User:Zeng Zhi - Revision history

Zeng Zhi at 16:11, 19 June 2025

2025-06-19T16:11:33Z

Zeng Zhi: /* References */

2025-06-19T16:08:58Z

References

Zeng Zhi at 16:08, 19 June 2025

2025-06-19T16:08:00Z

Zeng Zhi at 16:01, 19 June 2025

2025-06-19T16:01:54Z

Zeng Zhi at 16:00, 19 June 2025

2025-06-19T16:00:06Z

Zeng Zhi: /* References */

2025-06-19T15:46:33Z

References

Zeng Zhi: /* References */

2025-06-19T15:45:41Z

References

Zeng Zhi: /* References */

2025-06-19T14:45:34Z

References

Zeng Zhi at 14:44, 19 June 2025

2025-06-19T14:44:42Z

Zeng Zhi at 14:14, 19 June 2025

2025-06-19T14:14:54Z

@@ Line 12: / Line 12: @@
 The earliest bead ornaments in China can be traced back to the Paleolithic Age. In the site of the Upper Cave Man in Zhoukoudian, Beijing, archaeologists unearthed necklaces approximately 10,000 years old. They were made by stringing materials like animal teeth, shells, small stone beads, etc. and were used as "amulet". And in the sites of various places in the Neolithic Age, a large number of perforated stone beads, bone tubes, clam shells, jade, agate and other ornaments were also unearthed. These bead ornaments were mostly made of natural materials and were strung and then worn on the body after simple processing. They can be used as decorations, talismans against evil or markers showing the wearer's status.
-[[File:Ornaments unearthed at Zhoukoudian Peking Man Site.jpg]]
+[[File:Ornaments unearthed at Zhoukoudian Peking Man Site .jpg]]
 '''Shang and Zhou Dynasties: The Emergence of Ritual Jade Ornaments(礼玉)'''
@@ Line 216: / Line 216: @@
 [5]韩澄.北京传统首饰技艺传承研究[D].中央民族大学,2011.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODEFXgmt92-NWMzUCQgQ7o5PYHnVxJX3MPa-Q_mp61RYToGQPqlPsiM7JnWkdlsz2JM60-orvNaDBdUP6b8N3e2qfckCKOIS47s0dao8B6uankgFDXcGlmuy-8Xi0DTrqtK4ME7ZFCd63-KHrplvoHlIUNqvvjpct2Sw_A_yJ1TssQ==&uniplatform=NZKPT&language=CHS
 [6]宋丙玲.历史与时尚的契合:当代社会文玩串饰管窥[C]//山东省民俗学会.山东省民俗学会第六届代表大会暨“中华传统文化传承与民俗生活实践”学术研讨会论文集.山东艺术学院美术学院;,2014:156-162.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFa5Fa_HHMNjRJyA1aSL7DiA4B89Bm3JH2boM0-wfROxO-LdFUf1kT8nOFGgqNP2GsXInrWyIN3my307lzeXIUwzR6vnJUdmPgSwjwaag1FTqXhA58oFmtrj56tjOe31KxVZytobJ7FAQ7H0ZaprZsyWon22y-CRh2CLCjZbDsser-HM9tTqpBp&uniplatform=NZKPT&language=CHS
-[9]百度百科 https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154
+[7]百度百科 https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154

@@ Line 105: / Line 105: @@
 [5]韩澄 Han Cheng.北京传统首饰技艺传承研究 Study on the Inheritance of Beijing's Traditional Jewelry Craftsmanship[D].中央民族大学,2011.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODEFXgmt92-NWMzUCQgQ7o5PYHnVxJX3MPa-Q_mp61RYToGQPqlPsiM7JnWkdlsz2JM60-orvNaDBdUP6b8N3e2qfckCKOIS47s0dao8B6uankgFDXcGlmuy-8Xi0DTrqtK4ME7ZFCd63-KHrplvoHlIUNqvvjpct2Sw_A_yJ1TssQ==&uniplatform=NZKPT&language=CHS
 [6]宋丙玲 Song Bingling.历史与时尚的契合:当代社会文玩串饰管窥 The Convergence of History and Fashion: Wenwan Bracelets in Contemporary Society[C]//山东省民俗学会.山东省民俗学会第六届代表大会暨“中华传统文化传承与民俗生活实践”学术研讨会论文集.山东艺术学院美术学院;,2014:156-162.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFa5Fa_HHMNjRJyA1aSL7DiA4B89Bm3JH2boM0-wfROxO-LdFUf1kT8nOFGgqNP2GsXInrWyIN3my307lzeXIUwzR6vnJUdmPgSwjwaag1FTqXhA58oFmtrj56tjOe31KxVZytobJ7FAQ7H0ZaprZsyWon22y-CRh2CLCjZbDsser-HM9tTqpBp&uniplatform=NZKPT&language=CHS
-[9]百度百科Baidu https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154
+[7]百度百科Baidu https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154
 ==AI Statement==

@@ Line 12: / Line 12: @@
 The earliest bead ornaments in China can be traced back to the Paleolithic Age. In the site of the Upper Cave Man in Zhoukoudian, Beijing, archaeologists unearthed necklaces approximately 10,000 years old. They were made by stringing materials like animal teeth, shells, small stone beads, etc. and were used as "amulet". And in the sites of various places in the Neolithic Age, a large number of perforated stone beads, bone tubes, clam shells, jade, agate and other ornaments were also unearthed. These bead ornaments were mostly made of natural materials and were strung and then worn on the body after simple processing. They can be used as decorations, talismans against evil or markers showing the wearer's status.
 '''Shang and Zhou Dynasties: The Emergence of Ritual Jade Ornaments(礼玉)'''
@@ Line 26: / Line 27: @@
 In the Qing Dynasty, influenced by Tibetan Buddhism, prayer beads were developed into court beads--an important part of the imperial attire . Court beads are composed of 108 beads, and the materials are diverse, such as Dongzhu (pearl), lapis lazuli, amber, beeswax, coral, turquoise, etc. The materials and color coordination of court beads varied according to the wearer’s official rank and social status, so did the materials worn on different ceremonial occasions. Later, female members in the court simplified the court beads into Eighteen Seed bead bracelets (bracelets made of  eighteen beads), which could be decorated on clothes or worn the wrist for playing in leisure time. The bead bracelets in the Qing Dynasty boasted exquisite craftsmanship and careful material selection. They integrated multiple elements such as religion, etiquette and aesthetics, reflecting the luxury and majesty of the royal family.
 ==Famous Materials for Making Bead Bracelet==
@@ Line 32: / Line 34: @@
 Small leaf red sandalwood is one of the most renowned woods. It is primarily produced in southern India and cultivated as an introduced species  in Hainan, Yunnan, Guangxi, and southern Guangdong, China. It features a hard texture, close-grained texture, fine-textured surface and high oil content. When crafted into bead bracelets, prolonged wearing is believed to regulate qi (气) and blood flow, soothe the mind and improve sleep quality. The color of small leaf red sandalwood ranges from pale red to deep purple. Over time and with use, the color gradually deepens, forming a unique "patina" (a smooth, lustrous surface layer produced by prolonged handling). This layer of oily luster not only enhances the bracelet's aesthetic appeal but also serves as one of the important standards for evaluating its quality and value.(Flower wiki, https://www.theflowerwiki.com/woody/23918.html#:~:text=Description%20There%20are%20many%20kinds%20of%20wood%20belonging,and%20its%20Latin%20scientific%20name%20is%20p.%20santalinus.)
 '''Scented Rosewood (Dalbergia Odorifera)'''
 Scented rosewood, is one of the world's most precious hardwoods, hailed as the "top of wood materials". It is native to low-altitude plains and hilly areas of Diaoluo Mountain and Jianfengling in Hainan Island, China. The wood is dense and hard, featuring beautiful grain patterns with clear textures and smooth lines. It exhibits various grain patterns such as "ghost-face grain", "landscape grain" and "butterfly grain," making it highly ornamental. Scented rosewood is soft in color, ranging from light yellow, deep yellow, to dark brown. After prolonged handling, the luster becomes more warm and translucent, exuding a charming glow.（Baidu，https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154）(I don't know why it can't be visited by clicking, so please copy the link and then visit)
 '''Jadeite'''

@@ Line 16: / Line 16: @@
 During the Shang and Zhou Dynasties, the jade culture gradually rose to prominence. The nobles began to string precious materials such as jade, gemstones and agate into ritual objects, which were worn to show identity and status. This "ritual jade"（礼玉） was not only an ornament, but also a symbol of identity, which reflects the etiquette and strict hierarchical system and at that time.(Zhu Yifang，2009 https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODGhWKp_HCntUEhDWssFy_nTjUhrpbKBbUufCGY1W2pjF7_Ws8e_DES-hxTOjt_wjZDy_0W5ql2M0FQ6wF_x_y0E3Qn3f9u7QcQ6Zr2_A2AfzkeR88WYIjPmC9XARSpdMdX7Dd3n-zbiGoVxPMWsifGNMdksn6S9sciH32MdEgDH8A==&uniplatform=NZKPT&language=CHS)
-[[File:https://bou.de/u/images/9/9a/Jade.jpg]]
+[[File:Jade.jpg]]
-[[File:https://bou.de/u/images/9/96/Jade2.jpg]]
+[[File:Jade2.jpg]]
 '''After the Introduction of Buddhism: The Popularity of Prayer Beads'''

← Older revision		Revision as of 16:00, 19 June 2025
Line 16:		Line 16:

	During the Shang and Zhou Dynasties, the jade culture gradually rose to prominence. The nobles began to string precious materials such as jade, gemstones and agate into ritual objects, which were worn to show identity and status. This "ritual jade"（礼玉） was not only an ornament, but also a symbol of identity, which reflects the etiquette and strict hierarchical system and at that time.(Zhu Yifang，2009 https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODGhWKp_HCntUEhDWssFy_nTjUhrpbKBbUufCGY1W2pjF7_Ws8e_DES-hxTOjt_wjZDy_0W5ql2M0FQ6wF_x_y0E3Qn3f9u7QcQ6Zr2_A2AfzkeR88WYIjPmC9XARSpdMdX7Dd3n-zbiGoVxPMWsifGNMdksn6S9sciH32MdEgDH8A==&uniplatform=NZKPT&language=CHS)		During the Shang and Zhou Dynasties, the jade culture gradually rose to prominence. The nobles began to string precious materials such as jade, gemstones and agate into ritual objects, which were worn to show identity and status. This "ritual jade"（礼玉） was not only an ornament, but also a symbol of identity, which reflects the etiquette and strict hierarchical system and at that time.(Zhu Yifang，2009 https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODGhWKp_HCntUEhDWssFy_nTjUhrpbKBbUufCGY1W2pjF7_Ws8e_DES-hxTOjt_wjZDy_0W5ql2M0FQ6wF_x_y0E3Qn3f9u7QcQ6Zr2_A2AfzkeR88WYIjPmC9XARSpdMdX7Dd3n-zbiGoVxPMWsifGNMdksn6S9sciH32MdEgDH8A==&uniplatform=NZKPT&language=CHS)
		+	[[File:https://bou.de/u/images/9/9a/Jade.jpg]]
		+	[[File:https://bou.de/u/images/9/96/Jade2.jpg]]

	'''After the Introduction of Buddhism: The Popularity of Prayer Beads'''		'''After the Introduction of Buddhism: The Popularity of Prayer Beads'''

← Older revision		Revision as of 15:46, 19 June 2025
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−	[6]宋丙玲 Song Bingling.历史与时尚的契合:~~当代社会文玩串饰管窥The~~ Convergence of History and Fashion: Wenwan Bracelets in Contemporary Society[C]//山东省民俗学会.山东省民俗学会第六届代表大会暨“中华传统文化传承与民俗生活实践”学术研讨会论文集.山东艺术学院美术学院;,2014:156-162.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFa5Fa_HHMNjRJyA1aSL7DiA4B89Bm3JH2boM0-wfROxO-LdFUf1kT8nOFGgqNP2GsXInrWyIN3my307lzeXIUwzR6vnJUdmPgSwjwaag1FTqXhA58oFmtrj56tjOe31KxVZytobJ7FAQ7H0ZaprZsyWon22y-CRh2CLCjZbDsser-HM9tTqpBp&uniplatform=NZKPT&language=CHS	+	[6]宋丙玲 Song Bingling.历史与时尚的契合:当代社会文玩串饰管窥 The Convergence of History and Fashion: Wenwan Bracelets in Contemporary Society[C]//山东省民俗学会.山东省民俗学会第六届代表大会暨“中华传统文化传承与民俗生活实践”学术研讨会论文集.山东艺术学院美术学院;,2014:156-162.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFa5Fa_HHMNjRJyA1aSL7DiA4B89Bm3JH2boM0-wfROxO-LdFUf1kT8nOFGgqNP2GsXInrWyIN3my307lzeXIUwzR6vnJUdmPgSwjwaag1FTqXhA58oFmtrj56tjOe31KxVZytobJ7FAQ7H0ZaprZsyWon22y-CRh2CLCjZbDsser-HM9tTqpBp&uniplatform=NZKPT&language=CHS

	[9]百度百科Baidu https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154		[9]百度百科Baidu https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154

@@ Line 94: / Line 94: @@
 [2]The Generalist Academy, https://generalist.academy/2020/03/16/counting-prayers/#:~:text=Prayer%20beads%20are%20a%20handy%20way%20to%20keep,move%20to%20the%20next%20bead%20in%20the%20chain.
-[3]甄宏达.北京文玩文化的演进—从琉璃厂到潘家园[D].重庆师范大学,2018. https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFD0h2QwxwnSrKrIkyl83CVtGjDKI0X5rzkHHr6a7byqBLmRyfI9MONio2v5reKJKYGvQgUlV-vi87pJOWaaKAjYyzrBK4kzeT4Ucj3o7pPdOhYqVblH-axCWF6wycEAHuTDfzdjKNcHAwTCRSop_ojky_-mie-6O9Hw9i2Nnp2XukxM9LPkSk4&uniplatform=NZKPT&language=CHS&captchaId=04bbe2c8-3934-4380-97d3-ad19514ec77f
+[3]甄宏达 Zhen Hongda.北京文玩文化的演进—从琉璃厂到潘家园 The Evolution of Beijing Wenwan Culture-From Liulichang to Panjiayuan[D].重庆师范大学,2018. https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFD0h2QwxwnSrKrIkyl83CVtGjDKI0X5rzkHHr6a7byqBLmRyfI9MONio2v5reKJKYGvQgUlV-vi87pJOWaaKAjYyzrBK4kzeT4Ucj3o7pPdOhYqVblH-axCWF6wycEAHuTDfzdjKNcHAwTCRSop_ojky_-mie-6O9Hw9i2Nnp2XukxM9LPkSk4&uniplatform=NZKPT&language=CHS&captchaId=04bbe2c8-3934-4380-97d3-ad19514ec77f
-[4]朱怡芳.中国玉石文化传统研究[D].清华大学,2009.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODGhWKp_HCntUEhDWssFy_nTjUhrpbKBbUufCGY1W2pjF7_Ws8e_DES-hxTOjt_wjZDy_0W5ql2M0FQ6wF_x_y0E3Qn3f9u7QcQ6Zr2_A2AfzkeR88WYIjPmC9XARSpdMdX7Dd3n-zbiGoVxPMWsifGNMdksn6S9sciH32MdEgDH8A==&uniplatform=NZKPT&language=CHS
+[4]朱怡芳 Zhu Yifang.中国玉石文化传统研究 The Research on Tradition of Chinese Jades Culture[D].清华大学,2009.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODGhWKp_HCntUEhDWssFy_nTjUhrpbKBbUufCGY1W2pjF7_Ws8e_DES-hxTOjt_wjZDy_0W5ql2M0FQ6wF_x_y0E3Qn3f9u7QcQ6Zr2_A2AfzkeR88WYIjPmC9XARSpdMdX7Dd3n-zbiGoVxPMWsifGNMdksn6S9sciH32MdEgDH8A==&uniplatform=NZKPT&language=CHS
-[5]韩澄.北京传统首饰技艺传承研究[D].中央民族大学,2011.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODEFXgmt92-NWMzUCQgQ7o5PYHnVxJX3MPa-Q_mp61RYToGQPqlPsiM7JnWkdlsz2JM60-orvNaDBdUP6b8N3e2qfckCKOIS47s0dao8B6uankgFDXcGlmuy-8Xi0DTrqtK4ME7ZFCd63-KHrplvoHlIUNqvvjpct2Sw_A_yJ1TssQ==&uniplatform=NZKPT&language=CHS
+[5]韩澄 Han Cheng.北京传统首饰技艺传承研究 Study on the Inheritance of Beijing's Traditional Jewelry Craftsmanship[D].中央民族大学,2011.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODEFXgmt92-NWMzUCQgQ7o5PYHnVxJX3MPa-Q_mp61RYToGQPqlPsiM7JnWkdlsz2JM60-orvNaDBdUP6b8N3e2qfckCKOIS47s0dao8B6uankgFDXcGlmuy-8Xi0DTrqtK4ME7ZFCd63-KHrplvoHlIUNqvvjpct2Sw_A_yJ1TssQ==&uniplatform=NZKPT&language=CHS
-[6]宋丙玲.历史与时尚的契合:当代社会文玩串饰管窥[C]//山东省民俗学会.山东省民俗学会第六届代表大会暨“中华传统文化传承与民俗生活实践”学术研讨会论文集.山东艺术学院美术学院;,2014:156-162.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFa5Fa_HHMNjRJyA1aSL7DiA4B89Bm3JH2boM0-wfROxO-LdFUf1kT8nOFGgqNP2GsXInrWyIN3my307lzeXIUwzR6vnJUdmPgSwjwaag1FTqXhA58oFmtrj56tjOe31KxVZytobJ7FAQ7H0ZaprZsyWon22y-CRh2CLCjZbDsser-HM9tTqpBp&uniplatform=NZKPT&language=CHS
+[6]宋丙玲 Song Bingling.历史与时尚的契合:当代社会文玩串饰管窥The Convergence of History and Fashion: Wenwan Bracelets in Contemporary Society[C]//山东省民俗学会.山东省民俗学会第六届代表大会暨“中华传统文化传承与民俗生活实践”学术研讨会论文集.山东艺术学院美术学院;,2014:156-162.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFa5Fa_HHMNjRJyA1aSL7DiA4B89Bm3JH2boM0-wfROxO-LdFUf1kT8nOFGgqNP2GsXInrWyIN3my307lzeXIUwzR6vnJUdmPgSwjwaag1FTqXhA58oFmtrj56tjOe31KxVZytobJ7FAQ7H0ZaprZsyWon22y-CRh2CLCjZbDsser-HM9tTqpBp&uniplatform=NZKPT&language=CHS
 [9]百度百科Baidu https://baike.baidu.com/item/%E9%BB%84%E8%8A%B1%E6%A2%A8%E6%9C%A8/1684154

@@ Line 90: / Line 90: @@
 ==References==
-[1]甄宏达.北京文玩文化的演进—从琉璃厂到潘家园[D].重庆师范大学,2018.
+[1]Flower wiki, https://www.theflowerwiki.com/woody/23918.html#:~:text=Description%20There%20are%20many%20kinds%20of%20wood%20belonging,and%20its%20Latin%20scientific%20name%20is%20p.%20santalinus.
-[2]青丝.手串——玩转腕间之物[J].中国林业产业,2014,(08):74-75.
+[2]The Generalist Academy, https://generalist.academy/2020/03/16/counting-prayers/#:~:text=Prayer%20beads%20are%20a%20handy%20way%20to%20keep,move%20to%20the%20next%20bead%20in%20the%20chain.
-[3]朱怡芳.中国玉石文化传统研究[D].清华大学,2009.
+[3]甄宏达.北京文玩文化的演进—从琉璃厂到潘家园[D].重庆师范大学,2018. https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODFD0h2QwxwnSrKrIkyl83CVtGjDKI0X5rzkHHr6a7byqBLmRyfI9MONio2v5reKJKYGvQgUlV-vi87pJOWaaKAjYyzrBK4kzeT4Ucj3o7pPdOhYqVblH-axCWF6wycEAHuTDfzdjKNcHAwTCRSop_ojky_-mie-6O9Hw9i2Nnp2XukxM9LPkSk4&uniplatform=NZKPT&language=CHS&captchaId=04bbe2c8-3934-4380-97d3-ad19514ec77f
-[4]韩澄.北京传统首饰技艺传承研究[D].中央民族大学,2011.
+[4]朱怡芳.中国玉石文化传统研究[D].清华大学,2009.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODGhWKp_HCntUEhDWssFy_nTjUhrpbKBbUufCGY1W2pjF7_Ws8e_DES-hxTOjt_wjZDy_0W5ql2M0FQ6wF_x_y0E3Qn3f9u7QcQ6Zr2_A2AfzkeR88WYIjPmC9XARSpdMdX7Dd3n-zbiGoVxPMWsifGNMdksn6S9sciH32MdEgDH8A==&uniplatform=NZKPT&language=CHS
-[5]郭树涵.谁是文玩菩提子佛珠背后的推手[J].中国新时代,2014,(10):102-105.
+[5]韩澄.北京传统首饰技艺传承研究[D].中央民族大学,2011.https://yclib.hunnu.edu.cn/vpn/1008/https/NNYHGLUDN3WXTLUPMW4A/kcms2/article/abstract?v=7HNy6Ze5ODEFXgmt92-NWMzUCQgQ7o5PYHnVxJX3MPa-Q_mp61RYToGQPqlPsiM7JnWkdlsz2JM60-orvNaDBdUP6b8N3e2qfckCKOIS47s0dao8B6uankgFDXcGlmuy-8Xi0DTrqtK4ME7ZFCd63-KHrplvoHlIUNqvvjpct2Sw_A_yJ1TssQ==&uniplatform=NZKPT&language=CHS
 =手串文化=

@@ Line 55: / Line 55: @@
 '''Spiritual Support and Cultural Identity'''
-In the fast-paced modern life, people face various pressures and challenges. Under such circumstances, bracelets have become a form of spiritual support. Both praying with prayer beads and rubbing and twirling wenwan bracelets help people to soothe their mind, ease their stress and find inner peace. Moreover, wearing bracelets with specific cultural connotations also reflects reflects a deep sense of cultural identity and belonging. For instance, followers of Buddhist culture wear prayer beads while wenwan enthusiasts treasure wenwan bracelets. As emblems of these cultures, bead bracelets reinforce cultural identity and the sense of communal belonging—
+In the fast-paced modern life, people face various pressures and challenges. Under such circumstances, bracelets have become a form of spiritual support. Both praying with prayer beads and rubbing and twirling wenwan bracelets help people to soothe their mind, ease their stress and find inner peace. Moreover, wearing bracelets with specific cultural connotations also reflects reflects a deep sense of cultural identity and belonging. For instance, followers of Buddhist culture wear prayer beads while wenwan enthusiasts treasure wenwan bracelets. As emblems of these cultures, bead bracelets reinforce cultural identity and the sense of belonging.
 ==Terms and Expressions==
@@ Line 84: / Line 84: @@
 #What is one of the reasons for the rise of modern bead bracelet culture?
 ==Answers==
-#Neolithic age.
+#Paleolithic age.
-#18 sons bracelets.
+#Eighteen Seed Bead Bracelets.
-#For spiritual support in cultural identification.
+#For spiritual support and cultural identification.
 ==References==