<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://bou.de/u/index.php?action=history&amp;feed=atom&amp;title=Lu_Xun_Complete_Works%2Fen%2Fxingfu_jiating</id>
	<title>Lu Xun Complete Works/en/xingfu jiating - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://bou.de/u/index.php?action=history&amp;feed=atom&amp;title=Lu_Xun_Complete_Works%2Fen%2Fxingfu_jiating"/>
	<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Lu_Xun_Complete_Works/en/xingfu_jiating&amp;action=history"/>
	<updated>2026-04-04T22:25:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>https://bou.de/u/index.php?title=Lu_Xun_Complete_Works/en/xingfu_jiating&amp;diff=172515&amp;oldid=prev</id>
		<title>Maintenance script at 06:39, 27 March 2026</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Lu_Xun_Complete_Works/en/xingfu_jiating&amp;diff=172515&amp;oldid=prev"/>
		<updated>2026-03-27T06:39:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;= The Happy Family =&lt;br /&gt;
'''幸福的家庭''' von/by/par Lu Xun (鲁迅)&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
[What Happens After Nora Leaves? -- Lecture of December 26, 1923, at the Beijing Women's Higher Normal School]&lt;br /&gt;
&lt;br /&gt;
I wish to speak today about 'What happens after Nora leaves?'&lt;br /&gt;
&lt;br /&gt;
Ibsen was a Norwegian writer of the second half of the nineteenth century. His plays often dealt with social questions. 'Nora' (A Doll's House) is about a woman who realizes she is her husband's puppet -- and leaves.&lt;br /&gt;
&lt;br /&gt;
After leaving, there are really only two paths: degradation or return. For a small bird released from a cage finds outside eagles, cats, and the like.&lt;br /&gt;
&lt;br /&gt;
The most painful moment in life is waking without a way forward. Dreaming is happiness; if one sees no path, one should not wake the dreamer.&lt;br /&gt;
&lt;br /&gt;
For Nora, what she needs above all is money -- or to put it more elegantly: economic independence. Freedom cannot be bought with money, but can be sold for money.&lt;br /&gt;
&lt;br /&gt;
Dreams are good; otherwise, money is important.&lt;br /&gt;
&lt;br /&gt;
[On poetry and its enemies -- from Plato to the literary revolution. Summary.]&lt;br /&gt;
&lt;br /&gt;
Plato's hostility to art rejected poetry as imitation of imitation. Aristotle's Poetics liberated literature. The literary revolution brought no real change for poetry; it lies dying. Love poems are frowned upon. But whoever writes for his beloved need not be abashed before old gentlemen. We should not try to make nightingales happy; like flowers, they are reproductive organs.&lt;br /&gt;
&lt;br /&gt;
Patrons of literature are also its enemies. Charles IX said: Poets are like racehorses -- feed them well, but not too fat. Petofi's poem to Mrs. B.Sz. says the same.&lt;br /&gt;
&lt;br /&gt;
Correspondence on translation questions -- Liao Zhongqian's reply and Fuyuan's commentary on Gorky/Wilde translation practice. 'Gorky's surname is not Gao.' Discussion on translating foreign names into Chinese.&lt;br /&gt;
&lt;br /&gt;
Preface to the catalogue of Tao Yuanqing's Western painting exhibition (February 1925). Reply to Mr. Ke: On the selection of recommended books. Commentary: Chinese books contain corpse-optimism; foreign books, even when decadent, show living decadence.&lt;br /&gt;
&lt;br /&gt;
Rebuttal to the preceding text: Chinese books also show living decadence -- commentary on Confucianism, Mohism, Daoism, and Yang Zhu's philosophy. The critic argues that Laozi and Zhuangzi possess an active spirit.&lt;br /&gt;
&lt;br /&gt;
Literary correspondence: On the 'Qinxin' pseudonym (= Ouyang Lan). Magazine Mangyuan. Letters from Xiang Peiliang in Kaifeng about student life. Report on alleged assault of soldiers against female students -- proved false.&lt;br /&gt;
&lt;br /&gt;
Further correspondence: Zhao Yintang from Beijing doubts the Iron Tower incident. Investigation results: The Iron Pagoda was sealed off (Evidence A), female students denied the incident (Evidence B). Yet some continued to believe the rumor.&lt;br /&gt;
&lt;br /&gt;
Concluding reflection: On 'Doing is easy, thinking is hard' (Goethe). Letter from Baibo in Shanghai: On the back-to-nature mentality. Lu Xun's commentary on headmistress Yang Yinyu and her methods against rebellious female students.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
[[Lu_Xun_Complete_Works/en|Zurueck zur Uebersicht / Back to overview / Retour]]&lt;/div&gt;</summary>
		<author><name>Maintenance script</name></author>
	</entry>
</feed>