Difference between revisions of "Modern Chinese Literature"
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| − | = | + | = Emergence of modern Chinese literature = |
| + | = Historical and cultural background late Qing = | ||
| + | * Genre development in China, scholars as authors, Mandarin & Butterfly School | ||
| + | * Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford | ||
| + | |||
| + | = Encounter with the West, Westernization = | ||
| + | * Wu Jianren, New Story of the Stone, utopian novel | ||
| + | * Liang Qichao, Accounts of the future of new China, utopian fragment | ||
| + | * Secondary Literature: | ||
| + | ** Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997. | ||
| + | ** Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330. | ||
| + | ** Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61 | ||
| + | ** John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17 | ||
| + | |||
| + | = May Fourth iconoclasm - Historical and cultural background May Fourth = | ||
| + | * Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73 | ||
| + | * Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139 | ||
| + | |||
| + | = The role of translations and translators = | ||
| + | * Yan Fu | ||
| + | * Lin Shu | ||
| + | * the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper] | ||
| + | * the selection process and intention of translations | ||
| + | |||
| + | = Discovery of the alienated Self – World Literature = | ||
| + | * McDougall and Louie, 1-185; focus on pages 1-30 | ||
| + | * [[Lu Xun (1881-1936)]] Beween activism and self-doubt - the development of Lu Xun [[Special:Contributions/161.28.62.242|161.28.62.242]] 21:45, 4 October 2012 (UTC) | ||
| + | ** Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21) | ||
| + | ** Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm | ||
| + | ** "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion] | ||
| + | |||
| + | = Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism = | ||
| + | * Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm | ||
| + | * Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp. | ||
| + | * Crescent Moon | ||
| + | * Creation Society | ||
| + | * Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501] | ||
| + | * [[Guo Moruo (1892 -1978)]] [[User:DavidSmith|DavidSmith]] 21:40, 4 October 2012 (UTC) | ||
| + | ** Guo Moruo: “The hound of heaven” 1920 | ||
| + | |||
| + | = Literature of the 1930s = | ||
*[[Qian ZhongShu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC) | *[[Qian ZhongShu (1910 – 1998)]] [[User:Ericaangie]] 13:19, 5 October 2012 (UTC) | ||
| − | *[[Lu Xun | + | ** Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947 |
| − | *[[ | + | |
| + | = Women writers = | ||
| + | * Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing | ||
| + | * Zhang Ailing, "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680 | ||
| + | * [[Ling Shuhua (1900-1990)]] [[User:Mattstrock|Mattstrock]] 21:22, 1 October 2012 (UTC) | ||
| + | * Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102]; | ||
| + | * Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion] | ||
| + | |||
| + | = The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action = | ||
| + | * Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature. | ||
| + | * Mao's claim of Lu Xun | ||
| + | |||
| + | = The socialist era, Yan'an Literature and Rectification = | ||
| + | * Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435 | ||
| + | * Ding Ling, "When I Was in Hsia Village" [132-46] | ||
| + | * Mao Dun and "Spring Silkworms" [56-73] | ||
| + | |||
| + | = Authors in transition: From Revolutionary Romanticism to Reform Literature = | ||
| + | * [[Wang Meng]] [[Special:Contributions/161.28.62.242|161.28.62.242]] 21:45, 4 October 2012 (UTC) | ||
| + | * Wang Meng, Long Live [the] Youth! | ||
| + | * Wang Meng, Hard Porridge, trans. by Chen Zishan | ||
| + | * Ba Jin: Family and the self-censorship in the later edition | ||
| + | |||
| + | = On different paths: Bing Xin, Zhang Jie = | ||
| + | * Bing Xin | ||
| + | * Zhang Jie: Heavy Wings | ||
| + | |||
| + | = Chinese Modernism and the Aesthetic = | ||
| + | * McDougall and Louie, 189-321; focus on pages 189-207 | ||
| + | * Shi Zhicun, "One Evening in the Rainy Season" [115-24] | ||
| + | * Regional literature | ||
| + | * Shen Congwen, "Xiaoxiao" [82-94] | ||
| + | * "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion] | ||
| + | |||
| + | = Post-Revolutionary Literature; Cultural Revolution = | ||
| + | * "Red Detachment of Women" [Film Viewing] | ||
| + | |||
| + | = Post-Mao Literature, Scars and realism, Roots literature = | ||
| + | * McDougall and Louie, 325-448; focus on pages 325-44 | ||
| + | * Liu Heng, "Dogshit Food" [366-78]; scars literature | ||
| + | * Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion] | ||
| + | |||
| + | = Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo = | ||
| + | * Mo Yan 莫言 "Old Gun" [in China: A Traveler's Literary Companion] | ||
| + | * Mo Yan 莫言, 生死疲勞 "Life and Death are Wearing me out" | ||
| + | * Yu Hua, "Brothers" | ||
| + | * Jia Pingwa | ||
| + | * Wang Shuo | ||
| + | |||
| + | = Contemporary Women authors = | ||
| + | * Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist | ||
| + | |||
| + | = Avant-garde literature and post-socialist present = | ||
| + | * Su Tong, "Escape" [445-54]; | ||
| + | * Yu Hua, "On the Road at Eighteen" [439-44] | ||
| + | ** modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship | ||
| + | * Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s | ||
| + | |||
| + | = Taiwan literature = | ||
| + | * Zhang Dachun, "Lucky Worries About His Country" (403-416) | ||
| + | * Zhu Tianwen, "Fin de Siècle Splendor" [388-402] | ||
| + | |||
| + | = Longing for something literature I: Historicizing, II: Tibet Exotism = | ||
| + | * Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天) | ||
| + | * Alai | ||
| + | |||
| + | = Megacity Literature II - Peking and Vagabound Literature = | ||
| + | * Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick | ||
| + | * Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets | ||
| + | |||
| + | = Between cult and celebrity = | ||
| + | * Cult author Guo Jingming | ||
| + | ** Book series "Bestseller" | ||
| + | ** Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river | ||
| + | * Cult author Mian Mian | ||
| + | ** Mian Mian (棉棉), 声名狼籍 Panda Sex | ||
| + | |||
| + | = Critical surrealist Han Han, young authors = | ||
| + | * Triple door | ||
| + | * His Land | ||
| − | * | + | = Blog, Web and Fan literature = |
| + | * Blogs (blog literature?), from web to paper literature | ||
| + | * Ai Weiwei, Han Han, Annie Baobei | ||
| − | = | + | = Fan literature = |
| − | * | + | * Web literature portal qidian.com |
Revision as of 06:28, 8 October 2012
Emergence of modern Chinese literature
Historical and cultural background late Qing
- Genre development in China, scholars as authors, Mandarin & Butterfly School
- Cao Xueqin, The Story of the Stone, also known as The Dream of the Red Chamber, 1791, transl. David Hawkes, John Minford
Encounter with the West, Westernization
- Wu Jianren, New Story of the Stone, utopian novel
- Liang Qichao, Accounts of the future of new China, utopian fragment
- Secondary Literature:
- Wang, David Derwei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford UP, 1997.
- Wang, David Derwei. “Translating Modernity.” Pollard, David E., ed. Translation and Creation: Readings of Western Literature in Early Modern China, 1840–1918. Amsterdam: John Benjamins, 1998. 303-330.
- Wang Dun (王敦). “The Late Qing’s Other Utopias: China’s Science-Fictional Imagination, 1900-1910”, in: Concentric: Literary and Cultural Studies 34.2, September 2008: 37-61
- John Fitzgerald, The Unfinished History of China's Future, in: Thesis Eleven 1999 57:17, here pp. 21-23, http://the.sagepub.com/content/57/1/17
May Fourth iconoclasm - Historical and cultural background May Fourth
- Liang Qichao, Foreword to the Publication of Political Novels in Translation, Denton 71-73
- Hu Shi, Some modest proposals for the Reform of Literature, D1996:123-139
The role of translations and translators
- Yan Fu
- Lin Shu
- the earliest translations [unpublished ppt presentation_woesler.pptx, paper: woesler_early_translations_of_german_literature_into_chinese_final.doc, paper]
- the selection process and intention of translations
Discovery of the alienated Self – World Literature
- McDougall and Louie, 1-185; focus on pages 1-30
- Lu Xun (1881-1936) Beween activism and self-doubt - the development of Lu Xun 161.28.62.242 21:45, 4 October 2012 (UTC)
- Lu Xun: Preface to the first collection of Short Stories "Call to arms" 1922 (LG:3-7), A Madman's Diary 1918 (LG:8-16), Kong Yiji 1919 (LG:17-21)
- Further information: http://people.cohums.ohio-state.edu/denton2/courses/c503/mad.htm, http://people.cohums.ohio-state.edu/denton2/courses/c503/kong.htm
- "Hometown" http://www.coldbacon.com/writing/luxun-calltoarms.html#Home [in China: A Traveler's Literary Companion]
Living to see the Western literary epochs in Chinese time lapse. The Literary societies and May Fourth Romanticism
- Required reading: http://people.cohums.ohio-state.edu/denton2/publications/research/soc.htm
- Further reading: Literary Societies of Republican China. Edited by KIRK A. DENTON and MICHEL HOCKX. Lanham, Md.: Lexington Books, 2008. ix, 591 pp.
- Crescent Moon
- Creation Society
- Yu Dafu, "Sinking" 1921 [31-55], Xu Zhimo's poems 1925-1930 [499-501]
- Guo Moruo (1892 -1978) DavidSmith 21:40, 4 October 2012 (UTC)
- Guo Moruo: “The hound of heaven” 1920
Literature of the 1930s
- Qian ZhongShu (1910 – 1998) User:Ericaangie 13:19, 5 October 2012 (UTC)
- Self-selected excerpts from Qian Zhongshu, "Fortress besieged" 1947
Women writers
- Literature of the Megacities - The inner life of Shanghainese women writers with a focus on Zhang Ailing
- Zhang Ailing, "Sealed Off" [174-183], "Zhang Ailing", in: Biographical Dictionary of Chinese Women, p. 680
- Ling Shuhua (1900-1990) Mattstrock 21:22, 1 October 2012 (UTC)
- Ling Shuhua, "The Night of Mid-Autumn Festival" [95-102];
- Xiao Hong, "Hands" [161-73]; "On the Oxcart" [in China: A Traveler's Literary Companion]
The fall: Authors yoke their literature for a deceiving ideology. Lu Xun’s proud ox bows his head not only for children, but now also for party action
- Lu Xun’s ambiguous attitude towards taking physical action, towards the impact of literature on society and towards serving an ideology with literature.
- Mao's claim of Lu Xun
The socialist era, Yan'an Literature and Rectification
- Mao Zedong, Poems, Talks in Yan'an: Literature and Art for the Masses and the Use of Traditional Forms, 1938, D1996:433-435
- Ding Ling, "When I Was in Hsia Village" [132-46]
- Mao Dun and "Spring Silkworms" [56-73]
Authors in transition: From Revolutionary Romanticism to Reform Literature
- Wang Meng 161.28.62.242 21:45, 4 October 2012 (UTC)
- Wang Meng, Long Live [the] Youth!
- Wang Meng, Hard Porridge, trans. by Chen Zishan
- Ba Jin: Family and the self-censorship in the later edition
On different paths: Bing Xin, Zhang Jie
- Bing Xin
- Zhang Jie: Heavy Wings
Chinese Modernism and the Aesthetic
- McDougall and Louie, 189-321; focus on pages 189-207
- Shi Zhicun, "One Evening in the Rainy Season" [115-24]
- Regional literature
- Shen Congwen, "Xiaoxiao" [82-94]
- "Meijin, Baozi, and the White Kid" [in China: A Traveler's Liteary Companion]
Post-Revolutionary Literature; Cultural Revolution
- "Red Detachment of Women" [Film Viewing]
Post-Mao Literature, Scars and realism, Roots literature
- McDougall and Louie, 325-448; focus on pages 325-44
- Liu Heng, "Dogshit Food" [366-78]; scars literature
- Yan Lianke, "Black Bristle, White Bristles" [in China: A Traveler's Literary Companion]
Master narrators Mo Yan, Yu Hua, Jia Pingwa, Wang Shuo
- Mo Yan 莫言 "Old Gun" [in China: A Traveler's Literary Companion]
- Mo Yan 莫言, 生死疲勞 "Life and Death are Wearing me out"
- Yu Hua, "Brothers"
- Jia Pingwa
- Wang Shuo
Contemporary Women authors
- Bi Shumin (毕淑敏), 女儿拳 Women’s boxing, 女心理师 The female psychologist
Avant-garde literature and post-socialist present
- Su Tong, "Escape" [445-54];
- Yu Hua, "On the Road at Eighteen" [439-44]
- modern Chinese literary life, such as publishing in journals and newspaper supplements, working within literary societies or associations, and dealing with censorship
- Gu Cheng, Mang Ke, Bei Dao: Poets of the Obscure School since the 1980s
Taiwan literature
- Zhang Dachun, "Lucky Worries About His Country" (403-416)
- Zhu Tianwen, "Fin de Siècle Splendor" [388-402]
Longing for something literature I: Historicizing, II: Tibet Exotism
- Yu Dan 于丹, 《论语》心得 Confucius in your heart, Yi Zhongtian (易中天)
- Alai
Megacity Literature II - Peking and Vagabound Literature
- Xu Zechen (徐则臣), 跑步穿过中关村 Peking double quick
- Liu Zhenyun (刘震云), 我叫刘跃 The pickpockets
Between cult and celebrity
- Cult author Guo Jingming
- Book series "Bestseller"
- Guo Jingming (郭敬明), 悲伤逆流成河 Cry me a sad river
- Cult author Mian Mian
- Mian Mian (棉棉), 声名狼籍 Panda Sex
Critical surrealist Han Han, young authors
- Triple door
- His Land
Blog, Web and Fan literature
- Blogs (blog literature?), from web to paper literature
- Ai Weiwei, Han Han, Annie Baobei
Fan literature
- Web literature portal qidian.com