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言語: [[Lu_Xun_Complete_Works/zh/Jiwaiji|ZH]] · [[Lu_Xun_Complete_Works/en/Jiwaiji|EN]] · [[Lu_Xun_Complete_Works/de/Jiwaiji|DE]] · [[Lu_Xun_Complete_Works/fr/Jiwaiji|FR]] · [[Lu_Xun_Complete_Works/es/Jiwaiji|ES]] · [[Lu_Xun_Complete_Works/it/Jiwaiji|IT]] · [[Lu_Xun_Complete_Works/ru/Jiwaiji|RU]] · [[Lu_Xun_Complete_Works/ar/Jiwaiji|AR]] · [[Lu_Xun_Complete_Works/hi/Jiwaiji|HI]] · JA 
対訳: [[Lu_Xun_Complete_Works/zh-en/Jiwaiji|ZH-EN]] · [[Lu_Xun_Complete_Works/zh-de/Jiwaiji|ZH-DE]] · [[Lu_Xun_Complete_Works/zh-fr/Jiwaiji|ZH-FR]] · [[Lu_Xun_Complete_Works/zh-es/Jiwaiji|ZH-ES]] · [[Lu_Xun_Complete_Works/zh-it/Jiwaiji|ZH-IT]] · [[Lu_Xun_Complete_Works/zh-ru/Jiwaiji|ZH-RU]] · [[Lu_Xun_Complete_Works/zh-ar/Jiwaiji|ZH-AR]] · [[Lu_Xun_Complete_Works/zh-hi/Jiwaiji|ZH-HI]] · [[Lu_Xun_Complete_Works/zh-ja/Jiwaiji|ZH-JA]] · [[Lu_Xun_Complete_Works|← 目次]]
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= 集外集 (集外集) =

'''魯迅 (ルーシュン, 1881–1936)'''

中国語からの日本語翻訳。

----
=== 第1節 ===

"Editor's Note"

In October 1936, Lu Xun passed away in Shanghai. The Lu Xun Memorial Committee, chaired by Cai Yuanpei, spent nearly two years to "expand the influence of Lu Xun's spirit, awaken the national soul, and strive for light," publishing the first edition of "The Complete Works of Lu Xun" in June 1938. The editorial committee included Cai Yuanpei, Ma Yuzao, Shen Jianshi, Mao Dun, and Zhou Zuoren.

The master table of contents was based on the catalogue of writings personally determined by Lu Xun during his lifetime, with the addition of a translations section. The content is roughly divided into three parts: original works, collation of classical texts, and translations, arranged essentially in chronological order.

The complete set totals over six million characters, published in twenty volumes of approximately equal length.

The present edition of "The Complete Works of Lu Xun" was edited based on the 1938 edition, with every effort made to preserve the original during the editorial process.

----
=== 第2節 ===

"Reminiscences" (Zhou Chuo)

Before our house stands a paulownia tree, perhaps thirty feet tall. Each year it bears fruit like a sky full of stars. The children throw stones to knock down the seeds, and the stones often fly into my study window, sometimes striking my desk directly. The moment a stone enters, my teacher — Old Baldy — rushes out to scold them. The tree's leaves are a good foot in diameter; wilted by the summer heat during the day, they revive in the night air like a person opening his palm. Our household gatekeeper, old Wang, sometimes fetches water to cool the ground, or takes a broken chair and holds his pipe, chatting with old Mrs. Li about old stories. Sometimes, when the moon has set and the stars of Shen hang at the horizon, one can see only the glowing ember in his pipe, yet they chat on still.

While those people took their evening cool, Old Baldy was teaching me the art of parallel couplets. He gave me "red flower" as a theme. I answered with "blue paulownia." He waved dismissively: the tones don't match, and sent me away. I was nine years old then and did not know what tones were — and Old Baldy did not explain either.

----
=== 第3節 ===

"Ah! Teacher! Next time I shall apply myself..." A wave that mirrors the previous text and is indispensable.

"Ah! What is it? A dream?... Your nightmare has disturbed my sleep too... A dream? What dream?" Old Mrs. Li hurried to my bed and patted my back several times.

"Just a dream... it was nothing... What did the old lady dream?"

"Dreamed of the Long Hairs... Tomorrow I'll tell you about it, it's nearly midnight now, sleep, sleep."

Where there is something concrete, one can exert effort; where it is abstract, one cannot. Yet if the first step is not wrong, natural talent is something everyone possesses — no difficult matter. I have seen young people who could barely hold a brush yet already discoursed on style and rhetoric, inevitably producing pages full of patchwork quotations, utterly worthless. One should urgently administer such texts as medicine to them. (Postscript by Jiaomu)

(The emphasis marks and marginal notes in the text are...

[[Category:Lu Xun]]
[[Category:Japanese Translations]]

@@ Line 6: / Line 6: @@
 = 集外集 (集外集) =
-'''魯迅 (ルーシュン, 1881–1936)'''
+'''魯��� (ルーシュン, 1881-1936)'''
 中国語からの日本語翻訳。
@@ Line 15: / Line 15: @@
 【出版説明】
 一九三六年十月、魯迅先生は上海にて逝去した。蔡元培を主席とする魯迅先生紀念委員会は、「魯迅精神の影響を拡大し、国魂を喚起し、光明を求める」ために、二年近くを費やし、一九三八年六月に『魯迅全集』（第一版）を編集出版した。編集委員には蔡元培、馬裕藻、沈兼士、茅盾、周作人の諸先生が名を連ねた。
@@ Line 29: / Line 27: @@
 【集外集拾遺】
 【懐旧　周　逴】
 わが家の門外に青桐が一株あり、高さ三十尺ばかり、毎年の実は繁星のごとし。童子ら石を投げて桐の実を落とすに、しばしば書斎の窓に飛び込み、時にわが机上をまともに打つ。一石入るや、わが師・禿先生はたちまち走り出でてこれを叱る。桐の葉は径一尺余りにも達し、夏日の微かな萎えを受けども、夜気を得て蘇り、人がその掌を開くがごとし。家の門番の王翁は、時に水を汲みて地に注ぎ暑熱を去り、あるいは壊れた机椅子に腰かけ、煙管を持ちて李媼と語り合う。毎夜、月落ち参星横たわるころ、ようやく煙管の中に一点の火星を見るのみにて、なお話は止まず。
@@ Line 139: / Line 131: @@
 雨はますます強くなり、窓の前の芭蕉の大きな葉を打って、蟹が砂を這うかのようだった。（事物の描写、細に入る。）予は枕の上にてこれを聴き、しだいに聞こえなくなった。（三字経。もし眠りに落ちたと書けば、まさに鈍漢なり。）
 === 第2節 ===
 【懐旧　周　逴】
 わが家の門外に青桐が一株あり、高さ三十尺ばかり、毎年の実は繁星のごとし。童子ら石を投げて桐の実を落とすに、しばしば書斎の窓に飛び込み、時にわが机上をまともに打つ。一石入るや、わが師・禿先生はたちまち走り出でてこれを叱る。桐の葉は径一尺余りにも達し、夏日の微かな萎えを受けども、夜気を得て蘇り、人がその掌を開くがごとし。家の門番の王翁は、時に水を汲みて地に注ぎ暑熱を去り、あるいは壊れた机椅子に腰かけ、煙管を持ちて李媼と語り合う。毎夜、月落ち参星横たわるころ、ようやく煙管の中に一点の火星を見るのみにて、なお話は止まず。
@@ Line 249: / Line 237: @@
 雨はますます強くなり、窓の前の芭蕉の大きな葉を打って、蟹が砂を這うかのようだった。（事物の描写、細に入る。）予は枕の上にてこれを聴き、しだいに聞こえなくなった。（三字経。もし眠りに落ちたと書けば、まさに鈍漢なり。）
 === 第3節 ===
@@ Line 260: / Line 247: @@
 「長毛の夢よ……明日お前に話してやろう。もう夜半だ、お眠り、お眠り」
 実なる処には力を致すべく、空なる処には力を致しがたし。されど初歩を誤らざれば、霊機は人の固有するところ、難事にあらず。かつて青年の才子が筆を執るを解すやいなや、たちまち詞章を講じ、ついには紙面いっぱいの飾り物となり、取るべき所なきを見たり。すべからくこの等の文字をもってこれを療すべし。（焦木附志）
 （文中の傍点および批語は、『小説月報』掲載時に惲鉄樵先生が付したものと思われる。ここにそのまま旧に従い、当時の雑誌編集の体例を示す。――編者。）