Wang Shuo - Revision history

Yuki: /* classroom presentantio */

2016-06-15T15:01:20Z

classroom presentantio

Yuki: /* classroom presentantio */

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classroom presentantio

Yuki: /* classroom presentantion */

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classroom presentantion

Yuki: /* Biography */

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Biography

Yuki: /* Wang Shuo's works in film */

2016-06-15T14:52:43Z

Wang Shuo's works in film

Yuki at 14:47, 15 June 2016

2016-06-15T14:47:24Z

Yuki at 14:45, 15 June 2016

2016-06-15T14:45:05Z

Yuki at 14:32, 15 June 2016

2016-06-15T14:32:27Z

Yuki at 14:27, 15 June 2016

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Yuki at 14:21, 15 June 2016

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 Why the playing masters choose to be ridiculous? Why they can’t be normal people; be ordinary? Don’t you think they have the ability to find a fixed work and have stable salaries? Wang Shuo and I believe it is their spiritual uncompromising that lead their behaviors. In the past, Beijing was a place where you can do whatever you can to earn yourself a better life. We don’t need to pretend ourselves in order to climb to a higher position. People remained harmony by the spirit of ”局气” which means to be considerate, tolerance and understanding. The film which I acted as Mr. Six showed the lives of people who lived in the remaining of the old Hutongs. Since Beijing had become a modern city, the relationship between people has become more and more distant. This kind of feeling is just like, for example, you and your families as well as your neighbors living in a big house for a long time. One day, somebody came and decorated your house into something you had never thought about. Then they told you, you have to change your selves to living in your new house. Of course, the trouble shooters refused to change, because they think it is their own place, it is their home. They hope to live the life of the past. They don’t want to pretend living happily in a home which was controlled by others. So they use their own way to do the things they can even if it’s just in vain. This is definitely a joke, but somehow, it is also the reality. The reality that one day we might face in the future. Wang Shuo’s work of the trouble shooters makes each of us think about our own life, and also our own future.
-== classroom presentantion==
+== classroom presentantio ==
-[ [ Media:Wang shuo.pptx ] ]

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−	= Biography =	+	== Biography ==
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		+	== works introduction==


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	Why the playing masters choose to be ridiculous? Why they can’t be normal people; be ordinary? Don’t you think they have the ability to find a fixed work and have stable salaries? Wang Shuo and I believe it is their spiritual uncompromising that lead their behaviors. In the past, Beijing was a place where you can do whatever you can to earn yourself a better life. We don’t need to pretend ourselves in order to climb to a higher position. People remained harmony by the spirit of ”局气” which means to be considerate, tolerance and understanding. The film which I acted as Mr. Six showed the lives of people who lived in the remaining of the old Hutongs. Since Beijing had become a modern city, the relationship between people has become more and more distant. This kind of feeling is just like, for example, you and your families as well as your neighbors living in a big house for a long time. One day, somebody came and decorated your house into something you had never thought about. Then they told you, you have to change your selves to living in your new house. Of course, the trouble shooters refused to change, because they think it is their own place, it is their home. They hope to live the life of the past. They don’t want to pretend living happily in a home which was controlled by others. So they use their own way to do the things they can even if it’s just in vain. This is definitely a joke, but somehow, it is also the reality. The reality that one day we might face in the future. Wang Shuo’s work of the trouble shooters makes each of us think about our own life, and also our own future.		Why the playing masters choose to be ridiculous? Why they can’t be normal people; be ordinary? Don’t you think they have the ability to find a fixed work and have stable salaries? Wang Shuo and I believe it is their spiritual uncompromising that lead their behaviors. In the past, Beijing was a place where you can do whatever you can to earn yourself a better life. We don’t need to pretend ourselves in order to climb to a higher position. People remained harmony by the spirit of ”局气” which means to be considerate, tolerance and understanding. The film which I acted as Mr. Six showed the lives of people who lived in the remaining of the old Hutongs. Since Beijing had become a modern city, the relationship between people has become more and more distant. This kind of feeling is just like, for example, you and your families as well as your neighbors living in a big house for a long time. One day, somebody came and decorated your house into something you had never thought about. Then they told you, you have to change your selves to living in your new house. Of course, the trouble shooters refused to change, because they think it is their own place, it is their home. They hope to live the life of the past. They don’t want to pretend living happily in a home which was controlled by others. So they use their own way to do the things they can even if it’s just in vain. This is definitely a joke, but somehow, it is also the reality. The reality that one day we might face in the future. Wang Shuo’s work of the trouble shooters makes each of us think about our own life, and also our own future.
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		+	== classroom presentantion==
		+	[ [ Media:Wang shuo.pptx ] ]

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−	=== Wang Shuo's works in film ===	+	== Wang Shuo's works in film ==

	Compared with his achievement in literature, Wang Shuo has already attracted more attention in film and television industry. For example, the film 《Dream Factory》, which makes Feng Xiaogang become famous, was adapted from Wang Shuo’s novel 《You are not a layman》.		Compared with his achievement in literature, Wang Shuo has already attracted more attention in film and television industry. For example, the film 《Dream Factory》, which makes Feng Xiaogang become famous, was adapted from Wang Shuo’s novel 《You are not a layman》.

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+=== Wang Shuo's works in film ===
 Compared with his achievement in literature, Wang Shuo has already attracted more attention in film and television industry. For example, the film 《Dream Factory》, which makes Feng Xiaogang become famous, was adapted from Wang Shuo’s novel 《You are not a layman》.
 So, why Feng Xiaogang decided to edit Wang Shou’s work into a movie? Actually, both of them are willing to reflect the life in big cities of China, especially in here, in Beijing. Their works focus on the conflicts between the trouble shooters and the urban life. They believe it is the dramatic change in big cities that makes the trouble shooters (or the playing masters) different from real hooligans or vagabonds. And Feng Xiaogang also thinks that Wang Shuo has done a really good job on showing the mental world of those trouble shooters.
 Well, I have to emphasize that the trouble shooters (or the playing masters) were not equal to the hooligans or vagabonds. Hooligans only do bad things for no reason (or perhaps just to release their pessimistic mood to the others); vagabonds are someone without a work. The trouble shooters are someone with a specialty in playing and trying to do good things, but in a ridiculous way. The trouble shooters in Beijing had been existed for a long time. They do not have stable income, or even don’t have a job. They just idled the days away, by using their playing specialties. In old times, they were called “wan zhu” in Chinese, which means somebody who spend time in doing nothing seriously. Since the beginning of 1990s, big cities in China like Beijing have changed a lot. Due to this, people in Beijing had to change their ways of life in order to adapt to the development of this city. Of course, the playing masters also tried to find another way of living. Some of them set up their own companies. In the film<Dream Factory>, they set up a company to help the others to realize their dreams. And also in the film named <The Trouble Shooters>, they set up a company called “Three ‘T’s” which means “替人排忧，替人解闷，替人受过”. These two companies were ridiculous but these were exactly what the playing masters would do. They look down upon the urban lives while they could not find better solutions. They could only do funny things to express their mockery to the reality.
 Why the playing masters choose to be ridiculous? Why they can’t be normal people; be ordinary? Don’t you think they have the ability to find a fixed work and have stable salaries? Wang Shuo and I believe it is their spiritual uncompromising that lead their behaviors. In the past, Beijing was a place where you can do whatever you can to earn yourself a better life. We don’t need to pretend ourselves in order to climb to a higher position. People remained harmony by the spirit of ”局气” which means to be considerate, tolerance and understanding. The film which I acted as Mr. Six showed the lives of people who lived in the remaining of the old Hutongs. Since Beijing had become a modern city, the relationship between people has become more and more distant. This kind of feeling is just like, for example, you and your families as well as your neighbors living in a big house for a long time. One day, somebody came and decorated your house into something you had never thought about. Then they told you, you have to change your selves to living in your new house. Of course, the trouble shooters refused to change, because they think it is their own place, it is their home. They hope to live the life of the past. They don’t want to pretend living happily in a home which was controlled by others. So they use their own way to do the things they can even if it’s just in vain. This is definitely a joke, but somehow, it is also the reality. The reality that one day we might face in the future. Wang Shuo’s work of the trouble shooters makes each of us think about our own life, and also our own future.

← Older revision		Revision as of 14:45, 15 June 2016
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−	~~[[File:Wang Shuo.jpg\|frameless\|border\|Wang Shuo]]~~

−	~~[ [ Media:WangShuobyYou DuS.pptx ] ]~~	+	= Biography =
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		+	== criticisms about Wang Shuo'Holligam Literature ==
		+

	Wang Shuo’s works have drawn much attention from critics, causing many controversies and debates. As we all know ,there are a thousand Hamlets in a thousand people’s eyes. Critics hold different views on Wang Shuo and his hooligan literature. You can see some bones of contentions through the brief debate below.		Wang Shuo’s works have drawn much attention from critics, causing many controversies and debates. As we all know ,there are a thousand Hamlets in a thousand people’s eyes. Critics hold different views on Wang Shuo and his hooligan literature. You can see some bones of contentions through the brief debate below.

← Older revision		Revision as of 14:32, 15 June 2016
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	[ [ Media:WangShuobyYou DuS.pptx ] ]		[ [ Media:WangShuobyYou DuS.pptx ] ]

← Older revision		Revision as of 14:27, 15 June 2016
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← Older revision		Revision as of 14:21, 15 June 2016
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−	[ [ Media:~~Wang_Shuo_by_You Du_S~~.pptx ] ]	+	[ [ Media:WangShuobyYou DuS.pptx ] ]

	Wang Shuo’s works have drawn much attention from critics, causing many controversies and debates. As we all know ,there are a thousand Hamlets in a thousand people’s eyes. Critics hold different views on Wang Shuo and his hooligan literature. You can see some bones of contentions through the brief debate below.		Wang Shuo’s works have drawn much attention from critics, causing many controversies and debates. As we all know ,there are a thousand Hamlets in a thousand people’s eyes. Critics hold different views on Wang Shuo and his hooligan literature. You can see some bones of contentions through the brief debate below.