User:Wang Huaixing - Revision history

Wang Huaixing at 08:17, 5 June 2025

2025-06-05T08:17:07Z

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Wang Huaixing at 08:13, 5 June 2025

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Wang Huaixing at 08:03, 5 June 2025

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Wang Huaixing at 08:02, 5 June 2025

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Wang Huaixing at 08:01, 5 June 2025

2025-06-05T08:01:22Z

Wang Huaixing at 08:00, 5 June 2025

2025-06-05T08:00:36Z

Root: Creating user page for new user.

2025-02-21T15:26:02Z

Creating user page for new user.

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My name is Wang Huaixing, my English name is Ura, I am from Jilin Province, I have a certificate of English level 6 and a certificate of French major level 8. In terms of talent, I like to play Guzheng, play guitar and blow gourd silk, and I have a Guzheng Level 9 Certificate.

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	'''Changbai Mountain'''		'''Changbai Mountain'''

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	'''Changbai Mountain'''		'''Changbai Mountain'''

← Older revision		Revision as of 08:13, 5 June 2025
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	'''Changbai Mountain'''		'''Changbai Mountain'''

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 （The numbers below are just used to mark paragraphs, not points）
 # Standing tall on the northeastern frontier of China, Changbai Mountain is a majestic presence that overlooks the China–North Korea border. Often referred to as the “Sacred Mountain of the Manchus” or the “Alps of the East,” it is far more than a physical landmark—it is a vessel of culture, spirit, and language. For the Chinese people, especially ethnic groups in the northeast, Changbai Mountain has not only shaped modes of existence but also fostered cultural identity and collective memory.
+# Geography and Language: Cultural Cognition Embedded in Naming.The name “Changbai Mountain” itself encapsulates rich cultural and linguistic information. Ancient Chinese texts referred to it by various names, including Buxian Mountain, Taibai Mountain, or Baektu Mountain (in Korean). The term “Changbai” is derived from the Manchu “Golmin Šanggiyan Alin,” meaning “perpetually white mountain.” This translation process across languages reveals the historical blending of multiple ethnic cultures. In classical Chinese, “white” (bai) often symbolizes purity, sanctity, and nobility—linguistic choices that enhance the mountain’s sacred aura.
-# Geography and Language: Cultural Cognition Embedded in Naming
+# Mythology and Changbai Mountain: The Source of Cultural Memory.Changbai Mountain is a central stage in numerous myths, the most prominent being the “Heavenly Maiden’s Descent.” According to legend, three celestial maidens bathed in the mountain’s lake, and the eldest sister accidentally swallowed a sacred pearl, subsequently giving birth to a son—regarded as the ancestor of the Manchu people. The Manzhou Shilu (The Veritable Records of the Manchus), an official Qing Dynasty chronicle, documents this narrative in detail, establishing a divine origin for the ruling family. This myth is more than a tale—it is a form of cultural self-construction that sanctifies the natural landscape to legitimize historical identity.
-The name “Changbai Mountain” itself encapsulates rich cultural and linguistic information. Ancient Chinese texts referred to it by various names, including Buxian Mountain, Taibai Mountain, or Baektu Mountain (in Korean). The term “Changbai” is derived from the Manchu “Golmin Šanggiyan Alin,” meaning “perpetually white mountain.” This translation process across languages reveals the historical blending of multiple ethnic cultures. In classical Chinese, “white” (bai) often symbolizes purity, sanctity, and nobility—linguistic choices that enhance the mountain’s sacred aura.
+# Religion and Ritual: Mountain Worship as Cultural Identity.Changbai Mountain held a prominent place in religious and ritual practices, particularly during the Qing Dynasty. After establishing their rule in China, Qing emperors such as Kangxi and Qianlong conducted grand ceremonies to worship the mountain, either by proxy or through personal inspection tours. They inscribed phrases like “Land of Eternal Blessing” and “Sacred Realm of the Heavenly Lake” on commemorative steles. These state-sponsored rituals were expressions of reverence for ancestors and also tools for political legitimacy. Here, language functioned as a vehicle of sacred text and imperial discourse, reinforcing collective identity through ceremonial expression.
+# Changbai Mountain in National Discourse: From Periphery to Center.With the development of modern nation-state concepts, Changbai Mountain’s cultural meaning underwent a transformation. Once the spiritual birthplace of an ethnic minority, it was gradually incorporated into the national narrative as a symbol of cultural unity and territorial integrity. In discussions on border sovereignty, ecological conservation, and tourism promotion, Changbai Mountain is frequently invoked as a symbol of national pride. Its portrayal in media, literature, and political discourse underscores its role as a “national mountain,” reflecting the tension and synergy between globalization and cultural localization in contemporary China.
-# Mythology and Changbai Mountain: The Source of Cultural Memory
+# Cultural Transmission: Linguistic Re-creation and Image Construction.As Changbai Mountain gains increasing visibility in modern media, its cultural symbols are continually reinterpreted and reconstructed. Through internet language, tourist slogans, and literary works, the mountain is often described using phrases such as “eye of the heavenly lake” and “gateway to the heavens,” infusing it with mysticism and sacredness. These expressions are not merely aesthetic metaphors but linguistic tools that shape public imagination and emotional resonance. The mountain becomes a poetic metaphor and a symbol of ecological and spiritual purity in the contemporary cultural landscape.
 '''Words and Expressions'''

@@ Line 3: / Line 3: @@
 （The numbers below are just used to mark paragraphs, not points）
 # Standing tall on the northeastern frontier of China, Changbai Mountain is a majestic presence that overlooks the China–North Korea border. Often referred to as the “Sacred Mountain of the Manchus” or the “Alps of the East,” it is far more than a physical landmark—it is a vessel of culture, spirit, and language. For the Chinese people, especially ethnic groups in the northeast, Changbai Mountain has not only shaped modes of existence but also fostered cultural identity and collective memory.
 # Geography and Language: Cultural Cognition Embedded in Naming
 The name “Changbai Mountain” itself encapsulates rich cultural and linguistic information. Ancient Chinese texts referred to it by various names, including Buxian Mountain, Taibai Mountain, or Baektu Mountain (in Korean). The term “Changbai” is derived from the Manchu “Golmin Šanggiyan Alin,” meaning “perpetually white mountain.” This translation process across languages reveals the historical blending of multiple ethnic cultures. In classical Chinese, “white” (bai) often symbolizes purity, sanctity, and nobility—linguistic choices that enhance the mountain’s sacred aura.
 # Mythology and Changbai Mountain: The Source of Cultural Memory
 Changbai Mountain is a central stage in numerous myths, the most prominent being the “Heavenly Maiden’s Descent.” According to legend, three celestial maidens bathed in the mountain’s lake, and the eldest sister accidentally swallowed a sacred pearl, subsequently giving birth to a son—regarded as the ancestor of the Manchu people. The Manzhou Shilu (The Veritable Records of the Manchus), an official Qing Dynasty chronicle, documents this narrative in detail, establishing a divine origin for the ruling family. This myth is more than a tale—it is a form of cultural self-construction that sanctifies the natural landscape to legitimize historical identity.
 # Religion and Ritual: Mountain Worship as Cultural Identity
 Changbai Mountain held a prominent place in religious and ritual practices, particularly during the Qing Dynasty. After establishing their rule in China, Qing emperors such as Kangxi and Qianlong conducted grand ceremonies to worship the mountain, either by proxy or through personal inspection tours. They inscribed phrases like “Land of Eternal Blessing” and “Sacred Realm of the Heavenly Lake” on commemorative steles. These state-sponsored rituals were expressions of reverence for ancestors and also tools for political legitimacy. Here, language functioned as a vehicle of sacred text and imperial discourse, reinforcing collective identity through ceremonial expression.
 # Changbai Mountain in National Discourse: From Periphery to Center
 With the development of modern nation-state concepts, Changbai Mountain’s cultural meaning underwent a transformation. Once the spiritual birthplace of an ethnic minority, it was gradually incorporated into the national narrative as a symbol of cultural unity and territorial integrity. In discussions on border sovereignty, ecological conservation, and tourism promotion, Changbai Mountain is frequently invoked as a symbol of national pride. Its portrayal in media, literature, and political discourse underscores its role as a “national mountain,” reflecting the tension and synergy between globalization and cultural localization in contemporary China.
 # Cultural Transmission: Linguistic Re-creation and Image Construction
 As Changbai Mountain gains increasing visibility in modern media, its cultural symbols are continually reinterpreted and reconstructed. Through internet language, tourist slogans, and literary works, the mountain is often described using phrases such as “eye of the heavenly lake” and “gateway to the heavens,” infusing it with mysticism and sacredness. These expressions are not merely aesthetic metaphors but linguistic tools that shape public imagination and emotional resonance. The mountain becomes a poetic metaphor and a symbol of ecological and spiritual purity in the contemporary cultural landscape.

@@ Line 1: / Line 1: @@
 '''Changbai Mountain'''
 （The numbers below are just used to mark paragraphs, not points）
 # Standing tall on the northeastern frontier of China, Changbai Mountain is a majestic presence that overlooks the China–North Korea border. Often referred to as the “Sacred Mountain of the Manchus” or the “Alps of the East,” it is far more than a physical landmark—it is a vessel of culture, spirit, and language. For the Chinese people, especially ethnic groups in the northeast, Changbai Mountain has not only shaped modes of existence but also fostered cultural identity and collective memory.
@@ Line 40: / Line 41: @@
 '''长白山'''
 (数字仅用于标明段落，不用于分点)
 # 在中国辽阔的版图上，长白山以其巍峨挺拔的姿态屹立于东北边陲，俯瞰中朝边境，被誉为“满族的圣山”、“东方的阿尔卑斯”。它不仅是一座自然意义上的山，更是一种文化、精神与语言的载体。对于中华民族尤其是东北各民族来说，长白山不仅塑造了他们的生存方式，也构建了他们的文化认同与集体记忆。
@@ Line 75: / Line 77: @@
 '''参考文献'''
 （数字仅用于分行The numbers are just used to divide lines)
 # [1]温诗语, 冯玲玲,and 袁大鹏."长白山文化背景下满族盘扣在旅游纺织类纪念品中的创新应用". 武汉纺织大学学报 :1-7.

← Older revision		Revision as of 08:00, 5 June 2025
Line 1:		Line 1:
−	My name is ~~Wang Huaixing~~, ~~my English name~~ is ~~Ura~~, ~~I am from Jilin Province~~, ~~I have~~ a ~~certificate~~ of ~~English level 6~~ and a ~~certificate~~ of ~~French major level 8~~. In ~~terms~~ of ~~talent~~, I like to ~~play Guzheng~~, ~~play guitar~~ and ~~blow gourd silk~~, and ~~I have a Guzheng Level 9 Certificate~~.	+	'''Changbai Mountain'''
		+	（The numbers below are just used to mark paragraphs, not points）
		+	# Standing tall on the northeastern frontier of China, Changbai Mountain is a majestic presence that overlooks the China–North Korea border. Often referred to as the “Sacred Mountain of the Manchus” or the “Alps of the East,” it is far more than a physical landmark—it is a vessel of culture, spirit, and language. For the Chinese people, especially ethnic groups in the northeast, Changbai Mountain has not only shaped modes of existence but also fostered cultural identity and collective memory.
		+	# Geography and Language: Cultural Cognition Embedded in Naming
		+	The name “Changbai Mountain” itself encapsulates rich cultural and linguistic information. Ancient Chinese texts referred to it by various names, including Buxian Mountain, Taibai Mountain, or Baektu Mountain (in Korean). The term “Changbai” is derived from the Manchu “Golmin Šanggiyan Alin,” meaning “perpetually white mountain.” This translation process across languages reveals the historical blending of multiple ethnic cultures. In classical Chinese, “white” (bai) often symbolizes purity, sanctity, and nobility—linguistic choices that enhance the mountain’s sacred aura.
		+	# Mythology and Changbai Mountain: The Source of Cultural Memory
		+	Changbai Mountain is a central stage in numerous myths, the most prominent being the “Heavenly Maiden’s Descent.” According to legend, three celestial maidens bathed in the mountain’s lake, and the eldest sister accidentally swallowed a sacred pearl, subsequently giving birth to a son—regarded as the ancestor of the Manchu people. The Manzhou Shilu (The Veritable Records of the Manchus), an official Qing Dynasty chronicle, documents this narrative in detail, establishing a divine origin for the ruling family. This myth is more than a tale—it is a form of cultural self-construction that sanctifies the natural landscape to legitimize historical identity.
		+	# Religion and Ritual: Mountain Worship as Cultural Identity
		+	Changbai Mountain held a prominent place in religious and ritual practices, particularly during the Qing Dynasty. After establishing their rule in China, Qing emperors such as Kangxi and Qianlong conducted grand ceremonies to worship the mountain, either by proxy or through personal inspection tours. They inscribed phrases like “Land of Eternal Blessing” and “Sacred Realm of the Heavenly Lake” on commemorative steles. These state-sponsored rituals were expressions of reverence for ancestors and also tools for political legitimacy. Here, language functioned as a vehicle of sacred text and imperial discourse, reinforcing collective identity through ceremonial expression.
		+	# Changbai Mountain in National Discourse: From Periphery to Center
		+	With the development of modern nation-state concepts, Changbai Mountain’s cultural meaning underwent a transformation. Once the spiritual birthplace of an ethnic minority, it was gradually incorporated into the national narrative as a symbol of cultural unity and territorial integrity. In discussions on border sovereignty, ecological conservation, and tourism promotion, Changbai Mountain is frequently invoked as a symbol of national pride. Its portrayal in media, literature, and political discourse underscores its role as a “national mountain,” reflecting the tension and synergy between globalization and cultural localization in contemporary China.
		+	# Cultural Transmission: Linguistic Re-creation and Image Construction
		+	As Changbai Mountain gains increasing visibility in modern media, its cultural symbols are continually reinterpreted and reconstructed. Through internet language, tourist slogans, and literary works, the mountain is often described using phrases such as “eye of the heavenly lake” and “gateway to the heavens,” infusing it with mysticism and sacredness. These expressions are not merely aesthetic metaphors but linguistic tools that shape public imagination and emotional resonance. The mountain becomes a poetic metaphor and a symbol of ecological and spiritual purity in the contemporary cultural landscape.
		+
		+	'''Words and Expressions'''
		+	# Changbai Mountain长白山
		+	# Ethnic identity民族认同
		+	# Mythological narrative神话叙事
		+	# Linguistic expression语言表达
		+	# Mountain worship / Veneration of nature山川崇拜
		+	# Heavenly Lake天池
		+	# Ancestor worship祖先崇拜
		+	# Multi-ethnic integration多民族交融
		+	# National narrative国家叙事
		+	# Cultural landmark文化地标
		+	# Interaction between nature and culture自然与文化的互动
		+	# Cultural symbol文化象征
		+	# Frontier consciousness边疆意识
		+	# Cultural self-construction文化自我建构
		+
		+	'''Questions and Discussions'''
		+	# How does the myth of the “Heavenly Maiden’s Descent” reflect the cultural self-construction of the Manchu people?
		+	# In what ways does the naming of Changbai Mountain reveal the linguistic interactions among different ethnic groups?
		+	# How has Changbai Mountain’s symbolic meaning evolved from a sacred site in ethnic traditions to a part of national narrative?
		+	# What role does Changbai Mountain play in the construction of cultural identity through language and ritual?
		+	# How do modern media and tourism reshape the cultural image of Changbai Mountain?
		+	# What does the integration of Changbai Mountain into official historical texts like Manzhou Shilu suggest about imperial legitimization strategies?
		+	# In the context of ecological discourse, how does Changbai Mountain symbolize the connection between nature and national identity?
		+
		+
		+	'''长白山'''
		+	(数字仅用于标明段落，不用于分点)
		+	# 在中国辽阔的版图上，长白山以其巍峨挺拔的姿态屹立于东北边陲，俯瞰中朝边境，被誉为“满族的圣山”、“东方的阿尔卑斯”。它不仅是一座自然意义上的山，更是一种文化、精神与语言的载体。对于中华民族尤其是东北各民族来说，长白山不仅塑造了他们的生存方式，也构建了他们的文化认同与集体记忆。
		+	# “长白山”这一名称本身即蕴含着丰富的语言文化信息。古代文献中常称之为“不咸山”、“太白山”或“白头山”，其中“长白”一词来自满语“Golmin Šanggiyan Alin”，意为“白雪皑皑的高山”。这种语言的转译过程不仅体现了多民族交融的历史，也反映了自然景观对文化命名的深刻影响。在传统汉语中，“白”常象征纯洁、高洁、神圣，这种语言符号的使用进一步强化了长白山的神圣性。
		+	# 长白山作为神话的重要舞台，其最著名的传说莫过于“天女下凡”的神话。传说中，长白山是天女三姐妹沐浴之地，大姐不慎吞下一颗神珠，随后怀孕，生下一男婴——也就是满族的始祖。清朝官方史书《满洲实录》中对此有详细记载，并由此建构出满族“天命所归”的神圣血统。这种神话叙事不单是族群的起源想象，更是一种文化自我建构，通过神圣化自然地理来确立文化正当性。
		+	# 长白山在宗教文化中也有极高地位。满清入关后，清帝多次派遣官员或亲自巡幸长白山，举行隆重的祭山仪式，以示对祖先的敬仰。康熙、乾隆等皇帝曾亲笔题写“万年吉地”、“天池圣境”等碑文。这些礼制活动不仅表达了政治合法性，更展现了山川崇拜在中国传统文化中的重要地位。语言在此作为祭祀文本与政治话语的载体，发挥着凝聚族群记忆的作用。
		+	# 随着现代国家观念的形成，长白山的文化意义也被重新编码。它不仅是民族文化的发源地，更被纳入国家统一叙事之中，成为中华文明多元一体的象征。在中朝边界问题、生态保护以及旅游宣传中，长白山被频繁提及，并通过影视、文学、媒体等多种语言媒介不断重申其“国山”地位。这种转变体现出当代中国文化在全球化与本土化之间的动态张力。
		+	# 随着长白山逐渐走入大众视野，其文化符号不断被现代传媒重新建构。在网络语言、旅游口号、文学作品中，长白山常被赋予“神秘”、“神圣”、“净土”等形容词，形成一种充满东方想象的文化意象。例如，“天池之眼”、“通天之门”等表达，不仅是视觉印象的修辞，更是对神性与自然融合的语言塑造。
		+
		+
		+	'''词汇表达'''
		+	# 长白山Changbai Mountain
		+	# 民族认同ethnic identity
		+	# 神话叙事mythological narrative
		+	# 语言表达linguistic expression
		+	# 山川崇拜mountain worship / veneration of nature
		+	# 天池Heavenly Lake
		+	# 祖先崇拜ancestor worship
		+	# 多民族交融multi-ethnic integration
		+	# 国家叙事national narrative
		+	# 文化地标cultural landmark
		+	# 自然与文化的互动interaction between nature and culture
		+	# 文化象征cultural symbol
		+	# 边疆意识frontier consciousness
		+	# 文化自我建构cultural self-construction
		+
		+	'''问题与讨论'''
		+	# “天女下凡”的神话如何体现满族文化的自我建构？
		+	# 长白山的命名过程体现了哪些多民族语言交流的痕迹？
		+	# 长白山如何从民族传统中的圣地转变为国家叙事的一部分？
		+	# 长白山在通过语言与仪式建构文化认同的过程中起到了怎样的作用？
		+	# 当代媒体与旅游业如何重塑长白山的文化形象？
		+	# 长白山被纳入《满洲实录》等官方史书说明了清朝怎样的政治合法性建构策略？
		+	# 在生态话语语境中，长白山如何象征自然与国家身份之间的联系？
		+
		+	'''参考文献'''
		+	（数字仅用于分行The numbers are just used to divide lines)
		+	# [1]温诗语, 冯玲玲,and 袁大鹏."长白山文化背景下满族盘扣在旅游纺织类纪念品中的创新应用". 武汉纺织大学学报 :1-7.
		+	# [2]厉书闻,张立博,李昌伟,et al.."数字化时代背景下的文旅产业发展策略研究——以长白山华美胜地景区为中心". 商展经济 .07(2025):58-61. DOI:10.19995/j.cnki.CN10-1617/F7.2025.07.058.
		+	# [3]刘荔, 黄家慧,and 甘雯俊."长白山文化符号在茶具设计中的创新应用". 鞋类工艺与设计 5.06(2025):198-200.
		+	# [4]曹保明."长白山非物质文化遗产的抢救与传承". 新长征 .03(2025):43-45.
		+	# [5]黄芯蕊,and 董守业."乡村振兴背景下长白山草编传承与发展路径研究". 南方农机 56.04(2025):77-80.