20221231 LangCult 8

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202270081670 谢紫佳 Xie Zijia 英语笔译(English translation)

Chinese Mystery Novel

谢紫佳Xie Zijia,202270081670

Abstract

The term 'Zhiguai' refers to the account of strange and bizarre events, and generally refers to the Zhiguai novel, one of the classical Chinese novels, which mainly recounts stories and legends of ghosts and spirits. The 'ghost'is an object of legend and belief that has been perpetuated from ancient China, forming a unique Chinese ghost culture. It was a genre that took 'ghosts' as the subject of storytelling, created and flourished in the Wei, Jin and North and South Dynasties, reflecting the spread of metaphysical culture and Buddhism and Taoism at the time.

Key words

Mystery novels; Ghost culture; Wei,Jin and North-South dynasties

202270081671 熊丹 Xiong Dan 英语笔译(English translation)

Comparison of Chinese and western food culture under the background of “Chinese Culture Exporting

熊丹Xiong Dan,202270081671

Abstract

Chinese and Western food cultures are very different, their dining methods, objects, etiquette and eating concepts are also different. However, with the development trend of globalization, the communication of various nationalities is increasing, and the food culture begins to learn from and integrate with each other to a certain extent. Starting with the differences in the focus of Chinese and Western food cultures, this paper compares Chinese and Western food cultures under the background of cultural export.

= = Key Words = =

Food culture,differences

= =基于中国文化输出背景下的中西方饮食文化对比= =

202270081700 徐思禹 Xu Siyu 英语口译(English interpretation)

An Introduction of Errenzhuan in Northeast China

Xu Siyu 202270081700

Abstract

Errenzhuan is popular in the northeastern part of China, just as Yu Opera is in Henan province. It is fair to say that Er ren zhuan has exerted great influence on China, and that it is an important part of northeastern culture. This paper will give a brief introduction of it.

202270081672 颜琦 Yan Qi 英语笔译(English translation)

Eunuchs in Ancient China

颜琦Yan Qi, 202270081672

Abstract

Eunuchs have long functioned as an integral part of Chinese imperial feudal system since they were created. In Chinese history, the castrated or emasculated imperial court servants dealt with the court affairs for the emperors but some of them took part in politics and economic activities and even owned military rights. This paper will discuss the characteristics of eunuchs and important historical events on them during different historical periods, so that readers can understand the political power of eunuchs to the feudal dynasties in ancient China.

202270081673 杨思吟 Yang Siyin 英语笔译(English translation)

==Topic== The Development of Traditional Chinese Medicine

Yang Siyin, 202270081673.

Abstract

Traditional Chinese medicine has a long history, and the development of TCM can be devided into 5 parts, be they the primitive society, the Spring and Autumn and Warring States Period, Qin and Han dynasties, the Sui, the Tang and the Five Dynasties, and Ming and Qing dynasties. Over these five periods, TCM continued to envolve, from a beneficial life experience to a systematical system. Also, there comes four crucial medical books that palys an important role.

202270081674 杨晰微 Yang Xiwei 英语笔译(English translation)

Foshan Paper-cutting Culture

杨晰微 Yang Xiwei, 202270081674

Abstract

With a long history of over one thousand years in China, Paper-cutting art has formed different local styles throughout the country. Foshan paper-cutting, reputed for its unique regional styles and distinctive cultural features, was listed as one of the intangible cultural heritages of China in 2006. This paper focuses on introducing the origin, development, categories and themes of Foshan paper-cut, and further exploring its current situation.

Key Words

Foshan paper-cut art, Cultural heritage, Features

题目

佛山剪纸文化

摘要

剪纸艺术在中国有一千多年的悠久历史,在全国各地形成了不同的地方风格。佛山剪纸以其独特的地域风格和鲜明的文化特色而闻名,于2006年被列为中国非物质文化遗产之一。本文着重介绍了佛山剪纸的起源、发展、种类和题材,并进一步探讨了佛山剪纸的现状。

关键词

佛山剪纸艺术,文化遗产,特色

Introduction

Located in Guangdong province, Foshan is a main birthplace of Lingnan culture, which is featured with ingenuity, diversity, openness and so on. Foshan paper-cutting is deep rooted in broad and profound Lingnan culture. Consequently, it possesses strong Lingnan cultural features. Then it becomes one of major schools of Chinese paper cutting. Foshan paper-cut is different from that in northern China which is resolute, bold and magnificent, and reflects the unique dexterity, elegance and fresh and beautiful features of that in southern China.(Yang Mingxia 2015, 82)

Origin and Development

Paper-cutting in Foshan originated during the Song Dynasty and flourished during the Ming and Qing Dynasties, with a history of more than 800 years. Since the Ming Dynasty, Foshan paper-cutting has been produced in large quantities by specialized industries, and the products were sold across the country and even exported to South Asian countries. (Liang Genxiang 2001, 16) After the heyday of traditional paper-cutting in the Ming and Qing dynasties, Foshan's commerce and handicrafts were hit hard by the invasion of foreign capitalism after the Opium War. Foshan traditional paper-cutting has begun to decline during the period of the Republic of China, is moribund during the anti-Japanese war period. After the founding of the People's Republic of China, Foshan paper-cutting was given a new lease of life. On May 4, 1956, the Foshan Qiuse Craft Society was established, and in September of the same year, it was renamed the Foshan Folk Art Research Society, with a paper-cutting workshop, and became the main base for the creation, research and sale of modern Foshan paper-cutting. Since the reform and opening up, the Foshan Folk Art Research Society has invested a total of more than 2 million yuan to protect, transform and innovate the traditional craft of Foshan paper-cutting.(Liang Daguang 2009, 221)

Categories

There are two categories: one is cut with scissors and the other is carved with an engraving knife. The later is a characteristic in Foshan, and is also the main industry of Foshan paper-cutting. This type of paper cuttings can be carved into 20-30 sheets at a time, which is suitable for mass production. This category of paper cuttings can be divided as followings.

A.Single-color Paper-cuts

This type of paper cutting contains one color and red is the most often used. It is the basis for all other types of paper cutting.

B.Lining Paper-cuts

According to the different materials uesd, it can be divided into paper lining material, copper lining material, silver lining material, etc. Among them, copper lining paper cuttings is unique to Foshan. This technique is to use copper foil to cut the pattern of main body and then add different colored pieces of paper onto it as the back.

C.Color Paper-cuts

Different materials can be used like paper, silver or copper. Among them, copper material is the most special. It is a combination of painting and paper-cutting art form. Firstly, use a knife to carve out the outline of the picture on the copper foil sticked onto a paper later. Then, mix watercolor with glue to paint lines.

D.Copper Chisel Paper-cuts

This is one of the most characteristic varieties of Foshan paper-cutting, which is not engraved with a knife, but with a small copper chisel on copper foil, similar to a ball pen, with a wooden mallet to knock out small round beads in line with the image. (Su Liman, Liang Danni 2010, 160)

Themes

The themes of Foshan paper-cuts are mostly loved by the masses. According to different themes, Foshan paper-cut can be divided into three categories.

The first one is the auspicious and festive category, which usually expresses good wishes and implications with the help of flowers, birds, insects, fish and other auspicious things, which are often matched with other elements. (Wang Juan 2008, 131)

The second is the folk custom activities which have strong ethnic customs and local characteristics under the long-term influence of Lingnan culture. Such as lion dances, dragon dance, weddings and temple fairs. These folk custom activities with Foshan characteristics are the indispensable paper-cut themes.

The third is folk stories from the past, mythology and literature, which reflect people's spirits, virtues and cultural concepts. For example, one of Foshan's representive paper cutting works of Qing Dynasty, "Ms Chan's boat chase", is the love story between nun Chan Miaochang and scholar Pan Bizheng who broke through the fedual ethical code and finally got married in the story of Jade Hairpin written by Gao Lian of Ming Dynasty.(Yu Xiangyi et al. 2020, 51)

Current Situation

Modern Foshan paper-cut has formed new characteristics. For example, the production division of labor has been specialized. The function of paper-cutting has changed from folkloric practical to artistic appreciation. The form of paper-cutting has been derived from small window flowers to large murals. Based on above, Foshan paper-cutting as a cultural resource has been transformed into a cultural product, realizing the interaction between skill transmission and production and marketing. (Zou Jinlin 2014, 36)

However, it also faces problems such as the loss of inheritors, the extinction of related industries such as raw materials, market instability and tax pressure, which need to be solved by all parties. For instance, schools in Foshan could launch handicraft courses to help students get closer to this charming art andlearn the culture behind it.(Huang Huanchen 2019, 136)

Conclusion

For hundreds of years, Foshan paper-cuts not only represents the people's pursuit