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Lu Xun Complete Works/en/xingfu jiating - Revision history
2026-05-20T01:18:59Z
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Admin: Redirect to uppercase: Xingfu_jiating
2026-04-12T09:44:18Z
<p>Redirect to uppercase: Xingfu_jiating</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:44, 12 April 2026</td>
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<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"><div style="background-color: </del>#<del class="diffchange diffchange-inline">003399; color: white; padding: 12px 15px; margin: 0 0 20px 0; border-radius: 4px; font-size: 1.1em;"></del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#<ins class="diffchange diffchange-inline">REDIRECT </ins>[[Lu_Xun_Complete_Works/en/<ins class="diffchange diffchange-inline">Xingfu_jiating</ins>]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"><span style="font-weight: bold;">Language:</span> [[Lu_Xun_Complete_Works/zh/xingfu_jiating|<span style="color: #FFD700;">ZH</span>]] · <span style="color: #FFD700; font-weight: bold;">EN</span> · [[Lu_Xun_Complete_Works/de/xingfu_jiating|<span style="color: #FFD700;">DE</span>]] · [[Lu_Xun_Complete_Works/fr/xingfu_jiating|<span style="color: #FFD700;">FR</span>]] · [[Lu_Xun_Complete_Works/es/xingfu_jiating|<span style="color: #FFD700;">ES</span>]] · [[Lu_Xun_Complete_Works/it/xingfu_jiating|<span style="color: #FFD700;">IT</span>]] · [[Lu_Xun_Complete_Works/ru/xingfu_jiating|<span style="color: #FFD700;">RU</span>]] · [[Lu_Xun_Complete_Works/ar/xingfu_jiating|<span style="color: #FFD700;">AR</span>]] · [[Lu_Xun_Complete_Works/hi/xingfu_jiating|<span style="color: #FFD700;">HI</span>]] · [[Lu_Xun_Complete_Works/zh-en/xingfu_jiating|<span style="color: #FFD700;">ZH-EN</span>]] · [[Lu_Xun_Complete_Works/zh-de/xingfu_jiating|<span style="color: #FFD700;">ZH-DE</span>]] · [[Lu_Xun_Complete_Works/zh-fr/xingfu_jiating|<span style="color: #FFD700;">ZH-FR</span>]] · [[Lu_Xun_Complete_Works/zh-es/xingfu_jiating|<span style="color: #FFD700;">ZH-ES</span>]] · [[Lu_Xun_Complete_Works/zh-it/xingfu_jiating|<span style="color: #FFD700;">ZH-IT</span>]] · [[Lu_Xun_Complete_Works/zh-ru/xingfu_jiating|<span style="color: #FFD700;">ZH-RU</span>]] · [[Lu_Xun_Complete_Works/zh-ar/xingfu_jiating|<span style="color: #FFD700;">ZH-AR</span>]] · [[Lu_Xun_Complete_Works/zh-hi/xingfu_jiating|<span style="color: #FFD700;">ZH-HI</span>]] · [[Lu_Xun_Complete_Works|<span style="color: #FFD700;">← Contents</span>]]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"></div></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">= The Happy Family =</del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">----</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">[What Happens After Nora Leaves? -- Lecture of December 26, 1923, at the Beijing Women's Higher Normal School]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">I wish to speak today about 'What happens after Nora leaves?'</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Ibsen was a Norwegian writer of the second half of the nineteenth century. His plays often dealt with social questions. 'Nora' (A Doll's House) is about a woman who realizes she is her husband's puppet -- and leaves.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">After leaving, there are really only two paths: degradation or return. For a small bird released from a cage finds outside eagles, cats, and the like.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">The most painful moment in life is waking without a way forward. Dreaming is happiness; if one sees no path, one should not wake the dreamer.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">For Nora, what she needs above all is money -- or to put it more elegantly: economic independence. Freedom cannot be bought with money, but can be sold for money.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Dreams are good; otherwise, money is important.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">[On poetry and its enemies -- from Plato to the literary revolution. Summary.]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Plato's hostility to art rejected poetry as imitation of imitation. Aristotle's Poetics liberated literature. The literary revolution brought no real change for poetry; it lies dying. Love poems are frowned upon. But whoever writes for his beloved need not be abashed before old gentlemen. We should not try to make nightingales happy; like flowers, they are reproductive organs.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Patrons of literature are also its enemies. Charles IX said: Poets are like racehorses -- feed them well, but not too fat. Petofi's poem to Mrs. B.Sz. says the same.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Correspondence on translation questions -- Liao Zhongqian's reply and Fuyuan's commentary on Gorky/Wilde translation practice. 'Gorky's surname is not Gao.' Discussion on translating foreign names into Chinese.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Preface to the catalogue of Tao Yuanqing's Western painting exhibition (February 1925). Reply to Mr. Ke: On the selection of recommended books. Commentary: Chinese books contain corpse-optimism; foreign books, even when decadent, show living decadence.</del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Rebuttal to the preceding text: Chinese books also show living decadence -- commentary on Confucianism, Mohism, Daoism, and Yang Zhu's philosophy. The critic argues that Laozi and Zhuangzi possess an active spirit.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Literary correspondence: On the 'Qinxin' pseudonym (= Ouyang Lan). Magazine Mangyuan. Letters from Xiang Peiliang in Kaifeng about student life. Report on alleged assault of soldiers against female students -- proved false.</del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Further correspondence: Zhao Yintang from Beijing doubts the Iron Tower incident. Investigation results: The Iron Pagoda was sealed off (Evidence A), female students denied the incident (Evidence B). Yet some continued to believe the rumor.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Concluding reflection: On 'Doing is easy, thinking is hard' (Goethe). Letter from Baibo in Shanghai: On the back-to-nature mentality. Lu Xun's commentary on headmistress Yang Yinyu and her methods against rebellious female students.</del></div></td><td colspan="2"> </td></tr>
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Admin
https://bou.de/u/index.php?title=Lu_Xun_Complete_Works/en/xingfu_jiating&diff=174189&oldid=prev
Maintenance script at 22:29, 9 April 2026
2026-04-09T22:29:48Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:29, 9 April 2026</td>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:50, 9 April 2026</td>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 06:30, 8 April 2026</td>
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<p><b>New page</b></p><div>= The Happy Family =<br />
'''幸福的家庭''' von/by/par Lu Xun (鲁迅)<br />
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[What Happens After Nora Leaves? -- Lecture of December 26, 1923, at the Beijing Women's Higher Normal School]<br />
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I wish to speak today about 'What happens after Nora leaves?'<br />
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Ibsen was a Norwegian writer of the second half of the nineteenth century. His plays often dealt with social questions. 'Nora' (A Doll's House) is about a woman who realizes she is her husband's puppet -- and leaves.<br />
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After leaving, there are really only two paths: degradation or return. For a small bird released from a cage finds outside eagles, cats, and the like.<br />
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The most painful moment in life is waking without a way forward. Dreaming is happiness; if one sees no path, one should not wake the dreamer.<br />
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For Nora, what she needs above all is money -- or to put it more elegantly: economic independence. Freedom cannot be bought with money, but can be sold for money.<br />
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Dreams are good; otherwise, money is important.<br />
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[On poetry and its enemies -- from Plato to the literary revolution. Summary.]<br />
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Plato's hostility to art rejected poetry as imitation of imitation. Aristotle's Poetics liberated literature. The literary revolution brought no real change for poetry; it lies dying. Love poems are frowned upon. But whoever writes for his beloved need not be abashed before old gentlemen. We should not try to make nightingales happy; like flowers, they are reproductive organs.<br />
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Patrons of literature are also its enemies. Charles IX said: Poets are like racehorses -- feed them well, but not too fat. Petofi's poem to Mrs. B.Sz. says the same.<br />
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Correspondence on translation questions -- Liao Zhongqian's reply and Fuyuan's commentary on Gorky/Wilde translation practice. 'Gorky's surname is not Gao.' Discussion on translating foreign names into Chinese.<br />
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Preface to the catalogue of Tao Yuanqing's Western painting exhibition (February 1925). Reply to Mr. Ke: On the selection of recommended books. Commentary: Chinese books contain corpse-optimism; foreign books, even when decadent, show living decadence.<br />
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Rebuttal to the preceding text: Chinese books also show living decadence -- commentary on Confucianism, Mohism, Daoism, and Yang Zhu's philosophy. The critic argues that Laozi and Zhuangzi possess an active spirit.<br />
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Literary correspondence: On the 'Qinxin' pseudonym (= Ouyang Lan). Magazine Mangyuan. Letters from Xiang Peiliang in Kaifeng about student life. Report on alleged assault of soldiers against female students -- proved false.<br />
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Further correspondence: Zhao Yintang from Beijing doubts the Iron Tower incident. Investigation results: The Iron Pagoda was sealed off (Evidence A), female students denied the incident (Evidence B). Yet some continued to believe the rumor.<br />
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Concluding reflection: On 'Doing is easy, thinking is hard' (Goethe). Letter from Baibo in Shanghai: On the back-to-nature mentality. Lu Xun's commentary on headmistress Yang Yinyu and her methods against rebellious female students.<br />
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[[Lu_Xun_Complete_Works/en|Zurueck zur Uebersicht / Back to overview / Retour]]</div>
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