Difference between revisions of "20201026 cult"
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==Xu Jing 许静== | ==Xu Jing 许静== | ||
| + | 1. 这样看来,中国画不是一门纯粹的绘画艺术,因为它不以描绘物象本身为第一目的,更多的是通过描述物象的笔墨表达一种社会理念,表现的是人类的聪明、智慧、道德和伦理,以及对世界的认知和把握。 | ||
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| + | In this way, Chinese painting is not a pure art of painting, because it does not take the depiction of objects itself as the first purpose, but rather expresses a social concept through the brushstrokes describing objects. It represents human intelligence, wisdom, morality and ethics, as well as the understanding of the world. | ||
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| + | 2. 篆刻印刀是主要的工具。它的粗细、长短、轻重和刀角的大小、锐钝、平斜,都将直接影响到刻印的效果。选用印刀如同写字时选用毛笔一样,都会影响书写的表现力。 | ||
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| + | The seal-cutting chisel is the main tool. Its thickness, length, weight, and the size, sharpness and obliquity of the end will directly affect the engraving. The choice of the knife, just like the choice of the brush to write with, will affect the expression of the writing. | ||
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| + | 3. 八大花鸟画最突出特点是“少”,用他的话说是“廉”。少,一是描绘的对象少;二是塑造对象时用笔少。 | ||
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| + | In the Bird-and-flower painting of Bada Shanren(Zhu Da, A painter in the late Ming and early Qing dynasty who was good at free brushwork in traditional Chinese painting), the most outstanding characteristic is "less", or in his words, "lian", which in Chinese also means 'thrifty'. Less, one is to depict the object less; another is to shape the object with less brush. | ||
==Yang Chenting 杨晨婷== | ==Yang Chenting 杨晨婷== | ||
Revision as of 16:14, 27 October 2020
Alsied, Saffana
Cao Runxin 曹润鑫
Chen Han 陈涵
Chen Jingjing 陈静静
Dashkin, Gennadii
Chen Yongxiang 陈永相
Ding Daifeng 丁代凤
Gan Fengyu 甘奉玉
Gao Mingzhu 高明珠
Grosheva, Anna
Gu Dongfang 顾东方
Guan Qinqing 管钦清
Gui Yizhi 桂一枝
Guirou, Barthelemy
Guo Lu 郭露
Ha, Thi Thu Hang
He Changqi 何长琦
Hu Baihui 胡百辉
Hu Jin 胡瑾
Jiang Fengyi 蒋凤仪
Jiang Qiwei 蒋淇玮
Kang Haoyu 康浩宇
Lei Fangyuan 雷方圆
Lei Kuangxi 雷旷溪
Li Lili 李丽丽
Li Liqin 李丽琴
Liu Liu 刘柳
Liu Ou 刘欧
Liu Yi 刘艺
Liu Yiyu 刘怡瑜
Lo, Minh Thao
Lou Cancan 娄灿灿
Luo Weijia 罗维嘉
Luo Yuqing 罗雨晴
Mo Ling 莫玲
Ngo, Thi Minh Huong
Ouyang Ling 欧阳玲
Peng Ruihong 彭锐宏
Phyo, Su Kyi
Pingki, Tanchangya
Qu Miao 瞿淼
Rajabov, Anushervon
Seydou, Sagara
Shi Haiyao 石海瑶
Si Yu 司妤
Tan Yuanyuan 谭媛媛
Tang Bei 汤蓓
Tang Yiran 汤伊然
Wang Meiling 王美玲
Wang Xuan 王轩
Wu Qiong 吴琼
Wu Yilu 吴一露
Wu Zijia 吴子佳
Xiao Shuangling 肖双玲
Xiao Ting 肖婷
Xie Fan 解帆
Xu Jia 徐佳
Xu Jing 许静
1. 这样看来,中国画不是一门纯粹的绘画艺术,因为它不以描绘物象本身为第一目的,更多的是通过描述物象的笔墨表达一种社会理念,表现的是人类的聪明、智慧、道德和伦理,以及对世界的认知和把握。
In this way, Chinese painting is not a pure art of painting, because it does not take the depiction of objects itself as the first purpose, but rather expresses a social concept through the brushstrokes describing objects. It represents human intelligence, wisdom, morality and ethics, as well as the understanding of the world.
2. 篆刻印刀是主要的工具。它的粗细、长短、轻重和刀角的大小、锐钝、平斜,都将直接影响到刻印的效果。选用印刀如同写字时选用毛笔一样,都会影响书写的表现力。
The seal-cutting chisel is the main tool. Its thickness, length, weight, and the size, sharpness and obliquity of the end will directly affect the engraving. The choice of the knife, just like the choice of the brush to write with, will affect the expression of the writing.
3. 八大花鸟画最突出特点是“少”,用他的话说是“廉”。少,一是描绘的对象少;二是塑造对象时用笔少。
In the Bird-and-flower painting of Bada Shanren(Zhu Da, A painter in the late Ming and early Qing dynasty who was good at free brushwork in traditional Chinese painting), the most outstanding characteristic is "less", or in his words, "lian", which in Chinese also means 'thrifty'. Less, one is to depict the object less; another is to shape the object with less brush.
Yang Chenting 杨晨婷
Yang Hairong 杨海容
Yang Hui 阳慧
Yang Yue 杨悦
Yang Ziling 杨子泠
水墨画是由水和墨经过调配水和墨的浓度所画出的画,是绘画的一种形式,更多时候,水墨画被视为中国传统绘画,也就是国画的代表。
Chinese Brush Painting is a painting drawn by mixing water and ink with the concentration of water and ink. It is a form of painting. More often, ink painting is regarded as a representative of traditional Chinese paintings. --Yang Ziling (talk) 11:37, 27 October 2020 (UTC)
直到明清两代,印人辈出,篆刻便成为以篆书为基础,利用雕刻方法,在即面中表现疏密、离合的艺术型态,篆刻遂由广义的雕镂铭刻,转为狭义的治印之举。
It was not until the Ming and Qing Dynasties that there were a large number of printing people, and seal cutting became based on the seal script, using the carving method to express the artistic style of density and separation in the immediate face. The seal carving changed from the broad sense of carving and inscription to the narrow sense of seal printing. --Yang Ziling (talk) 11:37, 27 October 2020 (UTC)
八大山人长于水墨写意,为其划时代的人物。在水墨写意画中,又有专擅山水和专擅花鸟之别,八大山人则两者兼而善之。
Bada Shanren is good at freehand brushwork and is an epoch-making figure. In the freehand brushwork, there is a difference between being good at landscape and being good at flowers and birds, while Bada Shanren is good at both. --Yang Ziling (talk) 11:37, 27 October 2020 (UTC)