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	<id>https://bou.de/u/index.php?action=history&amp;feed=atom&amp;title=Theor_App_Lit_EN_1</id>
	<title>Theor App Lit EN 1 - Revision history</title>
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	<updated>2026-04-05T13:57:31Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=134505&amp;oldid=prev</id>
		<title>Zhou Qiao1: /* Theoretical Framework */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=134505&amp;oldid=prev"/>
		<updated>2021-12-29T05:45:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Theoretical Framework&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:45, 29 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l59&quot; &gt;Line 59:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 59:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:01, 16 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:01, 16 December 2021 (UTC)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Theoretical &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Framework&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Theoretical &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Foundation&lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translation theory guides translation practice as a whole or from a macro perspective. Some translation theories are directly connected with translation practice. In addition, the theory can also be used to guide the criticism and appreciation of the translation. Through the analysis and evaluation of the Chinese versions, we can explore the deep-seated reasons and promote the development of translation practice, which also reflects the promotion of translation theory to practice to some extent. In recent years, more and more scholars have tried to discuss the practical value of shift theory in English-Chinese translation and achieved some results. This paper attempts to use the Translation Shifts Theory to explore the guiding role of shift theory in English-Chinese translation practice through the analysis and study of ''beloved'''s translation strategies.(Catford, 1965: 85)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translation theory guides translation practice as a whole or from a macro perspective. Some translation theories are directly connected with translation practice. In addition, the theory can also be used to guide the criticism and appreciation of the translation. Through the analysis and evaluation of the Chinese versions, we can explore the deep-seated reasons and promote the development of translation practice, which also reflects the promotion of translation theory to practice to some extent. In recent years, more and more scholars have tried to discuss the practical value of shift theory in English-Chinese translation and achieved some results. This paper attempts to use the Translation Shifts Theory to explore the guiding role of shift theory in English-Chinese translation practice through the analysis and study of ''beloved'''s translation strategies.(Catford, 1965: 85)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhou Qiao1</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133894&amp;oldid=prev</id>
		<title>Fu Hongyan: /* Major Findings of the Study */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133894&amp;oldid=prev"/>
		<updated>2021-12-16T07:35:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Major Findings of the Study&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:35, 16 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l333&quot; &gt;Line 333:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 333:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Secondly, the translation of literary novels is the most difficult among different texts. Because the language of literary works is more visualized, and more rhetorical figures are used to express complex emotions. For translators, translating literary novels should not only accurately convey the information of the article, but also express the author's complex feelings.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Secondly, the translation of literary novels is the most difficult among different texts. Because the language of literary works is more visualized, and more rhetorical figures are used to express complex emotions. For translators, translating literary novels should not only accurately convey the information of the article, but also express the author's complex feelings.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Secondly, the translation of literary novels is the most difficult among different genres. Because the language of literary works is more visualized, and more rhetorical figures are used to express complex emotions. For translators, translating literary novels should not only accurately convey the information of the article, but also express the author's complex feelings.--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:35, 16 December 2021 (UTC)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====Limitations of the Study====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====Limitations of the Study====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fu Hongyan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133893&amp;oldid=prev</id>
		<title>Fu Hongyan: /* Structure Shifts */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133893&amp;oldid=prev"/>
		<updated>2021-12-16T07:23:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Structure Shifts&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:23, 16 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l163&quot; &gt;Line 163:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 163:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In E-C translation, considering the factors of sentence structure and expression focus, sometimes in the process of translation, the translator needs to make corresponding structural changes, such as changing sentence structure and adjusting word order. Structural shifts are divided into (1) shifts between positive expression and negative expression; and (2) shifts between active expression and passive expression.(Maojingjing, 2015:145-146)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In E-C translation, considering the factors of sentence structure and expression focus, sometimes in the process of translation, the translator needs to make corresponding structural changes, such as changing sentence structure and adjusting word order. Structural shifts are divided into (1) shifts between positive expression and negative expression; and (2) shifts between active expression and passive expression.(Maojingjing, 2015:145-146)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In E-C translation, considering the factors of sentence structure and expression focus, sometimes in the process of translation, the translator needs to make corresponding structural changes, such as changing sentence structure and adjusting word order. Structural shifts are divided into (1) shifts between positive voice and negative voice; and (2) shifts between active expression and passive expression.(Maojingjing, 2015:145-146)--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:23, 16 December 2021 (UTC) The difference between two points is a little confusing. Maybe they both mean positive and negative voive? Or something else. It's better if proveiding a more clear explanation.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''4.2.1.1 Shifts from Active Voice to Passive Voice'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''4.2.1.1 Shifts from Active Voice to Passive Voice'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fu Hongyan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133887&amp;oldid=prev</id>
		<title>Fu Hongyan: /* Theoretical Framework */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133887&amp;oldid=prev"/>
		<updated>2021-12-16T07:09:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Theoretical Framework&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:09, 16 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l89&quot; &gt;Line 89:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 89:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In China, the study of translation methods and strategies has been for decades, but few basic studies have been carried out from the lexical, syntactic, and semantic levels to the specific changes or transformations in the process of translation. After consulting a large number of papers on the Internet, the author finds that literary translation practice is mostly guided by Functionalist Translation Theory, Domestication and Foreignization, Communicative Translation Theory and other theories because these theories are analyzable and can be applied to various types of texts. However, Catford's Translation Shift Theory focuses on the transformation below the sentence level, without considering the translation shift of paragraphs and texts. However, the author chooses the works of Beloved, written by African American writers. Under the background of the melting pot of culture, African American writers are faced with the difficulties of identity authentication, and the helplessness and necessity of identity reconstruction. In order to reflect this personal emotion and retain the original text as much as possible and achieve translation equivalence between the source and target languages, there must be a shift between translation because of the dramatic differences between English and Chinese. The most systematic theory of translation shift is Catford's theory. This paper capitalizes on Catford's Translation Shift Theory to make an analysis of the English Chinese translation in the novel Beloved, to verify the effectiveness of Catford's Translation Shift Theory in guiding English Chinese translation practice, and further carry forward translation practice-related research in the future. (Mao Jingjing，2015:145-146)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In China, the study of translation methods and strategies has been for decades, but few basic studies have been carried out from the lexical, syntactic, and semantic levels to the specific changes or transformations in the process of translation. After consulting a large number of papers on the Internet, the author finds that literary translation practice is mostly guided by Functionalist Translation Theory, Domestication and Foreignization, Communicative Translation Theory and other theories because these theories are analyzable and can be applied to various types of texts. However, Catford's Translation Shift Theory focuses on the transformation below the sentence level, without considering the translation shift of paragraphs and texts. However, the author chooses the works of Beloved, written by African American writers. Under the background of the melting pot of culture, African American writers are faced with the difficulties of identity authentication, and the helplessness and necessity of identity reconstruction. In order to reflect this personal emotion and retain the original text as much as possible and achieve translation equivalence between the source and target languages, there must be a shift between translation because of the dramatic differences between English and Chinese. The most systematic theory of translation shift is Catford's theory. This paper capitalizes on Catford's Translation Shift Theory to make an analysis of the English Chinese translation in the novel Beloved, to verify the effectiveness of Catford's Translation Shift Theory in guiding English Chinese translation practice, and further carry forward translation practice-related research in the future. (Mao Jingjing，2015:145-146)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In China, the study of translation methods and strategies has been a long history for decades, but few basic studies have been carried out from the lexical, syntactic, and semantic levels to the specific changes or transformations in the process of translation. After consulting a large number of papers on the Internet, the author finds that literary translation practice is mostly guided by Functionalist Translation Theory, Domestication and Foreignization, Communicative Translation Theory and other theories because these theories are analyzable and can be applied to various types of texts. However, Catford's Translation Shift Theory focuses on the transformation below the sentence level, without considering the translation shift of paragraphs and texts. However, the author chooses the works of Beloved, written by African American writers. Under the background of the melting pot of culture, African American writers are faced with the difficulties of identity authentication, and the helplessness and necessity of identity reconstruction. In order to reflect this personal emotion and retain the original text as much as possible and achieve translation equivalence between the source and target languages, there must be a shift between translation because of the dramatic differences between English and Chinese. The most systematic theory of translation shift is Catford's theory. This paper capitalizes on Catford's Translation Shift Theory to make an analysis of the English Chinese translation in the novel Beloved, to verify the effectiveness of Catford's Translation Shift Theory in guiding English Chinese translation practice, and further carry forward translation practice-related research in the future. (Mao Jingjing，2015:145-146)--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:09, 16 December 2021 (UTC)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Catford's Translation Shift Theory is of practical value. His work is the first attempt to expound translation in a general sense. Previously, translation textbooks only touched on some empirical principles and methods. Catford describes a number of translation concepts in a systematic and detailed manner and sets objective criteria for subjective judgment of some previous concepts. Catford also illustrates why it is reasonable to realize translation transformation and equivalence, and points out that the concept of equivalence occupies a central position in translation studies. Equivalence does not mean the complete reproduction of the original language content and information, nor the blind pursuit of &amp;quot;formal equivalence&amp;quot;, but &amp;quot;textual equivalence&amp;quot;. His comprehensive classification of all kinds of conversions reasonably explains the actual conversions in the process of C-E and E-C translation. Therefore, Catford's Translation Shift Theory is used to analyze the grammatical, syntactic, and semantic levels in this paper.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Catford's Translation Shift Theory is of practical value. His work is the first attempt to expound translation in a general sense. Previously, translation textbooks only touched on some empirical principles and methods. Catford describes a number of translation concepts in a systematic and detailed manner and sets objective criteria for subjective judgment of some previous concepts. Catford also illustrates why it is reasonable to realize translation transformation and equivalence, and points out that the concept of equivalence occupies a central position in translation studies. Equivalence does not mean the complete reproduction of the original language content and information, nor the blind pursuit of &amp;quot;formal equivalence&amp;quot;, but &amp;quot;textual equivalence&amp;quot;. His comprehensive classification of all kinds of conversions reasonably explains the actual conversions in the process of C-E and E-C translation. Therefore, Catford's Translation Shift Theory is used to analyze the grammatical, syntactic, and semantic levels in this paper.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fu Hongyan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133884&amp;oldid=prev</id>
		<title>Fu Hongyan: /* Introduction to Beloved */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133884&amp;oldid=prev"/>
		<updated>2021-12-16T07:01:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Introduction to Beloved&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:01, 16 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot; &gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====Linguistic Characteristics====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====Linguistic Characteristics====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The selected text used for this report is the literary novel &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;Beloved&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;and its Chinese Translation by Pan Yue and Lei Ge. This part introduces the linguistic characteristics of the source text from lexis, syntax and discourse specifically. (Pan Yue &amp;amp; Lei Ge. 1996:3-342)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The selected text used for this report is the literary novel Beloved and its Chinese Translation by Pan Yue and Lei Ge. This part introduces the linguistic characteristics of the source text from lexis, syntax and discourse specifically. (Pan Yue &amp;amp; Lei Ge. 1996:3-342)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Language features are determined by the specific group, culture, and context. ''Beloved'', written by an African American Writer who has a totally different writing style from normal American writers. The excerpted text has the following linguistic characteristics:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Language features are determined by the specific group, culture, and context. ''Beloved'', written by an African American Writer who has a totally different writing style from normal American writers. The excerpted text has the following linguistic characteristics:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the first place, regarding lexis, many words in the novel are common, but the collocation and usage of these words are not. The words used are exaggerated and humorous, involving a large number of slang words, close to life.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the first place, regarding lexis, many words in the novel are common, but the collocation and usage of these words are not. The words used are exaggerated and humorous, involving a large number of slang words, close to life.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Language features are determined by the specific social group, culture, and context. ''Beloved'', written by an African American Writer who has a totally different writing style from traditional American writers. The excerpted text has the following linguistic characteristics:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the first place, regarding lexis, many words in the novel are common, but the collocation and usage of these words are not. The words used are humorous, opposite to the common daily language, involving a large number of slang words, close to life.--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:01, 16 December 2021 (UTC)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Secondly, in terms of syntax, The structure is not rigorous and standard. The omission of be verbs is one of the most prominent features of black English. In addition, double negation is also a common phenomenon, which has obvious characteristics of black English sentence patterns.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Secondly, in terms of syntax, The structure is not rigorous and standard. The omission of be verbs is one of the most prominent features of black English. In addition, double negation is also a common phenomenon, which has obvious characteristics of black English sentence patterns.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l51&quot; &gt;Line 51:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 55:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More specifically, one of the most typical linguistic characteristics of this novel is black English. Black English is a kind of informal language that in novels can reveal different images and reveal the special culture of black English. Therefore, some words and phrases in this novel have their own slang meaning, making the characters rich and vivid.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More specifically, one of the most typical linguistic characteristics of this novel is black English. Black English is a kind of informal language that in novels can reveal different images and reveal the special culture of black English. Therefore, some words and phrases in this novel have their own slang meaning, making the characters rich and vivid.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;More specifically, one of the most typical linguistic characteristics of this novel is Black English. Black English is a kind of informal language that in novels can reveal different images and the peculiar culture of black English. Therefore, some words and phrases in this novel have their own slang meaning, making the characters rich and vivid.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 07:01, 16 December 2021 (UTC)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Theoretical Framework===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Theoretical Framework===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fu Hongyan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133882&amp;oldid=prev</id>
		<title>Fu Hongyan: /* Introduction */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=133882&amp;oldid=prev"/>
		<updated>2021-12-16T06:52:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Introduction&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:52, 16 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In order to have a better understanding of ''Beloved'' and Translation Shifts Theory, the author study the Chinese translation of ''Beloved'' from the perspective of Catford’s Translation Shifts Theory. The appearance of Catford’s Translation Shift theory can be traced back to 1950s. Instead of talking about formal equivalence, Catford’s theory stresses meaning transmission. It is the typical reflection of the principle that form is not as important as content. The theory, devoted to two aspects, namely level shifts and category shifts, is becoming one of the most practical and influential theories in the studies about translation shifts. Correspondingly, the author writing this report will probe into the utilization of the translation shifts theory which Catford initiated, particularly, the category shifts in the studying.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In order to have a better understanding of ''Beloved'' and Translation Shifts Theory, the author study the Chinese translation of ''Beloved'' from the perspective of Catford’s Translation Shifts Theory. The appearance of Catford’s Translation Shift theory can be traced back to 1950s. Instead of talking about formal equivalence, Catford’s theory stresses meaning transmission. It is the typical reflection of the principle that form is not as important as content. The theory, devoted to two aspects, namely level shifts and category shifts, is becoming one of the most practical and influential theories in the studies about translation shifts. Correspondingly, the author writing this report will probe into the utilization of the translation shifts theory which Catford initiated, particularly, the category shifts in the studying.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In order to have a better understanding of ''Beloved'' and Translation Shifts Theory, the author studies the Chinese translation of ''Beloved'' from the perspective of Catford’s Translation Shifts Theory. The appearance of Catford’s Translation Shift theory can be traced back to 1950s. Instead of talking about formal equivalence, Catford’s theory stresses meaning transmission. It is the typical reflection of the principle that form is not as important as content. The theory, devoted to two aspects, namely level shifts and category shifts, is becoming one of the most practical and influential theories in the studies about translation shifts. Correspondingly, the author writing this report will probe into the utilization of the translation shifts theory which Catford initiated, particularly, the category shifts in the studying. --[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 06:52, 16 December 2021 (UTC)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The report is structured as follows: the first part is the introduction of information about the source text, the guidance theory of the translation work and the report outline, followed by the second part which focuses on the linguistic features of ''Beloved''. As for the third part, there provides a theory introduction, namely, Catford’s Translation Shifts Theory which covers level shifts and category shifts. The fourth part is the case analysis of ''Beloved'' from the perspectives of this theory. Finally, the report ends with a conclusion, in which the whole report and several deficiencies are briefly reviewed.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The report is structured as follows: the first part is the introduction of information about the source text, the guidance theory of the translation work and the report outline, followed by the second part which focuses on the linguistic features of ''Beloved''. As for the third part, there provides a theory introduction, namely, Catford’s Translation Shifts Theory which covers level shifts and category shifts. The fourth part is the case analysis of ''Beloved'' from the perspectives of this theory. Finally, the report ends with a conclusion, in which the whole report and several deficiencies are briefly reviewed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The report is structured as following: the first part is the introduction of information about the source text, the guidance theory of the translation work and the report outline, followed by the second part which focuses on the linguistic features of ''Beloved''. As for the third part, there provides a theory introduction, namely, Catford’s Translation Shifts Theory which covers level shifts and category shifts. The fourth part is the case analysis of ''Beloved'' from the perspectives of this theory. Finally, the report ends with a conclusion, in which the whole report and several deficiencies are briefly reviewed.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;--[[User:Fu Hongyan|Fu Hongyan]] ([[User talk:Fu Hongyan|talk]]) 06:52, 16 December 2021 (UTC)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Introduction to ''Beloved''===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Introduction to ''Beloved''===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fu Hongyan</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=132842&amp;oldid=prev</id>
		<title>Zhou Qiao1: /* Structure Shifts */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=132842&amp;oldid=prev"/>
		<updated>2021-12-14T06:49:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Structure Shifts&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:49, 14 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l148&quot; &gt;Line 148:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 148:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=====Structure Shifts=====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=====Structure Shifts=====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In E-C translation, considering the factors of sentence structure and expression focus, sometimes in the process of translation, the translator needs to make corresponding structural changes, such as changing sentence structure and adjusting word order. Structural shifts are divided into (1) shifts between positive expression and negative expression; and (2) shifts between active expression and passive expression.(Maojingjing, 2015&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;145-146)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In E-C translation, considering the factors of sentence structure and expression focus, sometimes in the process of translation, the translator needs to make corresponding structural changes, such as changing sentence structure and adjusting word order. Structural shifts are divided into (1) shifts between positive expression and negative expression; and (2) shifts between active expression and passive expression.(Maojingjing, 2015&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;145-146)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''4.2.1.1 Shifts from Active Voice to Passive Voice'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''4.2.1.1 Shifts from Active Voice to Passive Voice'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhou Qiao1</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=132838&amp;oldid=prev</id>
		<title>Zhou Qiao1: /* Theoretical Framework */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=132838&amp;oldid=prev"/>
		<updated>2021-12-14T06:48:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Theoretical Framework&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:48, 14 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot; &gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Theoretical Framework===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Theoretical Framework===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translation theory guides translation practice as a whole or from a macro perspective. Some translation theories are directly connected with translation practice. In addition, the theory can also be used to guide the criticism and appreciation of the translation. Through the analysis and evaluation of the Chinese versions, we can explore the deep-seated reasons and promote the development of translation practice, which also reflects the promotion of translation theory to practice to some extent. In recent years, more and more scholars have tried to discuss the practical value of shift theory in English-Chinese translation and achieved some results. This paper attempts to use the Translation Shifts Theory to explore the guiding role of shift theory in English-Chinese translation practice through the analysis and study of ''beloved'''s translation strategies.(Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;85)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translation theory guides translation practice as a whole or from a macro perspective. Some translation theories are directly connected with translation practice. In addition, the theory can also be used to guide the criticism and appreciation of the translation. Through the analysis and evaluation of the Chinese versions, we can explore the deep-seated reasons and promote the development of translation practice, which also reflects the promotion of translation theory to practice to some extent. In recent years, more and more scholars have tried to discuss the practical value of shift theory in English-Chinese translation and achieved some results. This paper attempts to use the Translation Shifts Theory to explore the guiding role of shift theory in English-Chinese translation practice through the analysis and study of ''beloved'''s translation strategies.(Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;85)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====About Catford’s Shifts Theory====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====About Catford’s Shifts Theory====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1950s, there has been a tendency for the integration of linguistic methods with translation in such aspects as translation analysis and translation phenomenon classification, based on which many concrete classification methods have been raised. The concept of transformation can be traced back to comparative stylistics of French and English: A Methodology for Translation which was published in 1958 by two Canadian scholars: Jean Darbelnet and Jean Paul Vinay. According to them, among the seven translation techniques and two translation strategies, the &amp;quot;transposition&amp;quot; technique is the rudiment of translation transformation. In this regard, it is the basis for the theory of translation transformation. (Vinay, 1958, 46)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1950s, there has been a tendency for the integration of linguistic methods with translation in such aspects as translation analysis and translation phenomenon classification, based on which many concrete classification methods have been raised. The concept of transformation can be traced back to comparative stylistics of French and English: A Methodology for Translation which was published in 1958 by two Canadian scholars: Jean Darbelnet and Jean Paul Vinay. According to them, among the seven translation techniques and two translation strategies, the &amp;quot;transposition&amp;quot; technique is the rudiment of translation transformation. In this regard, it is the basis for the theory of translation transformation. (Vinay, 1958,&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;46)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;J. C. Catford is a famous British translation theorist. He interprets translation from the perspective of modern linguistics and defines translation as &amp;quot;replacing the text material of another language with that of a different language&amp;quot; (Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;10)He regards the pursuit of equivalence as the central issue of translation research and practice, and makes a descriptive study of different language levels of translation. In A Linguistic Theory of Translation published in 1965, he defined the concept of conversion as a deviation from formal correspondence during the conversion between the source and target languages. He also said that &amp;quot;content is more important than form&amp;quot; (Mu Lei, 1990, 37-42). In fact, Catford borrows the concepts of category and level that were put forward by Halliday (Halliday, 2005&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;33-36), then he categorized translation shift as Level Shifts and Category Shifts, offering guidance from a different viewpoint for translation to translator. (Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;10), (Mu Lei, 1990&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;37-42), (Halliday, 2005&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;33-36)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;J. C. Catford is a famous British translation theorist. He interprets translation from the perspective of modern linguistics and defines translation as &amp;quot;replacing the text material of another language with that of a different language&amp;quot; (Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;10)He regards the pursuit of equivalence as the central issue of translation research and practice, and makes a descriptive study of different language levels of translation. In A Linguistic Theory of Translation published in 1965, he defined the concept of conversion as a deviation from formal correspondence during the conversion between the source and target languages. He also said that &amp;quot;content is more important than form&amp;quot; (Mu Lei, 1990,&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;37-42). In fact, Catford borrows the concepts of category and level that were put forward by Halliday (Halliday, 2005&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;33-36), then he categorized translation shift as Level Shifts and Category Shifts, offering guidance from a different viewpoint for translation to translator. (Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;10), (Mu Lei, 1990&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;37-42), (Halliday, 2005&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;33-36)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=====Introduction to Level Shifts=====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=====Introduction to Level Shifts=====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Catford, there are four possible levels in language: (i) grammatical level, (ii) lexical level, (iii) morphological level and (iv) phonetic level. By a shift of level, we mean that a SL item at one linguistic level has a TL translation equivalent at a different level. The level shifts are embodied in the mutual transformation of grammar and vocabulary. So it can be said that a level shift would be something that can be expressed by grammar in one language and lexis in another.(Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;74)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Catford, there are four possible levels in language: (i) grammatical level, (ii) lexical level, (iii) morphological level and (iv) phonetic level. By a shift of level, we mean that a SL item at one linguistic level has a TL translation equivalent at a different level. The level shifts are embodied in the mutual transformation of grammar and vocabulary. So it can be said that a level shift would be something that can be expressed by grammar in one language and lexis in another.(Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;74)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=====Introduction to Category Shifts=====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=====Introduction to Category Shifts=====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Category Shifts cover four aspects: (1) unit, (2) structure, (3) class and (4) intra-system. Category Shifts include translation without hierarchy and translation with hierarchy. Under the translation without hierarchy which is similar to free translation, there is a hierarchical relationship between the source language and the target language at any proper level. &amp;quot;It is meaningless to talk about category shift unless we assume some degree of formal correspondence between SL and TL&amp;quot;(Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;23). There are four kinds of hierarchical relationships:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Category Shifts cover four aspects: (1) unit, (2) structure, (3) class and (4) intra-system. Category Shifts include translation without hierarchy and translation with hierarchy. Under the translation without hierarchy which is similar to free translation, there is a hierarchical relationship between the source language and the target language at any proper level. &amp;quot;It is meaningless to talk about category shift unless we assume some degree of formal correspondence between SL and TL&amp;quot;(Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;23). There are four kinds of hierarchical relationships:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Structural Shifts: Structural Shifts refer to the change of language structure at the level of unified grammar in translation. According to Catford, structure shift&amp;quot; occurs in the phonological and graphological translation as well as in total translation&amp;quot;, such as the change of word order, which does not go beyond the grammatical level of the sentence. (Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;77)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Structural Shifts: Structural Shifts refer to the change of language structure at the level of unified grammar in translation. According to Catford, structure shift&amp;quot; occurs in the phonological and graphological translation as well as in total translation&amp;quot;, such as the change of word order, which does not go beyond the grammatical level of the sentence. (Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;77)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Class Shifts: It occurs when “the translation equivalent of a SL item is a number of a different class from the original item”. A typical example is the change of parts of speech. Therefore, the translator could translate the English words into Chinese phrases or sentences or translate the phrases into clauses. (Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;78)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Class Shifts: It occurs when “the translation equivalent of a SL item is a number of a different class from the original item”. A typical example is the change of parts of speech. Therefore, the translator could translate the English words into Chinese phrases or sentences or translate the phrases into clauses. (Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;78)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Unit Shifts: It is also known as rank shift, which means departures from formal corresponding in which the translation equivalent of a unit at one rank in the SL is a unit at a different rank in the TL. As for ranks in English, it includes word, morpheme, phrase, sentence and clause. Hence, the shifts between these linguistic units can be called Unit Shifts. (Catford, 1965, 79)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Unit Shifts: It is also known as rank shift, which means departures from formal corresponding in which the translation equivalent of a unit at one rank in the SL is a unit at a different rank in the TL. As for ranks in English, it includes word, morpheme, phrase, sentence and clause. Hence, the shifts between these linguistic units can be called Unit Shifts. (Catford, 1965,&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;79)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Intra-system Shifts: this kind of transformation refers to the system in which there are basic structural forms for the source and target languages, but in translation, it is necessary to choose target words not corresponding to the source words(Catford, 1965&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;80). Intra-system Shifts are used for situations where the shifts occur internally (Lin &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ling，2009，74&lt;/del&gt;-78，82).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Intra-system Shifts: this kind of transformation refers to the system in which there are basic structural forms for the source and target languages, but in translation, it is necessary to choose target words not corresponding to the source words(Catford, 1965&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;80). Intra-system Shifts are used for situations where the shifts occur internally (Lin &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ling，2009: 74&lt;/ins&gt;-78，82).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====Feasibility====&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;====Feasibility====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In China, the study of translation methods and strategies has been for decades, but few basic studies have been carried out from the lexical, syntactic, and semantic levels to the specific changes or transformations in the process of translation. After consulting a large number of papers on the Internet, the author finds that literary translation practice is mostly guided by Functionalist Translation Theory, Domestication and Foreignization, Communicative Translation Theory and other theories because these theories are analyzable and can be applied to various types of texts. However, Catford's Translation Shift Theory focuses on the transformation below the sentence level, without considering the translation shift of paragraphs and texts. However, the author chooses the works of Beloved, written by African American writers. Under the background of the melting pot of culture, African American writers are faced with the difficulties of identity authentication, and the helplessness and necessity of identity reconstruction. In order to reflect this personal emotion and retain the original text as much as possible and achieve translation equivalence between the source and target languages, there must be a shift between translation because of the dramatic differences between English and Chinese. The most systematic theory of translation shift is Catford's theory. This paper capitalizes on Catford's Translation Shift Theory to make an analysis of the English Chinese translation in the novel Beloved, to verify the effectiveness of Catford's Translation Shift Theory in guiding English Chinese translation practice, and further carry forward translation practice-related research in the future. (Mao &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Jingjing，2015，145&lt;/del&gt;-146)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In China, the study of translation methods and strategies has been for decades, but few basic studies have been carried out from the lexical, syntactic, and semantic levels to the specific changes or transformations in the process of translation. After consulting a large number of papers on the Internet, the author finds that literary translation practice is mostly guided by Functionalist Translation Theory, Domestication and Foreignization, Communicative Translation Theory and other theories because these theories are analyzable and can be applied to various types of texts. However, Catford's Translation Shift Theory focuses on the transformation below the sentence level, without considering the translation shift of paragraphs and texts. However, the author chooses the works of Beloved, written by African American writers. Under the background of the melting pot of culture, African American writers are faced with the difficulties of identity authentication, and the helplessness and necessity of identity reconstruction. In order to reflect this personal emotion and retain the original text as much as possible and achieve translation equivalence between the source and target languages, there must be a shift between translation because of the dramatic differences between English and Chinese. The most systematic theory of translation shift is Catford's theory. This paper capitalizes on Catford's Translation Shift Theory to make an analysis of the English Chinese translation in the novel Beloved, to verify the effectiveness of Catford's Translation Shift Theory in guiding English Chinese translation practice, and further carry forward translation practice-related research in the future. (Mao &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Jingjing，2015:145&lt;/ins&gt;-146)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Catford's Translation Shift Theory is of practical value. His work is the first attempt to expound translation in a general sense. Previously, translation textbooks only touched on some empirical principles and methods. Catford describes a number of translation concepts in a systematic and detailed manner and sets objective criteria for subjective judgment of some previous concepts. Catford also illustrates why it is reasonable to realize translation transformation and equivalence, and points out that the concept of equivalence occupies a central position in translation studies. Equivalence does not mean the complete reproduction of the original language content and information, nor the blind pursuit of &amp;quot;formal equivalence&amp;quot;, but &amp;quot;textual equivalence&amp;quot;. His comprehensive classification of all kinds of conversions reasonably explains the actual conversions in the process of C-E and E-C translation. Therefore, Catford's Translation Shift Theory is used to analyze the grammatical, syntactic, and semantic levels in this paper.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Catford's Translation Shift Theory is of practical value. His work is the first attempt to expound translation in a general sense. Previously, translation textbooks only touched on some empirical principles and methods. Catford describes a number of translation concepts in a systematic and detailed manner and sets objective criteria for subjective judgment of some previous concepts. Catford also illustrates why it is reasonable to realize translation transformation and equivalence, and points out that the concept of equivalence occupies a central position in translation studies. Equivalence does not mean the complete reproduction of the original language content and information, nor the blind pursuit of &amp;quot;formal equivalence&amp;quot;, but &amp;quot;textual equivalence&amp;quot;. His comprehensive classification of all kinds of conversions reasonably explains the actual conversions in the process of C-E and E-C translation. Therefore, Catford's Translation Shift Theory is used to analyze the grammatical, syntactic, and semantic levels in this paper.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhou Qiao1</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=131858&amp;oldid=prev</id>
		<title>Zhou Qiao1: /* About Catford’s Shifts Theory */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=131858&amp;oldid=prev"/>
		<updated>2021-12-13T12:28:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;About Catford’s Shifts Theory&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:28, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l55&quot; &gt;Line 55:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 55:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1950s, there has been a tendency for the integration of linguistic methods with translation in such aspects as translation analysis and translation phenomenon classification, based on which many concrete classification methods have been raised. The concept of transformation can be traced back to comparative stylistics of French and English: A Methodology for Translation which was published in 1958 by two Canadian scholars: Jean Darbelnet and Jean Paul Vinay. According to them, among the seven translation techniques and two translation strategies, the &amp;quot;transposition&amp;quot; technique is the rudiment of translation transformation. In this regard, it is the basis for the theory of translation transformation. (Vinay, 1958, 46)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1950s, there has been a tendency for the integration of linguistic methods with translation in such aspects as translation analysis and translation phenomenon classification, based on which many concrete classification methods have been raised. The concept of transformation can be traced back to comparative stylistics of French and English: A Methodology for Translation which was published in 1958 by two Canadian scholars: Jean Darbelnet and Jean Paul Vinay. According to them, among the seven translation techniques and two translation strategies, the &amp;quot;transposition&amp;quot; technique is the rudiment of translation transformation. In this regard, it is the basis for the theory of translation transformation. (Vinay, 1958, 46)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;J. C. Catford is a famous British translation theorist. He interprets translation from the perspective of modern linguistics and defines translation as &amp;quot;replacing the text material of another language with that of a different language&amp;quot; (Catford, 1965, 10)He regards the pursuit of equivalence as the central issue of translation research and practice, and makes a descriptive study of different language levels of translation. In A Linguistic Theory of Translation published in 1965, he defined the concept of conversion as a deviation from formal correspondence during the conversion between the source and target languages. He also said that &amp;quot;content is more important than form&amp;quot; (Mu Lei, 1990, 37-42). In fact, Catford borrows the concepts of category and level that were put forward by Halliday (Halliday, 2005, 33-36), then he categorized translation shift as Level Shifts and Category Shifts, offering guidance from a different viewpoint for translation to translator.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;J. C. Catford is a famous British translation theorist. He interprets translation from the perspective of modern linguistics and defines translation as &amp;quot;replacing the text material of another language with that of a different language&amp;quot; (Catford, 1965, 10)He regards the pursuit of equivalence as the central issue of translation research and practice, and makes a descriptive study of different language levels of translation. In A Linguistic Theory of Translation published in 1965, he defined the concept of conversion as a deviation from formal correspondence during the conversion between the source and target languages. He also said that &amp;quot;content is more important than form&amp;quot; (Mu Lei, 1990, 37-42). In fact, Catford borrows the concepts of category and level that were put forward by Halliday (Halliday, 2005, 33-36), then he categorized translation shift as Level Shifts and Category Shifts, offering guidance from a different viewpoint for translation to translator. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 10), (Mu Lei, 1990, 37-42), (Halliday, 2005, 33-36)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l66&quot; &gt;Line 66:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 66:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Category Shifts cover four aspects: (1) unit, (2) structure, (3) class and (4) intra-system. Category Shifts include translation without hierarchy and translation with hierarchy. Under the translation without hierarchy which is similar to free translation, there is a hierarchical relationship between the source language and the target language at any proper level. &amp;quot;It is meaningless to talk about category shift unless we assume some degree of formal correspondence between SL and TL&amp;quot;(Catford, 1965, 23). There are four kinds of hierarchical relationships:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Category Shifts cover four aspects: (1) unit, (2) structure, (3) class and (4) intra-system. Category Shifts include translation without hierarchy and translation with hierarchy. Under the translation without hierarchy which is similar to free translation, there is a hierarchical relationship between the source language and the target language at any proper level. &amp;quot;It is meaningless to talk about category shift unless we assume some degree of formal correspondence between SL and TL&amp;quot;(Catford, 1965, 23). There are four kinds of hierarchical relationships:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Structural Shifts: Structural Shifts refer to the change of language structure at the level of unified grammar in translation. According to Catford, structure shift&amp;quot; occurs in the phonological and graphological translation as well as in total translation&amp;quot; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 77)&lt;/del&gt;, such as the change of word order, which does not go beyond the grammatical level of the sentence.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Structural Shifts: Structural Shifts refer to the change of language structure at the level of unified grammar in translation. According to Catford, structure shift&amp;quot; occurs in the phonological and graphological translation as well as in total translation&amp;quot;, such as the change of word order, which does not go beyond the grammatical level of the sentence. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 77)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Class Shifts: It occurs when “the translation equivalent of a SL item is a number of a different class from the original item” &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 78)&lt;/del&gt;. A typical example is the change of parts of speech. Therefore, the translator could translate the English words into Chinese phrases or sentences or translate the phrases into clauses.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Class Shifts: It occurs when “the translation equivalent of a SL item is a number of a different class from the original item”. A typical example is the change of parts of speech. Therefore, the translator could translate the English words into Chinese phrases or sentences or translate the phrases into clauses. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 78)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Unit Shifts: It is also known as rank shift, which means departures from formal corresponding in which the translation equivalent of a unit at one rank in the SL is a unit at a different rank in the TL&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 79)&lt;/del&gt;. As for ranks in English, it includes word, morpheme, phrase, sentence and clause. Hence, the shifts between these linguistic units can be called Unit Shifts.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Unit Shifts: It is also known as rank shift, which means departures from formal corresponding in which the translation equivalent of a unit at one rank in the SL is a unit at a different rank in the TL. As for ranks in English, it includes word, morpheme, phrase, sentence and clause. Hence, the shifts between these linguistic units can be called Unit Shifts. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Catford, 1965, 79)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Intra-system Shifts: this kind of transformation refers to the system in which there are basic structural forms for the source and target languages, but in translation, it is necessary to choose target words not corresponding to the source words(Catford, 1965, 80). Intra-system Shifts are used for situations where the shifts occur internally (Lin Ling，2009，74-78，82).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Intra-system Shifts: this kind of transformation refers to the system in which there are basic structural forms for the source and target languages, but in translation, it is necessary to choose target words not corresponding to the source words(Catford, 1965, 80). Intra-system Shifts are used for situations where the shifts occur internally (Lin Ling，2009，74-78，82).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhou Qiao1</name></author>
	</entry>
	<entry>
		<id>https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=131839&amp;oldid=prev</id>
		<title>Zhou Qiao1: /* References */</title>
		<link rel="alternate" type="text/html" href="https://bou.de/u/index.php?title=Theor_App_Lit_EN_1&amp;diff=131839&amp;oldid=prev"/>
		<updated>2021-12-13T12:22:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:22, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l324&quot; &gt;Line 324:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===References===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===References===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[1]潘岳、雷格&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;宠儿&lt;/del&gt;[M]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;北京：中国文学出版社，1996&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Catford J C (1965)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A Linguistic Theory of Translation&lt;/ins&gt;[M]. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;London: Oxford University Press, 85－91&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[2]	Vinay J P, Darbelnet J&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Translation and activism&lt;/del&gt;[M]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Paris&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Didier, 1958&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Halliday M A(2005)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;On Grammer&lt;/ins&gt;[M]. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;London&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Continuum International Publishing&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[3]	Catford J C&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;A Linguistic Theory of Translation&lt;/del&gt;[M]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;London&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Oxford University &lt;/del&gt;Press, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1965: 85－91&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Lian Shuneng 连淑能(1993)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;英汉对比研究&lt;/ins&gt;[M] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Contrastive Studies of English and Chinese&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;北京&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;高等教育出版社 Beijing: Higher education &lt;/ins&gt;Press, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;90&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[4] 穆雷．评卡特福德的《翻译的语言学理论》&lt;/del&gt;[J]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;．外语教学，1990(02)：37&lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;42．&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Lin Ling 林铃（2009）．卡特福德翻译转换模式下的翻译过程研究&lt;/ins&gt;[J] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A Study on the Translation Process under Catford's Translation Transformation Model．外语教育与教学 Foreign Language Teaching and Learning，5：74&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;75，82．&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[5]	Halliday M A&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;On Grammer&lt;/del&gt;[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;M&lt;/del&gt;]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;London&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Continuum International Publishing, 2005&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mao Jingjing 毛菁菁(2015)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;翻译转换理论在汉英翻译中的应用——以莫言《红高粱》英译本为例&lt;/ins&gt;[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;J&lt;/ins&gt;] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Application of Translation Shift Theory in C- E Translation -- Taking the English Version of Mo Yan's Red Sorghum as an Example&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;兰州教育学院学报 Journal of Lanzhou Institute of Education, 3&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;145-146&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[6] 林铃．卡特福德翻译转换模式下的翻译过程研究[&lt;/del&gt;J&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]．语文学刊&lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;外语教育与教学&lt;/del&gt;) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;，2009(05)：74-75，82．&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Monday &lt;/ins&gt;J(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;2006&lt;/ins&gt;)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Introducing Translation Studies [M]. London: Routledge.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[7]	毛菁菁. 翻译转换理论在汉英翻译中的应用——以莫言《红高粱》英译本为例&lt;/del&gt;[J]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;兰州教育学院学报, 2015, 31(3): 145&lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;146.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mu Lei 穆雷 (1990)．评卡特福德的《翻译的语言学理论》&lt;/ins&gt;[J] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;On Catford‘s A Linguistic Theory of Translation&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;外语教学 Foreign Language Teaching，2：37&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;42．&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[8]	连淑能&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;英汉对比研究&lt;/del&gt;[M]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;北京&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;高等教育出版社&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1993: 90&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pan Yue &amp;amp; Lei Ge 潘岳、雷格 (1996)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;宠儿&lt;/ins&gt;[M] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Beloved&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;北京：中国文学出版社 Beijing&lt;/ins&gt;:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Chinese Literature Press&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;3-245&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;9&lt;/del&gt;]	仲晶瑶. 从动词特性看英汉介词[J]. 黑龙江教育学院学报, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;2003,(&lt;/del&gt;3&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/del&gt;: 84-85.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Vinay J P, Darbelnet J (1958). Translation and activism&lt;/ins&gt;[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;M&lt;/ins&gt;]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Paris: Didier.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Zhong Jingyao &lt;/ins&gt;仲晶瑶&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(2003)&lt;/ins&gt;. 从动词特性看英汉介词[J] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Prepositions in English and Chinese from the Perspective of Verb Characteristics&lt;/ins&gt;. 黑龙江教育学院学报 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Journal of Heilongjiang Institute of Education &lt;/ins&gt;, 3: 84-85.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Zhou Qiao1</name></author>
	</entry>
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