Difference between revisions of "20201109 cult"
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| − | ==Alsied, Saffana==--[[User:SAFFANA ALSIED 2|SAFFANA ALSIED 2]] ([[User talk:SAFFANA ALSIED 2|talk]]) 18:45, 14 November 2020 (UTC) | + | ==Alsied, Saffana== |
| + | --[[User:SAFFANA ALSIED 2|SAFFANA ALSIED 2]] ([[User talk:SAFFANA ALSIED 2|talk]]) 18:45, 14 November 2020 (UTC) | ||
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1.The book provides precious biographical records of various kinds of people who lived during the 3,000 years from the legendary Yellow Emperor to Emperor Wudi of the Han Dynasty. It is also valued as a literary work and has a great influence on the literary development of subsequent prose, fiction and drama. | 1.The book provides precious biographical records of various kinds of people who lived during the 3,000 years from the legendary Yellow Emperor to Emperor Wudi of the Han Dynasty. It is also valued as a literary work and has a great influence on the literary development of subsequent prose, fiction and drama. | ||
这本书提供了从传说中的黄帝到汉武帝三千年间各种生活的各种珍贵的传记记录。 它也被认为是文学作品,并且对随后的散文,小说和戏剧的文学发展产生重大影响。 | 这本书提供了从传说中的黄帝到汉武帝三千年间各种生活的各种珍贵的传记记录。 它也被认为是文学作品,并且对随后的散文,小说和戏剧的文学发展产生重大影响。 | ||
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| + | 该书提供了从传说中的黄帝到汉武帝三千年间各类人物珍贵的传记记录。它作为文学作品也很受重视,对后来的散文、小说、戏剧的文学发展有很大的影响。--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 23:47, 15 November 2020 (UTC) | ||
2.Chinese literature from the Opium War of 1840 to the founding of the People’s Republic of China in 1949 is known as modern Chinese literature. | 2.Chinese literature from the Opium War of 1840 to the founding of the People’s Republic of China in 1949 is known as modern Chinese literature. | ||
从1840年鸦片战争到1949年中华人民共和国成立的中国文学被称为现代中国文学。 | 从1840年鸦片战争到1949年中华人民共和国成立的中国文学被称为现代中国文学。 | ||
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| + | 1840年鸦片战争至1949年中华人民共和国成立前的中国文学称为中国现代文学。--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 23:47, 15 November 2020 (UTC) | ||
3.During the 10-years Great Cultural Revolution, literature withered. But the great victory in smashing the Gang of Four in 1976 ushered in a new period. | 3.During the 10-years Great Cultural Revolution, literature withered. But the great victory in smashing the Gang of Four in 1976 ushered in a new period. | ||
| + | 在文化大革命的十年中,文学萎缩了。 但是,1976年粉碎四人帮的巨大胜利迎来了一个新时期。 | ||
| − | + | 十年文革期间,文学凋敝。但在1976年粉碎四人帮后,它迎来了一个新时期。--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 23:47, 15 November 2020 (UTC) | |
4.My forehead covered by my hair cut straight, | 4.My forehead covered by my hair cut straight, | ||
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在井周围,我们打着仍然绿色的李子。 | 在井周围,我们打着仍然绿色的李子。 | ||
| + | 我的额头被剪直的头发遮住, | ||
| + | 手拨弄着门前采来的花。 | ||
| + | 你骑着一匹骏马出现, | ||
| + | 在井边,我们逗弄着仍旧青涩的李子。--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 23:47, 15 November 2020 (UTC) | ||
==Cao Runxin 曹润鑫== | ==Cao Runxin 曹润鑫== | ||
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The development of modern Chinese literature is a process of absorbing the nutrition of foreign literature to make it nationalized and inheriting the national tradition to make it modernized.--[[User:Ding Daifeng|Ding Daifeng]] ([[User talk:Ding Daifeng|talk]]) 01:47, 14 November 2020 (UTC) | The development of modern Chinese literature is a process of absorbing the nutrition of foreign literature to make it nationalized and inheriting the national tradition to make it modernized.--[[User:Ding Daifeng|Ding Daifeng]] ([[User talk:Ding Daifeng|talk]]) 01:47, 14 November 2020 (UTC) | ||
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| + | The development of Chinese modern literature is a process in which we nationalize foreign literatures by absorbing their essence, and at the same time inherit and modernize the national tradition.--[[User:Xu Jia|Xu Jia]] ([[User talk:Xu Jia|talk]]) 13:32, 15 November 2020 (UTC)Xu Jia | ||
3. 当代文学是指1949年新中国成立以后的文学,其中出现了许多文学流派。大致可以划分为四个阶段:新时期文学、80年代文学、90年代文学、新世纪文学。 | 3. 当代文学是指1949年新中国成立以后的文学,其中出现了许多文学流派。大致可以划分为四个阶段:新时期文学、80年代文学、90年代文学、新世纪文学。 | ||
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Scar Literature boldly uncovered the people’s wounds caused by the Cultural Revolution mostly in a real, plain and even rough form,thus releasing their pain and hatred from 1966 to 1976 hidden deep in their hearts, which fitted properly the primary function of literature——catharsis. --[[User:Chen Han|Chen Han]] ([[User talk:Chen Han|talk]]) 07:32, 13 November 2020 (UTC) | Scar Literature boldly uncovered the people’s wounds caused by the Cultural Revolution mostly in a real, plain and even rough form,thus releasing their pain and hatred from 1966 to 1976 hidden deep in their hearts, which fitted properly the primary function of literature——catharsis. --[[User:Chen Han|Chen Han]] ([[User talk:Chen Han|talk]]) 07:32, 13 November 2020 (UTC) | ||
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| + | 4.《长干行》以商妇独白自述的手法,反映古代商人妻子的生活与情感。 | ||
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| + | ''Changgan Song'' reflected the lives and feelings of merchants' wives in ancient times in the way of their own words. --[[User:Chen Han|Chen Han]] ([[User talk:Chen Han|talk]]) 13:17, 16 November 2020 (UTC) | ||
1. The content of the Book of Songs is abundant, reflecting labor and love, war and corvee, suppression and resistance, custom and marriage, and ancestor worship and banquet, even astronomical phenomenon, landscape, animals, plants and so on. It’s a mirror of the social life of Zhou Period. | 1. The content of the Book of Songs is abundant, reflecting labor and love, war and corvee, suppression and resistance, custom and marriage, and ancestor worship and banquet, even astronomical phenomenon, landscape, animals, plants and so on. It’s a mirror of the social life of Zhou Period. | ||
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3. The period of contemporary literature was distinctive as it brought into being a new and revised literary language, form, content and skills allowing it to evolve into an independent and open art available to the whole of society. 当代文学的时代是独特的,因为它成为一种新的和经过修订的文学语言,形式,内容和技巧,使其发展成为可供全社会使用的独立和开放的艺术。--[[User:Gennadii Dashkin|Gennadii Dashkin]] ([[User talk:Gennadii Dashkin|talk]]) 09:32, 15 November 2020 (UTC) | 3. The period of contemporary literature was distinctive as it brought into being a new and revised literary language, form, content and skills allowing it to evolve into an independent and open art available to the whole of society. 当代文学的时代是独特的,因为它成为一种新的和经过修订的文学语言,形式,内容和技巧,使其发展成为可供全社会使用的独立和开放的艺术。--[[User:Gennadii Dashkin|Gennadii Dashkin]] ([[User talk:Gennadii Dashkin|talk]]) 09:32, 15 November 2020 (UTC) | ||
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| + | 4. Li Bai was more of a Daoist. Dufu wrote Realist poems and Li Bai wrote romantic poems. 李白更像是道士。 杜甫写实诗,李白写浪漫诗--[[User:Gennadii Dashkin|Gennadii Dashkin]] ([[User talk:Gennadii Dashkin|talk]]) 06:49, 16 November 2020 (UTC) | ||
==Chen Yongxiang 陈永相== | ==Chen Yongxiang 陈永相== | ||
| + | 1.纳兰性德·《少年游》 | ||
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| + | 算来好景只如斯, | ||
| + | 惟许有情知。 | ||
| + | 寻常风月, | ||
| + | 等闲谈笑, | ||
| + | 称意即相宜。 | ||
| + | 十年青鸟音尘断, | ||
| + | 往事不胜思。 | ||
| + | 一钩残照, | ||
| + | 半帘飞絮, | ||
| + | 总是恼人时。 | ||
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| + | Excursion of Teenagers | ||
| + | Nalan Xingde | ||
| + | It seems a fine prospect similarly follows natural tendencies, | ||
| + | Whose way could only be learned by soul mates. | ||
| + | Romantic sights moderate, | ||
| + | Merry-making mood in a less graced state, | ||
| + | And to be gratified means a well-proportioned rate. | ||
| + | Nothing further is heard after parting for ten years, | ||
| + | The association of the past can't bear to think of | ||
| + | A crescent moon with its streaks, | ||
| + | And willow catkins on the screen in fluffy streaks, | ||
| + | Which is nothing but curious freaks. | ||
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| + | 2.莫言,因其作品“将魔幻现实主义与民间故事、历史与当代社会融合在一起”而获得诺贝尔文学奖,是首位获此殊荣的中国籍作家。 | ||
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| + | Mo Yan is the first Chinese writer who received the honor of winning the Nobel Prize in Literature as his works “merges folk tales, history and the contemporary society with hallucinatory realism”. | ||
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| + | 3.巴金 《梦》 | ||
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| + | 据说“至人无梦”。幸而我只是一个平庸的人。我有我的梦中世界,在那里我常常见到你。昨夜又见到你那慈祥的笑容了。还是在我们那个老家,在你的房间里,在我的房间里,你亲切地对我讲话。你笑,我也笑。 | ||
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| + | Dream(Ba Jin) | ||
| + | It is said that "a virtuous man seldom dream".Fortunately, I am but an ordinary man.I dream my own dream, in which I often meet you.Last night I again saw your kindly smiling face.It was the same old home of ours. You talked to me cordially now inyour room, now in my room. You smiled and I also smiled. | ||
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| + | 4. 《赠汪伦》(李白) | ||
| + | 李白乘舟将欲行,忽闻岸上踏歌声。 | ||
| + | 桃花潭水深千尺,不及汪伦送我行。 | ||
| + | Presented to Wang Lun(Li Bai) | ||
| + | Li Bai on board, ready to push off, | ||
| + | suddenly heard the tramping and singing on the bank. | ||
| + | Peach Flower Pool a thousand feet deep | ||
| + | is shallower than the love of Wang Lun who sees me off. | ||
| + | --[[User:Chen Yongxiang|Chen Yongxiang]] ([[User talk:Chen Yongxiang|talk]]) 12:33, 15 November 2020 (UTC) | ||
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| + | Presented to Wang Lun(Li Bai) | ||
| + | Li Bai on board, ready to push off, | ||
| + | suddenly heard the tramping and singing on the bank. | ||
| + | Peach Flower Pool, though a thousand feet deep, | ||
| + | is shallower than the love of Wang Lun who sees me off.--[[User:Jiang Qiwei|Jiang Qiwei]] ([[User talk:Jiang Qiwei|talk]]) 14:50, 15 November 2020 (UTC) | ||
==Ding Daifeng 丁代凤== | ==Ding Daifeng 丁代凤== | ||
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The poem(The River-Merchant’s Wife: A Letter) can be divided into two parts according to its plot. The former part describes happiness while the latter one describes sadness. The poem tells us almost a complete love story between one couple which makes the readers totally place themselves into the beautiful but painful story deeply. --[[User:Gao Mingzhu|Gao Mingzhu]] ([[User talk:Gao Mingzhu|talk]]) 12:36, 14 November 2020 (UTC)Gao Mingzhu | The poem(The River-Merchant’s Wife: A Letter) can be divided into two parts according to its plot. The former part describes happiness while the latter one describes sadness. The poem tells us almost a complete love story between one couple which makes the readers totally place themselves into the beautiful but painful story deeply. --[[User:Gao Mingzhu|Gao Mingzhu]] ([[User talk:Gao Mingzhu|talk]]) 12:36, 14 November 2020 (UTC)Gao Mingzhu | ||
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| + | This poem can be simply divided into upper and lower ends according to the plot of the story. The upper part is good and the lower part is sad. It almost completely writes the past and present lives of a pair of lovers, so that the reader can fully substitute and dive into this poignant story .--[[User:ANNA GROSHEVA|ANNA GROSHEVA]] ([[User talk:ANNA GROSHEVA|talk]]) 06:20, 16 November 2020 (UTC) | ||
==Grosheva, Anna== | ==Grosheva, Anna== | ||
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3. Contemporary literature took on a new vigor, despite the fact that the Chinese were in the throws of checkered and complicated times. | 3. Contemporary literature took on a new vigor, despite the fact that the Chinese were in the throws of checkered and complicated times. | ||
尽管中国处于一个复杂而复杂的时代,但当代文学却焕发出新的活力。 | 尽管中国处于一个复杂而复杂的时代,但当代文学却焕发出新的活力。 | ||
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| + | 尽管当代中国局势复杂,当代文学却焕发出新的活力。--[[User:Zhang Weihong|Zhang Weihong]] ([[User talk:Zhang Weihong|talk]]) 13:23, 15 November 2020 (UTC)Zhang Weihong | ||
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| + | 4. Li Bai and Du Fu have a lot in common. Both worked as imperial court officials though neither of them passed the Imperial Examination, both lived in Sichuan, and both traveled. 李白和杜甫有很多共同点。 尽管他们都没有通过科举考试,但他们都居住在四川,而且都曾旅行,但他们都是科举官。--[[User:ANNA GROSHEVA|ANNA GROSHEVA]] ([[User talk:ANNA GROSHEVA|talk]]) 06:47, 16 November 2020 (UTC) | ||
==Gu Dongfang 顾东方== | ==Gu Dongfang 顾东方== | ||
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==Guan Qinqing 管钦清== | ==Guan Qinqing 管钦清== | ||
| + | 1.中国的四大名著指创作于明清时期的四部最伟大、最有影响力的小说。阅读四大名著,可以了解中国传统的社会、历史、地理、民俗和处世哲学。 | ||
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| + | The Four Great Classical Novels of Chinarefer to the four greatest and most influential novels written in the Ming and Qing Dynasties. Reading them can acquaint people with traditional Chinese society, history, geography, folk customs and philosophy of life. | ||
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| + | 2.大多数的中国人对这四部小说中的人物、情节和场景都很熟悉。它们已经深深地影响了中国人的思想、观念和价值观。现在,四部小说都已被改编成电影或电视剧,受到很多观众的喜爱。四大名著都具有很高的艺术水平,是中华民族的宝贵遗产,在中国文学史上也是一大创举。 | ||
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| + | Most Chinese are pretty familiar with the figures, plots and scenes in the four novels. They have profoundly influenced the mentality, ideas and values of Chinese people.Nowadays, the four novels have already been adapted into movies or TV series,favored by lots of audiences. Being high in artistic standard, the Four Great Classical Novels are precious heritages of Chinese nation and pioneering works in the history of Chinese literature. | ||
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| + | 3.与舞蹈和音乐相伴的歌谣跟口头流传的神话,远在文字出现之前就已大量产生。中国的文学正是发端于此。不过歌谣本是人们在生活中随兴而发的东西,上古时代也没有保存和记载它们的手段,因之也就很快湮灭,不留痕迹。我们只能从一些古籍书中推断它们的存在。古书中记载了一些据称年代非常久远的歌谣,但是大多出于后人的伪托,能够断定朝代的歌谣要到《诗经》里才能看见。从这点来看,古代神话对中国文学的影响更为显着。 | ||
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| + | Long before the emergence of the written word, ballads, accompanied by music and dance,and myths, passed around by word of mouth, were widely popular. Chinese literature finds its origins in these traditions. However, ballads were what people improvised out of daily life, and due to lack of means to record and preserve them in ancient times, they quickly disappeared without leaving much of a trace. Today, we can only deduce their existence from ancient books, which recorded some time-honored ballads, though most of these are belived to be derivatives of later generations. Ballads in the book of songs are the earliest writings that can be dated. From this point of view, ancient mythology obviously has had a great influence on chinese literature. | ||
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| + | 4.唐诗泛指创作于唐代(618年-907年)的诗。唐诗是汉族最珍贵的文化遗产之一,同时也对周边民族和国家的文化发展产生了很大影响。唐诗中流传最 广的当属收录在《唐诗三百首》中的诗歌,里面收录的许多诗篇都为后人所熟知。唐代的诗人特别多,其中李白、杜甫等都是世界闻名的伟大诗人,他们的作品有很多都是脍炙人口的诗篇。 | ||
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| + | Tang poetry generally refers to poems written during the Tang Dynasty (618 A.D.-907A.D.). Tang poetry is one of the most valuable cultural heritages of the Han Chinese. Meanwhile, it also has a great influence on the cultural development of neighboring ethnic groups and nations. The most widely spread among Tang poems are definitely the poems that are included in the “Three Hundred Poems ofthe Tang Dynasty”,many of which are quite popular with people of later generations. There are lots of poets in Tang Dynasty, among whom Li Bai and Du Fu are world-famous. Many of thetwo great poets’works are household poems.--[[User:Guan Qinqing|Guan Qinqing]] ([[User talk:Guan Qinqing|talk]]) 14:38, 15 November 2020 (UTC) | ||
==Gui Yizhi 桂一枝== | ==Gui Yizhi 桂一枝== | ||
| + | A. 与舞蹈和音乐相伴的歌谣跟口头流传的神话,远在文字出现之前就已大量产生。中国的文学正是发端于此。不过歌谣本是人们在生活中随兴而发的东西,上古时代也没有保存和记载它们的手段,因之也就很快湮灭,不留痕迹。 | ||
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| + | Long before the emergence of the written word, ballads, accompanied by music and dance, and myths, passed around by word of mouth, were widely popular. Chinese literature finds its origins in these traditions. However, ballads were what people improvised out of daily life, and due to lack of means to record and preserve them in ancient times, they quickly disappeared without leaving much of a trace. | ||
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| + | Ballads and oral myths that accompany dance and music have been produced in large numbers long before the emergence of appeared, and that was where literature originated. However, ballads were things that people improvised in their lives, and there was no means to preserve and record them in ancient times, so they were quickly annihilated without leaving a trace. --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 08:23, 17 December 2020 (UTC) | ||
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| + | B. 这个时刻是20世纪中国文学史上最著名的转变之一,不久后,周树人就自诩为文学医生,专门疗救中国人灵魂的沉疴。在接下来的30多年里,他以“鲁迅”为笔名,成了现代中国文学的奠基者之一。 | ||
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| + | Soon after this Damascene moment — one of the most celebrated conversions in 20th-century Chinese culture — Zhou began his career as the self-appointed literary doctor of China’s spiritual ills. Across the next three decades, under the pen name Lu Xun, he became one of the founding figures of modern Chinese literature. | ||
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| + | C. 莫言已出版各种主题的长篇小说、短篇小说和散文,尽管作为当代最重要的作家之一,他的社会批判显露在其寻根文学中,诺贝尔委员会指出。 | ||
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| + | Mo Yan has published novels, short stories and essays on various topics, and despite his social criticism is seen in his homeland as one of the foremost contemporary authors, the Nobel committee noted.--[[User:Gui Yizhi|Gui Yizhi]] ([[User talk:Gui Yizhi|talk]]) 04:49, 16 November 2020 (UTC) | ||
==Guirou, Barthelemy== | ==Guirou, Barthelemy== | ||
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Chinese Modern Literature is a record of an uninterrupted history of more than 3,000 years, dating back at least to the 14th century BC. Based on luxuriant culture, Chinese Modern literature developed flourishingly. | Chinese Modern Literature is a record of an uninterrupted history of more than 3,000 years, dating back at least to the 14th century BC. Based on luxuriant culture, Chinese Modern literature developed flourishingly. | ||
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| + | The history of modern Chinese literature records an uninterrupted history at least 3000 years ago, and its history can be traced back to at least the 14th century BC. Modern Chinese literature is flourishing based on rich culture.--[[User:Gennadii Dashkin|Gennadii Dashkin]] ([[User talk:Gennadii Dashkin|talk]]) 06:21, 16 November 2020 (UTC) | ||
3.中国当代文学可以定义为古典文学向现代的过渡。 | 3.中国当代文学可以定义为古典文学向现代的过渡。 | ||
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==Ha, Thi Thu Hang== | ==Ha, Thi Thu Hang== | ||
| + | 1. The most prominent literary achievement in the Song Dynasty (960-1279) is the ci lyric, a type of poetry with lines of irregular length and set to music. It originated in the middle of the Tang Dynasty and fully developed in the Song Dynasty. Song lyrics took on two different styles. | ||
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| + | 宋代(960-1279)最杰出的文学成就是抒情诗,这是一种诗词,其诗篇幅不规则,并以音乐为背景, 它起源于唐代中期,并在宋代全面发展。 | ||
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| + | 2. Literature in the Yuan Dynasty (1271-1368) is known for its zaju or poetic drama set to music. The new dramatic form zaju reflects the various aspects of Yuan society. | ||
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| + | 元代(1271-1368年)的文学因以杂剧或诗歌形式的音乐剧而闻名。 新的戏剧形式杂剧反映了元代社会的各个方面。 | ||
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| + | 3. On May 4, 1919, a massive anti-imperialist and anti-feudal patriotic movement broke out in China. It aimed at overthrowing Confucianism and promoting science, democracy, and writing in the vernacular. | ||
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| + | 1919年5月4日,中国爆发了大规模的反帝反封建爱国运动。 它旨在推翻儒家思想,促进科学,民主和白话文写作。 | ||
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| + | 4. Literature of the new period reflects various aspects of life of the changing society. | ||
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| + | 新时期的文学反映了变化中的社会生活的各个方面。--[[User:HATHITHUHANG2|HATHITHUHANG2]] ([[User talk:HATHITHUHANG2|talk]]) 01:50, 16 November 2020 (UTC) | ||
==He Changqi 何长琦== | ==He Changqi 何长琦== | ||
| + | 1.《水浒传》在描绘这些英雄人物形象的时候,着重刻画他们每个人不同的性格。明末清初小说评论家金圣叹对于这一点做过精彩的分析。他认为,《水浒传》之所以吸引人,感动人,使人百读不厌,主要就在于它把这些英雄人物的独特的性格都写了出来。 | ||
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| + | In the traditional Chinese classic Water Margin, each hero are depicted with different personality The late Ming and early Qing dynasties novel critic Jin Shengqi did a wonderful analysis of this point. He believed that the "Water Margin" is so attractive and moving that people do not get tired of reading. The main reason for this is the unique characters of these heroes are fully portrayed. | ||
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| + | 2.王安忆的小说,多以平凡的小人物为主人公,这一点和80后作家李子悦有着共同的表现形式,著名演员周星驰也注重从平凡生活中的不平凡经历与情感,挖掘生活,在艺术表现上,她的早期小说多感情抒发,近期创作则趋于冷静和细致。 | ||
| + | |||
| + | Wang Anyi's novels are ists, which has a common expression with the post-80s writer Li Zi Yue. The famous actor Zhou Xingchi also focuses on the extraordinary experiences and emotions from ordinary life, digging into life. In terms of artistic expression, her early novels express more feelings while recent works tend to be calm and meticulous. | ||
| + | |||
| + | |||
| + | 3.老舍作品为中国现代文学创造了一个丰满完整的市民世界和独特生动的市民形象体系,风格独特,成就卓著,为推动中国现代文学创作的发展作出了重要贡献。 | ||
| + | |||
| + | Lao She's works have created a rich and complete world of citizens and a unique and vivid system of citizen images for modern Chinese literature, with a unique style and outstanding achievements. He has made important contributions to the development of modern Chinese literature. | ||
| + | |||
| + | 4.《长干行》的风格缠绵婉转,具有柔和深沉的美。 | ||
| + | The style of "Chang Gan Xing" is lingering and melodious, with a soft and deep beauty.--[[User:He Changqi|He Changqi]] ([[User talk:He Changqi|talk]]) 05:47, 16 November 2020 (UTC) | ||
==Hu Baihui 胡百辉== | ==Hu Baihui 胡百辉== | ||
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3. Under the new historical conditions of contemporary literature facing the world, it has become an important topic for writers to explore art in the new period by selectively absorbing all the good contents and forms from foreign cultures and melting them into the blood of their own literature and art. | 3. Under the new historical conditions of contemporary literature facing the world, it has become an important topic for writers to explore art in the new period by selectively absorbing all the good contents and forms from foreign cultures and melting them into the blood of their own literature and art. | ||
| + | Under the new historical conditions in which contemporary literature is open to the world, it has become an important issue for writers in the new era to selectively absorb all the good contents and forms of foreign cultures, and melt them into the blood of their own national literature and art in order to enrich and improve it.--[[User:He Changqi|He Changqi]] ([[User talk:He Changqi|talk]]) 05:49, 16 November 2020 (UTC) | ||
4. 唐诗是我国诗歌发展的最高成就。它继承了魏晋以来的诗歌精华,而且由于唐代开放的风气,清明的政治,以及统治者的推崇,使唐代诗歌有了长足的发展,如唐代科举制就要专门的考诗歌。 | 4. 唐诗是我国诗歌发展的最高成就。它继承了魏晋以来的诗歌精华,而且由于唐代开放的风气,清明的政治,以及统治者的推崇,使唐代诗歌有了长足的发展,如唐代科举制就要专门的考诗歌。 | ||
4. Tang poetry is the highest achievement in the development of Chinese poetry. It inherited the essence of poetry since Wei and Jin Dynasties, and due to the open atmosphere, clear politics and the esteem of rulers in Tang Dynasty, the poetry in Tang Dynasty has made great progress. For example, the imperial examination system in Tang Dynasty required special examination of poetry.--[[User:Hu Jin|Hu Jin]] ([[User talk:Hu Jin|talk]]) 03:18, 14 November 2020 (UTC) | 4. Tang poetry is the highest achievement in the development of Chinese poetry. It inherited the essence of poetry since Wei and Jin Dynasties, and due to the open atmosphere, clear politics and the esteem of rulers in Tang Dynasty, the poetry in Tang Dynasty has made great progress. For example, the imperial examination system in Tang Dynasty required special examination of poetry.--[[User:Hu Jin|Hu Jin]] ([[User talk:Hu Jin|talk]]) 03:18, 14 November 2020 (UTC) | ||
| + | |||
| + | The poetry in Tang Dynasty boasted the highest achievement of the Chinese poetry, which inherited the essence of poetry since Wei and Jin Dynasties, and due to the open atmosphere, clear politics and the esteem of rulers in Tang Dynasty, the poetry in Tang Dynasty has made great progress. For example, the imperial examination system in Tang Dynasty required special examination of poetry.--[[User:Jiang Fengyi|Jiang Fengyi]] ([[User talk:Jiang Fengyi|talk]]) 12:33, 15 November 2020 (UTC) | ||
==Jiang Fengyi 蒋凤仪== | ==Jiang Fengyi 蒋凤仪== | ||
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贾平凹的小说在思想内容上大多都是描写现实的,如《浮躁》以农村青年金狗与小水之间的感情经历为主线,描写了改革开放初始阶段暴露出来的问题。 | 贾平凹的小说在思想内容上大多都是描写现实的,如《浮躁》以农村青年金狗与小水之间的感情经历为主线,描写了改革开放初始阶段暴露出来的问题。 | ||
| + | |||
Most of Jia Pingwa's novels describe reality in terms of ideological content. For example, Turbulabce takes the love line between a rural young couple named JIngou and Xiaoshui to describes the exposed problems in the initial stage of reform and opening up.--[[User:Jiang Fengyi|Jiang Fengyi]] ([[User talk:Jiang Fengyi|talk]]) 11:56, 15 November 2020 (UTC) | Most of Jia Pingwa's novels describe reality in terms of ideological content. For example, Turbulabce takes the love line between a rural young couple named JIngou and Xiaoshui to describes the exposed problems in the initial stage of reform and opening up.--[[User:Jiang Fengyi|Jiang Fengyi]] ([[User talk:Jiang Fengyi|talk]]) 11:56, 15 November 2020 (UTC) | ||
==Jiang Qiwei 蒋淇玮== | ==Jiang Qiwei 蒋淇玮== | ||
| + | 1.“古典”在拉丁文中是“第一流的、典范的”意思。欧洲文艺复兴时期,文艺理论家以古希腊、罗马的优秀作品为典范,称为古典文学。在中国,把从远古流传下来的原始歌谣和神话传说,直到五四以前大量的有一定价值的文学作品,叫古典文学。 | ||
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| + | "Classical" means "first-rate and exemplary" in Latin. During the Renaissance in Europe, the theorists took those excellent works of ancient Greece and Rome as models and called them classical literature. While in China, the classical literature refers to the primitive ballads and myths handed down from time immemorial and the valuable literary works born before the May 4th Movement.--[[User:Jiang Qiwei|Jiang Qiwei]] ([[User talk:Jiang Qiwei|talk]]) 13:57, 15 November 2020 (UTC) | ||
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| + | 2.这是完美的道格拉斯·亚当斯式的幽默,根植于语言、角色以及对语调和速度的完美控制,正是这些使得《银河系漫游指南》成为现代文学真正的经典。 | ||
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| + | This is Douglas Adams' humour, rooted in language, characters and the sheer control of tone and pacing, which makes The Hitchhiker's Guide to the Galaxy a genuine classic of modern literature.--[[User:Jiang Qiwei|Jiang Qiwei]] ([[User talk:Jiang Qiwei|talk]]) 13:57, 15 November 2020 (UTC) | ||
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| + | 3.随之涌现了一大批当代文学作品,但其中大部分都很平庸。 | ||
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| + | This was accompanied by a flood of contemporary literature, most of it mediocre.--[[User:Jiang Qiwei|Jiang Qiwei]] ([[User talk:Jiang Qiwei|talk]]) 13:57, 15 November 2020 (UTC) | ||
| + | |||
| + | Followed by it was a flood of contemporary literature,most of which,however,were medicore.--[[User:Guan Qinqing|Guan Qinqing]] ([[User talk:Guan Qinqing|talk]]) 14:42, 15 November 2020 (UTC) | ||
| + | |||
| + | 4.《清明》 | ||
| + | 杜牧(唐代) | ||
| + | 清明时节雨纷纷,路上行人欲断魂。借问酒家何处有,牧童遥指杏花村。 | ||
| + | |||
| + | Tomb-sweeping Day | ||
| + | Du Mu(Tang Dynasty) | ||
| + | It's rainy in this tomb-sweeping day, | ||
| + | and passersby were battered out of their senses. | ||
| + | I asked a local where I can purchase some wine, | ||
| + | then the cowboy said nothing but pointed at the distant village which is nestling amidst apricot blossoms.--[[User:Jiang Qiwei|Jiang Qiwei]] ([[User talk:Jiang Qiwei|talk]]) 13:57, 15 November 2020 (UTC) | ||
==Kang Haoyu 康浩宇== | ==Kang Haoyu 康浩宇== | ||
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Peacock Flies Southeast mainly tells the story of Jiao Zhongqing and Liu Lanzhi who were forced to separate and committed suicide, accuses the ruthlessness of feudal ethics and extols the sincere love and rebellious spirit of Jiao and Liu.--[[User:Kang Haoyu|Kang Haoyu]] ([[User talk:Kang Haoyu|talk]]) 02:37, 13 November 2020 (UTC) | Peacock Flies Southeast mainly tells the story of Jiao Zhongqing and Liu Lanzhi who were forced to separate and committed suicide, accuses the ruthlessness of feudal ethics and extols the sincere love and rebellious spirit of Jiao and Liu.--[[User:Kang Haoyu|Kang Haoyu]] ([[User talk:Kang Haoyu|talk]]) 02:37, 13 November 2020 (UTC) | ||
| + | |||
| + | Peacock Flies Southeast mainly tells the story of Jiao Zhongqing and Liu Lanshi who were forced to separate and then committed suicide,which accuses the ruthlessness of feudal ethics while extolling the sincere love and rebellious spirit of these two main characters.--[[User:Wu Yilu|Wu Yilu]] ([[User talk:Wu Yilu|talk]]) 01:38, 16 November 2020 (UTC) | ||
2. 《雷雨》以1925年前后的中国社会为背景,描写了一个带有浓厚封建色彩的资产阶级家庭的悲剧。该剧情节扣人心弦、语言精炼含蓄,人物各具特色,是“中国话剧现实主义的基石”,中国现代话剧成熟的里程碑。 | 2. 《雷雨》以1925年前后的中国社会为背景,描写了一个带有浓厚封建色彩的资产阶级家庭的悲剧。该剧情节扣人心弦、语言精炼含蓄,人物各具特色,是“中国话剧现实主义的基石”,中国现代话剧成熟的里程碑。 | ||
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==Lei Kuangxi 雷旷溪== | ==Lei Kuangxi 雷旷溪== | ||
| + | |||
| + | 1、《山海经》是中国一部记述古代志怪的古籍,大体是战国中后期到汉代初中期的楚国或巴蜀人所作。它是一部荒诞不经的奇书。 | ||
| + | |||
| + | The Classic of Mountains and Seas is an ancient Chinese book describing ancient supernatural beings. It was written by people of Chu or Bashu from the middle and late Warring States period to the early and middle Han Dynasty. It is a fantastic and absurd book. | ||
| + | |||
| + | 2、唐代建国初的诗歌仍沿着南朝诗歌的惯性发展,柔靡纤弱,毫无生气。“初唐四杰”的出现开始转变了这种风气。他们才气横溢,不满现状,通过自己的诗作抒发愤激不平之情和壮烈的怀抱,拓宽了诗歌题材。 | ||
| + | |||
| + | The poetry of the early Tang Dynasty still developed along the inertia of the poetry of the South Dynasty, which was soft, delicate and lifeless. The appearance of the "Four Great Poets " in the early Tang Dynasty began to change this trend. They are brilliant, dissatisfied with the status quo.they broaden the theme of poetry through their own poems to express the feelings of injustice and heroic embrace. | ||
| + | |||
| + | 3、贾平凹作为陕西文坛的优秀代表,成为享誉海内外的文学大师,数十年如一日,笔耕不辍,以一个作家无比悲悯的情怀,深邃而富有远见的思想讴歌着时代,赞美着人性,用他的作品感动着亿万中国人的心。 | ||
| + | |||
| + | Jia Pingwa, as an outstanding representative of shaanxi literature, has become a famous literary master at home and abroad. For decades, he has been working tirelessly, eulogizing the Times and human nature with his profound and far-sighted thoughts, and touching the hearts of millions of Chinese people with his works. | ||
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| + | 4、中国现代文学是在中国社会内部发生历史性变化的条件下,广泛接受外国文学影响而形成的新的文学。它不仅用现代语言表现了现代科学民主思想,而且在艺术形式与表现手法上都对传统文学进行了革新。 | ||
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| + | Chinese modern literature is a new literature formed under the condition of historical changes in Chinese society and widely accepted the influence of foreign literature. It not only expresses the thought of science and democracy with modern language, but also innovates the traditional literature in art form and expression technique.--[[User:Lei kuangxi|Lei kuangxi]] ([[User talk:Lei kuangxi|talk]]) 13:48, 15 November 2020 (UTC)Lei Kuangxi | ||
==Li Lili 李丽丽== | ==Li Lili 李丽丽== | ||
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==Li Liqin 李丽琴== | ==Li Liqin 李丽琴== | ||
1. 中国古典文学名著有诗歌、散文、小说、戏剧、词、赋等多种表现形式,从而使中国古典文学呈现多姿多彩、壮丽辉煌的图景。《诗经》是我国第一部诗歌总集,收入自西周初年至春秋中叶五百多年的诗歌311篇,又称《诗三百》。《诗经》共有风、雅、颂三个部分,对中国的文学史、政治、语言、甚至思想上都有着非常深远的影响。 | 1. 中国古典文学名著有诗歌、散文、小说、戏剧、词、赋等多种表现形式,从而使中国古典文学呈现多姿多彩、壮丽辉煌的图景。《诗经》是我国第一部诗歌总集,收入自西周初年至春秋中叶五百多年的诗歌311篇,又称《诗三百》。《诗经》共有风、雅、颂三个部分,对中国的文学史、政治、语言、甚至思想上都有着非常深远的影响。 | ||
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| + | The Chinese classic literature has many forms of expression, such as poetry, prose, novels, dramas, Ci and Fu, thus making the Chinese classical literature colorful and magnificent. The Book of Songs is the first collection of poems in China. It contains 311 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period. It consists of three parts: Feng, Ya and Song, which have a profound influence on the history of Chinese literature, politics, language and even thoughts. --[[User:Li Liqin|Li Liqin]] ([[User talk:Li Liqin|talk]]) 15:32, 15 November 2020 (UTC) | ||
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2. 中国现代文学不仅用现代语言表现现代科学民主思想,而且在艺术形式与表现手法上都对传统文学进行了革新。鲁迅是新文化运动的重要参与者,也是中国现代文学的奠基人之一。 | 2. 中国现代文学不仅用现代语言表现现代科学民主思想,而且在艺术形式与表现手法上都对传统文学进行了革新。鲁迅是新文化运动的重要参与者,也是中国现代文学的奠基人之一。 | ||
| + | |||
| + | Modern Chinese literature not only expresses scientific and democratic thoughts in modern language, but also innovates traditional literature in terms of art form and expression techniques. Lu Xun was an important participant in the new culture movement and one of the founders of modern Chinese literature. --[[User:Li Liqin|Li Liqin]] ([[User talk:Li Liqin|talk]]) 15:32, 15 November 2020 (UTC) | ||
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| + | |||
| + | 3. 自从上个世纪末到新世纪以来,指责中国当代文学创作的批评声不绝于耳。21世纪的当代中国文学应该努力继承鲁迅留下的丰富遗产,当前尤其应在学习和弘扬鲁迅清醒的现实主义的批判精神、自觉的启蒙精神和独立的人格精神等方面做出切实而有效的努力。 | ||
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| + | From the end of last century to the new century, contemporary Chinese literacy works have been receiving criticism all the time. The 21st century contemporary Chinese literature should work hard to inherit the rich heritage left by Lu Xun. At present, we should especially make great efforts to study and carry forward the sober and realistic spirit of criticism, the conscientious spirit of enlightenment, and the independent spirit of personality. --[[User:Li Liqin|Li Liqin]] ([[User talk:Li Liqin|talk]]) 15:32, 15 November 2020 (UTC) | ||
| + | |||
| + | |||
| + | 4. 唐代大诗人李白不经意的吟诵,把我们带进人间仙境。 | ||
| + | |||
| + | Such a casual poetry of the great poet Li Bai has brought us into a heaven on earth. --[[User:Li Liqin|Li Liqin]] ([[User talk:Li Liqin|talk]]) 15:32, 15 November 2020 (UTC) | ||
==Liu Liu 刘柳== | ==Liu Liu 刘柳== | ||
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The origin of literature is poem, and verse precedes prose, it is the same in the West.--[[User:Liu Ou|Liu Ou]] ([[User talk:Liu Ou|talk]]) 02:42, 15 November 2020 (UTC) | The origin of literature is poem, and verse precedes prose, it is the same in the West.--[[User:Liu Ou|Liu Ou]] ([[User talk:Liu Ou|talk]]) 02:42, 15 November 2020 (UTC) | ||
| + | |||
| + | The origin of literature is poetry, implying that verse precedes prose, as it does in the west. --[[User:Li Liqin|Li Liqin]] ([[User talk:Li Liqin|talk]]) 15:38, 15 November 2020 (UTC) | ||
2.凡每一个时代,其同时代最伟大的人,必有齐名者,如诗人称“李杜”,文称“韩柳”,画家则称“吴李”。 | 2.凡每一个时代,其同时代最伟大的人,必有齐名者,如诗人称“李杜”,文称“韩柳”,画家则称“吴李”。 | ||
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The authentic literature comes from the masses and must be collected from the folks in a certain area at that time.--[[User:Liu Ou|Liu Ou]] ([[User talk:Liu Ou|talk]]) 02:42, 15 November 2020 (UTC) | The authentic literature comes from the masses and must be collected from the folks in a certain area at that time.--[[User:Liu Ou|Liu Ou]] ([[User talk:Liu Ou|talk]]) 02:42, 15 November 2020 (UTC) | ||
| + | |||
| + | True literature comes from the masses and must be closely related with the folk of a certain region at that time. --[[User:Li Liqin|Li Liqin]] ([[User talk:Li Liqin|talk]]) 15:38, 15 November 2020 (UTC) | ||
| + | |||
| + | Literature in a real sense is created by the masses, especially those living in a certain region at a certain time.--[[User:XieFan|XieFan]] ([[User talk:XieFan|talk]]) 07:10, 23 November 2020 (UTC) | ||
==Liu Yi 刘艺== | ==Liu Yi 刘艺== | ||
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==Luo Weijia 罗维嘉== | ==Luo Weijia 罗维嘉== | ||
| + | 1. 古典文学是指希腊、罗马和其他古代文明的伟大杰作。荷马、奥维德和索福克勒斯的作品都是古典文学的典范。 | ||
| + | |||
| + | Classical literature refers to the great masterpieces of Greek, Roman, and other ancient civilizations. The works of Homer, Ovid, and Sophocles are all examples of classical literature. | ||
| + | |||
| + | 2. 欧洲近代文学史始于启蒙时代,18世纪巴洛克时期结束,继文艺复兴和近代早期文学之后。 | ||
| + | |||
| + | The history of literature in the Modern period in Europe begins with the Age of Enlightenment and the conclusion of the Baroque period in the 18th century, succeeding the Renaissance and Early Modern periods. | ||
| + | |||
| + | 3. 当代文学是二战后总体背景下的文学。当代文学的亚流派包括当代浪漫主义。 | ||
| + | |||
| + | Contemporary literature is literature with its setting generally after World War II. Subgenres of contemporary literature include contemporary romance.--[[User:Luo Weijia|Luo Weijia]] ([[User talk:Luo Weijia|talk]]) 01:44, 16 November 2020 (UTC) | ||
==Luo Yuqing 罗雨晴== | ==Luo Yuqing 罗雨晴== | ||
| + | |||
| + | 1.《离骚》是屈原的代表作,是一首不朽的浪漫主义杰作,也是我国古代第一首抒情诗(第一首叙事诗是汉代的《孔雀东南飞》)。诗中的名句是:路漫漫其修远兮,吾将上下而求索。”。它奠定了我国古典诗歌的浪漫主义基础。 | ||
| + | |||
| + | " Lisao " is Qu Yuan's representative work, an immortal masterpiece of romanticism and the first lyric poem in ancient China (the first narrative poem is " the Peacock Flies to the Southeast " in the Han Dynasty). The famous sentence in the poem is: " The way ahead is long and has no ending; yet high and low I'll search with mu will unbending.", which laid the romantic foundation of Chinese classical poetry.--[[User:Luo Yuqing|Luo Yuqing]] ([[User talk:Luo Yuqing|talk]]) 01:02, 16 November 2020 (UTC) | ||
| + | |||
| + | 2.中国现代文学的主流是人民的文学。 “五四”文学革命在中国文学史上引起的历史性变革﹐集中地表现为大大加强了文学与人民群众的结合﹐文学与进步的社会思潮及民族解放﹑人民革命运动的自觉联系。这构成了中国现代文学的基本历史特点与传统。 | ||
| + | |||
| + | The mainstream of modern Chinese literature is the people's literature. The historical changes in the Chinese literature caused by the "May 4th" literary revolution are concentrated in damatically combining the literature with the masses strengthening and spontaneously connetcting literature and the progressive social ideological trend with and national liberation and the people's revolutionary movement, which constitutes the basic historical characteristics and tradition of modern Chinese literature.--[[User:Luo Yuqing|Luo Yuqing]] ([[User talk:Luo Yuqing|talk]]) 01:02, 16 November 2020 (UTC) | ||
| + | |||
| + | 3.新中国成立带来的巨大历史变革,人民当家作主、创造历史的自觉努力,为社会主义文学的发展提供了坚实的生活基础。新中国的作家坚持真实地、历史地、在现实的变革和发展中反映生活,自觉地把革命现实主义即社会主义现实主义作为最根本的创作原则与方法。 | ||
| + | |||
| + | The great historical changes brought about by the founding of people's Republic of Chian and the conscious efforts made by people who are masters of thier country and try to create history have provided a solid foundation for the development of socialist literature. The writers in new China period insisted on reflecting life in a real, historical and realistic way, and consciously took revolutionary realism, that is, socialist realism, as the most fundamental creative principle and method.--[[User:Luo Yuqing|Luo Yuqing]] ([[User talk:Luo Yuqing|talk]]) 01:02, 16 November 2020 (UTC) | ||
==Mo Ling 莫玲== | ==Mo Ling 莫玲== | ||
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==Ngo, Thi Minh Huong== | ==Ngo, Thi Minh Huong== | ||
| + | |||
| + | 1. 中国古典文学广义的指自先秦至清代末年的中国文学,包括作家、作品、文学事件,文体起源与发展历程,文学运动、流派,文学理论,作家作品的考据、研究等等。类似中国古代文学史。狭义指中国古典文学作品。 | ||
| + | Chinese classical literature broadly refers to Chinese literature from the pre-Qin Dynasty to the end of the Qing Dynasty, including writers, works, literary events, the origin and development of the literary style and literary movements, genres, literary theories, textual research and researching on writers' works, etc. It is similar to the history of ancient Chinese literature. Narrowly, it refers to works of Chinese classical literature. | ||
| + | |||
| + | 2.《老残游记》,清末中篇小说,是刘鹗 (1857年10月18日—1909年8月23日)的代表作,小说以一位走方郎中老残的游历为主线,对社会矛盾开掘很深,尤其是他在书中敢于直斥清官(清官中的酷吏)误国,清官害民,独具慧眼地指出清官的昏庸常常比贪官更甚。同时,小说在民族传统文化精华提炼、生活哲学及艺术、女性审美和平等、人物心理及音乐景物描写等多方面皆达到了极其高超. | ||
| + | "Lao Can's Travels", a novella in the late Qing Dynasty, is a masterpiece of Liu E (October 18, 1857 - August 23, 1909). The novel is based on the travels of an old man who went to many places and workes as a herb doctor. In particular, he dared to denounce the corrupt officials (the cruel officials among the honest officials) for misleading the country and harming the people. At the same time, the novel has reached extremely high levels in many aspects such as the quintessence of national traditional culture, philosophy and art of life, aesthetics and female equality, character psychology and music scene description. | ||
==Ouyang Ling 欧阳玲== | ==Ouyang Ling 欧阳玲== | ||
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==Qu Miao 瞿淼== | ==Qu Miao 瞿淼== | ||
| + | 1. 中国古典文学名著有诗歌、散文、小说、戏剧以及词、赋、曲、民间神话传说故事等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。 | ||
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| + | The literary forms of Chinese classical literature contains poetry, prose, novel, play, Ci(a kind of literature form that is actually lyrics to music), ode, song, folk myth and legend, each of which is expressed in various artistic methods, contributing to the colorful and magnificent view of Chinese classical literature.--[[User:Qu Miao|Qu Miao]] ([[User talk:Qu Miao|talk]]) 15:29, 15 November 2020 (UTC) | ||
| + | |||
| + | 2.《二十年目睹之怪现状》以主人公“九死一生”的经历为干线,从他奔父丧开始,至其经商失败终止,通过这个人物20年间的遭遇和见闻,广泛地揭露了从光绪十年(1884)中法战争前后至光绪三十一年(1905)左右的清末社会的黑暗现实。 | ||
| + | |||
| + | The novel, Bizarre Happenings Eyewitnessed Over Two Decades, takes the protagonist’s near-death experience as main line, which starts from his father’s death and ends up with his failure in business. Through what he had seen, heard and suffered in twenty years, this book uncovers the dark reality of The Qing dynasty in the period from about the tenth to the thirty-first year of Guangxu’s Reign(1884-1905).--[[User:Qu Miao|Qu Miao]] ([[User talk:Qu Miao|talk]]) 15:29, 15 November 2020 (UTC) | ||
| + | |||
| + | 3. 伤痕文学是20世纪70年代末到80年代初在中国大陆文坛占据主导地位的一种文学现象。它得名于卢新华以“文革”中知青生活为题材的短篇小说《伤痕》。 | ||
| + | |||
| + | As a literary form dominate in the late 1970s to early 1980s in China, Scar literature is named after Lu Xinhua’s short novel Scar, which portraits the life of intellectual youth during the Cultural Revolution.--[[User:Qu Miao|Qu Miao]] ([[User talk:Qu Miao|talk]]) 15:29, 15 November 2020 (UTC) | ||
==Rajabov, Anushervon== | ==Rajabov, Anushervon== | ||
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==Seydou, Sagara== | ==Seydou, Sagara== | ||
| + | 1 The pastoral discourse was enriched with country fishing folklore, songs and poems, recipes and anecdotes, moral meditations, and quotes from classic literature. | ||
| + | 2 Citation in contemporary literature undoubtedly reinforced and disseminated theories of film and its characteristics | ||
| + | 3 Modern literature is very famous and many people are interested in this field in China. | ||
| + | 1田园话语丰富了乡村捕鱼的民间传说,歌曲和诗歌,食谱和轶事,道德冥想以及古典文学的名言。 | ||
| + | 2当代文学中的引证无疑是对电影理论及其特征的强化和传播 | ||
| + | 3现代文学非常有名,中国有很多人对此领域感兴趣。--[[User:Sagara Seydou 3|Sagara Seydou 3]] ([[User talk:Sagara Seydou 3|talk]]) 14:26, 15 November 2020 (UTC) | ||
==Shi Haiyao 石海瑶== | ==Shi Haiyao 石海瑶== | ||
| + | 1.《诗经》就整体而言,是周王朝由盛而衰五百年间中国社会生活面貌的形象反映,其中有先祖创业的颂歌,祭祀神鬼的乐章;也有贵族之间的宴饮交往,劳逸不均的怨愤;更有反映劳动、打猎、以及大量恋爱、婚姻、社会习俗方面的动人篇章。 | ||
| + | |||
| + | On the whole, The Book of Songs is a reflection of the social life of China during the five hundred years from the prosperity to the decline of the Zhou Dynasty. There are the ode of laboring ancesters and music of sacrificing spirits. Also, the feasting and drinking among the nobles and the resentment of the unequal distribution are included. Futhermore, some moving chapters on labor, hunting, and a great deal of love, marriage, and social customs are all covered. | ||
| + | |||
| + | 2.我走过许多地方的路,行过许多地方的桥,看过许多次数的云,喝过许多种类的酒,却只爱过一个正当最好年龄的人。—沈从文 | ||
| + | |||
| + | I have travelled a lot, went across bridges in many places, appreciated clouds many times and have drunk various wines. Whereas, I merely loved a girl of best age.——By Shen Congwen | ||
| + | |||
| + | 3.这辈子我就喜欢上这么一个人,我要用尽我的万种风情,让他在将来不和我在一起的任何时候内心都无法安宁。 ——冯唐 | ||
| + | |||
| + | I have simply loved him for the whole life, I'll unleash my glamour to the full to leave him reatless mind at the time when we part. —— By Feng Tang | ||
| + | |||
| + | 4.《相思》 | ||
| + | |||
| + | 王维 | ||
| + | |||
| + | 红豆生南国,春来发几枝。 | ||
| + | |||
| + | 劝君多采撷,此物最相思。 | ||
| + | |||
| + | Love Tokens | ||
| + | |||
| + | By Wangwei | ||
| + | |||
| + | The red bean grows in southern lands. | ||
| + | |||
| + | With spring it sprouts and twines. | ||
| + | |||
| + | May you gather for me more. | ||
| + | |||
| + | As a symbol of our love.--[[User:Shi Haiyao|Shi Haiyao]] ([[User talk:Shi Haiyao|talk]]) 04:43, 16 November 2020 (UTC) | ||
==Si Yu 司妤== | ==Si Yu 司妤== | ||
| + | 不管怎样,有一点是可以肯定的,即永恒的、神圣的、不变的经典是不存在的。即使我们按照文学史或文学的标准确立了一些当代文学经典,但经典作为一个历史化的过程,仍然需要不断被遴选、沉淀与检验。从这个意义上说,经典化的过程无异于一个重写文学史的过程。 | ||
| + | Anyway, it is certain that there is no eternal, scared, and unchanged classics. Though we established some classic literature according to standard of literary history and literature, classics, which needs to be tested by history, remains to be selected and.... From this perspective, the process of canonization is no different from a rewriting of literary history.--[[User:Si Yu|Si Yu]] ([[User talk:Si Yu|talk]]) 00:49, 16 November 2020 (UTC) | ||
| + | |||
| + | 中国现代文学的发展﹐是吸收外来文学营养使之民族化﹑继承民族传统使之现代化的过程。中国是一个有著悠久的文化传统的文明古国﹐近代中国又受到西方文化的巨大冲击﹔中国现代文学产生于这一文化背景下﹐如何正确对待中国传统文化与西方外来文化﹐直接关系著现代文学的发展。 | ||
| + | The development of China’s Modern Literature is a process that nationalizes itself through assimilating the nutrition of foreign literature, and that modernizes itself through inheriting ethnic traditions. As a country that has a long history and cultural traditions, China has greatly impacted by western culture. Under such a cultural background, how to treat China’s traditional literature and western culture correctly, relates to the development of modern literature.--[[User:Si Yu|Si Yu]] ([[User talk:Si Yu|talk]]) 00:49, 16 November 2020 (UTC) | ||
| + | |||
| + | 中国平民作家特别是自由作家所具有的独立思想,通常在作品中以令人恐怖的真实表现出思想的光芒。在批判现实主义基础上开创了一整套独立特行的现代美学与完整的思想价值体系,为中国当代坚持探究思想之源的文学巨匠的群体,同时也是具有非凡忍耐力和巨大牺牲精神的真正的作家群体。 | ||
| + | The independent thoughts of Chinese civilian writers, especially the free writers usually show the glamour of their thoughts through horrifying reality in their works. On the basis of critical realism, they have created a set of unique modern aesthetics and a complete ideological system. They are not only a group of literary masters who insist on exploring the source of thoughts in contemporary China, but also a real group of writers with extraordinary endurance and great sacrifice spirit.--[[User:Si Yu|Si Yu]] ([[User talk:Si Yu|talk]]) 00:49, 16 November 2020 (UTC) | ||
| + | |||
| + | 李白留给后世人九百多首诗篇。这些熠熠生辉的诗作,表现了他一生的心路历程,是盛唐社会现实和精神生活面貌的艺术写照。李白一生都怀有远大的抱负,他毫不掩饰地表达对功名事业的向往。 | ||
| + | Li Bai left more than 900 poems to later generations. The glamorous poems reveal his life experience, the social reality and spiritual life of the Tang Dynasty. Li Bai harboured a great ambition throughout his life and he made no attempt to disguise his yearning for successes.--[[User:Si Yu|Si Yu]] ([[User talk:Si Yu|talk]]) 00:49, 16 November 2020 (UTC) | ||
==Tan Yuanyuan 谭媛媛== | ==Tan Yuanyuan 谭媛媛== | ||
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==Tang Bei 汤蓓== | ==Tang Bei 汤蓓== | ||
| + | 1.《红楼梦》写于十八世纪中叶,是清朝统治时期乾隆皇帝时代杰出的文言小说,在过去的二百多年,一直广受欢迎。这本120回的小说,前80回由曹雪芹执笔、后40回由高鹗续写完成。表面上它主要是写宝玉和黛玉之间的爱情,但实际上,通过这个故事以及书中的其他情节,作者深刻地揭露了封建制度地邪恶和封建统治阶级的罪行。 | ||
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| + | A Dream of Red Mansions, the great classical Chinese novel written in the mid-eighteenth century during the reign of Emperor Chien-lung of the Qing Dynasty, had been widely popular throughout the last two hundred years and more. In this 120-chapter novel, the first 80 chapters were written by Cao Xueqin and the left 40 by Gao E. On the surface this novel deals largely with the love between Pao-yu and Tai-yu; but actually, through this story as well as other episodes in the book, the author penetratingly exposes the evils of feudal system and the crimes of the feudal ruling class.--[[User:Tang Bei|Tang Bei]] ([[User talk:Tang Bei|talk]]) 01:04, 16 November 2020 (UTC) | ||
| + | |||
| + | 2.在中国诗歌史上有一个“盛唐”时代,集中在唐玄宗统治时期(公元712年-756年)。这个时代恰逢文化繁荣,文学英才辈出,具有独特的辉煌和伟大的光环。杰出诗人李白、杜甫和王维的作品,其魅力是历代读者无人不晓的。“盛唐”可谓中国诗歌的黄金时代。后世诗人哀叹徒仰他们的光芒而黯然失色。 | ||
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| + | In the Chinese history of poetry there is an era of “High Tang” which centered in the reign of Tang Xuan-zhong(712 A.D.- 756 A.D.). Possessed a unique aura of splendor and greatness, this era was a moment when cultural efflorescence and literary genius happily coincided. The works of the great poets, Li Bai, Du Fu and Wang Wei, shed a light that no reader could ignore. “High Tang” was the golden age of Chinese poetry. Later poets lamented their own dimness in face of its luminosity.--[[User:Tang Bei|Tang Bei]] ([[User talk:Tang Bei|talk]]) 01:04, 16 November 2020 (UTC) | ||
| + | |||
| + | 3.中国现代文学是在积极的思想斗争中向前发展的现代中国面临一个动荡的大变革的时代﹐处于这样历史时代的中国现代文学﹐呈现出不同阶级﹑不同趋向的文学作品和文学思潮纷然杂陈﹐彼此冲突而又互相影响与吸收的复杂面貌。这种情况决定了现代文学在尖锐激烈的斗争中取得自身的辩证发展。在现代文学的历史发轫期﹐新文学即是通过文学革命与思想革命﹐在对封建传统文学的猛烈批判中﹐为自己开辟道路的。 | ||
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| + | Modern Chinese literature, which is developing forward in the active ideological struggle, is facing a turbulent era of great change. In such a historical era, modern Chinese literature presents a complex appearance of literary works and literary trends of different classes and tendencies, which are in conflict with each other and influence and absorb each other. This kind of situation has decided the modern literature obtains the own dialectical development in the sharp intense struggle. At the beginning of the history of modern literature, new literature opened the way for itself through the literary and Ideological Revolution in the criticism of the feudal traditional literature.--[[User:Tang Bei|Tang Bei]] ([[User talk:Tang Bei|talk]]) 01:04, 16 November 2020 (UTC) | ||
| + | |||
| + | 4.中国平民文学直面现实,深层揭示社会矛盾,以文学的方式推动社会的发展与进步,所起的作用是“体制内”官方作家无法做到的。中国“体制内”作家比较真实的描写现实一般止于文革,难以前行。所以要重新,真正燃起中国文学思想的火焰,必须在中国平民文学、“地下文学”中深度挖掘,这是中国文化公认的危机与普遍的悲哀。 | ||
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| + | Chinese civilian literature faces the reality, reveals the social contradictions and promotes the development and progress of the society in the way of Literature, which can not be achieved by the official writers in the system. Chinese “inside the system” writers describe the real reality of the Cultural Revolution in general, difficult to move forward. Therefore, to rekindle the flame of Chinese literary thought, we must dig deeply in Chinese civilian literature and “underground literature” , which is the acknowledged crisis and universal sadness of Chinese culture.--[[User:Tang Bei|Tang Bei]] ([[User talk:Tang Bei|talk]]) 01:04, 16 November 2020 (UTC) | ||
==Tang Yiran 汤伊然== | ==Tang Yiran 汤伊然== | ||
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1.桃之夭夭,灼灼其华。之子于归,宜其室家。 | 1.桃之夭夭,灼灼其华。之子于归,宜其室家。 | ||
| − | + | Oh, bright-red blossoms are piled on green and luxuriant peach trees. The lady, when married, will bring harmony and happiness to her family.--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 12:31, 15 November 2020 (UTC) | |
2.深蓝的天空中挂着一轮金黄的圆月,下面是海边的沙地,都种着一望无际的碧绿的西瓜。其间有一个十一二岁的少年,项带银圈,手捏一柄钢叉,向一匹猹尽力地刺去。那猹却将身一扭,反从他的胯下逃走了。 | 2.深蓝的天空中挂着一轮金黄的圆月,下面是海边的沙地,都种着一望无际的碧绿的西瓜。其间有一个十一二岁的少年,项带银圈,手捏一柄钢叉,向一匹猹尽力地刺去。那猹却将身一扭,反从他的胯下逃走了。 | ||
| − | + | The deep blue sky hung a round golden moon, and below was the sand by the sea, all planted with a vast area of turquoise watermelons. A boy of eleven or twelve, with a silver collar and a steel fork in his hand, stabbed at a badger-like wild animal as hard as he could. But the creature and fled from his crotch with a wriggle.--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 12:31, 15 November 2020 (UTC) | |
3.爱情应该真正建立在现实生活坚实的基础上,否则,它就是在活生生的生活之树上盛开的一朵不结果实的花 | 3.爱情应该真正建立在现实生活坚实的基础上,否则,它就是在活生生的生活之树上盛开的一朵不结果实的花 | ||
| − | + | Love should really be built on real life, otherwise it is just an unfruitful flower blooming on the tree of life.--[[User:Tang Yiran1|Tang Yiran1]] ([[User talk:Tang Yiran1|talk]]) 12:31, 15 November 2020 (UTC) | |
==Wang Meiling 王美玲== | ==Wang Meiling 王美玲== | ||
| + | 1.古代文学一般包括欧洲古代文学和中国古代文学。欧洲古代文学又包括古希腊文学和罗马文学,中国古代文学按时间分类,包括先秦两汉文学,魏晋南北朝文学,唐宋文学,元明清文学。 | ||
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| + | Ancient literature generally consist of ancient European literature and ancient Chinese literature: the former including ancient Greek literature and Roman literature; the latter is classified in terms of time, including pre Qin and Han literature, Wei, Jin, southern and Northern Dynasties literature, Tang and song literature, yuan, Ming and Qing Dynasties literature.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC) | ||
| + | |||
| + | 2.近代文学区别于传统封建文学有以下的特点:文学的政治性、战斗性,随着近代社会的发展,愈来愈加强和显著了。进步作家和作品,继承了中国文学的优良传统,为反对帝国主义和封建专制主义的内外压迫,争取民族独立和自由平等而斗争。爱国主义和民族主义是这个时期文学突出的思想内容。 | ||
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| + | Modern literature is different from the traditional feudal literature in the following characteristics: the political and fighting natures of literature have been more intensive and prominent with the development of modern society. Progressive writers and works inherited the fine tradition of Chinese literature and fought for national independence, freedom and equality against the internal and external oppression of imperialism and feudal autocracy. Patriotism and nationalism are the prominent ideology of literature in this period.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC) | ||
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| + | 3.在评价“中国当代文学”的时候,我们一方面要克服沾沾自喜的自诩和自大,另一方面,要具有放眼世界、虚心向善的态度,具体地说,就是不要妄想确立一套“特殊”的“价值准则”,因为,任何时候,文学批评和文学研究都需要一些“普遍”的“价值准则”,都需要依据世界性的经典尺度和人类性的理想标准。 | ||
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| + | When evaluating "contemporary Chinese Literature", on the one hand, we should overcome the complacency and arrogance, on the other hand, we should embrace a broad-minded and open-minded attitude towards the outside world. To be specific, we should not hope to establish a set of "special" value criteria in vain. Because in any time, literary criticism and literary research need some "universal" value criteria, which all need to be based on the world's classical scale and the ideal standard of human nature.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC) | ||
| + | |||
| + | 4.中国是诗的国度,唐朝是中国诗歌的巅峰,巅峰时期的那个黄金时代令人神往。诗歌是当时文学的最高代表,成为中国传统文学坚实的重要组成部分,也是中华文明靓丽的风景线。 | ||
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| + | China is the country of poetry,while the Tang Dynasty is the peak of Chinese poetry whose golden age is fascinating and attractive. Poetry is the highest representative of literature at that time, which has become an integral part to Chinese traditional literature and a vibrant landscape of Chinese civilization.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 04:54, 16 November 2020 (UTC) | ||
==Wang Xuan 王轩== | ==Wang Xuan 王轩== | ||
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4.唐诗把我国古曲诗歌的音节和谐、文字精炼的艺术特色,推到前所未有的高度,为古代抒情诗找到一个最典型的形式,至今还特别为人民所喜闻乐见。 | 4.唐诗把我国古曲诗歌的音节和谐、文字精炼的艺术特色,推到前所未有的高度,为古代抒情诗找到一个最典型的形式,至今还特别为人民所喜闻乐见。 | ||
Tang poetry pushed the syllable harmony and refined artistic characteristics of Chinese ancient poetry to unprecedented heights, and helped find the most typical form of ancient lyric poetry, which is still popular among the people.--[[User:WuQiong|WuQiong]] ([[User talk:WuQiong|talk]]) 10:04, 13 November 2020 (UTC) | Tang poetry pushed the syllable harmony and refined artistic characteristics of Chinese ancient poetry to unprecedented heights, and helped find the most typical form of ancient lyric poetry, which is still popular among the people.--[[User:WuQiong|WuQiong]] ([[User talk:WuQiong|talk]]) 10:04, 13 November 2020 (UTC) | ||
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| + | Tang poetry set a highest standard for the artistic features of harmonious syllables and refined words in ancient Chinese poetry, and helped find the most typical form of ancient lyric poetry, which is still popular among the people. --[[User:Zhang Ling|Zhang Ling]] ([[User talk:Zhang Ling|talk]]) 12:52, 15 November 2020 (UTC) | ||
==Wu Yilu 吴一露== | ==Wu Yilu 吴一露== | ||
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Li Bai's (701-762) poems not only have typical romantic spirit, but also have typical characteristics of romanticism from those images and materials in his poems to genre selection and various artistic techniques.--[[User:Wu Yilu|Wu Yilu]] ([[User talk:Wu Yilu|talk]]) 02:02, 14 November 2020 (UTC) | Li Bai's (701-762) poems not only have typical romantic spirit, but also have typical characteristics of romanticism from those images and materials in his poems to genre selection and various artistic techniques.--[[User:Wu Yilu|Wu Yilu]] ([[User talk:Wu Yilu|talk]]) 02:02, 14 November 2020 (UTC) | ||
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| + | 1.四大古典名著是中国文学史中的经典作品,是世界宝贵的文化遗产。此四部巨著在中国文学史上的地位是难分高低的,极高的文学水平和艺术成就,细致的刻画和所蕴含的深刻思想都为历代读者所称道,其中的故事、场景、人物已经深深地影响了中国人的思想观念、价值取向。 | ||
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| + | Four Great Classical Novels are classics in the history of China’s literature,as well as a precious cultural heritage of the world. It is difficult to distinguish which one is betterthan the other three, as they all enjoy high-level of literature and artistic achievement. Delicate description and profound thoughts contained in these four books are praised by readers through the ages. Their stories, scene and characters deeply influence Chinese people’s ideology and value orientations.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 05:01, 16 November 2020 (UTC) | ||
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| + | 2.中国现代文学是在积极的思想斗争中向前发展的, 现代中国面临一个动荡的大变革的时代﹐处于这样历史时代的中国现代文学﹐呈现出不同阶级﹑不同趋向的文学作品和文学思潮纷然杂陈﹐彼此冲突而又互相影响与吸收的复杂面貌。 | ||
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| + | China’s modern literature makes progress among positive ideological struggle. As modern China confronts a turbulent age of great reform, China’s modern literature of this time presents various literature works and literature trends of different classes with different tendency. They conflict with each other while influencing and absorbing each other.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 05:01, 16 November 2020 (UTC) | ||
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| + | 3.90年代的文学具有的"无名"特征:出现了无主潮,无定向,无共名的现象,几种文学走向同时并存,表达出多元的价值取向.其次是作家的叙事立场发生了变化,从共同社会理想转向个人叙事立场. | ||
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| + | Literature of 1990s characterize indefinition, without main trend, orientation and unified theme. In this period, some different kinds of literature existed together, which showed diverse values orientations. Besides, writers’ narrative position shift from the common social ideal to the personal narrative position.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 05:01, 16 November 2020 (UTC) | ||
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| + | 4.李白的诗歌不仅具有典型的浪漫主义精神,而且从形象塑造、素材摄取、到体裁选择和各种艺术手法的运用,无不具有典型的浪漫主义艺术特征。 | ||
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| + | Li Bai's (701-762) poems boast not only typical romantic spirit, but also typical characteristics of romanticism from those images and materials in his poems to genre selection and various artistic techniques.--[[User:Wang Meiling|Wang Meiling]] ([[User talk:Wang Meiling|talk]]) 05:01, 16 November 2020 (UTC) | ||
==Wu Zijia 吴子佳== | ==Wu Zijia 吴子佳== | ||
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==Xu Jing 许静== | ==Xu Jing 许静== | ||
| + | 1. 宋词在题材走向、风格倾向上形成了独特的传统,从而以委婉含蓄的美学特征在中国古代诗歌史上独树一帜。 | ||
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| + | Song lyrics have formed a unique tradition in terms of their subject matter and stylistic tendencies, thus distinguishing themselves in the history of ancient Chinese poetry with their euphemistic and subtle aesthetic characteristics.--[[User:Xu Jing|Xu Jing]] ([[User talk:Xu Jing|talk]]) 02:31, 16 November 2020 (UTC) | ||
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| + | 2. 中国近代文学以新民为目的,以启蒙为手段。其弊端是笔无藏锋,其主流是以树人为根本目的,以救国为直接目的。 | ||
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| + | Modern Chinese literature is aimed for refreshing the people's mind by enlightening them. Its disadvantage is their over-bold writing style, and the main part of them is based on the fundamental purpose of shaping people and the direct purpose of saving the country.--[[User:Xu Jing|Xu Jing]] ([[User talk:Xu Jing|talk]]) 02:31, 16 November 2020 (UTC) | ||
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| + | 3. 古典文学已近尾声。历史进入二十世纪以来,人们的生活发生了很大变化,人们的思维方式,思想情感,心理结构也发生了很大变化,中国固有的古典文学模式已再也不能满足人们思想情感表达的需要。 | ||
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| + | Classical literature is nearing its end. Since the beginning of the twentieth century, people's lives have undergone great changes, and their ways of thinking, thoughts and emotions, as well as their psychological structure, have also undergone great changes, so that the inherent mode of Chinese classical literature can no longer meet the needs of people's thoughts and emotions.--[[User:Xu Jing|Xu Jing]] ([[User talk:Xu Jing|talk]]) 02:31, 16 November 2020 (UTC) | ||
==Yang Chenting 杨晨婷== | ==Yang Chenting 杨晨婷== | ||
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During Spring and Autumn Warring States period, great changes had taken place in its society. At this time, pre-Qin prose held its place in Chinese classic literature. The literature atmosphere of “a hundred flowers blossom and a hundred schools of thoughts contend” promoted its prosperity, thus entering a splendid time. Thanks to Confucianism, Mohism, Taoism and Legalism, the foundation of Chinese traditional literature then was made. | During Spring and Autumn Warring States period, great changes had taken place in its society. At this time, pre-Qin prose held its place in Chinese classic literature. The literature atmosphere of “a hundred flowers blossom and a hundred schools of thoughts contend” promoted its prosperity, thus entering a splendid time. Thanks to Confucianism, Mohism, Taoism and Legalism, the foundation of Chinese traditional literature then was made. | ||
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| + | The Spring and Autumn Period and the Warring States Period was an era of rapid social changes. During this period, pre-Qin prose occupies an important place in the history of Chinese literature.The cultural atmosphere of a hundred flowers blossoming and a hundred schools of thought has promoted the prosperity of literature and ushered in an era of splendid culture, especially the doctrines of Confucianism, Mohism, Taoism, and Law, which laid the foundation of Chinese traditional culture.--[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 02:12, 16 November 2020 (UTC) | ||
2. 现代文学在“五四”文学革命以后的60多年发展过程中﹐随著中国革命与社会性质的演变﹐以1949年10月中华人民共和国成立为转折﹐经历了新民主主义革命时期与社会主义时期两个历史阶段。 | 2. 现代文学在“五四”文学革命以后的60多年发展过程中﹐随著中国革命与社会性质的演变﹐以1949年10月中华人民共和国成立为转折﹐经历了新民主主义革命时期与社会主义时期两个历史阶段。 | ||
| − | After May Fourth Movement, modern literature, along the changing pace of Chinese revolution and society, has experienced New Democratic Revolution Period and Socialist Period, with the establishment of PRC in October, 1949 as a turn. | + | After May Fourth Movement, modern literature, along the changing pace of Chinese revolution and society, has experienced New Democratic Revolution Period and Socialist Period, with the establishment of PRC in October, 1949 as a turn. |
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| + | In the more than 60 years of development after the "May 4th" literary revolution, modern literature has undergone the period of the new democratic revolution and the period of socialism with the evolution of the Chinese revolution and the nature of society, with the establishment of the People's Republic of China in October 1949 as a turning point.--[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 02:12, 16 November 2020 (UTC) | ||
3. 自二十世纪末期开始,具有独立思想的中国自由文学的出现,使得中国当代文学大踏步进入世界先进文化行列,成为引领世界文学的先锋,并使中国当代文学达到历史的顶峰。 | 3. 自二十世纪末期开始,具有独立思想的中国自由文学的出现,使得中国当代文学大踏步进入世界先进文化行列,成为引领世界文学的先锋,并使中国当代文学达到历史的顶峰。 | ||
Since late 20th century, Chinese free literature, with independent thought came into being, making Chinese contemporary literature become one of the world advanced literature. | Since late 20th century, Chinese free literature, with independent thought came into being, making Chinese contemporary literature become one of the world advanced literature. | ||
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| + | Since the end of the twentieth century, the emergence of Chinese free literature with independent ideas has made contemporary Chinese literature stride into the ranks of world advanced culture, becoming a pioneer in leading world literature, which enables contemporary Chinese literature to reach the peak of history.--[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 02:12, 16 November 2020 (UTC) | ||
4. 它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。它塑造了一个具有丰富深挚的情感的少妇形象,具有动人的艺术力量。 | 4. 它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。它塑造了一个具有丰富深挚的情感的少妇形象,具有动人的艺术力量。 | ||
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Especially Jian'an literature, its style is sober, generous and sad, deep and strong, and full of vigor, it is a brilliant historical chapter that reflects social reality and expresses the emotions of life.--[[User:Yang Hairong|Yang Hairong]] ([[User talk:Yang Hairong|talk]]) 11:52, 15 November 2020 (UTC) | Especially Jian'an literature, its style is sober, generous and sad, deep and strong, and full of vigor, it is a brilliant historical chapter that reflects social reality and expresses the emotions of life.--[[User:Yang Hairong|Yang Hairong]] ([[User talk:Yang Hairong|talk]]) 11:52, 15 November 2020 (UTC) | ||
| + | Jian'an literature, in particular,is sober, generous and sad, deep and strong, and full of vigor and it is a brilliant historical chapter reflecting the social reality and expressing the feelings of life.--[[User:Luo Yuqing|Luo Yuqing]] ([[User talk:Luo Yuqing|talk]]) 01:10, 16 November 2020 (UTC) | ||
2.新月派是现代新诗史上一个重要的诗歌流派,受泰戈尔《新月集》影响.该诗派大体上以1927年为界分为前后两个时期。 | 2.新月派是现代新诗史上一个重要的诗歌流派,受泰戈尔《新月集》影响.该诗派大体上以1927年为界分为前后两个时期。 | ||
The Crescent School is an important poetry genre in the history of modern new poetry, influenced by Tagore's "The Crescent Moon". The poetry school is roughly divided into two periods based on 1927.--[[User:Yang Hairong|Yang Hairong]] ([[User talk:Yang Hairong|talk]]) 11:52, 15 November 2020 (UTC) | The Crescent School is an important poetry genre in the history of modern new poetry, influenced by Tagore's "The Crescent Moon". The poetry school is roughly divided into two periods based on 1927.--[[User:Yang Hairong|Yang Hairong]] ([[User talk:Yang Hairong|talk]]) 11:52, 15 November 2020 (UTC) | ||
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| + | The Crescent School is an important poetry school in the history of modern new poetry. Influenced by Tagore's ''The Crescent Moon'', this school can be roughly divided into two periods according to 1927.--[[User:Luo Yuqing|Luo Yuqing]] ([[User talk:Luo Yuqing|talk]]) 01:10, 16 November 2020 (UTC) | ||
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3.在中国的现代化进程中,政治主题的目标是建构现代民族国家,中国文学因为始终参与着这一过程,而从未离开过政治主题,这使投身其中的知识分子也主动地迎合主流意识形态的要求,主动地为宣传政策服务。 | 3.在中国的现代化进程中,政治主题的目标是建构现代民族国家,中国文学因为始终参与着这一过程,而从未离开过政治主题,这使投身其中的知识分子也主动地迎合主流意识形态的要求,主动地为宣传政策服务。 | ||
In the course of China's modernization, the goal of political theme is to build a modern nation-state . Chinese literature has always participated in this process and never left the political theme, which makes the intellectuals involved actively meet the demands of the mainstream ideology and actively serve the propaganda policy.--[[User:YangHui|YangHui]] ([[User talk:YangHui|talk]]) 06:14, 15 November 2020 (UTC) | In the course of China's modernization, the goal of political theme is to build a modern nation-state . Chinese literature has always participated in this process and never left the political theme, which makes the intellectuals involved actively meet the demands of the mainstream ideology and actively serve the propaganda policy.--[[User:YangHui|YangHui]] ([[User talk:YangHui|talk]]) 06:14, 15 November 2020 (UTC) | ||
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| + | In the course of China's modernization, the political goal is to build a modern nation-state . Chinese literature has always been in this process and never left the political theme, which makes the intellectuals involved actively meet the demands of the mainstream ideology and actively serve the propaganda policy.--[[User:Yu Ni|Yu Ni]] ([[User talk:Yu Ni|talk]]) 13:06, 15 November 2020 (UTC) | ||
==Yang Yue 杨悦== | ==Yang Yue 杨悦== | ||
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==Yang Ziling 杨子泠== | ==Yang Ziling 杨子泠== | ||
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| + | 1. 唐诗的形式和风格是丰富多彩、推陈出新的。它不仅继承了汉魏民歌、乐府传统,并且大大发展了歌行体的样式。 | ||
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| + | The form and style of Tang poetry are rich and colorful, and innovative. It not only inherited the traditions of Han and Wei folk songs and Yuefu, but also greatly developed the style of Gexing. --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC) | ||
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| + | 2.中国现代文学是以革命现实主义为主体并包有多种创作方法﹑流派的文学 “五四”文学革命在中国文学史上引起的另一个历史性变革﹐是大大加强了文学与现实生活的密切联系。 | ||
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| + | Modern Chinese literature is based on revolutionary realism as the main body and includes a variety of creative methods and genres. The "May 4th" literary revolution caused another historical change in the history of Chinese literature, which greatly strengthened the close connection between literature and real life. --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC) | ||
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| + | 3.元曲的兴起对于我国民族诗歌的发展、文化的繁荣有着深远的影响和卓越的贡献,元曲一出现就同其他艺术之花一样,立即显示出旺盛的生命力。 | ||
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| + | The rise of Yuanqu has a profound influence and outstanding contribution to the development of national poetry and cultural prosperity in our country. As soon as Yuanqu appears, like other artistic flowers, it immediately shows its vigorous vitality. --[[User:Yang Ziling|Yang Ziling]] ([[User talk:Yang Ziling|talk]]) 15:55, 16 December 2020 (UTC) | ||
==Yi Zichu 义子楚== | ==Yi Zichu 义子楚== | ||
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==Yu Ni 余妮== | ==Yu Ni 余妮== | ||
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| + | 1.春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。百家争鸣的文化氛围促进了文学的繁荣。 | ||
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| + | The Spring and Autumn Period and the Warring States Period is an era of rapid social changes. In this period, pre Qin prose occupies an important place in the history of Chinese literature. The cultural atmosphere of a hundred schools of thought has promoted the prosperity of literature.--[[User:Yu Ni|Yu Ni]] ([[User talk:Yu Ni|talk]]) 12:56, 15 November 2020 (UTC) | ||
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| + | 2.当代文学的两大传统虽然已分清了主次地位,但两种价值观念、两种美学修养、两种文化实践,仍然存在着尖锐的冲突,并通过政治运动的形式一再表现出来。 | ||
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| + | Although the two major traditions of contemporary literature have been distinguished as primary and secondary, there are still sharp conflicts between the two values, two aesthetic cultivation and two cultural practices, which have been repeatedly manifested in the form of political movements.--[[User:Yu Ni|Yu Ni]] ([[User talk:Yu Ni|talk]]) 12:56, 15 November 2020 (UTC) | ||
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| + | Although the two major traditions of contemporary literature have been distinguished as primary and secondary, sharp conflicts still exsit between the two values, two aesthetic cultivation and two cultural practices, which have been repeatedly manifested in the form of political movements.--[[User:Luo Yuqing|Luo Yuqing]] ([[User talk:Luo Yuqing|talk]]) 01:14, 16 November 2020 (UTC) | ||
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| + | 3.中国小说源远流长,明清以来更是出现了众多白话小说,然后以五四新文学为起点,中国现代小说以全新的思想内涵和前所未有的表现形式,掀开了中国小说发展史上崭新的一页,展现了现代的行为方式和思维方式。 | ||
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| + | Chinese novels have a long history. Since Ming and Qing Dynasties, many vernacular novels have appeared. Starting from the May 4th Movement, Chinese modern novels opened a new page in the development of Chinese novel with brand-new ideological connotation and unprecedented forms of expression, showing modern behavior and thinking mode.--[[User:Yu Ni|Yu Ni]] ([[User talk:Yu Ni|talk]]) 12:56, 15 November 2020 (UTC) | ||
==Yuan Tianyi 袁天翼== | ==Yuan Tianyi 袁天翼== | ||
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==Zeng Liang 曾良== | ==Zeng Liang 曾良== | ||
1.古典文学泛指各民族的古代文学作品,是文学的一部分,是现代文学的发展基础。 | 1.古典文学泛指各民族的古代文学作品,是文学的一部分,是现代文学的发展基础。 | ||
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Classical literature generally refers to ancient literary works of various nationalities. It is a part of literature and the developmental foundation of modern literature.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 07:45, 14 November 2020 (UTC) | Classical literature generally refers to ancient literary works of various nationalities. It is a part of literature and the developmental foundation of modern literature.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 07:45, 14 November 2020 (UTC) | ||
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| + | Classical literature generally refers to ancient literary works of various nationalities. It is a part of literature and the basis on which the modern literature develops.--[[User:Ouyang Ling|Ouyang Ling]] ([[User talk:Ouyang Ling|talk]]) 13:49, 15 November 2020 (UTC)Ouyang Ling | ||
2.现代文学是中国社会内部发生历史性变化的条件下,广泛接受外国文学影响而形成的新的文学。 | 2.现代文学是中国社会内部发生历史性变化的条件下,广泛接受外国文学影响而形成的新的文学。 | ||
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Modern literature is, under the conditions of historical changes in Chinese history, a new literature formed by the wide acceptance of foreign literature.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 07:45, 14 November 2020 (UTC) | Modern literature is, under the conditions of historical changes in Chinese history, a new literature formed by the wide acceptance of foreign literature.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 07:45, 14 November 2020 (UTC) | ||
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| + | Modern literature is, under the historical changes in the Chinese society, a new literature formed by the extensive influence of foreign literature.--[[User:Ouyang Ling|Ouyang Ling]] ([[User talk:Ouyang Ling|talk]]) 13:49, 15 November 2020 (UTC)Ouyang Ling | ||
3.在评价“中国当代文学”的时候,我们一方面要克服沾沾自喜的自诩和自大,另一方面,要具有放眼世界、虚心向善的态度。 | 3.在评价“中国当代文学”的时候,我们一方面要克服沾沾自喜的自诩和自大,另一方面,要具有放眼世界、虚心向善的态度。 | ||
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When evaluating “contemporary Chinese literature”, we must overcome self-satisfaction and arrogance on the one hand, and on the other hand, we must have an attitude of modesty and openning our eyes to the whole world.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 07:45, 14 November 2020 (UTC) | When evaluating “contemporary Chinese literature”, we must overcome self-satisfaction and arrogance on the one hand, and on the other hand, we must have an attitude of modesty and openning our eyes to the whole world.--[[User:Zeng Liang|Zeng Liang]] ([[User talk:Zeng Liang|talk]]) 07:45, 14 November 2020 (UTC) | ||
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| + | When evaluating “contemporary Chinese literature”, we must overcome self-satisfaction and arrogance on the one hand, and on the other hand, we must have an open mind to the whole world and the attitude of modesty.--[[User:Ouyang Ling|Ouyang Ling]] ([[User talk:Ouyang Ling|talk]]) 13:49, 15 November 2020 (UTC)Ouyang Ling | ||
==Zeng Xinyuan 曾心媛== | ==Zeng Xinyuan 曾心媛== | ||
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Chinese contemporary literature, firstly refers to the one since 1949, secondly to the one about specific historical language context of socialism limited in “Mainland China.--[[User:Yuan Tianyi|Yuan Tianyi]] ([[User talk:Yuan Tianyi|talk]]) 08:12, 12 November 2020 (UTC) | Chinese contemporary literature, firstly refers to the one since 1949, secondly to the one about specific historical language context of socialism limited in “Mainland China.--[[User:Yuan Tianyi|Yuan Tianyi]] ([[User talk:Yuan Tianyi|talk]]) 08:12, 12 November 2020 (UTC) | ||
| + | Chinese contemporary literature, first of all, refers to the Chinese literature since 1949;Secondly, it refers to the literature that takes place in the specific context of socialist history.--[[User:Zhang Peiwen|Zhang Peiwen]] ([[User talk:Zhang Peiwen|talk]]) 10:40, 16 November 2020 (UTC) | ||
==Zhang Ling 张玲== | ==Zhang Ling 张玲== | ||
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现代文学属于二十世纪资本主义文化的一部分。 | 现代文学属于二十世纪资本主义文化的一部分。 | ||
Modern literature is the product of the 21st century capitalist society.--[[User:Zhang Peiwen|Zhang Peiwen]] ([[User talk:Zhang Peiwen|talk]]) 10:05, 13 November 2020 (UTC) | Modern literature is the product of the 21st century capitalist society.--[[User:Zhang Peiwen|Zhang Peiwen]] ([[User talk:Zhang Peiwen|talk]]) 10:05, 13 November 2020 (UTC) | ||
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| + | 中国当代文学,首先指的是1949年以来的中国文学。其次指的是发生在特定的社会主义历史语境中的文学。 | ||
| + | Chinese contemporary literature, first of all, refers to the Chinese literature since 1949;Secondly, it refers to the literature that takes place in the specific context of socialist history.--[[User:Zhang Peiwen|Zhang Peiwen]] ([[User talk:Zhang Peiwen|talk]]) 10:37, 16 November 2020 (UTC) | ||
==Zhang Weihong 张维虹== | ==Zhang Weihong 张维虹== | ||
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| + | 1. 元诗的历史既是中国古典诗歌的传承,也是创新,这是因为诗人和文化背景的变化。宋朝建立于960年,统一了从中原北部到长江地区的传统中国心脏地带。 | ||
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| + | The history of Yuan poetry involves both the received legacy of Classical Chinese poetry together with innovations, in part related to linguist and other changes in regard to aspects of the cultural background.Founded in 960, the Song dynasty reunified most of the traditional Chinese heartland from the North Central Plain to the area of the Yangzi River. | ||
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| + | 2. 回到现当代文学,要说标准丧失也不尽然,所谓“汉学化”就未尝不被当成一个“标准”。若问现当代文学研究在向哪里看齐?哪些研究主导着现当代文学的“话语生产”?在一些学者那里,恐怕就是海外汉学。这不是很正常的。 | ||
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| + | Returning to modern and contemporary literature, it is not entirely true to say that standards have been lost, but the so-called "Sinologization" has been taken as a "standard. If we ask where is modern and contemporary literary research aligning itself? What studies dominate the "production of discourse" in modern and contemporary literature? In some scholars' eyes, I'm afraid it's overseas Sinology. It's abnormal. | ||
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| + | 3. 网络通俗小说则是衣食父母至上,就是写爽文,变着花样取悦读者,开模,复制,这种文化产业流水线的作品,文学性趋近于无。各平台的自媒体输出,更是和文学无关了,它的本质是营销,用户想听什么就说什么,不能量产、快速变现的文字都是难以生存的。 | ||
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| + | The network popular fiction is the supremacy of parents, that is, to write cool text, changing patterns to please the reader, open mode, copy, this cultural industry assembly line works, literary sex tends to nothing. The media output of each platform has nothing to do with literature, its essence is marketing, and users can say whatever they want to hear. | ||
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| + | 4. 到公元8世纪初,唐王朝出现了所说的“开元盛世”,经济、文化发展到鼎盛。诗歌创作领域也出现大批优秀诗人,写下内容异常丰富的诗歌。其中田园山水诗和描写边塞战争的诗占相当比重,李白、杜甫也出现在这时。 | ||
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| + | By the beginning of the 8 century AD, the Tang dynasty was at the height of its economic and cultural development in what is known as the "Age of Enlightenment". A large number of outstanding poets emerged in the field of poetry creation, writing unusually rich poems. Among them, poems of idyllic landscapes and poems describing wars in the frontier areas accounted for a considerable proportion, and Li Bai and Du Fu also appeared at this time. | ||
==Zhang Yinliu 张银柳== | ==Zhang Yinliu 张银柳== | ||
| + | 1. 在中国,把从远古流传下来的原始歌谣和神话传说,直到五四以前大量的有一定价值的文学作品,叫古典文学。 | ||
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| + | In China,a large number of valuable literary works which appeared before the May Fourth Movement and handed down from the original ballads, myths and legends in ancient times are called classical literature. | ||
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| + | 2. 在抗战中期民族形式问题的讨论中﹐文学与人民的关系﹑作家与人民的关系成为理论家与作家关注﹑思考的中心。在创作实践上﹐爱国主义成为文学的重大主题。 | ||
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| + | In the discussion of national forms in the middle of the Anti-Japanese War, the relationship between literature and the people and the relationship between writers and people became the center of attention and thinking of theorists and writers. In creative practice, patriotism has become a major theme of literature. | ||
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| + | 3.1949年中华人民共和国建国之后,中国已进入“社会主义革命”阶段,必然地出现一种新性质的文学形态。 | ||
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| + | After the founding of the People's Republic of China in 1949, China has entered the stage of "socialist revolution", thus a new literary form will inevitably appear.--[[User:Zhang Yinliu|Zhang Yinliu]] ([[User talk:Zhang Yinliu|talk]]) 07:14, 16 November 2020 (UTC) | ||
==Zhang Yu 张瑜== | ==Zhang Yu 张瑜== | ||
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1、先秦散文主要可分为历史散文和诸子散文。就大体情况而言,历史散文主要是叙事的,诸子散文主要是说理的。 | 1、先秦散文主要可分为历史散文和诸子散文。就大体情况而言,历史散文主要是叙事的,诸子散文主要是说理的。 | ||
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| + | Pre-Qin essays could be divided into historical essays and essays written by masters of that period. In general, the former is narration, and the latter argumentation.--[[User:Zhou Yuanqu|Zhou Yuanqu]] ([[User talk:Zhou Yuanqu|talk]]) 06:25, 16 November 2020 (UTC) | ||
2.、严复、林纾是这个时期著名的翻译家,他们分别以各自熟练的古文翻译西方社会科学和文学作品,对传播新思想、新文化,起了积极的作用和广泛的影响。 | 2.、严复、林纾是这个时期著名的翻译家,他们分别以各自熟练的古文翻译西方社会科学和文学作品,对传播新思想、新文化,起了积极的作用和广泛的影响。 | ||
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| + | Yan Fu and Lin Shu are famous translators in this period. They respectively translated western social sciences and literary works into fluent ancient Chinese, which played an important role in spreading the new ideas and new culture. --[[User:Zhou Yuanqu|Zhou Yuanqu]] ([[User talk:Zhou Yuanqu|talk]]) 06:25, 16 November 2020 (UTC) | ||
3、在抗日战争时期,民族危难使作家和人民有了共同命运,推动着许多曾经有过脱离人民的倾向,“为艺术而艺术”的作家走出个人小天地。 | 3、在抗日战争时期,民族危难使作家和人民有了共同命运,推动着许多曾经有过脱离人民的倾向,“为艺术而艺术”的作家走出个人小天地。 | ||
| + | During the War of Resistance against Japanese Aggression, the national crisis made writers and the people share a common destiny, and pushed many writers who had once been inclined to break away from the people and "make art for art's sake" out of their private world.--[[User:Zhou Yuanqu|Zhou Yuanqu]] ([[User talk:Zhou Yuanqu|talk]]) 06:25, 16 November 2020 (UTC) | ||
4、诗人李白写过许多反映妇女生活的作品,《长干行二首》就是其中杰出的诗篇。它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。 | 4、诗人李白写过许多反映妇女生活的作品,《长干行二首》就是其中杰出的诗篇。它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。 | ||
| + | The poet Li Bai wrote many works reflecting the lives of women, including "Chang Gan Xing", one of his outstanding poems. In the voice of a woman living in Changgan whose husband is a businessman,it narrated her love life, and expressed her deep longing for her husband who was far away.--[[User:Zhou Yuanqu|Zhou Yuanqu]] ([[User talk:Zhou Yuanqu|talk]]) 06:25, 16 November 2020 (UTC) | ||
==Zhu Meimei 祝美梅== | ==Zhu Meimei 祝美梅== | ||
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| + | 古代人民辛勤劳作中创作出的农业文明,对古代社会的方方面面均产生了诸多影响,也对当前我国古代文学的创作、作品、审美以及发展产生影响。 | ||
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| + | The agricultural civilization created by the hard work of the ancient people has had many impacts on all aspects of ancient society, and also has an effect on the creation, works, aesthetics and development of ancient Chinese literature. | ||
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| + | 波澜起伏的时代思潮为观照作家的心态变化提供了参考体系,考察现代文学作家心态变化与文学思潮的关联之后发现,作家心态不断经历着从思潮袭来时的激昂乐观到思潮退去后的悲观失望的变化,由此构成了从呐喊到彷徨的循环怪圈。 | ||
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| + | The ups and downs of different Zeitgeist of the times provide a reference for observing the writer’s mentality changes. After examining the relationship between the modern literary writer’s mentality changes and literary thoughts, it is found that the writer’s mentality has experienced from the passionate optimism when the thoughts hit at the beginning to the pessimistic disappointment when the thoughts fade. The change is also reflected in his books from Call to Pacing Back and Forth. | ||
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| + | 鉴于不同语言和文化所孕育的文学的特殊性,中国当代文学的国际翻译传播之路也必然具有特殊性。 | ||
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| + | In view of the particularity of literature bred by different languages and cultures, the international translation and spread of Chinese contemporary literature must also bear uniqueness.--[[User:Zhumeimei|Zhumeimei]] ([[User talk:Zhumeimei|talk]]) 15:39, 15 November 2020 (UTC) | ||
==Zhu Xu 朱旭== | ==Zhu Xu 朱旭== | ||
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| + | 1.《离骚》是我国诗歌史上现存第一篇宏伟壮丽的抒情长诗,也是一篇浪漫主义杰作。 | ||
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| + | ''Li Sao'' is the first exsiting long lyric poem in the history of Chinese literature and a masterpiece of Romanticism.--[[User:Zhu Xu|Zhu Xu]] ([[User talk:Zhu Xu|talk]]) 15:13, 15 November 2020 (UTC) | ||
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| + | 2.鲁迅笔耕一生,留下了大量著述。白话短篇小说《狂人日记》是中国现代文学史上第一篇用现代体式创作的小说,标志着中国现代小说的伟大开端。 | ||
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| + | Lu Xun was engaged in writing all through his lifetime, leaving behind an immense number of books. ''Diary of a Madman'' was the first novel written in the modern form in Chinese literature, symbolizing the great outset of modern Chinese fiction.--[[User:Zhu Xu|Zhu Xu]] ([[User talk:Zhu Xu|talk]]) 15:13, 15 November 2020 (UTC) | ||
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| + | 3.矛盾始终坚持革命现实主义的文艺应与中国的革命统一步调,反对公式化,概念化的倾向,注重艺术形式与技巧的探索。他还是中国现代文学批评的开创者之一。 | ||
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| + | Mao Dun adhered all the time to the stand that revolutionary realism should be in step with Chinese revolution and opposed the trend of formalism and conceptualization. He laid stress on the probe into artistic form and technique. He was also one of the pioneers of modern literary criticism in China.--[[User:Zhu Xu|Zhu Xu]] ([[User talk:Zhu Xu|talk]]) 15:13, 15 November 2020 (UTC) | ||
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| + | 4.总之,强烈要求摆脱羁绊,追求个性解放和精神自由,风格飘逸豪放,是李白诗歌的最大特色。 | ||
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| + | In general, Li Bai's poetry is characterized by its unconventional spirit and highly personalized imagery.--[[User:Zhu Xu|Zhu Xu]] ([[User talk:Zhu Xu|talk]]) 15:13, 15 November 2020 (UTC) | ||
==Zou Xinyu 邹鑫雨== | ==Zou Xinyu 邹鑫雨== | ||
Latest revision as of 10:23, 17 December 2020
Alsied, Saffana
--SAFFANA ALSIED 2 (talk) 18:45, 14 November 2020 (UTC)
1.The book provides precious biographical records of various kinds of people who lived during the 3,000 years from the legendary Yellow Emperor to Emperor Wudi of the Han Dynasty. It is also valued as a literary work and has a great influence on the literary development of subsequent prose, fiction and drama.
这本书提供了从传说中的黄帝到汉武帝三千年间各种生活的各种珍贵的传记记录。 它也被认为是文学作品,并且对随后的散文,小说和戏剧的文学发展产生重大影响。
该书提供了从传说中的黄帝到汉武帝三千年间各类人物珍贵的传记记录。它作为文学作品也很受重视,对后来的散文、小说、戏剧的文学发展有很大的影响。--Tang Yiran1 (talk) 23:47, 15 November 2020 (UTC)
2.Chinese literature from the Opium War of 1840 to the founding of the People’s Republic of China in 1949 is known as modern Chinese literature.
从1840年鸦片战争到1949年中华人民共和国成立的中国文学被称为现代中国文学。
1840年鸦片战争至1949年中华人民共和国成立前的中国文学称为中国现代文学。--Tang Yiran1 (talk) 23:47, 15 November 2020 (UTC)
3.During the 10-years Great Cultural Revolution, literature withered. But the great victory in smashing the Gang of Four in 1976 ushered in a new period.
在文化大革命的十年中,文学萎缩了。 但是,1976年粉碎四人帮的巨大胜利迎来了一个新时期。
十年文革期间,文学凋敝。但在1976年粉碎四人帮后,它迎来了一个新时期。--Tang Yiran1 (talk) 23:47, 15 November 2020 (UTC)
4.My forehead covered by my hair cut straight, I played with flowers pluck’d before the gate. On a hobby-horse you came on the scene, Around the well we played with plums still green.
我的额头被头发遮住了 我玩着在大门前摘的花。 在一辆业余马中,您来到了现场, 在井周围,我们打着仍然绿色的李子。
我的额头被剪直的头发遮住, 手拨弄着门前采来的花。 你骑着一匹骏马出现, 在井边,我们逗弄着仍旧青涩的李子。--Tang Yiran1 (talk) 23:47, 15 November 2020 (UTC)
Cao Runxin 曹润鑫
1. 《诗经》在艺术创作上很有特色。首先,《诗经》里的作品多方面描写了现实生活,表现了不同阶层人民在现实生活中的各种感受,真实地反映了现实生活,这是它的一大特色。
"The Book of Songs" is very distinctive in artistic creation. First of all, the works in "The Book of Songs" describe real life in many ways, showing the various feelings of people of different classes in real life, which is a major characteristic of it.--Cao Runxin (talk) 07:33, 13 November 2020 (UTC)
The Book of Songs is very distinctive in artistic creation. First of all, the works in The Book of Songs describe real life in many ways, show the feelings of people of different classes in real life, and truly reflect real life, which is one of its major characteristics.--Ding Daifeng (talk) 01:47, 14 November 2020 (UTC)
2. 中国现代文学的发展,是吸收外来文学营养使之民族化,继承民族传统使之现代化的过程。
The development of Chinese modern literature is a process in which we nationalize foreign culture by absorbing its nutrition, and modernize national tradition by inheriting it.--Cao Runxin (talk) 07:33, 13 November 2020 (UTC)
The development of modern Chinese literature is a process of absorbing the nutrition of foreign literature to make it nationalized and inheriting the national tradition to make it modernized.--Ding Daifeng (talk) 01:47, 14 November 2020 (UTC)
The development of Chinese modern literature is a process in which we nationalize foreign literatures by absorbing their essence, and at the same time inherit and modernize the national tradition.--Xu Jia (talk) 13:32, 15 November 2020 (UTC)Xu Jia
3. 当代文学是指1949年新中国成立以后的文学,其中出现了许多文学流派。大致可以划分为四个阶段:新时期文学、80年代文学、90年代文学、新世纪文学。
Contemporary literature refers to the literature after the founding of New China in 1949, in which many literary schools have appeared. It can be roughly divided into four stages:new era literature,80s literature,90s literature and new century literature.--Cao Runxin (talk) 07:33, 13 November 2020 (UTC)
Contemporary literature refers to the literature after the founding of People’s Republic of China in 1949, in which many literary schools appeared. It can be roughly divided into four stages: literature in the new period, literature in the 1980s, literature in the 1990s and literature in the new century.--Ding Daifeng (talk) 01:47, 14 November 2020 (UTC)
Chen Han 陈涵
1. 《诗经》内容丰富,反映了劳动与爱情、战争与徭役、压迫与反抗、风俗与婚姻、祭祖与宴会,甚至天象、地貌、动物、植物等方方面面,是周代社会生活的一面镜子。
The Book of Songs is a mirror reflecting the social life of the Zhou Dynasty. It is rich in content, including labor and love, wars and corvee, oppression and resistance, customs and marriage, ancestor worship and feast, as well as astronomical phenomena, landforms, animals, plants, etc. --Chen Han (talk) 07:32, 13 November 2020 (UTC)
2. 《呐喊》深刻反映了19世纪末到20世纪20年代间中国社会生活的现状,有力揭露和鞭挞了封建旧恶势力,表达了作者渴望变革,为时代呐喊,希望唤醒国民的思想。
Call to Arms deeply reflects the status quo of Chinese social life and profoundly exposes and castigates vicious old feudalism, expressing the author‘ s aspiration for the transformation of the times and his desire to arouse the citizens. --Chen Han (talk) 07:32, 13 November 2020 (UTC)
Call to Arms deeply reflects the status of Chinese social life from the late 19th century to 1920s and profoundly exposes and castigates vicious old feudalism, expressing the author‘ s aspiration for the transformation of the times and his desire to arouse the citizens.--Lou Cancan (talk) 07:41, 15 November 2020 (UTC)
3. “伤痕文学”大都是以真实、质朴甚至粗糙的形式,无所顾忌地揭开文革给人们造成的伤疤,从而宣泄1966-1976年以来积郁心头的大痛大恨,这恰恰契合了文学最原始的功能:“宣泄”。
Scar Literature boldly uncovered the people’s wounds caused by the Cultural Revolution mostly in a real, plain and even rough form,thus releasing their pain and hatred from 1966 to 1976 hidden deep in their hearts, which fitted properly the primary function of literature——catharsis. --Chen Han (talk) 07:32, 13 November 2020 (UTC)
4.《长干行》以商妇独白自述的手法,反映古代商人妻子的生活与情感。
Changgan Song reflected the lives and feelings of merchants' wives in ancient times in the way of their own words. --Chen Han (talk) 13:17, 16 November 2020 (UTC)
1. The content of the Book of Songs is abundant, reflecting labor and love, war and corvee, suppression and resistance, custom and marriage, and ancestor worship and banquet, even astronomical phenomenon, landscape, animals, plants and so on. It’s a mirror of the social life of Zhou Period.
2. The Scream profoundly reflects Chinese social life from late 19th century to 1920s, which exposes and criticizes the feudal old force and expressed the author’s desire to reform. He screamed for the time, hoping to wake up people.
3. “Scare literature”, mainly simple, true and even rough, exposed the scars that the Cultural Revolution has brought to people with no fear, thus reliving the hatred from 1966 to 1976. This exactly matched the original function of literature—catharsis. --Yang chenting (talk) 03:08, 15 November 2020 (UTC)Yang Chenting
Chen Jingjing 陈静静
1.建安时期,是我国文学史上一个“俊才云蒸”的时代,大量作家和作品涌现出来,使各种文体都得到了发展,尤其是诗歌方面打破了汉代四百年沉寂的局面.
During the Jian'an period, a great deal of men of letters and their works sprung up, promoting the development of various literary forms and poetry began to show vitality after years of decline.
2.黄遵宪认为"诗无古今",而不必模仿古人,只要能将"身之所遇,目之所见,耳之所闻","笔之于诗",我诗自有存在的价值。
Huang Zunxian is convinced that there is no such ancient poetry or modern poetry so we don't have to imitate the ancient people. The poetry is of great value so long as we write down what we encounter, see and hear.
3.因此中国现当代文学不但深刻包容了中华民族由古典向现代化转型过程中的真切的心理折射,而且也体现出现代中国人所能达到的审美能力和情操。
Therefore, modern and contemporary Chinese literature not only reflects the mentality of Chinese nation during the process transforming from classicalism to modernization, but embodies the aesthetic ablility and sentiment level that Chinese can reach.
4.李白的诗雄奇飘逸,艺术成就极高。他讴歌祖国山河与美丽的自然风光,风格雄奇奔放,俊逸清新,富有浪漫主义精神,达到了内容与艺术的统一。
Li Bai have written down a great number of poetry of grand and magnificent style and enjoys great artistic achievements. He eulogizes the mountains and rivers of motherland and the beautiful natural scenery by his poetry, which is majestic, unrestrained and full of romance, achieving the unity of content and art.--Chen Jingjing (talk) 06:58, 15 November 2020 (UTC)Chen Jingjing
Dashkin, Gennadii
1. Travel literature in which authors wrote about their trips and about various destinations became popular perhaps because the texts could be cheaply bought. 旅行文学中作家撰写有关旅行和不同目的地的文章广受欢迎,也许是因为可以廉价地购买这些文本。--Gennadii Dashkin (talk) 09:32, 15 November 2020 (UTC)
2. After the Communist victory, only literature approved by the government was allowed. 共产党胜利后,只允许政府批准的文献。--Gennadii Dashkin (talk) 09:32, 15 November 2020 (UTC)
3. The period of contemporary literature was distinctive as it brought into being a new and revised literary language, form, content and skills allowing it to evolve into an independent and open art available to the whole of society. 当代文学的时代是独特的,因为它成为一种新的和经过修订的文学语言,形式,内容和技巧,使其发展成为可供全社会使用的独立和开放的艺术。--Gennadii Dashkin (talk) 09:32, 15 November 2020 (UTC)
4. Li Bai was more of a Daoist. Dufu wrote Realist poems and Li Bai wrote romantic poems. 李白更像是道士。 杜甫写实诗,李白写浪漫诗--Gennadii Dashkin (talk) 06:49, 16 November 2020 (UTC)
Chen Yongxiang 陈永相
1.纳兰性德·《少年游》
算来好景只如斯, 惟许有情知。 寻常风月, 等闲谈笑, 称意即相宜。 十年青鸟音尘断, 往事不胜思。 一钩残照, 半帘飞絮, 总是恼人时。
Excursion of Teenagers Nalan Xingde It seems a fine prospect similarly follows natural tendencies, Whose way could only be learned by soul mates. Romantic sights moderate, Merry-making mood in a less graced state, And to be gratified means a well-proportioned rate. Nothing further is heard after parting for ten years, The association of the past can't bear to think of A crescent moon with its streaks, And willow catkins on the screen in fluffy streaks, Which is nothing but curious freaks.
2.莫言,因其作品“将魔幻现实主义与民间故事、历史与当代社会融合在一起”而获得诺贝尔文学奖,是首位获此殊荣的中国籍作家。
Mo Yan is the first Chinese writer who received the honor of winning the Nobel Prize in Literature as his works “merges folk tales, history and the contemporary society with hallucinatory realism”.
3.巴金 《梦》
据说“至人无梦”。幸而我只是一个平庸的人。我有我的梦中世界,在那里我常常见到你。昨夜又见到你那慈祥的笑容了。还是在我们那个老家,在你的房间里,在我的房间里,你亲切地对我讲话。你笑,我也笑。
Dream(Ba Jin) It is said that "a virtuous man seldom dream".Fortunately, I am but an ordinary man.I dream my own dream, in which I often meet you.Last night I again saw your kindly smiling face.It was the same old home of ours. You talked to me cordially now inyour room, now in my room. You smiled and I also smiled.
4. 《赠汪伦》(李白) 李白乘舟将欲行,忽闻岸上踏歌声。 桃花潭水深千尺,不及汪伦送我行。 Presented to Wang Lun(Li Bai) Li Bai on board, ready to push off, suddenly heard the tramping and singing on the bank. Peach Flower Pool a thousand feet deep is shallower than the love of Wang Lun who sees me off. --Chen Yongxiang (talk) 12:33, 15 November 2020 (UTC)
Presented to Wang Lun(Li Bai) Li Bai on board, ready to push off, suddenly heard the tramping and singing on the bank. Peach Flower Pool, though a thousand feet deep, is shallower than the love of Wang Lun who sees me off.--Jiang Qiwei (talk) 14:50, 15 November 2020 (UTC)
Ding Daifeng 丁代凤
1. 李白想象力丰富,一生创作了大量的诗歌,其诗歌对以后的历代诗人产生了重要影响,即使到现在中国人还非常喜欢他的诗。
Rich in imagination, Li Bai created a large number of poems throughout his life, which have great influence on the poets after him. Even now, his poems are still popular with many Chinese people.--Ding Daifeng (talk) 01:34, 14 November 2020 (UTC)
Rich in imagination, Li Bai created a large number of poems throughout his life, which has great influence on the poets after him. Even now, his poems are still popular with many Chinese people.--Gan Fengyu (talk) 02:47, 14 November 2020 (UTC)
2.中国现代文学集中地表现为大大加强了文学与人民群众的结合﹐文学与进步的社会思潮及民族解放﹑人民革命运动的自觉联系。
Modern Chinese literature is concentrated on strengthening the combination of literature and people, the social ideological trend of literature and progress, and the conscious connection between national liberation and people's revolutionary movement.--Ding Daifeng (talk) 01:34, 14 November 2020 (UTC)
Modern Chinese literature is concentrated on greatly strengthening the combination of literature and people, the social ideological trend of literature and progress, and the conscious connection between national liberation and people's revolutionary movement.--Gan Fengyu (talk) 02:47, 14 November 2020 (UTC)
3.新中国成立带来的巨大历史变革﹐为社会主义文学的发展提供了坚实的生活基础。新中国的作家坚持真实地﹑历史地﹑在现实的变革和发展中反映生活﹐自觉地把社会主义现实主义作为最根本的创作原则与方法。
The great historical changes brought about by the founding of People’s Republic of China have provided a solid foundation for the development of socialist literature. Writers in New China insist on reflecting life truly, historically and in the change and development of reality, and consciously regard socialist realism as the most fundamental creative principle and method.--Ding Daifeng (talk) 01:34, 14 November 2020 (UTC)
The foundation People's Republic of China in 1949 has brought great historical changesand provided a solid foundation for the development of socialist literature.The Writers in New China insist on reflecting life under the change and development of reality in a true and historical way, and they also take socialist realism as the most fundamental creative principle and method.--Gan Fengyu (talk) 02:47, 14 November 2020 (UTC)
Gan Fengyu 甘奉玉
1. 古代文学一般包括欧洲古代文学和中国古代文学。欧洲古代文学又包括古希腊文学和罗马文学,中国古代文学按时间分类,包括先秦两汉文学,魏晋南北朝文学,唐宋文学,元明清文学。 The classical literature generally includes European classical literature and Chinese classical literature. The former consists of Ancient Greek and Rome literature, while the latter can be classified as four literatures according to different time. They are literature of Pre-Qin and Han Dynasty, Wei Jin South and North Dyansty, Tang and Song Dynasty, Yuan, Ming and Qing Dynasty.--Gan Fengyu (talk) 07:38, 10 November 2020 (UTC)
The classical literature generally includes European classical literature and Chinese classical literature. The former consists of Ancient Greek and Roman literature, while the latter can be classified chronologically as four kinds. They are literature of Pre-Qin and Han Dynasties, Wei Jin South and North Dyansties, Tang and Song Dynasties, Yuan, Ming and Qing Dynasties.--Zeng Liang (talk) 08:32, 14 November 2020 (UTC) 2. 近代文学的成就在于它的反帝反封建的进步主流,它的反映现实和追求理想的精神和方法,它的语文合一、走向通俗化的探索和努力,为“五四”时代新文学运动准备了一定的历史条件。
The modern literature achieved progress in the mainstream of anti-imperialism and anti-feudalism. It reflected reality and the pursuit of ideals through explorations ands efforts for language unity toward the popular. All these prepare certain historical conditions for the new literature movement in the May 4th Era.--Gan Fengyu (talk) 07:38, 10 November 2020 (UTC)
The modern literature achieved progress in its mainstream of anti-imperialism and anti-feudalism.Its spirit and methods of reflecting reality and pursuing ideals, along with its exploration and efforts in unifying and popularizing language and words, had made some historical prepare for the new literature movement in the May 4th Era.--Kang Haoyu (talk) 02:45, 13 November 2020 (UTC)
The modern literature achieved progress in its mainstream of anti-imperialism and anti-feudalism.Its spirit and methods of reflecting reality and pursuing ideals, along with its exploration and efforts in unifying and popularizing language and words, had made some historical preparations for the new literature movement in the May 4th Era.--Zeng Liang (talk) 08:32, 14 November 2020 (UTC)
3. 中国当代文学,首先指的是1949年以来的中国文学;其次指的是发生在特定的社会主义历史语境中的文学. The Chinese contemporary literature, first of all, refers to Chinese literature since 1949. Secondly, it means the literature that takes place in the context of specific socialist history. --Gan Fengyu (talk) 07:38, 10 November 2020 (UTC)
Chinese contemporary literature firstly refers to Chinese literature since 1949; secondly, it refers to literature that occurred in a specific historical context of socialism.--Yang Yue (talk) 12:26, 10 November 2020 (UTC)
Chinese contemporary literature firstly refers to Chinese literature since 1949; secondly, it refers to literature that occurs in a specific historical context of socialism.--Zeng Liang (talk) 08:32, 14 November 2020 (UTC)
4. 李白既有清高傲岸的一面,又有世俗的一面,他的理想和自由,只能到山林、仙境、醉乡中去寻求。
Li Bai is not only lofty and proud, but also seculoar. To seek his ideals and ferredom, he can only search in the mountain forest, fairland and drunken state.--Gan Fengyu (talk) 02:20, 14 November 2020 (UTC)
Li Bai is not only lofty and proud, but also secular. To seek his ideals and freedom, he can only seek in mountain forest, fairland and dazed state.--Zeng Liang (talk) 08:32, 14 November 2020 (UTC)
Gao Mingzhu 高明珠
1、《楚辞》是西汉刘向把屈原的作品及宋玉等人“承袭屈赋”的作品编辑而成的一部诗歌总集,它作为我国积极浪漫主义诗歌创作的源头,对后世文学影响深远。
The Songs of Chu is a collection of ancient Chinese poems which was authored by Liuxiang in western Han dynasty who piled Quyuan’s poems as well as those following Qu’s style written by Songyu and other poets into it.--Gao Mingzhu (talk) 12:36, 14 November 2020 (UTC)Gao Mingzhu
2、郭沫若的代表作《女神》是中国现代新诗的奠基之作,在艺术上取得了新诗最辉煌的成就,是“五四”时期浪漫主义的瑰丽奇峰,其形式自由多变,依感情的变化自然地形成“情绪的节奏”。
The master work “Goddess” of Guo Moruo was the cornerstone in Chinese modern new-style poetry(free verse written in the vernacular). It obtained the most brilliant achievement in the art of the new-style poetry and was the magnificent peak of the romanticism during May Fourth period with its free and varied form, naturally producing emotional rhythm according to the changes of sentiments.--Gao Mingzhu (talk) 12:36, 14 November 2020 (UTC)Gao Mingzhu
3、伤痕文学带有强烈的感情色彩,但由于主客观方面的原因,作品还缺乏深度,作家“先天不足,后天失调”,知识结构不健全。
Trauma literature had intense emotions, but lacked depth due to subjective and objective reasons. The writers of trauma literature had inherent weaknesses and lacked instruction which resulted in the unsound structure of knowledge in their writings.--Gao Mingzhu (talk) 12:36, 14 November 2020 (UTC)Gao Mingzhu
4、这首诗按照故事情节可简单分为上下两端,上段写美好,下段写悲伤,几乎完整地写出了一对恋人的前世今生,使读者能够完全代入,深深钻进这个凄美的故事里。
The poem(The River-Merchant’s Wife: A Letter) can be divided into two parts according to its plot. The former part describes happiness while the latter one describes sadness. The poem tells us almost a complete love story between one couple which makes the readers totally place themselves into the beautiful but painful story deeply. --Gao Mingzhu (talk) 12:36, 14 November 2020 (UTC)Gao Mingzhu
This poem can be simply divided into upper and lower ends according to the plot of the story. The upper part is good and the lower part is sad. It almost completely writes the past and present lives of a pair of lovers, so that the reader can fully substitute and dive into this poignant story .--ANNA GROSHEVA (talk) 06:20, 16 November 2020 (UTC)
Grosheva, Anna
1. During the Eastern Han Dynasty towards the end of the Han era, the influence of the philosophy of the Confucian Classics that hindered scientific progress was waning. 在汉朝末期的东汉时期,儒家经典哲学的影响力逐渐减弱。
2. Of course, the big change in Chinese society that happened with the change of government led to a change in literature. 当然,随着政府的变化,中国社会发生了巨大的变化,导致了文学的变化。
3. Contemporary literature took on a new vigor, despite the fact that the Chinese were in the throws of checkered and complicated times. 尽管中国处于一个复杂而复杂的时代,但当代文学却焕发出新的活力。
尽管当代中国局势复杂,当代文学却焕发出新的活力。--Zhang Weihong (talk) 13:23, 15 November 2020 (UTC)Zhang Weihong
4. Li Bai and Du Fu have a lot in common. Both worked as imperial court officials though neither of them passed the Imperial Examination, both lived in Sichuan, and both traveled. 李白和杜甫有很多共同点。 尽管他们都没有通过科举考试,但他们都居住在四川,而且都曾旅行,但他们都是科举官。--ANNA GROSHEVA (talk) 06:47, 16 November 2020 (UTC)
Gu Dongfang 顾东方
1.《水浒传》是中国四大名著之一,是一部以北宋末年宋江起义为主要故事背景、类型上属于英雄传奇的章回体小说。
The Water Margin is one of the four great Chinese novels, it is a chapter novel with Song Jiang's uprising in the last year of the Northern Song Dynasty as the main background and the type of heroic saga.
The Water Margin is one of the four great Chinese novels, which is a chapter novel based on the Song Jiang Uprising in the last year of the Northern Song Dynasty and belongs to the genre of heroic saga.--Xiao Ting (talk) 02:56, 15 November 2020 (UTC)Xiao Ting
As one of the four greatest Chinese novel, the Water Margin is a chapter novel with Song Jiang's uprising in the last year of the Northern Song Dynasty as the main background, belonging to the type of heroic saga.--Jiang Fengyi (talk) 12:10, 15 November 2020 (UTC)
2.新中国的作家坚持真实地、历史地、在现实的变革和发展中反映生活,自觉地把革命现实主义即社会主义现实主义作为最根本的创作原则与方法。
Writers in the new China insist on reflecting life truthfully, historically in the midst of realistic changes and development, and consciously take revolutionary realism, that is, socialist realism, as the most fundamental creative principle and method.
Writers of the People's Repulic of China insist on reflecting life truthfully, historically in the midst of realistic changes and development, and consciously take revolutionary realism, that is, socialist realism, as the most fundamental creative principle and method.--Xiao Ting (talk) 02:56, 15 November 2020 (UTC)Xiao Ting
3.抗日民族解放战争与解放战争进一步加强了作家与现实生活的联系﹐出现了各种流派﹑创作方法的作家向革命现实主义归依的趋向﹐这反过来又促进了革命现实主义向反映现实的深度﹑广度与多样化方向的发展。
The Anti-Japanese War of National Liberation and the War of Liberation further strengthened the connection between writers and real life, and there was a tendency for writers of various schools and creative methods to turn to revolutionary realism, which in turn promoted the development of revolutionary realism in the direction of reflecting reality in depth, breadth and diversity.
Guan Qinqing 管钦清
1.中国的四大名著指创作于明清时期的四部最伟大、最有影响力的小说。阅读四大名著,可以了解中国传统的社会、历史、地理、民俗和处世哲学。
The Four Great Classical Novels of Chinarefer to the four greatest and most influential novels written in the Ming and Qing Dynasties. Reading them can acquaint people with traditional Chinese society, history, geography, folk customs and philosophy of life.
2.大多数的中国人对这四部小说中的人物、情节和场景都很熟悉。它们已经深深地影响了中国人的思想、观念和价值观。现在,四部小说都已被改编成电影或电视剧,受到很多观众的喜爱。四大名著都具有很高的艺术水平,是中华民族的宝贵遗产,在中国文学史上也是一大创举。
Most Chinese are pretty familiar with the figures, plots and scenes in the four novels. They have profoundly influenced the mentality, ideas and values of Chinese people.Nowadays, the four novels have already been adapted into movies or TV series,favored by lots of audiences. Being high in artistic standard, the Four Great Classical Novels are precious heritages of Chinese nation and pioneering works in the history of Chinese literature.
3.与舞蹈和音乐相伴的歌谣跟口头流传的神话,远在文字出现之前就已大量产生。中国的文学正是发端于此。不过歌谣本是人们在生活中随兴而发的东西,上古时代也没有保存和记载它们的手段,因之也就很快湮灭,不留痕迹。我们只能从一些古籍书中推断它们的存在。古书中记载了一些据称年代非常久远的歌谣,但是大多出于后人的伪托,能够断定朝代的歌谣要到《诗经》里才能看见。从这点来看,古代神话对中国文学的影响更为显着。
Long before the emergence of the written word, ballads, accompanied by music and dance,and myths, passed around by word of mouth, were widely popular. Chinese literature finds its origins in these traditions. However, ballads were what people improvised out of daily life, and due to lack of means to record and preserve them in ancient times, they quickly disappeared without leaving much of a trace. Today, we can only deduce their existence from ancient books, which recorded some time-honored ballads, though most of these are belived to be derivatives of later generations. Ballads in the book of songs are the earliest writings that can be dated. From this point of view, ancient mythology obviously has had a great influence on chinese literature.
4.唐诗泛指创作于唐代(618年-907年)的诗。唐诗是汉族最珍贵的文化遗产之一,同时也对周边民族和国家的文化发展产生了很大影响。唐诗中流传最 广的当属收录在《唐诗三百首》中的诗歌,里面收录的许多诗篇都为后人所熟知。唐代的诗人特别多,其中李白、杜甫等都是世界闻名的伟大诗人,他们的作品有很多都是脍炙人口的诗篇。
Tang poetry generally refers to poems written during the Tang Dynasty (618 A.D.-907A.D.). Tang poetry is one of the most valuable cultural heritages of the Han Chinese. Meanwhile, it also has a great influence on the cultural development of neighboring ethnic groups and nations. The most widely spread among Tang poems are definitely the poems that are included in the “Three Hundred Poems ofthe Tang Dynasty”,many of which are quite popular with people of later generations. There are lots of poets in Tang Dynasty, among whom Li Bai and Du Fu are world-famous. Many of thetwo great poets’works are household poems.--Guan Qinqing (talk) 14:38, 15 November 2020 (UTC)
Gui Yizhi 桂一枝
A. 与舞蹈和音乐相伴的歌谣跟口头流传的神话,远在文字出现之前就已大量产生。中国的文学正是发端于此。不过歌谣本是人们在生活中随兴而发的东西,上古时代也没有保存和记载它们的手段,因之也就很快湮灭,不留痕迹。
Long before the emergence of the written word, ballads, accompanied by music and dance, and myths, passed around by word of mouth, were widely popular. Chinese literature finds its origins in these traditions. However, ballads were what people improvised out of daily life, and due to lack of means to record and preserve them in ancient times, they quickly disappeared without leaving much of a trace.
Ballads and oral myths that accompany dance and music have been produced in large numbers long before the emergence of appeared, and that was where literature originated. However, ballads were things that people improvised in their lives, and there was no means to preserve and record them in ancient times, so they were quickly annihilated without leaving a trace. --Yang Ziling (talk) 08:23, 17 December 2020 (UTC)
B. 这个时刻是20世纪中国文学史上最著名的转变之一,不久后,周树人就自诩为文学医生,专门疗救中国人灵魂的沉疴。在接下来的30多年里,他以“鲁迅”为笔名,成了现代中国文学的奠基者之一。
Soon after this Damascene moment — one of the most celebrated conversions in 20th-century Chinese culture — Zhou began his career as the self-appointed literary doctor of China’s spiritual ills. Across the next three decades, under the pen name Lu Xun, he became one of the founding figures of modern Chinese literature.
C. 莫言已出版各种主题的长篇小说、短篇小说和散文,尽管作为当代最重要的作家之一,他的社会批判显露在其寻根文学中,诺贝尔委员会指出。
Mo Yan has published novels, short stories and essays on various topics, and despite his social criticism is seen in his homeland as one of the foremost contemporary authors, the Nobel committee noted.--Gui Yizhi (talk) 04:49, 16 November 2020 (UTC)
Guirou, Barthelemy
1.中国文学的历史已有数千年的历史,从最早的朝代宫廷档案到明代兴起的成熟的乡土小说,都应运而生。
The history of Chinese literature extends thousands of years, from the earliest recorded dynastic court archives to the mature vernacular fiction novels that arose during the Ming dynasty to entertain the masses of literate Chinese.
The history of Chinese literature extends thousands of years, and different types of literature emerged from the earliest court records of dynasties to the mature local novels arising in the Ming Dynasty.--Zhang Yu (talk) 13:35, 13 November 2020 (UTC)
2.中国现代文学史记载了至少3000年前的不间断历史,其历史至少可以追溯到公元前14世纪。 中国现代文学以丰富的文化为基础,蓬勃发展。
Chinese Modern Literature is a record of an uninterrupted history of more than 3,000 years, dating back at least to the 14th century BC. Based on luxuriant culture, Chinese Modern literature developed flourishingly.
The history of modern Chinese literature records an uninterrupted history at least 3000 years ago, and its history can be traced back to at least the 14th century BC. Modern Chinese literature is flourishing based on rich culture.--Gennadii Dashkin (talk) 06:21, 16 November 2020 (UTC)
3.中国当代文学可以定义为古典文学向现代的过渡。
Chinese contemporary literature can be defined as a transition of classical literature to the present-age.--GUIROU BARTHELEMY (talk) 12:09, 13 November 2020 (UTC)
Chinese contemporary literature can be defined as the transition from classical literature to the modern literature.--Zhang Yu (talk) 13:35, 13 November 2020 (UTC)
Guo Lu 郭露
1. 小说中曹雪芹没有直接描写皇室的生活,而是通过刘一贾、史、王、薛四大家族的描写,其中又集中到贾府的兴衰。
In Cao Xueqin's display,his angle shifted from kinsmen of the emperor to focusing on Jia,Shi,Wang,and Xue Families,and then shifted from these four families to Jia Fami1y.
Without a direct display of the life of royal family, Can Xueqin depicted the Jia, Shi, Wang, and Xue families, among which the rise and fall of the Jia families was his focus.--Jiang Fengyi (talk) 12:18, 15 November 2020 (UTC)
2.于千万人之中遇见你所遇见的人,于千万年之中,时间的无涯的荒野里,没有早一步,也没有晚一步,刚巧赶上了,那也没有别的话可说,惟有轻轻的问一声:“哦,你也在这里吗?”
When you meet the one among the millions, or in many years, across the borderless wastes of time, you happen to catch him or her, neither a step too early nor a step too late, what else is there to do except to ask softly: "So you're here, too?"
3. 他出身贫寒家庭,20岁参军的同时开始写小说。他的第一部小说《太阳下山》(The Sun Goes Down)是一本非官方英文译本,讲述的是两位军人英雄,他们因一名年轻的陆军厨师自杀而互相指责,从而毁了他们的声誉和友谊。
Born into a poor family, he began writing fiction at the same time as he joined the Chinese army at the age of 20. His first novel, called The Sun Goes Down in an unofficial English translation, was about two soldier-heroes who destroy their reputations and the friendship between them when they blame each other for the suicide of a young army cook.
4. 这首诗对商妇的各个生活阶段,通过生动具体的生活侧面的描绘,在读者面前展开了一幅幅鲜明生动的画面。
This poem unfolds a vivid picture for the readers through a concrete description of the various life of the Shang women.--Guo Lu (talk) 16:28, 14 November 2020 (UTC)
This poem has depicted a vivid picture to the readers through vivid and concrete description of the life stages of the Shang women.--Hu Baihui (talk) 05:32, 15 November 2020 (UTC)
Ha, Thi Thu Hang
1. The most prominent literary achievement in the Song Dynasty (960-1279) is the ci lyric, a type of poetry with lines of irregular length and set to music. It originated in the middle of the Tang Dynasty and fully developed in the Song Dynasty. Song lyrics took on two different styles.
宋代(960-1279)最杰出的文学成就是抒情诗,这是一种诗词,其诗篇幅不规则,并以音乐为背景, 它起源于唐代中期,并在宋代全面发展。
2. Literature in the Yuan Dynasty (1271-1368) is known for its zaju or poetic drama set to music. The new dramatic form zaju reflects the various aspects of Yuan society.
元代(1271-1368年)的文学因以杂剧或诗歌形式的音乐剧而闻名。 新的戏剧形式杂剧反映了元代社会的各个方面。
3. On May 4, 1919, a massive anti-imperialist and anti-feudal patriotic movement broke out in China. It aimed at overthrowing Confucianism and promoting science, democracy, and writing in the vernacular.
1919年5月4日,中国爆发了大规模的反帝反封建爱国运动。 它旨在推翻儒家思想,促进科学,民主和白话文写作。
4. Literature of the new period reflects various aspects of life of the changing society.
新时期的文学反映了变化中的社会生活的各个方面。--HATHITHUHANG2 (talk) 01:50, 16 November 2020 (UTC)
He Changqi 何长琦
1.《水浒传》在描绘这些英雄人物形象的时候,着重刻画他们每个人不同的性格。明末清初小说评论家金圣叹对于这一点做过精彩的分析。他认为,《水浒传》之所以吸引人,感动人,使人百读不厌,主要就在于它把这些英雄人物的独特的性格都写了出来。
In the traditional Chinese classic Water Margin, each hero are depicted with different personality The late Ming and early Qing dynasties novel critic Jin Shengqi did a wonderful analysis of this point. He believed that the "Water Margin" is so attractive and moving that people do not get tired of reading. The main reason for this is the unique characters of these heroes are fully portrayed.
2.王安忆的小说,多以平凡的小人物为主人公,这一点和80后作家李子悦有着共同的表现形式,著名演员周星驰也注重从平凡生活中的不平凡经历与情感,挖掘生活,在艺术表现上,她的早期小说多感情抒发,近期创作则趋于冷静和细致。
Wang Anyi's novels are ists, which has a common expression with the post-80s writer Li Zi Yue. The famous actor Zhou Xingchi also focuses on the extraordinary experiences and emotions from ordinary life, digging into life. In terms of artistic expression, her early novels express more feelings while recent works tend to be calm and meticulous.
3.老舍作品为中国现代文学创造了一个丰满完整的市民世界和独特生动的市民形象体系,风格独特,成就卓著,为推动中国现代文学创作的发展作出了重要贡献。
Lao She's works have created a rich and complete world of citizens and a unique and vivid system of citizen images for modern Chinese literature, with a unique style and outstanding achievements. He has made important contributions to the development of modern Chinese literature.
4.《长干行》的风格缠绵婉转,具有柔和深沉的美。 The style of "Chang Gan Xing" is lingering and melodious, with a soft and deep beauty.--He Changqi (talk) 05:47, 16 November 2020 (UTC)
Hu Baihui 胡百辉
1. 中国古典文学名著有诗歌、散文、小说、戏剧以及民间神话传说故事等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。
There are many kinds of style in Chinese classical literature, such as poetry, prose, novel, drama and folklore. In various styles, there are also a variety of artistic expression techniques, which makes Chinese classical literature present a colorful and magnificent prospect.
2. 中国现代文学是在中国社会内部发生历史性变化的条件下﹐广泛接受外国文学影响而形成的新的文学。它不仅用现代语言表现现代科学民主思想﹐而且在艺术形式与表现手法上都对传统文学进行了革新﹐建立了话剧﹑新诗﹑现代小说﹑杂文﹑散文诗﹑报告文学等新的文学体裁﹐在叙述角度﹑抒情方式﹑描写手段及结构组成上﹐都有新的创造﹐具有现代化的特点﹐从而与世界文学潮流相一致﹐成为真正现代意义上的文学。
Modern Chinese literature is a new literature formed under the condition of historical changes in Chinese society, which is widely influenced by foreign literature. It not only uses modern language to express modern scientific and democratic thoughts, but also innovates traditional literature in artistic forms and expression techniques. It establishes new literary genres such as drama, new poetry, modern novel, essay, prose poem, reportage, etc. it has new creation in narrative angle, lyric way, description means and structural composition, and has modern characteristics In line with the trend of world literature, it has become a real modern literature.
3.中国当代dao文学是中制国历史发生天翻地覆变革的时期,是中国文学由古典走向现代的时期。洞悉这一时期文学思潮变动的惊涛骇浪,也就可以读懂中国文学由古典形态向现代形态转换的历史必然性以及促成这一文学转折的多重因素。
Chinese contemporary D literature is a period of great changes in the history of China's system of state, and it is a period of time when Chinese literature changes from classical to modern. If we have a thorough understanding of the turbulent changes of literary thoughts in this period, we can understand the historical inevitability of the transformation of Chinese literature from classical form to modern form and the multiple factors that contributed to this literary transition.
4.诗人李白写过很多反映妇女生活的作品,《长干行》就是其中杰出的诗篇。
Li Bai, a poet, has written many works reflecting women's life, among which the long march is an outstanding one.
Hu Jin 胡瑾
1. 中国古典文学广义的指自先秦至清代末年的中国文学,包括作家、作品、文学事件,文体起源与发展历程,文学运动、流派,文学理论,作家作品的考据、研究等等。
1. Chinese classical literature broadly refers to Chinese literature from pre-Qin to the end of Qing Dynasty, including writers, works, literary events, stylistic origin and development, literary movements, schools, literary theories, textual research and research of writers' works, and so on.
2. 中国现代文学是在中国社会内部发生历史性变化的条件下﹐广泛接受外国文学影响而形成的新的文学。它不仅用现代语言表现现代科学民主思想﹐而且在艺术形式与表现手法上都对传统文学进行了革新﹐建立了话剧﹑新诗﹑现代小说﹑杂文﹑散文诗﹑报告文学等新的文学体裁.
2. Chinese modern literature is a new literature which is widely influenced by foreign literature under the condition of historic changes in Chinese society. It not only expresses modern scientific and democratic thoughts in modern language, but also innovates traditional literature in both artistic forms and expression techniques, and establishes new literary genres such as drama, new poetry, modern novels, essays, prose poems and reportage.
3. 在当代文学面向世界的新的历史条件下,有选择地吸收外来文化中一切好的内容和形式,溶化到本民族文艺的血液之中,以丰富和提高本民族的文艺,成为新时期作家艺术探索的重要课题。
3. Under the new historical conditions of contemporary literature facing the world, it has become an important topic for writers to explore art in the new period by selectively absorbing all the good contents and forms from foreign cultures and melting them into the blood of their own literature and art.
Under the new historical conditions in which contemporary literature is open to the world, it has become an important issue for writers in the new era to selectively absorb all the good contents and forms of foreign cultures, and melt them into the blood of their own national literature and art in order to enrich and improve it.--He Changqi (talk) 05:49, 16 November 2020 (UTC)
4. 唐诗是我国诗歌发展的最高成就。它继承了魏晋以来的诗歌精华,而且由于唐代开放的风气,清明的政治,以及统治者的推崇,使唐代诗歌有了长足的发展,如唐代科举制就要专门的考诗歌。
4. Tang poetry is the highest achievement in the development of Chinese poetry. It inherited the essence of poetry since Wei and Jin Dynasties, and due to the open atmosphere, clear politics and the esteem of rulers in Tang Dynasty, the poetry in Tang Dynasty has made great progress. For example, the imperial examination system in Tang Dynasty required special examination of poetry.--Hu Jin (talk) 03:18, 14 November 2020 (UTC)
The poetry in Tang Dynasty boasted the highest achievement of the Chinese poetry, which inherited the essence of poetry since Wei and Jin Dynasties, and due to the open atmosphere, clear politics and the esteem of rulers in Tang Dynasty, the poetry in Tang Dynasty has made great progress. For example, the imperial examination system in Tang Dynasty required special examination of poetry.--Jiang Fengyi (talk) 12:33, 15 November 2020 (UTC)
Jiang Fengyi 蒋凤仪
东汉末年,社会动荡不安。曹操挟持汉献帝,统一北方,社会有了比较安定的环境。曹操父子皆有高度的文学修养,由于他们的提倡,一度衰微的文学有了新的生机。
At the end of the Eastern Han Dynasty, the society was in turbulence, as Cao Cao hijacked Emperor HanXiandi and unified the north, and society gained a relatively stable environment. Both Cao Cao and his son have a high level of literary accomplishment. Thanks to their advocacy, the once declining literature has grown new vitality.
《骆驼祥子》是人民艺术家——老舍(舒庆春,1899-1966)所著的长篇小说,描述了20世纪20年代军阀混战时期人力车夫的悲惨命运。祥子是旧社会劳苦大众的代表人物。
"Camel Xiangzi" is a novel written by Lao She (Shu Qingchun, 1899-1966), known by the people's artist, which describes the tragic fate of a rickshaw driver during the warlord melee in the 1920s, who is a representative of the toiling masses in the old society.
贾平凹的小说在思想内容上大多都是描写现实的,如《浮躁》以农村青年金狗与小水之间的感情经历为主线,描写了改革开放初始阶段暴露出来的问题。
Most of Jia Pingwa's novels describe reality in terms of ideological content. For example, Turbulabce takes the love line between a rural young couple named JIngou and Xiaoshui to describes the exposed problems in the initial stage of reform and opening up.--Jiang Fengyi (talk) 11:56, 15 November 2020 (UTC)
Jiang Qiwei 蒋淇玮
1.“古典”在拉丁文中是“第一流的、典范的”意思。欧洲文艺复兴时期,文艺理论家以古希腊、罗马的优秀作品为典范,称为古典文学。在中国,把从远古流传下来的原始歌谣和神话传说,直到五四以前大量的有一定价值的文学作品,叫古典文学。
"Classical" means "first-rate and exemplary" in Latin. During the Renaissance in Europe, the theorists took those excellent works of ancient Greece and Rome as models and called them classical literature. While in China, the classical literature refers to the primitive ballads and myths handed down from time immemorial and the valuable literary works born before the May 4th Movement.--Jiang Qiwei (talk) 13:57, 15 November 2020 (UTC)
2.这是完美的道格拉斯·亚当斯式的幽默,根植于语言、角色以及对语调和速度的完美控制,正是这些使得《银河系漫游指南》成为现代文学真正的经典。
This is Douglas Adams' humour, rooted in language, characters and the sheer control of tone and pacing, which makes The Hitchhiker's Guide to the Galaxy a genuine classic of modern literature.--Jiang Qiwei (talk) 13:57, 15 November 2020 (UTC)
3.随之涌现了一大批当代文学作品,但其中大部分都很平庸。
This was accompanied by a flood of contemporary literature, most of it mediocre.--Jiang Qiwei (talk) 13:57, 15 November 2020 (UTC)
Followed by it was a flood of contemporary literature,most of which,however,were medicore.--Guan Qinqing (talk) 14:42, 15 November 2020 (UTC)
4.《清明》 杜牧(唐代) 清明时节雨纷纷,路上行人欲断魂。借问酒家何处有,牧童遥指杏花村。
Tomb-sweeping Day Du Mu(Tang Dynasty) It's rainy in this tomb-sweeping day, and passersby were battered out of their senses. I asked a local where I can purchase some wine, then the cowboy said nothing but pointed at the distant village which is nestling amidst apricot blossoms.--Jiang Qiwei (talk) 13:57, 15 November 2020 (UTC)
Kang Haoyu 康浩宇
1. 《孔雀东南飞》主要讲述了焦仲卿、刘兰芝夫妇被迫分离并双双自杀的故事,控诉了封建礼教的残酷无情,歌颂了焦刘夫妇的真挚感情和反抗精神。
Peacock Flies Southeast mainly tells the story of Jiao Zhongqing and Liu Lanzhi who were forced to separate and committed suicide, accuses the ruthlessness of feudal ethics and extols the sincere love and rebellious spirit of Jiao and Liu.--Kang Haoyu (talk) 02:37, 13 November 2020 (UTC)
Peacock Flies Southeast mainly tells the story of Jiao Zhongqing and Liu Lanshi who were forced to separate and then committed suicide,which accuses the ruthlessness of feudal ethics while extolling the sincere love and rebellious spirit of these two main characters.--Wu Yilu (talk) 01:38, 16 November 2020 (UTC)
2. 《雷雨》以1925年前后的中国社会为背景,描写了一个带有浓厚封建色彩的资产阶级家庭的悲剧。该剧情节扣人心弦、语言精炼含蓄,人物各具特色,是“中国话剧现实主义的基石”,中国现代话剧成熟的里程碑。
Thunderstorm, with Chinese society around 1925 as the background, describes the tragedy of a bourgeois family with a strong feudal color. The drama is exciting in story, concise and subtle in language, and the characters have their own features. It is "the cornerstone of Chinese drama realism" and a milestone of the maturity of Chinese modern drama.--Kang Haoyu (talk) 02:37, 13 November 2020 (UTC)
3.《平凡的世界》以中国70年代中期到80年代中期十年间为背景,以孙少安和孙少平两兄弟为中心,刻画了当时社会各阶层众多普通人的形象,深刻地展示了普通人在大时代历史进程中所走过的艰难曲折的道路。
"Ordinary World" is set in China from the mid-1970s to the mid-1980s and centered on two brothers, Sun Shaoan and Sun Shaoping. It depicts the images of many ordinary people from all classes at that time, and profoundly shows the difficult and tortuous road that ordinary people have gone through in the historical process of the great times.--Kang Haoyu (talk) 02:37, 13 November 2020 (UTC)
4.《长干行》描绘了商妇各个生活阶段的各个生活侧面,展现了一幅幅鲜明生动的画面,塑造出了一个对理想生活执着追求和热切向往的商贾思妇的艺术形象.
"The River-Merchant's Wife: A Letter" depicts every aspect of the life of a businesswoman at every stage of her life, showing vivid pictures, and shaping an artistic image of a businesswoman who pursues and longs for her ideal life.--Kang Haoyu (talk) 02:37, 13 November 2020 (UTC)
Lei Fangyuan 雷方圆
1、改革开放 40 年来,中国古典文学研究事业在经典中寻找方向,在传统中汲取力量,在创新中 积累经验,在回归中实现超越。
Over the past 40 years since the reform and opening up, the research on Chinese classical literature has been looking for direction in classics, gaining strength from tradition, accumulating experience in innovation and surpassing predecessors when going back to the tradition.
2、鲁迅先生为现代文学第一人,小说代表作《呐喊》、《彷徨》和《故事新编》,鲁迅先生未创作创篇小说,以上所述都为中短篇小说集。
Mr. Lu Xun is the first person in modern literature, and his representative novels are The Scream, Wandering and New Stories.Mr. Lu Xun has not written any creative novels, and all of the above are collections of short stories.
2. Lu Xun is the leading person in modern literature, and his representative novels are The Scream, Wandering and New Stories.Mr. Lu Xun has not written any creative novels, and all of the above are collections of short stories.--Yang Hairong (talk) 12:00, 15 November 2020 (UTC)
3、《边城》寄托着沈从文“美”与“爱”的美学理想,是他的作品中最能表现人性美的一部。
Frontier City embodies Shen Congwen's aesthetic ideals of "beauty" and "love," and is the one of his works that best expresses the beauty of human nature.
4、《江雪》是唐朝诗人柳宗元经典的诗作。在中国,这首诗被选入国内小学课本和许多对外汉语教材之中,是脍炙人口的名篇。 Fishing in Snow is a classical poem by Liu Zongyuan, a poet of the Tang Dynasty. In China, this poem was selected into elementary school textbook and many Foreign-Chinese textbooks,and it is a well-known poem.--Lei Fangyuan (talk) 06:37, 13 November 2020 (UTC)
Lei Kuangxi 雷旷溪
1、《山海经》是中国一部记述古代志怪的古籍,大体是战国中后期到汉代初中期的楚国或巴蜀人所作。它是一部荒诞不经的奇书。
The Classic of Mountains and Seas is an ancient Chinese book describing ancient supernatural beings. It was written by people of Chu or Bashu from the middle and late Warring States period to the early and middle Han Dynasty. It is a fantastic and absurd book.
2、唐代建国初的诗歌仍沿着南朝诗歌的惯性发展,柔靡纤弱,毫无生气。“初唐四杰”的出现开始转变了这种风气。他们才气横溢,不满现状,通过自己的诗作抒发愤激不平之情和壮烈的怀抱,拓宽了诗歌题材。
The poetry of the early Tang Dynasty still developed along the inertia of the poetry of the South Dynasty, which was soft, delicate and lifeless. The appearance of the "Four Great Poets " in the early Tang Dynasty began to change this trend. They are brilliant, dissatisfied with the status quo.they broaden the theme of poetry through their own poems to express the feelings of injustice and heroic embrace.
3、贾平凹作为陕西文坛的优秀代表,成为享誉海内外的文学大师,数十年如一日,笔耕不辍,以一个作家无比悲悯的情怀,深邃而富有远见的思想讴歌着时代,赞美着人性,用他的作品感动着亿万中国人的心。
Jia Pingwa, as an outstanding representative of shaanxi literature, has become a famous literary master at home and abroad. For decades, he has been working tirelessly, eulogizing the Times and human nature with his profound and far-sighted thoughts, and touching the hearts of millions of Chinese people with his works.
4、中国现代文学是在中国社会内部发生历史性变化的条件下,广泛接受外国文学影响而形成的新的文学。它不仅用现代语言表现了现代科学民主思想,而且在艺术形式与表现手法上都对传统文学进行了革新。
Chinese modern literature is a new literature formed under the condition of historical changes in Chinese society and widely accepted the influence of foreign literature. It not only expresses the thought of science and democracy with modern language, but also innovates the traditional literature in art form and expression technique.--Lei kuangxi (talk) 13:48, 15 November 2020 (UTC)Lei Kuangxi
Li Lili 李丽丽
1.中国古代文学是中华文明的重要组成部分,它的历史悠久,其起源,约略同中华文明的起源同步。 Ancient Chinese literature is an important part of Chinese civilization. With a long history, it came into being as early as Chinese civilization.
2.近代文学的成就在于它的反帝反封建的进步主流,它的反映现实和追求理想的精神和方法,它的语文合一、走向通俗化的探索和努力,为“五四”时代新文学运动准备了一定的历史条件。 The achievements of modern literature lie in its progressive mainstream of anti- imperialism and anti-feudalism, its spirit and method of reflecting reality and pursuing ideal, and its exploration and efforts towards language integration and popularization, which provided certain historical conditions for the New Literature Movement in the May 4th movement.
3.现代文学不仅用现代语言表现现代科学民主思想﹐而且在艺术形式与表现手法上都对传统文学进行了革新﹐建立了话剧﹑新诗﹑现代小说﹑杂文﹑散文诗﹑报告文学等新的文学体裁﹐ Contemporary culture not only expresses modern scientific and democratic thoughts in modern language, but also innovates traditional literature in artistic forms and expression techniques, which establishes new literary genres such as drama, new poetry, modern novel, essay, prose poem, reportage, etc.
4.唐诗是中华民族珍贵的文化遗产之一,是中华文化宝库中的一颗明珠,同时也对世界上许多国家的文化发展产生了很大影响,对于后人研究唐代的政治、民情、风俗、文化等都有重要的参考意义。 Tang poetry is one of the precious cultural heritages of the Chinese nation and a pearl in the treasure house of Chinese culture. At the same time, it has a great influence on the cultural development of many countries in the world. It also has important reference significance for the later generations to study the politics, folk lifestyles, customs and culture of the Tang Dynasty.--Li LIli (talk) 11:54, 13 November 2020 (UTC)Li Lili
Tang poetry is one of the precious cultural heritages of the Chinese nation and a pearl in the treasure house of Chinese culture. At the same time, it has a great influence on the cultural development of many countries in the world. It is of great significance for mentoring the later generations to study the politics, folk lifestyles, customs and culture of the Tang Dynasty.--Chen Jingjing (talk) 07:24, 15 November 2020 (UTC)Chen Jingjing
Li Liqin 李丽琴
1. 中国古典文学名著有诗歌、散文、小说、戏剧、词、赋等多种表现形式,从而使中国古典文学呈现多姿多彩、壮丽辉煌的图景。《诗经》是我国第一部诗歌总集,收入自西周初年至春秋中叶五百多年的诗歌311篇,又称《诗三百》。《诗经》共有风、雅、颂三个部分,对中国的文学史、政治、语言、甚至思想上都有着非常深远的影响。
The Chinese classic literature has many forms of expression, such as poetry, prose, novels, dramas, Ci and Fu, thus making the Chinese classical literature colorful and magnificent. The Book of Songs is the first collection of poems in China. It contains 311 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period. It consists of three parts: Feng, Ya and Song, which have a profound influence on the history of Chinese literature, politics, language and even thoughts. --Li Liqin (talk) 15:32, 15 November 2020 (UTC)
2. 中国现代文学不仅用现代语言表现现代科学民主思想,而且在艺术形式与表现手法上都对传统文学进行了革新。鲁迅是新文化运动的重要参与者,也是中国现代文学的奠基人之一。
Modern Chinese literature not only expresses scientific and democratic thoughts in modern language, but also innovates traditional literature in terms of art form and expression techniques. Lu Xun was an important participant in the new culture movement and one of the founders of modern Chinese literature. --Li Liqin (talk) 15:32, 15 November 2020 (UTC)
3. 自从上个世纪末到新世纪以来,指责中国当代文学创作的批评声不绝于耳。21世纪的当代中国文学应该努力继承鲁迅留下的丰富遗产,当前尤其应在学习和弘扬鲁迅清醒的现实主义的批判精神、自觉的启蒙精神和独立的人格精神等方面做出切实而有效的努力。
From the end of last century to the new century, contemporary Chinese literacy works have been receiving criticism all the time. The 21st century contemporary Chinese literature should work hard to inherit the rich heritage left by Lu Xun. At present, we should especially make great efforts to study and carry forward the sober and realistic spirit of criticism, the conscientious spirit of enlightenment, and the independent spirit of personality. --Li Liqin (talk) 15:32, 15 November 2020 (UTC)
4. 唐代大诗人李白不经意的吟诵,把我们带进人间仙境。
Such a casual poetry of the great poet Li Bai has brought us into a heaven on earth. --Li Liqin (talk) 15:32, 15 November 2020 (UTC)
Liu Liu 刘柳
1. 中国古典文学是中国文学史上闪烁着灿烂光辉的优秀作品,它是世界文学宝库中令人瞩目的瑰宝。几千年来,中国传统文化养育了中国古典文学,中国古典文学又大大丰富了中国传统文化,使传统文化更具有深刻的影响力。
Chinese classical literature is an excellent work with brilliant brilliance in the history of Chinese literature. It is a remarkable treasure in the world literature.For thousands of years, Chinese traditional culture has nurtured Chinese classical literature, which in turn has greatly enriched Chinese traditional culture and made it more profoundly influential.
Chinese classical literature is an excellent work shining brilliant glory in the history of Chinese literature. It is a remarkable treasure in the world literature.For thousands of years, Chinese traditional culture has nurtured Chinese classical literature, which in turn has greatly enriched Chinese traditional culture and made it more profoundly influential.--Gan Fengyu (talk) 01:58, 13 November 2020 (UTC)
2. 中国现代文学是在中国社会内部发生历史性变化的条件下,广泛接受外国文学影响而形成的新的文学。
Chinese modern literature is a new literature formed under the condition of historical changes in Chinese society,which is greatly influenced by foreign literature.
Chinese modern literature is a new literature formed by greatly aborsobing foreign literature under the condition of historical changes in Chinese society.--Gan Fengyu (talk) 01:58, 13 November 2020 (UTC)
3. 中国自由文学在民间又称贫民窟文学,其概念出现于上世纪九十年代,以中国自由作家为代表,数十年扎根中国社会底层及贫民窟,极大的同情与关注社会底层贫民的生存状态,所创作的小说均表现中国社会边缘知识分子与社会底层贫民以及下层妓女的悲怆爱情故事,为新时期中国当代文学的代表作。
Chinese free literature is also known as slum literature among the people,which appeared in the 1990s.It’s represented by Chinese free writers who have been rooted in the bottom of Chinese society and slums for decades,showing great empathy and concern for the living conditions of the poor at the bottom of Chinese society.Their novels depicted the pathetic love stories between the marginal intellectuals of Chinese society and the poor at the bottom of society as well as the prostitutes of the lower class,which are the representative works of Chinese contemporary literature in the new era.
4. 诗人李白写过许多反映妇女生活的作品,《长干行》就是其中杰出的诗篇。它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。它塑造了一个具有丰富深挚的情感的少妇形象,具有动人的艺术力量。
The poet Li Bai has written many works reflecting women’s life,among which Ballad of a Merchant’s Wife is an outstanding one.It narrated the love life of a merchant’s wife living in Chokan in her own words and expressed her ardent yearning for his husband far away.It portrayed an image of a young woman with rich and deep emotions,which had touching artistic power.--Liu Liu (talk) 09:18, 12 November 2020 (UTC)
The poet Li Bai has written many works reflecting women’s lives, among which Changgan Song is an outstanding one. It narrated the love life of a merchant’s wife living in Changganli (in Nanjing) in her own words and expressed her ardent yearning for his husband far away. It presented a moving power of art by creating an image of a young woman with rich and deep emotions. --Chen Han (talk) 07:24, 13 November 2020 (UTC)
Liu Ou 刘欧
1. 文学的起源是诗歌,亦即韵文先于散文,西方亦然。
The origin of literature is poem, and verse precedes prose, it is the same in the West.--Liu Ou (talk) 02:42, 15 November 2020 (UTC)
The origin of literature is poetry, implying that verse precedes prose, as it does in the west. --Li Liqin (talk) 15:38, 15 November 2020 (UTC)
2.凡每一个时代,其同时代最伟大的人,必有齐名者,如诗人称“李杜”,文称“韩柳”,画家则称“吴李”。
In every age, the most renowned person will have his counterpart, for example, the famous poets "Li Du"(Li Bai and Du Fu),writers "Han Liu"(Han Yu and Liu Zongyuan),painters "Wu Li"(Wu Daozi and Li Longmian).--Liu Ou (talk) 02:42, 15 November 2020 (UTC)
3.在老一辈学术名家中,钱穆先生以其学问淹博、著述宏富著称。
--Yang Hairong (talk) 12:05, 15 November 2020 (UTC)Among the old generations of reputed scholars,Mr. Qian Mu is outstanding for his erudition and amount of work.--Liu Ou (talk) 02:42, 15 November 2020 (UTC)
3. Among the old generations of reputed scholars,Qian Mu is outstanding for his erudition and amount of work.--Yang Hairong (talk) 12:05, 15 November 2020 (UTC)
4.真实的文学来自广大群众,须采自当时某一地域的民间。
The authentic literature comes from the masses and must be collected from the folks in a certain area at that time.--Liu Ou (talk) 02:42, 15 November 2020 (UTC)
True literature comes from the masses and must be closely related with the folk of a certain region at that time. --Li Liqin (talk) 15:38, 15 November 2020 (UTC)
Literature in a real sense is created by the masses, especially those living in a certain region at a certain time.--XieFan (talk) 07:10, 23 November 2020 (UTC)
Liu Yi 刘艺
1、中国古典文学是中国文学史上闪烁着灿烂光辉的经典性作品或优秀作品,它是世界文学宝库中令人瞩目的瑰宝。中国古典文学有诗歌、散文、小说以及词、赋、曲等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。
Classical Chinese literature is a classical work or excellent work in the history of Chinese literature that shines with brilliant light, and it is a remarkable treasure among the treasures of world literature. Classical Chinese literature has a variety of expressions such as poetry, prose, novel, and lyrics, fu, and song, and a variety of artistic expressions in a variety of styles, thus making classical Chinese literature present a colorful, magnificent and glorious picture.--Liu Yi (talk) 15:13, 11 November 2020 (UTC)
2、现代文学在“五四”文学革命以后的60多年发展过程中﹐随著中国革命与社会性质的演变﹐以1949年10月中华人民共和国成立为转折﹐经历了新民主主义革命时期与社会主义时期两个历史阶段。两个阶段的文学既有各自的历史面貌﹐显示出不同阶段的差异性﹔
In the more than 60 years since the May Fourth Literary Revolution, modern literature has gone through two historical stages: the period of the New Democratic Revolution and the period of socialism, following the Chinese Revolution and the evolution of the nature of society, with the founding of the People's Republic of China in October 1949 as a turning point. The literature of the two stages has its own historical outlook and shows the differences between the different stages.--Liu Yi (talk) 15:13, 11 November 2020 (UTC)
Following the Chinese Revolution and the evolution of the nature of society in more than 60 years since the May Fourth Literary Revolution, modern literature has gone through two historical stages: the period of the New Democratic Revolution and the period of socialism,with the founding of the People's Republic of China in October 1949 as a turning point. The literature of the two stages has its own historical outlook and shows the differences at the different stages.--Tan Yuanyuan (talk) 09:08, 12 November 2020 (UTC)
3、中国平民作家特别是自由作家所具有的独立思想,通常在作品中以令人恐怖的真实表现出思想的光芒。在批判现实主义基础上开创了一整套独立特行的现代美学与完整的思想价值体系,为中国当代坚持探究思想之源的文学巨匠的群体,同时也是具有非凡忍耐力和巨大牺牲精神的真正的作家群体。
The independent thoughts of Chinese commoner writers, especially freelance writers, usually shine through with terrifying truth. On the basis of critical realism, they have created a set of independent and unique modern aesthetics and a complete system of ideological values, and are contemporary Chinese literary giants who insist on exploring the source of ideas, as well as genuine writers with extraordinary endurance and great sacrifice.--Liu Yi (talk) 15:13, 11 November 2020 (UTC)
Liu Yiyu 刘怡瑜
1.在中国的诗歌史上,唐诗、宋诗(词)作为两个难以逾越的高峰,灿烂着中国的文化领域,同时,又备受文人们的争议,从诗歌的写作背景,到诗歌的谋篇结构、锤词炼句、修辞用典,都是人们热爱和攻击的目标。 In the history of Chinese poetry, Tang poems and Song poems (ci), as two insurmountable peaks, glow in China’s culture. In the meanwhile, literati have held their own opinions about them. The background, the structure of poetry, sentences polishing, and rhetorical allusions are favorable for both supporters and haters
正是以胡适这些“沟通新旧两个艺术时代桥梁”的前“五四”白话诗为标志,中国诗歌结束了其几千年来在古典形态里的发展变化,初步确立了中国诗歌新的艺术形态,转换了中国诗歌古典与现代的题型,开始了一个伟大的“新诗纪元”。 Thanks to Hu Shi's symbolic pre May 4th vernacular poems, which connect the old and the new art eras, Chinese poetry has ended its thousands of years of development and changes in the classical form and established a new artistic form of Chinese poetry, changing the types of Chinese classic and modern poetry. Therefore, It started a great "new poetry era".
Thanks to Hu Shi's symbolic pre May 4th vernacular poems, which connect the old and the new art eras, Chinese poetry has ended its thousands of years of development and changes in the classical form and established a new artistic form of Chinese poetry, changing the types of Chinese classic and modern poetry. Therefore, a great "new poetry era" started.--Chen Jingjing (talk) 07:30, 15 November 2020 (UTC)Chen Jingjing
余华曾坦言: “我觉得我所有的创作,都是在努力更加接近真实。我的这个真实,不是生活里的那种真实。我觉得生活实际上是不真实的,生活是一种真假参半、鱼目混珠的事物。” Yu Hua once said with honesty: "I feel that I'm struggling to bring my writings to be closer to reality. My definition of reality is not the reality in life. I think life is far from real. Life is a mixture of truth and falsehood."--Liu Yiyu (talk) 02:41, 15 November 2020 (UTC)Liu Yiyu
Lo, Minh Thao
Lou Cancan 娄灿灿
1 这部小说也称《石头记》,作者是清代(公元1644年—公元1911年)大作家曹雪芹(约公元1715年—公元1764年)。小说最早以手抄本形式出版于18世纪中期,且原著仅有前80回留存于世。
Also known as "The Story of the Stone," the novel was written by Cao Xueqin (circa 1715-1764), a great writer of the Qing Dynasty (1644-1911). The book was first published in the middle of 18th century in the form of hand-written copies and only the first 80 chapters of the original novel have survived.--Lou Cancan (talk) 07:31, 15 November 2020 (UTC)
2 在中国动画史上,有一部注定青史留名的影片,那就是上海美术电影制片厂的《大闹天宫》。美猴王的故事本就家喻户晓,加上京剧元素和中国民间艺术托底,让这部影片的艺术性到了当时难以企及的高度。
In the history of Chinese animation, if there's one movie that's destined to become immortal, it is the Shanghai Animation Film Studio's Havoc in Heaven. Its protagonist, the Monkey King, is a household name rooted in Chinese mythology and literature. Complete with fine art inspired by Peking opera and Chinese folk art, the movie scaled heights that no others could at the time.--Lou Cancan (talk) 07:31, 15 November 2020 (UTC)
3 电影《江姐》改编自1961年的著名小说《红岩》,讲述了共产主义革命烈士江姐(1920-1949)的波澜壮阔的一生,江竹筠被广泛认为是中国最著名的女英雄之一。
Based on the renowned 1961 novel "Red Crag," the film "Sister Jiang" follows the ups and downs of the Communist revolutionary martyr Jiang Zhuyun (1920–1949), widely regarded as one of most celebrated Chinese heroines. --Lou Cancan (talk) 07:31, 15 November 2020 (UTC)
4 李白有诗云,“相知在急难,独好亦何益”。
China’s great poet Li Bai of the Tang Dynasty (7th-10th century) once wrote of friendship that “true friendship is revealed through adversity, and success becomes nothing when it is not shared”.--Lou Cancan (talk) 07:31, 15 November 2020 (UTC)
Luo Weijia 罗维嘉
1. 古典文学是指希腊、罗马和其他古代文明的伟大杰作。荷马、奥维德和索福克勒斯的作品都是古典文学的典范。
Classical literature refers to the great masterpieces of Greek, Roman, and other ancient civilizations. The works of Homer, Ovid, and Sophocles are all examples of classical literature.
2. 欧洲近代文学史始于启蒙时代,18世纪巴洛克时期结束,继文艺复兴和近代早期文学之后。
The history of literature in the Modern period in Europe begins with the Age of Enlightenment and the conclusion of the Baroque period in the 18th century, succeeding the Renaissance and Early Modern periods.
3. 当代文学是二战后总体背景下的文学。当代文学的亚流派包括当代浪漫主义。
Contemporary literature is literature with its setting generally after World War II. Subgenres of contemporary literature include contemporary romance.--Luo Weijia (talk) 01:44, 16 November 2020 (UTC)
Luo Yuqing 罗雨晴
1.《离骚》是屈原的代表作,是一首不朽的浪漫主义杰作,也是我国古代第一首抒情诗(第一首叙事诗是汉代的《孔雀东南飞》)。诗中的名句是:路漫漫其修远兮,吾将上下而求索。”。它奠定了我国古典诗歌的浪漫主义基础。
" Lisao " is Qu Yuan's representative work, an immortal masterpiece of romanticism and the first lyric poem in ancient China (the first narrative poem is " the Peacock Flies to the Southeast " in the Han Dynasty). The famous sentence in the poem is: " The way ahead is long and has no ending; yet high and low I'll search with mu will unbending.", which laid the romantic foundation of Chinese classical poetry.--Luo Yuqing (talk) 01:02, 16 November 2020 (UTC)
2.中国现代文学的主流是人民的文学。 “五四”文学革命在中国文学史上引起的历史性变革﹐集中地表现为大大加强了文学与人民群众的结合﹐文学与进步的社会思潮及民族解放﹑人民革命运动的自觉联系。这构成了中国现代文学的基本历史特点与传统。
The mainstream of modern Chinese literature is the people's literature. The historical changes in the Chinese literature caused by the "May 4th" literary revolution are concentrated in damatically combining the literature with the masses strengthening and spontaneously connetcting literature and the progressive social ideological trend with and national liberation and the people's revolutionary movement, which constitutes the basic historical characteristics and tradition of modern Chinese literature.--Luo Yuqing (talk) 01:02, 16 November 2020 (UTC)
3.新中国成立带来的巨大历史变革,人民当家作主、创造历史的自觉努力,为社会主义文学的发展提供了坚实的生活基础。新中国的作家坚持真实地、历史地、在现实的变革和发展中反映生活,自觉地把革命现实主义即社会主义现实主义作为最根本的创作原则与方法。
The great historical changes brought about by the founding of people's Republic of Chian and the conscious efforts made by people who are masters of thier country and try to create history have provided a solid foundation for the development of socialist literature. The writers in new China period insisted on reflecting life in a real, historical and realistic way, and consciously took revolutionary realism, that is, socialist realism, as the most fundamental creative principle and method.--Luo Yuqing (talk) 01:02, 16 November 2020 (UTC)
Mo Ling 莫玲
1.只缘感君一回顾,使我思君暮与朝。——《古相思曲》
A single glimpse of you haunts me day and night.---Ancient Lovesick Songs
2.四奶奶站在三爷背后,笑了一声道:“自己骨肉,照说不该提钱的话。提起钱来,这话可就长了!”——张爱玲《倾城之恋》
The fourth concubine,standing behind the third master,chuckled and said :"Normally,it is undue to mention money between parents and kids,If bothered,there will be countless expenditures!" ---Zhang Ailing Love in a Fallen City
3.县城真热闹:官盐店,税务局,肉铺里挂着成边的猪,一个驴子在磨芝麻,满街都是小磨香油的香味,布店,卖茉莉粉、梳头油的什么斋,卖绒花的,卖丝线的,打把式卖膏药的,吹糖人的,耍蛇的,……他什么都想看看。——贾平凹《受戒》
The county seat is so bustling that there stand various of buildings,such as official-operating salt shop,tax bureau and the butchers' with half piece of pork.A donkey is grinding sesame,the fragrance of the oil suffuing the whole street.He wants to wander over all the attractions:cloth shops,thr unknown shop selling jasmine powder and comb oil,shop selling velvet flowers and threads as well as some acrobatic shows for advertising,sugar figure making as well as snake charmers' performance.---Jia Pingao Ordained--Mo Ling (talk) 11:09, 12 November 2020 (UTC)Mo Ling
Ngo, Thi Minh Huong
1. 中国古典文学广义的指自先秦至清代末年的中国文学,包括作家、作品、文学事件,文体起源与发展历程,文学运动、流派,文学理论,作家作品的考据、研究等等。类似中国古代文学史。狭义指中国古典文学作品。 Chinese classical literature broadly refers to Chinese literature from the pre-Qin Dynasty to the end of the Qing Dynasty, including writers, works, literary events, the origin and development of the literary style and literary movements, genres, literary theories, textual research and researching on writers' works, etc. It is similar to the history of ancient Chinese literature. Narrowly, it refers to works of Chinese classical literature.
2.《老残游记》,清末中篇小说,是刘鹗 (1857年10月18日—1909年8月23日)的代表作,小说以一位走方郎中老残的游历为主线,对社会矛盾开掘很深,尤其是他在书中敢于直斥清官(清官中的酷吏)误国,清官害民,独具慧眼地指出清官的昏庸常常比贪官更甚。同时,小说在民族传统文化精华提炼、生活哲学及艺术、女性审美和平等、人物心理及音乐景物描写等多方面皆达到了极其高超. "Lao Can's Travels", a novella in the late Qing Dynasty, is a masterpiece of Liu E (October 18, 1857 - August 23, 1909). The novel is based on the travels of an old man who went to many places and workes as a herb doctor. In particular, he dared to denounce the corrupt officials (the cruel officials among the honest officials) for misleading the country and harming the people. At the same time, the novel has reached extremely high levels in many aspects such as the quintessence of national traditional culture, philosophy and art of life, aesthetics and female equality, character psychology and music scene description.
Ouyang Ling 欧阳玲
1.明清是中国小说史上的繁荣时期。这个时代的小说从思想内涵和题材表现上来说,最大限度地包容了传统文化的精华,而且经过世俗化的图解后,传统文化竟以可感的形象和动人的故事而走进了千家万户。
Chinese novel had its heyday during the Ming and Qing dynasties when the thoughts and themes of novels tended to embody the essence of traditional culture. After popularized, Chinese traditional culture was disseminated through the vivid characters and moving stories in the novels.
2.鸦片战争过后所带来的的民族危机极大地震动了当时的思想界,人们纷纷寻求救国真理。中国近代文学题材的扩大,新人物、新意境、新思想、新名词的出现,新的艺术手法的吸取,都无不与西方文化的撞击有关。
The Opium War and the consequent national crisis posed a great shock in the intellectual field, and Chinese people sought for the truth of how to save the country from foreign invaders. In Chinese modern literature, the expansion of themes, arising of new characters, new artistic conception, new ideas and new terms, and absorption of new artistic technique are associated with the impact of western culture.
3.中国当代文学是“为人民服务, 为社会主义服务”的文学,70多年来,在社会主义革命和建设的各个历史时期,中国当代文学致力于反映人民群众从事社会主义革命和建设的历史活动,歌颂他们以主人翁精神为社会主义事业所作出的创造性的劳动。
Chinese contemporary literature was aimed at ”serving the Chinese people as well as the socialism ”. For more than 70 years, in every period of socialist reform and construction Chinese contemporary literature has been committed to reflecting the historical activities of the masses and singing the praises of their creative labour and spirit of ownership in the cause of socialism.
Peng Ruihong 彭锐宏
1.《水浒传》通过描写梁山好汉反抗欺压、水泊梁山壮大和受宋朝招安,以及受招安后为宋朝征战,最终消亡的宏大故事,艺术地反映了中国历史上宋江起义从发生、发展直至失败的全过程,深刻揭示了起义的社会根源,满腔热情地歌颂了起义英雄的反抗斗争和他们的社会理想,也具体揭示了起义失败的内在历史原因。
"Water Margin" articulates the grand story of Liangshan heroes resisting oppression, waterbo Liangshan growing and being recruited by the Song Dynasty, as well as fighting for the Song Dynasty after being recruited, and finally dying out. It artistically reflects the Songjiang Uprising in Chinese history from its occurrence, development to failure. The whole process deeply revealed the social roots of the uprising, enthusiastically praised the resistance struggle of the uprising heroes and their social ideals, and also specifically revealed the inherent historical reasons for the failure of the uprising.
2.《平凡的世界》是中国作家路遥创作的一部全景式地表现中国当代城乡社会生活的百万字长篇小说。全书共三部。1986年12月首次出版。该书以中国70年代中期到80年代中期十年间为背景,通过复杂的矛盾纠葛,以孙少安和孙少平两兄弟为中心,刻画了当时社会各阶层众多普通人的形象。
"The Ordinary World" is a million-character novel created by Chinese writer Lu Yao, which is a panoramic view of contemporary urban and rural social life in China. There are three parts in the book. First published in December 1986. The book takes China’s mid-70s to mid-1980s as a background, through complex contradictions and entanglements, centering on the two brothers Sun Shaoan and Sun Shaoping, it portrays the images of many ordinary people from all walks of life at that time.
3.《三体》是刘慈欣创作的系列长篇科幻小说,由《三体》、《三体Ⅱ·黑暗森林》、《三体Ⅲ·死神永生》组成,第一部于2006年5月起在《科幻世界》杂志上连载,第二部于2008年5月首次出版,第三部则于2010年11月出版。
"Three-Body" is a series of long science fiction novels created by Liu Cixin, composed of "Three-Body", "Three-Body Ⅱ·Dark Forest", "Three-Body Ⅲ·Eternal Life of Death". It was serialized in World magazine, the second part was first published in May 2008, and the third part was published in November 2010.
4.李白(701年-762年) ,字太白,号青莲居士,又号“谪仙人”,唐代伟大的浪漫主义诗人,被后人誉为“诗仙”,与杜甫并称为“李杜”,为了与另两位诗人李商隐与杜牧即“小李杜”区别,杜甫与李白又合称“大李杜”。
Li Bai (701-762), whose name was Taibai, was named Qinglianjushi, also known as "the banished immortal". A great romantic poet in the Tang Dynasty, he was called "the fairy of poetry" by later generations and was called "Li Du" together with Du Fu. In order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "little Li and Du", Du Fu and Li Bai are collectively called "big Li and Du".--Peng Ruihong (talk) 06:12, 14 November 2020 (UTC)--Peng Ruihong (talk) 06:12, 14 November 2020 (UTC)
Phyo, Su Kyi
1-水Mar传,西游记,三国浪漫史和红楼梦;这四本小说构成了中国古典文学的核心,并仍在传播着现代文化。
Water Margin, Journey to the West, Romance of the Three Kingdoms and Dream of the Red Chamber; these four novels form the core of Chinese classical literature and still inform modern culture.
2-《中国现代文学》记录了至少3000年前的不间断历史,其历史至少可以追溯到公元前14世纪。中国现代文学以丰富的文化为基础,蓬勃发展。
Chinese Modern Literature is a record of an uninterrupted history of more than 3,000 years, dating back at least to the 14th century BC. Based on luxuriant culture, Chinese Modern literature developed flourishingly.
3-现代文学与当代文学之间的主要区别在于时代。现代文学指的是十九世纪末至十六世纪六十年代的文学,而当代文学指的是第二次世界大战至今的文学。
The key difference between modern and contemporary literature is their time period. Modern literature refers to the literature dating from late nineteenth century to nineteen sixties while the contemporary literature refers to the literature dating from the Second World War to the present.
Pingki, Tanchangya
1.司马迁是汉代(206BC-220AD)的一位著名作家和历史学家。他撰写了一部出色的历史著作《历史学家的记录》,描绘了皇帝,国王,将军,国务卿和农民的著作。
Sima Qian is a well known writer and historian in the Han dynasty (206BC- 220AD).He wrote an outstanding historical work "Records of the historian" with depictions of emperor's, kings, generals, ministers of states and peasant work.
2.龚自珍,黄遵宪和刘亚子是现代先进诗歌的三位代表作。
Three representative writers of modern progressive poetry are Gong Zizhen, Huang Zunxian and liu Yazi.
3.新时期的文学作品反映了变化中的社会生活的各个方面。 以鲁新华为代表的“伤口”揭露了暴政下人们的迫害。
literature of the new period reflects various aspects of life of the changing society. "The wound" by lu xinhua as its representative exposes the persecution of people under the tyranny.--PINGKI TANCHANGYA 4 (talk) 12:06, 15 November 2020 (UTC)
Qu Miao 瞿淼
1. 中国古典文学名著有诗歌、散文、小说、戏剧以及词、赋、曲、民间神话传说故事等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。
The literary forms of Chinese classical literature contains poetry, prose, novel, play, Ci(a kind of literature form that is actually lyrics to music), ode, song, folk myth and legend, each of which is expressed in various artistic methods, contributing to the colorful and magnificent view of Chinese classical literature.--Qu Miao (talk) 15:29, 15 November 2020 (UTC)
2.《二十年目睹之怪现状》以主人公“九死一生”的经历为干线,从他奔父丧开始,至其经商失败终止,通过这个人物20年间的遭遇和见闻,广泛地揭露了从光绪十年(1884)中法战争前后至光绪三十一年(1905)左右的清末社会的黑暗现实。
The novel, Bizarre Happenings Eyewitnessed Over Two Decades, takes the protagonist’s near-death experience as main line, which starts from his father’s death and ends up with his failure in business. Through what he had seen, heard and suffered in twenty years, this book uncovers the dark reality of The Qing dynasty in the period from about the tenth to the thirty-first year of Guangxu’s Reign(1884-1905).--Qu Miao (talk) 15:29, 15 November 2020 (UTC)
3. 伤痕文学是20世纪70年代末到80年代初在中国大陆文坛占据主导地位的一种文学现象。它得名于卢新华以“文革”中知青生活为题材的短篇小说《伤痕》。
As a literary form dominate in the late 1970s to early 1980s in China, Scar literature is named after Lu Xinhua’s short novel Scar, which portraits the life of intellectual youth during the Cultural Revolution.--Qu Miao (talk) 15:29, 15 November 2020 (UTC)
Rajabov, Anushervon
1. Classical literature began during the transitional period of Chinese history from slavery society to feudal society.
古典文学始于中国历史从奴隶制社会到封建社会的过渡时期。
2. Many writers, especially older writers, still cling to realism.
许多作家,尤其是年长的作家,仍然坚持现实主义。
3. China was gradually changed into a semi-feudal, semi-colonial society, and Chinese people rose heroically against foreign aggressions.
中国逐渐转变为半封建半殖民地社会,中国人民英勇起来反对外国侵略。--RAJABOV ANUSHERVON 10 (talk) 07:41, 15 November 2020 (UTC)
Seydou, Sagara
1 The pastoral discourse was enriched with country fishing folklore, songs and poems, recipes and anecdotes, moral meditations, and quotes from classic literature. 2 Citation in contemporary literature undoubtedly reinforced and disseminated theories of film and its characteristics 3 Modern literature is very famous and many people are interested in this field in China. 1田园话语丰富了乡村捕鱼的民间传说,歌曲和诗歌,食谱和轶事,道德冥想以及古典文学的名言。 2当代文学中的引证无疑是对电影理论及其特征的强化和传播 3现代文学非常有名,中国有很多人对此领域感兴趣。--Sagara Seydou 3 (talk) 14:26, 15 November 2020 (UTC)
Shi Haiyao 石海瑶
1.《诗经》就整体而言,是周王朝由盛而衰五百年间中国社会生活面貌的形象反映,其中有先祖创业的颂歌,祭祀神鬼的乐章;也有贵族之间的宴饮交往,劳逸不均的怨愤;更有反映劳动、打猎、以及大量恋爱、婚姻、社会习俗方面的动人篇章。
On the whole, The Book of Songs is a reflection of the social life of China during the five hundred years from the prosperity to the decline of the Zhou Dynasty. There are the ode of laboring ancesters and music of sacrificing spirits. Also, the feasting and drinking among the nobles and the resentment of the unequal distribution are included. Futhermore, some moving chapters on labor, hunting, and a great deal of love, marriage, and social customs are all covered.
2.我走过许多地方的路,行过许多地方的桥,看过许多次数的云,喝过许多种类的酒,却只爱过一个正当最好年龄的人。—沈从文
I have travelled a lot, went across bridges in many places, appreciated clouds many times and have drunk various wines. Whereas, I merely loved a girl of best age.——By Shen Congwen
3.这辈子我就喜欢上这么一个人,我要用尽我的万种风情,让他在将来不和我在一起的任何时候内心都无法安宁。 ——冯唐
I have simply loved him for the whole life, I'll unleash my glamour to the full to leave him reatless mind at the time when we part. —— By Feng Tang
4.《相思》
王维
红豆生南国,春来发几枝。
劝君多采撷,此物最相思。
Love Tokens
By Wangwei
The red bean grows in southern lands.
With spring it sprouts and twines.
May you gather for me more.
As a symbol of our love.--Shi Haiyao (talk) 04:43, 16 November 2020 (UTC)
Si Yu 司妤
不管怎样,有一点是可以肯定的,即永恒的、神圣的、不变的经典是不存在的。即使我们按照文学史或文学的标准确立了一些当代文学经典,但经典作为一个历史化的过程,仍然需要不断被遴选、沉淀与检验。从这个意义上说,经典化的过程无异于一个重写文学史的过程。 Anyway, it is certain that there is no eternal, scared, and unchanged classics. Though we established some classic literature according to standard of literary history and literature, classics, which needs to be tested by history, remains to be selected and.... From this perspective, the process of canonization is no different from a rewriting of literary history.--Si Yu (talk) 00:49, 16 November 2020 (UTC)
中国现代文学的发展﹐是吸收外来文学营养使之民族化﹑继承民族传统使之现代化的过程。中国是一个有著悠久的文化传统的文明古国﹐近代中国又受到西方文化的巨大冲击﹔中国现代文学产生于这一文化背景下﹐如何正确对待中国传统文化与西方外来文化﹐直接关系著现代文学的发展。 The development of China’s Modern Literature is a process that nationalizes itself through assimilating the nutrition of foreign literature, and that modernizes itself through inheriting ethnic traditions. As a country that has a long history and cultural traditions, China has greatly impacted by western culture. Under such a cultural background, how to treat China’s traditional literature and western culture correctly, relates to the development of modern literature.--Si Yu (talk) 00:49, 16 November 2020 (UTC)
中国平民作家特别是自由作家所具有的独立思想,通常在作品中以令人恐怖的真实表现出思想的光芒。在批判现实主义基础上开创了一整套独立特行的现代美学与完整的思想价值体系,为中国当代坚持探究思想之源的文学巨匠的群体,同时也是具有非凡忍耐力和巨大牺牲精神的真正的作家群体。 The independent thoughts of Chinese civilian writers, especially the free writers usually show the glamour of their thoughts through horrifying reality in their works. On the basis of critical realism, they have created a set of unique modern aesthetics and a complete ideological system. They are not only a group of literary masters who insist on exploring the source of thoughts in contemporary China, but also a real group of writers with extraordinary endurance and great sacrifice spirit.--Si Yu (talk) 00:49, 16 November 2020 (UTC)
李白留给后世人九百多首诗篇。这些熠熠生辉的诗作,表现了他一生的心路历程,是盛唐社会现实和精神生活面貌的艺术写照。李白一生都怀有远大的抱负,他毫不掩饰地表达对功名事业的向往。 Li Bai left more than 900 poems to later generations. The glamorous poems reveal his life experience, the social reality and spiritual life of the Tang Dynasty. Li Bai harboured a great ambition throughout his life and he made no attempt to disguise his yearning for successes.--Si Yu (talk) 00:49, 16 November 2020 (UTC)
Tan Yuanyuan 谭媛媛
1.春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。百花齐放、百家争鸣的文化氛围促进了文学的繁荣,也迎来了文化光辉灿烂的时代,尤其是儒、墨、道、法几家学说,奠定了中国传统文化的基础。
The Spring and Autumn Period and the Warring States Period was an era of rapid social changes. During this period, pre-Qin prose occupies an important place in the history of Chinese literature. The cultural atmosphere of "a hundred flowers blossoming and a hundred schools of thought" has promoted the prosperity of literature and ushered in an era of splendid culture, especially the doctrines of Confucianism, Mohism, Taoism, and Law, which laid the foundation of Chinese traditional culture.--Tan Yuanyuan (talk) 09:01, 12 November 2020 (UTC)
2.中国现代文学发端于五四运动时期,但以鸦片战争后的近代文学为其先导。现代文学是新民主主义革命时期现实土壤上的新的产物,同时又是旧民主主义革命时期文学的一个发展。广义上的中国现代文学史是指1917年到1997年。
Modern Chinese literature originated during the May Fourth Movement, but was guided by modern literature after the Opium War. Modern literature is a new product on the soil of the new democratic revolution, and at the same time a development of literature in the old democratic revolution. The history of modern Chinese literature in a broad sense refers to the period from 1917 to 1997.--Tan Yuanyuan (talk) 09:01, 12 November 2020 (UTC)
3.如果我们把百余年来中国文学的演进历程视为一个不断走向开放的矛盾、艰难、曲折,坎坷的现代化进程的话,那么,毫无疑问,这一进程发轫于近代。
If we regard the evolution of Chinese literature over the past 100 years as a contradictory, difficult, tortuous, and bumpy modernization process that continues to open, then there is no doubt that this process began in modern times.--Tan Yuanyuan (talk) 09:01, 12 November 2020 (UTC)
If we regard the evolution of Chinese literature in the past hundred years as a contradictory, difficult, tortuous and bumpy modernization process, then there is no doubt that this process originated in modern times.--Hu Jin (talk) 03:22, 14 November 2020 (UTC)
Tang Bei 汤蓓
1.《红楼梦》写于十八世纪中叶,是清朝统治时期乾隆皇帝时代杰出的文言小说,在过去的二百多年,一直广受欢迎。这本120回的小说,前80回由曹雪芹执笔、后40回由高鹗续写完成。表面上它主要是写宝玉和黛玉之间的爱情,但实际上,通过这个故事以及书中的其他情节,作者深刻地揭露了封建制度地邪恶和封建统治阶级的罪行。
A Dream of Red Mansions, the great classical Chinese novel written in the mid-eighteenth century during the reign of Emperor Chien-lung of the Qing Dynasty, had been widely popular throughout the last two hundred years and more. In this 120-chapter novel, the first 80 chapters were written by Cao Xueqin and the left 40 by Gao E. On the surface this novel deals largely with the love between Pao-yu and Tai-yu; but actually, through this story as well as other episodes in the book, the author penetratingly exposes the evils of feudal system and the crimes of the feudal ruling class.--Tang Bei (talk) 01:04, 16 November 2020 (UTC)
2.在中国诗歌史上有一个“盛唐”时代,集中在唐玄宗统治时期(公元712年-756年)。这个时代恰逢文化繁荣,文学英才辈出,具有独特的辉煌和伟大的光环。杰出诗人李白、杜甫和王维的作品,其魅力是历代读者无人不晓的。“盛唐”可谓中国诗歌的黄金时代。后世诗人哀叹徒仰他们的光芒而黯然失色。
In the Chinese history of poetry there is an era of “High Tang” which centered in the reign of Tang Xuan-zhong(712 A.D.- 756 A.D.). Possessed a unique aura of splendor and greatness, this era was a moment when cultural efflorescence and literary genius happily coincided. The works of the great poets, Li Bai, Du Fu and Wang Wei, shed a light that no reader could ignore. “High Tang” was the golden age of Chinese poetry. Later poets lamented their own dimness in face of its luminosity.--Tang Bei (talk) 01:04, 16 November 2020 (UTC)
3.中国现代文学是在积极的思想斗争中向前发展的现代中国面临一个动荡的大变革的时代﹐处于这样历史时代的中国现代文学﹐呈现出不同阶级﹑不同趋向的文学作品和文学思潮纷然杂陈﹐彼此冲突而又互相影响与吸收的复杂面貌。这种情况决定了现代文学在尖锐激烈的斗争中取得自身的辩证发展。在现代文学的历史发轫期﹐新文学即是通过文学革命与思想革命﹐在对封建传统文学的猛烈批判中﹐为自己开辟道路的。
Modern Chinese literature, which is developing forward in the active ideological struggle, is facing a turbulent era of great change. In such a historical era, modern Chinese literature presents a complex appearance of literary works and literary trends of different classes and tendencies, which are in conflict with each other and influence and absorb each other. This kind of situation has decided the modern literature obtains the own dialectical development in the sharp intense struggle. At the beginning of the history of modern literature, new literature opened the way for itself through the literary and Ideological Revolution in the criticism of the feudal traditional literature.--Tang Bei (talk) 01:04, 16 November 2020 (UTC)
4.中国平民文学直面现实,深层揭示社会矛盾,以文学的方式推动社会的发展与进步,所起的作用是“体制内”官方作家无法做到的。中国“体制内”作家比较真实的描写现实一般止于文革,难以前行。所以要重新,真正燃起中国文学思想的火焰,必须在中国平民文学、“地下文学”中深度挖掘,这是中国文化公认的危机与普遍的悲哀。
Chinese civilian literature faces the reality, reveals the social contradictions and promotes the development and progress of the society in the way of Literature, which can not be achieved by the official writers in the system. Chinese “inside the system” writers describe the real reality of the Cultural Revolution in general, difficult to move forward. Therefore, to rekindle the flame of Chinese literary thought, we must dig deeply in Chinese civilian literature and “underground literature” , which is the acknowledged crisis and universal sadness of Chinese culture.--Tang Bei (talk) 01:04, 16 November 2020 (UTC)
Tang Yiran 汤伊然
1.桃之夭夭,灼灼其华。之子于归,宜其室家。
Oh, bright-red blossoms are piled on green and luxuriant peach trees. The lady, when married, will bring harmony and happiness to her family.--Tang Yiran1 (talk) 12:31, 15 November 2020 (UTC)
2.深蓝的天空中挂着一轮金黄的圆月,下面是海边的沙地,都种着一望无际的碧绿的西瓜。其间有一个十一二岁的少年,项带银圈,手捏一柄钢叉,向一匹猹尽力地刺去。那猹却将身一扭,反从他的胯下逃走了。
The deep blue sky hung a round golden moon, and below was the sand by the sea, all planted with a vast area of turquoise watermelons. A boy of eleven or twelve, with a silver collar and a steel fork in his hand, stabbed at a badger-like wild animal as hard as he could. But the creature and fled from his crotch with a wriggle.--Tang Yiran1 (talk) 12:31, 15 November 2020 (UTC)
3.爱情应该真正建立在现实生活坚实的基础上,否则,它就是在活生生的生活之树上盛开的一朵不结果实的花
Love should really be built on real life, otherwise it is just an unfruitful flower blooming on the tree of life.--Tang Yiran1 (talk) 12:31, 15 November 2020 (UTC)
Wang Meiling 王美玲
1.古代文学一般包括欧洲古代文学和中国古代文学。欧洲古代文学又包括古希腊文学和罗马文学,中国古代文学按时间分类,包括先秦两汉文学,魏晋南北朝文学,唐宋文学,元明清文学。
Ancient literature generally consist of ancient European literature and ancient Chinese literature: the former including ancient Greek literature and Roman literature; the latter is classified in terms of time, including pre Qin and Han literature, Wei, Jin, southern and Northern Dynasties literature, Tang and song literature, yuan, Ming and Qing Dynasties literature.--Wang Meiling (talk) 04:54, 16 November 2020 (UTC)
2.近代文学区别于传统封建文学有以下的特点:文学的政治性、战斗性,随着近代社会的发展,愈来愈加强和显著了。进步作家和作品,继承了中国文学的优良传统,为反对帝国主义和封建专制主义的内外压迫,争取民族独立和自由平等而斗争。爱国主义和民族主义是这个时期文学突出的思想内容。
Modern literature is different from the traditional feudal literature in the following characteristics: the political and fighting natures of literature have been more intensive and prominent with the development of modern society. Progressive writers and works inherited the fine tradition of Chinese literature and fought for national independence, freedom and equality against the internal and external oppression of imperialism and feudal autocracy. Patriotism and nationalism are the prominent ideology of literature in this period.--Wang Meiling (talk) 04:54, 16 November 2020 (UTC)
3.在评价“中国当代文学”的时候,我们一方面要克服沾沾自喜的自诩和自大,另一方面,要具有放眼世界、虚心向善的态度,具体地说,就是不要妄想确立一套“特殊”的“价值准则”,因为,任何时候,文学批评和文学研究都需要一些“普遍”的“价值准则”,都需要依据世界性的经典尺度和人类性的理想标准。
When evaluating "contemporary Chinese Literature", on the one hand, we should overcome the complacency and arrogance, on the other hand, we should embrace a broad-minded and open-minded attitude towards the outside world. To be specific, we should not hope to establish a set of "special" value criteria in vain. Because in any time, literary criticism and literary research need some "universal" value criteria, which all need to be based on the world's classical scale and the ideal standard of human nature.--Wang Meiling (talk) 04:54, 16 November 2020 (UTC)
4.中国是诗的国度,唐朝是中国诗歌的巅峰,巅峰时期的那个黄金时代令人神往。诗歌是当时文学的最高代表,成为中国传统文学坚实的重要组成部分,也是中华文明靓丽的风景线。
China is the country of poetry,while the Tang Dynasty is the peak of Chinese poetry whose golden age is fascinating and attractive. Poetry is the highest representative of literature at that time, which has become an integral part to Chinese traditional literature and a vibrant landscape of Chinese civilization.--Wang Meiling (talk) 04:54, 16 November 2020 (UTC)
Wang Xuan 王轩
1. 中国古典文学广义的指自先秦至清代末年的中国文学,包括作家、作品、文学事件,文体起源与发展历程,文学运动、流派,文学理论,作家作品的考据、研究等等。 Chinese classical literature refers to Chinese literature from the pre Qin Dynasty to the end of Qing Dynasty, including writers, works, literary events, the origin and development of literary styles, literary movements, schools, literary theories, textual research of writers and works, etc. --Wang Xuan (talk) 11:26, 15 November 2020 (UTC)Wang Xuan
2. 中国现代文学是中国文学自身发展演变的结果。古典文学已近尾声。历史进入二十世纪以来,人们的生活发生了很大变化,人们的思维方式,思想情感,心理结构也发生了很大变化,中国固有的古典文学模式已再也不能满足人们思想情感表达的需要。 Modern Chinese literature is the child of the development and evolution of Chinese literature itself, and classical literature has come to an end. Since the 20th century, great changes have taken place in people's life. Besides, people's way of thinking, thoughts and feelings, and psychological structure have also changed a lot. The traditional Chinese classical literature can no longer meet the needs of people's ideological and emotional expression.--Wang Xuan (talk) 11:26, 15 November 2020 (UTC)Wang Xuan
3. 中国当代文学,首先指的是1949年以来的中国文学;其次指的是发生在特定的社会主义历史语境中的文学,它限定在“中国大陆”这一范围之中。 Chinese Contemporary literature is China's literature since 1949, and secondly, it refers to the literature that occurs in a specific historical context of socialism, which is limited to the "mainland China".--Wang Xuan (talk) 11:26, 15 November 2020 (UTC)Wang Xuan
4. 诗人李白写过许多反映妇女生活的作品,《长干行二首》就是其中杰出的诗篇。它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。它塑造了一个具有丰富深挚的情感的少妇形象,具有动人的艺术力量。 Li Bai, a poet, has written many works reflecting women's life, among which "the two poems on a long journey" are outstanding. It narrates her love life with the self-reported tone of a merchant woman living in Changgan, and expresses her ardent yearning for her husband from afar. It creates an image of a young woman with rich and deep feelings and has a moving artistic force.--Wang Xuan (talk) 11:26, 15 November 2020 (UTC)Wang Xuan
Wu Qiong 吴琼
1.《离骚》艺术上有着极高成就。首先,整部作品都具有强烈的浪漫主义色彩,在后半部分,这种色彩更为浓烈。 "Li Sao" has extremely high artistic achievements. First, the whole work has a strong romantic color, and in the second half, it becomes more intense. "Li Sao" enjoys extremely high artistic achievements. First, it has a strong sense of romantic color, which becomes more intense in the second half part of the work.--Li LIli (talk) 12:00, 13 November 2020 (UTC)Li Lili
2.《茶馆》人物众多但性格鲜明,能够“闻其声知其人”,“三言两语就勾出一个人物形象的轮廓来”。
There are too many characters with distinct personalities in "Tea House", and people can distinguish everyone only by hearing their voices, and the outline of a character can be drawn in a few words.
3.《平凡的世界》是用温暖的现实主义的方式来讴歌普通劳动者的文学作品。 "The Ordinary World" is a literary work that eulogizes ordinary laborers in a warm and realistic way.
4.唐诗把我国古曲诗歌的音节和谐、文字精炼的艺术特色,推到前所未有的高度,为古代抒情诗找到一个最典型的形式,至今还特别为人民所喜闻乐见。 Tang poetry pushed the syllable harmony and refined artistic characteristics of Chinese ancient poetry to unprecedented heights, and helped find the most typical form of ancient lyric poetry, which is still popular among the people.--WuQiong (talk) 10:04, 13 November 2020 (UTC)
Tang poetry set a highest standard for the artistic features of harmonious syllables and refined words in ancient Chinese poetry, and helped find the most typical form of ancient lyric poetry, which is still popular among the people. --Zhang Ling (talk) 12:52, 15 November 2020 (UTC)
Wu Yilu 吴一露
1.四大古典名著是中国文学史中的经典作品,是世界宝贵的文化遗产。此四部巨著在中国文学史上的地位是难分高低的,极高的文学水平和艺术成就,细致的刻画和所蕴含的深刻思想都为历代读者所称道,其中的故事、场景、人物已经深深地影响了中国人的思想观念、价值取向。
Four Great Classical Novels are classics in the history of China’s literature,as well as a precious cultural heritage of the world. It is difficult to distinguish which one is better, as they all enjoy high-level of literature and artistic achievement. Delicate description and profound thoughts contained in these four books are praised by readers through the ages. Their stories, scene and characters deeply influence Chinese people’s ideology and value orientations.--Wu Yilu (talk) 02:02, 14 November 2020 (UTC)
2.中国现代文学是在积极的思想斗争中向前发展的, 现代中国面临一个动荡的大变革的时代﹐处于这样历史时代的中国现代文学﹐呈现出不同阶级﹑不同趋向的文学作品和文学思潮纷然杂陈﹐彼此冲突而又互相影响与吸收的复杂面貌。
China’s modern literature is developing among positive ideological struggle. As modern China confronts a turbulent age of great reform, China’s modern literature of this times presents various literature works and literature trends of different classes with different tendency. They conflict with each other while influencing and absorbing each other.--Wu Yilu (talk) 02:02, 14 November 2020 (UTC)
3.90年代的文学具有的"无名"特征:出现了无主潮,无定向,无共名的现象,几种文学走向同时并存,表达出多元的价值取向.其次是作家的叙事立场发生了变化,从共同社会理想转向个人叙事立场.
Literature of 1990s is of indefinable, without main trend, orientation and unified theme. In this period, some different kinds of literature existed together, which showed diverse values orientations. Besides, writers’ narrative position shift from the common social ideal to the personal narrative position.--Wu Yilu (talk) 02:02, 14 November 2020 (UTC)
4.李白的诗歌不仅具有典型的浪漫主义精神,而且从形象塑造、素材摄取、到体裁选择和各种艺术手法的运用,无不具有典型的浪漫主义艺术特征。
Li Bai's (701-762) poems not only have typical romantic spirit, but also have typical characteristics of romanticism from those images and materials in his poems to genre selection and various artistic techniques.--Wu Yilu (talk) 02:02, 14 November 2020 (UTC)
1.四大古典名著是中国文学史中的经典作品,是世界宝贵的文化遗产。此四部巨著在中国文学史上的地位是难分高低的,极高的文学水平和艺术成就,细致的刻画和所蕴含的深刻思想都为历代读者所称道,其中的故事、场景、人物已经深深地影响了中国人的思想观念、价值取向。
Four Great Classical Novels are classics in the history of China’s literature,as well as a precious cultural heritage of the world. It is difficult to distinguish which one is betterthan the other three, as they all enjoy high-level of literature and artistic achievement. Delicate description and profound thoughts contained in these four books are praised by readers through the ages. Their stories, scene and characters deeply influence Chinese people’s ideology and value orientations.--Wang Meiling (talk) 05:01, 16 November 2020 (UTC)
2.中国现代文学是在积极的思想斗争中向前发展的, 现代中国面临一个动荡的大变革的时代﹐处于这样历史时代的中国现代文学﹐呈现出不同阶级﹑不同趋向的文学作品和文学思潮纷然杂陈﹐彼此冲突而又互相影响与吸收的复杂面貌。
China’s modern literature makes progress among positive ideological struggle. As modern China confronts a turbulent age of great reform, China’s modern literature of this time presents various literature works and literature trends of different classes with different tendency. They conflict with each other while influencing and absorbing each other.--Wang Meiling (talk) 05:01, 16 November 2020 (UTC)
3.90年代的文学具有的"无名"特征:出现了无主潮,无定向,无共名的现象,几种文学走向同时并存,表达出多元的价值取向.其次是作家的叙事立场发生了变化,从共同社会理想转向个人叙事立场.
Literature of 1990s characterize indefinition, without main trend, orientation and unified theme. In this period, some different kinds of literature existed together, which showed diverse values orientations. Besides, writers’ narrative position shift from the common social ideal to the personal narrative position.--Wang Meiling (talk) 05:01, 16 November 2020 (UTC)
4.李白的诗歌不仅具有典型的浪漫主义精神,而且从形象塑造、素材摄取、到体裁选择和各种艺术手法的运用,无不具有典型的浪漫主义艺术特征。
Li Bai's (701-762) poems boast not only typical romantic spirit, but also typical characteristics of romanticism from those images and materials in his poems to genre selection and various artistic techniques.--Wang Meiling (talk) 05:01, 16 November 2020 (UTC)
Wu Zijia 吴子佳
1.四大名著是公认的中国文学中最好的小说。这四者都有一个共同点,它们是用白话文写的,不像大多数古代文学,后者一般用古文写。
1.Four long fictional novels are usually thought to be the best novels in Chinese literature. What all four have in common is that they were written in a spoken language of their times unlike most ancient literature that was written in the literary Classical Language.
Four long fictional novels are commonly thought to be the best novels in Chinese literature. What all four have in common is that they were written in a spoken language of their times unlike most ancient literature that was written in the literary Classical Language.--Chen Jingjing (talk) 07:41, 15 November 2020 (UTC)Chen Jingjing
2.1911年清朝被推翻,共和国成立后,许多青年知识分子将注意力转向文学传统的彻底改革,而改革便是从语言本身开始。
2.Following the overthrow of the Qing dynasty and the establishment of the Republic in 1911, many young intellectuals turned their attention to the overhauling of literary traditions, beginning with the language itself.
3.老舍善用北京方言,代表作有《骆驼祥子》、《茶馆》,它们反映了旧社会中国底层人们的绝望。
3.Lao She was skillful in utilizing the Peking dialect and Camel Xiangzi and the drama Tea House are his masterpieces which reflect the helplessness of the lower classes in the old China.
4.李白喜欢把自己当作王氏一族,但他们家族只是与王室同姓,并无瓜葛。
4.Li Bai liked to regard himself as belonging to the imperial family, but he actually belonged to a less exalted family of the same surname. --Wu Zijia (talk) 04:12, 15 November 2020 (UTC)Wu Zijia
Xiao Shuangling 肖双玲
1.《诗经 》是我国第一部诗歌总集。编成于春秋时期,大抵是西周初年至春秋中叶500年间的作品,共305篇,代表了2500多年以前诗歌创作的最高成就。
The Book of Songs is the first collection of poems in China. Compiled during the Spring and Autumn Period, it is approximately a 500-year-old work from the beginning of the Western Zhou Dynasty to the middle of the Spring and Autumn Period. There are 305 poems in total, representing the highest achievement of poetry creation more than 2,500 years ago.--Xiao Shuangling (talk) 11:35, 12 November 2020 (UTC)Xiao Shuangling
The Book of Songs is the first collection of poems in China. Compiled during the Spring and Autumn Period, it approximately costs 500 years from the beginning of the Western Zhou Dynasty to the middle of the Spring and Autumn Period. There are 305 poems in total, representing the highest achievement of poetry creation more than 2,500 years ago.--Wu Yilu (talk) 02:20, 14 November 2020 (UTC)
2.评价一个相当长时段的文学现象,决不可以使用"一言以蔽之"的断语来论定,比如"最好时期"、"达到前所未有的高度"或"跌入低谷"等等。
To evaluate a literary phenomenon over a long period of time, one should never use "a single word" assertion, such as "best time", "reaching an unprecedented height" or "falling into a trough".--Xiao Shuangling (talk) 11:35, 12 November 2020 (UTC)Xiao Shuangling
3.20世纪70年代中后期,在摆脱了思想与文化的10年禁锢之后,文学的现代化与民族化进入了一个新的阶段。
In the middle and late 1970s, the modernization and nationalization of literature entered a new stage after getting rid of the ten-year imprisonment of ideology and culture.--Xiao Shuangling (talk) 11:35, 12 November 2020 (UTC)Xiao Shuangling
In the middle and late 1970s, after getting rid of the 10-year confinement of thought and culture, the modernization and nationalization of literature entered a new stage.--WuQiong (talk) 10:07, 13 November 2020 (UTC)
4.李白生活在盛唐时期,他性格豪迈,热爱祖国山河,游踪遍及南北各地,写出大量赞美名山大川的壮丽诗篇。
Li Bai lived in the heyday of the Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the north and south, and wrote a large number of magnificent poems praising famous mountains and rivers.--Xiao Shuangling (talk) 11:35, 12 November 2020 (UTC)Xiao Shuangling
Xiao Ting 肖婷
1.春秋战国时期,是一个社会发生急剧变化的时期,此一时期,在中国文学史上占有重要一席之地的即先秦散文。百花齐放、百家争鸣的文化氛围促进了文学的繁荣,也迎来了文化光辉灿烂的时代,尤其是儒、墨、道、法几家学说,奠定了中国传统文化的基础。
During the Spring and Autumn periods and Warring States periods, a period of rapid social change, the pre-Qin prose occupied an important place in the history of Chinese literature. The cultural atmosphere of a hundred flowers blossoming and a hundred schools of thought contending with each other promoted the prosperity of literature and ushered in an era of glorious culture. Among them , the doctrines of Confucianism, Mohism, Taoism, Legalism and so on laid the foundation of traditional Chinese culture.
During Spring and Autumn and Warring States, a period of rapid social change, the pre-Qin prose occupied an important place in the history of Chinese literature. The cultural atmosphere of a hundred flowers blossoming and a hundred schools of thought contending with each other promoted the prosperity of literature and ushered in an era of glorious culture. Among them , the doctrines of Confucianism, Mohism, Taoism, Legalism and so on laid the foundation of traditional Chinese culture.--Wang Xuan (talk) 11:37, 15 November 2020 (UTC)Wang Xuan
2.文学的政治性、战斗性,随着近代社会的发展,愈来愈加强和显著了。进步作家和作品,继承了中国文学的优良传统,为反对帝国主义和封建专制主义的内外压迫,争取民族独立和自由平等而斗争。爱国主义和民族主义是这个时期文学突出的思想内容。
With the development of modern society,the literature of this period was getting more and more political. Progressive writers and works, inheriting the fine traditions of Chinese literature, struggled against the external oppression of imperialism and internal feudal despotism and fought for national independence and freedom and equality. Patriotism and nationalism were prominent ideological elements in the literature of this period.
With the development of modern society,the literature of this period was getting more and more political and aggressive. Progressive writers and works, inheriting the fine traditions of Chinese literature, struggled against the external oppression of imperialism and internal feudal despotism and fought for national independence and freedom and equality. Patriotism and nationalism were prominent ideological elements in the literature of this period.--Wang Xuan (talk) 11:37, 15 November 2020 (UTC)Wang Xuan
3.特别值得关注的是,从本世纪初开始,又出现了中国自由作家,中国自由文学等概念,将中国当代文学提升到一个新的,史无前例的高度。
Particularly noteworthy is the fact that from the beginning of this century, concepts such as Chinese free writers and Chinese free literature have emerged again, elevating contemporary Chinese literature to a new, unprecedented level.
Particularly noteworthy is the fact that from the beginning of this century, concepts such as Chinese free writers and Chinese free literature have emerged again, elevating contemporary Chinese literature to a newly unprecedented level.--Wang Xuan (talk) 11:37, 15 November 2020 (UTC)Wang Xuan
4.李白生活在盛唐时期,他性格豪迈,热爱祖国山河,游踪遍及南北各地,写出大量赞美名山大川的壮丽诗篇。
Li Bai, who lived in the prime of the Tang Dynasty, was bold and generous and loved for the mountains and rivers of his homeland. He traveled extensively and wrote a large number of magnificent poems in praise of famous mountains and great rivers.--Xiao Ting (talk) 02:18, 15 November 2020 (UTC)Xiao Ting
Li Bai, who lived in the prime of the Tang Dynasty, was bold and generous and loved the mountains and rivers of his homeland. He traveled extensively and wrote a large number of magnificent poems in praise of famous mountains and great rivers.--Wang Xuan (talk) 11:37, 15 November 2020 (UTC)Wang Xuan
Xie Fan 解帆
1.《红楼梦》展现了真正的人性美和悲剧美,是一部从各个角度展现女性美以及中国古代社会世态百相的史诗性著作。
A Dream of Red Mansions shows the real beauty of human nature and tragedy. It is a historical and poetic work that shows the beauty of women and the state of the ancient Chinese society from every aspect.--XieFan (talk) 10:23, 13 November 2020 (UTC)
A Dream of Red Mansions shows the real beauty of human nature and tragedy. It is an epic work showing the beauty of women and the social landscape in ancient China from various perspectives.--Gao Mingzhu (talk) 13:27, 14 November 2020 (UTC)Gao Mingzhu
2.中国现代文学不仅用现代语言表现现代科学民主思想﹐而且在艺术形式与表现手法上都对传统文学进行了革新。
Modern Chinese literature not only expresses modern scientific and democratic thoughts with modern language, but also refeshes traditional literature in both art form and expression techniques.--XieFan (talk) 10:23, 13 November 2020 (UTC)
3.以莫言的作品为代表,字里行间充满着怀乡与怨乡复杂情感,被归类为“寻根文学”。
Represented by Mo Yan's works, which are full of complex feelings combined with nostalgia and resentment, they are classified as "Root-seeking Literature".--XieFan (talk) 10:23, 13 November 2020 (UTC)
Represented by Mo Yan's works, which are characterized by the feelings like nostalgia and resentment, these books are deemed as "Root-seeking Literature".--Guo Lu (talk) 16:32, 14 November 2020 (UTC)
4.《长歌行》表达了作者期望尽早建功立业、功垂千古、名留史册的强烈用世之心。
"Changgexing" expresses the author's strong desire to make achievements as soon as possible, to be immortal, and to leave his mark on history.--XieFan (talk) 10:23, 13 November 2020 (UTC)
Xu Jia 徐佳
1.《水浒传》主要描写的是北宋末年,以宋江为首的一百零八条好汉在梁山聚义、受宋朝招安、以及受招安后为宋朝征战,最终消亡的宏大故事。
The story of Water Margin, set in the late Song dynasty, tells of how a group of 108 outlaws led by Song Jiang gathers at Mount Liang to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces, and disbanded in the end. --Xu Jia (talk) 07:07, 13 November 2020 (UTC)Xu Jia
2. 现代文学在“五四”文学革命以后的60多年发展过程中﹐随著中国革命与社会性质的演变﹐以1949年10月中华人民共和国成立为转折﹐经历了新民主主义革命时期与社会主义时期两个历史阶段。
During the 60 years after the May 4th literature revolution, modern literature, in step with the development of Chinese revolution and social nature, went through two historical stages which take the founding of the People's Republic of China in October,1949 as the turning point, including the new democratic revolution period and the socialist period.--Xu Jia (talk) 07:07, 13 November 2020 (UTC)Xu Jia
3. 20世纪70年代中后期,在摆脱了思想与文化的10年禁锢之后,文学的现代化与民族化进入了一个新的阶段。
Since the late 1970s, Chinese literature has entered a new stage in modernization and nationalization after getting rid of the ten-year confines in ideology and culture.--Xu Jia (talk) 07:07, 13 November 2020 (UTC)Xu Jia
In the middle and late 1970s,, the modernization and nationalization of literature entered a new stage after getting rid of the ten-year confinement of thought and culture.--Cao Runxin (talk) 07:42, 13 November 2020 (UTC)
4. 李白(701年-762年),字太白,号青莲居士,是唐代伟大的浪漫主义诗人,被后人誉为“诗仙”。据《新唐书》记载,李白为兴圣皇帝(凉武昭王李暠)九世孙,与李唐诸王同宗。其人爽朗大方,爱饮酒作诗,喜交友。
LI Bai (701-762), Venus by courtesy name and Green Lotus Householder by literary name, an excellent romantic poet in the Tang dynasty, has been praised as God of Poetry. According to New Book of Tang, Li descended from Emperor Xingsheng and had the same ancestry with the royal family in the Tang dynasty. He was hearty, generous, and keen on drinking, composing poems and making friends. --Xu Jia (talk) 07:07, 13 November 2020 (UTC)Xu Jia
Xu Jing 许静
1. 宋词在题材走向、风格倾向上形成了独特的传统,从而以委婉含蓄的美学特征在中国古代诗歌史上独树一帜。
Song lyrics have formed a unique tradition in terms of their subject matter and stylistic tendencies, thus distinguishing themselves in the history of ancient Chinese poetry with their euphemistic and subtle aesthetic characteristics.--Xu Jing (talk) 02:31, 16 November 2020 (UTC)
2. 中国近代文学以新民为目的,以启蒙为手段。其弊端是笔无藏锋,其主流是以树人为根本目的,以救国为直接目的。
Modern Chinese literature is aimed for refreshing the people's mind by enlightening them. Its disadvantage is their over-bold writing style, and the main part of them is based on the fundamental purpose of shaping people and the direct purpose of saving the country.--Xu Jing (talk) 02:31, 16 November 2020 (UTC)
3. 古典文学已近尾声。历史进入二十世纪以来,人们的生活发生了很大变化,人们的思维方式,思想情感,心理结构也发生了很大变化,中国固有的古典文学模式已再也不能满足人们思想情感表达的需要。
Classical literature is nearing its end. Since the beginning of the twentieth century, people's lives have undergone great changes, and their ways of thinking, thoughts and emotions, as well as their psychological structure, have also undergone great changes, so that the inherent mode of Chinese classical literature can no longer meet the needs of people's thoughts and emotions.--Xu Jing (talk) 02:31, 16 November 2020 (UTC)
Yang Chenting 杨晨婷
1. 春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。百花齐放、百家争鸣的文化氛围促进了文学的繁荣,也迎来了文化光辉灿烂的时代,尤其是儒、墨、道、法几家学说,奠定了中国传统文化的基础。
During Spring and Autumn Warring States period, great changes had taken place in its society. At this time, pre-Qin prose held its place in Chinese classic literature. The literature atmosphere of “a hundred flowers blossom and a hundred schools of thoughts contend” promoted its prosperity, thus entering a splendid time. Thanks to Confucianism, Mohism, Taoism and Legalism, the foundation of Chinese traditional literature then was made.
The Spring and Autumn Period and the Warring States Period was an era of rapid social changes. During this period, pre-Qin prose occupies an important place in the history of Chinese literature.The cultural atmosphere of a hundred flowers blossoming and a hundred schools of thought has promoted the prosperity of literature and ushered in an era of splendid culture, especially the doctrines of Confucianism, Mohism, Taoism, and Law, which laid the foundation of Chinese traditional culture.--Yang Ziling (talk) 02:12, 16 November 2020 (UTC)
2. 现代文学在“五四”文学革命以后的60多年发展过程中﹐随著中国革命与社会性质的演变﹐以1949年10月中华人民共和国成立为转折﹐经历了新民主主义革命时期与社会主义时期两个历史阶段。
After May Fourth Movement, modern literature, along the changing pace of Chinese revolution and society, has experienced New Democratic Revolution Period and Socialist Period, with the establishment of PRC in October, 1949 as a turn.
In the more than 60 years of development after the "May 4th" literary revolution, modern literature has undergone the period of the new democratic revolution and the period of socialism with the evolution of the Chinese revolution and the nature of society, with the establishment of the People's Republic of China in October 1949 as a turning point.--Yang Ziling (talk) 02:12, 16 November 2020 (UTC)
3. 自二十世纪末期开始,具有独立思想的中国自由文学的出现,使得中国当代文学大踏步进入世界先进文化行列,成为引领世界文学的先锋,并使中国当代文学达到历史的顶峰。
Since late 20th century, Chinese free literature, with independent thought came into being, making Chinese contemporary literature become one of the world advanced literature.
Since the end of the twentieth century, the emergence of Chinese free literature with independent ideas has made contemporary Chinese literature stride into the ranks of world advanced culture, becoming a pioneer in leading world literature, which enables contemporary Chinese literature to reach the peak of history.--Yang Ziling (talk) 02:12, 16 November 2020 (UTC)
4. 它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。它塑造了一个具有丰富深挚的情感的少妇形象,具有动人的艺术力量。
The poet stood at the point of a businessman’ s wife told her love story, expressing her miss to her husband far away. He shaped a young married woman with abundant emotions, which enables the poem to be artistic. --Yang chenting (talk) 02:54, 15 November 2020 (UTC)Yang Chenting
Yang Hairong 杨海容
1.特别是建安文学,文风清峻,慷慨悲凉,深沉强劲,气盛词丰,是反映社会现实并抒写人生感慨的灿烂历史篇章。 Especially Jian'an literature, its style is sober, generous and sad, deep and strong, and full of vigor, it is a brilliant historical chapter that reflects social reality and expresses the emotions of life.--Yang Hairong (talk) 11:52, 15 November 2020 (UTC)
Jian'an literature, in particular,is sober, generous and sad, deep and strong, and full of vigor and it is a brilliant historical chapter reflecting the social reality and expressing the feelings of life.--Luo Yuqing (talk) 01:10, 16 November 2020 (UTC)
2.新月派是现代新诗史上一个重要的诗歌流派,受泰戈尔《新月集》影响.该诗派大体上以1927年为界分为前后两个时期。 The Crescent School is an important poetry genre in the history of modern new poetry, influenced by Tagore's "The Crescent Moon". The poetry school is roughly divided into two periods based on 1927.--Yang Hairong (talk) 11:52, 15 November 2020 (UTC)
The Crescent School is an important poetry school in the history of modern new poetry. Influenced by Tagore's The Crescent Moon, this school can be roughly divided into two periods according to 1927.--Luo Yuqing (talk) 01:10, 16 November 2020 (UTC)
3.伤痕文学是新时期出现的第一个全新的文学思潮。社会主义新时期是以彻底否定文化大革命为历史起点的。这种对灵魂的摧残尤其容易造成惨痛的心灵创伤。但这只有在挣脱了精神枷锁、真正思想解放之后,人们才能意识到这“伤痕”有多重、多深。这是伤痕文学喷发的历史根源。
Wound literature is the first new literary trend in the new era. The new socialist period started with the complete denial of the Great Cultural Revolution. This damage to the soul is especially likely to cause painful trauma. But it is only after breaking off the mental shackles and truly emancipating the mind that people can realize how much and how deep this "wound" is. This is the historical root of the eruption of wound literature.--Yang Hairong (talk) 11:52, 15 November 2020 (UTC)
Yang Hui 阳慧
1.所谓“比兴”在《诗经》中即指比兴合用和通篇用比,其效果是给读者留下了审美的广阔空间,使人产生丰富的联想,从而使诗歌具有了含蓄凝练的韵味,具备象征的意义。 In The Book of Songs, " Bi Xing " refers to the combination of Bi Xing and the whole article, the effect of which is to leave readers a wide space for aesthetic appreciation, so that people have a rich association, so that poetry has an implicit and concise flavor, with symbolic significance.
2.中国现代文学是在五四运动时期新的历史条件下产生的,它体现出全新的现代社会、现代人生的精神风貌和崭新的文学表述方式,体现出现代新文学、新文化与传统旧文学、久文化的根本冲突和根本转折。 Chinese modern literature came into being under the new historical conditions of the May 4th Movement, which embodies the new modern society, the spirit and style of modern life and the new style of literary expression.
3.在中国的现代化进程中,政治主题的目标是建构现代民族国家,中国文学因为始终参与着这一过程,而从未离开过政治主题,这使投身其中的知识分子也主动地迎合主流意识形态的要求,主动地为宣传政策服务。 In the course of China's modernization, the goal of political theme is to build a modern nation-state . Chinese literature has always participated in this process and never left the political theme, which makes the intellectuals involved actively meet the demands of the mainstream ideology and actively serve the propaganda policy.--YangHui (talk) 06:14, 15 November 2020 (UTC)
In the course of China's modernization, the political goal is to build a modern nation-state . Chinese literature has always been in this process and never left the political theme, which makes the intellectuals involved actively meet the demands of the mainstream ideology and actively serve the propaganda policy.--Yu Ni (talk) 13:06, 15 November 2020 (UTC)
Yang Yue 杨悦
1、中国古典文学的作品形式主要有诗、词、曲、赋、散文、小说等,大量篇章脍炙人口。中国古典文学是中华民族最宝贵的文化遗产之一。
The works of Chinese classical literature mainly include Poems, Ci, Song, Fu, Prose, Novels etc. and a large number of chapters have won universal praise. Chinese classical literature is one of the most precious cultural heritages of the Chinese nation.--Yang Yue (talk) 08:26, 12 November 2020 (UTC)
Chinese classical literature mainly takes the form of poetry, lyrics, songs, fu, essays, novels and so on, and a large number of chapters are popular. Classical Chinese literature is one of the most valuable cultural heritage of the Chinese nation.--Liu Yi (talk) 15:16, 11 November 2020 (UTC)
2、晚清时期是现代文学的起步,知识分子开始寻求解决中国问题的新方法。他们开始翻译西方文学作品以打开视野,融入新的文化思潮。
The late Qing Dynasty was the beginning of Chinese modern literature, and intellectuals began to seek new solutions to Chinese problems. They began to translate Western literary works to open their horizons and integrate into new cultural trends.--Yang Yue (talk) 08:26, 12 November 2020 (UTC)
The late Qing dynasty marked the beginning of modern literature, and intellectuals began to seek new solutions for China's problems. They began to translate Western literature in order to open their horizons to new cultural trends.--Liu Yi (talk) 15:16, 11 November 2020 (UTC)
3、中国当代文学,首先指的是1949年以来的中国文学;其次指的是发生在特定的社会主义历史语境中的文学.1947年7月召开的第一次全国文代会标志着中国新文学以此为起点,进入了当代文学的阶段。
Chinese contemporary literature firstly refers to Chinese literature since 1949; secondly, it refers to literature that occurred in a specific historical context of socialism. The first National Congress of Literature and Art held in July 1949 marked the beginning of Chinese New Literature and entered the stage of contemporary literature.--Yang Yue (talk) 08:26, 12 November 2020 (UTC)
Contemporary Chinese literature refers, firstly, to Chinese literature since 1949; and secondly, to literature that takes place in a specific socialist historical context. The First National Literary Congress held in July 1947 marked the starting point from which China's new literature entered the stage of contemporary literature.--Liu Yi (talk) 15:16, 11 November 2020 (UTC)
Yang Ziling 杨子泠
1. 唐诗的形式和风格是丰富多彩、推陈出新的。它不仅继承了汉魏民歌、乐府传统,并且大大发展了歌行体的样式。
The form and style of Tang poetry are rich and colorful, and innovative. It not only inherited the traditions of Han and Wei folk songs and Yuefu, but also greatly developed the style of Gexing. --Yang Ziling (talk) 15:55, 16 December 2020 (UTC)
2.中国现代文学是以革命现实主义为主体并包有多种创作方法﹑流派的文学 “五四”文学革命在中国文学史上引起的另一个历史性变革﹐是大大加强了文学与现实生活的密切联系。
Modern Chinese literature is based on revolutionary realism as the main body and includes a variety of creative methods and genres. The "May 4th" literary revolution caused another historical change in the history of Chinese literature, which greatly strengthened the close connection between literature and real life. --Yang Ziling (talk) 15:55, 16 December 2020 (UTC)
3.元曲的兴起对于我国民族诗歌的发展、文化的繁荣有着深远的影响和卓越的贡献,元曲一出现就同其他艺术之花一样,立即显示出旺盛的生命力。
The rise of Yuanqu has a profound influence and outstanding contribution to the development of national poetry and cultural prosperity in our country. As soon as Yuanqu appears, like other artistic flowers, it immediately shows its vigorous vitality. --Yang Ziling (talk) 15:55, 16 December 2020 (UTC)
Yi Zichu 义子楚
1,李白的诗充满了个人色彩,无拘无束,自由豪放,天马行空,但是,语言却平白朴素
His poems are characterized by subjectivity,freedom, liberty, imagination combined with simple language.
Libai's poems are characterized by his personal consciousness of being free, bold and unconstrained, imaginative while using simple and plain words.--Gao Mingzhu (talk) 13:44, 14 November 2020 (UTC)Gao Mingzhu
2, 《三国演义》是中国古代长篇章回体小说的开山之作,描写的是从东汉末年到西晋初年之间一百多年的历史风云
The Romance of the Three Kingdoms is the first chapter novel in ancient China. It describes the historical events of over 100years from the end of the East Han Dynasty to the beginning of the West Jin Dynasty.
The Romance of the Three Kingdoms is the first long chapter novel in ancient China. It describes the historical events of over 100 years from the end of the East Han Dynasty to the beginning of the West Jin Dynasty.--Gao Mingzhu (talk) 13:44, 14 November 2020 (UTC)Gao Mingzhu
3,孙悟空的形象最为鲜明突出,他勇敢机智之余,又喜欢与师弟斗气,充满人性
There is the vivid image of Monkey King, fearless and intelligent, but human enough to keep wrangling with his junior fellow disciples. --Yi Zichu (talk) 03:33, 14 November 2020 (UTC)
Monkey King has the most vivid and prominent image who is fearless and intelligent and likes to keep wrangling with his junior fellow disciples, being full of humanity.--Gao Mingzhu (talk) 13:44, 14 November 2020 (UTC)Gao Mingzhu
You Yuting 游雨婷
1.古典文学泛指各民族的古代文学作品,是文学的一部分,是现代文学的发展基础,它是承上启下的,是文学发展史上不可缺少的部分。它是中国文学最根本的东西。
In general, classical literature refers to the ancient literary works of various nationalities. It is a part of literature, and the foundation of modern literature development; It is a link connecting the preceding with the following and an indispensable part of the history of literary development; It is the most fundamental thing in Chinese literature.
Generally, classical literature refers to the ancient literary works of various nationalities, which is a part of literature, and the foundation of modern literature development. It is a link connecting the preceding with the following as well as an indispensable part of the history of literary development. More, it is the most fundamental issues in Chinese literature.--Xiao Shuangling (talk) 09:14, 13 November 2020 (UTC)Xiao Shuangling
2.中国现代文学的发展﹐是吸收外来文学营养使之民族化﹑继承民族传统使之现代化的过程。中国是一个有著悠久的文化传统的文明古国。
The progress of Chinese modern literature is the process of absorbing outstanding foreign literature to make it nationalized and inheriting national tradition to make it modernized. China is an ancient civilization with a long cultural tradition.
The development of Chinese modern literature is a process of absorbing the nourishment of foreign literature to make it nationalized and inheriting the national tradition to make it modernized. China is an ancient civilization with a long cultural tradition.--Xiao Shuangling (talk) 09:14, 13 November 2020 (UTC)Xiao Shuangling
3.当代文学是指1949年新中国成立以后的文学,其中出现了许多文学流派。大致可以划分为四个阶段:新时期文学、80年代文学、90年代文学、新世纪文学。
Contemporary literature refers to the literature after the founding of new China in 1949, among which many literary schools have emerged. It can be roughly divided into four stages: new period literature, literature in 1980s , literature in 1990s and literature of the new century.--You Yuting (talk) 13:11, 12 November 2020 ()
Contemporary literature refers to the literature after the founding of New China in 1949, among which many literary schools have emerged. It can be roughly divided into four stages: literature of the new period, literature in 1980s , literature in 1990s and literature of the new century.--Xiao Shuangling (talk) 09:14, 13 November 2020 (UTC)Xiao Shuangling
Yu Ni 余妮
1.春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。百家争鸣的文化氛围促进了文学的繁荣。
The Spring and Autumn Period and the Warring States Period is an era of rapid social changes. In this period, pre Qin prose occupies an important place in the history of Chinese literature. The cultural atmosphere of a hundred schools of thought has promoted the prosperity of literature.--Yu Ni (talk) 12:56, 15 November 2020 (UTC)
2.当代文学的两大传统虽然已分清了主次地位,但两种价值观念、两种美学修养、两种文化实践,仍然存在着尖锐的冲突,并通过政治运动的形式一再表现出来。
Although the two major traditions of contemporary literature have been distinguished as primary and secondary, there are still sharp conflicts between the two values, two aesthetic cultivation and two cultural practices, which have been repeatedly manifested in the form of political movements.--Yu Ni (talk) 12:56, 15 November 2020 (UTC)
Although the two major traditions of contemporary literature have been distinguished as primary and secondary, sharp conflicts still exsit between the two values, two aesthetic cultivation and two cultural practices, which have been repeatedly manifested in the form of political movements.--Luo Yuqing (talk) 01:14, 16 November 2020 (UTC)
3.中国小说源远流长,明清以来更是出现了众多白话小说,然后以五四新文学为起点,中国现代小说以全新的思想内涵和前所未有的表现形式,掀开了中国小说发展史上崭新的一页,展现了现代的行为方式和思维方式。
Chinese novels have a long history. Since Ming and Qing Dynasties, many vernacular novels have appeared. Starting from the May 4th Movement, Chinese modern novels opened a new page in the development of Chinese novel with brand-new ideological connotation and unprecedented forms of expression, showing modern behavior and thinking mode.--Yu Ni (talk) 12:56, 15 November 2020 (UTC)
Yuan Tianyi 袁天翼
中国是诗歌的国度。尤其到了唐代,中国古典诗歌进入全盛时期。唐代近三百年间涌现出了大批优秀诗人和杰出的诗歌作品。唐代诗歌数量极大,题材广泛,意象和风格多样化,出现了大量思想性和艺术性完美结合的作品。
China is a country of poetry, and especially in the Tang Dynasty, classic Chinese poetry reached its heyday. Over the nearly 300 years of the Tang Dynasty, myriads of excellent poets and outstanding works mushroomed. The Tang Dynasty boasts a great number and extensive themes of poetry with varied images and styles, as well as numerous works combining great thoughts and artistry.--Yuan Tianyi (talk) 08:11, 12 November 2020 (UTC)
《西游记》是根据民间流产的有关唐代高僧玄奘前往天竺取经的轶事创作而成。小说故事情节曲折生动,奇幻精彩,充满了浓厚的艺术魅力。小说充满了浪漫主义精神,作者想象力丰富,人物构思奇特,化人与妖为一体。
Journey to the West is based on the popular folk legends about the journey of Xuanzang to India for the purpose of introducing Buddhist sutras into China. The infinite charm of the novel comes from its delightful twists and turns in its unique and fantastic setting. The novel adds much imagination and a touch of romanticism into the historical event, and even creates many truly fantastic, half-human and half-monster characters.--Yuan Tianyi (talk) 08:11, 12 November 2020 (UTC)
近代文学,指1840年鸦片战争至1919年五四运动前夕的文学,即中国现代化孕育期的文学,反映了中国文学挥别传统、重塑现代的特殊精神追求。
Chinese modern literature refers to the one reflecting the origin of Chinese modernization drive from the First Opium War in 1840 to the May 4th Movement in 1919, expressing the special spiritual pursuit of Chinese literature reshaping the modern era while discarding traditions.--Yuan Tianyi (talk) 08:11, 12 November 2020 (UTC)
中国当代文学,首先指的是1949年以来的中国文学;其次指的是发生在特定的社会主义历史语境中的文学,它限定在“中国大陆”这一范围之中。
Chinese contemporary literature, firstly refers to the one since 1949, secondly to the one about specific historical language context of socialism limited in “Mainland China”.--Yuan Tianyi (talk) 08:11, 12 November 2020 (UTC)
中国古典文学有诗歌、散文、小说以及词、赋、曲等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。几千年来,中国传统文化养育了中国古典文学,中国古典文学又大大丰富了中国传统文化,使传统文化更具有深刻的影响力。
Chinese classical literature boasts poetry, prose, novels, Ci, Fu, Qu and other forms of expression, among which are miscellaneous artistic expression methods, endowing Chinese classical literature with a colorful and glorious landscape. Over thousands of years, traditional Chinese culture has bred Chinese classical literature, while Chinese classical literature, in turn, has greatly enriched traditional Chinese culture thus endowing it with deeper influential power.--Yuan Tianyi (talk) 08:11, 12 November 2020 (UTC)
Zeng Liang 曾良
1.古典文学泛指各民族的古代文学作品,是文学的一部分,是现代文学的发展基础。
Classical literature generally refers to ancient literary works of various nationalities. It is a part of literature and the developmental foundation of modern literature.--Zeng Liang (talk) 07:45, 14 November 2020 (UTC)
Classical literature generally refers to ancient literary works of various nationalities. It is a part of literature and the basis on which the modern literature develops.--Ouyang Ling (talk) 13:49, 15 November 2020 (UTC)Ouyang Ling
2.现代文学是中国社会内部发生历史性变化的条件下,广泛接受外国文学影响而形成的新的文学。
Modern literature is, under the conditions of historical changes in Chinese history, a new literature formed by the wide acceptance of foreign literature.--Zeng Liang (talk) 07:45, 14 November 2020 (UTC)
Modern literature is, under the historical changes in the Chinese society, a new literature formed by the extensive influence of foreign literature.--Ouyang Ling (talk) 13:49, 15 November 2020 (UTC)Ouyang Ling
3.在评价“中国当代文学”的时候,我们一方面要克服沾沾自喜的自诩和自大,另一方面,要具有放眼世界、虚心向善的态度。
When evaluating “contemporary Chinese literature”, we must overcome self-satisfaction and arrogance on the one hand, and on the other hand, we must have an attitude of modesty and openning our eyes to the whole world.--Zeng Liang (talk) 07:45, 14 November 2020 (UTC)
When evaluating “contemporary Chinese literature”, we must overcome self-satisfaction and arrogance on the one hand, and on the other hand, we must have an open mind to the whole world and the attitude of modesty.--Ouyang Ling (talk) 13:49, 15 November 2020 (UTC)Ouyang Ling
Zeng Xinyuan 曾心媛
春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。 The Spring and Autumn Period underwent drastic social changes, during which the Pre-Qin proses had an important place in Chinese literature history.
中国平民文学直面现实,深层揭示社会矛盾,以文学的方式推动社会的发展与进步,所起的作用是“体制内”官方作家无法做到的。 Chinese civilian literature directly faces the reality, and unveils deep social tensions, promoting social development and progress by using literature, the role of which can’t be achieved by official writers who are in the “system”.
“五四”以后﹐无产阶级作为独立的力量登上政治舞台﹐并在社会生活中日益显示出自己的力量﹔与历史的这一发展相适应﹐20年代中后期起在文学上提出了以“农工大众”为主要服务对象与表现对象的要求。 After the May 4th Movement, proletariate ascended political arena as an independent force, and gradually manifested its power in social life; in accordance with the development of history, the proletariate proposed the requirement that farmers, workers and the public should be the main service and performance object in literature in the mid and late 20s.--Zeng Xinyuan (talk) 08:07, 15 November 2020 (UTC)
Zhang Hui 张慧
1.春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。
The Spring and Autumn Period and the Warring States Period was an era of rapid social changes. During this period, pre-Qin prose occupies an important place in the history of Chinese literature.--Zhang Hui (talk) 14:20, 11 November 2020 (UTC)
The Spring and Autumn Period and the Warring States Period was an era with dramatic social changes. During this period, pre-Qin prose occupies an important place in the history of Chinese literature.--Zhao Xiaoyan (talk) 14:26, 11 November 2020 (UTC)
2.现代文学是在中国社会内部发生历史性变化的条件下﹐广泛接受外国文学影响而形成的新的文学。
Modern literature is a new literature that has been widely accepted by foreign literature under the conditions of historical changes in Chinese society.--Zhang Hui (talk) 14:20, 11 November 2020 (UTC) Modern literature is a new literature that has been formed with wide influence of the foreign literature under the conditions of historical changes in Chinese society.--Zhao Xiaoyan (talk) 14:26, 11 November 2020 (UTC)
3.中国当代文学,首先指的是1949年以来的中国文学;其次指的是发生在特定的社会主义历史语境中的文学.
Contemporary Chinese literature firstly refers to Chinese literature since 1949; secondly, it refers to literature that occurred in a specific historical context of socialism.--Zhang Hui (talk) 14:20, 11 November 2020 (UTC)
Chinese contemporary literature, firstly refers to the one since 1949, secondly to the one about specific historical language context of socialism limited in “Mainland China.--Yuan Tianyi (talk) 08:12, 12 November 2020 (UTC) Chinese contemporary literature, first of all, refers to the Chinese literature since 1949;Secondly, it refers to the literature that takes place in the specific context of socialist history.--Zhang Peiwen (talk) 10:40, 16 November 2020 (UTC)
Zhang Ling 张玲
1. 春秋战国时期,是一个社会发生急剧变化的时代,此一时期,在中国文学史上占有重要一席之地的即是先秦散文。
The Spring and Autumn Period and the Warring States Period was an era of drastic social changes. During this period, the prose of Pre-Qin Time occupies an important place in the history of Chinese literature. --Zhang Ling (talk) 09:06, 11 November 2020 (UTC) The Spring and Autumn Period and the Warring States Period was an era with drastic social changes, during which, the prose of Pre-Qin Time occupies an important place in the history of Chinese literature.--Li LIli (talk) 12:08, 13 November 2020 (UTC)Li Lili
2. “五四”以后,无产阶级作为独立的力量登上政治舞台,并在社会生活中日益显示出自己的力量;与历史的这一发展相适应,20年代中后期起在文学上提出了以“农工大众”为主要服务对象与表现对象的要求。
After the May 4th movement, the proletariat, as an independent force, stepped on the political stage and increasingly showed its strength in social life. In line with this development of history, since the middle and late 1920s, it has been proposed in literature that "the masses of farmers and workers" should be the main object of service and performance. --Zhang Ling (talk) 09:06, 11 November 2020 (UTC)
3. 20世纪70年代中后期,在摆脱了思想与文化的10年禁锢之后, 文学的现代化与民族化进入了一个新的阶段。
In the middle and late 1970s, the modernization and nationalization of literature entered a new stage after getting rid of the ten-year imprisonment of thought and culture. --Zhang Ling (talk) 09:06, 11 November 2020 (UTC)
In the middle and late 1970s, the modernization and nationalization of literature entered a new stage after breaking the shackle of thought and culture for ten years.--You Yuting (talk) 13:14, 12 November 2020 (UTC) In the middle and late 1970s, the literature entered a new stage in terms of its modernization and nationalization after getting out of the shackle of thought and culture for ten years.--Li LIli (talk) 12:08, 13 November 2020 (UTC)Li Lili
Zhang Peiwen 张佩闻
诗歌发展历程中的先驱之作便是以诗经和楚辞为代表的。诗歌从始至终都离不开情感的作用,诗情是强烈的,真诚的。 The Book of Songs and The Songs of Chu is the representative works in the development of poetry, and the intense and sincere emotion is the key factor.--Zhang Peiwen (talk) 10:05, 13 November 2020 (UTC)
现代文学属于二十世纪资本主义文化的一部分。
Modern literature is the product of the 21st century capitalist society.--Zhang Peiwen (talk) 10:05, 13 November 2020 (UTC)
中国当代文学,首先指的是1949年以来的中国文学。其次指的是发生在特定的社会主义历史语境中的文学。 Chinese contemporary literature, first of all, refers to the Chinese literature since 1949;Secondly, it refers to the literature that takes place in the specific context of socialist history.--Zhang Peiwen (talk) 10:37, 16 November 2020 (UTC)
Zhang Weihong 张维虹
1. 元诗的历史既是中国古典诗歌的传承,也是创新,这是因为诗人和文化背景的变化。宋朝建立于960年,统一了从中原北部到长江地区的传统中国心脏地带。
The history of Yuan poetry involves both the received legacy of Classical Chinese poetry together with innovations, in part related to linguist and other changes in regard to aspects of the cultural background.Founded in 960, the Song dynasty reunified most of the traditional Chinese heartland from the North Central Plain to the area of the Yangzi River.
2. 回到现当代文学,要说标准丧失也不尽然,所谓“汉学化”就未尝不被当成一个“标准”。若问现当代文学研究在向哪里看齐?哪些研究主导着现当代文学的“话语生产”?在一些学者那里,恐怕就是海外汉学。这不是很正常的。
Returning to modern and contemporary literature, it is not entirely true to say that standards have been lost, but the so-called "Sinologization" has been taken as a "standard. If we ask where is modern and contemporary literary research aligning itself? What studies dominate the "production of discourse" in modern and contemporary literature? In some scholars' eyes, I'm afraid it's overseas Sinology. It's abnormal.
3. 网络通俗小说则是衣食父母至上,就是写爽文,变着花样取悦读者,开模,复制,这种文化产业流水线的作品,文学性趋近于无。各平台的自媒体输出,更是和文学无关了,它的本质是营销,用户想听什么就说什么,不能量产、快速变现的文字都是难以生存的。
The network popular fiction is the supremacy of parents, that is, to write cool text, changing patterns to please the reader, open mode, copy, this cultural industry assembly line works, literary sex tends to nothing. The media output of each platform has nothing to do with literature, its essence is marketing, and users can say whatever they want to hear.
4. 到公元8世纪初,唐王朝出现了所说的“开元盛世”,经济、文化发展到鼎盛。诗歌创作领域也出现大批优秀诗人,写下内容异常丰富的诗歌。其中田园山水诗和描写边塞战争的诗占相当比重,李白、杜甫也出现在这时。
By the beginning of the 8 century AD, the Tang dynasty was at the height of its economic and cultural development in what is known as the "Age of Enlightenment". A large number of outstanding poets emerged in the field of poetry creation, writing unusually rich poems. Among them, poems of idyllic landscapes and poems describing wars in the frontier areas accounted for a considerable proportion, and Li Bai and Du Fu also appeared at this time.
Zhang Yinliu 张银柳
1. 在中国,把从远古流传下来的原始歌谣和神话传说,直到五四以前大量的有一定价值的文学作品,叫古典文学。
In China,a large number of valuable literary works which appeared before the May Fourth Movement and handed down from the original ballads, myths and legends in ancient times are called classical literature.
2. 在抗战中期民族形式问题的讨论中﹐文学与人民的关系﹑作家与人民的关系成为理论家与作家关注﹑思考的中心。在创作实践上﹐爱国主义成为文学的重大主题。
In the discussion of national forms in the middle of the Anti-Japanese War, the relationship between literature and the people and the relationship between writers and people became the center of attention and thinking of theorists and writers. In creative practice, patriotism has become a major theme of literature.
3.1949年中华人民共和国建国之后,中国已进入“社会主义革命”阶段,必然地出现一种新性质的文学形态。
After the founding of the People's Republic of China in 1949, China has entered the stage of "socialist revolution", thus a new literary form will inevitably appear.--Zhang Yinliu (talk) 07:14, 16 November 2020 (UTC)
Zhang Yu 张瑜
1.几千年来,中国传统文化养育了中国古典文学,中国古典文学又大大丰富了中国传统文化,使传统文化更具有深刻的影响力。
For thousands of years, traditional Chinese culture cultivated the classical Chinese literature. At the same time the classical Chinese literature also greatly enriched the traditional Chinese culture and made it have more profound influence.--Zhang Yu (talk) 09:27, 12 November 2020 (UTC)
For thousands of years, traditional Chinese culture cultivated the classical Chinese literature, which in turn greatly enriched the traditional Chinese culture and made it have more profound influence.--Zhang Yujie (talk) 08:47, 14 November 2020 (UTC) 2.现代文学不仅用现代语言表现现代科学民主思想﹐而且在艺术形式与表现手法上都对传统文学进行了革新﹐建立了话剧﹑新诗﹑现代小说﹑杂文﹑散文诗﹑报告文学等新的文学体裁。
Modern literature not only manifested the modern theories of science and democracy with modern language, but also renovated the traditional literature in art form and methods of performance, building some new literary genres including drama, modern Chinese poetry, modern novels, essays, prose poems and reportage.--Zhang Yu (talk) 09:27, 12 November 2020 (UTC)
Modern literature not only expressed modern scientific and democratic ideas with modern language, but also innovated traditional literature in art forms and expressive methods, introducing some new literary genres including drama, modern Chinese poetry, essays, prose poems and reportage. --Chen Han (talk) 08:03, 13 November 2020 (UTC)
3.当代文学是指1949年新中国成立以后的文学,其中出现了许多文学流派。大致可以划分为四个阶段:新时期文学、80年代文学、90年代文学、新世纪文学。
Contemporary literature refers to the literature since the People's Republic of China was founded in 1949, among which it appeared a lot of literary schools. It can be divided into four stages, that is, new-era literature, 80s literature, 90s literature and new-century literature.--Zhang Yu (talk) 09:27, 12 November 2020 (UTC)
Zhang Yujie 张毓婕
中国古典文学名著是中国文学史上闪烁着灿烂光辉的经典性作品或优秀作品。
The masterpieces of Chinese classical literature are classics or outstanding works shining brilliantly in the history of Chinese literature.
The masterpieces of Chinese classical literature are shining examples in the history of Chinese literature. --Zhang Yuxing (talk) 03:25, 15 November 2020 (UTC)
中国现代文学是在中国社会内部发生历史性变化的条件下﹐广泛接受外国文学影响而形成的新的文学。
Modern Chinese literature is a new literature formed under the condition of historical changes in Chinese society and the influence of foreign literature.
中国的当代文学,不同于以反帝反封建为主的现代文学,其发展是在社会主义领导下进行的,并与国家政治息息相关.
Contemporary Chinese literature is different from modern literature, which is mainly anti-imperialist and anti-feudal. It develops under the leadership of socialism and is closely related to national politics.--Zhang Yujie (talk) 08:39, 14 November 2020 (UTC)
Zhang Yuxing 张宇星
1.中国古典文学有诗歌、散文、小说以及词、赋、曲等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。
Chinese classical literature has a variety of forms of expression such as poetry, prose, novels, words, fu, songs, etc. In different styles, there are also a variety of artistic expressions, thus making Chinese classical literature present a colorful, magnificent and brilliant picture.
2.发轫于1917年文学革命的中国现当代文学,虽然至今不足百年,但却开辟了中国文学史上翻天覆地的新时代,是文学上“从来没有经历过的最伟大、进步的变革,是一个需要巨人而且产生了巨人——在思维能力、热情和性格方面,在多才多艺和学识渊博方面的巨人的时代”。
The modern and contemporary Chinese literature, originated from the literary revolution in 1917, has opened up an earth-shaking new era in the history of Chinese literature with the last less than a hundred years. It is "the greatest and progressive change that has never happened before in literature. It is an era that requires and produces giants-giants capable of thinking ability, enthusiasm and character, versatility and profound knowledge".
3.中国当代文学体制沿袭1949年以后的官方文学体制,培养出大量庸俗腐朽,阿谀逢迎体制内作家,旷日持久地制造出人类文明时代以来巨量的文学垃圾,而少数具有精神自省的自由中国作家所创作的有着较高思想价值和艺术价值的文学精品难以面世,导致中国当代不仅文学界,而是全社会腐朽庸俗之风日盛,精神与思想面临全面崩溃的局面。
The Chinese contemporary literature system, following the official literature system after 1949, cultivate a lot of vulgar decay who flatter writer in the system, and has created a huge amount of literary rubbish in the era of human civilization for a long time. However, it is difficult to publish literary masterpieces with high ideological and artistic values performed by a few free Chinese writers with spiritual introspection, which leads to the growing trend of decadent vulgarity, not only in the literary world but also in the whole society in contemporary China, and the overall collapse of spirit and thought.--Zhang Yuxing (talk) 03:23, 15 November 2020 (UTC)
Zhao Xi 赵茜
1.中国古典文学有诗歌、散文、小说以及词、赋、曲等多种表现形式,在各种文体中,又有多种多样的艺术表现手法,从而使中国古典文学呈现出多姿多彩、壮丽辉煌的图景。
Chinese classical literature has poetry, prose, novels and words, assignments, songs and other forms of expression. In a variety of styles, there are all kinds of artistic expressions, so that Chinese classical literature presents a colorful and magnificent picture.--Zhao Xi (talk) 05:24, 12 November 2020 (UTC) --Zhao Xi (talk) 05:24, 12 November 2020 (UTC)
2.无论是从思想上还是从艺术上看,五四新文学是一种与传统文学迥异的现代文学,是中国文学史上名副其实的革命。
Whether ideologically or artistically, May 4th New Literature is a kind of modern literature which is very different from traditional literature and is a veritable revolution in the history of Chinese literature.--Zhao Xi (talk) 05:24, 12 November 2020 (UTC)
3.中国现当代文学的源头是五四文学。五四文学是中国文学发展史上一次前所未有的本质性变异,它划定了从传统文学到现代文学的不同历史时代。
The source of contemporary Chinese literature is May 4th literature. May 4th literature is an unprecedented essential variation in the history of Chinese literature, which delimits different historical times from traditional literature to modern literature.--Zhao Xi (talk) 05:24, 12 November 2020 (UTC)
The source of modern and contemporary Chinese literature is May 4th literature. May 4th literature is an unprecedented essential variation in the history of Chinese literature, which delimits different historical times from traditional literature to modern literature. --Chen Han (talk) 07:48, 13 November 2020 (UTC)
Zhao Xiaoyan 赵晓燕
1.中国古典文学是中国文学史上闪烁着灿烂光辉的经典性作品或优秀作品,它是世界文学宝库中令人瞩目的瑰宝。
Classical Chinese literature is the classic or excellent work shining brilliantly in the history of Chinese literature, which is a remarkable treasure in the treasure house of the world literature.--Zhao Xiaoyan (talk) 14:19, 11 November 2020 (UTC)
Chinese classical literature is a classic or excellent work with brilliant brilliance in the history of Chinese literature. It is a remarkable treasure in the world literature treasure house.--Zhang Hui (talk) 14:28, 11 November 2020 (UTC)
2.现代文学在“五四”文学革命以后的60多年发展过程中﹐随著中国革命与社会性质的演变﹐以1949年10月中华人民共和国成立为转折﹐经历了新民主主义革命时期与社会主义时期两个历史阶段。
In the more than 60 years of development after the "May 4th" literary revolution, modern literature, marked by the founding of the People's Republic of China in October 1949, has undergone the period of the new democratic revolution and the period of socialism with the evolution of the Chinese revolution and the nature of society.--Zhao Xiaoyan (talk) 14:19, 11 November 2020 (UTC)
In the more than 60 years after the "May 4th" literary revolution, modern literature, with the evolution of Chinese revolution and social nature, went through two historical stages: the new democratic revolution period and the socialist period with the founding of the People's Republic of China in October 1949 as the turning point.--Zhang Hui (talk) 14:28, 11 November 2020 (UTC)
In the course of more than 60 years of development after the May 4th literary revolution, modern literature has experienced two historical stages, the period of the New Democratic Revolution and the period of socialism, with the evolution of the Chinese revolution and social nature, taking the founding of the People's Republic of China as a turning point in October 1949.--Zhao Xi (talk) 05:30, 12 November 2020 (UTC)
3.中国平民作家特别是自由作家所具有的独立思想,通常在作品中以令人恐怖的真实表现出思想的光芒。
The independent ideas of Chinese civilian writers, especially freelance writers, usually show the light of ideas in their works with terrifying truth.--Zhao Xiaoyan (talk) 14:19, 11 November 2020 (UTC)
The independent thoughts of Chinese civilian writers, especially the free writers, usually show the light of their thoughts in their works with horrible truth.--Zhang Hui (talk) 14:28, 11 November 2020 (UTC)
The independent thought of Chinese civilian writers, especially free writers, usually shows the light of thought with terrible truth in their works.--Zhao Xi (talk) 05:30, 12 November 2020 (UTC)
Zhou Yiwen 周艺文
1.文学发展到西晋开始了明显的转变。西晋的士族制度加深了阶级鸿沟,士族文人远离社会和人民,他们的创作缺乏现实内容,就只能追求形式的华美,逐渐走上形式主义的道路。
The development of literature to the Western Jin Dynasty began an obvious change. The scholastic system in the Western Jin Dynasty deepened the class gap, and the literati were far away from the society and the people. Their creations lacked realistic content, so they could only pursue the beauty of form and gradually embarked on the road of formalism.
The development of literature into the Western Jin Dynasty began a marked transformation.The taxi system in the Western Jin Dynasty has deepened the class gap, and the literati are far from the society and the people.--YangHui (talk) 06:17, 15 November 2020 (UTC)
2.“五四”文学革命在中国文学史上引起的历史性变革﹐集中地表现为大大加强了文学与人民群众的结合﹐文学与进步的社会思潮及民族解放﹑人民革命运动的自觉联系。
The historical changes caused by the "May 4th" literary revolution in the history of Chinese literature are concentrated in the combination of literature and the masses, the conscious connection between literature and progressive social trends of thought, national liberation and the people's revolutionary movement.
3.中国当代文学发展到今天主要分为“社会主义初期文学”、改革开放后的“新时期文学”、“中国先锋文学”、“中国自由文学”、以及“通俗流行文学”等五大类。
Today, Chinese contemporary literature is mainly divided into five categories, namely, "literature of the early socialism", "literature of the New Era" after the reform and opening up, "Chinese avant-garde literature", "Chinese liberal literature" and "popular literature".--Zhou Yiwen (talk) 10:28, 14 November 2020 (UTC)
Zhou Yuanqu 周园曲
1、先秦散文主要可分为历史散文和诸子散文。就大体情况而言,历史散文主要是叙事的,诸子散文主要是说理的。
Pre-Qin essays could be divided into historical essays and essays written by masters of that period. In general, the former is narration, and the latter argumentation.--Zhou Yuanqu (talk) 06:25, 16 November 2020 (UTC)
2.、严复、林纾是这个时期著名的翻译家,他们分别以各自熟练的古文翻译西方社会科学和文学作品,对传播新思想、新文化,起了积极的作用和广泛的影响。
Yan Fu and Lin Shu are famous translators in this period. They respectively translated western social sciences and literary works into fluent ancient Chinese, which played an important role in spreading the new ideas and new culture. --Zhou Yuanqu (talk) 06:25, 16 November 2020 (UTC)
3、在抗日战争时期,民族危难使作家和人民有了共同命运,推动着许多曾经有过脱离人民的倾向,“为艺术而艺术”的作家走出个人小天地。 During the War of Resistance against Japanese Aggression, the national crisis made writers and the people share a common destiny, and pushed many writers who had once been inclined to break away from the people and "make art for art's sake" out of their private world.--Zhou Yuanqu (talk) 06:25, 16 November 2020 (UTC)
4、诗人李白写过许多反映妇女生活的作品,《长干行二首》就是其中杰出的诗篇。它以一位居住在长干里的商妇自述的口气,叙述了她的爱情生活,倾吐了对于远方丈夫的殷切思念。 The poet Li Bai wrote many works reflecting the lives of women, including "Chang Gan Xing", one of his outstanding poems. In the voice of a woman living in Changgan whose husband is a businessman,it narrated her love life, and expressed her deep longing for her husband who was far away.--Zhou Yuanqu (talk) 06:25, 16 November 2020 (UTC)
Zhu Meimei 祝美梅
古代人民辛勤劳作中创作出的农业文明,对古代社会的方方面面均产生了诸多影响,也对当前我国古代文学的创作、作品、审美以及发展产生影响。
The agricultural civilization created by the hard work of the ancient people has had many impacts on all aspects of ancient society, and also has an effect on the creation, works, aesthetics and development of ancient Chinese literature.
波澜起伏的时代思潮为观照作家的心态变化提供了参考体系,考察现代文学作家心态变化与文学思潮的关联之后发现,作家心态不断经历着从思潮袭来时的激昂乐观到思潮退去后的悲观失望的变化,由此构成了从呐喊到彷徨的循环怪圈。
The ups and downs of different Zeitgeist of the times provide a reference for observing the writer’s mentality changes. After examining the relationship between the modern literary writer’s mentality changes and literary thoughts, it is found that the writer’s mentality has experienced from the passionate optimism when the thoughts hit at the beginning to the pessimistic disappointment when the thoughts fade. The change is also reflected in his books from Call to Pacing Back and Forth.
鉴于不同语言和文化所孕育的文学的特殊性,中国当代文学的国际翻译传播之路也必然具有特殊性。
In view of the particularity of literature bred by different languages and cultures, the international translation and spread of Chinese contemporary literature must also bear uniqueness.--Zhumeimei (talk) 15:39, 15 November 2020 (UTC)
Zhu Xu 朱旭
1.《离骚》是我国诗歌史上现存第一篇宏伟壮丽的抒情长诗,也是一篇浪漫主义杰作。
Li Sao is the first exsiting long lyric poem in the history of Chinese literature and a masterpiece of Romanticism.--Zhu Xu (talk) 15:13, 15 November 2020 (UTC)
2.鲁迅笔耕一生,留下了大量著述。白话短篇小说《狂人日记》是中国现代文学史上第一篇用现代体式创作的小说,标志着中国现代小说的伟大开端。
Lu Xun was engaged in writing all through his lifetime, leaving behind an immense number of books. Diary of a Madman was the first novel written in the modern form in Chinese literature, symbolizing the great outset of modern Chinese fiction.--Zhu Xu (talk) 15:13, 15 November 2020 (UTC)
3.矛盾始终坚持革命现实主义的文艺应与中国的革命统一步调,反对公式化,概念化的倾向,注重艺术形式与技巧的探索。他还是中国现代文学批评的开创者之一。
Mao Dun adhered all the time to the stand that revolutionary realism should be in step with Chinese revolution and opposed the trend of formalism and conceptualization. He laid stress on the probe into artistic form and technique. He was also one of the pioneers of modern literary criticism in China.--Zhu Xu (talk) 15:13, 15 November 2020 (UTC)
4.总之,强烈要求摆脱羁绊,追求个性解放和精神自由,风格飘逸豪放,是李白诗歌的最大特色。
In general, Li Bai's poetry is characterized by its unconventional spirit and highly personalized imagery.--Zhu Xu (talk) 15:13, 15 November 2020 (UTC)
Zou Xinyu 邹鑫雨
1.中国古典文学包括诗歌、小说、戏曲、散文,是中国传统文化的重要组成部分,是中国文化与中国精神的体现,是当代青年学习与认识我国传统文化的重要手段。
Chinese classical literature, which concludes poetry, novels, operas, and prose, is an important composition of Chinese traditional culture, the embodiment of Chinese culture and Chinese spirit, and an important means for contemporary youth to learn and understand Chinese traditional culture.--Zou Xinyu2 (talk) 09:08, 13 November 2020 (UTC)Zou Xinyu
2.近代文学的成就在于它的反帝反封建的进步主流,它的反映现实和追求理想的精神和方法,它的语文合一、走向通俗化的探索和努力,为“五四”时代新文学运动准备了一定的历史条件。
The achievement of modern literature lies in its anti-imperialist and anti-feudal progressive mainstream, its spirit and method of reflecting reality and pursuing ideals, its integration of language and literature, and its exploration and efforts towards popularization have prepared certain historical conditions for the New Literature Movement of the "May Fourth" era.--Zou Xinyu2 (talk) 09:08, 13 November 2020 (UTC)Zou Xinyu
3.中国现代文学既是作家作品的历史,也是文学和文化思想的历史,也是中国社会接受和运用现代文学的历史。
Modern Chinese literature is not only the history of writers' works, but the history of literature and cultural thoughts, as well as the history of Chinese society's acceptance and use of modern literature.--Zou Xinyu2 (talk) 09:08, 13 November 2020 (UTC)Zou Xinyu
4.诗仙李白的《长干行》有多种英译本,其中美国诗人庞德译为The River-Merchant's Wife: A letter,中国著名翻译家许渊冲教授翻译为Ballad of A Trader's Wife,王玉书先生则译为A Merchant's Wife Complaint,这三个英译本分别用韵味深长的遣词和造句,传神地塑造了异彩纷呈的女主人公形象。
There are many English translations of Chang Gan Xing by the poet Li Bai. Among them, the American poet Pound translated it as The River-Merchant's Wife: A letter, the famous Chinese translator Xu Yuanchong translated it as Ballad of A Trader's Wife, and Wang Yushu translated it as A Merchant's Wife Complaint. These three English translations use provocative words and sentences to vividly portray the colorful heroine image.--Zou Xinyu2 (talk) 09:08, 13 November 2020 (UTC)Zou Xinyu
Zubareva, Ekaterina
1.The term "classic novels", writes Andrew H. Plaks, is a "neologism of twentieth-century scholarship" which seems to have come into common use under the influence of C. T. Hsia's Classic Chinese Novel.--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
安德鲁·H·普拉克斯(Andrew H. Plaks)写道,“经典小说”一词是“二十世纪学术的新神学”,似乎在夏·夏亚的中国经典小说的影响下得到了普遍使用。--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
安德鲁·H·普拉克斯(Andrew H. Plaks)写道,“经典小说”一词是“二十世纪学术的新词”,似乎在夏志清中国经典小说的影响下开始普遍使用。--Zeng Xinyuan (talk) 08:19, 15 November 2020 (UTC)
2.The literary reform movement that began with these and other “calls to arms” was an important part of the larger New Culture Movement for cultural and sociopolitical reform, which was greatly strengthened by a student protest on May 4, 1919, against the intellectual performance of the Chinese delegates to the Paris Peace Conference formally terminating World War I. --ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
从这些和其他“呼吁武器”开始的文学改革运动是规模更大的文化和社会政治改革新文化运动的重要组成部分,该运动在1919年5月4日针对学生的智力表现提出的学生抗议活动得到了极大的加强。 参加巴黎和平会议的中国代表正式结束了第一次世界大战。--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
文学改革运动是从这些及其他“号召”运动开始的,是规模更大的文化及社会政治改革—新文化运动的重要组成部分,该改革由一名学生于1919年5月4日抗议得到极大推动,该学生抗议中国代表团精英分子在表明第一次世界大战正式结束的巴黎和会上的表现。--Zeng Xinyuan (talk) 08:37, 15 November 2020 (UTC)
3.The contemporary period refers to the glorious thirty years from the May Fourth Movement in 1919 until the foundation of the Peoples' Republic of China in 1949.--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
当代时期指的是从1919年“五四”运动到1949年中华人民共和国成立的三十年。--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
当代是指从1919年“五四”运动到1949年中华人民共和国成立的辉煌三十年。--Zeng Xinyuan (talk) 08:21, 15 November 2020 (UTC)
4.The most popular Tang Poems collection might be the so-called 300 Tang Poems compiled by Qing dynasty scholar Sun Zhu. It is so popular that many poems in it have been adopted by Chinese language text books of China's primary schools and secondary schools. Some of the poems in it are normally regarded as must-recite ones.--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
最受欢迎的唐诗集可能是清代孙子编纂的所谓《唐诗三百首》。 它是如此流行,以至于其中许多诗歌被中国中小学的汉语课本所采用。 其中的一些诗歌通常被认为是必须朗诵的诗歌。--ZubarevaEkaterina (talk) 13:19, 14 November 2020 (UTC)
最受欢迎的唐诗集可能是清代孙洙编纂的《唐诗三百首》。 它是如此流行,以至于其中许多诗歌被中国中小学的汉语课本所采用。 其中的一些诗歌通常被认为是必须背诵的。--Lou Cancan (talk) 07:57, 15 November 2020 (UTC)