User:Deng Xinyu - Revision history

Deng Xinyu at 09:11, 30 December 2025

2025-12-30T09:11:30Z

Deng Xinyu: /* Modern Development */

2025-12-18T13:35:25Z

Modern Development

Deng Xinyu: /* Modern Development */

2025-12-18T13:34:56Z

Modern Development

Deng Xinyu at 13:06, 18 December 2025

2025-12-18T13:06:16Z

Show changes

Deng Xinyu: /* Characteristic Instrument—Yugu (fishing drum) */

2025-12-18T10:51:34Z

Characteristic Instrument—Yugu (fishing drum)

Deng Xinyu: /* 问题 */

2025-12-18T10:50:25Z

问题

Deng Xinyu at 10:48, 18 December 2025

2025-12-18T10:48:49Z

Deng Xinyu at 10:46, 18 December 2025

2025-12-18T10:46:04Z

Show changes

Root: Creating user page for new user.

2025-10-24T12:47:42Z

Creating user page for new user.

New page

My name is Deng Xinyu, and my English name is Ellen. After I graduated from Hunan First Normal University, I headed to rural Hunan to work as an English teacher at an elementary school. Then I worked as a full-time translator in Changsha. I am passionate about hiking, climbing, and music. Trekking through mountains recharges me, while music lets me unwind after busy translation work. Whether teaching, translating, or exploring nature, I stay focused on connecting people and embracing new experiences, always eager to bring my patience and curiosity to whatever comes next.

← Older revision		Revision as of 09:11, 30 December 2025
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	6. Hengyang Municipal People's Government 衡阳市人民政府. (2020). 祁东渔鼓 [Qidong Yuguxi] [EB/OL]. https://www.hengyang.gov.cn/wlgtj/wtfw/whys/20200118/i401041.html?tsrdfwczlrt		6. Hengyang Municipal People's Government 衡阳市人民政府. (2020). 祁东渔鼓 [Qidong Yuguxi] [EB/OL]. https://www.hengyang.gov.cn/wlgtj/wtfw/whys/20200118/i401041.html?tsrdfwczlrt
		+
		+	===AI Acknowledgement===
		+	I used AI to integrate the provided reference materials (e.g., Baidu Encyclopedia) and follow my Original outlines to draft Chinese texts. Then I cross-checked the AI-generated Chinese content against the references to verify factual accuracy and polish the wording. For the English version, I first asked AI to translate the revised Chinese text, then leaned on it to assist with refining the draft: advising on translations of culture-specific terms, tuning the opera’s lyrics for rhyme and natural slang, designing bilingual post-reading questions, and formatting references.

@@ Line 121: / Line 121: @@
 Qidong Yuguxi has been pushing the traditional boundaries. Its performance forms have expanded from early solo and duet singing to diverse forms such as Yuguxi sketch comedy, vocal performances and full-length repertoire shows. The costumes have developed from no fixed styles to elegant Han-style buttoned costumes or contemporary fashion attire.
 Qidong Yuguxi not only retains more than 100 traditional repertoires such as Emperor Qianlong's Southern Inspection Tour, The Ugly Yet Virtuous Daughter-in-law and Injustice of the Jade Bracelet, but also has emerged many repertoires with modern life themes, such as The Great Love of Qian Qiu by Zou Kunshan, which tells the touching story of Tan Qianqiu, a Qidong-born teacher who courageously rescued his students with his own body during the 2008 Wenchuan Earthquake.
 In terms of communication methods, artists have used Internet channels such as short videos and live streaming platforms to help Qidong Yuguxi step out of the rural areas of southern Hunan and capture the attention of young audiences nationwide.

@@ Line 121: / Line 121: @@
 Qidong Yuguxi has been pushing the traditional boundaries. Its performance forms have expanded from early solo and duet singing to diverse forms such as Yuguxi sketch comedy, vocal performances and full-length repertoire shows. The costumes have developed from no fixed styles to elegant Han-style buttoned costumes or contemporary fashion attire.
 Qidong Yuguxi not only retains more than 100 traditional repertoires such as Emperor Qianlong's Southern Inspection Tour, The Ugly Yet Virtuous Daughter-in-law and Injustice of the Jade Bracelet, but also has emerged many repertoires with modern life themes, such as The Great Love of Qian Qiu by Zou Kunshan, which tells the touching story of Tan Qianqiu, a Qidong-born teacher who courageously rescued his students with his own body during the 2008 Wenchuan Earthquake.
 In terms of communication methods, artists have used Internet channels such as short videos and live streaming platforms to help Qidong Yuguxi step out of the rural areas of southern Hunan and capture the attention of young audiences nationwide.

@@ Line 68: / Line 68: @@
 ====Characteristic Instrument—Yugu (fishing drum)====
 The Yugu tube is the iconic instrument of Qidong Yuguxi and is a percussion instrument. Yugu consists of two parts: one is the Yugu tube, also known as "Chuntong" or "Zhuqin" (bamboo zither); the other is “Jianban” (the clappers) for beating the Yugu tube to accompany the singing, also called "Jianzi" in general, and "Zhapan" in Qidong Yuguxi. The Yugu tube is composed of the tube body and the drum membrane: the tube body is mostly made of Nan Bamboo (phyllostachys pubescens)  or mottled bamboo, both of which are widely available in Qidong. To make the tube body, a bamboo section with a diameter of about 10 centimeters and a length of 80 centimeters is cut, with its nodes removed and polished smooth.  One end of the tube is covered with the drum membrane made of processed pigskin or sheepskin and secured tightly with ropes.
- The playing techniques of the Yugu tube are simple yet flexible. Artists lean the tube on their left arm. When playing, they hold the Yugu vertically with their left hand, wear a bamboo or wooden “Jianban” on the left index finger to knock the tube. Meanwhile, they pat the drumhead with their right palm, singing while patting and knocking—their voice resonating with the crisp sound of the Yugu’s claps. When accompanied by auxiliary instruments such as erhu (the main accompanying instrument), jinghu (a small fiddle used in Peking Opera), yueqin (a plucked string instrument), electronic organ and flute, a harmonious performance is formed, characterized by distinct rhythm and musical elegance.
+The playing techniques of the Yugu tube are simple yet flexible. Artists lean the tube on their left arm. When playing, they hold the Yugu vertically with their left hand, wear a bamboo or wooden “Jianban” on the left index finger to knock the tube. Meanwhile, they pat the drumhead with their right palm, singing while patting and knocking—their voice resonating with the crisp sound of the Yugu’s claps. When accompanied by auxiliary instruments such as erhu (the main accompanying instrument), jinghu (a small fiddle used in Peking Opera), yueqin (a plucked string instrument), electronic organ and flute, a harmonious performance is formed, characterized by distinct rhythm and musical elegance.
 ====Modern Development====
 Qidong Yuguxi has been pushing the traditional boundaries. Its performance forms have expanded from early solo and duet singing to diverse forms such as Yuguxi sketch comedy, vocal performances and full-length repertoire shows. The costumes have developed from no fixed styles to elegant Han-style buttoned costumes or contemporary fashion attire.

@@ Line 41: / Line 41: @@
 .	祁东渔鼓戏的核心演唱特色是什么？
 .	祁东渔鼓戏的主奏乐器是什么？
 ===Qidong Yuguxi: The Traditional Folk Opera of Qidong County===

@@ Line 43: / Line 43: @@
-Qidong Yuguxi: The Traditional Folk Opera of Qidong County
+===Qidong Yuguxi: The Traditional Folk Opera of Qidong County===
-. General Introduction
+====General Introduction====
 Took shape in the 1940s, Qidong Yuguxi (literally meaning Finishing Drum Opera) is a traditional folk opera in Qidong County, Hengyang City, Hunan Province. It is an intangible cultural heritage of Hunan Province. Its main accompanying instrument is Yugu (literally meaning Finishing Drum), a bamboo-made drum, which is 2 feet and 4 inches long and covered with pigskin membrane. Its representative repertoires include Romance of the Sui and Tang Dynasties and Emperor Qianlong's Southern Inspection Tour. Its origin can be traced back to Liu Xianzhong, a brick and tile kilnman. His apprentice Zou Zuxi brought Yuguxi to the official stage for the first time in 1952.
-. Historical Origin
+====Historical Origin====
 With a long-standing history, Qidong Yuguxi can be traced back to the "Daoqing" (a form of Taoist storytelling and preaching by Taoist priests when preaching or begging for alms)   in the Tang Dynasty (618-907). Accompanied by Yugu and clappers, it was called "playing Yugu and singing Taoist songs”. This art form was widely spread in the Yuan Dynasty (1279-1368) and developed a complete system of singing style in the Qing Dynasty. No historical records specify the exact time when Yuguxi was introduced to Qidong. However, according to folk legends, it found its way to  Qidong during the Jianyan period of the Southern Song Dynasty (1127–1130)  —a time when the Jin army invaded and Emperor Gaozong moved the capital southward. The accompanying court artists scattered along the way and made a living by storytelling and singing, which is regarded as the original form of Yuguxi's spread in southern Hunan.
 The recorded history of the development of Qidong Yuguxi began in the mid-1940s. Liu Xianzhong, a brick and tile kilnman from Wanfuling Village, Baidishi Town, Qidong County, would hold a two-foot-long bamboo tube and knock it while singing interesting stories of past dynasties and folk tales in his spare time, which had attracted a lot of neighbors to listen. Zou Zuxi, a nearby folk artist, often went to listen to Liu Xianzhong's Yuguxi performances and later became his first disciple in Qidong. Zou Zuxi is also recognized as the founder of Qidong Yuguxi.
 Originally, Zou Zuxi was a folk singer who made a living by singing "Yegazi" (funeral dirges sung to pray for the salvation of the deceased). Thanks to his great talent for folk art, he introduced Yuguxi to funeral performances. Later, he accepted many disciples, bringing Yuguxi out of funeral halls to stage performances. Gradually, he expanded its performance scenarios to birthday celebrations, clan genealogy ceremonies, market openings, store inaugurations and other diverse occasions. It is fair to say that Qidong people will propose "holding several Yuguxi performances" whenever encountering important festivals or events. Due to the strong artistic vitality and extensive influence of Qidong Yuguxi, Qidong County was awarded the title of "Hometown of Chinese Folk Art" by the Chinese Ballad Singers Association in 2008, being the only county in Hunan Province to receive this honor. Qidong County is home to Zou Kunshan, a national-level representative inheritor of intangible cultural heritage, and Zou Huachun, a provincial-level representative inheritor.
-. Singing Characteristics
+====Singing Characteristics====
 The core singing feature of Qidong Yuguxi lies in "flexibility and improvisation", a trait that sets it apart from other Chinese folk operas. Structured around four-line arias as its core melody, artists will flexibly use different plate styles (musical meter pattern) based on the plot to convey sorrow that moves people to tears, lofty and impassioned heroism, or gentle and lingering affection. At the same time, it boldly absorbs the essence of local art forms such as Qiyang Opera, Huaguxi (another kind of folk opera popular in Hunan Province) and Qiyang Minor, and integrates the characteristics of different roles such as Sheng, Dan, Jing, and Chou (the four main role types in traditional Chinese opera) into the performance. Actors can improvise their "singing, speaking and acting" in response to changing situations.
 •	Speaking: The performance is delivered in the Qidong dialect, featuring clear enunciation and tightly linked sentence structures. The speech is close to the daily spoken language of residents, simple in form yet rich in life wisdom. In terms of tone, it mirrors the tone of daily speech, creating a warm and approachable feel for the audience.
@@ Line 67: / Line 67: @@
 If you don’t get wasted and I don’t hit the sauce—who’s gonna pass out on the asphalt course?
 If you’re plastered and I’m hammered, mark my word—tomorrow we’ll meet again in the hospital ward!
-. Characteristic Instrument—Yugu (fishing drum)
+====Characteristic Instrument—Yugu (fishing drum)====
 The Yugu tube is the iconic instrument of Qidong Yuguxi and is a percussion instrument. Yugu consists of two parts: one is the Yugu tube, also known as "Chuntong" or "Zhuqin" (bamboo zither); the other is “Jianban” (the clappers) for beating the Yugu tube to accompany the singing, also called "Jianzi" in general, and "Zhapan" in Qidong Yuguxi. The Yugu tube is composed of the tube body and the drum membrane: the tube body is mostly made of Nan Bamboo (phyllostachys pubescens)  or mottled bamboo, both of which are widely available in Qidong. To make the tube body, a bamboo section with a diameter of about 10 centimeters and a length of 80 centimeters is cut, with its nodes removed and polished smooth.  One end of the tube is covered with the drum membrane made of processed pigskin or sheepskin and secured tightly with ropes.
   The playing techniques of the Yugu tube are simple yet flexible. Artists lean the tube on their left arm. When playing, they hold the Yugu vertically with their left hand, wear a bamboo or wooden “Jianban” on the left index finger to knock the tube. Meanwhile, they pat the drumhead with their right palm, singing while patting and knocking—their voice resonating with the crisp sound of the Yugu’s claps. When accompanied by auxiliary instruments such as erhu (the main accompanying instrument), jinghu (a small fiddle used in Peking Opera), yueqin (a plucked string instrument), electronic organ and flute, a harmonious performance is formed, characterized by distinct rhythm and musical elegance.
-. Modern Development
+====Modern Development====
 Qidong Yuguxi has been pushing the traditional boundaries. Its performance forms have expanded from early solo and duet singing to diverse forms such as Yuguxi sketch comedy, vocal performances and full-length repertoire shows. The costumes have developed from no fixed styles to elegant Han-style buttoned costumes or contemporary fashion attire.
 Qidong Yuguxi not only retains more than 100 traditional repertoires such as Emperor Qianlong's Southern Inspection Tour, The Ugly Yet Virtuous Daughter-in-law and Injustice of the Jade Bracelet, but also has emerged many repertoires with modern life themes, such as The Great Love of Qian Qiu by Zou Kunshan, which tells the touching story of Tan Qianqiu, a Qidong-born teacher who courageously rescued his students with his own body during the 2008 Wenchuan Earthquake.
-−
 In terms of communication methods, artists have used Internet channels such as short videos and live streaming platforms to help Qidong Yuguxi step out of the rural areas of southern Hunan and capture the attention of young audiences nationwide.
-Terms and Expressions
+===Terms and Expressions===
 Qidong Yuguxi祁东渔鼓戏
 Yugu (fishing drum) 渔鼓
@@ Line 92: / Line 91: @@
 Qiyang Opera祁剧
-Questions
+===Questions===
 .	In which decade did Qidong Yuguxi take shape?
 .	Who is the founder of Qidong Yuguxi?
@@ Line 99: / Line 98: @@
 .	What is the main accompanying instrument of Qidong Yuguxi?
-Reference
+===Reference===
 .	Zhou Yanbing 周彦冰，Zhou Tieshan 周铁珊. (2012). “中国曲艺之乡” 湖南祁东渔鼓音乐的探索与发展 [Exploration and Development of Qidong Yuguxi Music in Hunan, the "Hometown of Chinese Quyi"]. 音乐创作 [Music Creation] (08) 170-172.
 .	Hou Kena 侯克娜. (n.d.). 论祁东渔鼓的艺术特色与发展启示 [On the Artistic Characteristics and Development Enlightenment of Qidong Yuguxi]. 艺术争鸣 [Contention in Literature and Art] 153-154.