Literary Societies - Revision history

Alchemist1330: /* Chuangzuo She */

2012-04-19T07:14:21Z

Chuangzuo She

Alchemist1330: /* References */

2012-04-19T07:01:31Z

References

Delon Lier: /* Chuangzuo She */

2012-04-19T06:36:54Z

Chuangzuo She

Delon Lier: /* Wenxue Yanjiu Hui */

2012-04-19T06:36:06Z

Wenxue Yanjiu Hui

Delon Lier: /* Wenxue Yanjiu Hui */

2012-04-19T06:35:41Z

Wenxue Yanjiu Hui

Delon Lier: /* Wenxue Yanjiu Hui */

2012-04-19T06:34:59Z

Wenxue Yanjiu Hui

Delon Lier: /* Early to Middle Qing */

2012-04-19T06:13:41Z

Early to Middle Qing

Delon Lier: /* Jiangxi School */

2012-04-19T06:13:26Z

Jiangxi School

Delon Lier: /* Wenxue Yanjiu Hui */

2012-04-19T06:04:40Z

Wenxue Yanjiu Hui

Delon Lier: /* Early to Middle Qing */

2012-04-19T05:03:45Z

Early to Middle Qing

@@ Line 136: / Line 136: @@
 *"Zenyang de jianshe geming wenxue" (Li Chuli)  <br>
 *"Introduction to Sorrows" (Guo Moruo)
 ==References and PowerPoint==

@@ Line 138: / Line 138: @@
   <br>
-==References==
+==References and PowerPoint==
 http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm <br>
 http://en.cnki.com.cn/Article_en/CJFDTOTAL-SHDS200902006.htm <br>

@@ Line 122: / Line 122: @@
 Members: Guo Moruo, Yu Dafu, Cheng Fangwu, Zhang Ziping, Tian Han, Feng Yuanjun <br>
 Journals: <br>
-Chuangzuo jikan (1922-25) and Chuangzuo zhoubao  <br>
+*Chuangzuo jikan (1922-25) and Chuangzuo zhoubao  <br>
-Chuangzuo yuekan and Hongshui  <br>
+*Chuangzuo yuekan and Hongshui  <br>
-Wenhua pipan  <br>
+*Wenhua pipan  <br>
 Tenets: <br>
-romanticism (against naturalism)  <br>
+*romanticism (against naturalism)  <br>
-aestheticism (perfection in beauty)  <br>
+*aestheticism (perfection in beauty)  <br>
-self-expression: "Our isms, our ideologies are not the same. Niether do we insist they should be the same. The view that we all share is that we should follow the demands from the bottom of the heart and get on with our activities in literature and art" ("Afterword," Chuangzao jikan 1, 2)  <br>
+*self-expression: "Our isms, our ideologies are not the same. Niether do we insist they should be the same. The view that we all share is that we should follow *the demands from the bottom of the heart and get on with our activities in literature and art" ("Afterword," Chuangzao jikan 1, 2)  <br>
-source of literature in inspiration and genius <br>
+*source of literature in inspiration and genius <br>
-Radicalization of society after 1925 (May 30 Movement)  <br>
+*Radicalization of society after 1925 (May 30 Movement)  <br>
 Important theoretical articles: <br>
-"Cong wenxue geming dao geming wenxue" (Cheng Fangwu)  <br>
+*"Cong wenxue geming dao geming wenxue" (Cheng Fangwu)  <br>
-"Xin wenxue de shiming" (Cheng Fangwu) <br>
+*"Xin wenxue de shiming" (Cheng Fangwu) <br>
-"Zenyang de jianshe geming wenxue" (Li Chuli)  <br>
+*"Zenyang de jianshe geming wenxue" (Li Chuli)  <br>
-"Introduction to Sorrows" (Guo Moruo)
+*"Introduction to Sorrows" (Guo Moruo)
   <br>

@@ Line 112: / Line 112: @@
 translation series, creative writing series, humor series, drama series <br>
 Tenets:<br>
-literature as exposition of real life (not of dao) <br>
+*literature as exposition of real life (not of dao) <br>
-opposed view of literature as a diversion for pleasure <br>
+*opposed view of literature as a diversion for pleasure <br>
-concern with social rather than personal problems <br>
+*concern with social rather than personal problems <br>
-opposed notion of inspiration as source of lit. <br>
+*opposed notion of inspiration as source of lit. <br>
-art for life's sake (realism)<br>
+*art for life's sake (realism)<br>
 ===Chuangzuo She===

@@ Line 104: / Line 104: @@
 Members: Mao Dun, Zheng Zhenduo, Xu Dishan, Wang Tongzhao, Ye Shaojun, Geng Jizhi, Zhou Zuoren, Sun Fuyuan, Guo Shaoyu, Huang Luyin, Bing Xin<br>
 Goals: translations of progressive Western Lit. scientific research of traditional Chinese lit. foster cooperation in literary studies and facilitate the dissemination of knowledge from West and knowledge gained through literary endeavour<br>
-Journals<br>
+Journals: <br>
-Xiaoshuo yuebao (Shanghai: Commercial Press)<br>
+*Xiaoshuo yuebao (Shanghai: Commercial Press)<br>
-manifesto written by Zhou Zuoren,<br>
+*manifesto written by Zhou Zuoren,<br>
-Wenxue xunkan<br>
+*Wenxue xunkan<br>
-Shi yuekan (Poetry monthly, 1922-)<br>
+*Shi yuekan (Poetry monthly, 1922-)<br>
 Publication Series <br>
 translation series, creative writing series, humor series, drama series <br>

@@ Line 46: / Line 46: @@
 ==Early to Middle Qing==
-[[File:Banana.png|thumb|right| Qian Fenglun most Prominet member of the Banana Garden Poetry Club [10] ]]
+[[File:Banana.png|thumb|right| Qian Fenglun most Prominet member of the Banana Garden Poetry Club ]]
 ===Banana Garden Poetry Club===

@@ Line 41: / Line 41: @@
 ===Jiangxi School===
-[[File:Huang.png|thumb|left| The 4 Books and 5 Classics [10] ]]
+[[File:Huang.png|thumb|left| Huang Tingjian Caligraphy ]]
 The Jiangxi School was associated with the followers of Huang Tingjian.
 Huang Tingjian (Chinese: 黄庭堅) (1045–1105) was a Chinese artist. He is predominantly known as a calligrapher, but was also admired for his painting and poetry. He was one of the Four masters of the Song Dynasty, and was a student of Su Shi at his school of literati painting.Huang is generally regarded as the finest and most creative calligrapher of the Song Dynasty.