Difference between revisions of "User:Yu Yi"
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| − | + | I'm Yu Yi, a graduate student majoring in English Translation. And you can also call me Memo. I’m a friendly, patient, and optimistic girl. When I determine to do something, I will constantly spare no effort and never give up it. I also have a strong sense of responsibility and like to take part in voluntary activities to help others. In my spare time, I enjoy running, playing badminton and listening to music. I passed some examinations such as CET 4, CET 6, TEM 4, TEM 8, NCRE, NTCE, Mandarin, CATTI 3 and so on, and obtained National Encouragement Scholarship twice. | |
=Nov 1, 2024 = | =Nov 1, 2024 = | ||
I did not learn anything today. | I did not learn anything today. | ||
| + | =Nov 2, 2024 = | ||
| + | I translated the excerpt of a novel. | ||
| + | =Nov 3, 2024 = | ||
| + | I remembered some words. | ||
| + | =Nov 4, 2024 = | ||
| + | I read an article from The Economist. | ||
| + | =Nov 5, 2024 = | ||
| + | I did not learn anything today. | ||
| + | =Nov 6, 2024 = | ||
| + | I accumulated spme words related to politics. | ||
| + | =Nov 7, 2024 = | ||
| + | I translated some texts. | ||
| + | =Nov 8, 2024 = | ||
| + | I listened to a news passage. | ||
| + | =Nov 9, 2024 = | ||
| + | I translated the excerpt of a Chinese novel. | ||
| + | =Nov 10, 2024 = | ||
| + | I translated a short English text about a small island. | ||
| + | =Nov 11, 2024 = | ||
| + | I remembered some English words. | ||
| + | =Nov 12, 2024 = | ||
| + | I read an English article from an Wechat official account. | ||
| + | =Nov 13, 2024 = | ||
| + | I learned something about English translation theories. | ||
| + | =Nov 14, 2024 = | ||
| + | I did not learn anything today. | ||
| + | =Nov 15, 2024 = | ||
| + | I translated some paragraphs into English. | ||
| + | =Nov 16, 2024 = | ||
| + | I remembered some words. | ||
| + | =Nov 17, 2024 = | ||
| + | I read a paper. | ||
| + | =Nov 18, 2024 = | ||
| + | I translated some English text into Chinese. | ||
| + | =Nov 19, 2024 = | ||
| + | I learned something about the relevance theory | ||
| + | =Nov 20, 2024 = | ||
| + | I read an English article. | ||
| + | =Nov 21, 2024 = | ||
| + | I listened to an English news. | ||
| + | =Nov 22, 2024 = | ||
| + | I learned some English expressions. | ||
| + | =Nov 23, 2024 = | ||
| + | I remembered some words. | ||
| + | =Nov 24, 2024 = | ||
| + | I translated a text. | ||
| + | =Nov 25, 2024 = | ||
| + | I read an about how to break a bad habit. | ||
| + | =Nov 26, 2024 = | ||
| + | I attended a lecture. | ||
| + | =Nov 27, 2024 = | ||
| + | I analysed an excerpt of an English fiction. | ||
| + | =Nov 28, 2024 = | ||
| + | I edited the translation produced by MT. | ||
| + | =Nov 29, 2024 = | ||
| + | I remembered some words. | ||
| + | =Nov 30, 2024 = | ||
| + | I translated an article about tourism. | ||
| + | =Dec 1, 2024 = | ||
| + | I listened to an English news | ||
| + | =Dec 2, 2024 = | ||
| + | I read an article of the Economist. | ||
| + | =Dec 3, 2024 = | ||
| + | I learned something about MT evaluation. | ||
| + | =Dec 4, 2024 = | ||
| + | I learned some expressions | ||
| + | =Dec 5, 2024 = | ||
| + | I learned some translation theories. | ||
| + | =Dec 6, 2024 = | ||
| + | I remembered some words. | ||
| + | =Dec 7, 2024 = | ||
| + | I read an article of the Economist. | ||
| + | =Dec 8, 2024 = | ||
| + | I learned some new expressions. | ||
| + | =Dec 9, 2024 = | ||
| + | I evaluated the translation of four groups. | ||
| + | =Dec 10, 2024 = | ||
| + | I listened to an English news. | ||
| + | =Dec 11, 2024 = | ||
| + | I learned some techniques about translation of tourism texts. | ||
| + | =Dec 12, 2024 = | ||
| + | I grasped some evaluation methods. | ||
| + | =Dec 13, 2024 = | ||
| + | I listened to an English podcast. | ||
| + | =Dec 14, 2024 = | ||
| + | I read a chapter of an English novel. | ||
| + | =Dec 15, 2024 = | ||
| + | I remembered some expressions. | ||
| + | =Dec 16, 2024 = | ||
| + | I learned how to analyse different translations of an article. | ||
| + | =Dec 17, 2024 = | ||
| + | I remembered some words. | ||
| + | =Dec 18, 2024 = | ||
| + | I listened to an English news. | ||
| + | =Dec 19, 2024 = | ||
| + | I knew some theories better. | ||
| + | [[Media:2024.pptx]]. | ||
| + | |||
| + | =Final Paper= | ||
| + | 浏阳夏布 | ||
| + | |||
| + | 余意(Yu Yi) | ||
| + | |||
| + | 摘要 | ||
| + | |||
| + | 时代的迅速发展,给非物质文化遗产的传承与创新带来了一些困境和挑战。本文主要介绍非物质文化遗产浏阳夏布的具体情况,包括其特点、价值,分析其目前情况及所面临的困境,提出一些数字媒体推广路径。 | ||
| + | |||
| + | 关键词:浏阳夏布;非物质文化遗产;传承; | ||
| + | |||
| + | 简要介绍 | ||
| + | |||
| + | 浏阳夏布是以苎麻为原料,历经十多个步骤编织而成的麻布,主要用的是麻皮和麻秆之间的一层薄薄的纤维,因常用于夏季穿着,顾名“夏布”。浏阳夏布是一种历史悠久的传统手工艺品,早在明朝就被列为朝廷贡品。1901年,浏阳夏布开始远渡重洋,销往日本、朝鲜等地。 2017年,浏阳夏布被确定为长沙非物质文化遗产。(张健2018,110) | ||
| + | |||
| + | 浏阳夏布的特点 | ||
| + | |||
| + | 夏布的特点在很大程度上体现了其主要原料苎麻的特性。浏阳夏布结实耐用,轻薄细软,凉爽透气,能抑制细菌滋生,不容易变形,不容易褪色、易洗快干,可防污、抗静电,是夏季制作衣料、蚊帐的理想布料。 | ||
| + | |||
| + | 浏阳夏布的价值 | ||
| + | |||
| + | 夏布在民间生活中起着不可取代的作用,是结婚和葬礼的必备品。如在举办葬礼的时候,丧礼服装都是由夏布制成。夏布是一件精美的艺术品,体现出东方的美感,具有较高的美学价值。夏布具有实用价值,应用范围很广,主要用于服装、床品、窗帘等。 | ||
| + | |||
| + | 现状与传承 | ||
| + | |||
| + | 时代的发展对浏阳夏布这一传统手工技艺产生了极大的冲击。首先在原料方面,很少有人愿意种植苎麻,因此苎麻产量一直较低。而且手工织造夏布需要大量的人工,且费时久,年轻工人不愿意从事生产工作,从而会织造夏布的传承人越来越少。夏布的创新性不足,仅是单一的将夏布做成服装或者是室内装饰品,给夏布的发展造成了很大的局限性,缺乏品牌推广和营销。传播方式陈旧,主要以线下的博物馆、文创中心以及传承人的家为主要参观地点,模式单一,且受众相对局限,传播受到地域的限制。(黄慧颖2023,16) | ||
| + | 然而近年来随着数字媒体时代日益发展,非物质文化也逐渐受到人们的重视,这给浏阳夏布带来了发展的机会,应当紧密结合数字媒体发展浏阳夏布,使其传播范围更宽,受众更广。比如建立以浏阳夏布为主体的网站平台,为在线用户提供更为细致的讯息展示, 让用户便捷地体验浏阳夏布的特色。应用扫码技术,展示图例解说或浏阳夏布整个制作流程等。(陈城2018,78) | ||
| + | |||
| + | 术语表达 | ||
| + | |||
| + | 夏布 grass/summer cloth | ||
| + | |||
| + | 苎麻 ramee | ||
| + | |||
| + | 贡品 tribute | ||
| + | |||
| + | 非物质文化遗产 intangible cultural heritage | ||
| + | |||
| + | 问题 | ||
| + | |||
| + | 1.浏阳夏布的原料是什么? | ||
| + | |||
| + | 2.浏阳夏布什么时候被确定为长沙非物质文化遗产? | ||
| + | |||
| + | 3.浏阳夏布有哪些特点? | ||
| + | |||
| + | 4.浏阳夏布的传承面临哪些困境? | ||
| + | |||
| + | 答案 | ||
| + | |||
| + | 1.苎麻。 | ||
| + | |||
| + | 2.2017年。 | ||
| + | |||
| + | 3.结实耐用,轻薄细软,凉爽透气,能抑制细菌滋生,不容易变形,不容易褪色、易洗快干,可防污、抗静电。 | ||
| + | |||
| + | 4.首先在原料方面,很少有人愿意种植苎麻,因此苎麻产量一直较低。而且手工织造夏布需要大量的人工,且费时久,年轻工人不愿意从事生产工作,从而会织造夏布的传承人越来越少。夏布的创新性不足,仅是单一的将夏布做成服装或者是室内装饰品,给夏布的发展造成了很大的局限性,缺乏品牌推广和营销。传播方式陈旧,主要以线下的博物馆、文创中心以及传承人的家为主要参观地点,模式单一,且受众相对局限,传播受到地域的限制。 | ||
| + | |||
| + | 参考文献 | ||
| + | |||
| + | [1]陈城.浏阳夏布的数字化媒体推广[J].艺海,2018(04):78-79. | ||
| + | |||
| + | [2]黄慧颖.浏阳夏布文化体验APP设计[D].湖南科技大学,2023,DOI:10.27738/d.cnki.ghnkd.2023.001366. | ||
| + | |||
| + | [3]张健.非物质文化遗产浏阳夏布旅游商品化研究[J].遗产与保护研究,2018,07:108-112. | ||
| + | |||
| + | AI声明:我在此保证,在本课程期末论文的撰写中未使用AI工具。 | ||
| + | |||
| + | |||
| + | Liuyang Grass Cloth | ||
| + | |||
| + | Yu Yi | ||
| + | |||
| + | Abstract | ||
| + | |||
| + | The rapid development of the times has brought some difficulties and challenges to the inheritance and innovation of intangible cultural heritage. This paper mainly introduces the specific situation of Liuyang grass cloth, including its characteristics and value, analyzes its current situation, and the difficulties it and proposes some promotion methods through digital media . | ||
| + | |||
| + | Keywords: Grass cloth; Intangible cultural heritage; Inheritance; | ||
| + | |||
| + | Brief Introduction | ||
| + | |||
| + | With ramee as raw material, Liuyang grass cloth goes through more than ten steps before it turns into linen cloth. It is also called summer cloth because it is often used for summer clothes. Liuyang grass cloth is a traditional handicraft with a long history, which was listed as a tribute to the imperial court as early as the Ming Dynasty. In 1901, Liuyang grass cloth began to be delivered overseas such as Japan, Korea and other places. In 2017, Liuyang grass cloth was identified as an intangible cultural heritage of Changsha.(Zhang Jian 2018,110) | ||
| + | |||
| + | [[File:Zhuma.jpg]] | ||
| + | |||
| + | The Characteristics of Liuyang grass cloth | ||
| + | |||
| + | To a large extent, the characteristics of the summer cloth reflect the characteristics of its main raw material—ramee. Liuyang grass cloth is strong and durable, light and soft, cool and airing. It can inhibit the growth of a variety of bacteriaIt. Grass cloth is not easy to deform, not easy to fade, but easy to wash and dried. The cloth is dirt-resistant and antistatic. As a result, it is an ideal fabric for making clothes and mosquito nets in summer. | ||
| + | |||
| + | [[File:Xiabu.jpg]] | ||
| + | |||
| + | The value of Liuyang grass cloth | ||
| + | |||
| + | Grass cloth plays an irreplaceable role in folk life and is a must-have for weddings and funerals. For example, when funerals are held, funeral costumes are made of grass cloth. Grass cloth is a fine work of art that embodies the beauty of the Orient and has a high aesthetic value. The cloth has practical value with a wide range of applications, mainly used for clothing, bedding, curtains, etc. | ||
| + | |||
| + | Current Situation and Inheritance | ||
| + | |||
| + | The development of the times has had a great impact on the traditional handicraft skills of Liuyang grass cloth. First of all, in terms of raw materials, few people are willing to grow ramee. so its production has been relatively low. Moreover, hand-weaving grass cloth requires a lot of labor and takes a long time, and young workers are unwilling to engage in production work, so there are fewer and fewer inheritors who will weave the cloth. The lack of innovation of grass cloth, only a single grass cloth into clothing or interior decorations, has caused great limitations to the development of grass cloth, and lacks brand promotion and marketing. The communication method is outdated, mainly offline museums, cultural and creative centers and inheritors' homes are the main places to visit, the mode is single, and the audience is relatively limited, and the communication is limited by geography. (Huang Huiying 2023, 16) | ||
| + | However, in recent years, with the increasing development of the digital media era, non-material culture has gradually attracted people's attention, which has brought opportunities for the development of Liuyang grass cloth, which should be closely combined with the development of digital media to make it wider and wider audience. For example, the establishment of a website platform with Liuyang grass cloth as the main body to provide online users with more detailed information display, so that users can easily experience the characteristics of Liuyang grass cloth. Besides, apply code scanning technology to show legend explanation or the entire production process of Liuyang grass cloth. (Chen Cheng 2018, 78) | ||
| + | |||
| + | Terms and Expressions | ||
| + | |||
| + | Grass cloth 夏布 | ||
| + | |||
| + | Ramee 苎麻 | ||
| + | |||
| + | tribute 贡品 | ||
| + | |||
| + | intangible cultural heritage 非物质文化遗产 | ||
| + | |||
| + | Questions | ||
| + | |||
| + | 1.What is the raw material of Liuyang grass cloth? | ||
| + | |||
| + | 2.When was Liuyang grass cloth identified as Changsha's intangible cultural heritage? | ||
| + | |||
| + | 3.What are the characteristics of Liuyang grass cloth? | ||
| + | |||
| + | 4.What are the difficulties faced by the inheritance of Liuyang grass cloth? | ||
| + | |||
| + | Answers | ||
| + | |||
| + | 1.Its raw material is ramee. | ||
| + | |||
| + | 2.It was dentified as Changsha's intangible cultural heritage in 2017. | ||
| + | |||
| + | 3.Liuyang grass cloth is strong and durable, light and soft, cool and airing. It can inhibit the growth of a variety of bacteriaIt. Grass cloth is not easy to deform, not easy to fade, but easy to wash and dried. The cloth is dirt-resistant and antistatic. | ||
| + | |||
| + | 4.First of all, in terms of raw materials, few people are willing to grow ramee. so its production has been relatively low. Moreover, hand-weaving grass cloth requires a lot of labor and takes a long time, and young workers are unwilling to engage in production work, so there are fewer and fewer inheritors who will weave the cloth. The lack of innovation of grass cloth, only a single grass cloth into clothing or interior decorations, has caused great limitations to the development of grass cloth, and lacks brand promotion and marketing. The communication method is outdated, mainly offline museums, cultural and creative centers and inheritors' homes are the main places to visit, the mode is single, and the audience is relatively limited, and the communication is limited by geography. | ||
| + | |||
| + | References | ||
| + | |||
| + | [1]Chen Cheng. 陈城. Digital Media Promotion of Liuyang Grass Cloth. [浏阳夏布的数字化媒体推广][J]. Yihai. [艺海],2018(04):78-79. | ||
| + | |||
| + | [2]Huang Huiying. 黄慧颖. Liuyang Grass Cloth Culture Experience APP Design. [浏阳夏布文化体验APP设计][D]. Hunan University of Science and Technology. [湖南科技大学],2023,DOI:10.27738/d.cnki.ghnkd.2023.001366. | ||
| + | |||
| + | [3]Zhang Jian. 张健. Research on the commercialization of tourism about the intangible cultural heritage—Liuyang grass cloth.[非物质文化遗产浏阳夏布旅游商品化研究][J].Research on Heritages and Preservation. [遗产与保护研究],2018,07:108-112. | ||
| + | |||
| + | AI Statement:I hereby guarantee that I have not used the help of AI to write my final paper in this course. | ||
Latest revision as of 22:28, 31 December 2024
I'm Yu Yi, a graduate student majoring in English Translation. And you can also call me Memo. I’m a friendly, patient, and optimistic girl. When I determine to do something, I will constantly spare no effort and never give up it. I also have a strong sense of responsibility and like to take part in voluntary activities to help others. In my spare time, I enjoy running, playing badminton and listening to music. I passed some examinations such as CET 4, CET 6, TEM 4, TEM 8, NCRE, NTCE, Mandarin, CATTI 3 and so on, and obtained National Encouragement Scholarship twice.
Nov 1, 2024
I did not learn anything today.
Nov 2, 2024
I translated the excerpt of a novel.
Nov 3, 2024
I remembered some words.
Nov 4, 2024
I read an article from The Economist.
Nov 5, 2024
I did not learn anything today.
Nov 6, 2024
I accumulated spme words related to politics.
Nov 7, 2024
I translated some texts.
Nov 8, 2024
I listened to a news passage.
Nov 9, 2024
I translated the excerpt of a Chinese novel.
Nov 10, 2024
I translated a short English text about a small island.
Nov 11, 2024
I remembered some English words.
Nov 12, 2024
I read an English article from an Wechat official account.
Nov 13, 2024
I learned something about English translation theories.
Nov 14, 2024
I did not learn anything today.
Nov 15, 2024
I translated some paragraphs into English.
Nov 16, 2024
I remembered some words.
Nov 17, 2024
I read a paper.
Nov 18, 2024
I translated some English text into Chinese.
Nov 19, 2024
I learned something about the relevance theory
Nov 20, 2024
I read an English article.
Nov 21, 2024
I listened to an English news.
Nov 22, 2024
I learned some English expressions.
Nov 23, 2024
I remembered some words.
Nov 24, 2024
I translated a text.
Nov 25, 2024
I read an about how to break a bad habit.
Nov 26, 2024
I attended a lecture.
Nov 27, 2024
I analysed an excerpt of an English fiction.
Nov 28, 2024
I edited the translation produced by MT.
Nov 29, 2024
I remembered some words.
Nov 30, 2024
I translated an article about tourism.
Dec 1, 2024
I listened to an English news
Dec 2, 2024
I read an article of the Economist.
Dec 3, 2024
I learned something about MT evaluation.
Dec 4, 2024
I learned some expressions
Dec 5, 2024
I learned some translation theories.
Dec 6, 2024
I remembered some words.
Dec 7, 2024
I read an article of the Economist.
Dec 8, 2024
I learned some new expressions.
Dec 9, 2024
I evaluated the translation of four groups.
Dec 10, 2024
I listened to an English news.
Dec 11, 2024
I learned some techniques about translation of tourism texts.
Dec 12, 2024
I grasped some evaluation methods.
Dec 13, 2024
I listened to an English podcast.
Dec 14, 2024
I read a chapter of an English novel.
Dec 15, 2024
I remembered some expressions.
Dec 16, 2024
I learned how to analyse different translations of an article.
Dec 17, 2024
I remembered some words.
Dec 18, 2024
I listened to an English news.
Dec 19, 2024
I knew some theories better. Media:2024.pptx.
Final Paper
浏阳夏布
余意(Yu Yi)
摘要
时代的迅速发展,给非物质文化遗产的传承与创新带来了一些困境和挑战。本文主要介绍非物质文化遗产浏阳夏布的具体情况,包括其特点、价值,分析其目前情况及所面临的困境,提出一些数字媒体推广路径。
关键词:浏阳夏布;非物质文化遗产;传承;
简要介绍
浏阳夏布是以苎麻为原料,历经十多个步骤编织而成的麻布,主要用的是麻皮和麻秆之间的一层薄薄的纤维,因常用于夏季穿着,顾名“夏布”。浏阳夏布是一种历史悠久的传统手工艺品,早在明朝就被列为朝廷贡品。1901年,浏阳夏布开始远渡重洋,销往日本、朝鲜等地。 2017年,浏阳夏布被确定为长沙非物质文化遗产。(张健2018,110)
浏阳夏布的特点
夏布的特点在很大程度上体现了其主要原料苎麻的特性。浏阳夏布结实耐用,轻薄细软,凉爽透气,能抑制细菌滋生,不容易变形,不容易褪色、易洗快干,可防污、抗静电,是夏季制作衣料、蚊帐的理想布料。
浏阳夏布的价值
夏布在民间生活中起着不可取代的作用,是结婚和葬礼的必备品。如在举办葬礼的时候,丧礼服装都是由夏布制成。夏布是一件精美的艺术品,体现出东方的美感,具有较高的美学价值。夏布具有实用价值,应用范围很广,主要用于服装、床品、窗帘等。
现状与传承
时代的发展对浏阳夏布这一传统手工技艺产生了极大的冲击。首先在原料方面,很少有人愿意种植苎麻,因此苎麻产量一直较低。而且手工织造夏布需要大量的人工,且费时久,年轻工人不愿意从事生产工作,从而会织造夏布的传承人越来越少。夏布的创新性不足,仅是单一的将夏布做成服装或者是室内装饰品,给夏布的发展造成了很大的局限性,缺乏品牌推广和营销。传播方式陈旧,主要以线下的博物馆、文创中心以及传承人的家为主要参观地点,模式单一,且受众相对局限,传播受到地域的限制。(黄慧颖2023,16) 然而近年来随着数字媒体时代日益发展,非物质文化也逐渐受到人们的重视,这给浏阳夏布带来了发展的机会,应当紧密结合数字媒体发展浏阳夏布,使其传播范围更宽,受众更广。比如建立以浏阳夏布为主体的网站平台,为在线用户提供更为细致的讯息展示, 让用户便捷地体验浏阳夏布的特色。应用扫码技术,展示图例解说或浏阳夏布整个制作流程等。(陈城2018,78)
术语表达
夏布 grass/summer cloth
苎麻 ramee
贡品 tribute
非物质文化遗产 intangible cultural heritage
问题
1.浏阳夏布的原料是什么?
2.浏阳夏布什么时候被确定为长沙非物质文化遗产?
3.浏阳夏布有哪些特点?
4.浏阳夏布的传承面临哪些困境?
答案
1.苎麻。
2.2017年。
3.结实耐用,轻薄细软,凉爽透气,能抑制细菌滋生,不容易变形,不容易褪色、易洗快干,可防污、抗静电。
4.首先在原料方面,很少有人愿意种植苎麻,因此苎麻产量一直较低。而且手工织造夏布需要大量的人工,且费时久,年轻工人不愿意从事生产工作,从而会织造夏布的传承人越来越少。夏布的创新性不足,仅是单一的将夏布做成服装或者是室内装饰品,给夏布的发展造成了很大的局限性,缺乏品牌推广和营销。传播方式陈旧,主要以线下的博物馆、文创中心以及传承人的家为主要参观地点,模式单一,且受众相对局限,传播受到地域的限制。
参考文献
[1]陈城.浏阳夏布的数字化媒体推广[J].艺海,2018(04):78-79.
[2]黄慧颖.浏阳夏布文化体验APP设计[D].湖南科技大学,2023,DOI:10.27738/d.cnki.ghnkd.2023.001366.
[3]张健.非物质文化遗产浏阳夏布旅游商品化研究[J].遗产与保护研究,2018,07:108-112.
AI声明:我在此保证,在本课程期末论文的撰写中未使用AI工具。
Liuyang Grass Cloth
Yu Yi
Abstract
The rapid development of the times has brought some difficulties and challenges to the inheritance and innovation of intangible cultural heritage. This paper mainly introduces the specific situation of Liuyang grass cloth, including its characteristics and value, analyzes its current situation, and the difficulties it and proposes some promotion methods through digital media .
Keywords: Grass cloth; Intangible cultural heritage; Inheritance;
Brief Introduction
With ramee as raw material, Liuyang grass cloth goes through more than ten steps before it turns into linen cloth. It is also called summer cloth because it is often used for summer clothes. Liuyang grass cloth is a traditional handicraft with a long history, which was listed as a tribute to the imperial court as early as the Ming Dynasty. In 1901, Liuyang grass cloth began to be delivered overseas such as Japan, Korea and other places. In 2017, Liuyang grass cloth was identified as an intangible cultural heritage of Changsha.(Zhang Jian 2018,110)
The Characteristics of Liuyang grass cloth
To a large extent, the characteristics of the summer cloth reflect the characteristics of its main raw material—ramee. Liuyang grass cloth is strong and durable, light and soft, cool and airing. It can inhibit the growth of a variety of bacteriaIt. Grass cloth is not easy to deform, not easy to fade, but easy to wash and dried. The cloth is dirt-resistant and antistatic. As a result, it is an ideal fabric for making clothes and mosquito nets in summer.
The value of Liuyang grass cloth
Grass cloth plays an irreplaceable role in folk life and is a must-have for weddings and funerals. For example, when funerals are held, funeral costumes are made of grass cloth. Grass cloth is a fine work of art that embodies the beauty of the Orient and has a high aesthetic value. The cloth has practical value with a wide range of applications, mainly used for clothing, bedding, curtains, etc.
Current Situation and Inheritance
The development of the times has had a great impact on the traditional handicraft skills of Liuyang grass cloth. First of all, in terms of raw materials, few people are willing to grow ramee. so its production has been relatively low. Moreover, hand-weaving grass cloth requires a lot of labor and takes a long time, and young workers are unwilling to engage in production work, so there are fewer and fewer inheritors who will weave the cloth. The lack of innovation of grass cloth, only a single grass cloth into clothing or interior decorations, has caused great limitations to the development of grass cloth, and lacks brand promotion and marketing. The communication method is outdated, mainly offline museums, cultural and creative centers and inheritors' homes are the main places to visit, the mode is single, and the audience is relatively limited, and the communication is limited by geography. (Huang Huiying 2023, 16) However, in recent years, with the increasing development of the digital media era, non-material culture has gradually attracted people's attention, which has brought opportunities for the development of Liuyang grass cloth, which should be closely combined with the development of digital media to make it wider and wider audience. For example, the establishment of a website platform with Liuyang grass cloth as the main body to provide online users with more detailed information display, so that users can easily experience the characteristics of Liuyang grass cloth. Besides, apply code scanning technology to show legend explanation or the entire production process of Liuyang grass cloth. (Chen Cheng 2018, 78)
Terms and Expressions
Grass cloth 夏布
Ramee 苎麻
tribute 贡品
intangible cultural heritage 非物质文化遗产
Questions
1.What is the raw material of Liuyang grass cloth?
2.When was Liuyang grass cloth identified as Changsha's intangible cultural heritage?
3.What are the characteristics of Liuyang grass cloth?
4.What are the difficulties faced by the inheritance of Liuyang grass cloth?
Answers
1.Its raw material is ramee.
2.It was dentified as Changsha's intangible cultural heritage in 2017.
3.Liuyang grass cloth is strong and durable, light and soft, cool and airing. It can inhibit the growth of a variety of bacteriaIt. Grass cloth is not easy to deform, not easy to fade, but easy to wash and dried. The cloth is dirt-resistant and antistatic.
4.First of all, in terms of raw materials, few people are willing to grow ramee. so its production has been relatively low. Moreover, hand-weaving grass cloth requires a lot of labor and takes a long time, and young workers are unwilling to engage in production work, so there are fewer and fewer inheritors who will weave the cloth. The lack of innovation of grass cloth, only a single grass cloth into clothing or interior decorations, has caused great limitations to the development of grass cloth, and lacks brand promotion and marketing. The communication method is outdated, mainly offline museums, cultural and creative centers and inheritors' homes are the main places to visit, the mode is single, and the audience is relatively limited, and the communication is limited by geography.
References
[1]Chen Cheng. 陈城. Digital Media Promotion of Liuyang Grass Cloth. [浏阳夏布的数字化媒体推广][J]. Yihai. [艺海],2018(04):78-79.
[2]Huang Huiying. 黄慧颖. Liuyang Grass Cloth Culture Experience APP Design. [浏阳夏布文化体验APP设计][D]. Hunan University of Science and Technology. [湖南科技大学],2023,DOI:10.27738/d.cnki.ghnkd.2023.001366.
[3]Zhang Jian. 张健. Research on the commercialization of tourism about the intangible cultural heritage—Liuyang grass cloth.[非物质文化遗产浏阳夏布旅游商品化研究][J].Research on Heritages and Preservation. [遗产与保护研究],2018,07:108-112.
AI Statement:I hereby guarantee that I have not used the help of AI to write my final paper in this course.

