The Merchant Elite and Vernacular Writing
*Work in progress*
Historical Background
The Four Occupations
There were four distinct social classes, known as the Four Occupations.
The idea of the Four Occupations came from either Legalist or Confucian principles, dating back as far as the Zhou Dynasty.
These four different occupations were organized in a hierarchy of importance, starting with the Shi, followed by the Nong, the Gong, and finally the Shang. The Shi were the cultural elite. Originally a warrior class, over time the group shifted into the scholarly elite seen in the Ming and other dynasties. During the Ming, they were the gentry elite.
The Nong were the peasant farmers. They were considered second to the gentry because they grew the food necessary to maintain the empire.
The Gong were craftsmen and workers. They were considered second to the peasants; they did not create products quite as essential as food, but still made goods necessary for the people in the country. Some of the more successful members of this class formed guilds to sell goods.
The Shang were merchants. They were considered lower than the other classes because they profited off the work of others without producing their own work. While they were necessary to the country, the other classes were seen as more valuable.
The Four Occupations were seen more as an ideal rather than a realistic hierarchy. While the peasants and craftsmen were considered more valuable than the merchant class, merchants could not only gain wealth from within the country, but through outside trade, as well. With Europeans finding silver in the Americas, merchants were able to facilitate trade between foreign entities. Because of the desire for silver in China, merchants gained unprecedented wealth. (*)
By the Ming Dynasty, the social distinctions between classes became blurred. It culminated with the formation of a group referred to as the Shishang.The name is clearly a combination of the gentry class and merchant class, shi and shang. The group was "a combination of the old examination-based elite with a new wealthy merchant class." The class was associated with fiction writing written predominately in vernacular Chinese (Cambridge 99).
Print culture
The End of Manuscript Culture, Movement into Print Culture
From as early as 200 A.D, woodblock printing has existed in China. Woodblock printing was not replaced by movable type printing that was developed in the Song dynasty, in about 1040 A.D, by Bi Sheng. This form of movable type was a technological innovation, but woodblock printing was cheaper.
Despite the existence of printing, scholars through the Tang and Song Dynasties valued handwritten manuscripts, lending to the name 'manuscript culture.' Texts were written by hand and distributed in literate circles, usually of the gentry class. Calligraphy was a highly prized skill throughout China's literary history. It is still considered one of the highest forms of art in China, "serving the purpose of conveying thoughts while also showcasing abstract beauty of lines" ("History of Chinese Calligraphy" 1). It was also around the time of the invention of the woodblock print that calligraphy began to be considered an art form.
By the late Ming, manuscript culture had been replaced by print culture. The amount of literacy and written work produced during the Ming was explosive in scale. While manuscript culture remained important, with works such as Jin Ping Mei, Flower in the Golden Vase, being written and shared in manuscript form, by the sixteenth century, printing became the primary mode of textual circulation (Cambridge 63).
Li Mengyang
Li Mengyang was a Ming Dynasty scholar. He came from a merchant family, making him a good example of the Shishang class.
He was a member of the Revivalist School of writers, who were focused on the expression of emotion over refined form. They saw the focus on form that was appearing in palace poetry of the time as vain. Particularly important to note about the Revivalist School is their fascination with colloquial songs. They felt that true poetry would be found among the people, where the writings were emotional and connected to real life.
Li's main interest was in the play The Western Wing, and he was the first to give it scholarly credence. His interest in the play and other forms of writing, such as his interest in popular songs, might be explained by his origins from a merchant family.
Li had a troubled career as an official; he was imprisoned three times, and ultimately left his career as a scholar. Even after the end of his career, he remained an active, vocal writer, dedicated to the Revivalist School.