is also true in modern China and the Korean Peninsula.It can be said that after entering the modern society, the cultural exchanges between the two countries were continued through translation --&amp;quot;A history of translation is not only a history of cultural exchange, but also a history of the dissemination of ideas&amp;quot;.(Xu Duo,Xu Jun 2014:140).As we all know, the study of translation history is a &amp;quot;basic project&amp;quot; in the construction of translation discipline.Behrman, a famous translator and translation theorist, once pointed out that &amp;quot;the composition of translation history is the first task of modern translation theory, and self-reflection is the establishment of itself&amp;quot;.(XuJun,Yuan Youyi,1998:128).The history of literary translation is an important part of the study of translation history and an indispensable factor in the investigation of a country's literature and even the whole cultural background in a particular period.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries from 1894 to 1949. Only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;--[[User:Liu Peiting|Liu Peiting]] ([[User talk:Liu Peiting|talk]]) 07:34, 11 December 2021 (UTC)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries from 1894 to 1949. Only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Media:Example.ogg]]==2. The origin and development of modern translation in both countries ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Media:Example.ogg]]==2. The origin and development of modern translation in both countries ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=134732&amp;oldid=prev</id>
		<title>Li Xinxing: /* Abstract */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=134732&amp;oldid=prev"/>
		<updated>2021-12-29T11:13:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Abstract&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:13, 29 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Abstract==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Abstract==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The spreading of Western learning to the east is an extensive and far-reaching influence of modern Western culture on eastern civilization, which started from translation as a means of cultural communication.Scholars in China and Korea have always recognized the influence of the eastward spread of Western learning on the development of translation in their countries.However, most studies on modern and contemporary translation take the country as the boundary and rarely talk about the comparison and exchange between the two countries.In fact, although there are some individual differences between Chinese and Korean translation in modern times due to different national conditions, there are also many similarities and connections worthy of attention and research.From the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the east, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the translation practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The spreading of western culture to the East was an extensive and far-reaching influence of modern Western culture on Eastern civilization, resulted from translation as a means of cultural communication.Scholars in China and Korea had always recognized the influence of the eastward spread of Western learning on the development of translation in their countries. However, most studies on modern and contemporary translation take the country as the boundary and rarely talk about the comparison and exchange between the two countries.In fact, regardless of some individual differences between Chinese and Korean translation in modern times due to different national conditions, there are also many similarities and connections worthy of attention and research.From the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, dig out the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural exchanges between the two.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;--[[User:Liu Peiting|Liu Peiting]] ([[User talk:Liu Peiting|talk]]) 07:23, 11 December 2021 (UTC)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The spreading of western culture to the East was an extensive and far-reaching influence of modern Western culture on Eastern civilization, resulted from translation as a means of cultural communication.Scholars in China and Korea had always recognized the influence of the eastward spread of Western learning on the development of translation in their countries. However, most studies on modern and contemporary translation take the country as the boundary and rarely talk about the comparison and exchange between the two countries.In fact, regardless of some individual differences between Chinese and Korean translation in modern times due to different national conditions, there are also many similarities and connections worthy of attention and research.From the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, dig out the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural exchanges between the two.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Key words==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133321&amp;oldid=prev</id>
		<title>Li Xinxing: /* 2. The origin and development of modern translation in both countries */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133321&amp;oldid=prev"/>
		<updated>2021-12-15T07:44:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;2. The origin and development of modern translation in both countries&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:44, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries from 1894 to 1949. Only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.--[[User:Liu Peiting|Liu Peiting]] ([[User talk:Liu Peiting|talk]]) 07:34, 11 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries from 1894 to 1949. Only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.--[[User:Liu Peiting|Liu Peiting]] ([[User talk:Liu Peiting|talk]]) 07:34, 11 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==2. The origin and development of modern translation in both countries ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Media:Example.ogg]]&lt;/ins&gt;==2. The origin and development of modern translation in both countries ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After being opened to the outside world, western civilization flooded in. China and North Korea, which had been pursuing the policy of &amp;quot;closing the door to the outside world&amp;quot;, began to &amp;quot;open their eyes to the world&amp;quot;.From the government to the people, there has been an upsurge in the introduction of advanced Western civilization.Translation plays an important, even decisive role in this process.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After being opened to the outside world, western civilization flooded in. China and North Korea, which had been pursuing the policy of &amp;quot;closing the door to the outside world&amp;quot;, began to &amp;quot;open their eyes to the world&amp;quot;.From the government to the people, there has been an upsurge in the introduction of advanced Western civilization.Translation plays an important, even decisive role in this process.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.1The historical evolution of Modern Translation in China&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.1The historical evolution of Modern Translation in China&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot; &gt;Line 38:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the end of the 19th century, western civilization began to flow into East Asia on a large scale, and Korea was further plunged into the situation of internal troubles and foreign aggression. Faced with the complicated situation at home and abroad, the enlightened intellectuals of Korea further realized that translating Western books was an important task at that time. As early as 1886, The &amp;quot;Seoul Weekly&amp;quot; published by Powen Bureau had a column specially emphasizing the importance of translation, and proposed to establish a special translation agency to translate foreign books. And six years later, another important newspaper of the day 《Huangcheng News 》also commented, stressing that translation is an important means to enrich the country and strengthen the army and realize modern civilization. We call for the establishment of specialized translation institutions under the guidance of the government &amp;quot;to strengthen the guidance and management of translation. On behalf of this, not only all kinds of news media actively propagated, but also some intellectuals at that time called for the realization of civilization and the prosperity of the country and the strength of the army by translating overseas literature and learning advanced western experience. As a result, the Korean Peninsula at that time set off a boom in the translation of overseas works, especially literary works. Of course, as in China, one of the preconditions for translating Western books in the Korean Peninsula was the development of modern media, which provided a platform for the dissemination of written works at that time. After the 1895-1895 revolution, modern schools were established one after another, and special language schools were set up, which played a positive role in understanding overseas and spreading Western culture, and reserved talents for the translation and introduction of foreign literature.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the end of the 19th century, western civilization began to flow into East Asia on a large scale, and Korea was further plunged into the situation of internal troubles and foreign aggression. Faced with the complicated situation at home and abroad, the enlightened intellectuals of Korea further realized that translating Western books was an important task at that time. As early as 1886, The &amp;quot;Seoul Weekly&amp;quot; published by Powen Bureau had a column specially emphasizing the importance of translation, and proposed to establish a special translation agency to translate foreign books. And six years later, another important newspaper of the day 《Huangcheng News 》also commented, stressing that translation is an important means to enrich the country and strengthen the army and realize modern civilization. We call for the establishment of specialized translation institutions under the guidance of the government &amp;quot;to strengthen the guidance and management of translation. On behalf of this, not only all kinds of news media actively propagated, but also some intellectuals at that time called for the realization of civilization and the prosperity of the country and the strength of the army by translating overseas literature and learning advanced western experience. As a result, the Korean Peninsula at that time set off a boom in the translation of overseas works, especially literary works. Of course, as in China, one of the preconditions for translating Western books in the Korean Peninsula was the development of modern media, which provided a platform for the dissemination of written works at that time. After the 1895-1895 revolution, modern schools were established one after another, and special language schools were set up, which played a positive role in understanding overseas and spreading Western culture, and reserved talents for the translation and introduction of foreign literature.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Generally speaking, the history of translation of foreign works on the Korean Peninsula from 1895 to 1949 can be divided into the following five stages: Patriotic enlightenment period (1895-1910), translation literature awakening period (1911-1919), translation into the proper period (1920-1935), dark Period (1936-1945), Regeneration period (1945 ~1949). We can refer to Kim Byung-chul's Studies on the History of Modern Korean Translation Literature, the earliest and only work on the history of modern Korean Translation literature. However, it is worth noting that Kim Byung-chul's pioneering work has carefully combed and studied the translation history of modern Korean literature from both macro and micro perspectives. However, there is no introduction to the translation of Chinese and Japanese literature. In fact, in the whole modern and modern period, although the communication between China and South Korea seems not as active and close as that in ancient times, the spiritual, political and cultural ties that have connected the two countries for thousands of years have not disappeared overnight. This point can be seen from the early stage of The History of Korean translated literature with China as the medium of translation activities and the late continuous translation of Modern Chinese literature.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Generally speaking, the history of translation of foreign works on the Korean Peninsula from 1895 to 1949 can be divided into the following five stages: Patriotic enlightenment period (1895-1910), translation literature awakening period (1911-1919), translation into the proper period (1920-1935), dark Period (1936-1945), Regeneration period (1945 ~1949). We can refer to Kim Byung-chul's Studies on the History of Modern Korean Translation Literature, the earliest and only work on the history of modern Korean Translation literature. However, it is worth noting that Kim Byung-chul's pioneering work has carefully combed and studied the translation history of modern Korean literature from both macro and micro perspectives. However, there is no introduction to the translation of Chinese and Japanese literature. In fact, in the whole modern and modern period, although the communication between China and South Korea seems not as active and close as that in ancient times, the spiritual, political and cultural ties that have connected the two countries for thousands of years have not disappeared overnight. This point can be seen from the early stage of The History of Korean translated literature with China as the medium of translation activities and the late continuous translation of Modern Chinese literature.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first stage (1895-1910) is the period of patriotic enlightenment，The main function of translation in this period was &amp;quot;enlightenment of civilization, independence, social and political enlightenment&amp;quot;, and the translation activities inevitably had obvious purpose and utility. The patriotic enlighteners represented by Xuan CAI, Zhang Zhiyuan, Shen Caihao and Zhou Shijing received Chinese education from childhood and were deeply influenced by Confucian culture. Most of the works translated from The Korean Peninsula during this period were biographies of great men, history of the war, history of independence and geographical history. Almost all the translated works are from Chinese and Japanese versions. According to statistics, there were about 37 separate editions of such works translated in the Korean Peninsula before 1910, among which 16 were based on Chinese translations, not including those published in newspapers and magazines. In particular, it is worth emphasizing the important works in the early history of Korean literature, such as The History of The Fall of Vietnam, the Biography of the Three Masters of the Founding of Italy, and so on.The Biography of the Patriotic Lady was introduced to the Korean Peninsula based on the Chinese version. In addition, the Japanese Ryoki Yano's Korean single version of The Book On The Nation and the United States (1908, Translated by Hyun Gonglian) was based on zhou Kui's Chinese version in 1907. It is also highly likely that The first western literary work to be officially translated into Korea, Robin Sun Crusoe (1908, translated by Kim Chan), was translated into Chinese. In a word, China's influence cannot be ignored in the history of translated literature during the Korean civilization period.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first stage (1895-1910) is the period of patriotic enlightenment，The main function of translation in this period was &amp;quot;enlightenment of civilization, independence, social and political enlightenment&amp;quot;, and the translation activities inevitably had obvious purpose and utility. The patriotic enlighteners represented by Xuan CAI, Zhang Zhiyuan, Shen Caihao and Zhou Shijing received Chinese education from childhood and were deeply influenced by Confucian culture. Most of the works translated from The Korean Peninsula during this period were biographies of great men, history of the war, history of independence and geographical history. Almost all the translated works are from Chinese and Japanese versions. According to statistics, there were about 37 separate editions of such works translated in the Korean Peninsula before 1910, among which 16 were based on Chinese translations, not including those published in newspapers and magazines. In particular, it is worth emphasizing the important works in the early history of Korean literature, such as The History of The Fall of Vietnam, the Biography of the Three Masters of the Founding of Italy, and so on.The Biography of the Patriotic Lady was introduced to the Korean Peninsula based on the Chinese version. In addition, the Japanese Ryoki Yano's Korean single version of The Book On The Nation and the United States (1908, Translated by Hyun Gonglian) was based on zhou Kui's Chinese version in 1907. It is also highly likely that The first western literary work to be officially translated into Korea, Robin Sun Crusoe (1908, translated by Kim Chan), was translated into Chinese. In a word, China's influence cannot be ignored in the history of translated literature during the Korean civilization period. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Xu Jun,2014:140)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The second stage (1910 ~ 1919) is called &amp;quot;the Awakening period of Translated literature&amp;quot;. The translation activities of this period did have many characteristics different from those of the previous period. For example, many translations clearly identify the original author and translator; There appeared some literary magazines that paid attention to translation, such as Youth, New Star, Youth, Light of Learning and New Wenjie.“Three Lights&amp;quot;, and &amp;quot;Tai Xi Literature and Art News&amp;quot; founded in 1918 with the main purpose of translating foreign literary works; At the beginning, it was consciously emphasized that translation should be based on the original text rather than through a third language. Translation methods also began to emphasize the separation from the earlier simple emphasis on the transmission of content translation, summary translation, abbreviated translation, etc. It puts forward the importance of respecting the original text and being faithful to the original text, and actively practices it. Kim Il and other important figures in the history of Korean translation literature have officially started their translation activities. And so on. All these indicate that the translation activities on the Korean Peninsula have &amp;quot;awakened&amp;quot; and are ready for further progress on the right track.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The second stage (1910 ~ 1919) is called &amp;quot;the Awakening period of Translated literature&amp;quot;. The translation activities of this period did have many characteristics different from those of the previous period. For example, many translations clearly identify the original author and translator; There appeared some literary magazines that paid attention to translation, such as Youth, New Star, Youth, Light of Learning and New Wenjie.“Three Lights&amp;quot;, and &amp;quot;Tai Xi Literature and Art News&amp;quot; founded in 1918 with the main purpose of translating foreign literary works; At the beginning, it was consciously emphasized that translation should be based on the original text rather than through a third language. Translation methods also began to emphasize the separation from the earlier simple emphasis on the transmission of content translation, summary translation, abbreviated translation, etc. It puts forward the importance of respecting the original text and being faithful to the original text, and actively practices it. Kim Il and other important figures in the history of Korean translation literature have officially started their translation activities. And so on. All these indicate that the translation activities on the Korean Peninsula have &amp;quot;awakened&amp;quot; and are ready for further progress on the right track.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Generally speaking, since 1908, when Juvenile was first published，The Translated literature of the Korean Peninsula further broke away from the original utilitarian and purist nature and began to enter the era of &amp;quot;pure literature and art&amp;quot; translation. Since then, a great deal of Western literature has been translated into The Korean peninsula, and the quality of translation in this period is significantly higher than that of the Patriotic Enlightenment period. In addition to new novelists such as Lee Sang-hyup, Lee Hae-jo and Ahn Guk-seon, the translators also include famous figures in the history of literature such as Choi Nam-seon, Hong Myung-hee and Lee Kwang-soo, as well as some publishers and media workers. It is worth noting that some scholars believe that literary exchanges between China and Korea ended after Japan annexed the Korean Peninsula in 1910. This view is obviously somewhat arbitrary. According to incomplete statistics, at least 20 Chinese translations were introduced to the Korean Peninsula through the medium of Chinese translations, although the translation activities based on Chinese translations were not as active as in the Enlightenment period. These works include not only reprints of Chinese vernacular novels in Ming and Qing Dynasties, but also western novels based on Chinese translations. Among these Chinese translations of western novels, 8 are from the large western literature translation series &amp;quot;Shuobo Congshu&amp;quot;, which was planned and published by the Shanghai Commercial Press in 1903. Choi Chan-sik, a famous writer of new novels at the time, recalled that recalled that he began writing a new novel after translating a book in the &amp;quot;Shaobo Series&amp;quot; published in Shanghai, China. These data show that even at a time when Japan's control over the Korean Peninsula was increasing, China's translation and media activities still have a certain influence on Korean intellectuals. In other words, under the new historical conditions, the cultural exchanges between the two countries are still struggling to continue in a new form.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Generally speaking, since 1908, when Juvenile was first published，The Translated literature of the Korean Peninsula further broke away from the original utilitarian and purist nature and began to enter the era of &amp;quot;pure literature and art&amp;quot; translation. Since then, a great deal of Western literature has been translated into The Korean peninsula, and the quality of translation in this period is significantly higher than that of the Patriotic Enlightenment period. In addition to new novelists such as Lee Sang-hyup, Lee Hae-jo and Ahn Guk-seon, the translators also include famous figures in the history of literature such as Choi Nam-seon, Hong Myung-hee and Lee Kwang-soo, as well as some publishers and media workers. It is worth noting that some scholars believe that literary exchanges between China and Korea ended after Japan annexed the Korean Peninsula in 1910. This view is obviously somewhat arbitrary. According to incomplete statistics, at least 20 Chinese translations were introduced to the Korean Peninsula through the medium of Chinese translations, although the translation activities based on Chinese translations were not as active as in the Enlightenment period. These works include not only reprints of Chinese vernacular novels in Ming and Qing Dynasties, but also western novels based on Chinese translations. Among these Chinese translations of western novels, 8 are from the large western literature translation series &amp;quot;Shuobo Congshu&amp;quot;, which was planned and published by the Shanghai Commercial Press in 1903. Choi Chan-sik, a famous writer of new novels at the time, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Zhu Yifan,2011:72).&lt;/ins&gt;recalled that recalled that he began writing a new novel after translating a book in the &amp;quot;Shaobo Series&amp;quot; published in Shanghai, China. These data show that even at a time when Japan's control over the Korean Peninsula was increasing, China's translation and media activities still have a certain influence on Korean intellectuals. In other words, under the new historical conditions, the cultural exchanges between the two countries are still struggling to continue in a new form.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The third stage (1920-1935) marked the beginning of joseon's translation literature. According to Kim byung-chul's statistics, at least 600 foreign literary works have been translated to the Korean Peninsula in various forms since the 1920s, Genres include fiction, poetry, drama, essays, fairy tales, and some literary criticism, Countries involved Britain, the United States, Germany, France, Russia, India and so on. Of course, this statistic does not include the translation of Chinese literature. In fact, after the 1920s, one of the biggest changes in the history of Sino-Korean translation was the movement that was then in China and the new literary works began to be translated and introduced to the Korean Peninsula. According to incomplete statistics, about 30 kinds of modern Chinese literary works including novels were translated and translated in the Korean Peninsula during the colonial period (In addition to the only collection of Chinese Short Stories during the colonial period), 16 plays, 41 poems, 3 essays, 1 fairy tale, etc., and more than a dozen literary criticism. If we add the Chinese classical literature translated in this period, we can say that after 1920, the translation of Chinese literature in the Korean Peninsula is relatively comprehensive and continuous, which should not be excluded from the history of Korean translated literature.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The third stage (1920-1935) marked the beginning of joseon's translation literature. According to Kim byung-chul's statistics, at least 600 foreign literary works have been translated to the Korean Peninsula in various forms since the 1920s, Genres include fiction, poetry, drama, essays, fairy tales, and some literary criticism, Countries involved Britain, the United States, Germany, France, Russia, India and so on. Of course, this statistic does not include the translation of Chinese literature. In fact, after the 1920s, one of the biggest changes in the history of Sino-Korean translation was the movement that was then in China and the new literary works began to be translated and introduced to the Korean Peninsula. According to incomplete statistics, about 30 kinds of modern Chinese literary works including novels were translated and translated in the Korean Peninsula during the colonial period (In addition to the only collection of Chinese Short Stories during the colonial period), 16 plays, 41 poems, 3 essays, 1 fairy tale, etc., and more than a dozen literary criticism. If we add the Chinese classical literature translated in this period, we can say that after 1920, the translation of Chinese literature in the Korean Peninsula is relatively comprehensive and continuous, which should not be excluded from the history of Korean translated literature.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The fourth stage (1936-1945) was a dark period for the entire Korean Peninsula. In terms of translated literature, Japan has strengthened its control over public opinion and media by strengthening its policy of suppressing national language, The flood of Japanese books, coupled with the growing economic collapse on the Korean peninsula, has put pressure on the publishing industry and reduced the number of magazines, Access to foreign books has also been blocked, resulting in a huge blow to translation activities on the Korean Peninsula. This was the darkest period in the history of Translated literature on the Korean Peninsula. Although there were sporadic translations of Chinese literary works, they only catered to the political needs of the Japanese colonial government and chose some works that were irrelevant to politics and even covered up and beautified its militarist ambitions. In 1940, for example, Three Thousand Miles magazine ran a special collection of &amp;quot;New Chinese literature,&amp;quot;The content of the works is either daily life, love or traditional art, which has nothing to do with politics, and the original translations are entirely dependent on Japanese translations. The content of the works is either daily life, love or traditional art, which has nothing to do with politics, and the original translations are entirely dependent on Japanese translations.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The fourth stage (1936-1945) was a dark period for the entire Korean Peninsula. In terms of translated literature, Japan has strengthened its control over public opinion and media by strengthening its policy of suppressing national language, The flood of Japanese books, coupled with the growing economic collapse on the Korean peninsula, has put pressure on the publishing industry and reduced the number of magazines, Access to foreign books has also been blocked, resulting in a huge blow to translation activities on the Korean Peninsula. This was the darkest period in the history of Translated literature on the Korean Peninsula. Although there were sporadic translations of Chinese literary works, they only catered to the political needs of the Japanese colonial government and chose some works that were irrelevant to politics and even covered up and beautified its militarist ambitions. In 1940, for example, Three Thousand Miles magazine ran a special collection of &amp;quot;New Chinese literature,&amp;quot;The content of the works is either daily life, love or traditional art, which has nothing to do with politics, and the original translations are entirely dependent on Japanese translations. The content of the works is either daily life, love or traditional art, which has nothing to do with politics, and the original translations are entirely dependent on Japanese translations. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Gan Lu, Luo Xianfeng 2019: 78-83)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the fifth stage (1945-1949), the Korean Peninsula was finally liberated from Japanese colonial rule. The country was in ruins and all walks of life seemed to be full of hope, but at the same time, it was in a sudden chaos. At this time, translation has gradually entered the recovery period. From the point of view of countries, the United States and the Soviet Union were the most translated works, which obviously reflected the political situation and ideology at that time. However, the translation and study of modern Chinese literature also ushered in a brief bright period. Many researchers from academic schools joined the ranks of translation, and the translation of their works also moved toward specialization and systematization, with the emergence of selected Modern Chinese Short Stories (1946), Short Stories of Lu Xun (1946), Selected Modern Chinese Poems (1947) and other individual editions. He even published the history of Modern Chinese Literature (1949), the first book of Chinese studies in Korea. Compared with the colonial period, translation at this time was no longer subject to many restrictions, and further got rid of the early enlightenment and utilitarian color in nature. It began to attempt to approach modern Chinese literary works from the perspective of aesthetics and pure literature and carried out systematic and professional research. Translators seem to want to make up for the many regrets of the colonial period and are eager to translate and study modern Chinese literature in an all-round way. Unfortunately, this boom came to an abrupt end after the outbreak of the war in 1950, and The cause of Chinese literary translation fell into recession again.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the fifth stage (1945-1949), the Korean Peninsula was finally liberated from Japanese colonial rule. The country was in ruins and all walks of life seemed to be full of hope, but at the same time, it was in a sudden chaos. At this time, translation has gradually entered the recovery period. From the point of view of countries, the United States and the Soviet Union were the most translated works, which obviously reflected the political situation and ideology at that time. However, the translation and study of modern Chinese literature also ushered in a brief bright period. Many researchers from academic schools joined the ranks of translation, and the translation of their works also moved toward specialization and systematization, with the emergence of selected Modern Chinese Short Stories (1946), Short Stories of Lu Xun (1946), Selected Modern Chinese Poems (1947) and other individual editions. He even published the history of Modern Chinese Literature (1949), the first book of Chinese studies in Korea. Compared with the colonial period, translation at this time was no longer subject to many restrictions, and further got rid of the early enlightenment and utilitarian color in nature. It began to attempt to approach modern Chinese literary works from the perspective of aesthetics and pure literature and carried out systematic and professional research. Translators seem to want to make up for the many regrets of the colonial period and are eager to translate and study modern Chinese literature in an all-round way. Unfortunately, this boom came to an abrupt end after the outbreak of the war in 1950, and The cause of Chinese literary translation fell into recession again.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133320&amp;oldid=prev</id>
		<title>Li Xinxing: /* 2. The origin and development of modern translation in both countries */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133320&amp;oldid=prev"/>
		<updated>2021-12-15T07:43:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;2. The origin and development of modern translation in both countries&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:43, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot; &gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After being opened to the outside world, western civilization flooded in. China and North Korea, which had been pursuing the policy of &amp;quot;closing the door to the outside world&amp;quot;, began to &amp;quot;open their eyes to the world&amp;quot;.From the government to the people, there has been an upsurge in the introduction of advanced Western civilization.Translation plays an important, even decisive role in this process.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After being opened to the outside world, western civilization flooded in. China and North Korea, which had been pursuing the policy of &amp;quot;closing the door to the outside world&amp;quot;, began to &amp;quot;open their eyes to the world&amp;quot;.From the government to the people, there has been an upsurge in the introduction of advanced Western civilization.Translation plays an important, even decisive role in this process.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.1The historical evolution of Modern Translation in China&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.1The historical evolution of Modern Translation in China&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As is known to all, Among the three East Asian countries, China is the first to pay attention to the West and understand and learn the West through translation.In the 1860s, after the Westernization Movement, a climax of modern Chinese translation began slowly.Strictly speaking, this translation period can be further divided into two stages, namely, with the Sino-Japanese War of 1894 as the dividing line, the early stage was the translation period dominated by westernization school, and the later stage was the translation period dominated by reformists.If the translation during the Westernization Movement was the primary stage of modern Western learning translation in China, there were still many problems, then the translation activities led by reformists such as Kang Youwei, Liang Qichao and Yan Fu had a greater development in terms of scale, significance and function.From the perspective of translation history, they set up translation institutes and translated western books widely(Especially those that had a great influence on Meiji Restoration in Japan.)Training translation talents, etc.Its scale, breadth of subjects, quantity and quality are unmatched by translation in the Westernization period.It should be noted that since the 1880s, China's interest in learning from the West has shifted from science to politics, education system and so on.In the late Qing Dynasty and early period, literary works gradually became the main object of translation activities.In the minds of the Vixinists represented by Liang Qichao, novels have become the most appropriate tool for political reform, popular enlightenment and the modernization of the country.Thus, beginning in the late 19th and early 20th centuries,Foreign literature has been widely translated into China, and communication channels include not only modern media such as newspapers and magazines, but also single-line books and large-scale translation literature series, which have also produced a series of arguments and discussions on translation methods and techniques.Modern Chinese translation has also entered a new period, that is, from the Ming and Qing period of scientific and technological translation as the mainstream gradually to culture / literature / literary translation as the core of the translation activities period.Overall, the translation of modern foreign literature in China from the end of the 19th century to the period 1949 can be broken down into the following three stages.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As is known to all, Among the three East Asian countries, China is the first to pay attention to the West and understand and learn the West through translation.In the 1860s, after the Westernization Movement, a climax of modern Chinese translation began slowly.Strictly speaking, this translation period can be further divided into two stages, namely, with the Sino-Japanese War of 1894 as the dividing line, the early stage was the translation period dominated by westernization school, and the later stage was the translation period dominated by reformists.If the translation during the Westernization Movement was the primary stage of modern Western learning translation in China, there were still many problems, then the translation activities led by reformists such as Kang Youwei, Liang Qichao and Yan Fu had a greater development in terms of scale, significance and function.From the perspective of translation history, they set up translation institutes and translated western books widely(Especially those that had a great influence on Meiji Restoration in Japan.)Training translation talents, etc.Its scale, breadth of subjects, quantity and quality are unmatched by translation in the Westernization period&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. (Wang Bingqin, Wang Jie,2004:31)&lt;/ins&gt;.It should be noted that since the 1880s, China's interest in learning from the West has shifted from science to politics, education system and so on.In the late Qing Dynasty and early period, literary works gradually became the main object of translation activities.In the minds of the Vixinists represented by Liang Qichao, novels have become the most appropriate tool for political reform, popular enlightenment and the modernization of the country.Thus, beginning in the late 19th and early 20th centuries,Foreign literature has been widely translated into China, and communication channels include not only modern media such as newspapers and magazines, but also single-line books and large-scale translation literature series, which have also produced a series of arguments and discussions on translation methods and techniques.Modern Chinese translation has also entered a new period, that is, from the Ming and Qing period of scientific and technological translation as the mainstream gradually to culture / literature / literary translation as the core of the translation activities period.Overall, the translation of modern foreign literature in China from the end of the 19th century to the period 1949 can be broken down into the following three stages. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Jin Bingzhe,1975:130-160)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first stage was from the late Qing Dynasty and the early Republic of China to the May 4th Movement in 1919.In December 1898, Liang Qichao translated The Japanese political novel The Adventure of The Beautiful Woman in Qingyi Daily. In 1900, Zhou translated one of the most influential works in Japanese political fiction, Yano Ryuki's &amp;quot;On The Classics of America&amp;quot;.Since then, many Japanese political novels have been translated and introduced to China.After a more concentrated translation of political novels, other genres, such as history, science and the popular detective novels, have also been introduced.After 1907, a variety of modern literary magazines sprang up, and a large number of translated novels were published in these magazines in serial form, among which the serialized translated novels in magazines such as &amp;quot;Novel Forest&amp;quot; and &amp;quot;New Novel Cluster&amp;quot; even occupied absolute space, forming the first climax of foreign novel translation.However, it should be emphasized that the translation of literary works in this period was still in the exploratory stage,Although there are a large number of works, there are problems in the selection of works, translation skills and strategies.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first stage was from the late Qing Dynasty and the early Republic of China to the May 4th Movement in 1919.In December 1898, Liang Qichao translated The Japanese political novel The Adventure of The Beautiful Woman in Qingyi Daily. In 1900, Zhou translated one of the most influential works in Japanese political fiction, Yano Ryuki's &amp;quot;On The Classics of America&amp;quot;.Since then, many Japanese political novels have been translated and introduced to China.After a more concentrated translation of political novels, other genres, such as history, science and the popular detective novels, have also been introduced.After 1907, a variety of modern literary magazines sprang up, and a large number of translated novels were published in these magazines in serial form, among which the serialized translated novels in magazines such as &amp;quot;Novel Forest&amp;quot; and &amp;quot;New Novel Cluster&amp;quot; even occupied absolute space, forming the first climax of foreign novel translation.However, it should be emphasized that the translation of literary works in this period was still in the exploratory stage,Although there are a large number of works, there are problems in the selection of works, translation skills and strategies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The second period is 1916 to 1936. This period can be further subdivided into the May Fourth Movement period and the Left Coalition Period.With the development of the New literature movement, Chinese literary translation has entered the most glorious period in the history of translation.Compared with the late Qing Dynasty, literary translation in this period was larger in scale, higher in quantity and quality, and its influence was unprecedented.It is worth emphasizing that almost all the heavyweights in the history of modern Chinese literature have participated in the translation and introduction.In addition to translation works, they also introduced various literary and artistic thoughts, and actively explored and discussed translation methods and theories.Especially with their active advocacy and hard work, The translation industry in China has been closely integrated with the struggle against imperialism and feudalism.It completely changed the chaotic and unprincipled state of translation circles before the May 4th Movement.In addition, it was from this time that China's translation of Soviet/Russian literature gradually reached its peak.It can be said that the mainstream of Chinese literature translation in the 1930s was Marxist literary trend of thought and progressive literature (especially Soviet/Russian literature).Of course, in addition to Russian/Soviet literature, this period has translated the literature of Britain, The United States, Japan, France, Germany and southeast Northern Europe and Asia.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The second period is 1916 to 1936. This period can be further subdivided into the May Fourth Movement period and the Left Coalition Period.With the development of the New literature movement, Chinese literary translation has entered the most glorious period in the history of translation.Compared with the late Qing Dynasty, literary translation in this period was larger in scale, higher in quantity and quality, and its influence was unprecedented.It is worth emphasizing that almost all the heavyweights in the history of modern Chinese literature have participated in the translation and introduction.In addition to translation works, they also introduced various literary and artistic thoughts, and actively explored and discussed translation methods and theories.Especially with their active advocacy and hard work, The translation industry in China has been closely integrated with the struggle against imperialism and feudalism.It completely changed the chaotic and unprincipled state of translation circles before the May 4th Movement.In addition, it was from this time that China's translation of Soviet/Russian literature gradually reached its peak.It can be said that the mainstream of Chinese literature translation in the 1930s was Marxist literary trend of thought and progressive literature (especially Soviet/Russian literature).Of course, in addition to Russian/Soviet literature, this period has translated the literature of Britain, The United States, Japan, France, Germany and southeast Northern Europe and Asia. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Jin Hezhe,2009:66)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The third period is from 1937 to 1949. After the war of Resistance against Japan broke out.The translation community, like the rest of the country, has concentrated all its efforts on the cause of saving the nation from extinction and striving for liberation.Therefore, the pace of development of Translation in China slowed down during this period.In spite of this, Chinese writers and translators have overcome various difficulties and translated and published many excellent foreign literary works.During this period, there was a wide range of translations, ranging from western European classical literature to war literature at that time, and even ancient Greek literature and Jewish literature.In terms of genres, there are novels, poems, plays, prose and even some academic works on literary history.A number of famous translators in the history of Chinese translation literature, such as Zhu Shenghao, Ge Baoquan, Fu Lei, Liang Shiqiu, Lin Yutang and so on, are active in literary translation.Of course, the biggest characteristic of this period was the translation of the Soviet Union and other countries anti-fascist war works, in particular, the establishment of the revolutionary translation group &amp;quot;Times Press&amp;quot;, published the revolutionary translation publication &amp;quot;Soviet Literature&amp;quot;, a large number of Soviet literary and artistic works.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The third period is from 1937 to 1949. After the war of Resistance against Japan broke out.The translation community, like the rest of the country, has concentrated all its efforts on the cause of saving the nation from extinction and striving for liberation.Therefore, the pace of development of Translation in China slowed down during this period.In spite of this, Chinese writers and translators have overcome various difficulties and translated and published many excellent foreign literary works.During this period, there was a wide range of translations, ranging from western European classical literature to war literature at that time, and even ancient Greek literature and Jewish literature.In terms of genres, there are novels, poems, plays, prose and even some academic works on literary history.A number of famous translators in the history of Chinese translation literature, such as Zhu Shenghao, Ge Baoquan, Fu Lei, Liang Shiqiu, Lin Yutang and so on, are active in literary translation.Of course, the biggest characteristic of this period was the translation of the Soviet Union and other countries anti-fascist war works, in particular, the establishment of the revolutionary translation group &amp;quot;Times Press&amp;quot;, published the revolutionary translation publication &amp;quot;Soviet Literature&amp;quot;, a large number of Soviet literary and artistic works.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133318&amp;oldid=prev</id>
		<title>Li Xinxing: /* 1.Introduction */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133318&amp;oldid=prev"/>
		<updated>2021-12-15T07:36:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;1.Introduction&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:36, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The spreading of Western learning to the east exerted an extensive and far-reaching influence on Eastern civilization.In the late 19th century to early 20th century,when the West had modernized and gradually replaced the East as the world's dominant power,the three East Asian countries (China,Japan and Korea),which had been sleeping for a long time, were gradually awakened and embarked on the &amp;quot;journey&amp;quot; of modernization. In order to attain prosperity, Japan left Asia and entered Europe, taking a series of measures to actively learn from the West and introduce advanced ideas and culture through the media of translation.Under the influence of such a univerasl situation, the translation of overseas literature in China and the Korean Peninsula had also set off a boom.It could be said that the influence of the eastward spreading of western learning on the modernization of East Asia began with translation as a means of cultural exchange.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The spreading of Western learning to the east exerted an extensive and far-reaching influence on Eastern civilization.In the late 19th century to early 20th century,when the West had modernized and gradually replaced the East as the world's dominant power,the three East Asian countries (China,Japan and Korea),which had been sleeping for a long time, were gradually awakened and embarked on the &amp;quot;journey&amp;quot; of modernization. In order to attain prosperity, Japan left Asia and entered Europe, taking a series of measures to actively learn from the West and introduce advanced ideas and culture through the media of translation.Under the influence of such a univerasl situation, the translation of overseas literature in China and the Korean Peninsula had also set off a boom.It could be said that the influence of the eastward spreading of western learning on the modernization of East Asia began with translation as a means of cultural exchange.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some scholars have pointed out that translation plays an important role in the process of modernization in East Asia represented by Japan.Without translation,East Asia would not have been able to open the door to modernization.This is also true in modern China and the Korean Peninsula.It can be said that after entering the modern society, the cultural exchanges between the two countries were continued through translation --&amp;quot;A history of translation is not only a history of cultural exchange, but also a history of the dissemination of ideas&amp;quot;.As we all know, the study of translation history is a &amp;quot;basic project&amp;quot; in the construction of translation discipline.Behrman, a famous translator and translation theorist, once pointed out that &amp;quot;the composition of translation history is the first task of modern translation theory, and self-reflection is the establishment of itself&amp;quot;.The history of literary translation is an important part of the study of translation history and an indispensable factor in the investigation of a country's literature and even the whole cultural background in a particular period.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some scholars have pointed out that translation plays an important role in the process of modernization in East Asia represented by Japan.Without translation,East Asia would not have been able to open the door to modernization.This is also true in modern China and the Korean Peninsula.It can be said that after entering the modern society, the cultural exchanges between the two countries were continued through translation --&amp;quot;A history of translation is not only a history of cultural exchange, but also a history of the dissemination of ideas&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.(Xu Duo,Xu Jun 2014:140)&lt;/ins&gt;.As we all know, the study of translation history is a &amp;quot;basic project&amp;quot; in the construction of translation discipline.Behrman, a famous translator and translation theorist, once pointed out that &amp;quot;the composition of translation history is the first task of modern translation theory, and self-reflection is the establishment of itself&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.(XuJun,Yuan Youyi,1998:128)&lt;/ins&gt;.The history of literary translation is an important part of the study of translation history and an indispensable factor in the investigation of a country's literature and even the whole cultural background in a particular period.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries from 1894 to 1949. Only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.--[[User:Liu Peiting|Liu Peiting]] ([[User talk:Liu Peiting|talk]]) 07:34, 11 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In view of the above analysis, the author believes that in order to have a macro and in-depth understanding of the cultural exchanges between China and Korea in modern times.It is necessary for us to make a comparative study of literary translation between the two countries from 1894 to 1949. Only by putting literary translation activities into a larger social and historical context can we have a clearer understanding of the translation practices of the two countries at that time.Therefore, from the perspective of translation history, this paper will explore the history of literary translation in China and Korea under the trend of western learning to the East, compare the commonness and individuality of the two countries' literary translation practices, explore the historical information behind the practices, and finally achieve the purpose of restoring the history of cultural (literary) exchanges between the two countries.--[[User:Liu Peiting|Liu Peiting]] ([[User talk:Liu Peiting|talk]]) 07:34, 11 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133309&amp;oldid=prev</id>
		<title>Li Xinxing: /* ==The situation of modern and contemporary Translation on the Korean Peninsula and the Influence of China */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133309&amp;oldid=prev"/>
		<updated>2021-12-15T07:29:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;==The situation of modern and contemporary Translation on the Korean Peninsula and the Influence of China&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:29, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot; &gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The third period is from 1937 to 1949. After the war of Resistance against Japan broke out.The translation community, like the rest of the country, has concentrated all its efforts on the cause of saving the nation from extinction and striving for liberation.Therefore, the pace of development of Translation in China slowed down during this period.In spite of this, Chinese writers and translators have overcome various difficulties and translated and published many excellent foreign literary works.During this period, there was a wide range of translations, ranging from western European classical literature to war literature at that time, and even ancient Greek literature and Jewish literature.In terms of genres, there are novels, poems, plays, prose and even some academic works on literary history.A number of famous translators in the history of Chinese translation literature, such as Zhu Shenghao, Ge Baoquan, Fu Lei, Liang Shiqiu, Lin Yutang and so on, are active in literary translation.Of course, the biggest characteristic of this period was the translation of the Soviet Union and other countries anti-fascist war works, in particular, the establishment of the revolutionary translation group &amp;quot;Times Press&amp;quot;, published the revolutionary translation publication &amp;quot;Soviet Literature&amp;quot;, a large number of Soviet literary and artistic works.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The third period is from 1937 to 1949. After the war of Resistance against Japan broke out.The translation community, like the rest of the country, has concentrated all its efforts on the cause of saving the nation from extinction and striving for liberation.Therefore, the pace of development of Translation in China slowed down during this period.In spite of this, Chinese writers and translators have overcome various difficulties and translated and published many excellent foreign literary works.During this period, there was a wide range of translations, ranging from western European classical literature to war literature at that time, and even ancient Greek literature and Jewish literature.In terms of genres, there are novels, poems, plays, prose and even some academic works on literary history.A number of famous translators in the history of Chinese translation literature, such as Zhu Shenghao, Ge Baoquan, Fu Lei, Liang Shiqiu, Lin Yutang and so on, are active in literary translation.Of course, the biggest characteristic of this period was the translation of the Soviet Union and other countries anti-fascist war works, in particular, the establishment of the revolutionary translation group &amp;quot;Times Press&amp;quot;, published the revolutionary translation publication &amp;quot;Soviet Literature&amp;quot;, a large number of Soviet literary and artistic works.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====The situation of modern and contemporary Translation on the Korean Peninsula and the Influence of China&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====The situation of modern and contemporary Translation on the Korean Peninsula and the Influence of China&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the end of the 19th century, western civilization began to flow into East Asia on a large scale, and Korea was further plunged into the situation of internal troubles and foreign aggression. Faced with the complicated situation at home and abroad, the enlightened intellectuals of Korea further realized that translating Western books was an important task at that time. As early as 1886, The &amp;quot;Seoul Weekly&amp;quot; published by Powen Bureau had a column specially emphasizing the importance of translation, and proposed to establish a special translation agency to translate foreign books. And six years later, another important newspaper of the day 《Huangcheng News 》also commented, stressing that translation is an important means to enrich the country and strengthen the army and realize modern civilization. We call for the establishment of specialized translation institutions under the guidance of the government &amp;quot;to strengthen the guidance and management of translation. On behalf of this, not only all kinds of news media actively propagated, but also some intellectuals at that time called for the realization of civilization and the prosperity of the country and the strength of the army by translating overseas literature and learning advanced western experience. As a result, the Korean Peninsula at that time set off a boom in the translation of overseas works, especially literary works. Of course, as in China, one of the preconditions for translating Western books in the Korean Peninsula was the development of modern media, which provided a platform for the dissemination of written works at that time. After the 1895-1895 revolution, modern schools were established one after another, and special language schools were set up, which played a positive role in understanding overseas and spreading Western culture, and reserved talents for the translation and introduction of foreign literature.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the end of the 19th century, western civilization began to flow into East Asia on a large scale, and Korea was further plunged into the situation of internal troubles and foreign aggression. Faced with the complicated situation at home and abroad, the enlightened intellectuals of Korea further realized that translating Western books was an important task at that time. As early as 1886, The &amp;quot;Seoul Weekly&amp;quot; published by Powen Bureau had a column specially emphasizing the importance of translation, and proposed to establish a special translation agency to translate foreign books. And six years later, another important newspaper of the day 《Huangcheng News 》also commented, stressing that translation is an important means to enrich the country and strengthen the army and realize modern civilization. We call for the establishment of specialized translation institutions under the guidance of the government &amp;quot;to strengthen the guidance and management of translation. On behalf of this, not only all kinds of news media actively propagated, but also some intellectuals at that time called for the realization of civilization and the prosperity of the country and the strength of the army by translating overseas literature and learning advanced western experience. As a result, the Korean Peninsula at that time set off a boom in the translation of overseas works, especially literary works. Of course, as in China, one of the preconditions for translating Western books in the Korean Peninsula was the development of modern media, which provided a platform for the dissemination of written works at that time. After the 1895-1895 revolution, modern schools were established one after another, and special language schools were set up, which played a positive role in understanding overseas and spreading Western culture, and reserved talents for the translation and introduction of foreign literature.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Generally speaking, the history of translation of foreign works on the Korean Peninsula from 1895 to 1949 can be divided into the following five stages: Patriotic enlightenment period (1895-1910), translation literature awakening period (1911-1919), translation into the proper period (1920-1935), dark Period (1936-1945), Regeneration period (1945 ~1949). We can refer to Kim Byung-chul's Studies on the History of Modern Korean Translation Literature, the earliest and only work on the history of modern Korean Translation literature. However, it is worth noting that Kim Byung-chul's pioneering work has carefully combed and studied the translation history of modern Korean literature from both macro and micro perspectives. However, there is no introduction to the translation of Chinese and Japanese literature. In fact, in the whole modern and modern period, although the communication between China and South Korea seems not as active and close as that in ancient times, the spiritual, political and cultural ties that have connected the two countries for thousands of years have not disappeared overnight. This point can be seen from the early stage of The History of Korean translated literature with China as the medium of translation activities and the late continuous translation of Modern Chinese literature.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Generally speaking, the history of translation of foreign works on the Korean Peninsula from 1895 to 1949 can be divided into the following five stages: Patriotic enlightenment period (1895-1910), translation literature awakening period (1911-1919), translation into the proper period (1920-1935), dark Period (1936-1945), Regeneration period (1945 ~1949). We can refer to Kim Byung-chul's Studies on the History of Modern Korean Translation Literature, the earliest and only work on the history of modern Korean Translation literature. However, it is worth noting that Kim Byung-chul's pioneering work has carefully combed and studied the translation history of modern Korean literature from both macro and micro perspectives. However, there is no introduction to the translation of Chinese and Japanese literature. In fact, in the whole modern and modern period, although the communication between China and South Korea seems not as active and close as that in ancient times, the spiritual, political and cultural ties that have connected the two countries for thousands of years have not disappeared overnight. This point can be seen from the early stage of The History of Korean translated literature with China as the medium of translation activities and the late continuous translation of Modern Chinese literature.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133308&amp;oldid=prev</id>
		<title>Li Xinxing: /* 2.1The historical evolution of Modern Translation in China */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133308&amp;oldid=prev"/>
		<updated>2021-12-15T07:28:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;2.1The historical evolution of Modern Translation in China&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:28, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot; &gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==2. The origin and development of modern translation in both countries ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==2. The origin and development of modern translation in both countries ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After being opened to the outside world, western civilization flooded in. China and North Korea, which had been pursuing the policy of &amp;quot;closing the door to the outside world&amp;quot;, began to &amp;quot;open their eyes to the world&amp;quot;.From the government to the people, there has been an upsurge in the introduction of advanced Western civilization.Translation plays an important, even decisive role in this process.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After being opened to the outside world, western civilization flooded in. China and North Korea, which had been pursuing the policy of &amp;quot;closing the door to the outside world&amp;quot;, began to &amp;quot;open their eyes to the world&amp;quot;.From the government to the people, there has been an upsurge in the introduction of advanced Western civilization.Translation plays an important, even decisive role in this process.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;====&lt;/del&gt;2.1The historical evolution of Modern Translation in China&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;====&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.1The historical evolution of Modern Translation in China&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As is known to all, Among the three East Asian countries, China is the first to pay attention to the West and understand and learn the West through translation.In the 1860s, after the Westernization Movement, a climax of modern Chinese translation began slowly.Strictly speaking, this translation period can be further divided into two stages, namely, with the Sino-Japanese War of 1894 as the dividing line, the early stage was the translation period dominated by westernization school, and the later stage was the translation period dominated by reformists.If the translation during the Westernization Movement was the primary stage of modern Western learning translation in China, there were still many problems, then the translation activities led by reformists such as Kang Youwei, Liang Qichao and Yan Fu had a greater development in terms of scale, significance and function.From the perspective of translation history, they set up translation institutes and translated western books widely(Especially those that had a great influence on Meiji Restoration in Japan.)Training translation talents, etc.Its scale, breadth of subjects, quantity and quality are unmatched by translation in the Westernization period.It should be noted that since the 1880s, China's interest in learning from the West has shifted from science to politics, education system and so on.In the late Qing Dynasty and early period, literary works gradually became the main object of translation activities.In the minds of the Vixinists represented by Liang Qichao, novels have become the most appropriate tool for political reform, popular enlightenment and the modernization of the country.Thus, beginning in the late 19th and early 20th centuries,Foreign literature has been widely translated into China, and communication channels include not only modern media such as newspapers and magazines, but also single-line books and large-scale translation literature series, which have also produced a series of arguments and discussions on translation methods and techniques.Modern Chinese translation has also entered a new period, that is, from the Ming and Qing period of scientific and technological translation as the mainstream gradually to culture / literature / literary translation as the core of the translation activities period.Overall, the translation of modern foreign literature in China from the end of the 19th century to the period 1949 can be broken down into the following three stages.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As is known to all, Among the three East Asian countries, China is the first to pay attention to the West and understand and learn the West through translation.In the 1860s, after the Westernization Movement, a climax of modern Chinese translation began slowly.Strictly speaking, this translation period can be further divided into two stages, namely, with the Sino-Japanese War of 1894 as the dividing line, the early stage was the translation period dominated by westernization school, and the later stage was the translation period dominated by reformists.If the translation during the Westernization Movement was the primary stage of modern Western learning translation in China, there were still many problems, then the translation activities led by reformists such as Kang Youwei, Liang Qichao and Yan Fu had a greater development in terms of scale, significance and function.From the perspective of translation history, they set up translation institutes and translated western books widely(Especially those that had a great influence on Meiji Restoration in Japan.)Training translation talents, etc.Its scale, breadth of subjects, quantity and quality are unmatched by translation in the Westernization period.It should be noted that since the 1880s, China's interest in learning from the West has shifted from science to politics, education system and so on.In the late Qing Dynasty and early period, literary works gradually became the main object of translation activities.In the minds of the Vixinists represented by Liang Qichao, novels have become the most appropriate tool for political reform, popular enlightenment and the modernization of the country.Thus, beginning in the late 19th and early 20th centuries,Foreign literature has been widely translated into China, and communication channels include not only modern media such as newspapers and magazines, but also single-line books and large-scale translation literature series, which have also produced a series of arguments and discussions on translation methods and techniques.Modern Chinese translation has also entered a new period, that is, from the Ming and Qing period of scientific and technological translation as the mainstream gradually to culture / literature / literary translation as the core of the translation activities period.Overall, the translation of modern foreign literature in China from the end of the 19th century to the period 1949 can be broken down into the following three stages.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first stage was from the late Qing Dynasty and the early Republic of China to the May 4th Movement in 1919.In December 1898, Liang Qichao translated The Japanese political novel The Adventure of The Beautiful Woman in Qingyi Daily. In 1900, Zhou translated one of the most influential works in Japanese political fiction, Yano Ryuki's &amp;quot;On The Classics of America&amp;quot;.Since then, many Japanese political novels have been translated and introduced to China.After a more concentrated translation of political novels, other genres, such as history, science and the popular detective novels, have also been introduced.After 1907, a variety of modern literary magazines sprang up, and a large number of translated novels were published in these magazines in serial form, among which the serialized translated novels in magazines such as &amp;quot;Novel Forest&amp;quot; and &amp;quot;New Novel Cluster&amp;quot; even occupied absolute space, forming the first climax of foreign novel translation.However, it should be emphasized that the translation of literary works in this period was still in the exploratory stage,Although there are a large number of works, there are problems in the selection of works, translation skills and strategies.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first stage was from the late Qing Dynasty and the early Republic of China to the May 4th Movement in 1919.In December 1898, Liang Qichao translated The Japanese political novel The Adventure of The Beautiful Woman in Qingyi Daily. In 1900, Zhou translated one of the most influential works in Japanese political fiction, Yano Ryuki's &amp;quot;On The Classics of America&amp;quot;.Since then, many Japanese political novels have been translated and introduced to China.After a more concentrated translation of political novels, other genres, such as history, science and the popular detective novels, have also been introduced.After 1907, a variety of modern literary magazines sprang up, and a large number of translated novels were published in these magazines in serial form, among which the serialized translated novels in magazines such as &amp;quot;Novel Forest&amp;quot; and &amp;quot;New Novel Cluster&amp;quot; even occupied absolute space, forming the first climax of foreign novel translation.However, it should be emphasized that the translation of literary works in this period was still in the exploratory stage,Although there are a large number of works, there are problems in the selection of works, translation skills and strategies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133307&amp;oldid=prev</id>
		<title>Li Xinxing: /* References */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133307&amp;oldid=prev"/>
		<updated>2021-12-15T07:26:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:26, 15 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot; &gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*金秉哲[韩]: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《韩国近代翻译文学史研究》，首尔&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;乙酉文化社，1975。130-160页&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Jin Bingzhe &lt;/ins&gt;金秉哲[韩]: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;韩国近代翻译文学史研究A study on the history of Modern Korean translation literature，首尔&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;乙酉文化社，Seoul: Eulyou Culture Society,(1975)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*金鹤哲: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《1949 年以前韩国文学汉译和意识形态因素》，《中国比较文学》2009 年第 4 期，第 66 页。&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Jin Hezhe &lt;/ins&gt;金鹤哲: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1949 年以前韩国文学汉译和意识形态因素Chinese Translation of Korean Literature before 1949 and Ideological Factors，中国比较文学Chinese comparative literature,(2009) &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*金旭东[韩]: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《翻译与韩国的近代》，首尔&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;小明出版社，2010，第25~28页。&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Jin Xundong &lt;/ins&gt;金旭东[韩]: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;翻译与韩国的近代Translation and Modern Korea，首尔: 小明出版社，Seoul&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Xiaoming Press,(2010)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*王秉钦、王颉: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《20世纪中国翻译思想史》，南开大学出版社，2004，第31页。&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Wang Bingqin &lt;/ins&gt;王秉钦、王颉: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;20世纪中国翻译思想史History of Chinese translation thoughts in the 20th century，南开大学出版社，Nankai University Press,(2004)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*许钧: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《面向中西交流的翻译史研究》，《解放军外国语学院学报》2014 年第 5 期，第 140 页。&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Xu Jun &lt;/ins&gt;许钧: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;面向中西交流的翻译史研究，Translation history for Sino-Western communication,解放军外国语学院学报Journal of PLA Foreign Languages Institute,(2014)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*许钧、袁筱一编著 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《当代法国翻译理论》，南京大学出版社，1998，第 128 页。&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Xu Jun,Yuan Youyi &lt;/ins&gt;许钧、袁筱一编著 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;,当代法国翻译理论Contemporary French translation theory，南京大学出版社，Nanjing University Press, (1998)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*朱一凡: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;《翻译与现代汉语的变迁 &lt;/del&gt;( 1905 ~ 1936) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;》，外语教学与研究出版社，2011，第 72 页。&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Zhu Yifan &lt;/ins&gt;朱一凡: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;翻译与现代汉语的变迁 ( 1905 ~ 1936) Translation and the Changes of Modern Chinese &lt;/ins&gt;(1905 ~ 1936)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;，外语教学与研究出版社，Foreign Language Teaching and Research Press, (2011)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Li Xinxing</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133289&amp;oldid=prev</id>
		<title>Yang Ye at 07:13, 15 December 2021</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=133289&amp;oldid=prev"/>
		<updated>2021-12-15T07:13:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;amp;diff=133289&amp;amp;oldid=125638&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Yang Ye</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=125638&amp;oldid=prev</id>
		<title>Root: Created page with &quot;'''History of Translations'''  Overview Page of History of Translation  30 Chapters（0/30)  Hist_Trans_EN_1 Hist_Trans_EN_2 Hist_Trans_E...&quot;</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Hist_Trans_EN_7&amp;diff=125638&amp;oldid=prev"/>
		<updated>2021-11-04T14:49:47Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;History of Translations&amp;#039;&amp;#039;&amp;#039;  &lt;a href=&quot;/u/wiki/History_of_Translations&quot; title=&quot;History of Translations&quot;&gt;Overview Page of History of Translation&lt;/a&gt;  30 Chapters（0/30)  &lt;a href=&quot;/u/wiki/Hist_Trans_EN_1&quot; title=&quot;Hist Trans EN 1&quot;&gt;Hist_Trans_EN_1&lt;/a&gt; &lt;a href=&quot;/u/wiki/Hist_Trans_EN_2&quot; title=&quot;Hist Trans EN 2&quot;&gt;Hist_Trans_EN_2&lt;/a&gt; Hist_Trans_E...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;'''History of Translations'''&lt;br /&gt;
&lt;br /&gt;
[[History_of_Translations|Overview Page of History of Translation]]&lt;br /&gt;
&lt;br /&gt;
30 Chapters（0/30)&lt;br /&gt;
&lt;br /&gt;
[[Hist_Trans_EN_1]] [[Hist_Trans_EN_2]] [[Hist_Trans_EN_3]] [[Hist_Trans_EN_4]] [[Hist_Trans_EN_5]] [[Hist_Trans_EN_6]] [[Hist_Trans_EN_7]] [[Hist_Trans_EN_8]] [[Hist_Trans_EN_9]] [[Hist_Trans_EN_10]] [[Hist_Trans_EN_11]] [[Hist_Trans_EN_12]] [[Hist_Trans_EN_13]] [[Hist_Trans_EN_14]] [[Hist_Trans_EN_15]] [[Hist_Trans_EN_16]] [[Hist_Trans_EN_17]] [[Hist_Trans_EN_18]] [[Hist_Trans_EN_19]] [[Hist_Trans_EN_20]] [[Hist_Trans_EN_21]] [[Hist_Trans_EN_22]] [[Hist_Trans_EN_23]] [[Hist_Trans_EN_24]] [[Hist_Trans_EN_25]] [[Hist_Trans_EN_26]] [[Hist_Trans_EN_27]] [[Hist_Trans_EN_28]] [[Hist_Trans_EN_29]] [[Hist_Trans_EN_30]] ...&lt;br /&gt;
&lt;br /&gt;
[[Book_projects|Back to translation project overview]] [[DCG-To-Do|Zur To-Do-Liste]]&lt;/div&gt;</summary>
		<author><name>Root</name></author>
	</entry>
</feed>