User:Le Yuxuan - Revision history

Le Yuxuan: /* Final paper(English version) */

2024-12-26T09:08:30Z

Final paper(English version)

Le Yuxuan: /* Final paper(English version) */

2024-12-26T09:07:03Z

Final paper(English version)

Le Yuxuan: /* Final paper(Chinese version) */

2024-12-26T09:04:21Z

Final paper(Chinese version)

Le Yuxuan: /* Final paper(Chinese version) */

2024-12-26T08:58:13Z

Final paper(Chinese version)

Le Yuxuan: /* Final paper(Chinese version) */

2024-12-26T08:51:27Z

Final paper(Chinese version)

Le Yuxuan: /* Final paper(Chinese version) */

2024-12-26T08:50:45Z

Final paper(Chinese version)

Le Yuxuan: /* Final paper(English version) */

2024-12-26T08:47:23Z

Final paper(English version)

Le Yuxuan: /* Final paper(Chinese version) */

2024-12-26T08:46:39Z

Final paper(Chinese version)

Le Yuxuan: /* Final paper(Chinese version) */

2024-12-26T08:45:54Z

Final paper(Chinese version)

Le Yuxuan: /* Final paper(English version) */

2024-12-26T08:42:37Z

Final paper(English version)

← Older revision		Revision as of 09:08, 26 December 2024
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−	Illustrations	+	'''Illustrations'''

	[[File:appreciation of the moon]]		[[File:appreciation of the moon]]

← Older revision		Revision as of 09:07, 26 December 2024
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	In addition, the moon is likewise seen in some Western cultures as a romantic representation. For example, in The Moon and Sixpence, the British writer Maugham believes that the moon symbolizes spiritual life and one’s artistic pursuits, while the sixpence symbolizes the material needs of food, rice, oil and salt. The moon becomes a symbol of beauty, art, and nobility, representing the opposition and separation from secular life, which overlaps with the meaning of the moon as a symbol of beauty and freedom in traditional Chinese culture, and constitutes cultural homogeneity in different cultural dimensions.（Maugham 1919）		In addition, the moon is likewise seen in some Western cultures as a romantic representation. For example, in The Moon and Sixpence, the British writer Maugham believes that the moon symbolizes spiritual life and one’s artistic pursuits, while the sixpence symbolizes the material needs of food, rice, oil and salt. The moon becomes a symbol of beauty, art, and nobility, representing the opposition and separation from secular life, which overlaps with the meaning of the moon as a symbol of beauty and freedom in traditional Chinese culture, and constitutes cultural homogeneity in different cultural dimensions.（Maugham 1919）
		+
		+
		+	Illustrations
		+
		+	[[File:appreciation of the moon]]

@@ Line 225: / Line 225: @@
 '''插图'''
-[[File:shangyue]]
 '''术语表达'''

@@ Line 225: / Line 225: @@
 '''插图'''
-[[File:https://ts1.cn.mm.bing.net/th/id/R-C.3b6af7c7f40225e02891e819dc14a937?rik=o261zad7NTzJPg&riu=http%3a%2f%2fimg95.699pic.com%2fphoto%2f40046%2f6053.jpg_wh860.jpg&ehk=Qt98FG5ROmbWd3Dk844rl8FyWReIfNP3p%2fi88JncXnI%3d&risl=&pid=ImgRaw&r=0]]
+[[File:shangyue]]
 '''术语表达'''

@@ Line 223: / Line 223: @@
 此外，月亮在一些西方文化中同样被视为超越世俗的浪漫代表。例如英国作家毛姆在《月亮与六便士》中认为，月亮象征着精神生活，象征着一个人的艺术追求，而六便士则象征着柴米油盐的物质需求。月亮成为美、艺术、高贵的象征，代表着与世俗生活对立与区隔，这与中国传统文化当中月亮是美、自由的象征含义产生了重叠，构成了不同文化维度下的文化同质性。（毛姆 1919）
 插图
-[[File:]]
+'''插图'''
 '''术语表达'''

← Older revision		Revision as of 08:50, 26 December 2024
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	此外，月亮在一些西方文化中同样被视为超越世俗的浪漫代表。例如英国作家毛姆在《月亮与六便士》中认为，月亮象征着精神生活，象征着一个人的艺术追求，而六便士则象征着柴米油盐的物质需求。月亮成为美、艺术、高贵的象征，代表着与世俗生活对立与区隔，这与中国传统文化当中月亮是美、自由的象征含义产生了重叠，构成了不同文化维度下的文化同质性。（毛姆 1919）		此外，月亮在一些西方文化中同样被视为超越世俗的浪漫代表。例如英国作家毛姆在《月亮与六便士》中认为，月亮象征着精神生活，象征着一个人的艺术追求，而六便士则象征着柴米油盐的物质需求。月亮成为美、艺术、高贵的象征，代表着与世俗生活对立与区隔，这与中国传统文化当中月亮是美、自由的象征含义产生了重叠，构成了不同文化维度下的文化同质性。（毛姆 1919）

		+	插图
		+	[[File:]]

	'''术语表达'''		'''术语表达'''

@@ Line 135: / Line 135: @@
 In addition, the moon is likewise seen in some Western cultures as a romantic representation. For example, in The Moon and Sixpence, the British writer Maugham believes that the moon symbolizes spiritual life and one’s artistic pursuits, while the sixpence symbolizes the material needs of food, rice, oil and salt. The moon becomes a symbol of beauty, art, and nobility, representing the opposition and separation from secular life, which overlaps with the meaning of the moon as a symbol of beauty and freedom in traditional Chinese culture, and constitutes cultural homogeneity in different cultural dimensions.（Maugham 1919）
 '''Terms and Expressions'''
@@ Line 151: / Line 152: @@
 Prelude to Water Melody《水调歌头》
 '''Questions＆Answers'''
@@ Line 169: / Line 171: @@
 A: Wives who miss their husbands who are away at war and a traveler who misses his family at home.
 '''References'''
@@ Line 181: / Line 184: @@
 [5].William Somerset Maugham. 威廉·萨默塞特·毛姆. 《月亮和六便士》(The Moon and Sixpence), 1919.
 '''AI Statement'''

← Older revision		Revision as of 08:46, 26 December 2024
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	此外，月亮在一些西方文化中同样被视为超越世俗的浪漫代表。例如英国作家毛姆在《月亮与六便士》中认为，月亮象征着精神生活，象征着一个人的艺术追求，而六便士则象征着柴米油盐的物质需求。月亮成为美、艺术、高贵的象征，代表着与世俗生活对立与区隔，这与中国传统文化当中月亮是美、自由的象征含义产生了重叠，构成了不同文化维度下的文化同质性。（毛姆 1919）		此外，月亮在一些西方文化中同样被视为超越世俗的浪漫代表。例如英国作家毛姆在《月亮与六便士》中认为，月亮象征着精神生活，象征着一个人的艺术追求，而六便士则象征着柴米油盐的物质需求。月亮成为美、艺术、高贵的象征，代表着与世俗生活对立与区隔，这与中国传统文化当中月亮是美、自由的象征含义产生了重叠，构成了不同文化维度下的文化同质性。（毛姆 1919）
		+

	'''术语表达'''		'''术语表达'''

@@ Line 187: / Line 187: @@
 ==Final paper(Chinese version)==
-宋词中“月”意象的情感承载和文化内涵
+'''宋词中“月”意象的情感承载和文化内涵'''
 乐雨萱
-摘要:词兴起于初唐，经过盛唐、晚唐五代的发展，到了宋代达到了它的鼎盛时期。在经历了宋代文人的苦心经营后，词达到了出神人化、炉火纯青的境地。宋人在精心苦雕、刻意经营的过程中，对意象的营造倾注了更多的心血和精力。意象的选择、提炼和运用，更使宋词五彩纷呈，进而达到更高的审美境界。月则是宋词中运用最广、文化意义最浓的一个意象。
+'''摘要'''
 在词中，月亮并非仅仅是纯粹的自然景观，还是一只硕大无比的艺术空筐，一个情感的载体，它可以负载着人间各种各样的感情。月变成了美好圆满的爱情，温馨的故乡，也化成了劳燕分飞天各一方的离恨，远别故乡不得归的别绪。
@@ Line 215: / Line 219: @@
 此外，月亮在一些西方文化中同样被视为超越世俗的浪漫代表。例如英国作家毛姆在《月亮与六便士》中认为，月亮象征着精神生活，象征着一个人的艺术追求，而六便士则象征着柴米油盐的物质需求。月亮成为美、艺术、高贵的象征，代表着与世俗生活对立与区隔，这与中国传统文化当中月亮是美、自由的象征含义产生了重叠，构成了不同文化维度下的文化同质性。（毛姆 1919）
+'''术语表达'''
 Song lyrics 宋词
@@ Line 233: / Line 236: @@
-问题＆答案
+'''问题＆答案'''
 .宋词中运用最广、文化意义最浓的一个意象是什么？
@@ Line 252: / Line 255: @@
-参考文献
+'''参考文献'''
 [1].Deng Guoguang. 邓国光. 《中国历代咏月诗词全集》[The Complete Collection of Chinese Moon Poems Throughout the Ages], 河南文艺出版社[Henan Literature and Art Publishing House], 2003.
@@ Line 265: / Line 268: @@
-AI声明
+'''AI声明'''
 我在此保证，我没有使用人工智能来帮助撰写本课程的期末论文。

@@ Line 104: / Line 104: @@
 ==Final paper(English version)==
-The Emotional Bearings and Cultural Connotations of the Moon Imagery in Song Lyrics
+'''The Emotional Bearings and Cultural Connotations of the Moon Imagery in Song Lyrics'''
 Le Yuxuan/Lydia
 '''Abstract'''
 Lyrics emerged in the early Tang Dynasty, and reached its peak in the Song Dynasty through the development of the prosperous Tang Dynasty. After the Song literati’s painstaking efforts, lyrics became fascinated. And in the process of painstaking creating, the Song people devoted more effort and energy to the creation of imagery. The selection, refinement, and use of imagery made Song lyrics colorful, thus reaching a higher aesthetic realm. The moon is the most widely used and culturally significant image in Song lyrics.
 '''Main part'''
@@ Line 119: / Line 117: @@
 .expressing one’s feelings through the moon
 Love is an eternal theme. Song lyrics also contain many works depicting the innocent love life between men and women. In this kind of lyrics, the moon imagery is not only used to accentuate and render, but also used to symbolize the innocence of love between young men and women, thus giving human beings the enjoyment of beauty. For example, in He Zhu’s The Moon over the Western River, “Hand in hand to see the flowers on the deep path, shoulder to shoulder to wait for the moon on the slanting porch”, the “moon” and “flowers” reflect each other, which vividly describes the beauty of the moon and flowers when men and women are dating and gives people a charming impression. This is how the lyricist expresses the development of his emotion and spirit through the different symbolic meanings shown by the flower and moon imagery. There are also many words that use the moon to express the girls’ feelings, such as Yanshu’s Butterflies in Love with Flowers, “The moon, which knows not parting grief, sheds slanting light, through crimson windows all the night.”, which expresses the infinite loneliness and endless sadness of a young girl.（Shen 2008, 231）
@@ Line 136: / Line 135: @@
 In addition, the moon is likewise seen in some Western cultures as a romantic representation. For example, in The Moon and Sixpence, the British writer Maugham believes that the moon symbolizes spiritual life and one’s artistic pursuits, while the sixpence symbolizes the material needs of food, rice, oil and salt. The moon becomes a symbol of beauty, art, and nobility, representing the opposition and separation from secular life, which overlaps with the meaning of the moon as a symbol of beauty and freedom in traditional Chinese culture, and constitutes cultural homogeneity in different cultural dimensions.（Maugham 1919）
 '''Terms and Expressions'''
@@ Line 153: / Line 151: @@
 Prelude to Water Melody《水调歌头》
 '''Questions＆Answers'''
@@ Line 172: / Line 169: @@
 A: Wives who miss their husbands who are away at war and a traveler who misses his family at home.
 '''References'''
@@ Line 185: / Line 181: @@
 [5].William Somerset Maugham. 威廉·萨默塞特·毛姆. 《月亮和六便士》(The Moon and Sixpence), 1919.
 '''AI Statement'''