User:Qin Yi - Revision history

Qin Yi: /* 参考文献 */

2025-06-19T14:38:21Z

参考文献

Qin Yi: /* References */

2025-06-19T14:34:54Z

References

Qin Yi: /* References */

2025-06-19T14:30:56Z

References

Qin Yi: /* References */

2025-06-19T14:29:51Z

References

Qin Yi: /* References */

2025-06-19T14:27:57Z

References

Qin Yi at 14:25, 19 June 2025

2025-06-19T14:25:53Z

Qin Yi at 14:08, 19 June 2025

2025-06-19T14:08:58Z

Qin Yi at 12:31, 19 June 2025

2025-06-19T12:31:44Z

Qin Yi at 11:33, 19 June 2025

2025-06-19T11:33:11Z

Qin Yi at 09:54, 19 June 2025

2025-06-19T09:54:01Z

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 == 参考文献 ==
-[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.]
+[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
-[2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.]
+[2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqoBvO0ctpSsULIQfseYH9jVCaa82p397EvWN6myxtDrtVspt8QEGzByHYpBm7hNxTq2VyS0IJdap9ewHgH-Ua4e8o9OsAyQCvKo_6m51ZKdeF5nxSgZe1W7HZSaFYdhCJ-QfMK3EZ3bZHpLAPPc59D06sKiq4rXXTQ=&uniplatform=NZKPT]
-[3]胡馨元.胶东花饽饽的文化功能与经济价值[J].炎黄地理,2025,(03):169-171.[Hu Xinyuan.Cultural Functions and Economic Value of Jiaodong Huabobo[J].Yanhuang Geography,2025,(03):169-171.]
+[3]胡馨元.胶东花饽饽的文化功能与经济价值[J].炎黄地理,2025,(03):169-171.[Hu Xinyuan.Cultural Functions and Economic Value of Jiaodong Huabobo[J].Yanhuang Geography,2025,(03):169-171.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrBF0-s2y7300cmlOknNqlxUzYui8pReZg1XKVbxwlv1I0mlWhRPtaJ9mfu5CpP6UOBsLfwnghSFIEFb21nHgnCducu74SDyMsAGokxELmYoycnzX42rdoaKwOLxA6tQ2kUdKfJeIHJWE51ZC2DvKHyy17NGzJPUZ4=&uniplatform=NZKPT]
-[4]李曼.胶东“花饽饽”传承发展研究[D].华中师范大学,2024.DOI:10.27159/d.cnki.ghzsu.2024.001943.[Li Man. Research on the Inheritance and Development of Jiaodong "Huabobo" [D]. Central China Normal University, 2024. DOI:10.27159/d.cnki.ghzsu.2024.001943]
+[4]李曼.胶东“花饽饽”传承发展研究[D].华中师范大学,2024.DOI:10.27159/d.cnki.ghzsu.2024.001943.[Li Man. Research on the Inheritance and Development of Jiaodong "Huabobo" [D]. Central China Normal University, 2024. DOI:10.27159/d.cnki.ghzsu.2024.001943][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqokiAI0UwQYyVIZWm7E2FPSWoeLVD21kdAF6Vn0yKV5qj92vHmGdqpo---upOz099u7xOJ-dYHsgd-a5mEaGwn-c2o_ZSpRF6gTzuhNm6HfFPlZ5SExCZixFEN6XJHsypACaQd_EkNzpozaPoIo_TwkJmU_w7zTqPI=&uniplatform=NZKPT]
-[5]王辉.胶东花饽饽的民俗与地域风格[J].中国艺术时空,2017,(06):63-67.[Wang Hui.The Folk Customs and Regional Characteristics of Jiaodong Huabobo[J].China Art Space-Time,2017,(06):63-67.]
+[5]王辉.胶东花饽饽的民俗与地域风格[J].中国艺术时空,2017,(06):63-67.[Wang Hui.The Folk Customs and Regional Characteristics of Jiaodong Huabobo[J].China Art Space-Time,2017,(06):63-67.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqo1pJxRSpAbUTeqbyFMdNO_RcU9X-1zWsYZnoQoUws15az5v7KIy-5rCff-fkwW-e1mJmpWiLlBE98xXAV-07Y7T0rsRq_j-NtQuq2soYkuvt4pPv005A_VaFj3KI0NNMEDxH4u6dqG_mk_DmU-wbaA4gBfar9CW5s=&uniplatform=NZKPT]
-[6]徐研茜,马学良.基于艺术设计的非遗活态传承与乡村产业融合研究——以胶东花饽饽为例[J].上海包装,2025,(02):201-203.DOI:10.19446/j.cnki.1005-9423.2025.02.060.[Xu Yanxi, Ma Xueliang. Research on the Dynamic Inheritance of Intangible Cultural Heritage and Rural Industry Integration Based on Artistic Design: A Case Study of Jiaodong Huabobo [J]. Shanghai Packaging, 2025, (02): 201-203. DOI:10.19446/j.cnki.1005-9423.2025.02.060.]
+[6]徐研茜,马学良.基于艺术设计的非遗活态传承与乡村产业融合研究——以胶东花饽饽为例[J].上海包装,2025,(02):201-203.DOI:10.19446/j.cnki.1005-9423.2025.02.060.[Xu Yanxi, Ma Xueliang. Research on the Dynamic Inheritance of Intangible Cultural Heritage and Rural Industry Integration Based on Artistic Design: A Case Study of Jiaodong Huabobo [J]. Shanghai Packaging, 2025, (02): 201-203. DOI:10.19446/j.cnki.1005-9423.2025.02.060.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqq_p5LZzRmyPzWIBGPCGeCA9zdvaN4mBeXABW_OKGmKDlRjgddhixIBGkfeYEFL0N8hWDCM_4RWwWTSRR2mbInFIDfBlmRyppNjeI5DZSMMCy1r6LIDMu9FiDOPde6mCEGL3X7HbdoaxE986NbyrTpcfOtYFby0U7A=&uniplatform=NZKPT]
-[7]Lili Z ,Yang G .An Exploration of the Dynamic Inheritance Path of Intangible Cultural Heritage Enabled by the Metaverse[J].Journal of Sociology and Ethnology,2024,6(6):
+[7]Lili Z ,Yang G .An Exploration of the Dynamic Inheritance Path of Intangible Cultural Heritage Enabled by the Metaverse[J].Journal of Sociology and Ethnology,2024,6(6):[https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqp-K6iM9VEPWqy-5cCqb9kALMbtiHJNtkCJbosxlVLaSz9f_3YWlcyRVu8ISO4KLCM42rcthSHeMUSv0uV37RJcWwCjE18_pQfGt8U78Y6smk8j8KJWqPTbyEOgh_tMmiJhwWZrPhXXooPBjFHDjdv0y-WqQjEB99OJvMQEALU8lLwJvvNUlOQYYtjdmlmVMFQ=&uniplatform=NZKPT]
 == 人工智能声明 ==

@@ Line 187: / Line 187: @@
 [1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
-[2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.]
+[2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqoBvO0ctpSsULIQfseYH9jVCaa82p397EvWN6myxtDrtVspt8QEGzByHYpBm7hNxTq2VyS0IJdap9ewHgH-Ua4e8o9OsAyQCvKo_6m51ZKdeF5nxSgZe1W7HZSaFYdhCJ-QfMK3EZ3bZHpLAPPc59D06sKiq4rXXTQ=&uniplatform=NZKPT]
-[3]胡馨元.胶东花饽饽的文化功能与经济价值[J].炎黄地理,2025,(03):169-171.[Hu Xinyuan.Cultural Functions and Economic Value of Jiaodong Huabobo[J].Yanhuang Geography,2025,(03):169-171.]
+[3]胡馨元.胶东花饽饽的文化功能与经济价值[J].炎黄地理,2025,(03):169-171.[Hu Xinyuan.Cultural Functions and Economic Value of Jiaodong Huabobo[J].Yanhuang Geography,2025,(03):169-171.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrBF0-s2y7300cmlOknNqlxUzYui8pReZg1XKVbxwlv1I0mlWhRPtaJ9mfu5CpP6UOBsLfwnghSFIEFb21nHgnCducu74SDyMsAGokxELmYoycnzX42rdoaKwOLxA6tQ2kUdKfJeIHJWE51ZC2DvKHyy17NGzJPUZ4=&uniplatform=NZKPT]
-[4]李曼.胶东“花饽饽”传承发展研究[D].华中师范大学,2024.DOI:10.27159/d.cnki.ghzsu.2024.001943.[Li Man. Research on the Inheritance and Development of Jiaodong "Huabobo" [D]. Central China Normal University, 2024. DOI:10.27159/d.cnki.ghzsu.2024.001943]
+[4]李曼.胶东“花饽饽”传承发展研究[D].华中师范大学,2024.DOI:10.27159/d.cnki.ghzsu.2024.001943.[Li Man. Research on the Inheritance and Development of Jiaodong "Huabobo" [D]. Central China Normal University, 2024. DOI:10.27159/d.cnki.ghzsu.2024.001943][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqokiAI0UwQYyVIZWm7E2FPSWoeLVD21kdAF6Vn0yKV5qj92vHmGdqpo---upOz099u7xOJ-dYHsgd-a5mEaGwn-c2o_ZSpRF6gTzuhNm6HfFPlZ5SExCZixFEN6XJHsypACaQd_EkNzpozaPoIo_TwkJmU_w7zTqPI=&uniplatform=NZKPT]
-[5]王辉.胶东花饽饽的民俗与地域风格[J].中国艺术时空,2017,(06):63-67.[Wang Hui.The Folk Customs and Regional Characteristics of Jiaodong Huabobo[J].China Art Space-Time,2017,(06):63-67.]
+[5]王辉.胶东花饽饽的民俗与地域风格[J].中国艺术时空,2017,(06):63-67.[Wang Hui.The Folk Customs and Regional Characteristics of Jiaodong Huabobo[J].China Art Space-Time,2017,(06):63-67.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqo1pJxRSpAbUTeqbyFMdNO_RcU9X-1zWsYZnoQoUws15az5v7KIy-5rCff-fkwW-e1mJmpWiLlBE98xXAV-07Y7T0rsRq_j-NtQuq2soYkuvt4pPv005A_VaFj3KI0NNMEDxH4u6dqG_mk_DmU-wbaA4gBfar9CW5s=&uniplatform=NZKPT]
-[6]徐研茜,马学良.基于艺术设计的非遗活态传承与乡村产业融合研究——以胶东花饽饽为例[J].上海包装,2025,(02):201-203.DOI:10.19446/j.cnki.1005-9423.2025.02.060.[Xu Yanxi, Ma Xueliang. Research on the Dynamic Inheritance of Intangible Cultural Heritage and Rural Industry Integration Based on Artistic Design: A Case Study of Jiaodong Huabobo [J]. Shanghai Packaging, 2025, (02): 201-203. DOI:10.19446/j.cnki.1005-9423.2025.02.060.]
+[6]徐研茜,马学良.基于艺术设计的非遗活态传承与乡村产业融合研究——以胶东花饽饽为例[J].上海包装,2025,(02):201-203.DOI:10.19446/j.cnki.1005-9423.2025.02.060.[Xu Yanxi, Ma Xueliang. Research on the Dynamic Inheritance of Intangible Cultural Heritage and Rural Industry Integration Based on Artistic Design: A Case Study of Jiaodong Huabobo [J]. Shanghai Packaging, 2025, (02): 201-203. DOI:10.19446/j.cnki.1005-9423.2025.02.060.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqq_p5LZzRmyPzWIBGPCGeCA9zdvaN4mBeXABW_OKGmKDlRjgddhixIBGkfeYEFL0N8hWDCM_4RWwWTSRR2mbInFIDfBlmRyppNjeI5DZSMMCy1r6LIDMu9FiDOPde6mCEGL3X7HbdoaxE986NbyrTpcfOtYFby0U7A=&uniplatform=NZKPT]
-[7]Lili Z ,Yang G .An Exploration of the Dynamic Inheritance Path of Intangible Cultural Heritage Enabled by the Metaverse[J].Journal of Sociology and Ethnology,2024,6(6):
+[7]Lili Z ,Yang G .An Exploration of the Dynamic Inheritance Path of Intangible Cultural Heritage Enabled by the Metaverse[J].Journal of Sociology and Ethnology,2024,6(6):[https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqp-K6iM9VEPWqy-5cCqb9kALMbtiHJNtkCJbosxlVLaSz9f_3YWlcyRVu8ISO4KLCM42rcthSHeMUSv0uV37RJcWwCjE18_pQfGt8U78Y6smk8j8KJWqPTbyEOgh_tMmiJhwWZrPhXXooPBjFHDjdv0y-WqQjEB99OJvMQEALU8lLwJvvNUlOQYYtjdmlmVMFQ=&uniplatform=NZKPT]
 == AI Statement ==

@@ Line 185: / Line 185: @@
 == References ==
-[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][http://www.example.com https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
+[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
 [2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.]

@@ Line 185: / Line 185: @@
 == References ==
-[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][http://www.https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
+[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][http://www.example.com https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
 [2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.]

@@ Line 185: / Line 185: @@
 == References ==
-[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.]
+[1]初君友.胶东花饽饽习俗[J].春秋,2024,(01):2.[Chu Junyou.Customs of Jiaodong Huabobo[J]. Spring and Autumn,2024,(01):2.][http://www.https://kns.cnki.net/kcms2/article/abstract?v=i7m15r_oBqrprcb19L9h2dJ90OmPwKE8ma3MDx2XvD5ApayaeZKbdVe4OoBJovOHpgSKx1sDqG-OtKeSO7uiypIUOhcxGcGrhGN48_yUm5LgdPUUS3S1l32AdpHZbkXA_ppKEUIYMEm5CsvpotpuH8tI4Y9DYTFPTeFio6G909U=&uniplatform=NZKPT]
 [2]郭馨蔚.舌尖上的艺术品：基于文献调研的21世纪胶东花饽饽民俗产物变迁[J].文化产业,2023,(17):7-9.[Guo Xinwei.Art on the Tip of the Tongue: The Evolution of Jiaodong Huabobo as a Folk Artifact in the 21st Century Based on Literature Research[J].Cultural Industry,2023,(17):7-9.]

@@ Line 203: / Line 203: @@
 === Refinement of the Paper Outline ===
-I gave the chatbot DeepSeek the following instruction:"Please help me refine my paper outline."
+I gave the chatbot DeepSeek the following instruction: Please help me refine my paper outline.
-I identified the following issue with the result: The output outline was not detailed enough. I revised my instruction to: Please further refine my paper outline, specifying it down to the second-level headings." Based on the refined outline, I did some more thinking and decided to divide the section on "Customs and Uses" into four aspects according to different occasions: Spring Festival, Weddings, Birthday Celebrations, Sea-Worshipping Ceremonies. I also renamed the section on "Inheritance Strategies" to "Current Inheritance Status and Strategies."
+I identified the following issue with the result: The output outline was not detailed enough. I revised my instruction to: Please further refine my paper outline, specifying it down to the second-level headings. Based on the refined outline, I did some more thinking and decided to divide the section on "Customs and Uses" into four aspects according to different occasions: Spring Festival, Weddings, Birthday Celebrations, Sea-Worshipping Ceremonies. I also renamed the section on "Inheritance Strategies" to "Current Inheritance Status and Strategies."
+=== Technical Terminology Adjustment for "Production Process" ===
 = 传统菜肴：胶东花饽饽 =

@@ Line 197: / Line 197: @@
 [6]徐研茜、马学良 Xu Yanxi & Ma Xueliang 2025 基于艺术设计的非遗活态传承与乡村产业融合研究——以胶东花饽饽为例 [Research on the Integration of Intangible Cultural Heritage Living Inheritance Based on Art Design and Rural Industries--A Case Study of Jiaodong Huabobo]
 = 传统菜肴：胶东花饽饽 =
@@ Line 396: / Line 407: @@
 [6]徐研茜、马学良 Xu Yanxi & Ma Xueliang 2025 基于艺术设计的非遗活态传承与乡村产业融合研究——以胶东花饽饽为例 [Research on the Integration of Intangible Cultural Heritage Living Inheritance Based on Art Design and Rural Industries--A Case Study of Jiaodong Huabobo]

← Older revision		Revision as of 11:33, 19 June 2025
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−	~~----~~
	= Traditional Cuisine: Jiaodong Huabobo =		= Traditional Cuisine: Jiaodong Huabobo =

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 == Origin and Development ==
-The history of Jiaodong Huabobo stretches far back, with its development closely interwined with the agrarian civilization and folk  beliefs in the Jiaodong region. As early as the Neolithic Age, with the introduction of wheat cultivation, local residents began to create various shaped flour-based foods. Initially, these dough sculptures were mainly used for sacrifices to the sea god and ancestors, reflecting the ancestors' awe and worship of nature. Due to the limited wheat yield, offerings made from high-quality flour were particularly precious. Residents along the Jiaodong coast used wheat flour to craft oxen, sheep, pigs, and other animals for sacrifices to the sea god, pioneering the tradition of Jiaodong Huabobo. Later, Jiaodong locals also imitated the Huabobo used in sea god sacrifices to honor their ancestors and commemorate festivals.(Li Man, 2024, 18)
+The history of Jiaodong Huabobo stretches far back, with its development closely interwined with the agrarian civilization and folk  beliefs in the Jiaodong region. As early as the Neolithic Age, with the introduction of wheat cultivation, local residents began to create various shaped flour-based foods. Initially, these dough sculptures were mainly used for sacrifices to the sea god and ancestors, reflecting the ancestors' awe and worship of nature. Due to the limited wheat yield, offerings made from high-quality flour were particularly precious. Residents along the Jiaodong coast used wheat flour to craft oxen, sheep, pigs, and other animals for sacrifices to the sea god, pioneering the tradition of Jiaodong Huabobo. Later, Jiaodong locals also imitated the Huabobo used in sea god sacrifices to honor their ancestors and commemorate festivals.(Li Man 2024,18)
-As time progressed, the functions of Huabobo expanded from sacrifices to festivals and life rituals. Literature from the Song Dynasty already contains records of dough sculptures being used during occasions such as the Spring Festival, weddings and birthdays. During the Ming and Qing Dynasties, the designs of Huabobo became more diverse, evolving from initial animal totems to themes like flowers and figures(Li Man, 2024, 18), becoming an important symbol of festival culture in the Jiaodong region. According to historical records, farmers in the Jimo area during the Ming Dynasty began making Huabobo during festivals and celebratory events to express their yearning and wishes for a better life(Xu Yanxi, Ma Xueliang, 2025, 203). On important festivals, every household would craft unique Huabobo, which were used not only for offerings to the gods, but also as gifts exchanges among relatives and friends.
+As time progressed, the functions of Huabobo expanded from sacrifices to festivals and life rituals. Literature from the Song Dynasty already contains records of dough sculptures being used during occasions such as the Spring Festival, weddings and birthdays. During the Ming and Qing Dynasties, the designs of Huabobo became more diverse, evolving from initial animal totems to themes like flowers and figures(Li Man 2024,18), becoming an important symbol of festival culture in the Jiaodong region. According to historical records, farmers in the Jimo area during the Ming Dynasty began making Huabobo during festivals and celebratory events to express their yearning and wishes for a better life(Xu Yanxi,Ma Xueliang 2025,203). On important festivals, every household would craft unique Huabobo, which were used not only for offerings to the gods, but also as gifts exchanges among relatives and friends.
 In modern times, the sacrificial and blessing-seeking functions of Huabobo have gradually faded, yet its artistic value and cultural significance have become increasingly prominent. In 2006, Jiaodong Huabobo was included in the National List of Intangible Cultural Heritage, marking the formal protection of this traditional craft. Today, through skill training, exhibitions and displays, Huabobo not only inherits ancient production techniques, but also serves as an important vehicle for promoting excellent traditional culture. It has become a cultural link connecting the past and the present, showcasing the unique life wisdom and spiritual pursuits of the Jiaodong region.
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 === Spring Festival ===
-In the Jiaodong region, making Huabobo around the Spring Festival is an important tradition. The word "Sheng" in "Sheng Chong" Bobo is a homophone in the Jiaodong dislect for "Sheng", meaning "surplus", symbolizing abundant grain harvests and continuous surplus year after year(Wang Hui, 2017, 64). "Yuanbao" Bobo symbolizes wealth and is often used as offerings to ancestors or placed at the position of the God of Wealth, praying for prosperity. These Huabobo are mostly used for ancestral worship, offerings ti deities, or as gifts when visting relatives and friends to convey blessings.
+In the Jiaodong region, making Huabobo around the Spring Festival is an important tradition. The word "Sheng" in "Sheng Chong" Bobo is a homophone in the Jiaodong dislect for "Sheng", meaning "surplus", symbolizing abundant grain harvests and continuous surplus year after year(Wang Hui 2017,64). "Yuanbao" Bobo symbolizes wealth and is often used as offerings to ancestors or placed at the position of the God of Wealth, praying for prosperity. These Huabobo are mostly used for ancestral worship, offerings ti deities, or as gifts when visting relatives and friends to convey blessings.
 [[File:Shengchong.jpg]]
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 === Current Inheritance Status ===
-The inheritance status of Jiaodong Huabobo presents a multifaceted picture, with both positive development trends and certain challenges. Currently, active promotion is carried out through events such as cultural festivals and craft exhibitions. Some catering enterprises are attempting to innovate the shapes to attract young consumer groups. With the rise of e-commerce and the "China-chic" trend, Huabobo have frequently gained popularity beyond their local circles, attracting orders from both domestic and international markets. Additionally, some local areas in Jiaodong have leveraged the Huabobo culture to create characteristic towns. For example, Houjia Town in Wendeng District has established a "Huabobo Town", relying on its cultural heritage and solid industrial foundation to build a cultural and creative industry base, an entrepreneurial incubation platform, and an industrial aggregation park for Huabobo, enabling the products  to reach all parts of the country and the world. However, its inheritance still faces numerous challenges: there is a shortage of successors for traditional craftsmanship, with a scarcity of young practitioners; during the commercializationprocess, there are phenomena such as excessive simplification of craftsmanship and misuse of industrial raw materials, leading to severe product homogenization and a gradual weakening of traditional characteristics (Xu Yanxi, Ma Xueliang, 2025, 203); in the inheritance process, the excavation and interpretation of its cultural connotations are not in-depth and systematic enough, resulting in some young people having insufficient awareness of its cultural value and lacking a sense of identity and inheritance consciousness for the Huabobo culture.
+The inheritance status of Jiaodong Huabobo presents a multifaceted picture, with both positive development trends and certain challenges. Currently, active promotion is carried out through events such as cultural festivals and craft exhibitions. Some catering enterprises are attempting to innovate the shapes to attract young consumer groups. With the rise of e-commerce and the "China-chic" trend, Huabobo have frequently gained popularity beyond their local circles, attracting orders from both domestic and international markets. Additionally, some local areas in Jiaodong have leveraged the Huabobo culture to create characteristic towns. For example, Houjia Town in Wendeng District has established a "Huabobo Town", relying on its cultural heritage and solid industrial foundation to build a cultural and creative industry base, an entrepreneurial incubation platform, and an industrial aggregation park for Huabobo, enabling the products  to reach all parts of the country and the world. However, its inheritance still faces numerous challenges: there is a shortage of successors for traditional craftsmanship, with a scarcity of young practitioners; during the commercializationprocess, there are phenomena such as excessive simplification of craftsmanship and misuse of industrial raw materials, leading to severe product homogenization and a gradual weakening of traditional characteristics (Xu Yanxi,Ma Xueliang 2025,203); in the inheritance process, the excavation and interpretation of its cultural connotations are not in-depth and systematic enough, resulting in some young people having insufficient awareness of its cultural value and lacking a sense of identity and inheritance consciousness for the Huabobo culture.
 === Inheritance Strategies ===
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 At the product innocation level, form a professional research and development team. On the basis of retaining the essence of traditional craftsmanship, design shapes that blend traditional elements with modern aesthetics, establish standardized production processes and quality control systems, construct an marketing network combing "online e-commerce+offline experience stores", and create a cultural IP and brand matrix with regional characteristics.
-In terms of cultural dissemination, adopt the strategy of "living inheritancee". The core of living inheritance lies in its dynamism and participatory nature (Xu Yanxi, Ma Xueliang, 2025, 202). Build a cultural and ecological protaction zone for Huabobo, develop immersive experience projects. By using virtual reality(VR), augmented reality(AR), and mixed reality(MR) technologies, the generation environment of Huabobo can be deeply simulated, combined with virtual reality intelligent modeling, retaining the details and immerses (Zhao Lili,Gao Yang,2024,11). Integrate traditional craftsmanship into labor education courses in primary and secondary schools, produce a series of documentaries and short video content, and hold international cultural exchange activities to enhance influence.
+In terms of cultural dissemination, adopt the strategy of "living inheritancee". The core of living inheritance lies in its dynamism and participatory nature (Xu Yanxi,Ma Xueliang 2025,202). Build a cultural and ecological protaction zone for Huabobo, develop immersive experience projects. By using virtual reality(VR), augmented reality(AR), and mixed reality(MR) technologies, the generation environment of Huabobo can be deeply simulated, combined with virtual reality intelligent modeling, retaining the details and immerses (Zhao Lili,Gao Yang 2024,11). Integrate traditional craftsmanship into labor education courses in primary and secondary schools, produce a series of documentaries and short video content, and hold international cultural exchange activities to enhance influence.
 In terms of government support, formulate relevant policies to strengthen the protection and inheritance og Huabobo craftsmanship. For example, set up a special fund for non-material cultural heritage protection, formulate a traditional craftsmanship revitalization plan, establish an industry-university0research cooperation platform, provide tax reductions and interest subsidies on loans for compliant enterprises, form industry associations to set industry standards, and ensure the purity and sustainable development of traditional craftsmanship.
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 = 传统菜肴：胶东花饽饽 =
 == 摘要 ==