Theor App Lit EN 3 - Revision history

Zhan Ruoxuan: /* 3 Chinese Translation of Subtitles of "Jane Eyre" from the Perspective of Functional Equivalence Theory */

2021-12-16T02:49:20Z

3 Chinese Translation of Subtitles of "Jane Eyre" from the Perspective of Functional Equivalence Theory

Zhan Ruoxuan: /* References */

2021-12-16T02:42:16Z

References

Zhan Ruoxuan at 02:09, 16 December 2021

2021-12-16T02:09:47Z

Zhan Ruoxuan: /* Foreignization */

2021-12-15T03:17:59Z

Foreignization

Li Wen: /* Cultural Equivalence */

2021-12-14T02:18:44Z

Cultural Equivalence

Li Wen: /* Characteristics of subtitle translation */

2021-12-14T02:16:56Z

Characteristics of subtitle translation

Li Wen: /* Subtitle translation */

2021-12-14T02:14:18Z

Subtitle translation

Li Wen: /* Introduction */

2021-12-14T02:12:56Z

Introduction

Li Wen: /* Introduction */

2021-12-14T02:12:27Z

Introduction

Zhan Ruoxuan at 02:08, 14 December 2021

2021-12-14T02:08:26Z

@@ Line 29: / Line 29: @@
 ====Characteristics of subtitle translation====
 Firstly, subtitles should be easy to be understood because they have to show the main content of the all in a relatively simple way. Zhang Chunbai points out “with rare exceptions, film dialogues must be simple to be understood at first hearing because it is difficult for audience to hear it twice.”[9] Subtitle translation is rarely using very obscure words and complex sentences. In particular, the instantaneity of the film makes the subtitles stay short. Therefore, the subtitles often need to present the plot, the actors’ emotion and the story background in a short time to achieve a clear effect. It includes two parts. On the one hand, choose simple sentence patterns. On the other hand, choose simple words. In addition to simple sentence patterns, words in sentences are usually translated into language easy to be understood.(Zhang ChunBai,2004:184)
@@ Line 37: / Line 35: @@
 ====Strategies of Subtitle translation====
 There are two kinds of translation strategies that we often use—domestication and foreignization.
-The first one is domestication. Domestication translation advocates putting the audience first and emphasizes the importance of natural and fluent translation of subtitle translation in language, focusing on bringing the source language culture into the target language audience. In the category of culture, it mainly centers on the language of its own nation and makes foreign language as much as possible in line with the national language habits and cultural value system.Nida points out that“The translator must be a person who avoided the linguistics and cultural differences in order that target receptors may find clearly the relevance of the original information．"(Nida，1964：170)[4] He also claims in another statement that‘‘Translation consists in reproducing the closest natural equivalent of the source language message in the receptor language,meaning firstly and then style．”(Nida,1993:116)[2]
+The first one is domestication. Domestication translation advocates putting the audience first and emphasizes the importance of natural and fluent translation of subtitle translation in language, focusing on bringing the source language culture into the target language audience. In the category of culture, it mainly centers on the language of its own nation and makes foreign language as much as possible in line with the national language habits and cultural value system.Nida points out that“The translator must be a person who avoided the linguistics and cultural differences in order that target receptors may find clearly the relevance of the original information．"(Nida，1964：170)He also claims in another statement that‘‘Translation consists in reproducing the closest natural equivalent of the source language message in the receptor language,meaning firstly and then style．”(Nida,1993:116)
-The other strategy is foreignization. Foreignization requires the target audience to accept the language expression habits of the source text and cultural differences, leading the audience into the foreign situation. The important representative is Venuti, who advocated that “translation should face the differences and cover up the differences at the same time, and when necessary, differences can be highlighted.” [5] On the whole, in foreignization, translation is necessary to choose one of the original author or the source language as the main axis in order to retain the film atmosphere. The purpose of the original features of the content is to spread the source language culture to the audience of the target language. Especially, to achieve the purpose of translation, the translator can better understand the film works according to the language function of the film. Based on the needs of the audience in the target language, translators do some adjustments to analyze the source information in the film especially when encountering more difficult cultural factors. (Venuti,Lawrence,1995)
+The other strategy is foreignization. Foreignization requires the target audience to accept the language expression habits of the source text and cultural differences, leading the audience into the foreign situation. The important representative is Venuti, who advocated that “translation should face the differences and cover up the differences at the same time, and when necessary, differences can be highlighted.”On the whole, in foreignization, translation is necessary to choose one of the original author or the source language as the main axis in order to retain the film atmosphere. The purpose of the original features of the content is to spread the source language culture to the audience of the target language. Especially, to achieve the purpose of translation, the translator can better understand the film works according to the language function of the film. Based on the needs of the audience in the target language, translators do some adjustments to analyze the source information in the film especially when encountering more difficult cultural factors. (Venuti,Lawrence,1992,58)
 === Introduction to Jane Eyre===
@@ Line 49: / Line 47: @@
 The novel tells the story of Jane Eyre, an orphan girl whose parents died at a young age and who was abused in her aunt's home and then sent to an orphanage by her aunt. The orphanage was a harsh environment, but she survived. Two years after graduation, Jane was hired to earn a living as a governess. The master, Rochester, was melancholy and moody, but after a longer contact, Jane found Rochester kind-hearted, upright and stalwart, and gradually developed feelings for him. When they held a wedding in the church, Jane painfully discovered that Rochester had a crazy wife. Jane left sadly.(Bronte,Charlotte.2008:1-510)
-Later, her uncle, from whom she had been separated for many years, died after a long illness and bequeathed her a huge fortune. Because she could not forget her love for Rochester, she returned to her hometown, only to learn that a few months ago the crazy woman died of arson. In order to save her, Rochester became blind due to the fire. Jane immediately went to him to confide in him, and the two finally reconciled. Later, Rochester went to London to heal his eyes, and Jane Eyre gave birth to a boy. In the end, they happily lived together.[1](Bronte,Charlotte.2008:1-510)
+Later, her uncle, from whom she had been separated for many years, died after a long illness and bequeathed her a huge fortune. Because she could not forget her love for Rochester, she returned to her hometown, only to learn that a few months ago the crazy woman died of arson. In order to save her, Rochester became blind due to the fire. Jane immediately went to him to confide in him, and the two finally reconciled. Later, Rochester went to London to heal his eyes, and Jane Eyre gave birth to a boy. In the end, they happily lived together(Bronte,Charlotte.2008:1-510)
 ====Distictive features of Jane Eyre====
@@ Line 64: / Line 62: @@
 ====Main ideas of Functional Equivalence Theory====
-Eugene A. Nida is American linguist, translator, and translation theorist. Nida was a distinguished linguist who traveled to 96 countries, lectured at more than 100 universities, and came to China 13 times -- until 2003, when, at the age of 89, he still lectured in Africa. As a teenager, Nida became a Christian and received the call of Christ to be his Savior in the Church. But he was a man who strictly separated the academic and religious worlds.”he never talked about anything that wasn't academic.”[8] Professor Ye Zinan(2011), a translation theorist, made a point of Mourning Nida. Because of Nida’s high profile and influence on the academic world, mainstream media in the United States and Britain, such as the New York Times, The Wall Street Journal, The Washington Post, The Daily Telegraph, and so on, reported on his death, and gave a high appraisal to his academic contribution.(Ye Zinan,2019)
+Eugene A. Nida is American linguist, translator, and translation theorist. Nida was a distinguished linguist who traveled to 96 countries, lectured at more than 100 universities, and came to China 13 times -- until 2003, when, at the age of 89, he still lectured in Africa. As a teenager, Nida became a Christian and received the call of Christ to be his Savior in the Church. But he was a man who strictly separated the academic and religious worlds.”he never talked about anything that wasn't academic.”Professor Ye Zinan(2011), a translation theorist, made a point of Mourning Nida. Because of Nida’s high profile and influence on the academic world, mainstream media in the United States and Britain, such as the New York Times, The Wall Street Journal, The Washington Post, The Daily Telegraph, and so on, reported on his death, and gave a high appraisal to his academic contribution.(Ye Zinan,2019)
-Functional Equivalence Theory was first proposed by Eugene A. Nida. The central concept of Nida's theory is "functional equivalence". And it is so-called "functional equivalence", which does not look for literally rigid correspondence, but rather in order to achieve a functional equivalence between the two languages. In order to convert between the source language and the target language, there is a standard to reduce the difference from a linguistic point of view. Nida advanced the famous translation theory of "dynamic equivalence". In this theory he emphasizes that "translation consists in reproducing the information of the source language from semantics to style in the most appropriate, natural and equivalent language". [3](Nida.E. A.& Charles R.Taber,2004:12)
+Functional Equivalence Theory was first proposed by Eugene A. Nida. The central concept of Nida's theory is "functional equivalence". And it is so-called "functional equivalence", which does not look for literally rigid correspondence, but rather in order to achieve a functional equivalence between the two languages. In order to convert between the source language and the target language, there is a standard to reduce the difference from a linguistic point of view. Nida advanced the famous translation theory of "dynamic equivalence". In this theory he emphasizes that "translation consists in reproducing the information of the source language from semantics to style in the most appropriate, natural and equivalent language".(Nida.E. A.& Charles R.Taber,2004:12)
 Nida's translation theory has four basic premises:First, the word is truth; second, convey the spirit of the original; third, express naturally; fourth, be able to produce resonance.
@@ Line 72: / Line 70: @@
 Therefore, in the process of translation, the theory can be the guide for different source text types, and translation should serve the readers. All translation efforts must focus on the acceptability of the target audience, which is the ultimate goal of translation. According to Nida's definition of translation, translation is not only lexical equivalence, but also syntactic, stylistic and cultural equivalence. Besides, Dynamic equivalence consists of four equivalences including vocabulary equivalence, syntactic equivalence,textual equivalence and stylistic equivalence.In these four aspects, Nida thinks, "meaning is the most important, form is secondary" (Guo Jianzhong, 2002, P67). [6]The form is likely to conceal the cultural meaning of the source language and hinder cultural exchange. Therefore, in literary translation, according to Nida’s theory, the translator should accurately reproduce the cultural connotations of the source language in the target language with the four aspects of dynamic equivalence as the translation principle.((Guo Jianzhong,2002:67))
-In deciding what should be done to produce the closest natural equivalence, Nida (1993: 92-94) proposes six principles which are as follows.(Nida,1993: 92-94)[12]
+In deciding what should be done to produce the closest natural equivalence, Nida (1993: 92-94) proposes six principles which are as follows.(Nida,1993: 92-94)
 (1) If a close, formal translation is likely to result in a misunderstanding of the designative meaning, certain changes must be introduced into the text of the translation or the literal translation may be retained and a footnote explaining the likely misunderstanding must be added.(Nida,1993: 92-94)
@@ Line 213: / Line 211: @@
 ===References===
-Bronte,Charlotte(2008).Jane Eyre,Beijing:Foreign Language Press．
+Bronte,Charlotte(2008).Jane Eyre,Beijing:Foreign Language Press,1-510．
 Nida,Eugene Albert(1993).Language,Culture and Translating.Shanghai:Shanghai Foreign Language Education Press,92-94,116.
@@ Line 219: / Line 217: @@
 Nida. E. A. & Charles R. Taber(2004).The Theory and Practice of Translation [M]. Leiden: E. J. Brill.12.
-Nida,Eugene Albert(1964).Toward A Science of Translating.E.J.Brill:Leiden.
+Nida,Eugene Albert(1964).Toward A Science of Translating.E.J.Brill:Leiden,170.
-Venuti,Lawrence(1995).The Translator's Invisibility.London and New York:Routledge.
+Venuti,Lawrence(1992).The Translator's Invisibility.London and New York:Routledge,58.
-Guan Zhuolin 管卓琳(2017). 功能对等理论视角下《功夫熊猫》字幕的汉译研究 A Research on E—C Translation of Kungfu Panda Subtitles from the Perspective of Functional Equivalenc[D]. 山西Shan Xi :中北大学 North University of China,.
+Guan Zhuolin 管卓琳(2017). 功能对等理论视角下《功夫熊猫》字幕的汉译研究 A Research on E—C Translation of Kungfu Panda Subtitles from the Perspective of Functional Equivalenc[D]. 山西Shan Xi :中北大学 North University of China,31,33,39,43.
 Guo Jianzhong 郭建中(2002).当代美国翻译理论 Comtemperory American Translation Theory[M].武汉：湖北教育出版社 Hu Bei:Education Publishing House.63.67.

@@ Line 213: / Line 213: @@
 ===References===
-Bronte,Charlotte(2008).Jane Eyre,Beijing:Foreign Language Press,2008．
+Bronte,Charlotte(2008).Jane Eyre,Beijing:Foreign Language Press．
-Nida,Eugene Albert(1993).Language,Culture and Translating.Shanghai:Shanghai Foreign Language Education Press,1993:92-94,116.
+Nida,Eugene Albert(1993).Language,Culture and Translating.Shanghai:Shanghai Foreign Language Education Press,92-94,116.
-Nida. E. A. & Charles R. Taber(2004). 2004a. The Theory and Practice of Translation [M]. Leiden: E. J. Brill. 12.
+Nida. E. A. & Charles R. Taber(2004).The Theory and Practice of Translation [M]. Leiden: E. J. Brill.12.
-Nida,Eugene Albert(1964).Toward A Science of Translating.E.J.Brill:Leiden,1964.
+Nida,Eugene Albert(1964).Toward A Science of Translating.E.J.Brill:Leiden.
-Venuti,Lawrence(1995).The Translator's Invisibility.London and New York:Routledge,1995.
+Venuti,Lawrence(1995).The Translator's Invisibility.London and New York:Routledge.
-Guan Zhuolin 管卓琳(2017). 功能对等理论视角下《功夫熊猫》字幕的汉译研究 A Research on E—C Translation of Kungfu Panda Subtitles from the Perspective of Functional Equivalenc[D]. 山西Shan Xi :中北大学 North University of China,2017.
+Guan Zhuolin 管卓琳(2017). 功能对等理论视角下《功夫熊猫》字幕的汉译研究 A Research on E—C Translation of Kungfu Panda Subtitles from the Perspective of Functional Equivalenc[D]. 山西Shan Xi :中北大学 North University of China,.
-Guo Jianzhong 郭建中(2002).当代美国翻译理论 Comtemperory American Translation Theory[M].武汉：湖北教育出版社 Hu Bei:Education Publishing House. 2002.63.67.
+Guo Jianzhong 郭建中(2002).当代美国翻译理论 Comtemperory American Translation Theory[M].武汉：湖北教育出版社 Hu Bei:Education Publishing House.63.67.
-Liu Xiaoran刘晓然(2019).论《简·爱》中女权主义思想的表现形式 On the Expression of Feminism in "Jane Eyre"[J].赤峰学院学报 (汉文哲学社会科学版)Journal of Chifeng Academy(Chinese Philosophy and Social Science Edition),2019,40(05):89-91.
+Liu Xiaoran刘晓然(2019).论《简·爱》中女权主义思想的表现形式 On the Expression of Feminism in "Jane Eyre"[J].赤峰学院学报 (汉文哲学社会科学版)Journal of Chifeng Academy(Chinese Philosophy and Social Science Edition),40(05):89-91.
-Ye Zinan叶子南(2019).高级英汉翻译 Advanced English-Chinese Translation[M].北京:清华大学出版社 BeiJing:Tsinghua University Press,2019.
+Ye Zinan叶子南(2019).高级英汉翻译 Advanced English-Chinese Translation[M].北京:清华大学出版社 BeiJing:Tsinghua University Press.
-Zhang Chunbai张春柏（2004）.影视翻译初探 A First Look at Film and Television Translation[J].中国翻译 China Translation,2004:184.
+Zhang Chunbai张春柏（2004）.影视翻译初探 A First Look at Film and Television Translation[J].中国翻译 China Translation,184.
-Zou Botao邹柏涛(2019).探讨英美文学作品在影视剧中的艺术价值——以《简爱》为例 Exploring the artistic value of English and American literature in film and television dramas--Take "Jane Eyre" as an example[J].青年文学家 Young Literary Artist,2019(8):2.--[[User:Zhan Ruoxuan|Zhan Ruoxuan]] ([[User talk:Zhan Ruoxuan|talk]]) 02:08, 14 December 2021 (UTC)
+Zou Botao邹柏涛(2019).探讨英美文学作品在影视剧中的艺术价值——以《简爱》为例 Exploring the artistic value of English and American literature in film and television dramas--Take "Jane Eyre" as an example[J].青年文学家 Young Literary Artist,(8):2.--[[User:Zhan Ruoxuan|Zhan Ruoxuan]] ([[User talk:Zhan Ruoxuan|talk]]) 02:08, 14 December 2021 (UTC)

@@ Line 24: / Line 24: @@
 With the help of Nida's Functional Equivalence Theory, this paper chooses ”Jane Eyre”, a film adapted from the famous English novel ”Jane Ayre”. This paper analyzes the translation strategies by listing many representative practical examples, and concludes whether the translation meets the objectives of subtitle translation and the audience's expectations. This paper hopes to provide some examples to better promote the development of subtitle translation of literary works from the perspectives of Nida’s Functional Equivalence Theory. In addition, this paper also hopes to arouse more scholars’ interests to explore the subtitle translation based on the Functional Equivalence Theory, and this paper also serves to enrich the studies of subtitle translation in E-C translation to promote the cross-cultural communication.(Zou Botao,2019:2)
 ===Subtitle translation===
 This part will present a brief introduction of subtitle translation including its characteristics and strategies.
 ====Characteristics of subtitle translation====
@@ Line 51: / Line 47: @@
 ====Characters and story line====
-The novel tells the story of Jane Eyre, an orphan girl whose parents died at a young age and who was abused in her aunt's home and then sent to an orphanage by her aunt. The orphanage was a harsh environment, but she survived. Two years after graduation, Jane was hired to earn a living as a governess. The master, Rochester, was melancholy and moody, but after a longer contact, Jane found Rochester kind-hearted, upright and stalwart, and gradually developed feelings for him. When they held a wedding in the church, Jane painfully discovered that Rochester had a crazy wife. Jane left sadly.(Bronte,Charlotte.2008:1-88)
+The novel tells the story of Jane Eyre, an orphan girl whose parents died at a young age and who was abused in her aunt's home and then sent to an orphanage by her aunt. The orphanage was a harsh environment, but she survived. Two years after graduation, Jane was hired to earn a living as a governess. The master, Rochester, was melancholy and moody, but after a longer contact, Jane found Rochester kind-hearted, upright and stalwart, and gradually developed feelings for him. When they held a wedding in the church, Jane painfully discovered that Rochester had a crazy wife. Jane left sadly.(Bronte,Charlotte.2008:1-510)
-Later, her uncle, from whom she had been separated for many years, died after a long illness and bequeathed her a huge fortune. Because she could not forget her love for Rochester, she returned to her hometown, only to learn that a few months ago the crazy woman died of arson. In order to save her, Rochester became blind due to the fire. Jane immediately went to him to confide in him, and the two finally reconciled. Later, Rochester went to London to heal his eyes, and Jane Eyre gave birth to a boy. In the end, they happily lived together.[1](Bronte,Charlotte.2008:1-88)
+Later, her uncle, from whom she had been separated for many years, died after a long illness and bequeathed her a huge fortune. Because she could not forget her love for Rochester, she returned to her hometown, only to learn that a few months ago the crazy woman died of arson. In order to save her, Rochester became blind due to the fire. Jane immediately went to him to confide in him, and the two finally reconciled. Later, Rochester went to London to heal his eyes, and Jane Eyre gave birth to a boy. In the end, they happily lived together.[1](Bronte,Charlotte.2008:1-510)
 ====Distictive features of Jane Eyre====
@@ Line 178: / Line 174: @@
 ====Cultural Equivalence====
 Different countries have different cultures. And the colorful cultures can be found in their different languages. So in subtitling translation, we must pay much attention to the cultural aspects and cultural connotations.(Guan Zhuolin,2017:35)
 ======Domestication=====

@@ Line 191: / Line 191: @@
 =====Foreignization=====
 Foreigniztion in translation means that the translator adopts the original way of expression used by the original author to convey the content of the original text and the original text. Translation is a bilingual and bicultural conversion activity. Foreignization believes that translations should retain the foreign cultural features contained in the original text as much as possible. As a quite famous representative of foreignization,Venuti points out that”the translator seeks to build a community with foreign cultures， to share an understanding with and of them and to collaborate on projects founded on that understanding，going so far as to allow it to revise and develop domestic values and institutions.”(Venuti,1992:58)[11]Its purpose is to broaden the cultural vision of the target language readers and enrich the target language expressiveness and promote the integration of different cultures.(Venuti,1992:58)
 ====Stylistic equivalence====

@@ Line 178: / Line 178: @@
 ====Cultural Equivalence====
 Different countries have different cultures. And the colorful cultures can be found in their different languages. So in subtitling translation, we must pay much attention to the cultural aspects and cultural connotations.(Guan Zhuolin,2017:35)
 ======Domestication=====

← Older revision		Revision as of 02:16, 14 December 2021
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	====Characteristics of subtitle translation====		====Characteristics of subtitle translation====
		+	Suggestions：I think figures should be added,like 1,1.1,1.1.1,2,2.1,2.1.1…..In that case,we can more clearly capture the whole article structure.--[[User:Li Wen\|Li Wen]] ([[User talk:Li Wen\|talk]]) 02:16, 14 December 2021 (UTC)
		+
	Firstly, subtitles should be easy to be understood because they have to show the main content of the all in a relatively simple way. Zhang Chunbai points out “with rare exceptions, film dialogues must be simple to be understood at first hearing because it is difficult for audience to hear it twice.”[9] Subtitle translation is rarely using very obscure words and complex sentences. In particular, the instantaneity of the film makes the subtitles stay short. Therefore, the subtitles often need to present the plot, the actors’ emotion and the story background in a short time to achieve a clear effect. It includes two parts. On the one hand, choose simple sentence patterns. On the other hand, choose simple words. In addition to simple sentence patterns, words in sentences are usually translated into language easy to be understood.(Zhang ChunBai,2004:184)		Firstly, subtitles should be easy to be understood because they have to show the main content of the all in a relatively simple way. Zhang Chunbai points out “with rare exceptions, film dialogues must be simple to be understood at first hearing because it is difficult for audience to hear it twice.”[9] Subtitle translation is rarely using very obscure words and complex sentences. In particular, the instantaneity of the film makes the subtitles stay short. Therefore, the subtitles often need to present the plot, the actors’ emotion and the story background in a short time to achieve a clear effect. It includes two parts. On the one hand, choose simple sentence patterns. On the other hand, choose simple words. In addition to simple sentence patterns, words in sentences are usually translated into language easy to be understood.(Zhang ChunBai,2004:184)

@@ Line 25: / Line 25: @@
 With the help of Nida's Functional Equivalence Theory, this paper chooses ”Jane Eyre”, a film adapted from the famous English novel ”Jane Ayre”. This paper analyzes the translation strategies by listing many representative practical examples, and concludes whether the translation meets the objectives of subtitle translation and the audience's expectations. This paper hopes to provide some examples to better promote the development of subtitle translation of literary works from the perspectives of Nida’s Functional Equivalence Theory. In addition, this paper also hopes to arouse more scholars’ interests to explore the subtitle translation based on the Functional Equivalence Theory, and this paper also serves to enrich the studies of subtitle translation in E-C translation to promote the cross-cultural communication.(Zou Botao,2019:2)
-Suggestions：I think there should be a brief introduction on the article structure there.Such as,this paper can be divided into ~parts.The first parts mainly talks about…….and so on.
+Suggestions：I think there should be a brief introduction on the article structure there.Such as,this paper can be divided into ~parts.The first parts mainly talks about…….and so on.--[[User:Li Wen|Li Wen]] ([[User talk:Li Wen|talk]]) 02:12, 14 December 2021 (UTC)
 ===Subtitle translation===

← Older revision		Revision as of 02:12, 14 December 2021
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	With the help of Nida's Functional Equivalence Theory, this paper chooses ”Jane Eyre”, a film adapted from the famous English novel ”Jane Ayre”. This paper analyzes the translation strategies by listing many representative practical examples, and concludes whether the translation meets the objectives of subtitle translation and the audience's expectations. This paper hopes to provide some examples to better promote the development of subtitle translation of literary works from the perspectives of Nida’s Functional Equivalence Theory. In addition, this paper also hopes to arouse more scholars’ interests to explore the subtitle translation based on the Functional Equivalence Theory, and this paper also serves to enrich the studies of subtitle translation in E-C translation to promote the cross-cultural communication.(Zou Botao,2019:2)		With the help of Nida's Functional Equivalence Theory, this paper chooses ”Jane Eyre”, a film adapted from the famous English novel ”Jane Ayre”. This paper analyzes the translation strategies by listing many representative practical examples, and concludes whether the translation meets the objectives of subtitle translation and the audience's expectations. This paper hopes to provide some examples to better promote the development of subtitle translation of literary works from the perspectives of Nida’s Functional Equivalence Theory. In addition, this paper also hopes to arouse more scholars’ interests to explore the subtitle translation based on the Functional Equivalence Theory, and this paper also serves to enrich the studies of subtitle translation in E-C translation to promote the cross-cultural communication.(Zou Botao,2019:2)
		+
		+	Suggestions：I think there should be a brief introduction on the article structure there.Such as,this paper can be divided into ~parts.The first parts mainly talks about…….and so on.
		+	----

	===Subtitle translation===		===Subtitle translation===

← Older revision		Revision as of 02:08, 14 December 2021
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	Ye Zinan叶子南(2019).高级英汉翻译 Advanced English-Chinese Translation[M].北京:清华大学出版社 BeiJing:Tsinghua University Press,2019.		Ye Zinan叶子南(2019).高级英汉翻译 Advanced English-Chinese Translation[M].北京:清华大学出版社 BeiJing:Tsinghua University Press,2019.
−	~~Zhang Chunbai张春柏.影视翻译初探 A First Look at Film and Television Translation[J].中国翻译 China Translation,2004:184.~~

−	Zou Botao邹柏涛(2019).探讨英美文学作品在影视剧中的艺术价值——以《简爱》为例 Exploring the artistic value of English and American literature in film and television dramas--Take "Jane Eyre" as an example[J].青年文学家 Young Literary Artist,2019(8):2.	+	Zhang Chunbai张春柏（2004）.影视翻译初探 A First Look at Film and Television Translation[J].中国翻译 China Translation,2004:184.
		+
		+	Zou Botao邹柏涛(2019).探讨英美文学作品在影视剧中的艺术价值——以《简爱》为例 Exploring the artistic value of English and American literature in film and television dramas--Take "Jane Eyre" as an example[J].青年文学家 Young Literary Artist,2019(8):2.--[[User:Zhan Ruoxuan\|Zhan Ruoxuan]] ([[User talk:Zhan Ruoxuan\|talk]]) 02:08, 14 December 2021 (UTC)