20201116 cult

Guo Lu 郭露

1. 京剧结合音乐，杂技舞蹈和壮观的服饰，讲述中国历史和民间传说的故事。 演员使用富有戏剧性意义的抽象，象征性手势，代表了英雄，神圣和动物界的人物，常常是在武术中使用。 面具般的妆容和精致服装的传统特征立即为认识的观众标识了角色。

Beijing Opera combines music, acrobatic dance, and spectacular costumes to tell stories from Chinese history and floklore. Using abstract, symbolic gestures rich in dramatic meaning, actors represent personages from the heroic, divine, and animal worlds, often in martial exploits. The traditional features of the masklike makeup and elaborate costumes immediately identify the characters to a knowing audience.

2. 梅兰，艺名梅兰芳 ，是中国现代戏剧中著名的京剧演员。梅兰芳被称为“京剧大师”。他以女性角色“旦”而出名，尤其以青衣为主，即年轻或中年的优雅女子。梅兰芳和尚小云、程砚秋、荀慧生一起，被誉为“四大名旦”。

Mei Lan, better known by his stage name Mei Lanfang, was a notable Peking opera artist in modern Chinese theater. Mei was known as "Queen of Peking Opera". Mei was exclusively known for his female lead roles (dan) and particularly his "verdant-robed girls" (qingyi), young or middle-aged women of grace and refinement. He was considered one of the "Four Great Dan", along with Shang Xiaoyun, Cheng Yanqiu, and Xun Huisheng.

3.杂技是各种技艺表演的总和，以高、难、险、奇而和谐的技能为特征。杂技的艺术语言主要是超高技巧肢体动作，包括柔身术、绳技、顶碗、滚杯等。

Characterized by high, difficult, dangerous, strange and harmonious skills, acrobatics is the sum of various performances, its artistic language mainly includes super-skilled body movements, including contortionist, rope skill, bowling, and cup rolling.

--Guo Lu (talk) 02:48, 19 November 2020 (UTC)

Acrobatics is the sum of various technical performances, marked by high, difficult, dangerous, strange and harmonious skills. It’s artistic language is the highly-skilled body movements, including contortionist, rope skill, bowling and cup rolling. --Li Liqin (talk) 03:37, 19 November 2020 (UTC)

Hu Baihui 胡百辉

1.京剧是中国五大戏曲剧种之一，另外四种分别为越剧、黄梅戏、评剧和豫剧。 Peking Opera is one of the five major operas in China. The other four are Yue opera, Huangmei Opera, Ping opera and Henan opera. 2.梅兰芳先生是世人景仰的京剧艺术大师，他创造的独树一帜“梅派”艺术，在国内外享有盛誉。他所取得的辉煌成就，给我们留下了弥足珍贵的艺术遗产，他为中国戏剧艺术做出的杰出贡献，将永载戏剧史册。 Mr. Mei Lanfang is a Beijing Opera master admired by the world. His unique "Mei school" art has enjoyed a high reputation at home and abroad. His brilliant achievements have left us a precious artistic heritage. His outstanding contributions to Chinese drama will be forever recorded in the history of drama. 3.中国杂技大约在新石器时代就已经萌芽。秦统一中国后，吸收各国角抵的优点，形成了一种娱乐性的杂技节目——角抵戏。 汉代，角抵戏的内容更充实，品种更丰富，技艺更高超。到东汉时，则形成了一种以杂技艺术为中心，汇集各种表演艺术于一堂的新品种——“百戏”体系。 Chinese acrobatics began to sprout in the Neolithic age. After the unification of China, Qin Dynasty absorbed the advantages of Jiaodi from other countries and formed an entertainment acrobatic program called Jiaodi opera. In the Han Dynasty, the content of Jiaodi opera was more substantial, the variety was richer, and the skill was more excellent. In the Eastern Han Dynasty, a new variety of "Baixi" system with acrobatics as the center and various performing arts in one hall was formed.--Hu Baihui (talk) 03:37, 19 November 2020 (UTC)

Li Liqin 李丽琴

1. 京剧是中国影响最大的戏曲剧种，分布地以北京为中心，遍及全国各地。2006年5月，京剧被国务院批准列入第一批国家级非物质文化遗产名录。然而，京剧发展当前存在一些问题：一是创作人才匮乏；二是缺乏固定的演出场所；三是经费投入不足。令人担忧的是京剧是否会像旧城区一样，成为中国疯狂的商业化和现代化进程的牺牲品。

Beijing Opera is the most influential opera in China, with Beijing as the center and all over the country. In May 2006, it was approved by the State Council to be included in the first national intangible heritage list. However, it has encountered some problems, including the lack of creative talents, fixed performance venues, and investment funds. The worry, though, is that, like the old neighborhoods, Beijing opera could fall victim to China’s rampant commercialism and modernization. --Li Liqin (talk) 03:21, 19 November 2020 (UTC)

2. 梅兰芳、程砚秋、尚小云和苟慧生被合称为京剧四大名旦，梅兰芳被公认为是中国表演艺术的代表。在他的演艺生涯中，他将自我天赋加入传统的人物性格中，形成了自己的风格，并且成立了“梅兰芳京剧学校”。

Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun, and Gou Huisheng are recognized as the four greatest artists of Beijing Opera, of which Mei Landang is acknowledged to be the symbol of China’s performing art. Over the course of his career, he added his own flair to traditional characters, shaping a style of his own and forming “The Mei Lanfang School”. --Li Liqin (talk) 03:21, 19 November 2020 (UTC)

3. 杂技艺术在中国已经有2000多年的历史。 “杂技”一词，是1950年中国杂技团成立时，由周恩来总理定名的。近年来，中国杂技界以发展先进文化为己任，与时俱进，已经成为对外文化交流，弘扬中华民族优秀文化的重要渠道。

In China, acrobatics has a history of more than 2000 years. The term “acrobatics” was given by Premier Zhou Enlai in 1950 when the Chinese Acrobatic Troupe was founded. Over the years, the Chinese Acrobatics Society has been developing advanced culture and keeping pace with the times. It has become an significant channel for advancing foreign cultural exchanges and promoting the brilliant culture of the Chinese nation. --Li Liqin (talk) 03:21, 19 November 2020 (UTC)

Acrobatics has a history of more than 2000 years in China. The term "acrobatics" was named by Premier Zhou Enlai when the Chinese acrobatic troupe was founded in 1950. In recent years, China's acrobatic circle has taken the development of advanced culture as its own responsibility and kept pace with the times, which has become an important channel for foreign cultural exchange and the promotion of the excellent culture of the Chinese nation.--Hu Baihui (talk) 03:39, 19 November 2020 (UTC)