User:Cai Yichun - Revision history

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2025-06-19T16:32:36Z

reference

Shao Keyuan: /* 参考文献 */

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参考文献

Shao Keyuan: /* 摘要 */

2025-06-19T16:30:09Z

摘要

Shao Keyuan: /* Abstract */

2025-06-19T16:29:03Z

Abstract

Shao Keyuan at 16:25, 19 June 2025

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Shao Keyuan at 16:05, 19 June 2025

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Shao Keyuan: /* Tang Xianzu */

2025-06-19T15:59:22Z

Tang Xianzu

Shao Keyuan at 15:51, 19 June 2025

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@@ Line 133: / Line 133: @@
 Tang Xianzu's life was full of legendary colors. In the imperial examinations and official career, he experienced many hardships but always stuck to himself and did not bow to the powerful. In the field of literary creation, with works such as the "Four Dreams of Linchuan," he became a monument in the history of Chinese opera. His literary achievements have not only enriched the treasure house of ancient Chinese literature but also left a brilliant mark in the history of world literature. His main deeds will forever be remembered and praised by later generations.
-==reference==
+==References==
 【1】Tang Xianzu. Collected Works of Tang Xianzu (4 volumes). Shanghai: Shanghai People's Publishing House, 1973.
@@ Line 144: / Line 144: @@
 【5】Encyclopedia of China: Volume of Opera and Qu  Beijing: Encyclopedia of China Publishing House, 1983.
 ==Terms and expressions==

@@ Line 55: / Line 55: @@
 东方的莎士比亚 the Shakespeare of the East
 辅臣科臣 Auxiliary Ministers and Censor Officials
 ==问题==

@@ Line 7: / Line 7: @@
 汤显祖作为明代杰出的剧作家与文学家，在文学创作、政治生涯及文化传播等方面皆留下了浓墨重彩的印记。本文涵盖其从科举之路到为官作为，再到辞官后的创作岁月，梳理其戏曲、诗文等多方面成就，探讨他在当时社会环境下的思想理念与价值追求，全面展现汤显祖丰富多彩且极具影响力的一生。
+[[File:txz.jpg|300px|center|link=]]
 ==引言==

@@ Line 101: / Line 101: @@
 ==Abstract==
 Tang Xianzu, an outstanding playwright and litterateur of the Ming Dynasty, left a profound mark in literary creation, political career, and cultural dissemination. This article covers his journey from the imperial examination path to official career, and then to the creative years after resigning, combing through his achievements in opera, poetry, and other aspects, exploring his ideological concepts and value pursuits in the social environment of the time, and comprehensively presenting Tang Xianzu's rich and influential life.
 ==Introduction==

@@ Line 6: / Line 6: @@
 汤显祖作为明代杰出的剧作家与文学家，在文学创作、政治生涯及文化传播等方面皆留下了浓墨重彩的印记。本文涵盖其从科举之路到为官作为，再到辞官后的创作岁月，梳理其戏曲、诗文等多方面成就，探讨他在当时社会环境下的思想理念与价值追求，全面展现汤显祖丰富多彩且极具影响力的一生。
 ==引言==
@@ Line 87: / Line 89: @@
 【5】《中国大百科全书·戏曲曲艺卷》．北京：中国大百科全书出版社，1983.
@@ Line 174: / Line 180: @@
 ==AI statement==
-The framework of this paper was determined using AI, and the main content was completed by reviewing relevant literature and searching for relevant information on Baidu.
+Before writing the paper, I used DeepSeek to construct the framework with the instruction: "Please take Tang Xianzu as the theme to build a paper framework." During the first draft, most content was completed by searching on Baidu and reviewing papers. Finally, I used AI to translate the Chinese into English and proofread it, with the instruction: "Please help translate this into English and check for grammatical errors, mistranslations, or omissions." The paper was finalized based on AI's suggestions. In short, AI tools only served as auxiliary aids.

@@ Line 91: / Line 91: @@
-Exploration of Tang Xianzu's Main Deeds
+= '''Tang Xianzu'''=
-Abstract
+==Abstract==
 Tang Xianzu, an outstanding playwright and litterateur of the Ming Dynasty, left a profound mark in literary creation, political career, and cultural dissemination. This article covers his journey from the imperial examination path to official career, and then to the creative years after resigning, combing through his achievements in opera, poetry, and other aspects, exploring his ideological concepts and value pursuits in the social environment of the time, and comprehensively presenting Tang Xianzu's rich and influential life.
-. Introduction
+==Introduction==
 Tang Xianzu, styled Yireng, with pseudonyms Ruoshi, Hairuo, Qingyuan Daoren, etc., was born in 1550 into a scholarly family in Linchuan, Jiangxi, and died in 1616. In the literary history of the Ming Dynasty, Tang Xianzu held a pivotal position. His works not only spread widely in China but also shone in the world literary forest, earning him the reputation of the "Shakespeare of the East." In-depth exploration of Tang Xianzu's main deeds is of great significance for understanding the development context of Ming Dynasty literature, social and cultural features, and the spiritual world of literati.
-. Life Experience
+== Life Experience==
-.1 The Bumps of the Imperial Examination Path
+===The Bumps of the Imperial Examination Path===
 Tang Xianzu was gifted from an early age and deeply influenced by his family's strong academic atmosphere. He entered a family school at the age of 5, showed extraordinary learning ability, could compose poems at 12, studied ancient prose under Xu Liangfu at 13, became a county student at 14, and passed the provincial examination to become a Juren at 21. However, on the path of advancing in the imperial examinations, he encountered many twists and turns. At that time, the imperial examination system had become corrupt, serving as a tool for powerful officials to seek private interests. It was not until the 11th year of the Wanli reign (1583), after the death of Zhang Juzheng, that Tang Xianzu passed the imperial examination and became a Jinshi at the age of 34, finally starting his official career.
-.2 Achievements and Setbacks During Official Career
+=== Achievements and Setbacks During Official Career===
 Tang Xianzu's official path was full of ups and downs. When serving in Nanjing, although holding an idle post, he stuck to literary independence, fought against the archaist school, and devoted himself to creation and communication. Because he righteously submitted the Memorial on Auxiliary Ministers and Censor Officials to impeach powerful officials, he offended the emperor and was demoted to Dian Shi (assistant magistrate) of Xuwen. When serving as the magistrate of Suichang, he showed remarkable talent: organizing tiger hunting to eliminate disasters, pardoning prisoners based on "profound love," caring about farming, and making the barren land thrive. However, his benevolent governance touched the interests of the powerful, causing opposition and criticism. Finally, unable to bear the darkness of officialdom, he took the initiative to resign and was officially dismissed three years later, ending his stormy official career.
-. Literary Achievements
+== Literary Achievements==
-.1 The Splendor of Opera Creation
+===The Splendor of Opera Creation===
-.1.1 The Creation and Influence of the "Four Dreams of Linchuan"
+==== The Creation and Influence of the "Four Dreams of Linchuan"====
 As a native of Linchuan, Jiangxi, Tang Xianzu's most representative and renowned four classic works are the "Four Dreams of Linchuan": The Peony Pavilion, The Purple Hairpin, The Handan Dream, and The Nanke Dream. These four works all contain dream elements, through which Tang Xianzu showed his profound thinking and unique insights on life, love, society, and human nature. In the "Four Dreams of Linchuan," Tang Xianzu used rich imagination and unique artistic techniques to interweave dreams and reality, constructing a fantastical and philosophical world. Through detailed depictions of dreams, he showed the inner worlds and emotional changes of characters, enabling readers and audiences to deeply feel the joys, sorrows, and ups and downs of the characters.
-.1.2 Opera Creation Theories and Practices
+==== Opera Creation Theories and Practices====
 Tang Xianzu not only dedicated himself to opera creation but also continuously explored and summarized opera creation theories in practice. He advocated that "ideological interest, spirit, and manner should be the main focus," opposing archaism, rigid adherence to prosody, and pursuit of formalism. He believed that opera creation should focus on the ideological connotations and emotional expressions of works rather than merely pursuing formal grandeur and metrical precision. In the creative process, he often personally guided the rehearsal and performance of Yihuang Opera. "Personally tapping sandalwood clappers to teach young performers" and "composing new lyrics to teach singing and dancing," he continuously tested and improved his creative theories through practice, making his works achieve the artistic effect of "making listeners shed tears, readers frown, the heartless moved, and the affectionate heartbroken."
-. Cultural Dissemination and Influence
+==Cultural Dissemination and Influence==
-.1 Contributions to the Inheritance of Opera Culture
+===Contributions to the Inheritance of Opera Culture===
 Through creating a large number of excellent opera works, Tang Xianzu laid a solid foundation for the inheritance and development of opera culture. His works enriched the themes and expressive forms of opera, combining profound ideological connotations with exquisite artistic techniques to enhance the artistic value of opera. His guidance and promotion of Yihuang Opera promoted the development and prosperity of local opera, cultivated a group of excellent opera talents, and created conditions for the future inheritance and dissemination of Yihuang Opera. At the same time, the widespread dissemination of works such as the "Four Dreams of Linchuan" at home and abroad has enabled more people to understand and recognize Chinese opera culture, enhancing the influence of Chinese opera on the world cultural stage.
-. Conclusion
+== Conclusion==
 Tang Xianzu's life was full of legendary colors. In the imperial examinations and official career, he experienced many hardships but always stuck to himself and did not bow to the powerful. In the field of literary creation, with works such as the "Four Dreams of Linchuan," he became a monument in the history of Chinese opera. His literary achievements have not only enriched the treasure house of ancient Chinese literature but also left a brilliant mark in the history of world literature. His main deeds will forever be remembered and praised by later generations.
-reference
+==reference==
 【1】Tang Xianzu. Collected Works of Tang Xianzu (4 volumes). Shanghai: Shanghai People's Publishing House, 1973.
@@ Line 145: / Line 145: @@
-Terms and expressions
+==Terms and expressions==
 汤显祖 Tang Xianzu
 临川四梦 Four Dreams of Linchuan
@@ Line 157: / Line 157: @@
 辅臣科臣 Auxiliary Ministers and Censor Officials
-Questions
+==Questions==
 .Which dynasty did Tang Xianzu belong to in Chinese history?
@@ Line 165: / Line 165: @@
 .Tang Xianzu is internationally known as the       of the East".
-Answers
+==Answers==
 .Tang dynasty
@@ Line 173: / Line 173: @@
 .Shakespeare
-AI statement
+==AI statement==
 The framework of this paper was determined using AI, and the main content was completed by reviewing relevant literature and searching for relevant information on Baidu.

@@ Line 1: / Line 1: @@
-= '''Tang Xianzu''' =
+='''汤显祖'''=
 蔡逸淳202470081592
-摘要
+==摘要==
 汤显祖作为明代杰出的剧作家与文学家，在文学创作、政治生涯及文化传播等方面皆留下了浓墨重彩的印记。本文涵盖其从科举之路到为官作为，再到辞官后的创作岁月，梳理其戏曲、诗文等多方面成就，探讨他在当时社会环境下的思想理念与价值追求，全面展现汤显祖丰富多彩且极具影响力的一生。
-一、引言
+==引言==
 汤显祖，字义仍，号若士、海若、清远道人等，1550 年出生于江西临川的一个书香世家，1616 年逝世。在明代文学史上，汤显祖占据着举足轻重的地位，其作品不仅在国内广为流传，更在世界文学之林绽放光彩，被誉为 “东方的莎士比亚”。深入探究汤显祖的主要事迹，对于理解明代文学发展脉络、社会文化风貌以及文人的精神世界有着极为重要的意义。
-二、生平经历
+=生平经历=
-.1 科举之路的坎坷
+== 科举之路的坎坷==
 汤显祖自幼天资聪慧，深受家庭浓厚学术氛围的熏陶。5 岁入家塾读书，展现出非凡的学习能力，12 岁便能作诗，13 岁师从徐良傅学习古文词，14 岁补县诸生，21 岁考中举人 。然而，在科举的进阶之路上，他却遭遇诸多波折。当时的科举制度已走向腐败，成为权贵营私舞弊的工具。直到万历十一年（1583 年），张居正去世后，汤显祖才考中进士，此时他已 34 岁，终于开启了自己的仕途生涯 。
-.2 为官期间的作为与挫折
+===为官期间的作为与挫折===
 汤显祖为官之路跌宕起伏。任职南京时，虽为闲职，却坚守文学独立，与复古派抗争，潜心创作交流。因仗义执言上《论辅臣科臣疏》弹劾权贵，触怒皇帝，被贬徐闻典史。任遂昌知县时，他展现卓越才能，组织打虎除患，秉持 “至情” 纵囚，关心农事，让僻瘠之地焕发生机。然而，其善政触动权贵利益，遭非议反对，最终不堪官场黑暗，主动辞官，三年后被正式罢职，结束了充满波折的仕途生涯 。
-三、文学成就
+==文学成就==
-.1 戏曲创作的辉煌
+=== 戏曲创作的辉煌===
-.1.1 “临川四梦” 的创作与影响
+====“临川四梦” 的创作与影响====
 汤显祖是江西临川人，“临川四梦”是他最具代表性和为人称道的四部经典作品，分别为《牡丹亭》《紫钗记》《邯郸记》和《南柯记》。这四部作品都具有梦境元素，通过对梦境的描绘和解 读，展现了汤显祖对人生、爱情、社会以及人性的深刻思考和独特见解。在“临川四梦”中，汤 显祖运用丰富的想象和独特的艺术手法，将梦境与现实相互交织，构建出奇幻而富有哲理的世界。 他通过对梦境的细致描绘，展现了人物的内心世界和情感变化，使读者和观众能够深刻感受人物的喜怒哀乐和悲欢离合。
-.1.2 戏曲创作理论与实践
+==== 戏曲创作理论与实践====
 汤显祖不仅致力于戏曲创作，还在实践中不断探索、总结戏曲创作理论。他主张 “以意趣神色为主”，反对拟古、拘泥声律和追求形式主义。他认为戏曲创作应注重作品的思想内涵和情感表达，而非仅仅追求形式上的华丽与声律的工整 。在创作过程中，他经常亲自指导宜黄戏的排练和演出，“亲掐檀板教小伶”，“自踏新词教歌舞”，通过实践不断检验和完善自己的创作理论，使作品达到 “令听者泪，读者颦，无情者心动，有情者肠裂” 的艺术效果 。
-五、文化传播与影响
+==文化传播与影响==
-.1 对戏曲文化传承的贡献
+=== 对戏曲文化传承的贡献===
 汤显祖通过创作大量优秀的戏曲作品，为戏曲文化的传承与发展奠定了坚实基础。他的作品丰富了戏曲的题材和表现形式，将深刻的思想内涵与精湛的艺术技巧相结合，提升了戏曲的艺术价值 。他对宜黄戏的指导与推动，促进了地方戏曲的发展与繁荣，培养了一批优秀的戏曲人才，为宜黄戏日后的传承与传播创造了条件 。同时，“临川四梦” 等作品在国内外的广泛传播，使更多人了解和认识了中国戏曲文化，增强了中国戏曲在世界文化舞台上的影响力 。
-六.结论
+==结论==
 汤显祖的一生充满了传奇色彩。在科举与仕途上，他历经坎坷，却始终坚守自我，不向权贵低头；在文学创作领域，他凭借 “临川四梦” 等作品，成为中国戏曲史上的一座丰碑，其文学成就不仅丰富了中国古代文学宝库，更在世界文学史上留下了璀璨的印记，他的主要事迹将永远被后人铭记与传颂 。
-术语：
+==术语==
 汤显祖 Tang Xianzu
 临川四梦 Four Dreams of Linchuan
@@ Line 55: / Line 54: @@
 辅臣科臣 Auxiliary Ministers and Censor Officials
-参考文献
+==参考文献==
 汤显祖. 《汤显祖集》（全四册）．上海：上海人民出版社，1973.
 徐朔方. 《汤显祖评传》．南京：南京大学出版社，1993.
@@ Line 62: / Line 61: @@
 《中国大百科全书·戏曲曲艺卷》．北京：中国大百科全书出版社，1983.
-问题
+==问题==
 . 汤显祖是中国哪个朝代的文学家？
@@ Line 69: / Line 68: @@
 . 汤显祖被国际誉为 “东方的______”？
-回答
+==回答==
 .明代
@@ Line 77: / Line 76: @@
-参考文献
+==参考文献==
 【1】汤显祖. 《汤显祖集》（全四册）．上海：上海人民出版社，1973.

← Older revision	Revision as of 15:13, 5 June 2025
Line 1:	Line 1:
	+	= '''Tang Xianzu''' =
	+	Tang Xianzu (1550–1616), styled Yiren, and known by the sobriquets Hairuo, Ruoshi, and Qingyuan Daoren, hailed from Linchuan, Jiangxi Province. An outstanding playwright and litterateur of the Ming Dynasty, he is acclaimed as the "Shakespeare of the East." His life spanned the reigns of Jiajing, Longqing, and Wanli. Amidst social transformations and ideological upheavals, he profoundly mirrored the characteristics of his era through the medium of opera.

	+	Tang Xianzu was born into a scholarly family in Linchuan. His great-grandfather was a Neo-Confucian scholar in the Yuan Dynasty; his grandfather was proficient in music, as well as Huang-Lao philosophy; and his father, a juren (a successful candidate in the provincial imperial examination), highly valued integrity and moral principles. From an early age, Tang demonstrated remarkable intelligence: he could compose couplets at five, authored a poetry collection at twelve, became a county student at fourteen, and ranked eighth in the Jiangxi provincial imperial examination at twenty-one. Influenced by Luo Rufang of the Taizhou School during his youth, he developed an understanding of "emotion" (qing), laying the groundwork for his future creative works. However, his path through the imperial examinations was arduous. By rejecting the overtures of the powerful Prime Minister Zhang Juzheng, he failed the national imperial examination five times. It was not until the age of thirty-four that he finally passed the examination and was appointed as a Doctoral Assistant at the Nanjing Office of Imperial Sacrifices.
	+
	+	During his tenure in Nanjing, despite holding a relatively minor position, Tang Xianzu keenly observed the political corruption of the late Ming Dynasty. In 1591, he submitted the Memorial on Cabinet Ministers and Censor Officials, impeaching powerful ministers and exposing malpractices such as imperial examination fraud. This angered Emperor Wanli, and Tang was demoted to the low-ranking position of Dian Shi in Xuwen County, Guangdong. In Xuwen, he established the Guisheng Academy, spreading the concept that "human nature is the most precious in the universe." Later transferred to serve as the Magistrate of Suichang County, Zhejiang, he reduced corvée labor, founded academies, and implemented benevolent governance. Nevertheless, due to offending the interests of the bureaucratic system, he indignantly resigned in 1598 to focus solely on opera creation.
	+
	+	After retiring from official life, Tang Xianzu entered his creative prime. At the Yuming Hall in Linchuan, he completed four masterpieces: The Peony Pavilion, The Purple Hairpin, The Handan Dream, and The Nanke Dream, collectively known as the "Four Dreams of Linchuan." The Peony Pavilion tells the story of Du Liniang, who "dies for love and is revived by love," breaking through the shackles of feudal ethics and advocating for the liberation of human nature. The Purple Hairpin uses a tragic love story to denounce the oppression of the powerful; The Handan Dream and The Nanke Dream expose the corruption of the imperial examination system and the vanity of officialdom through absurd dream narratives. In his theatrical theory, Tang advocated that "all music originates from the human heart." His views clashed with those of Shen Jing of the Wujiang School, who emphasized "adherence to musical rhythms and rules," sparking the famous "Tang-Shen Debate." Tang emphasized that opera should prioritize "emotion" over "rules," highlighting the trend of individual liberation.
	+
	+	In his later years, Tang Xianzu led a reclusive life in Linchuan, integrating Confucian, Buddhist, and Taoist thoughts. He associated with eminent monks and disciples of the School of the Mind, criticizing the rigidity of Neo-Confucianism while upholding Confucian integrity. He also engaged in local affairs, compiling county annals and participating in water conservancy projects. In 1616, Tang Xianzu passed away. On his deathbed, he admonished students to "fear the lack of moral conduct," fully embodying the spirit of a scholarly gentleman.
	+
	+	Using opera as his brush, Tang Xianzu wrote about the pursuit of human freedom. His works became a precursor to the enlightenment trend in the late Ming Dynasty. Still vibrant on the stage today, they stand as classic masterpieces in Chinese culture that showcase the authenticity of life.
	+	== Terms and Expressions ==
	+	汤显祖 Tang Xianzu
	+	临川四梦 Four Dreams of Linchuan
	+	泰州学派 Taizhou School
	+	《论辅臣科臣疏》 Memorial on Cabinet Ministers and Censor Officials
	+	贵生书院 Guisheng Academy
	+	汤沈之争 Tang-Shen Debate
	+	吴江派 Wujiang School
	+	黄老之学 Huang-Lao Philosophy
	+	科举舞弊 Imperial Examination Fraud
	+	心学 School of the Mind
	+	== Question ==
	+	1.What was the direct political reason for Tang Xianzu's repeated setbacks in the imperial examination system? What was the turning point for him to eventually pass the imperial examination as a jinshi?
	+	2. How did Tang Xianzu's family background shape his ideological character? Please provide a detailed explanation in combination with the description of the three generations of learning and cultivation of his family in the text.
	+	What "benevolent governance" measures did Tang Xianzu implement during his tenure as the magistrate of Suichang? How do these measures reflect his "valuing students" ideology?
	+	4. How did the "Four Dreams of Linchuan" challenge the Neo-Confucianism of Cheng and Zhu through the imagery of "dreams"? Take "The Peony Pavilion" as an example to analyze Tang Xianzu's view of "extreme love".
	+	5. How did Tang Xianzu's later thoughts reflect the integration of Confucianism, Buddhism and Taoism? What were Lu Xun's classic comments on his works?
	+	= '''汤显祖''' =
	+	汤显祖（1550—1616），字义仍，号海若、若士、清远道人，江西临川人，明代杰出的戏曲家、文学家，被誉为 “东方莎士比亚” 。其人生轨迹贯穿嘉靖、隆庆、万历三朝，在社会变革与思想激荡中，以戏曲为媒介，深刻反映时代特征。
	+	汤显祖出身临川书香门第，高祖为元代理学家，祖父精通音律与黄老之学，父亲是举人，重气节。自幼聪慧的他 5 岁能属对，12 岁著诗集，14 岁成县诸生，21 岁中江西乡试第八名。青年时受泰州学派罗汝芳影响，形成对 “情” 的认知，为日后创作埋下伏笔。然而，科举之路坎坷，因拒绝权相张居正拉拢，他五次会试落第，直至 34 岁才中进士，授南京太常寺博士。
	+	在南京任职期间，汤显祖虽为闲职，却洞察晚明政治腐败。1591 年，他上《论辅臣科臣疏》弹劾权臣，揭露科举舞弊等时弊，触怒神宗，被贬为广东徐闻县典史。在徐闻，他兴办 “贵生书院”，传播 “天地之性人为贵” 理念。后迁任浙江遂昌知县，减徭役、办书院、施仁政，但因触动官僚体系利益，1598 年愤然辞官，专注戏曲创作。
	+	弃官归乡后，汤显祖迎来创作巅峰，在临川玉茗堂完成《牡丹亭》《紫钗记》《邯郸记》《南柯记》，合称 “临川四梦”。《牡丹亭》以杜丽娘 “因情而死，因情复生” 的故事，突破礼教束缚，高呼人性解放；《紫钗记》借爱情悲剧控诉权贵压迫；《邯郸记》《南柯记》以荒诞梦境揭露科举腐败与官场虚妄。他在戏曲理论上主张 “凡音之起，由人心生”，与吴江派沈璟 “合律依腔” 的观点形成 “汤沈之争”，强调戏曲应重 “情” 轻 “法”，彰显个性解放思潮。
	+	晚年的汤显祖隐居临川，思想融合儒释道。他与高僧、心学弟子交往，既批判理学僵化，又坚守儒家节义。同时，他投身地方事务，编纂县志、参与水利工程。1616 年，汤显祖病逝，临终仍告诫诸生 “患无行耳”，尽显文人风骨。
	+	汤显祖以戏曲为笔，书写对人性自由的追求，其作品成为晚明启蒙思潮的先声，至今仍在舞台上焕发活力，是中华文化中彰显生命本真的经典之作。
	+
	+
	+	== 问题：==
	+	1. 汤显祖科举之路屡次受挫的直接政治原因是什么？他最终中进士的契机是什么？
	+	2. 汤显祖的家族背景如何塑造了他的思想品格？请结合文中对其家族三代学养的描述具体说明。
	+	3. 在遂昌知县任上，汤显祖实施了哪些"仁政"举措？这些举措如何体现其"贵生"思想？
	+	4. "临川四梦"如何通过"梦"的意象挑战程朱理学？以《牡丹亭》为例分析汤显祖的"情至"观。
	+	5. 汤显祖晚年思想如何体现儒释道的交融？鲁迅对其作品有何经典评价？
	+
	+	== 参考文献：==
	+	汤显祖.《牡丹亭》[M]. 万历二十六年（1598）.
	+	汤显祖.《宜黄县戏神清源师庙记》[A].
	+	汤显祖.《贵生书院说》[A].
	+	蒋防（唐）.《霍小玉传》[M].
	+	沈既济（唐）.《枕中记》《南柯太守传》[M].
	+	王国维.《人间词话》[M].