Zhang Ailing - Revision history

Mark: /* Eileen Chang Studies in Mainland China */

2016-06-10T06:59:12Z

Eileen Chang Studies in Mainland China

2016-06-10T06:58:47Z

The characters of Eileen Chang's writing styles

2016-06-10T06:44:37Z

The characters of Eileen Chang's writing styles

2016-06-10T06:43:52Z

The characters of Eileen Chang's writing styles

2016-06-10T06:43:01Z

The characters of Eileen Chang's writing styles

2016-06-10T06:40:43Z

2016-06-10T06:38:52Z

2016-06-10T06:36:23Z

2016-06-10T06:32:05Z

The characters of Eileen Chang's writing styles

2016-06-10T06:29:41Z

The characters of Eileen Chang's writing styles

@@ Line 53: / Line 53: @@
 After that, since the establishment of the PRC, Eileen Chang, who was thought to be a treasonous writer, was nearly unknown in the mainland China. No one dared to study her. The main part of Eileen Chang study is transformed to the west.
 After the culture revolution, C.T. Hsia’s “History of Modern Chinese Fiction” was translated into Chinese and published in Hong Kong in 1979. He highlights Shen Congwen, Qian Zhongshu as well as Eileen Chang in his book. It set off a new wave of Eileen Chang studies. Also, it stimulated the rewriting of literary history in 1988 and 1989. Eileen Chang won back the position which she deserved. This period sees a prosperous of Eileen Chang studies and the reevaluations of her works.
 ==Works Cited==

@@ Line 45: / Line 45: @@
 Most importantly, the mixed writing style of the writer is popular. There is no doubt that she was one of the most talent writers at that time. Her writing style is a mixture of Ancient and modern Chinese writing style which attract many readers.
 [[File:1 20110324093157466wp.jpg|400px|thumb|right|Click [http://www.minxue.net/attachments/2011/03/24/1_20110324093157466wp.jpg] for original source]]]
 == Eileen Chang Studies in Mainland China ==

@@ Line 44: / Line 44: @@
 Secondly, the use of racconrci(similar to the montage in film-making), which was pointed by Fu Lei, is a significant feature of her delicate novels.
 Most importantly, the mixed writing style of the writer is popular. There is no doubt that she was one of the most talent writers at that time. Her writing style is a mixture of Ancient and modern Chinese writing style which attract many readers.
-[[File:1 20110324093157466wp.jpg|256px|thumb|right|Click [http://www.minxue.net/attachments/2011/03/24/1_20110324093157466wp.jpg] for original source]]]
+[[File:1 20110324093157466wp.jpg|400px|thumb|right|Click [http://www.minxue.net/attachments/2011/03/24/1_20110324093157466wp.jpg] for original source]]]
 == Eileen Chang Studies in Mainland China ==

@@ Line 44: / Line 44: @@
 Secondly, the use of racconrci(similar to the montage in film-making), which was pointed by Fu Lei, is a significant feature of her delicate novels.
 Most importantly, the mixed writing style of the writer is popular. There is no doubt that she was one of the most talent writers at that time. Her writing style is a mixture of Ancient and modern Chinese writing style which attract many readers.
-[[File:1 20110324093157466wp.jpg|400px|thumb|right|Click [http://www.minxue.net/attachments/2011/03/24/1_20110324093157466wp.jpg] for original source]]]
+[[File:1 20110324093157466wp.jpg|256px|thumb|right|Click [http://www.minxue.net/attachments/2011/03/24/1_20110324093157466wp.jpg] for original source]]]
 == Eileen Chang Studies in Mainland China ==

@@ Line 44: / Line 44: @@
 Secondly, the use of racconrci(similar to the montage in film-making), which was pointed by Fu Lei, is a significant feature of her delicate novels.
 Most importantly, the mixed writing style of the writer is popular. There is no doubt that she was one of the most talent writers at that time. Her writing style is a mixture of Ancient and modern Chinese writing style which attract many readers.
+[[File:1 20110324093157466wp.jpg|400px|thumb|right|Click [http://www.minxue.net/attachments/2011/03/24/1_20110324093157466wp.jpg] for original source]]]
 == Eileen Chang Studies in Mainland China ==

@@ Line 1: / Line 1: @@
-[[File:Zhang Ailing 1954.jpg|400px|thumb|left|Zhang Ailing. Click [http://commons.wikimedia.org/wiki/File:256px-Zhang Ailing 1954.jpg here] for original source]]
+[[File:256px-Zhang Ailing 1954.jpg|400px|thumb|left|Zhang Ailing. Click [http://commons.wikimedia.org/wiki/File:256px-Zhang Ailing 1954.jpg here] for original source]]
 ==Youth==
 Zhang Ailing was born and raised in a situation of political and Marital unrest, on September 9th of 1920, in Shanghai.  Born in a China that was attempting to place itself in the modern world, her society was in a state of change and development perfect for the rise of new and different authors.  Perfect especially, for a female author to become popular.  Her personal life matching the political era, she found herself changing setting often as in 1922 her family moved to Tianjin.  Her family was important to the Chinese government, which allowed them to live a privileged lifestyle. Despite their financial stability, the marriage of Zhang’s parents was unstable, and her mother left for the United Kingdom in 1925. Her father then veered off course, first taking a concubine, and becoming addicted to opium (Cultural China). Her mother returned in 1928 and the family returned to Shanghai. This created a sense of stability but they divorced two years later.  Her father remarried and raised her with his second wife.